Review: Brandon Lee Gives "THE CROW" Staying Power

TRASH IN MY EYE No. 38 of 2024 (No. 1982) by Leroy Douresseaux

The Crow (1994)

Running time:  102 minutes (1 hour, 42 minutes)

MPAA – R for a great amount of strong violence and language, and for drug use and some sexuality

DIRECTOR: Alex Proyas

WRITERS:  David J. Schow and John Shirley (based on the comic book series and comics strip created by James O'Barr)

PRODUCERS:  Jeff Most and Edward R. Pressman

CINEMATOGRAPHER:  Dariusz Wolski (D.o.P.)

EDITORS:  Dov Hoenig and M. Scott Smith

COMPOSER:  Graeme Revell

SUPERHERO/FANTASY/ACTION/CRIME

Starring:  Brandon Lee, Michael Wincott, Ernie Hudson, Rochelle Davis, Bai Ling, Sofia Shinas, Anna Thomson, David Patrick Kelly, Angel David, Laurence Mason, Michael Massee, Tony Todd, Jon Polito, Bill Raymond, Marco Rodriguez, and Kim Sykes

The Crow is a 1994 American superhero and dark fantasy film from director Alex Proyas.  The movie is based on The Crow comic book series and on the character that first appeared in the comic book, Caliber Presents #1 (cover dated: January 1989), all created by James O'Barr.  The Crow the movie focuses on a musician who returns from the dead a year after he and his girlfriend were brutally murdered to seek vengeance against their murderers.

The Crow is infamous for the death of its lead actor, Brandon Lee (1965-1993), the son of film icon, Bruce Lee.  On March 31, 1993, Lee was fatally wounded by a discharge from a prop gun.  At that point, Lee had completed almost all his scenes for the film.  Through the use of special effects, digital face replacement, stunt doubles, and rewrites, Proyas was able to finish the film, and it was released in May 1994.

The Crow is set in a crime-ravaged and decrepit city that is like Detroit, Michigan, and the story opens on October 30th, Devil's Night (an infamous celebration in Detroit).  It introduces rock musician, Eric Draven (Brandon Lee), and his fiancée, Shelly Webster (Sofia Shinas).  They are going to be married on Halloween.  Instead, Eric is beaten and murdered.  Shelly is brutally beaten and raped and later dies of her injuries.

One year later, Eric Draven rises from the grave as an avenging spirit, The Crow (Brandon Lee).  He has returned to killed the men who murdered him and Shelly:  T-Bird (David Patrick Kelly), Funboy (Michael Massee), Tin Tin (Laurence Mason), and Skank (Angel David).  Sarah (Rochelle Davis), a young girl who was Eric and Shelly's friend, and Albrecht (Ernie Hudson), and an outcast police officer, become personally involved in Eric's return as The Crow.  Waiting in the background, however, is Top Dollar (Michael Wincott), the crime lord who is connected to what happened to Eric and Shelley and who sees The Crow's rampage as a threat to his criminal empire.

Despite the notoriety it gained because of the onset tragedy, The Crow should also be known as a really good film.  It was Alex Proyas first major directorial effort, and that shows in the occasional clumsiness in the flow of the narrative.  However, Proyas unleashes a film that is highly-stylized and drenched in darkness that has a painterly quality.  In other films, this darkness would merely be a case of a poor lighting and mediocre cinematography.  Here, the film's production values and contributions from the cinematographer, production design/art direction team, hair and make-up crew, and film editors contribute to the creation of dark and gloomy cinematic art.

Proyas finds the film's substance in Eric Draven/The Crow's quest for revenge.  In this film, retribution has depth, weight, feel soul; in that, The Crow is like its comic book source material.  Proyas finds power and vulnerability in his lead character the way he finds power and juice in the violence that must happen before Draven can return to his grave.

Proyas, who would go on to direct Will Smith in I, Robot (2004), gets fine performances from a number of supporting actors, especially Ernie Hudson, Michael Wincott, and Rochelle Davis.  He gets the most out of his star, Brandon Lee, who was likely on the verge of blowing up.  In this film, Lee has his own charisma and presence, different from that of his father, Bruce Lee, who made his most charismatic turn in Enter the Dragon (1973).  Was The Crow going to be Brandon's Enter the Dragon?  I don't know, but Brandon makes The Crow feel solid in its slightest moments and grander in its biggest and most violent moments.

The Crow is a flawed jewel, but not a heavily flawed jewel.  Also, I imagine that it is a lot more influential than movie buffs realize.  I can see bits and pieces of it in later films like Blade (1998), The Matrix (1999), and The Dark Knight (2008).  The on-set death of its star cast a melancholy mood over The Crow, but the determination of the filmmakers, cast, and crew eventually brought it out to the public.  The Crow is not a morbid curiosity.  It is more like a rose that survived a deluge of misfortune.

A

8 of 10

★★★★ out of 4 stars

Thursday, August 22, 2024

The text is copyright © 2024 Leroy Douresseaux. All Rights Reserved.  Contact this blog or site for reprint and syndication rights and fees.

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Review: "PULP FICTION" is Still a Wild Child

TRASH IN MY EYE No. 23 of 2024 (No. 1967) by Leroy Douresseaux

Pulp Fiction (1994)

Running time:  154 minutes (2 hours, 34 minutes)

MPAA – R for strong graphic violence and drug use, pervasive strong language and some sexuality

DIRECTOR:  Quentin Tarantino

WRITERS:  Quentin Tarantino; from stories by Roger Avary and Quentin Tarantino

PRODUCER:  Lawrence Bender

CINEMATOGRAPHER:  Andrzej Sekula

EDITOR:  Sally Menke

Academy Award winner

CRIME/DRAMA

Starring:  John Travolta, Uma Thurman, Samuel L. Jackson, Bruce Willis, Ving Rhames, Tim Roth, Amanda Plummer, Phil LaMarr, Frank Whaley, Paul Calderon, Bronagh Gallagher, Rosanna Arquette, Eric Stoltz, Quentin Tarantino, Christopher Walken, and Harvey Keitel

Pulp Fiction is a 1994 crime film from writer-director Quentin Tarantino.  The film follows the lives of an ensemble of characters, including two mob hit men, a boxer, a pair of armed robbers, and a gangster and his wife in a series of intertwined tales of violence and redemption.

Thirty years ago, this month, May 1994, brothers Bob and Harvey Weinstein, the then co-chairmen of Miramax Films, blew into France with the entire cast of Pulp Fiction for the 47th Cannes Film Festival.  On or about May 21, 1994, the Weinsteins unveiled Pulp Fiction at a midnight screening.  From what I read lo those many years ago, that screening cause a sensation.  Pulp Fiction would go on to win the festival's top prize, the “Palme d'Or,” for Tarantino.

I had been putting off seeing Pulp Fiction during its initial release, but it was re-released in the spring of 1995 in the run-up to the 67th Academy Awards (March 27, 1995).  Pulp Fiction had been nominated for seven Oscars.  A friend encourage me to see it with her, which I think we did a week or so before the Oscars.  I'd seen Reservoir Dogs (1992), which I considered to be an exceptional film of that time, but even the uncommon nature of Reservoir Dogs did not prepare me for the demented nature of the audacious art that was (and still is) Pulp Fiction.  In preparation for this film, I recently rewatched Tarantino's other early films, Jackie Brown (1997) and Reservoir Dogs.

Told out of chronological order, Pulp Fiction is set in and around Los Angeles.  It opens in a diner, where a couple, Pumpkin/Ringo (Tim Roth) and Honey Bunny/Yolanda (Amanda Plummer), decide to pull of an armed robbery. Elsewhere, two hit men, Jules Winnfield (Samuel L. Jackson) and Vincent Vega (John Travolta), seek to retrieve a brief case that belongs to their employer, crime boss Marsellus Wallace (Ving Rhames), from a small group of thieves who tried to double-cross Wallace.

Later, Vega takes Wallace's wife, Mia Wallace (Uma Thurman), out to dinner – by request of Marsellus.  They banter.  They dance.  They deal with an overdose.  Also, a palooka boxer, Butch Coolidge (Bruce Willis), double-crosses Marsellus.  Now, he's on the run, but before the night is done, Butch and Marsellus will find themselves delivered into evil.  Finally, Jules meets Pumpkin and Honey Bunny.

Reservoir Dogs is “neo-noir,” which is a modern versions of “Film-Noir,” a term that refers to the stylized Hollywood dramas – especially crime dramas – covering a period from the 1930s to the 1960s.  So if Reservoir Dogs is “neo-noir,” Pulp Fiction recalls another vintage American genre of fiction, the storytelling of the pulp magazines and hard-boiled crime novels of the mid-20th century.  Tarantino grabs the lurid, exploitative, and sensational, and also the violence and corruption that were featured in some pulps and crime novels and grafts that onto Pulp Fiction's non-linear narrative tale of people living, working, cheating, screwing, and killing in the criminal underground of L.A.

Three decades later, I find that some of the film has not aged will, such as the opening scene at the diner and the early parts of the misadventures of Vincent and Jules.  The rest of the film still sparkles with cinematic magic, as Tarantino delights in the myriad elements of both American pop culture and international cinema that he borrows (or steals) for this film.  I will say that this film's last act – the diner scene featuring Vincent & Jules and Pumpkin & Honey Bunny – is what keeps Pulp Fiction in place as one of the best films of the 1990s.  If I can divide films into increments of a quarter-hour or so, I'd say that Pulp Fiction's last 17 minutes before the end credits form the one of the best sequences of film that I have ever seen.

Seeing it again, I was frozen in place, mesmerized, and riveted by the power of this moment in American cinema.  Honestly, Samuel L. Jackson,who was nominated for a “Best Supporting Actor” Oscar for his work in this film, should have won the award based solely on his performance in this last act of Pulp Fiction.  And I say that even as I believe that the actor who did win, the late Martin Landau for Tim Burton's Ed Wood, was deserving of the Oscar.

Back in 1994, at the moment Dick Dale & His Del-Tones' 1962 surf rock anthem, “Misirlou,” blasts across the film's soundtrack, Pulp Fiction injected some much needed juice and venom into American cinema, even if some rejected that injection at the time.  Someone once described Pulp Fiction as a “succulent guilty pleasure.”  I'll still suck on it, and I won't feel guilty about its pleasures.

10 of 10

Saturday, May 25, 2024

NOTES:

1995 Academy Awards, USA:  1 win: “Best Writing, Screenplay Written Directly for the Screen” (Quentin Tarantino and Roger Avary); six nominations: “Best Picture” (Lawrence Bender), “Best Actor in a Leading Role” (John Travolta), “Best Actor in a Supporting Role” (Samuel L. Jackson), “Best Actress in a Supporting Role” (Uma Thurman), “Best Director” (Quentin Tarantino), and “Best Film Editing” (Sally Menke)

1995 BAFTA Awards:  2 wins: “Best Actor in a Supporting Role” (Samuel L. Jackson) and “Best Screenplay – Original” (Quentin Tarantino and Roger Avary); 7 nominations: “Best Film” (Lawrence Bender), “Best Actor” (John Travolta), “Best Actress” (Uma Thurman), “Best Cinematography” (Andrzej Sekula) “David Lean Award for Direction” (Quentin Tarantino), “Best Editing” (Sally Menke), and “Best Sound” (Stephen Hunter Flick, Ken King, Rick Ash, and Dean A. Zupancic)

1995 Golden Globes, USA:  1 win: “Best Screenplay-Motion Picture: (Quentin Tarantino); 5 nominations: “Best Motion Picture – Drama,” “Best Director - Motion Picture” (Quentin Tarantino), “Best Performance by an Actor in a Motion Picture – Drama” (John Travolta), “Best Performance by an Actress in a Supporting Role in a Motion Picture” (Uma Thurman), and “Best Performance by an Actor in a Supporting Role in a Motion Picture” (Samuel L. Jackson)

1994 Cannes Film Festival:  1 win: “Palme d'Or” (Quentin Tarantino)

2013 National Film Preservation Board, USA:  National Film Registry

The text is copyright © 2024 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint or syndication rights and fees.

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Review: "RESERVOIR DOGS" is Still Running These Mean Streets

TRASH IN MY EYE No. 20 of 2024 (No. 1964) by Leroy Douresseaux

Reservoir Dogs (1992)

Running time:  99 minutes (1 hour, 39 minutes)

MPAA – R for strong violence and language

DIRECTOR:  Quentin Tarantino

WRITER:  Quentin Tarantino

PRODUCER:  Lawrence Bender

CINEMATOGRAPHER:  Andrzej Sekula

EDITOR:  Sally Menke

DRAMA/CRIME

Starring:  Harvey Keitel, Tim Roth, Michael Madsen, Chris Penn, Steve Buscemi, Lawrence Tierney, Randy Brooks, Kirk Baltz, Edward Bunker, Quentin Tarantino, and (voice) Steven Wright

Reservoir Dogs is a 1992 drama and crime film from writer-director Quentin Tarantino.  It is Tarantino's debut film and is the film that brought him to the attention of movie audiences, film critics, and movie studios.  Reservoir Dogs focuses on the aftermath of jewelry heist gone wrong as each surviving criminal tries to find out which of his cohorts is a police informant.

Reservoir Dogs opens in a diner and introduces eight gangsters.  The boss is Joe Cabot (Lawrence Tierney), and he and his son, “Nice Guy” Eddie Cabot (Chris Penn), are plotting the heist of jewelry store that has obtained some pricey, fine-cut diamonds.  Joe has put together a crew to pull off what seems like a routine robbery, and he has given them nicknames or aliases so that they don't know each other's “Christian names.”

Larry Dimmick (Harvey Keitel) is “Mr. White.”  Freddy Newendyke (Tim Roth) is “Mr. Orange.”  “Toothpick” Vic Vega (Michael Madsen) is “Mr. Blonde.”  The other three are “Mr. Pink” (Steve Buscemi), “Mr. Blue” (Edward Bunker), and “Mr. Brown” (Quentin Tarantino).

However, the heist turns out not to be routine because it was like the cops were waiting for them.  Now, two of the six robbers are dead.  Four of them are hold-up in a warehouse.  One of them is grievously wounded, and one of them has shown up with a young police officer, Marvin Nash (Kirk Baltz), he kidnapped.  If they are going to make it out of their current predicament, however, they are going to have to discover which of them ratted the rest out to the police.

This year is the thirtieth anniversary of the original theatrical release of Quentin Tarantino's most famous film, Pulp Fiction.  It's also the 30th anniversary of the film's debut at the 47th Cannes Film Festival.  Before I take a look at that film in its entirety for the first time in thirty years, I decided to go back and watch Reservoir Dogs in its entirety for the first time in over thirty years.

Over the last few decades, I have seen many films referred to as “neo-noir,” because they are modern versions of “Film-Noir.”  This term refers to the stylized Hollywood dramas – especially crime dramas – of the 1930s to the 1960s.  The 1940s and 1950s are seen as the classic period of Film-Noir.  I believe that Reservoir Dogs is legitimately neo-noir because it recalls two of my favorite Film-Noir classics, John Huston's The Asphalt Jungle (1950) and Stanley Kubrick's The Killing (1956), especially the latter of which Reservoir Dogs borrows several ideas and elements.  Early on, it is also clear that the nonlinear narrative that Tarantino uses in Reservoir Dogs is similar to that of Akira Kurosawa's classic period drama, Rashomon (1950).

Reservoir Dogs introduces audiences to what would become Tarantino narrative hallmarks:  pop culture references; gory violence, hard-hitting action, nonlinear storytelling, and a heady mixture of songs from the 1960s and 1970s.  In this case, the music is introduced by an unseen radio DJ, K-Billy, voiced by comedian and actor, Steven Wright.  At the time, however, those didn't feel like hallmarks.  They were new, and over thirty years later, they still feel new, not like things that are now director trademarks which in many ways define Tarantino's career and process.  Even watching the film now, I see them as clever flourishes from a young director with a lot of potential.

Yes, the dialogue does not always sparkle, but every moment of this film bursts with potential even.  That is true even when the nonlinear storytelling reveals that the entire process of the jewelry store heist seems like a thing inadvertently built on a house of holes.

Harvey Keitel, Tim Roth, Michael Madsen, and Steve Buscemi provide the strong performances that often keep Reservoir Dogs from seeming like a shallow work of plagiarisms.  The bring depth, weight, and substance to ideas that might falter in the hands of lesser talents.  Chris Penn and Lawrence Tierney make for a believable father-son duo, and the film's lone Black actor, Randy Brooks, as the police official, Holdaway, dominates every scene in which he appears.

Thirty-two years later, I am now wondering why I haven't watched Reservoir Dogs more often.  It, along with Tarantino's next two feature films, Pulp Fiction and Jackie Brown (1997), form Tarantino's purest filmmaking period.  Without the big budgets he would get in his twenty-first century films, he had to be clever about the places he flexed himself, whereas now he can indulge his every whim.  His characters were vulnerable and living on the margins as regular people, low-level criminals, and cheap hoods.  In his films of the last two decades, the characters are flashy anti-heroes and rebels played by some of Hollywood biggest stars.  Reservoir Dogs has not aged well simply because it has not aged.  It still feels like a star recently born.

8 of 10

A

★★★★ out of 4 stars

Thursday, May 2, 2024

The text is copyright © 2024 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint or syndication rights and fees.

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Review: "THE BARBARIAN INVASIONS" is a Masterpiece

TRASH IN MY EYE No. 125 (of 2004) by Leroy Douresseaux

Les Invasion Barbares (2003)

The Barbarian Invasions (2003) – U.S. title

COUNTRY OF ORIGIN:  Canada/France; Language:  French/English

Running time:  99 minutes (1 hour, 33 minutes)

MPAA – R for language, sexual dialogue, and content

WRITER/DIRECTOR:  Denys Arcand

PRODUCERS: Daniel Louis and Denise Robert

CINEMATOGRAPHER:  Guy Dufaux

EDITOR: Isabelle Dedieu

COMPOSER: Pierre Aviat

Academy Award winner

DRAMA/COMEDY

Starring:  Rémy Girard, Stéphane Rousseau, Dorothée Berryman, Louise Portal, Dominique Michel, Yves Jacques, Pierre Curzi, Marie-Josée Croze, Marina Hands, Toni Cecchinato, and Mitsou Gélinas

Les Invasions barbares is a 2003 comedy and drama written and directed by Denys Arcand.  A Canadian and French co-production, the film was released in the U.S. under the title, The Barbarian Invasions, the title I will used for this review.  The Barbarian Invasions focuses on a dying man, who during his final days, is reunited with old friends, former lovers, his ex-wife, and his estranged son.

Arcand’s The Barbarian Invasion won the Academy Award for “Best Foreign Language Film” at the 76th Academy Awards in 2004.  A sequel to Arcand's 1986 film, The Decline of the American Empire, The Barbarian Invasions received only one other Oscar nomination, which was for best original screenplay (written by Arcand), and that was and still is ridiculous.  Considering the performances and Arcand’s direction, the film should have received at least a few more.

The Barbarian Invasions is the story of 50-ish Rémy (Rémy Girard) and his family.  He is dying of cancer and is laid up in a Montreal hospital.  His ex-wife, Louise (Dorothée Berryman), summons home their son, Sébastien (Stéphane Rousseau), who is estranged from his father and is living in London.  Sébastien, a rich oil trader for a huge British firm, is, in a sense, a disappointment to his father.  The son is a wealthy capitalist and the father was an arm chair, leftist, radical type.

Soon after he arrives, Sébastien uses his money and connections to fight the entrenched Canadian nationalized health system, and he gets Rémy a private room and other amenities.  But the most difficult part of the prodigal son’s return home is the reconciliation between father and son.

The most amazing thing about this thoroughly beautiful film is that Arcand is able to tell the story of a father trying to redeem himself, of a son trying to put aside his anger at this father, and of a man trying to find meaning in a life he believes that he lazily kept so modest and have still more sub-plots, philosophies, and ideas.  The film also deals with mother/daughter relationships, the drug war, drug addiction, personal and professional failure, the Canadian health system, socialism, infidelity, friendship, politics, religion, genocide, and barbarian invasions of civilization.  Arcand does all of this without losing the central, human focus of his lovely movie.  Filled with rich performances, subtle humor, and endearing characters, The Barbarian Invasions is the best film of the year.

10 of 10

Re-edited:  Saturday, September 2, 2023

NOTES:

2004 Academy Awards, USA:  1 win: “Best Foreign Language Film” (Canada); 1 nomination: “Best Writing, Original Screenplay” (Denys Arcand)

2004 BAFTA Awards:  2 nominations: “Best Screenplay-Original” (Denys Arcand) and “Best Film not in the English Language” (Denise Robert, Daniel Louis, and Denys Arcand)

2004 Golden Globes, USA:  1 nomination: “Best Foreign Language Film” (Canada)

The text is copyright © 2023 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

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Review: Pam Grier is Radiant in "JACKIE BROWN," Tarantino's Best (Maybe) Film

TRASH IN MY EYE No. 77 of 2022 (No. 1889) by Leroy Douresseaux

Jackie Brown (1997)

Running time:  154 minutes (2 hours, 34 minutes)

MPAA – R for strong language, some violence, drug use and sexuality

DIRECTOR:  Quentin Tarantino

WRITER:  Quentin Tarantino (based upon the novel by Elmore Leonard)

PRODUCER:  Lawrence Bender

CINEMATOGRAPHER:  Guillermo Navarro

EDITOR:  Sally Menke

Academy Award nominee

DRAMA/CRIME

Starring:  Pam Grier, Samuel L. Jackson, Robert Forster, Bridget Fonda, Michael Keaton, Robert De Niro, Michael Bowen, Chris Tucker, LisaGay Hamilton, Tom Lister, Jr., Hattie Winston, Sid Haig, Aimee Graham, Tangie Ambrose, and T'Keyah Crystal Keymah

Jackie Brown is a 1997 drama and crime film from writer-director Quentin Tarantino.  It is based on Elmore Leonard's 1992 novel, Rum Punch.  Jackie Brown the movie focuses on a flight attendant who schemes with an aging bail bondsman in a bid to defeat both the ATF and her boss who smuggles guns into Mexico.

Jackie Brown introduces 44-year-old, Jackie Brown (Pam Grier), a flight attendant for the low-budget Mexican airline, Cabo Air.  She smuggles money from Mexico into the United States for her (kind of) boss, Ordell Robbie (Samuel L. Jackson), a gun runner in Los Angeles.  One day, Ordell's courier, Beaumont Livingston (Chris Tucker), is arrested, and he snitches about Ordell's business.

Acting on that information, LAPD Detective Mark Dargus (Michael Bowen) and Bureau of Alcohol, Tobacco, Firearms and Explosives (ATF) agent, Ray Nicolette (Michael Keaton), intercept Jackie while she is returning with some of Ordell's cash, with a small bag of cocaine thrown in.  Dargus and Nicolette use the cocaine to threaten Jackie with serious criminal charges and hard prison time.

Ordell hires bail bondsman, Max Cherry (Robert Forster), of Cherry Bail Bonds, to bail Jackie out of jail.  Feeling trapped between Ordell and the law, Jackie conspires with Max to pretend to give both sides what they want – Ordell the money and the ATF Ordell.  If this heist works, Jackie and Max will secure her future with half a million dollars of Ordell's money.

Jackie Brown is obviously writer-director Quentin Tarantino's ode to 1970s blaxploitation films.  The film is also a star vehicle that Tarantino created for the actress playing the title role in Jackie Brown, the great Pam Grier.  She starred in some of the most fondly remembered and popular blaxploitation films, most notably Coffy (1973) and Foxy Brown (1974).  The roles in those two films obviously inspired the role of “Jackie Brown,” although “Flower Child Coffin” a.k.a “Coffy” (of Coffy) and Foxy Brown are action heroes.  Instead, Tarantino makes Jackie Brown a world-weary woman, not an action hero, but a working woman willing to take the action that will help her make her way in the world.

Grier plays Jackie Brown with subtlety and grace, making Jackie comfortable in her skin.  Her sexiness is not forced, but radiates from her, buoyed by her confidence.  Grier makes it seem quite genuine that Brown would one day finally have enough with getting the crappy end of the stick in life.  Jackie takes a chance, and with nothing to lose, she works her magic.  Grier also works her magic, and the audience can believe that she is going to pull off this implausible heist of Ordell's money and also trick the ATF and LAPD by giving them only some of what they want.  Here, Grier gives the best performance of her career, and it is a shame that Hollywood has under-utilized her amazing talent and screen presence.

I have not seen enough of his performances to say that Max Cherry is actor Robert Forster's best performance of his career.  Playing Max revitalized Forster's career, which was mostly stalled at the time.  With charming stoicism, Forster perfectly plays the calm, wise, and a little weary, Max Cherry, one of the most perfect characters that Tarantino ever wrote.  Forster also convinces us that he has so totally fallen for Jackie Brown that he is willing to do everything she wants even if it is everything that he should not do.

I also think that Ordell Robbie is Samuel Jackson's best performance.  Ordell is an example of what would become the stereotypical Samuel L. Jackson character – the menacing, bad-ass Black man who loves to shoot people and curse up a storm.  However, Jackson makes Ordell a man full of angles and twists.  He is coarse with a trashy sophistication; he is menacing, but sentimental in odd ways.  He is not nearly as smart as he thinks he is, so he is ultimately a cheap hood with enough low-rent ambitions to make himself a doomed idiot.

Tarantino uses Grier, Forster, and Jackson's performances and those of several others (Robert De Niro, Bridget Fonda, and Michael Keaton) to give his usual style, wit, humor, and rapid-fire bravado traction and depth.  Jackie Brown does not have the snappy banter nor the nonlinear antics of Tarantino's previous film, Pulp Fiction.  Jackie Brown's narrative is a straight story, Tarantino's most substantive film to date.  It may be an ode to blaxploitation and also a smooth heist film, but most of all, Jackie Brown is a character drama.  With a superb soundtrack behind it (focusing on “The Delfonics” 1969 classic song, “Didn't I (Blow Your Mind This Time)”), Tarantino uses a slow pace to weave a delightful Los Angeles crime story about the criminal things people do when they are desperate … or in love.

I think that Quentin Tarantino and Pam Grier are a match made in cinematic heaven.  2022 is the twenty-fifth anniversary of Jackie Brown's original theatrical release (December 8, 1997).  Jackie Brown has aged well, and for me, it gets better every time I watch it.

10 of 10

A+

Friday, December 30, 2022

NOTES:

1998 Academy Awards, USA:  1 nomination: “Best Actor in a Supporting Role” (Robert Forster)

1998 Golden Globes, USA:  2 nominations: “Best Performance by an Actress in a Motion Picture-Comedy or Musical” (Pam Grier) and “Best Performance by an Actor in a Motion Picture-Comedy or Musical” (Samuel L. Jackson)

1998 Image Awards (NAACP):  1 nominations:  “Outstanding Lead Actress in a Motion Picture” (Pam Grier)

The text is copyright © 2022 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint or syndication rights and fees.

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Review: "HELLRAISER III: Hell on Earth" Raises Fresh Hell

TRASH IN MY EYE No. 59 of 2022 (No. 1871) by Leroy Douresseaux

Hellraiser III: Hell on Earth (1992)
Running time:  93 minutes (1 hour, 33 minutes)
MPAA – R for strong violence and sexuality, and for language
DIRECTOR:  Anthony Hickox
WRITERS:  Peter Atkins; from a story by Peter Atkins and Tony Randel (based on the characters created by Clive Barker)
PRODUCER:  Lawrence Mortorff
CINEMATOGRAPHER:  Gerry Lively (D.o.P.)
EDITORS:  James D.R. Hickox and Christopher Cibelli (supervising film editor)
COMPOSER:  Randy Miller

HORROR/FANTASY

Starring:  Terry Farrell, Doug Bradley, Paula Marshall, Kevin Bernhardt, Ken Carpenter, Peter Atkins, Peter G. Boynton, and Ashley Laurence

Hellraiser III: Hell on Earth is a 1992 supernatural horror and dark fantasy film directed by Anthony Hickox.  The film is based on characters and concepts taken from the 1986 novella, “The Hellbound Heart,” which was written by Clive Barker, who is the executive producer of this film.  Hell on Earth is also the third film in the Hellraiser film franchise.  Hellraiser III focuses on a young reporter who finds herself taking on the most powerful of the Cenobites.

Hellraiser III: Hell on Earth opens in the wake of the incidents depicted in Hellbound: Hellraiser II.  The Cenobite (demon) called “Pinhead” (Doug Bradley) has been split into two entities:  his former human self, World War I British Army Captain Elliot Spencer (Doug Bradley) and the manifestation of Spencer's id that has taken on the form of Pinhead.

In modern day New York City, J.P. Monroe (Kevin Bernhardt) visits the “Pyramid Gallery,” a creepy art gallery where he buys an intricately carved pillar, “the Pillar of Souls,” which depicts writhing figures and distorted faces etched into its surface.  J.P. installs the pillar at his popular nightclub, “The Boiler Room.” What Monroe does not know is that Pinhead is one of the figures trapped in the pillar, along with one of those puzzle boxes used to summon the Cenobites.

Meanwhile, Joanne “Joey” Summerskill (Terry Farrell), an ambitious young television reporter, is struggling to get respect and attention at the station for which she works, Channel 8.  However, an incident at a local hospital brings her into contact with Terri (Paula Marshall), a young homeless woman who has had a relationship with J.P. Monroe.  As Joey delves deeper into the the hospital incident, she learns that Terri has a puzzle box in her possession.  Now, the box is diving into Joey's dreams.  Trapped in limbo, Elliot Spencer needs Joey's help, because he is depending on her to send Pinhead and his new Cenobites back to Hell.

Hellraiser III: Hell on Earth is a direct sequel to the second film in the series, Hellbound: Hellraiser II.  That surprised me, as I have only seen Hell on Earth once, and that was when it was first release to theaters – 30 years ago!  I remember not liking it, but now, I can honestly say that Hellraiser III is much better than Hellraiser II.

The third film was the first to be filmed in the United States (specifically North Carolina), and it is more action-oriented than the previous films, including the original, Hellraiser (1987).  Hell on Earth also emphasizes that the Cenobites are denizens of Hell and are demons.  Previously, the Cenobites' “home” was a dimension called “Labyrinth,” and they could be angels or demons – depending upon the point of view.  The third film also has something the first two films did not have – a thumbing soundtrack full of good rock and heavy metal music.

The film has some interesting characters, especially the human characters:  Joey, Terri, and J.P., but it really does not do much with them.  As Joey, Terry Farrell does her best with weak character material, and Kevin Bernhardt adds a jolt to the film as the arrogant womanizer, J.P.  Doug Bradley does his best work in his dual role as Pinhead and as Capt. Elliot Spencer.  If there were ever any doubt, Hellraiser III makes it clear that Pinhead is the true star of this franchise, although Kirsty Cotton (Ashley Laurence), who makes a cameo here, is the film's “other star.”

To this day, Hellraiser III: Hell on Earth is the last film in the series that I have seen.  When I originally saw it, I did not care for it, and it finished the series for me.  Three decades later, I like it, and I really like the new Cenobites.  We are awaiting the debut of the franchise reboot, entitled Hellraiser, in early October 2022 on the streaming service, Hulu.  So, I feel comfortable recommending the heavy metal Hellraiser III: Hell on Earth for those interested in the original movies.

6 of 10
B
★★★ out of 4 stars

Monday, October 3, 2022


The text is copyright © 2022 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for syndication rights and fees.

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Negromancer News Bits and Bites from November 14th to 20th, 2021- Update #21

by Leroy Douresseaux a.k.a. "I Reads You"

You can support Leroy via Paypal or on Patreon:

ENTERTAINMENT AND CULTURE NEWS:

MOVIES - From THR:  Father/producer Ivan Reitman and son/director Jason Reitman discuss "Ghostbusters: Afterlife."

From Negromancer:   My review of "Ghostbusters: Afterlife."

TELEVISION - From Deadline:   ABC's holiday special, "A Very Boy Band Holiday," will feature members from several famous boy bands, including "New Edition," "*NSYNC," "NKOTB" (New Kids on the Block), and "Boys II Men," to name a few.  This special will air Mon., Dec. 6th, 2021.

MOVIES - From Variety:  “Oppenheimer,” director Christopher Nolan's $100 million-budgeted historical drama about physicist J. Robert Oppenheimer and the creation of the atomic bomb, could be considered one of an endangered species - prestige dramas with budgets that big.

SCANDAL - From Deadline:   "Bohemian Rhapsody" (2018) screenwriter Anthony McCarten has filed a breach of contract suit against Graham King and his GK Films for money owed on the Oscar-winning film about Queen and its iconic singer Freddie Mercury.  The film grossed 911 million dollars worldwide, but Fox says the film is still not profitable and is 51 million dollars "in the red" (debt).

MOVIES - From Deadline:  Martin Scorsese is set to direct and produce a biographical film about the legendary rock band, "The Grateful Dead."  Oscar-nominee Jonah Hill will play the band's front man, the late Jerry Garcia.

NETFLIX - From CNET:  Netflix launched a website Tuesday (Nov. 16th) where it posts charts of its most popular shows and movies, updated every week and ranked by the total number of hours that subscribers spent watching them. 

STAR TREK - From Deadline:  "Star Trek: Discovery" has left Netflix and now will be exclusive to Paramount+.

MOVIES - From THR:  The film studio Miramax is suing director Quentin Tarantino over plans to release non-fungible tokens (NFTs) based on his 1994 film, "Pulp Fiction."

STREAMING - From THR:   The "Harry Potter" franchise trio: Daniel Radcliffe, Rupert Grint, and Emma Watson and director Chris Columbus are among those appearing in a 20th anniversary HBO Max retrospective of the first film in the series, "Harry Potter and the Sorcerer's Stone."

TELEVISION - From THR:  TV Pilots 2021: The Complete Guide: Keep track of all the broadcast pilots that are in contention for the 2021-22 season at ABC, NBC, CBS, Fox and The CW.

BOX OFFICE - From BoxOfficePro:  The winner of the 11/12 to 11/14/2021 weekend box office is Marvel Studios' "Eternals" with an estimated take of 27.5 million dollars.

From Negromancer:   My review of Marvel Studios' "Eternals."

MOVIES - From THR:  Mel Gibson is set to direct "Lethal Weapon 5," which will likely be the final installment in the franchise which began in 1987 with "Lethal Weapon" starring Gibson and Danny Glover.

STREAMING/PARAMOUNT+ - From Variety:  Paramount Plus has released a teaser trailer for its "Halo" live-action TV series, which is due in 2022.

STREAMING/HULU - From THR:  The next film in the "Predator" film franchise is a prequel entitled "Prey."  Set 300 years in the past, it pits Comanche Nation warrior, a young woman named "Naru," against an alien Predator warrior.  It is expected to stream on Hulu Summer 2022.

BOOKS/MOVIES - From THR:  Over the summer HarperCollins released Quentin Tarantino's paperback novelization of his Oscar-winning film, "Once Upon a Time in Hollywood."  On Nov. 9th, the deluxe hardcover edition debuted and it has lots of extras.

MOVIES - From Deadline:  MGM has won the bidding war for a pitch about an buddy-action movie starring Jason Momoa ("Aquaman") and Dave Bautista ("Guardians of the Galaxy" series; "Dune")

OBITS:

From Deadline:  Veteran character actor, Art LaFleur, has died at the age of 78, Wednesday, November 17, 2021.  LaFleur appeared in many television series and in at least 20 TV movies.  LaFleur is best known for playing "Babe Ruth" in the coming-of-age sports movie, "The Sandlot" (1993) and for his appearances in two other baseball-themed movies, "Field of Dreams" (1989) and "Mr. Baseball" (1992)

From Deadline:  American jazz musician, composer, and lyricist, Dave Frishberg, has died at the age of 88, Wednesday, November 17, 2021.  His songs have been recorded by Rosemary Clooney, Shirley Horn, and Mel Torme, to name a few.  He also wrote the song, "I'm Just a Bill" for ABC's "Schoohouse Rock!" series.

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"RUST" ACCIDENTAL SHOOTING DEATH:

From Deadline:  This link will take you to Deadline's Halyna Hutchins page, which articles related to everything about her shooting death on the set of the Western film, "Rust."

From Deadline:  Actor Daniel Baldwin defends his brother, Alec Baldwin, in the accidental shooting death of cinematographer Halyna Hutchins on the set of the film, "Rust."  "Someone loaded that gun improperly," Daniel says.

From Deadline:  The newest lawsuit involving the tragic shooting on the set of the Western film, "Rust," has been filed by the film's script supervisor, Mamie Mitchell, against Alec Baldwin, the producers, the production company, armorer Hanna Gutierrez Reed, and others.

From Deadline:  Serge Svetnoy, the gaffer on "Rust," has filed a lawsuit against several parties related to the film, including the production, the financiers, star Alec Baldwin, armorer Hannah Gutierrez Reed, and first Assistant Director David Halls.

From THR:   In the wake of the tragic accidental shooting on the set of his film, "Rust," Alec Baldwin on Monday took to social media to urge Hollywood to employ a police officer on every film and TV set that uses guns.

From THR:   The budget for "Rust" - Alec Baldwin was set to earn $150,000 as lead actor and $100,000 as producer, while $7,913 was earmarked for armorer Hannah Gutierrez-Reed and $17,500 was set aside for the rental of weapons and $5,000 for rounds.

From Deadline:  Attorneys for Hannah Gutierrez-Reed, the armorer on the set of the film, "Rust," said that they’re looking into whether a live bullet was placed in a box of dummy rounds with the intent of  “sabotaging the set.”

From THR:   Hannah Gutierrez-Reed, the armorer on the film, "Rust," released a statement through her lawyers.  She says she had “no idea where the live rounds came from” that were recovered by the Santa Fe County Sheriff's during the investigation of the accidental on-set shooting death of Halyna Hutchins.

From Jacobin:  An opinion piece says that cinematographer Halyna Hutchins' death on the set of the film, "Rust," was not a freak accident, but was about Alec Baldwin and his fellow producers' cost-cutting decisions.  Baldwin accidentally fired the gun that killed Hutchins.

From Deadline:   Two of executive producers on "Rust," Allen Cheney and Emily Salveson, disavow responsibility for the film's troubled production.

From THR:   Iconic "Ghostbusters" actor Ernie Hudson is reeling from the news of the death of Halyna Hutchins, like the rest of Hollywood. Hudson also appeared in the film, "The Crow," the film in which its star, Brandon Lee, was killed because of an on-set accidental shooting.  He also agrees with the call to ban real guns from movie sets.

From THR:  The Sheriff of Sante Fe County says that his office has recovered three guns and 500 rounds of ammunition from the set of the movie "Rust" where cinematographer Halyna Hutchins was killed.

From Deadline:  Regarding criminal charges in the death of Halyna Hutchins on the set of the film "Rust," District Attorney Mary Carmack-Altweis, "all options are on the table - no one has been ruled out."

From THR:  Does Hollywood Need Guns? Will new regulations lead to an overreactions to a tragedy.

From Deadline:   "Rust" producers have opened an internal investigation into the fatal shooting on the set of the Western film.  They have hired outside lawyers to conduct interviews with the film's production crew.

From Deadline:  "Rust's" AD (assistant director), Dave Halls, has come under scrutiny in the wake of the on-set shooting death of the film's cinematographer, Halyna Hutchins.

From Deadline:  The affidavit of Sante Fe Sheriff's Department Detective Joel Cano has been made public. It can be read at "Deadline."  The affidavit was for a search warrant from the property were the Western, "Rust," was being filmed.

From THR:  The production company behind "Rust" has shut the film down until the police investigation into the fatal, on-set shooting of cinematographer Halyna Hutchins is through.  The Sante Fe County Sheriff's Office has also revealed a timeline of the shooting.

From Deadline:  The Santa Fe Sheriff’s Department confirmed Thursday night that Alec Baldwin “discharged” a prop gun on the New Mexico set of the movie, "Rust."  As a result, one crew member, director of photography Halyna Hutchins, was killed and director Joel Souza was injured and remains in a local hospital - his condition unknown.

From THR:  "Rust" director, Joel Souza, who was wounded in the accidental on-set shooting, says that he is "gutted" by the death of his cinematographer on the film, Halyna Hutchins.

From Deadline:  The fatal shooting on the set of "Rust" may have been "recorded" according to detective for Santa Fe Sheriff's Department.

From Deadline:  The production company behind the film, "Rust," will launch an internal safety review after the fatal accident that killed Halyna Hutchins; possible prior gun incidents; and a camera crew walkout.

From CNN:   Crew member yelled "cold gun" as he handed Alec Baldwin prop weapon, court document shows.

From Variety:  Actor Alec Baldwin releases statement on the death of Halyna Hutchins: "There are no words to convey my shock and sadness."

From Variety:  The prop gun that killed “Rust” cinematographer Halyna Hutchins and wounded director Joel Souza on during an on-set accident on Thursday contained a “live single round,” according to an email sent by IATSE Local 44 to its membership.

Review: "Halloween" 2018 is a Crazy Film

TRASH IN MY EYE No. 2 of 2021 (No. 1740) by Leroy Douresseaux

[This review was originally posted on Patreon.]

Halloween (2018)
Running time:  106 minutes (1 hour 46 minutes)
MPAA – R for horror violence and bloody images, language, brief drug use and nudity
DIRECTOR:  David Gordon Green
WRITERS:  David Gordon Green, Danny McBride, and Jeff Fradley (based on the characters created by John Carpenter and Debra Hill
PRODUCERS:  Malek Akkad, Bill Block, and Jason Blum
CINEMATOGRAPHER:  Michael Simmonds
EDITOR:  Timothy Alverson
COMPOSER:  Cody Carpenter, John Carpenter, and Daniel A. Davies

HORROR

Starring:  Jamie Lee Curtis, Judy Greer, Andi Matichak, James Jude Courtney, Nick Castle, Haluk Bilginer, Will Patton, Rhian Rees, Jefferson Hall, Toby Huss, Virginia Gardner, Dylan Arnold, Miles Robbins, Drew Scheid, Jibrail Nantambu, and Omar Dorsey

Halloween is a 2018 slasher-horror film from director David Gordon Green.  It is the eleventh installment in the Halloween film series and is a direct sequel to Halloween, the 1978 film that was the first in the series.  Halloween 2018 follows a post-traumatic woman as she plots the final showdown with the masked killer who has haunted her ever since he killed her friends and almost killed her forty years ago on Halloween night.

Halloween opens on October 29, 2018.  Michael Myers (Nick Castle) has been institutionalized at Smith's Grove Psychiatric Hospital for 40 years following his killing spree in Haddonfield on October 31, 1978.  Myers is being prepared for transfer to a maximum security prison, but the following day, as he is being transferred, Michael manages to escape and returns to Haddonfield.

In Haddonfield, Laurie Strode (Jamie Lee Curtis) is still living in fear of Michael Myers 40 years later.  She is drinking heavily and rarely leaves her fortified house deep in the woods.  Laurie is estranged from her adult daughter, Karen Nelson (Judy Greer), whom the state took away from Laurie when Karen was 12.  Karen's husband, Ray Nelson (Toby Huss), does not want Laurie around, but their daughter, Allyson (Andi Matichak), does keep in touch with her grandmother, Laurie.

When Laurie discovers that Michael has escape, she springs into action.  Deputy Frank Hawkins (Will Patton), who arrested Michael in 1978, seems to be the only other person who truly understands how dangerous Michael Myers is.  As they try to convince Laurie's family and the rest of Haddonfield that Michael (James Jude Courtney) is back, Laurie prepares for her final confrontation with Michael.

Halloween 2018 is called a “direct sequel” to the 1978 original, although I think the 2018 film is a hybrid that is a combination sequel, remake, reboot, and re-imagining of various elements of the Halloween film franchise.  If anything Halloween 2018 is inspired by Halloween 1978 and by the fables and culture surrounding it.

That would explain why Halloween 2018 seems incomplete in many ways.  Initially, the film presents Michael Myers as a man.  When he dons the mask, Michael becomes “The Shape,” which was how the original film's screenplay referred to him.  Ultimately, however, Myers is a slasher film villain and when he starts dispatching the denizens of Haddonfield, he becomes what he must be – a killing machine.  He kills so many other characters in this film that it just becomes pointless.  Apparently, Myers really wants to kill Laurie Strode, but while he strolls on over to his inevitable showdown with her, he must think why not kill a person or two … or three … or four.

What is this movie about, really?  I will freely admit that it is one of the most intensely scary movies that I have seen in recent years.  So is it about the post-traumatic woman that Laurie Strode is?  Is it about the multi-generational affects of violence?  Is it about Laurie vs. Michael, and if it is, why is Laurie vs. Michael a thing?  After all, Halloween 2018 “retcons” out the fact that Laurie Strode and Michael Myers are siblings, as movie audiences learned in 1981's underrated Halloween II.

The problem is that the original Halloween was a film that director John Carpenter wanted to make, while Halloween 2018 is something birthed by Halloween the cash cow film franchise.  Although, Halloween 2018 is very well directed by David Gordon Green, it is not cinematic art; it is simply film as entertainment product.

Halloween 2018 sells a familiar product to audiences, and this product is a scary movie that is supposed to deliver scares, which, once again, I will admit that it does indeed deliver.  The writers and director really deliver the horror movie wheelhouse tropes, but do so with the cost being truncated character drama and story development.  This film has some quality actors, led by Jamie Lee Curtis, and some quality acting, for instance Haluk Bilginer as Dr. Ranbir Sartain (an underutilized character).  But the actors' efforts with these characters feels abbreviated … because the film has to focus on Michael killing lots of characters in the most gruesome fashion.  Only child actor, Jibrail Nantambu, as the babysat kid, Julian Morrisey, makes the most of his character, and that is because his character has too little screen time to infer with Michael's killing spree.

However, I must state that if you, dear readers, want to be scared, Halloween 2018 will scare you.  It is a genuinely chilling, creepy, and scary film.  But I also want to make sure that I emphasize that the true “direct sequel” to Halloween 1978 is 1981's Halloween II.  Halloween 2018 was meant to be and is an effective cash cow, and if it were more that that, I would give it an even higher grade.

B+
7 of 10

Tuesday, December 1, 2020


The text is copyright © 2020 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint syndication rights and fees.

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ViacomCBS Gains 49 Percent Stake in Miramax

ViacomCBS and beIN MEDIA GROUP Complete MIRAMAX Transaction

NEW YORK & DOHA, Qatar--(BUSINESS WIRE)--ViacomCBS Inc. (Nasdaq: VIACA; VIAC) (“ViacomCBS”) and beIN MEDIA GROUP (“beIN”) today announced the closing of the previously announced MIRAMAX transaction. ViacomCBS has acquired a 49% stake in MIRAMAX, the global film and television studio, while beIN retains a 51% stake in the company. MIRAMAX’s current leadership team will continue in their existing roles.

ViacomCBS acquired 49% of MIRAMAX from beIN for a total committed investment of $375 million. Approximately $150 million was paid at closing, while ViacomCBS has committed to invest $225 million – comprised of $45 million annually over the next five years – to be used for new film and television productions and working capital.

In addition, Paramount Pictures entered into an exclusive, long-term distribution agreement for MIRAMAX’s film library; and an exclusive, long-term first-look agreement allowing Paramount Pictures to develop, produce, finance and distribute new film and television projects based on MIRAMAX’s IP.

Moelis & Company served as exclusive financial advisor to beIN, while Skadden, Arps, Slate, Meagher & Flom served as legal counsel. Guggenheim Securities served as exclusive financial advisor to ViacomCBS, while O’Melveny & Myers served as legal counsel.


About ViacomCBS
ViacomCBS (NASDAQ: VIACA; VIAC) is a leading global media and entertainment company that creates premium content and experiences for audiences worldwide. Driven by iconic consumer brands, its portfolio includes CBS, Showtime Networks, Paramount Pictures, Nickelodeon, MTV, Comedy Central, BET, CBS All Access, Pluto TV and Simon & Schuster, among others. The company delivers the largest share of the U.S. television audience and boasts one of the industry’s most important and extensive libraries of TV and film titles. In addition to offering innovative streaming services and digital video products, ViacomCBS provides powerful capabilities in production, distribution and advertising solutions for partners on five continents. For more information about ViacomCBS, please visit www.viacbs.com and follow @ViacomCBS on social platforms.

About MIRAMAX®
Acquired by beIN MEDIA GROUP and headquartered in Los Angeles, MIRAMAX is a global film and television studio best known for its award-winning and original content. MIRAMAX’s unrivaled library of more than 700 titles has received 278 Academy Award® nominations and 68 Oscars®, including four Best Picture awards. Bill Block serves as CEO of MIRAMAX. Upcoming and recent projects include the global blockbuster Halloween Kills starring Jamie Lee Curtis, produced by MIRAMAX with Trancas International Films and Blumhouse Production, slated to release this year; The Georgetown Project starring Academy Award-winner Russell Crowe and directed by Joshua John Miller and M.A. Fortin; Uncle Frank directed by Alan Ball and starring Paul Bettany which premiered at the 2020 Sundance Film Festival and was purchased by Amazon. Guy Ritchie's The Gentlemen, MIRAMAX's latest success passing $100M worldwide and starring Matthew McConaughey, Charlie Hunnam, Colin Farrell and Hugh Grant, was released in January 2020. The action-thriller Cash Truck, currently in post-production, marks MIRAMAX’s second project with Ritchie and stars Jason Statham. MGM UA Releasing will distribute the film domestically. Other past projects include, Silent Retreat, a comedy from Isn’t It Romantic director Todd Strauss-Schulson, and The Perfection, directed by Richard Shepard, starring Allison Williams and Logan Browning, which premiered at Fantastic Fest 2018 and was acquired by Netflix. MIRAMAX Television just concluded production on a six-part series with Leonine titled Spy City, starring Dominic Cooper for this fall’s Mipcom.

About beIN MEDIA GROUP
beIN MEDIA GROUP is a leading independent global media group and one of the foremost sports & entertainment networks in the world. The group distributes and produces an unrivalled array of entertainment, live sport and major international events across 5 continents, 43 countries and in 9 different languages spanning Europe, North America, Asia, Australasia and the Middle East & North Africa (MENA). beIN MEDIA GROUP’S flagship sports network, beIN SPORTS, holds the single largest portfolio of sports rights of any global broadcaster; and through its iconic MIRAMAX film studio, beIN holds an extensive library of Hollywood blockbusters while having a growing presence in series and movies production and distribution, as well as in the digital space. beIN MEDIA GROUP acquired Digiturk the leading PAY TV operator in Turkey in August 2016; and now has over 55 million subscribers worldwide.

Cautionary Statement Concerning Forward-Looking Statements
This communication contains both historical and forward-looking statements. All statements that are not statements of historical fact are, or may be deemed to be, forward-looking statements. Forward-looking statements reflect ViacomCBS’s current expectations concerning future results, objectives, plans and goals, and involve known and unknown risks, uncertainties and other factors that are difficult to predict and which may cause future results, performance or achievements to differ. These risks, uncertainties and other factors are discussed in the risk factors disclosed in ViacomCBS’s Annual Report on Form 10-K filed with the Securities and Exchange Commission (the “SEC”) on February 20, 2020 and also include the impacts of the COVID-19 pandemic and measures taken in response, as noted in ViacomCBS’s Current Report on Form 8-K filed with the SEC on March 27, 2020. Other risks may be described in ViacomCBS’s news releases and filings with the SEC, including but not limited to ViacomCBS’s reports on Form 10-Q and Form 8-K. The forward-looking statements included in this communication are made only as of the date of this communication, and ViacomCBS does not have any obligation to publicly update any forward-looking statements to reflect subsequent events or circumstances.

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Negromancer News Bits and Bites from September 8th to 14th, 2019 - Update #24

Support Leroy on Patreon:

COMICS-FILM - From ShadowandAct:  Rihanna addresses rumors that she is being considered to play Poison Ivy in Matt Reeves "The Batman."  Still in development, the film would star Robert Pattison as Batman.

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DISNEY - From Variety:  Walt Disney chairman and CEO Bob Iger has stepped down from Apple's board of directors as Disney and Apple launch competing streaming services.

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MOVIES - From THR:  Why J.J. Abrams and his wife Katie McGrath said yes to WarnerMedia and no to Apple, although Apple offered them $500 million for an exclusive deal, where WarnerMedia offered $250 million.

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ANIMATION - From YahooEntertainment:  Longtime voice actor, Frank Welker, talks about being the voice of Fred Jones for 50 years on today, September 13th, the 50th anniversary of "Scooby-Doo, Where Are You!"

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SCANDAL - From Deadline:  Emmy-winning actress Felicity Huffman has been sentenced to two weeks/14 days in jail for in the infamous college admissions scandal.  She will have to self-report to Bureau of Prisons officials on October 25 to begin serving her time in a California facility.

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TELEVISION - From TheWrap:  This season on an episode of her hit ABC series, "Black-ish," Tracee Ellis Ross will reunite with Jill Marie Jones, Persia White and Golden Brooks, her three co-stars from the UPN/The CW series, "Girlfriends" (2000-2008).

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MOVIES - From Newsarama:  A brand new "Jurassic World" short film will debut Sunday, September 15, 2019 on cable network, FX.

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MOVIES - From THR:   J.J. Abrams and his wife, Katie McGrath, through their company, Bad Robot, have signed an overall film, TV, game, and digital production deal with WarnerMedia.

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AVATAR - From Deadline:   What does James Cameron feel now that "Avengers: Endgame" has passed his 2009 film, "Avatar," as the all-time box office champ?  He feels "relief" and he explains why.

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MOVIES - From Deadline:  Viacom is in the lead to obtain the the portion of the Miramax film library that is up for sale.  beIN Media Group owns the 700-title library and wants to sell 30 percent to 50 percent, while maintaining a controlling stake.  Lionsgate has withdrawn its bid.

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STREAMING - From ShadowandAct:  Whoopi Goldberg will join CBS All Access' new adaptation of Stephen King's classic novel, "The Stand."  A miniseries for the streaming service, it will run for 10 episodes.  Stephen King will write the final episode of the series, which will take the story beyond what was in the original novel.

From BleedingCool:  This article includes lots of information on "The Stand," and its includes the video of Whoopi announcing her casting on "The View," Wednesday morning, Sept. 11, 2019.  Stephen King was a guest on that episode.

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TELEVISION - From Variety:  Two-time Emmy Award winner, Uzo Aduba, will join FX's "Fargo" Season 4, which will feature Chris Rock.

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TELEVISION - From TheWrap:  Jennifer Lopez is reportedly in talks to headline 2020 Super Bowl halftime show.

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TELEVISION - From Deadline:  Actor John C. Reilly will play owner Jerry Buss in HBO's pilot about the 1980s Los Angeles Lakers of the NBA.  He replaces Michael Shannon.

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TELEVISION - From Deadline:  TV super-producer David E. Kelley and Jack Bender are developing Stephen King's new novel, "The Institute" as a limited series.

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TELEVISION - From BleedingCool: Dan Curtis TV series, "Dark Shadows" (1966-71), is being revived a fourth time.  "Dark Shadows: Reincarnation" is being developed for The CW.  Previously, there was a 12-episode run in 1991 for NBC, an unaired 2004 pilot, and a 2012 film from director Tim Burton and starring Johnny Depp.

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MOVIES - From Deadline:  The John Travolta-Nicolas Cage film, Face/Off, (directed by John Woo), is being remade...

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MOVIES - From YahooPeople:  "Crazy Rich Asians" director John M. Chu says he supports the film's co-writer, Adele Lim, who quit the sequel over a pay disparity dispute.

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BOX OFFICE - From BoxOfficeMojo:  The winner of the 9/6 to 9/8/2019 weekend box office is "It: Chapter Two" with an estimated box office take of 91 million.

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MOVIES-STREAMING - From YahooAP:  Eddie Murphy is getting some of the best reviews of his career in "Dolemite is My Name."

From YahooMovies:  Thirty-three years after his movie, "The Golden Child," Eddie Murphy has reunited with Jasmine L. Reate.  She played the boy ("the Golden Child") that Murphy's character, Chandler Jarrell) had to save.

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STREAMING - From Variety:   Netflix has officially announced that Gillian Anderson ("The X-Files") is joining the fourth season of Netflix's "The Crown" as Margaret Thatcher.  This news had been circulating since early in the year, but Netflix would not confirm it until now.

OBITS:

From YahooMusic:   The rock 'n' roll singer, songwriter, and musician, Eddie Money, has died at the age of 70, Friday, September 13, 2019.  From 1978 to 1991, he had several Top 40 hits, including such hooky rock standards as "Two Tickets to Paradise" and "Baby Hold On."

From Deadline:  The stage, film, and television actor John Wesley has died at the age of 72, Sunday, September 8, 2019.  He has over 100 TV and film credits, including appearances on TV series like "In the Heat of the Night," "Martin," and "Superhuman Samurai Syber Squad."  Wesley was a Vietnam veteran having served in the United States Army.

Universal Pictures Announces Two "Halloween" Sequels

"HALLOWEEN KILLS" and "HALLOWEEN ENDS" - Release Dates Now Available

The saga of Michael Myers and Laurie Strode isn't over.

Universal Pictures  announced release dates for two new films in the iconic Halloween series.

In response to the global fan enthusiasm for last year's Halloween, starring Jamie Lee Curtis and directed by David Gordon Green, which went on to become the highest-grossing installment in the classic horror franchise at more than $250 million worldwide, Universal Pictures announced release dates for two new films in the iconic Halloween series, from Trancas International Films, Miramax and Blumhouse Productions.

HALLOWEEN KILLS will be released on Friday, October 16, 2020.

Written by David Gordon Green & Danny McBride & Scott Teems, based on characters created by John Carpenter and Debra Hill, the film will be directed by David Gordon Green and produced by Malek Akkad, Jason Blum and Bill Block. John Carpenter, Jamie Lee Curtis, Jeanette Volturno, Couper Samuelson, Danny McBride, David Gordon Green and Ryan Freimann are executive producers. Ryan Turek is overseeing the project for Blumhouse.

HALLOWEEN ENDS will be released on Friday, October 15, 2021.

Written by David Gordon Green and Danny McBride, and Paul Brad Logan and Chris Bernier, based on characters created by John Carpenter and Debra Hill, the film will be directed by David Gordon Green and produced by Malek Akkad, Jason Blum and Bill Block. John Carpenter, Jamie Lee Curtis, Jeanette Volturno, Couper Samuelson, Danny McBride, David Gordon Green and Ryan Freimann are executive producers. Ryan Turek is overseeing the project for Blumhouse.

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Fathom Events Announces 20th Anniversary Event for "From Dusk Till Dawn"

Celebrate the 20th Anniversary of Miramax’s Cult Classic Film From Dusk Till Dawn with a Screening Featuring an Exclusive Q&A with Director Robert Rodriguez, Writer/Actor Quentin Tarantino, and Moderated by Elvis Mitchell

The Movie Is On Screen for Two Days Only, November 6 and 9, Along with an Exclusive Filmmaker Q&A

DENVER & SANTA MONICA, Calif.--(BUSINESS WIRE)--From Dusk Till Dawn, the genre-busting cult classic that launched an epic filmmaking partnership spanning two decades, will return to movie theaters to celebrate its 20th anniversary. Fans won’t want to miss this once-in-a-cinematic-lifetime event commencing with a brand-new, exclusive Q&A with director Robert Rodriguez and writer Quentin Tarantino.

    .@FathomEvents News: From Dusk Till Dawn returns to cinemas for its 20th anniversary Nov 6 & 9 #Dusk20

This 20th anniversary celebration of From Dusk Till Dawn takes place in cinemas for two days only on Sunday, November 6, 2016, at 6:00 and 9:00 p.m.; and Wednesday, November 9, 2016, at 2:00 and 7:00 p.m. (all local times)

Presented by Fathom Events and Miramax, the 20th anniversary celebration of From Dusk Till Dawn is the only place fans can see a brand-new, exclusive Q&A with Rodriguez and Tarantino discussing the blockbuster hit. The conversation is moderated by renowned film critic and host of The Treatment, Elvis Mitchell.

Tickets for “From Dusk Till Dawn 20th Anniversary” are available online at www.FathomEvents.com or at participating theater box offices. Fans throughout the U.S. will be able to enjoy the event in select movie theaters through Fathom’s Digital Broadcast Network. For a complete list of theater locations visit the Fathom Events website (theaters and participants subject to change).

From Dusk Till Dawn thrilled moviegoers on its initial release in 1996, stunned audiences with Salma Hayek’s now iconic snake dance scene, and launched the film career of George Clooney. It’s since gained a rabid cult following and spawned two film sequels as well as “From Dusk Till Dawn: The Series,” now in its third season on El Rey Network (www.elreynetwork.com), a 24-hour English language network founded by Robert Rodriguez.

“From Dusk Till Dawn is unpredictable, creative and breathtakingly original, a movie that almost defies description,” Fathom Events Vice President of Studio Relations Tom Lucas said. “Fathom is excited to help bring this collaboration of Robert Rodriguez and Quentin Tarantino, two of the unique voices in modern American cinema, back to the big screen for four special showings to commemorate its 20th anniversary.”

It’s nonstop thrills when George Clooney and Quentin Tarantino star as the Gecko brothers - two dangerous outlaws on a wild crime spree. After kidnapping a father (Harvey Keitel) and his two kids (including Juliette Lewis), the Geckos head south to a seedy Mexican bar to hide out in safety. But when they face the bar’s truly notorious clientele, they’re forced to team up with their hostages in order to make it out alive. From Robert Rodriguez and Quentin Tarantino, the creators of Grindhouse, From Dusk Till Dawn is explosive action entertainment.


About Fathom Events
Fathom Events is recognized as the leading domestic distributor of event cinema, and ranks as one of the largest overall distributors of content to movie theaters. Owned by AMC Entertainment Inc. (NYSE: AMC), Cinemark Holdings, Inc. (NYSE: CNK) and Regal Entertainment Group (NYSE: RGC) (known collectively as AC JV, LLC), Fathom Events offers a variety of one-of-a-kind entertainment events that include live, high-definition performances of the Metropolitan Opera, dance and theatre productions such as the Bolshoi Ballet and National Theatre Live’s Hamlet, sporting events like FS1 Presents USA v Mexico, concerts with Roger Waters and One Direction, the TCM Presents classic film series and faith-based events such as The Drop Box and Four Blood Moons. Fathom Events takes audiences behind the scenes and offers unique extras including audience Q&As, backstage footage and interviews with cast and crew, creating the ultimate VIP experience. Fathom Events’ live digital broadcast network (“DBN”) is the largest cinema broadcast network in North America, bringing live and pre-recorded events to 887 locations and 1,354 screens in 181 Designated Market Areas® (including all of the top 50). For more information, visit www.fathomevents.com.

About MIRAMAX®
Acquired by beIN Media Group (beinmediagroup.com) in March 2016, MIRAMAX® is a global film and television studio best known for its award-winning and original content. New projects include both film and television, among them Bad Santa 2 starring Billy Bob Thornton, who reprises his Golden Globe nominated role as Willie Soke, and Oscar®, Golden Globe and Emmy winner Kathy Bates, with Broad Green Pictures co-producing/co-financing and handling U.S. theatrical; Bridget Jones’s Baby from Working Title for Universal Pictures, MIRAMAX® and StudioCanal, with Oscar® winners Renée Zellweger and Colin Firth reprising their roles in the third installment of the Bridget Jones film series; the recent acquisition Southside With You, inspired by the first date of Barack and Michelle Obama, starring Parker Sawyers and Tika Sumpter, with MIRAMAX® and Roadside Attractions partnering on the U.S. release, Robert Rodriguez’s From Dusk Till Dawn: The Series, heading into its third season in the U.S. on El Rey Network; as well as the recently announced Whitney, the forthcoming documentary feature from Oscar®-winning director Kevin Madonald on pop icon Whitney Houston, and the Johnny Depp film Labyrinth which MIRAMAX® will be co-financing with Open Road Films.

In 2015, MIRAMAX® together with Roadside Attractions, released the critically acclaimed Mr. Holmes, one of the year’s most successful independent hits, directed by Academy Award® winner Bill Condon and starring Academy Award® nominees Sir Ian McKellen and Laura Linney; as well as the Kevin Hart hit comedy The Wedding Ringer with Sony-Screen Gems.

Collectively, MIRAMAX’s unrivaled library of more than 700 titles has received 278 Academy Award® nominations and 68 Oscars®, earning most notably four Best Picture awards for The English Patient, Shakespeare in Love, Chicago and No Country for Old Men. More iconic titles from the library include critically acclaimed and commercial hits alike, such as Pulp Fiction, Good Will Hunting, Bridget Jones’s Diary, the Scream film franchise, Kill Bill Vol. 1&2, and The Aviator.

MIRAMAX® Online

Website: Miramax.com
Facebook: facebook.com/Miramax
Twitter: twitter.com/Miramax
Instagram: instagram.com/Miramax

“Oscar®” and “Academy Award®” are the registered trademarks and service marks of the Academy of Motion Picture Arts and Sciences.

“MIRAMAX®” and the “MIRAMAX” Logo are the registered trademarks, trademarks and service marks of Miramax, LLC.

About El Rey Network
El Rey Network is a 24-hour English language network founded by maverick filmmaker Robert Rodriguez. Curated by Rodriguez and his artistic collective, the network unites "the new mainstream" through badass content that awakens the renegade in everyone. El Rey's action-packed slate is anchored by signature series including the original drama, "From Dusk Till Dawn: The Series", the one-on-one interview program, "El Rey Network Presents: The Director's Chair" and "Lucha Underground," a Lucha Libre wrestling series from Mark Burnett. El Rey Network's lineup also showcases a wide range of iconic feature films and TV series including genre, cult classics, action, and horror/sci-fi. El Rey Network LLC is jointly owned by Robert Rodriguez and FactoryMade Ventures with a minority stake held by Univision Networks & Studios, Inc.

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Review: "Mr. Holmes" Shows that Ian McKellan is as Sharp as Ever

TRASH IN MY EYE No. 4 (of 2016) by Leroy Douresseaux

[A version of this review originally appeared in Patreon.]

Mr. Holmes (2015)
Running time:  104 minutes (1 hour, 54 minutes)
MPAA – PG
DIRECTOR:  Bill Condon
WRITER:  Jeffrey Hatcher (based on the novel, A Slight Trick of the Mind, by Mitch Cullin)
PRODUCERS:  Iain Canning, Anne Carey, and Emile Sherman
CINEMATOGRAPHER:  Tobias A. Schliessler
EDITOR:  Virginia Katz
COMPOSER:  Carter Burwell

DRAMA with elements of a mystery

Starring:  Ian McKellen, Laura Linney, Milo Parker, Hiroyuki Sanada, Hattie Morahan, Patrick Kennedy, Frances de la Tour, Roger Allam, and John Sessions

Mr. Holmes is a 2015 British-American drama from director Bill Condon and writer Jeffrey Hatcher.  The film is based on the 2005 novel, A Slight Trick of the Mind, from author Mitch Cullin.  Mr. Holmes the movie focuses on an aged and retired Sherlock Holmes, who struggles with early dementia as he tries to remember his final case, which haunts him.

Mr. Holmes opens in 1947.  The long-retired Sherlock Holmes (Ian McKellen) returns from abroad and travels to Headley House, his farmhouse in Sussex.  He shares his home with Mrs. Munro (Laura Linney), his housekeeper and a war widow, and Roger (Milo Parker), her young son.  Holmes is suffering from early dementia or “senility.”  His trip abroad was to Japan, specifically Hiroshima, where he hoped to find the prickly ash plant, as he believes a “jelly” made from the plant can act as an elixir and help his failing memory.

Holmes is trying to recall his last case, which occurred over 30 years prior.  A suspicious husband, Thomas Kelmot (Patrick Kennedy), had asked Holmes to investigate his wife, Ann (Hattie Morahan).  Something happened, leaving the case unfinished and causing Holmes to retire.  Unhappy with his ex-partner, Dr. John Watson's account of the case, Holmes hopes to write his own account.  However, he has trouble recalling the details, but young Roger's curiosity drives the legendary detective to close a troubled chapter in his famed career.

Sherlock Holmes first appeared in the 1887 detective novel, A Study in Scarlet, which was written by British author, Arthur Conan Doyle.  Just over a decade later, the Holmes character began appearing in films, and after a little more than a century, Holmes has appeared in over 200 films (according to the British newspaper, The Telegraph).

Although I am a fan of Sherlock Holmes, I would be surprised if I have seen even 30 of those films.  I am certainly happy to have experienced Mr. Holmes.  It is one of the best Sherlock Holmes films that I have ever seen, primarily because of Ian McKellen's tenderly-wrought and alluring turn as Holmes.

As the 93-year-old Holmes, McKellen fashions a vulnerable man, who doggedly fights a losing battle with his health.  Still, he maintains his dignity and learns to change and to acknowledge his errors and misjudgments, both in the past and in the present.  As the Holmes seen in this film's flashbacks, who is in his late 50s or early 60s (which is somewhat unclear), McKellen presents a Holmes who is clearly a man of some age, but who is also clearly still a detective in full.  It is a testament to McKellen's skills and talent as a thespian that he can make two versions of “old-man Holmes” that are distinct from one another and are of different states of mind and intellect.

Laura Linney is potent and fiery as Mrs. Munro, although the script mostly keeps her restrained, even silently suffering.  Once again, a consummate actor takes what is given to her and makes it more than an actor of lesser skills could.  Young Milo Parker steals the movie as the brash Roger, who is on the cusp of young manhood and whose curiosity is a torch that brings light to what could have been a dark and moody film.

I recommend Mr. Holmes without reservations to fans of Sherlock Holmes movies and to fans of director Bill Condon.  He seems always to deliver interesting films that grab the audience with their unique way of being film narratives.  I think that there must simply be at least a few film award nominations in its future because Mr. Holmes does Sherlock Holmes so differently and so delightfully.

8 of 10
A

Saturday, November 21, 2015


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