Review: "American Graffiti" is Still Crusin' to Its Own Rock 'n' Roll

TRASH IN MY EYE No. 45 of 2023 (No. 1934) by Leroy Douresseaux

American Graffiti (1973)

Running time:  110 minutes (1 hour, 50 minutes)

MPAA – PG

DIRECTOR:  George Lucas

WRITERS:  George Lucas and Gloria Katz & Willard Huyck

PRODUCERS:  Francis Ford Coppola and Gary Kurtz

CINEMATOGRAPHERS:  Jan D'Alquen (D.o.P.) and Ron Eveslage (D.o.P.)

EDITORS:  Verna Fields and Marcia Lucas

Academy Award nominee

DRAMA/HISTORICAL/MUSIC

Starring:  Richard Dreyfuss, Ron Howard, Paul Le Mat, Charles Martin Smith, Cindy Williams, Candy Clark, Mackenzie Phillips, Wolfman Jack, Bo Hopkins, Manuel Padilla Jr., Beau Gentry, and Harrison Ford

American Graffiti is a 1973 coming-of-age, music-driven, comedy and drama film directed by George Lucas.  Lucas, who co-wrote the screenplay with the husband and wife team of Willard Huyck and Gloria Katz, based the story on his experiences in the cruising, and street-racing, and rock 'n' roll cultures of his youth.  American Graffiti focuses on a group of teenagers and their adventures over the course of one summer night in 1962.

American Graffiti opens in the Summer 1962.  The location is California's central valley, apparently in and around the city of Modesto.  There, through a series of vignettes, we watch as a group of teenagers enjoy the last evening of their summer vacation.

For recent high school graduates and friends, Curtis “Curt” Henderson (Richard Dreyfuss) and Steve Bolander (Ronny Howard), this is their last night in town before they board a plane the next day and go “back east” for college.  Steve doesn't believe that he can achieve the goals his wants by staying home, even if leaving means parting from his girlfriend, Curt's sister, Laurie (Cindy Williams).  However, Curt, who has recently received scholarship money from a local business group, isn't sure that he wants to leave.  Besides, tonight, he wants to chase the mystery woman who has caught his eye, a blonde driving a white Ford Thunderbird.

Curt and Steve's two friends are also having a big night.  The first is John Milner (Paul Le Mat), the central valley drag-racing king.  He has just learned that someone wants to challenge him for his crown, a confident ladies' man named Bob Falfa (Harrison Ford).  Meanwhile, the second character is the unpopular, but well-meaning Terry “The Toad” Fields (Charlie Martin Smith), who has just come into possession of Steve's car.  He is supposed to protect it until Steve returns from “back east” for Christmas.  Tonight, however, Terry hopes the car will help him land a date.  Meanwhile, in the background, the popular disc jockey, Wolfman Jack (himself), plays an array of rock 'n' roll hits.

As “DVD Netflix” prepares to shutdown, I've been racing to catch up on certain films that I have never seen or have not seen in a long time.  I recently decided to sample some films in which 2023 is the fiftieth anniversary of their original theatrical releases.  That includes such films as Walt Disney's Robin Hood, (hopefully)Woody Allen's Sleeper, and the Bruce Lee classic, Enter the Dragon.

As a kid, I was aware of American Graffiti long before I ever saw it.  I was and still am a huge fan of American Graffiti director, George Lucas's most famous film, Star Wars (1977).  So, as a kid, I read every article I could find about Star Wars, and they often mentioned his two earlier feature-length films, THX-1138 (1971) and American Graffiti.  [I also vaguely remember the release of the sequel, More American Graffiti.]

I also knew that a few film and television stars that I liked had starred or appeared in American Graffiti, specifically Richard Dreyfuss, Ron Howard, and Harrison Ford.  Besides that fact that American Graffiti was a George Lucas movie, Ford was the other reason I most wanted to see the film.

I finally first saw American Graffiti on television, and though my memory is hazy on the facts, I'm sure I saw it at least a few years after the release of the sequel.  I remember liking it, enough that I planned on watching it again.  Decades later, this recent viewing is the first time that I've seen the film since that first viewing.

I still like it a lot.  I'm still a fan of Ford, Howard, and Dreyfuss, and along the way, I became a fan of some of its other young stars, including Charles Martin Smith, Cindy Williams, and the recently-deceased Bo Hopkins (1938-2022).  The truth is that I'm crazy about the Hollywood icon, Harrison Ford, and, as for as I'm concerned, any movie with Ron Howard and Charles Martin Smith as actors is cinematic porn.  [Both Howard and Smith are also film directors.]

Watching the film this time, I was initially annoyed by Lucas' method of telling this story in a series of vignettes that constantly moved from one character to the next.  The film essentially has four plots that revolve around one of four characters, Curt, Steve, John, or Terry.  It took me nearly half the film to realize that the vignettes allow Lucas to depict and to reveal each one of these four young men's goals, conflicts, and fears.  This depiction of their inner selves makes them more interesting to me.  Not only did I root for them, but I also wanted to know more about them.  I wanted to know what was going to happen to them, both in the immediate and far future.

American Graffiti apparently helped launch a wave of nostalgia for and interest in the culture and times of the 1950s and early 1960s or at least an idealized, trouble free, white-washed version of it.  The film apparently renewed the ABC network's interest in what would become one of its most popular sitcoms, “Happy Days” (1974-84).  That long-running and popular television series also presented an idealized, trouble free, white-washed version of the 1950s and early 1960s.

Thus, as much as I enjoyed this viewing of American Graffiti, and as much as I'm interested in its characters, I done with it.  I'm not done with its lovely soundtrack – played in the background so that both the characters and audiences can hear these early classics of rock 'n' roll.  These musical recordings make this special night in the summer of 1962 really special.  Still, American Graffiti is an ode to George Lucas' memories.  It is a cinematic dream he fashioned from the varied experiences of his privileged youth.  I don't really relate to it the way I do other films that are also far from my experiences – such as The Best Years of Our Lives (1946) or Licorice Pizza (2021).

I wouldn't call American Graffiti a great film, so much as I'd call it a unique and important American film.  Why is it important?  Well, American Graffiti is a prime example of the fantasies that the Hollywood dream factory can make of real moments in time.  It's George Lucas' story – his story – presented as a fairy tale about one unforgettable night that will never be repeated.

8 of 10

A

★★★★ out of 4 stars

Thursday, September 28, 2023

NOTES:

1974 Academy Awards, USA:  5 nominations: “Best Picture” (Francis Ford Coppola and Gary Kurtz), “Best Actress in a Supporting Role” (Candy Clark), “Best Director” (George Lucas), “Best Writing, Story and Screenplay Based on Factual Material or Material Not Previously Published or Produced” (George Lucas Gloria Katz, and Willard Huyck), and “Best Film Editing” (Verna Fields and Marcia Lucas)

1975 BAFTA Awards:  1 nomination: “Best Supporting Actress” (Cindy Williams)

1974 Golden Globes, USA:  2 wins:  “Best Motion Picture - Comedy or Musical” or “Most Promising Newcomer – Male” (Paul Le Mat); 2 nominations: “Best Actor in a Motion Picture - Comedy or Musical” (Richard Dreyfuss) and “Best Director - Motion Picture” (George Lucas)

1995 National Film Preservation Board, USA:  “National Film Registry”

The text is copyright © 2023 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for syndication rights and fees.

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Negromancer News Bits and Bites from September 24th to 30th, 2023 - Update #15

by Leroy Douresseaux a.k.a. "I Reads You"

You can support Leroy via Paypal or on Patreon:

ENTERTAINMENT AND CULTURE NEWS:

ACADEMY AWARDS - From Variety: The Academy of Motion Picture Arts and Sciences and Academy Museum of Motion Pictures will bestow a replacement Oscar for supporting actress winner Hattie McDaniel to Howard University’s Chadwick A. Boseman College of Fine Arts during a ceremony titled “Hattie’s Come Home” in Washington D.C. on Oct. 1.  McDaniel's Oscar, the first competitive Oscar received by a Black performer, has been missing for over 50 years.

From TheColoradoan:  "Inside the decades-old mystery of Hattie McDaniel's missing Oscar" by Erin Udell

MOVIES - From Variety:  Writer-director Sam Esmail was "scared the f*** out" when one of the producers of his new film, "Leave the World Behind" (starring Julia Roberts and Ethan Hawke), sent him script notes.  The producer that sent the notes was none other than former President Barack Obama.

CELEBRITY - From Variety:  Actress Kerry Washington says that she stopped playing "the white girl's best friend" after playing that role in Meg Ryan's 2004 boxing drama, "Against the Ropes."

STREAMING - From Deadline:  ABC's fondly-remembered comedy-drama series, "Moonlighting" (1985-89), starring Cybill Shepherd and Bruce Willis, will begin streaming on Hulu, October 10, 2023,

MOVIES/MUSIC - From Deadline:  The Taylor Swift concert film, "Taylor Swift: The Eras Tour," will get a global theatrical release in more than 100 countries on Oct. 13th, 2023.

VIDEO GAMES - From SAG:  SAG-AFTRA members have voted 98.32% in favor of a strike authorization on the Interactive Media Agreement that covers members’ work on video games. 34,687 members cast ballots, representing a voting percentage of 27.47% of eligible voters.

TELEVISION - From Deadline:  The 2023-24 television broadcast season has been saved because the WGA and AMPTP have reached a tentative agreement to end the writer's strike.  Deadline looks at the return dates for some series.

From Variety:  Starz has announced the cancellation of four its series, including the wrestling drama, "Heels," starring scab actor, Stephen Amell.  "Run the World" and Blindspotting have also been cancelled. "The Venery of Samantha Bird" has its first season scrapped without ever being aired.

BOX OFFICE - From BoxOfficePro:  The winner of the 9/22 to 9/24/2023 weekend box office is Warner Bros.'s "The Nun II" with an estimated take of 8.4 million dollars... maybe. Lionsgate's "Expend4bles" is close behind.

TELEVISION/SPORTS - From Deadline:  Grammy-winning recording artist Usher has been confirmed as the headline act at halftime of Super Bowl LVIII in Las Vegas.  Super Bowl 58 will air on CBS on Sunday, Feb. 11th, 2024.

OBITS:

From Variety:  The Irish-born British actor, Michael Gambon, has died at the age of 82, Thursday, September 28, 2023.  Gambon had a long and storied career, but in 21st century, he may be best known for playing the role of "Albus Dumbledore" in the "Harry Potter" films series, beginning with "Harry Potter and the Prisoner of Azkaban." Gambon replaced the late actor Richard Harris, who played Dumbledore in the first two films before passing.  Gambon's other notable roles include, "The Cook, the Thief, His Wife & Her Love" (1989), "Gosford Park" (2001), and "The King's Speech" (2010), to name a few.

From Deadline:  Scottish film and television actor, David McCallum, has died at the age of 90, Monday, September 25, 2023.  McCallum gained fame as "Illya Kuryakin" in the former NBC spy series, "The Man from U.N.C.L.E." (1964-68).  His longest running role is that of "Dr. Donald 'Ducky' Mallard" in the CBS series, "NCIS."  He received three Primetime Emmy Award nominations, two for his work on "The Man from U.N.C.L.E."

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WRITERS/ACTORS STRIKE:

BREAKING - From Deadline:  The Writers Guild of America (WGA) has reached a tentative agreement with the Alliance of Motion Picture and Television Producers (AMPTP) to end its strike after nearly five months. The parties finalized the framework of the deal Sunday when they were able to untangle their stalemate over AI and writing room staffing levels.

From WGAContract:  The WGA contract page has additional information on the settlement.

From WGAContract:  A summary of the new agreement.

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From Variety:  The Writers Guild (WGA) and AMPTP to meet today (Sun., Sept. 24th) after the studios supposedly make their "best and final" offer to the writers.

From Deadline:  A meeting between leading television showrunners, including Kenya Barris and Noah Hawley, and WGA leadership has been cancelled.

From Deadline:   The actors’ strike is now in its 63rd day.  Now, SAG-AFTRA leaders are ramping up their rhetoric against the studio heads, accusing them in the latest issue of the "SAG-AFTRA Magazine" of “behaving like petty tyrants,” “would-be feudal lords” and “land barons in feudal times.”

From Deadline:  Sony Pictures Entertainment CEO Tony Vinciquerra says that Hollywood unions need to embrace AI.

From Deadline:  The AMPTP says that the Writers Guild's claims that their is division in the ranks of the studios about the strike are false.

From Deadline:  The WGA (Writers Guild of America) told its members Friday (Sept. 8th) that despite the united front the streamers and studios (via the AMPTP) have shown in public during the guild’s 130-day strike, several of the legacy companies privately have expressed “both the desire and willingness to negotiate an agreement that adequately addresses writers’ issues.”

From Deadline:  Warner Bros. Discovery boss David Zaslav says the industry must focus and fight to resolve the writers and actors strikes.

From Deadline:  The writers of MTV’s "Ridiculousness" are coming closer to being unionized. The show’s writing team, which was behind over 230 episodes last year, has been going through the process to unionize over the last few months, hoping to join the WGA.

From THR:  As talks with the Writers Guild of America stall, the studio trade association, AMPTP, has retained D.C.-based firm, The Levinson Group, to pursue a fresh messaging strategy.

From Deadline:  Regarding the Hollywood writers strike, the AMPTP (representing the studios) released the details of a proposed labor agreement that it made to the WGA (the Writers Guild) on August 11th.

From Deadline:  A pair of former production assistants-turned-assistant directors have created a nonprofit in hopes of providing financial aid to PAs (production assistants) who’ve been put out of work due to the strike.

From Deadline:  Writers Guild (WGA) and the Alliance of Motion Picture and Television Producers (AMPTP) will resume strike talks today, Fri., Aug. 11th.

From Deadline:  Meeting for the first time in more than three months, the Writers Guild and the AMPTP on Friday failed to reach an agreement to resume contract negotiations. The Writers Strike will go on indefinitely.

From Deadline:  Hollywood’s superstars are answering the call from the SAG-AFTRA Foundation, donating $1 million or more each to help their fellow performers during the ongoing actors and writers strikes.  Among the big donors are Leonardo DiCaprio, Meryl Streep, Oprah Winfrey, and Ryan Reynolds and Blake Lively.

From Deadline:  If you are interested, here is a list of the film and TV productions SAG-AFTRA has granted waivers to continue filming.

From Variety:  International superstar, Dwayne Johnson, makes a seven-figure contribution to the "SAG-AFTRA Foundation Relief Fund." Foundation president, actor Courtney B. Vance, says the amount will remain confidential.

From Variety:  Why haven't A-list stars joined the SAG-AFTRA picket line?, asks "Variety."

From Deadline:  Author George R.R. Martin, whose works were the basis for HBO's "Game of Thrones," says the strikes will be long and bitter.

From THR:  Production works at Warner Bros. Animation (66) and at Cartoon Network (22) have gone public with their attempt to unionize via The Animation Guild.

From Variety:  Halted film productions due to the writers and actors strikes are costing each Hollywood studio at least 600,000 dollars per week.

From Variety:  Said at a strike meeting: “Without a transformative change in SAG-AFTRA’s current contract with the AMPTP, the acting profession will no longer be an option for future generations of performers, and actors already working in the industry will need to pursue other careers in order to survive.”

From Deadline:  If you are a "social media influencer" who is NOT  a member of SAG-AFTRA, you can be barred from future membership for promoting a film or television series during the actors' strike.

From Variety:  The SAG/AFTRA strike begins in New York and Los Angeles.  Hollywood actors began striking today, Fri., July 14th.

From Deadline:  The site has the video of the powerful strike speech given by SAG-AFTRA president, Fran Drescher, the actress best known for CBS' former sitcom, "The Nanny."

From Deadline:  Concerning the Hollywood writers strike (via the WGA), the Hollywood Studios (as represented by the AMPTP) is to let the writers go broke before resuming talks deep into the Fall.

From Deadline: SAG-AFTRA is already preparing strike picket signs in case the actors' strike begins next week.

From Deadline:  WGA is picketing the New York City filming location of the 12th series of FX's "American Horror Story" (entitled "Delicate") after series co-creator Ryan Murphy threaten litigation against an east coast strike captain.

From THR:  TV super-producer, Ryan Murphy, in a letter from his attorney to the leadership of the Writers Guild of America, threatened litigation against Warren Leight, an East Coast strike captain and Strike Rules Compliance Committee member who has subsequently forfeited those positions.

From Deadline:  The Hollywood studios via the AMPTP has given Canadian actors a new contract, including a 5 percent raise.

From Deadline:  Writers Strike puts the spotlight back on the challenge from writers for animation productions to be covered by the WGA.

From THR:  Studios won't give writers better pay, and now, are laying off janitors.

From Deadline:  The Directors Guild of America (DGA) has reached a tentative new three-year deal with the Alliance of Motion Picture and Television Producers (AMPTP). So what does the Writers Guild (WGA), currently on strike and negotiating with the AMPTP, think of that deal.

From Deadline:  Netflix shareholders declined to support the 2023 pay packages of top executives during a non-binding vote at the company’s annual shareholder meeting on Thursday.  The vote won't prevent these execs from getting their loot (an total of $166 million), but this is a rare public rebuke.  The Writers Guild of America (WGA) has urged shareholders to vote "No" because the pay was "inappropriate" at this time.

From Deadline:  Warner Bros Discovery chief David Zaslav gave the commencement address at Boston University. There he was met with jeers and also chants of "pay your writers" from picketers and from some in the audience.

From Deadline:   President Joe Biden speaks on the Writers Guild of America strike.

From Deadline:  Retaliation! The studios have starting informing writer-producers who have "overall" and "first-look" deals that such deals are being suspended.

From Deadline:  Retaliation!  Prolific HBO creator, David Simon, who is best known for "The Wire," is one of the many writers who have had their overall deals suspended the studios due to the WGA strike.  Simon has been with HBO for 25 years.

From Deadline:  The Writers Guild of America (WGA) is on strike.

From Deadline:  Disney, HBO/HBO Max, and CBS have sent letters to showrunners (the TV equivalent of film directors) instructing them to return to work, inspite of the writer's strike.

From Deadline:  The WGA's chief negotiator, Ellen Stutzman, talks about the state of the writers' strike, including the lack of engagement on the part of the strike's other party, AMPTP.

From Deadline:  What went wrong between the WGA and AMPTP? What could they not agree on that led to a strike?

From Deadline:  The site explains the WGA strike: the issues, the stakes, movies and TV shows affected, and how long it might last.

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Comics Review: RUMPUS ROOM #1 Gets Straight to the Point

RUMPUS ROOM #1 (OF 5)

AWA STUDIOS

STORY: Mark Russell

ART: Ramon Rosanas

COLORS: Ive Svorcina

LETTERS: Andworld Design

COVER: Tony Harris

VARIANT COVER ARTISTS: Mike and Laura Allred; Mark Russell; Tony Harris

32pp, Color, $3.99 U.S. (September 2023)

Rated: “Mature”

Rumpus Room is a new five-issue miniseries from AWA Studios.  It is written by Mark Russell; drawn by Ramon Rosanas; colored by Ive Svorcina; and lettered by Andworld Design.  The series pits a group of prisoners against their jailer, a billionaire who needs their organs and fluids.

Rumpus Room #1 introduces Bob Schrunk.  He is a tech billionaire, collector of bad art, and sufferer of a terrible skin condition.  That condition can only be treated by a special face cream that comes from deep in the bowels of his Rumpus Room.  Enter Erica Hernandez.  She is looking for her missing sister, Olivia, who apparently worked for Schrunk's company – not that he'd care.  Erica is about to discover the awful truth.

THE LOWDOWN:  AWA Studios' marketing recently began providing me with PDF review copies of their comic book publications.  Rumpus Room #1 is the latest.

I was a huge fan of writer Mark Russell's 2015 reboot of DC Comics' decades old weird comic book series, Prez (1973-74).  Luckily, Rumpus Room is in the vein of the cleverly satirical Prez, only darker, as well as being uncomfortably plausible.  It has an accent that recalls the meanness of Stanley Kubrick's A Clockwork Orange (1971), but elements of Rumpus Room seem more Clive Barker than Anthony Burgess.

I love the work of the late English comic book artist, Steve Dillon (1962-2016).  In Rumpus Room, artist Ramon Rosanas captures the concise layouts and simplicity of composition that Dillon used to create conflict, tension, and intensity with substance rather than with sound and fury.  I find Rosanas' storytelling mesmerizing, so much so that by the end of this series, Rosanas may have me back on that crack pipe.

Recently, I found another celebrity comics creator whining about the horrid state of the American comics industry.  Maybe, if more readers stopped dry-humping the dead horse that is the Marvel/DC Comics slab of the market and focused on what a publisher like AWA Studios is doing, they'd be happy comic book readers.  So, dear readers, let's enjoy the good stuff, like Rumpus Room #1.

I READS YOU RECOMMENDS:  Fans of Mark Russell's unique brand of comic books will want Rumpus Room.

A

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"

AWA Website: https://awastudios.net/

AWA Instagram: https://www.instagram.com/awastudiosofficial/

AWA Twitter: https://twitter.com/AWA_Studios

AWA Facebook: https://www.facebook.com/awastudiosofficial

The text is copyright © 2023 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

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BOOM! Studios Shipping from Diamond Distributors for September 27, 2023

BOOM! STUDIOS

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Dynamite Entertainment Shipping from Diamond Distributors for September 27, 2023

DYNAMITE

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MARVEL COMICS

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