NEGROMANCER 2.0: France

Showing posts with label France. Show all posts

Thursday, October 5, 2023

Review: "THE BROTHERHOOD OF THE WOLF" is Crazy (Literally), Sexy, Cool

TRASH IN MY EYE No. 6 (of 2002) by Leroy Douresseaux

Pacte des loups, Le (2001)

COUNTRY OF ORIGIN: France; Language: French, German, Italian

The Brotherhood of the Wolf (2002) – USA title

Running time: 142 minutes (2 hours, and 22 minutes)

MPAA – R for strong violence, gore, and sexuality/nudity

DIRECTOR: Christophe Gans

WRITERS: Stephane Cabel and Christophe Gans

PRODUCERS: Richard Grandpierre and Samuel Hadida

CINEMATOGRAPHER: Dan Laustsen

EDITORS: Xavier Loutreuil, Sébastien Prangère, and David Wu

COMPOSER: Joseph LoDuca

DRAMA/HISTORICAL AND HORROR/MYSTERY/THRILLER with elements of adventure

Starring: Samuel Le Bihan, Vincent Cassel, Emilie Dequenne, Monica Bellucci, Jérémie Rénier, Mark Dacascos, Jean Yanne, Jean-Francois Stévenin, and Jacques Perrin

Le Pacte des loups is a 2001 French period film, action and horror movie directed by Christophe Gans. The film was released in the United States in early 2002 by Universal Pictures under the title, The Brotherhood of the Wolf (the title by which I will refer to this film in this review). The film's plot is loosely based on the legend of the “beast of Gévaudan” and a real-life series of killings that took place in France in the 18th century. The Brotherhood of the Wolf focuses on a French knight and his Native American companion who are sent to investigate the mysterious slaughter of hundreds of people by an unknown creature in the county of Gévaudan.

At the beginning of The Brotherhood of the Wolf, Old Thomas d'Apcher (Jacques Perrin) recounts a fantastic fable/story of his youth. It is France of 1765, and the King sends two envoys to the Gevaudan province (which no longer exists) to investigate a series of brutal murders of which the locals believe is committed by a mysterious beast. The envoys are the Chevalier Gregoire de Fronsac (Samuel Le Bihan), a naturalist, and his companion, Mani (Mark Dacascos), a Mohawk Iroquois shaman of New France (Canada). They arrive in Gevandan to find the provincials bigoted and superstitious, even in the midst of the death all around them.

Among the colorful cast of characters include a mysterious and powerful priest, Henri Sardis (Jean-Francois Stevenin), and a sly and dangerous one-armed hunter, Jean Francois de Morangias (Vincent Cassel). The young Thomas d’Apcher (Jeremie Renier) becomes a hunting companion of Fronsac and Mani. Two strong female characters compete for the attentions of the virile and intelligent Fronsac: Marianne de Morangias (Emilie Dequenne), Jean Francois’s beautiful younger sister, and the nubile and hypnotic courtesan Sylvia (Monica Bellucci). As Fronsac and Mani pierce the veil of mystery and terror that covers the province, intrigue and deceit surround them, and the beast continues to kill.

Directed by Christophe Gans, The Brotherhood of the Wolf bends genres as easily as the film’s beast tears through its victims. Horror, thriller, western, martial arts, and mystery, the film is filled with suspense, terror, romance, eroticism, and political intrigue. It is at times intoxicating and mind bending and at other times, languid and thoughtful. It is difficult to categorize, but the movie is largely fantasy and action, but different from most of the movies that both genres recall.

Fronsac is a man of reason who sees a human conspiracy behind the killings that is darker and more insidious than any beast of Hell. Still, this man of science also understands the mystic worldview and belief system of his friend and blood brother, Mani. Fronsac is enlightenment’s soldier against the backward and ignorant peasants and nobles of Gevaudan. The provincials fear the ways of a city like Paris, and Sardis and Jean Francois resent the capital’s intrusion into their world. They disdain the confidence and intelligence of the King’s envoys. The beast is a physical manifestation of the provincials superstitions, isolationism, hatred, and evil that feeds upon the populace, and the creature resists the authority of the government.

The movie’s creature is a computer-generated image (CGI); at its best is fearsome. At its worst, the creature, especially during some daylight scenes, is hokey. However, Gans wisely holds revealing the beast in scenes that go by so quickly that we rarely get a good look at it. Sometimes, just the unseen beast’s roars, growls, and footsteps are enough to set the heart racing.

Le Bihan as Fronsac is strong and strongly confident. He is the romantic lead upon which the audience hitches its wagon. When he and Mani arrive early in the movie, after the film’s opening murder, they appear in a driving rainstorm, masked minutemen with the presence of demigods. Mani’s assault upon the villagers recalls fight scenes from The Matrix, but his are down to earth and more physical, more visceral; the threat of danger to him from the attackers is much greater. Decascos is mostly very good on the screen as Mani, though a few bits of his screen time are a little flat. When Gans unleashes him late in the movie, Decascos is a beautiful force a nature, a small storm in human guise tearing through his antagonists.

Vincent Cassel’s Jean Francois is the serpentine equal to Fronsac. He dominates all of his screen time, except for his scenes with Fronsac, in which both must share the screen. The movie nearly bursts from having to contain both their magnetic presences. They alone are worth the price of admission, but the rest of the cast, both veterans and newcomers, make the most of their roles.

Although a little long, The Brotherhood of the Wolf is wonderful; a dark horse, it is one of the best films of the year 2001. Gans and his screenwriting partner, Stephane Cabel, created a script that melds raw action with social intrigue, and the result is quite an accomplishment. The Brotherhood of the Wolf is plainly good entertainment. Not quite high art, it is eye candy that is very smart and very fun.

8 of 10

★★★★ out of 4 stars

Edited: Wednesday, October 4, 2023

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Monday, September 4, 2023

Review: "THE BARBARIAN INVASIONS" is a Masterpiece

TRASH IN MY EYE No. 125 (of 2004) by Leroy Douresseaux

Les Invasion Barbares (2003)

The Barbarian Invasions (2003) – U.S. title

COUNTRY OF ORIGIN: Canada/France; Language: French/English

Running time: 99 minutes (1 hour, 33 minutes)

MPAA – R for language, sexual dialogue, and content

WRITER/DIRECTOR: Denys Arcand

PRODUCERS: Daniel Louis and Denise Robert

CINEMATOGRAPHER: Guy Dufaux

EDITOR: Isabelle Dedieu

COMPOSER: Pierre Aviat

Academy Award winner

DRAMA/COMEDY

Starring: Rémy Girard, Stéphane Rousseau, Dorothée Berryman, Louise Portal, Dominique Michel, Yves Jacques, Pierre Curzi, Marie-Josée Croze, Marina Hands, Toni Cecchinato, and Mitsou Gélinas

Les Invasions barbares is a 2003 comedy and drama written and directed by Denys Arcand. A Canadian and French co-production, the film was released in the U.S. under the title, The Barbarian Invasions, the title I will used for this review. The Barbarian Invasions focuses on a dying man, who during his final days, is reunited with old friends, former lovers, his ex-wife, and his estranged son.

Arcand’s The Barbarian Invasion won the Academy Award for “Best Foreign Language Film” at the 76th Academy Awards in 2004. A sequel to Arcand's 1986 film, The Decline of the American Empire, The Barbarian Invasions received only one other Oscar nomination, which was for best original screenplay (written by Arcand), and that was and still is ridiculous. Considering the performances and Arcand’s direction, the film should have received at least a few more.

The Barbarian Invasions is the story of 50-ish Rémy (Rémy Girard) and his family. He is dying of cancer and is laid up in a Montreal hospital. His ex-wife, Louise (Dorothée Berryman), summons home their son, Sébastien (Stéphane Rousseau), who is estranged from his father and is living in London. Sébastien, a rich oil trader for a huge British firm, is, in a sense, a disappointment to his father. The son is a wealthy capitalist and the father was an arm chair, leftist, radical type.

Soon after he arrives, Sébastien uses his money and connections to fight the entrenched Canadian nationalized health system, and he gets Rémy a private room and other amenities. But the most difficult part of the prodigal son’s return home is the reconciliation between father and son.

The most amazing thing about this thoroughly beautiful film is that Arcand is able to tell the story of a father trying to redeem himself, of a son trying to put aside his anger at this father, and of a man trying to find meaning in a life he believes that he lazily kept so modest and have still more sub-plots, philosophies, and ideas. The film also deals with mother/daughter relationships, the drug war, drug addiction, personal and professional failure, the Canadian health system, socialism, infidelity, friendship, politics, religion, genocide, and barbarian invasions of civilization. Arcand does all of this without losing the central, human focus of his lovely movie. Filled with rich performances, subtle humor, and endearing characters, The Barbarian Invasions is the best film of the year.

10 of 10

Re-edited: Saturday, September 2, 2023

NOTES:

2004 Academy Awards, USA: 1 win: “Best Foreign Language Film” (Canada); 1 nomination: “Best Writing, Original Screenplay” (Denys Arcand)

2004 BAFTA Awards: 2 nominations: “Best Screenplay-Original” (Denys Arcand) and “Best Film not in the English Language” (Denise Robert, Daniel Louis, and Denys Arcand)

2004 Golden Globes, USA: 1 nomination: “Best Foreign Language Film” (Canada)

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Wednesday, May 17, 2023

Review: Entertaining "TRIANGLE OF SADNESS" is Not as Clever or as Sharp As it Thinks It Is

TRASH IN MY EYE No. 21 of 2023 (No. 1910) by Leroy Douresseaux

Triangle of Sadness (2022)

Running time: 147 minutes (2 hour, 27 minutes)

MPA – R for language and some sexual content

WRITER/DIRECTOR: Rubin Östlund

PRODUCERS: Philippe Bober and Erik Hemmendorff

CINEMATOGRAPHER: Fredrik Wenzel (D.o.P.)

EDITORS: Mikel Cee Karlsson and Rubin Östlund

Academy Award nominee

DRAMA

Starring: Harris Dickinson, Charlbi Dean, Vicki Berlin, Dolly De Leon, Zlatko Buric, Sunnyi Melles, Iris Berben, Amanda Walker, Oliver Ford Davies, Ralph Schicha, Henrik Dorsin, Jean-Christophe Folly, Alicia Eriksson, and Woody Harrelson

Triangle of Sadness is a 2022 satirical film and black comedy from writer-director Ruben Östlund. It is the Swedish Östlund's first English-language film, and it is an international co-production between four nations: Sweden, France, Germany, and the United Kingdom. The film follows a celebrity couple, who are both fashion models, as they join a doomed luxury cruse for the super-rich.

Triangle of Sadness introduces Carl (Harris Dickinson) and Yaya (Charlbi Dean). Yaya is a successful fashion model, and Carl is male model, who is not as successful as Yaya. Yaya expects Carl to pay for their meals, although she makes more money than him, and her ambition is to be a trophy wife. Yaya is an “influencer,” and she is in a relationship with Carl for the social media engagement it earns them.

Carl and Yaya are invited on a luxury cruise aboard a super-yacht in exchange for its social media promotion. Among the wealthy guests are the Russian oligarch, Dimitry (Zlatko Buric), and his wife, Vera (Sunnyi Melles), and Jarmo (Henrik Dorsin), a lonely tech millionaire who flirts with Yaya. Paula (Vicki Berlin), the tightly wound head of the ship's staff, demands that the staff obey the guests' every request, even the absurd ones. The ship's Captain (Woody Harrelson) will not leave his room and seems to be drunk all the time. The captain's neglect of his duties, Paula's insistence on placating the super-wealthy guests, and the guests crazy demands culminate in a single disastrous evening.

Eventually, a small group of the yacht's guests, including Carl and Yaya, find themselves on what seems to be a deserted island. Now, the balance of power has shifted from the wealthy and powerful to a rather skillful cleaning woman, Abigail (Dolly De Leon). Will the guests adjust to this new status, and how well will they adjust?

There are some fun, outrageous, and outrageously funny material, moments, and scenes in Triangle of Sadness. The film critiques and mocks the obscenely wealthy, but I think that its strongest points are made when it takes swipes at how some people get rich and famous. Some are wealthy because they sell things that are destructive to humanity (things used in war), and some are rich and famous … for being rich and famous. Some people's wealth does not make their lives better, such as the lonely Jarmo. Some, like the Russian, Dimitry, merely happened to be in the right place at the right time with the right stuff to sell.

For all his film's political commentary and moral lessons, writer-director Ruben Östlund seems to be a tad too mannered. It's as if he doesn't know that while his film is edgy, he seems to be dulling the sharp edges that would really go after his social and political targets. Is Östlund saying that the super-rich and famous are obscene and that they need to be brought down to the level of ordinary people in order to regain their humanity? By the end of the film, it seems that way.

I would recommend Triangle of Sadness (which takes its title from a modeling term used in the film) to fans of foreign movies. Most movie fans can get a similar message, more or less, from the classic Eddie Murphy-Dan Aykroyd film, Trading Places (1983). I like Triangle of Sadness because it is a genuinely good film, but it feels like Ruben Östlund left the hardness of its allegories and metaphors on the cutting room floor.

7 of 10

A-

★★★½ out of 4 stars

Wednesday, May 17, 2023

NOTES:

2023 Academy Awards, USA: 3 nominations: “Best Motion Picture of the Year” (Erik Hemmendorff and Philippe Bober), “Best Original Screenplay” (Ruben Östlund), and “Best Achievement in Directing” (Ruben Östlund)

2023 BAFTA Awards: 3 nominations: “Best Supporting Actress” (Dolly De Leon), “Best Casting” (Pauline Hansson), and “Best Screenplay-Original” (Ruben Östlund)

2023 Golden Globes, USA: 2 nominations: “Best Motion Picture - Musical or Comedy” and “Best Performance by an Actress in a Supporting Role in Any Motion Picture” (Dolly De Leon)

2022 Cannes Film Festival: 2 wins: “Palme d'Or” (Ruben Östlund) and “CST Artist-Technician Prize” (Andreas Franck, Bent Holm, Jacob Ilgner, and Jonas Rudels)

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Thursday, August 19, 2021

Fantagraphics Books Publishes French Graphic Novel, "The Butchery"

Award-Winning Cartoonist Bastian Vivès’ THE BUTCHERY is a Poetic Exploration of a Romance Gone Awry

Out This August from Fantagraphics

SEATTLE, WA - This August, Fantagraphics will publish THE BUTCHERY, a poetic graphic novel by award-winning French cartoonist Bastien Vivès which explores the emotional bloodbath of a romance gone awry.

A young man and woman fall for each other, and all is sweetness and light. But when their relationship crumbles, they each must endure the ensuing emotional fallout. Starting from this ostensibly simple premise, Bastien Vivès crafts an affecting narrative about the mercurial and tempestuous nature of romance and why we pursue it anyway.

THE BUTCHERY is composed of the little moments that make and break a relationship: lively dancing, silent strolls hand in hand, stilted phone calls, tearful pillow talk. Rendered with delicate colored pencils and an elegant use of white space, this story achieves an emotional clarity through its skillful brevity. At turns tender, agonizing, and darkly humorous, THE BUTCHERY is painfully relatable to anyone who has loved and lost.

Fantagraphics will publish the poetic and heart-rending graphic novel THE BUTCHERY on August 24, 2021.

THE BUTCHERY is available for pre-order now via Fantagraphics: https://www.fantagraphics.com/products/the-butchery

The Butchery by Bastien Vivès
$19.99 • August 2021 • ISBN: 9781683964476
92 pages • Full-Color • 7.8” x 11.3”

For more information, contact:

David Hyde: Superfan Promotions Founder
david.hyde@superfanpromotions.com

Hanna Bahedry: Superfan Promotions Publicity Coordinator
hanna.bahedry@superfanpromotions.com

About Bastien Vivès:
Bastien Vivès is a Parisian who has drawn or collaborated on more than a dozen graphic novels since his published debut in 2006. The Angouleme Comics Festival granted Vivès the "Revelation" Award in 2009 and the prize for best series in 2015.

About Fantagraphics:
For over 45 years, Fantagraphics has published the very best comics and graphic novels that the medium has to offer. Our mission is to celebrate great cartooning in all of its incarnations, from the form’s early luminaries to contemporary artists currently forging the future of visual storytelling. Not content to rest on our laurels and extensive roster of talented artists, we constantly seek out fresh voices from across the globe. Thus, we honor the rich history of comics while providing a platform for bold new stories, styles, and perspectives that push the boundaries of the medium. Fantagraphics remains peerless in our commitment to be the publisher of the world's greatest cartoonists.

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Monday, February 22, 2021

93 Nations Submitted Entries for the "International Film" Oscar at 93rd Academy Awards

INTERNATIONAL FEATURE FILMS ELIGIBLE FOR 93RD OSCARS® ANNOUNCED

The Academy of Motion Picture Arts and Sciences announced feature films eligible for consideration in the International Feature Film category for the 93rd Academy Awards®. Eligibility lists by category can be viewed at Oscars.org/93rdFeatureEligibility. Complete 93rd Academy Awards rules can be found at Oscars.org/rules.

INTERNATIONAL FEATURE FILM
Ninety-three countries have submitted films that are eligible for consideration in the International Feature Film category for the 93rd Academy Awards. An international feature film is defined as a feature-length motion picture (more than 40 minutes) produced outside the United States with a predominantly (more than 50%) non-English dialogue track. Lesotho, Sudan and Suriname are first-time entrants.

Earlier this year, the Academy’s Board of Governors voted to expand the shortlist from 10 to 15 films. Academy members from all branches are invited to participate in the preliminary round of voting and must meet a minimum viewing requirement to be eligible to vote in the category. The shortlist of 15 films was announced on Tuesday, February 9, 2021.

93RD ACADEMY AWARDS® ELIGIBLE FOR CONSIDERATION IN THE INTERNATIONAL FEATURE FILM CATEGORY:

Listed in alphabetical order by country:
Albania, “Open Door”
Argentina, “The Sleepwalkers”
Armenia, “Songs of Solomon”
Austria, “What We Wanted”
Bangladesh, “Sincerely Yours, Dhaka”
Belgium, “Working Girls”
Bolivia, “Chaco”
Bosnia and Herzegovina, “Quo Vadis, Aida?”
Brazil, “Babenco - Tell Me When I Die”
Bulgaria, “The Father”
Cambodia, “Fathers”
Cameroon, “The Fisherman’s Diary”
Canada, “14 Days, 12 Nights”
Chile, “The Mole Agent”
China, “Leap”
Colombia, “El Olvido Que Seremos (Memories of My Father)”
Costa Rica, “Land of Ashes”
Croatia, “Extracurricular”
Cuba, “Buscando a Casal”
Czech Republic, “Charlatan”
Denmark, “Another Round”
Dominican Republic, “A State of Madness”
Ecuador, “Emptiness”
Egypt, “When We’re Born”
Estonia, “The Last Ones”
Finland, “Tove”
France, “Two of Us”
Georgia, “Beginning”
Germany, “And Tomorrow the Entire World”
Greece, “Apples”
Guatemala, “La Llorona”
Honduras, “Days of Light”
Hong Kong, “Better Days”
Hungary, “Preparations to Be Together for an Unknown Period of Time”
Iceland, “Agnes Joy”
India, “Jallikattu”
Indonesia, “Impetigore”
Iran, “Sun Children”
Ireland, “Arracht”
Israel, “Asia”
Italy, “Notturno”
Ivory Coast, “Night of the Kings”
Japan, “True Mothers”
Jordan, “200 Meters”
Kazakhstan, “The Crying Steppe”
Kenya, “The Letter”
Kosovo, “Exile”
Kyrgyzstan, “Running to the Sky”
Latvia, “Blizzard of Souls”
Lebanon, “Broken Keys”
Lesotho, “This Is Not a Burial, It’s a Resurrection”
Lithuania, “Nova Lituania”
Luxembourg, “River Tales”
Malaysia, “Roh”
Mexico, “I’m No Longer Here”
Mongolia, “Veins of the World”
Montenegro, “Breasts”
Morocco, “The Unknown Saint”
Netherlands, “Buladó”
Nigeria, “The Milkmaid”
North Macedonia, “Willow”
Norway, “Hope”
Pakistan, “Circus of Life”
Palestine, “Gaza Mon Amour”
Panama, “Operation Just Cause”
Paraguay, “Killing the Dead”
Peru, “Song without a Name”
Philippines, “Mindanao”
Poland, “Never Gonna Snow Again”
Portugal, “Vitalina Varela”
Romania, “Collective”
Russia, “Dear Comrades!”
Saudi Arabia, “Scales”
Senegal, “Nafi’s Father”
Serbia, “Dara of Jasenovac”
Singapore, “Wet Season”
Slovakia, “The Auschwitz Report”
Slovenia, “Stories from the Chestnut Woods”
South Africa, “Toorbos”
South Korea, “The Man Standing Next”
Spain, “The Endless Trench”
Sudan, “You Will Die at Twenty”
Suriname, “Wiren”
Sweden, “Charter”
Switzerland, “My Little Sister”
Taiwan, “A Sun”
Thailand, “Happy Old Year”
Tunisia, “The Man Who Sold His Skin”
Turkey, “Miracle in Cell No. 7”
Ukraine, “Atlantis”
Uruguay, “Aleli”
Venezuela, “Once upon a Time in Venezuela”
Vietnam, “Dreamy Eyes”

All dates and rules for the 93rd Academy Awards are subject to change based on national guidelines, state-mandated government orders and Academy-determined best practices.

Nominations for the 93rd Academy Awards will be announced on Monday, March 15, 2021.

The 93rd Oscars® will be held on Sunday, April 25, 2021, and will be televised live on ABC and in more than 225 countries and territories worldwide.

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ABOUT THE ACADEMY:
The Academy of Motion Picture Arts and Sciences is a global community of more than 10,000 of the most accomplished artists, filmmakers and executives working in film. In addition to celebrating and recognizing excellence in filmmaking through the Oscars, the Academy supports a wide range of initiatives to promote the art and science of the movies, including public programming, educational outreach and the upcoming Academy Museum of Motion Pictures.

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Friday, February 19, 2021

#28DaysofBlack: "DARWIN'S NIGHTMARE" Chronicles Ongoing Rape of Africa's Natural Resources

[The continent of Africa – and yes, it is a continent – has seen a large amount of its natural resources exploited by Western Europe and the United States. That includes people, fossil fuels, minerals, and food, with western corporations joining the exploitation fray. However, neither the exploitation nor sale of Africa's natural resources has helped poor Africans escape poverty. Sometimes, the situation becomes a horror movie scenario, as seen in the Oscar-nominated documentary, “Darwin's Nightmare.”]

TRASH IN MY EYE No. 100 (of 2007) by Leroy Douresseaux

Darwin’s Nightmare (2004)
COUNTRY OF ORGIN: Austria, Belgium, France, Canada, Finland, and Sweden; Languages: English, Russian, Swahili
Running time: 107 minutes
WRITER/DIRECTOR: Hubert Sauper
PRODUCERS: Barbara Albert, Martin Gschlacht, Edouard Mauriat, Hubert Sauper, Antonin Svoboda, and Hubert Toint
CINEMATOGRAPHER: Hubert Sauper
EDITOR: Denise Vindevogel
2006 Academy Award nominee

DOCUMENTARY

Starring: Hubert Sauper, Raphael, Dimond, and Reverend Cleopa Knijage

Darwin's Nightmare is a 2004 documentary film written and directed by Hubert Sauper. It was a multinational production, mainly Austrian, French, and Belgian. The documentary examines the effects of fishing the Nile perch, a predatory fish, in Tanzania's Lake Victoria, which leads to food insecurity for many Tanzania families.

In his Oscar-nominated documentary, Darwin’s Nightmare, director Hubert Sauper portrays an Africa where the fittest thrive and the weakest starve and die of disease. The film is set in Tanzania, in the Mwanza City, one of the cities on the shores of Lake Victoria. European interests make huge profits from the local fishing industries, feeding approximately two million Europeans per day while the locals around Lake Victoria starve. The Tanzanians fend for themselves on fish heads and scraps, while their waters are emptied of perch – an example of globalization feeding foreign markets while locals starve.

Lake Victoria, which stretches over the Tanzanian plains, is struggling. In the 1960’s, a scientist introduced the Nile perch into the ecosystem. An enormous variant of the American perch, the Nile perch devour the other fish, practically wiping out all other life in the lake. This was and remains a disaster for the local communities, but the multinational fishing factories thrive from this ecological disaster by processing and shipping abroad thousands of tons of perch every month. While the planes leave loaded with fish, they don’t return with food and clothing for the needy. Instead, they bring more weapons for the various wars and strife in Africa. Meanwhile, Tanzania teeters on the brink of devastation and war.

Darwin’s Nightmare is grim, and in a sense it is one of those “important films,” a movie that seeks to inform viewers about issues and situations about which they should want to know. The film covers how globalization harms local economies and depicts how the introduction of a single new element into an ecosystem can be disastrous. On the other hand, Sauper’s film was hugely controversial in Tanzanian and in some quarters of Europe. Tanzanian officials found the film’s portrayal of extreme poverty in Mwanza City exaggerated, and some claimed that a greater portion of Lake Victoria’s Nile perch was consumed locally and within Tanzania. The controversy over the film even resulted in a book, The Other Side of Darwin’s Nightmare, by Francois Garcon.

The film is occasionally hard to watch, but riveting. Also, listening to all the interview subjects who speak horribly broken English is distracting and occasionally aggravating. Sauper’s lack of balance is too evident, and the film also lacks a broader context. Sauper doesn’t interview academics or experts on any of the topics this film covers. Where are the government officials, aid workers, and a wide range of representatives of the fishing industry? Because of Sauper’s focus on prostitutes, glue-sniffing street kids, impoverished fisherman, the sick, and the family members of those who’ve died of HIV and AIDS, Darwin’s Nightmare comes across as a trip through a nightmare land created by Hieronymus Bosch. It’s a spellbinding trip, but what Sauper excludes keeps a very good film from becoming a great documentary.

7 of 10
B+

NOTES:
2006 Academy Awards: 1 nomination: “Best Documentary, Features” (Hubert Sauper)

Saturday, June 30, 2007
REVISED: Tuesday, February 16, 2021

The text is copyright © 2021 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

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Friday, November 30, 2018

87 Countries Seek a "Foreign Film" Oscar Nod at 91st Academy Awards

87 COUNTRIES IN COMPETITION FOR 2018 FOREIGN LANGUAGE FILM OSCAR

Eighty-seven countries have submitted films for consideration in the Foreign Language Film category for the 91st Academy Awards®. Malawi and Niger are first-time entrants.

The 2018 submissions are:

Afghanistan, “Rona Azim’s Mother,” Jamshid Mahmoudi, director;

Algeria, “Until the End of Time,” Yasmine Chouikh, director;

Argentina, “El Ángel,” Luis Ortega, director;

Armenia, “Spitak,” Alexander Kott, director;

Australia, “Jirga,” Benjamin Gilmour, director;

Austria, “The Waldheim Waltz,” Ruth Beckermann, director;

Bangladesh, “No Bed of Roses,” Mostofa Sarwar Farooki, director;

Belarus, “Crystal Swan,” Darya Zhuk, director;

Belgium, “Girl,” Lukas Dhont, director;

Bolivia, “The Goalkeeper,” Rodrigo “Gory” Patiño, director;

Bosnia and Herzegovina, “Never Leave Me,” Aida Begić, director;

Brazil, “The Great Mystical Circus,” Carlos Diegues, director;

Bulgaria, “Omnipresent,” Ilian Djevelekov, director;

Cambodia, “Graves without a Name,” Rithy Panh, director;

Canada, “Family First,” Sophie Dupuis, director;

Chile, “…And Suddenly the Dawn,” Silvio Caiozzi, director;

China, “Hidden Man,” Jiang Wen, director;

Colombia, “Birds of Passage,” Cristina Gallego, Ciro Guerra, directors;

Costa Rica, “Medea,” Alexandra Latishev, director;

Croatia, “The Eighth Commissioner,” Ivan Salaj, director;

Czech Republic, “Winter Flies,” Olmo Omerzu, director;

Denmark, “The Guilty,” Gustav Möller, director;

Dominican Republic, “Cocote,” Nelson Carlo De Los Santos Arias, director;

Ecuador, “A Son of Man,” Jamaicanoproblem, director;

Egypt, “Yomeddine,” A.B. Shawky, director;

Estonia, “Take It or Leave It,” Liina Trishkina-Vanhatalo, director;

Finland, “Euthanizer,” Teemu Nikki, director;

France, “Memoir of War,” Emmanuel Finkiel, director;

Georgia, “Namme,” Zaza Khalvashi, director;

Germany, “Never Look Away,” Florian Henckel von Donnersmarck, director;

Greece, “Polyxeni,” Dora Masklavanou, director;

Hong Kong, “Operation Red Sea,” Dante Lam, director;

Hungary, “Sunset,” László Nemes, director;

Iceland, “Woman at War,” Benedikt Erlingsson, director;

India, “Village Rockstars,” Rima Das, director;

Indonesia, “Marlina the Murderer in Four Acts,” Mouly Surya, director;

Iran, “No Date, No Signature,” Vahid Jalilvand, director;

Iraq, “The Journey,” Mohamed Jabarah Al-Daradji, director;

Israel, “The Cakemaker,” Ofir Raul Graizer, director;

Italy, “Dogman,” Matteo Garrone, director;

Japan, “Shoplifters,” Hirokazu Kore-eda, director;

Kazakhstan, “Ayka,” Sergey Dvortsevoy, director;

Kenya, “Supa Modo,” Likarion Wainaina, director;

Kosovo, “The Marriage,” Blerta Zeqiri, director;

Latvia, “To Be Continued,” Ivars Seleckis, director;

Lebanon, “Capernaum,” Nadine Labaki, director;

Lithuania, “Wonderful Losers: A Different World,” Arunas Matelis, director;

Luxembourg, “Gutland,” Govinda Van Maele, director;

Macedonia, “Secret Ingredient,” Gjorce Stavreski, director;

Malawi, “The Road to Sunrise,” Shemu Joyah, director;

Mexico, “Roma,” Alfonso Cuarón, director;

Montenegro, “Iskra,” Gojko Berkuljan, director;

Morocco, “Burnout,” Nour-Eddine Lakhmari, director;

Nepal, “Panchayat,” Shivam Adhikari, director;

Netherlands, “The Resistance Banker,” Joram Lürsen, director;

New Zealand, “Yellow Is Forbidden,” Pietra Brettkelly, director;

Niger, “The Wedding Ring,” Rahmatou Keïta, director;

Norway, “What Will People Say,” Iram Haq, director;

Pakistan, “Cake,” Asim Abbasi, director;

Palestine, “Ghost Hunting,” Raed Andoni, director;

Panama, “Ruben Blades Is Not My Name,” Abner Benaim, director;

Paraguay, “The Heiresses,” Marcelo Martinessi, director;

Peru, “Eternity,” Oscar Catacora, director;

Philippines, “Signal Rock,” Chito S. Roño, director;

Poland, “Cold War,” Pawel Pawlikowski, director;

Portugal, “Pilgrimage,” João Botelho, director;

Romania, “I Do Not Care If We Go Down in History as Barbarians,” Radu Jude, director;

Russia, “Sobibor,” Konstantin Khabensky, director;

Serbia, “Offenders,” Dejan Zecevic, director;

Singapore, “Buffalo Boys,” Mike Wiluan, director;

Slovakia, “The Interpreter,” Martin Šulík, director;

Slovenia, “Ivan,” Janez Burger, director;

South Africa, “Sew the Winter to My Skin,” Jahmil X.T. Qubeka, director;

South Korea, “Burning,” Lee Chang-dong, director;

Spain, “Champions,” Javier Fesser, director;

Sweden, “Border,” Ali Abbasi, director;

Switzerland, “Eldorado,” Markus Imhoof, director;

Taiwan, “The Great Buddha+,” Hsin-Yao Huang, director;

Thailand, “Malila The Farewell Flower,” Anucha Boonyawatana, director;

Tunisia, “Beauty and the Dogs,” Kaouther Ben Hania, director;

Turkey, “The Wild Pear Tree,” Nuri Bilge Ceylan, director;

Ukraine, “Donbass,” Sergei Loznitsa, director;

United Kingdom, “I Am Not a Witch,” Rungano Nyoni, director;

Uruguay, “Twelve-Year Night,” Álvaro Brechner, director;

Venezuela, “The Family,” Gustavo Rondón Córdova, director;

Vietnam, “The Tailor,” Buu Loc Tran, Kay Nguyen, directors;

Yemen, “10 Days before the Wedding,” Amr Gamal, director.

Nominations for the 91st Academy Awards will be announced on Tuesday, January 22, 2019.

The 91st Oscars® will be held on Sunday, February 24, 2019, at the Dolby Theatre® at Hollywood & Highland Center® in Hollywood, and will be televised live by the ABC Television Network. The Oscars also will be televised live in more than 225 countries and territories worldwide.

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Monday, February 19, 2018

Miami Film Festival Announces Short Film Competition Nominees

IMDbPro and MDC’s Miami Film Festival Announce 25 Finalists for IMDbPro Short Film Competition

All 25 Finalists Will Screen at the Festival and Compete for the Grand Jury Selection of the Best Short Film of the Year and $2,500 Cash Prize to be Presented at the Festival’s Awards Night Gala on March 17, 2018

MIAMI--(BUSINESS WIRE)--Miami Dade College’s (MDC) acclaimed Miami Film Festival and IMDbPro (www.imdbpro.com), the essential resource for entertainment industry professionals, unveiled 25 finalists in the Festival’s IMDbPro Short Film Competition. The 25 finalists were selected by a programming committee of filmmakers, cinephiles and film industry professionals in Miami and internationally, under the direction of the Festival’s Director of Programming, and will all screen at the Festival and compete for the Grand Jury selection of the best short film of the year, to be presented at the Festival’s Awards Night Gala on March 17, 2018. The Short Film Competition Grand Jury will include IMDb Founder and CEO Col Needham and others to be announced, and the winning filmmaker will receive a $2,500 cash prize.

“We congratulate the finalists of the IMDbPro Short Film Competition and are pleased that all submissions were exclusively received and processed via the IMDbPro Withoutabox service, which connects filmmakers and film festivals”

The internationally renowned Miami Film Festival, which celebrates its 35th anniversary edition this year, will take place March 9 – 18, 2018 at venues across Miami. Tickets went on sale to members of the Miami Film Society on February 9, 2018 and the general public on February 16, 2018 at miamifilmfestival.com or 1-844-565-6433 (MIFF).

“We congratulate the finalists of the IMDbPro Short Film Competition and are pleased that all submissions were exclusively received and processed via the IMDbPro Withoutabox service, which connects filmmakers and film festivals,” said Matt Kumin, Head of IMDbPro. “This short film competition is one of the many ways we help filmmakers get discovered by a global audience and advance their careers.”

“The short film is an art form unto itself,” said Miami Film Festival director Jaie Laplante. “Life comes at us in short bursts, and these 25 wonderful films expertly capture the brief sensations of insight we are momentarily afforded in the enormous volume of information that crowds our lives.”

Highlights among the 25 finalists of the Festival’s 2018 IMDbPro Short Film Competition include:

Adrián Cárdenas, a Cuban-American writer/director from Miami and former Major League baseball player for the Chicago Cubs, will present his NYU Tisch School of the Arts master’s thesis film, “Canoe Poems.”
Six new animated shorts will compete from the National Film Board of Canada, this category’s defending champion. The 2017 Miami Film Festival’s Best Short-winning film was the NFB’s “The Head Vanishes,” by Franck Dion.
Oscar-winner Marisa Tomei and Oscar-nominee Minnie Driver star in Jocelyn Stamat’s unusual sci-fi/horror entry, “Laboratory Conditions.”
Three-time and currently Oscar-nominated makeup artist Kazuhiro Tsuji’s work in the physical transformation of 2018 Oscar nominee Gary Oldman in Darkest Hour is profiled in “The Human Face.”
Palestinian filmmaker Mahdi Fleifel returns to the competition for a third consecutive time with the BAFTA-nominated “A Drowning Man,” first presented as a Palme d’Or candidate at the 2017 Cannes Film Festival.
Miami-born Michael Arcos will present his eclectic “This My Favorite Mural” and Miami-educated Sara Werner will present “The Things They Left Behind,” based on a story by Stephen King.

The complete list of 25 films in the Festival’s IMDbPro Short Film Competition are:

1. BROKEN HILL (Australia, 2017), directed by Peter Drew.
2. THE CANNONBALL WOMAN (Canada, France, Switzerland, 2017), directed by Albertine Zullo, David Toutevoix.
3. CANOE POEMS (USA, 2017), directed by Adrián Cárdenas.
4. DEYZANGEROO (Canada, 2017), directed by Ehsan Gharib.
5. A DROWNING MAN (Denmark, Greece, UK 2017), directed by Mahdi Fleifel.
6. EMMY (Canada, 2018), directed by Hannah Cheesman.
7. THE FISHERMAN (Cuba, 2017), directed by Ana A. Alpizar.
8. (FOOL TIME) JOB (France, 2017), directed by Gilles Cuvelier.
9. THE FULL STORY (UK, 2017), directed by Daisy Jacobs.
10. HOLY HILL (Dominican Republic, 2017), directed by Rodney Llaverias.
11. THE HUMAN FACE (USA, 2017), directed by Aline Pimentel.
12. LABORATORY CONDITIONS (USA, 2017), directed by Jocelyn Stamat.
13. LOS COMANDOS (USA, 2017), directed by Joshua Bennett, Juliana Schatz.
14. MANIVALD (Canada, Croatia, Estonia 2017), directed by Chintis Lundgren.
15. MI DULCINEA (Cuba, 2017), directed by Max Barbakow.
16. MOTHER (Spain, 2017), directed by Rodrigo Sorogoyen.
17. MY TREASURE (El Salvador, 2017), directed by Michael Flores.
18. MY YIDDISH PAPI (Canada, 2017), directed by Éléonore Goldberg.
19. NO TRAFFIC NO MORE (Canada, 2017), directed by Julie Roy
20. SKIN FOR SKIN (Canada, 2017), directed by Kevin D. A. Kurytnik, Carol Beecher.
21. THE TESLA WORLD LIGHT (Canada, 2017), directed by Matthew Rankin.
22. THE THINGS THEY LEFT BEHIND (USA, 2017), directed by Sara Werner.
23. THIS MY FAVORITE MURAL (USA, Honduras, Costa Rica, 2017), directed by Michael Arcos.
24. TO GO (Uruguay, 2018), directed by Ilan Rosenfeld.
25. UNFINISHED, 2017 (MIXED MEDIA) (USA, 2018), directed by Rafael Salazar Moreno.

The Grand Jury selection for the IMDbPro Short Film Award and $2,500 cash prize will be presented at the Festival’s Awards Night Gala on March 17, at the Olympia Theater and The Historic Alfred I. Dupont Building in downtown Miami, as part of the Festival’s CINEDWNTWN GALA series sponsored by Miami Downtown Development Authority (DDA). Tickets for the Awards Night Gala are already on sale via 1-844-565-6433 (MIFF) or miamifilmfestival.com.

The Canadian short films in this section are presented with the support of Telefilm Canada, and all French-language shorts are additionally presented by TV5 Monde. The screening of “Mother” is made possible with the support of Acción Cultural Española, AC/E.

For membership opportunities or more information, visit miamifilmfestival.com or call 305-237-FILM (3456). Miami Film Festival is the only major film festival event housed within a college or university.

About Miami Dade College’s Miami Film Festival
Celebrating cinema in two annual events, Miami GEMS Festival in October and its 35th annual edition March 9 – 18, 2018, Miami Dade College’s Miami Film Festival is considered the preeminent film festival for showcasing Ibero-American cinema in the U.S., and a major launch pad for all international and documentary cinema. The annual Festival more than 60,000 audience members and more than 400 filmmakers, producers, talent and industry professionals. It is the only major festival housed within a college or university. In the last five years, the Festival has screened films from more than 60 countries, including 300 World, International, North American, U.S. and East Coast Premieres. Miami Film Festival’s special focus on Ibero-American cinema has made the Festival a natural gateway for the discovery of new talent from this diverse territory. The Festival also offers unparalleled educational opportunities to film students and the community at large. Major sponsors of the 2017-18 Festival season include Knight Foundation, American Airlines and Miami-Dade County. For more information, visit miamifilmfestival.com or call 305-237-FILM (3456).

About IMDbPro and Withoutabox
IMDbPro (www.imdbpro.com) is the essential resource for entertainment industry professionals. This membership-based service includes comprehensive information and tools that are designed to help entertainment industry professionals achieve success throughout all stages of their career. IMDbPro offers members the following: detailed contact and representation information; tools to manage and showcase their IMDb profile, including the ability to select their primary images and the credits they are best “known for”; exclusive STARmeter and MOVIEmeter rankings that are determined by page views on IMDb; a casting service to post breakdowns and apply to roles; the IMDbPro app for iPhone and more. IMDbPro is owned and operated by IMDb, the #1 movie website in the world. Additionally, IMDb owns and operates Withoutabox (https://www.withoutabox.com/), the premier submission service for film festivals and filmmakers.

About Telefilm Canada—Inspired by talent. Viewed everywhere.
Created in 1967, Telefilm is dedicated to the cultural, commercial and industrial success of Canada’s audiovisual industry. Through its various funding and promotion programs, Telefilm supports dynamic companies and creative talent here at home and around the world. Telefilm also makes recommendations regarding the certification of audiovisual treaty coproductions to the Minister of Canadian Heritage, and administers the programs of the Canada Media Fund and the Talent Fund, a private donation initiative. Visit telefilm.ca and follow us on Twitter at twitter.com/telefilm_canada and on Facebook at www.facebook.com/telefilmcanada.

About TV5Monde
TV5MONDE is the global French language entertainment network, broadcasting 24 hours a day, 7 days a week, without commercial interruptions. TV5MONDE USA is a premium pay-tv channel reaching 1.5 million viewers in the U.S. American viewers enjoy a wealth of high quality French language programming, subtitled in English, including up to 300 classic, recent and never-before-seen in the U.S. French language films per year, around the clock newscasts live from Paris, the latest series and TV dramas, premium documentaries, cultural programs and international sports coverage.

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Sunday, April 30, 2017

Sony Pictures Classics to Distribute "Based on a True Story" in North America

SONY PICTURES CLASSICS ACQUIRES ROMAN POLANSKI'S BASED ON A TRUE STORY

NEW YORK (February 14, 2017) – Sony Pictures Classics announced that they have acquired all rights in North America to Academy Award-winner Roman Polanski's BASED ON A TRUE STORY. The French-language film recently wrapped production in Paris and stars Emmanuelle Seigner and Eva Green.

A tense psychological thriller, BASED ON A TRUE STORY follows Delphine (Seigner), a best-selling author in Paris who has developed writer's block. When a mysterious woman (Green) enters her life at a book signing, Delphine's life and all that she had come to rely on becomes a rollercoaster resulting in unexpected consequences.

Based on Delphine de Vigan's novel of the same title, the film is written by Cannes award-winner Olivier Assayas (Best Director, PERSONAL SHOPPER) and Roman Polanski. The film is produced by Wassim Beji of WY Productions. RatPac Entertainment will partner with SPC on the distribution.

Sony Pictures Classics previously worked with Polanski on CARNAGE.

"I am very pleased that Sony Pictures Classics will be distributing BASED ON A TRUE STORY in North America. Sony Classics is a company that has long tradition in supporting European cinema. I am looking forward to working again with Michael Barker and Tom Bernard," said Roman Polanski.

Stated Sony Pictures Classics, "BASED ON A TRUE STORY is the kind of thriller audiences are hungering for, as exceptional and fresh as REPULSION and THE TENANT were in their day. Polanski's new film promises to be his very best."

The deal was negotiated by Sony Pictures Classics and Jeff Berg of Northside Services.

ABOUT SONY PICTURES CLASSICS
Michael Barker and Tom Bernard serve as co-presidents of Sony Pictures Classics—an autonomous division of Sony Pictures Entertainment they founded with Marcie Bloom in January 1992, which distributes, produces, and acquires independent films from around the world. Barker and Bernard have released prestigious films that have won 37 Academy Awards® (33 of those at Sony Pictures Classics) and have garnered 159 Academy Award® nominations (137 at Sony Pictures Classics) including Best Picture nominations for WHIPLASH, AMOUR, MIDNIGHT IN PARIS, AN EDUCATION, CAPOTE, HOWARDS END, AND CROUCHING TIGER, HIDDEN DRAGON.

ABOUT SONY PICTURES ENTERTAINMENT
Sony Pictures Entertainment (SPE) is a subsidiary of Sony Corporation of America, a subsidiary of Tokyo-based Sony Corporation. SPE's global operations encompass motion picture production and distribution; television production and distribution; home entertainment acquisition and distribution; a global channel network; digital content creation and distribution; operation of studio facilities; development of new entertainment products, services and technologies; and distribution of entertainment in more than 142 countries. For additional information, go to http://www.sonypictures.com.

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Sunday, February 26, 2017

"Zootopia" Wins "Best Animated Feature" Oscar

Animated Feature Film

Nominees
Kubo and the Two Strings - Travis Knight and Arianne Sutner

Moana - John Musker, Ron Clements and Osnat Shurer

My Life as a Zucchini - Claude Barras and Max Karli

The Red Turtle - Michael Dudok de Wit and Toshio Suzuki

Zootopia - Byron Howard, Rich Moore and Clark Spencer - WINNER

Saturday, July 16, 2016

Dark Horse to Publish English Edition of French Graphic Novel, "Muhammad Ali"

Dark Horse to Publish Original Graphic Novel “Muhammad Ali”

Celebrate the life of the Greatest!

MILWAUKIE, OR—Dark Horse Comics is set to release Muhammad Ali, the story of an icon in a graphic novel from writer Sybille Titeux and artist Amazing Ameziane.

Published for the first time in English, this critically acclaimed French graphic novel celebrates the life of the glorious athlete who metamorphosed from the young boxer Cassius Clay to the legendary three-time heavyweight champion, activist, and provocateur Muhammad Ali, and focuses on key figures in the civil rights movement.

Cassius Clay is a kid who rushes into boxing by chance after his bike is stolen. His talent for the sport is proven when he wins an Olympic gold medal. The world heavyweight champion never takes a hit without fighting back. Clay becomes Muhammad Ali, a Civil rights activist, contemporary of Martin Luther King Jr. and Malcolm X, and one of the greatest icons of the twentieth century.

Not only a titan in the world of sports but in the world itself, he dared to be different and to challenge and defy through his refusal to be drafted to fight in Vietnam, his rejection of his “slave” name, and ultimately his final fight with his body itself through a thirty-year battle with Parkinson’s disease. Witness what made Ali different, what made him cool, what made him the Greatest.

Muhammad Ali (978-1-50670-318-3) debuts on October 26, 2016, and retails for $19.99. Preorder your copy today at your local comic shop or through Penguin Random House!

About Dark Horse 
For 30 years, Dark Horse Comics has proven to be a solid example of how integrity and innovation can help broaden a unique storytelling medium and establish a small, homegrown company as an industry giant. Founded in 1986 by Mike Richardson, the company is known for the progressive and creator-friendly atmosphere it provides for writers and artists. In addition to publishing comics from top talent, such as Eric Powell, Mike Mignola, Geof Darrow, Brian Wood, Gail Simone, Stan Sakai, and Guillermo del Toro, and comics legends, such as Will Eisner, Milo Manara, Kazuo Koike, Neil Gaiman, and Frank Miller, Dark Horse has developed its own successful properties, such as The Mask, Ghost, X, and Barb Wire. Its successful line of comics, manga, and products based on popular properties includes Dragon Age, Buffy the Vampire Slayer, Aliens, Conan, Tomb Raider, Halo, The Witcher, Serenity, Game of Thrones, and Avatar: The Last Airbender. Today Dark Horse Comics is the largest independent comic book publisher in the US and is recognized as one of the world’s leading entertainment publishers.

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Tuesday, May 24, 2016

2016 Cannes Film Festival Winners Announced; Ken Loach Wins Second Palme d'Or

The 69th annual Cannes Film Festival was held in Cannes, France from May 11 to May 22, 2016. The closing ceremony and the 2016 awards ceremony were held on Sunday, May 22, 2016.

I’ve included a list of winners from the “In Competition” categories; this is the main competition in which films compete for the festival’s top prize, the “Palme d’Or” (Golden Palm). I’ve included the winners from other Cannes award competitions, including “Un Certain Regard” and the “Golden Camera.”

The “Grand Prix” is the second most prestigious prize given at Cannes, after the Palme d’Or. The competition known as “Un Certain Regard” is a part of Cannes that runs parallel to the competition for the Palme d’Or.

Judges for the 2016 Main Competition – “In Competiton”:
George Miller, Australian film director (President)
Arnaud Desplechin, French film director
Kirsten Dunst, American actress
Valeria Golino, Italian actress and film director
Mads Mikkelsen, Danish actor
László Nemes, Hungarian film director
Vanessa Paradis, French actress and singer
Katayoon Shahabi, Iranian film producer
Donald Sutherland, Canadian actor

2016/69th Cannes Film Festival winners:

COMPETITION – Feature Films

Palme d’Or: “I, Daniel Blake” (Ken Loach, U.K.)

Grand Prix: “It’s Only the End of the World” (Xavier Dolan, Canada-France)

Director: TIE
Olivier Assayas, “Personal Shopper” (France)
Cristian Mungiu, “Graduation” (Romania)

Actor: Shahab Hosseini, “The Salesman” (Iran)

Actress: Jaclyn Jose, “Ma ‘Rosa” (Philippines)

Jury Prize: Andrea Arnold, “American Honey” (U.K.-U.S.)

Screenplay: Asghar Farhadi, “The Salesman” (Iran)

OTHER PRIZES

Palme d’Honneur: Jean-Pierre Léaud

Camera d’Or: “Divines” (Houda Benyamina, France-Qatar)

Short Films Palme d’Or: “Timecode” (Juanjo Jimenez, Spain)

Special Mention – Short Films Palme d’Or: “The Girl Who Danced With the Devil” (Joao Paulo Miranda Maria, Brazil)

Ecumenical Jury Prize: “It’s Only the End of the World” (Xavier Dolan, Canada-France)

UN CERTAIN REGARD

Un Certain Regard Prize: “The Happiest Day in the Life of Olli Mäki” (Juho Kuosmanen, Finland)

Jury prize: “Harmonium” (Koji Fukada, Japan)

Director: Matt Ross, “Captain Fantastic” (United States)

Screenplay: Delphine and Muriel Coulin, “The Stopover” (France)

Special Jury Prize: Michael Dudok de Wit, “The Red Turtle” (France-Japan)

DIRECTORS’ FORTNIGHT

Art Cinema Award: “Wolf and Sheep” (Shahrbanoo Sadat)

Society of Dramatic Authors and Composers Prize: “The Together Project” (Solveig Anspach)

Europa Cinemas Label: “Mercernary” (Sacha Wolff)

CRITICS’ WEEK

Grand Prize: “Mimosas” (Oliver Saxe)

Visionary Prize: “Album” (Mehmet Can Mertoğlu)

Society of Dramatic Authors and Composers Prize: “Diamond Island” (Day Chou)

FIPRESCI

Competition: “Toni Erdmann” (Maren Ade, Germany-Austria)

Un Certain Regard: “Dogs” (Bogdan Mirică, Romania-France)

Critics’ Week: “Raw” (Julia Ducournau, France-Belgium)

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Sunday, February 28, 2016

2016 Cesar Awards Announced;

Saturday, February 27, 2016

2016 Cesar Award Nominations

First given out in 1975, the César Award is the national film award of France. Some even think of the César Award as the French equivalent of the American Academy Awards (Oscars). The nominations are selected by the members of the Académie des Arts et Techniques du Cinéma, and the award ceremony is held in Paris each February. The name of the award comes from the late sculptor César Baldaccini, and the trophies are actual sculptures of the artist.

The 41st Cesar Awards ceremony will take place on Friday, February 26, 2016 at the Theatre du Chatelet in central Paris presided over by Florence Foresti over by French comedian and actress Florence Foresti. Hollywood star Michael Douglas is due to receive an honorary Cesar for his career at the ceremony.

The 2016 / 41st Cesar Award nominees (for the year in 2015):

BEST FILM
Dheepan, dir: Jacques Audiard
Fatima, dir: Philippe Faucon
La Loi Du Marché, dir: Stéphane Brizé
Marguerite, dir: Xavier Giannoli
Mon Roi, dir: Maiwenn
Mustang, dir: Deniz Gamze Erguven
La Tete Haute, dir: Emmanuelle Bercot
Trois Souvenirs De Ma Jeunesse (aka My Golden Days), dir: Arnaud Desplechin

BEST FIRST FILM
L’Affaire SK1, dir: Frédéric Tellier
Les Cowboys; dir: Thomas Bidegain
Mustang, dir: Deniz Gamze Erguven
Ni Le Ciel Ni La Terre, Clément Cogitore
Nous Trois Ou Rien, dir: Kheiron

BEST DIRECTOR
Jacques Audiard, Dheepan
Stéphane Brizé, La Loi Du Marché
Xavier Giannoli, Marguerite
Deniz Gamze Ergüven, Mustang
Emmanuelle Bercot, La Tête Haute
Arnaud Desplechin, My Golden Days
Maïwenn, Moi Roi

BEST ACTOR
Jean-Pierre Bacri, La Vie Très Privée De Monsieur Sim
Vincent Cassell, Mon Roi
François Damiens, Les Cowboys
Gérard Depardieu, Valley Of Love
Antonythasan Jesuthasan, Dheepan
Vincent Lindon, La Loi Du Marché
Fabrice Luchini, L’Hermine

BEST ACTRESS
Loubna Abidar, Much Loved
Emmanuelle Bercot, Mon Roi
Cécile de France, La Belle Saison
Catherine Deneuve, La Tête Haute
Catherine Frot, Marguerite
Isabelle Huppert, Valley Of Love
Soria Zeroual, Fatima

BEST SUPPORTING ACTOR
Michel Fau, Marguerite
Louis Garrel, Mon Roi
Benoit Magimel, La Tête Haute
André Marcon, Marguerite
Vincent Rottiers, Dheepan

BEST SUPPORTING ACTRESS
Sara Forestier, La Tête Haute
Agnès Jaoui, Comme Un Avion
Sidse Babett Knudsen, L’Hermine
Noémie Lvovsky, La Belle Saison
Karin Viard, 21 Nuits Avec Pattie

BEST ANIMATED FILM
Adama; dir: Simon Rouby
Le Petit Prince, dir: Mark Osborne
Avril Et Le Monde Truqué, dirs: Christian Desmares, Franck Ekinci

BEST FOREIGN FILM
Birdman, dir: Alejandro G Inarritu
Son Of Saul, dir: Laszlo Nemes
Je Suis Mort Mais J’ai Des Amis, dirs: Guillaume Malandrin, Stéphane Malandrin
Mia Madre, dir: Nanni Moretti
Taxi Tehran, dir: Jafar Panahi
The Brand New Testament, dir: Jaco van Dormael
Youth, dir: Paolo Sorrentino

BEST NEWCOMER (FEMALE)
Lou Leroy-Collinet, My Golden Days
Diane Rouxel, La Tête Haute
Zita Hanrot, Fatima
Sara Giraudeau, Les Bêtises
Camille Cottin, Connasse, Princesse Des Coeurs

BEST NEWCOMER (MALE)
Swann Arlaud, Les Anarchistes
Quentin Dolmaire, My Golden Days
Félix Moati, A trois On Y Va
Finnegan Oldfield, Les Cowboys
Rod Paradot, La Tête Haute

BEST CINEMATOGRAPHY
Eponine Momenceau, Dheepan
Glynn Speeckaert, Marguerite
David Chizallet, Mustang
Irina Lubtchansky, My Golden Days
Christophe Offenstein, Valley Of Love

BEST ADAPTED SCREENPLAY
David Oelhoffen, Frédéric Tellier, L’Affaire SKI
Samuel Benchetrit, Asphalte
Vincent Garenq, Stéphan Cabel, L’Enquete
Philippe Faucon, Fatima
Héléne Zimmer, Benoît Jacquot, Journal D’Une Femme De Chambre

BEST EDITING
Juliette Welfing, Dheepan
Cyril Nakache, Marguerite
Simon Jacquet, Mon Roi
Mathilde Van De Moortel, Mustang
Laurence Briau, My Golden Days

BEST SOUND
Daniel Sobrino, Valérie Deloof, Cyril Holtz, Dheepan
François Musy, Gabriel Hafner, Marguerite
Nicolas Provost, Agnès Ravez, Emanuel Croset, Mon Roi
Ibrahim Gök, Damien Guillaume, Olivier Goinard, Mustang
Nicolas Cantin, Sylvain Malbrant, Stéphane Thiébaut, My Golden Days

BEST SHOR FILM
La Contre Allée, dir: Cécile Ducrocq
Le Dernier Des Céfrans, dir: Pierre-Emmanuel Urcun
Essaie De Mourir Jeune, dir: Morgon Simon
Guy Moquet, dir: Demis Herenger
Mon Héros, dir: Sylvain Desclous

BEST ORIGINAL MUSIC
Raphaël, Les Cowboys
Ennio Morricone, En Mail, Fais Ce Qu’Il Te Plaît
Stephen Warbeck, Mon Roi
Warren Ellis, Mustang
Grégoire Hetzel, My Golden Days

BEST ORIGINAL SCREENPLAY
Noé Debré, Thomas Bidegain, Jacques Audiard, Dheepan
Xavier Giannoli, Marguerite
Deniz Gamze Ergüven, Alice Winocour, Mustang
Emmanuelle Bercot, Marcia Roman, La Tête Haute
Arnaud Desplechin, Julie Peyr, My Golden Days

BEST COSTUMES
Anaïs Romand, Journal D’Une Femme De Chambre
Pierre-Jean Larroque, Marguerite
Selin Sözen, Mustang
Catherine Leterrier, L’Odeur De La Mandarine
Nathalie Raoul, My Golden Days

BEST SET DECORATION
Michel Barthélémy, Dheepan
Katia Wyszkop, Journal D’Une Femme De Chambre
Martin Kurel, Marguerite
Jean Rabasse, L’Odeur De La Mandarine
Toma Baqueni, My Golden Days

BEST ANIMATED SHORT
La Nuit Américaine D’Angélique, dirs: Pierre-Emmanuel Lyet, Joris Clerté
Le Repas Dominical, dir: Céline Devaux
Sous Tes Doigts, dir: Marie-Christine Courtès
Tigre A La Queue Leu Leu, dir: Benoît Chieux

BEST DOCUMENTARY
Le Bouton De Nacre, dir: Patrico Guzman
Cavanna, dirs: Denis and Nina Robert
Tomorrow, dirs: Cyril Dion, Mélanie Laurent
The Missing Picture, dir: Rithy Panh
Une Jeunesse Allemande, dir: Jean-Gabriel Periot

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Thursday, February 18, 2016

Select Regal Theatres Screening Oscar Nominated Short Films

Watch the Oscar® Nominated Shorts at Regal

See the best of the best in Animated and Live Action

KNOXVILLE, Tenn., Feb. 18, 2016 /PRNewswire/ -- Regal Entertainment Group, a leading motion picture exhibitor owning and operating the largest theatre circuit in the United States, today announces that ten of the best Live Action and Animated Shorts will be available at select Regal theatres. This year's most spectacular short films across Live Action and Animation will be available for a limited time to watch on the big screen February 19-21, 2016.

"Oscar® aficionados will want to buy their ticket to see the animated and live action shorts," said Mike Viane, Senior Vice President of Film at Regal Entertainment Group. "These passion projects are not widely available, and Regal is offering a unique opportunity to watch these at the theatre the way the directors intended - on the big screen."

The Live Action Shorts include:

    -- Ave Maria (Palestine/France/Germany)
    -- Day One (USA)
    -- Everything Will Be Okay (Germany/Austria)
    -- Shok (Kosovo/United Kingdom)
    -- Stutterer (United Kingdom/Ireland)

The Animated Shorts include:

    -- Bear Story (Chile)
    -- Prologue (United Kingdom)
    -- Sanjay's Super Team (USA)
    -- We Can't Live Without Cosmos (Russia)
    -- World of Tomorrow (USA)

Tickets can be purchased at the box office or REGmovies.com. For additional information and a list of participating theatres, please check http://www.regmovies.com/promotions/Oscar-Shorts.

Regal fans are encouraged to like Regal Cinemas' Facebook page and download the Regal Movies app. The Regal app also gives patrons the ability to upload their Regal Crown Club card straight to their phone for easy access while on-the-go. Through the industry-leading Regal Crown Club, 13-million patrons each year accumulate credits at the box office and concession stand to earn rewards including free popcorn, soft drinks and movies. Free membership is available at the box office or online at REGmovies.com/Crown-Club.

About Regal Entertainment Group:
Regal Entertainment Group (NYSE: RGC) operates the largest and most geographically diverse theatre circuit in the United States, consisting of 7,361 screens in 572 theatres in 42 states along with the District of Columbia, American Samoa, Guam and Saipan as of December 31, 2015. The Company operates theatres in 46 of the top 50 U.S. designated market areas. We believe that the size, reach and quality of the Company's theatre circuit not only provide its patrons with a convenient and enjoyable movie-going experience, but is also an exceptional platform to realize economies of scale in theatre operations.

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Monday, December 21, 2015

Down to 9 Films Competeing for "Foreign Language Film" Oscar at 88th Academy Awards

9 FOREIGN LANGUAGE FILMS ADVANCE IN OSCAR® RACE

Nine features will advance to the next round of voting in the Foreign Language Film category for the 88th Academy Awards®. Eighty films had originally been considered in the category.

The films, listed in alphabetical order by country, are:

     Belgium, "The Brand New Testament," Jaco Van Dormael, director;

     Colombia, "Embrace of the Serpent," Ciro Guerra, director;

     Denmark, "A War," Tobias Lindholm, director;

     Finland, "The Fencer," Klaus Härö, director;

     France, "Mustang," Deniz Gamze Ergüven, director;

     Germany, "Labyrinth of Lies," Giulio Ricciarelli, director;

     Hungary, "Son of Saul," László Nemes, director;

     Ireland, "Viva," Paddy Breathnach, director;

     Jordan, "Theeb," Naji Abu Nowar, director.

Foreign Language Film nominations for 2015 are being determined in two phases.

The Phase I committee, consisting of several hundred Los Angeles-based Academy members, screened the original submissions in the category between mid-October and December 14. The group’s top six choices, augmented by three additional selections voted by the Academy’s Foreign Language Film Award Executive Committee, constitute the shortlist.

The shortlist will be winnowed down to the category’s five nominees by specially invited committees in New York, Los Angeles and London. They will spend Friday, January 8, through Sunday, January 10, viewing 2016 three films each day and then casting their ballots.

The 88th Academy Awards nominations will be announced live on Thursday, January 14, 2016, at 5:30 a.m. PT at the Academy’s Samuel Goldwyn Theater in Beverly Hills.

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Monday, December 14, 2015

Paolo Sorrentino's "Youth" Named "Best European Film of 2015"

The European Film Awards recognize excellence in European cinematic achievements. The awards are are presented annually since 1988 by the European Film Academy and are given in over ten categories, of which the most important is “European Film,” the best film of the year award. The European Film Awards are restricted to European cinema and European producers, directors, and actors.

The winners of the 28th European Film Awards were announced at a ceremony on Saturday, December 12, 2015 in Berlin, Germany.

The 2015/28th European Film Awards winners:

EUROPEAN FILM 2015
Youth, dir: Paolo Sorrentino

EUROPEAN ACTRESS 2015
Charlotte Rampling, 45 Years

EUROPEAN ACTOR 2015
Michael Caine, Youth

EUROPEAN DIRECTOR 2015
Paolo Sorrentino, Youth

PEOPLE’S CHOICE AWARD 2015
Marshland, dir: Alberto Rodríguez

EUROPEAN COMEDY 2015
A Pigeon Sat On A Branch Reflecting On Existence, dir: Roy Andersson

EUROPEAN DOCUMENTARY 2015
Amy, dir: Asif Kapadia

EUROPEAN DISCOVERY – PRIX FIPRESCI
Mustang, dir: Deniz Gamze Erguven

EUROPEAN ANIMATED FEATURE FILM 2015
Song Of The Sea, dir: Tomm Moore

EUROPEAN SHORT FILM 2015
Picnic, dir: Jure Pavlovic

EUROPEAN SCREENWRITER 2015
Yorgos Lanthimos & Efthimis Filippou for The Lobster

PREVIOUSLY ANNOUNCED:

EFA LIFETIME ACHIEVEMENT AWARD 2015
Charlotte Rampling

EUROPEAN CO-PRODUCTION AWARD 2015
Andrea Occhipinti

EUROPEAN SOUND DESIGNER 2015
Vasco Pimentel & Miguel Martins for Arabian Nights – Vol I-III

EUROPEAN COMPOSER 2015
Cat’s Eyes for The Duke Of Burgundy

EUROPEAN COSTUME DESIGNER 2015
Sarah Blenkinsop for The Lobster

EUROPEAN PRODUCTION DESIGNER 2015
Sylvie Olivé for The Brand New Testament

EUROPEAN EDITOR 2015
Jacek Drosio for Body

EUROPEAN CINEMATOGRAPHER 2015
Martin Gschlacht for Goodnight Mommy

EUROPEAN ACHIEVEMENT IN WORLD CINEMA (Honorary Award)
Christoph Waltz

HONORARY AWARD OF THE EFA PRESIDENT AND BOARD
Michael Caine

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Friday, October 2, 2015

Review: "The Great Beauty" is" La grande bellezza"

TRASH IN MY EYE No. 38 (of 2015) by Leroy Douresseaux

[A version of this review was first posted on Patreon.]

The Great Beauty (2013)
La grande bellezza – original title
Country: Italy/France
Running time: 141 minutes (2 hours, 21 minutes)
Not rated by the MPAA
DIRECTOR: Paolo Sorrentino
WRITERS: Paolo Sorrentino and Umberto Contarello; from a story by Paolo Sorrentino
PRODUCERS: Francesca Cima and Nicola Giuliano
CINEMATOGRAPHER: Luca Bigazzi
EDITOR: Cristiano Travagl
COMPOSER: Lele Marchitelli
Academy Award winner

DRAMA

Starring: Toni Servillo, Carlo Verdone, Sabrina Ferilli, Carlo Buccirosso, Pamela Villoresi, Galatea Ranzi, Franco Graziosi, Giorgio Pasotti, Sonia Gessner, Luca Marinelli, Serena Grandi, Vernon Dobtcheff, Giovanna Vignola, Isabella Ferrari, and Giusi Merli

La grande bellezza (The Great Beauty) is a 2013 drama from director Paolo Sorrentino. The Great Beauty is an Italian and French co-production, and as a representative of Italy, it won the Oscar for “Best Foreign Language Film of the Year” for the year 2013. The film was released to U.S. theaters in 2014. The Great Beauty follows a writer through timeless and beautiful Rome as he takes stock of his life after he receives a shock from the past.

The Great Beauty focuses on Jep Gambardella (Toni Servillo), a journalist and socialite living in Rome. He has lived a lavish life in Rome since he moved to the city as a 26-year-old. Once upon a time, Jep wrote an acclaimed and well-received novel, The Human Apparatus. While people awaited a second novel, Jep lived a comfortable life of writing about about celebrities and of throwing parties for celebrities and socialites in his fancy luxury apartment.

After his 65th birthday, Jep receives some shocking news about an old girlfriend. He walks through the side of Rome that is a timeless landscape of absurd beauty and exquisite antiquity. He reflects on his life and the sense that he is unfulfilled, as he encounters various characters.

The Great Beauty is indeed a great beauty. The audience follows Jep Gambardella through parts of Rome that are tourist destinations or are either museums or sections of palatial estates. I could recommend The Great Beauty for the absurd beauty of the film's settings and locales, alone.

As for the film's narrative: it would be too easy to say that the specter of death hangs over the film. The theme of growing old permeates the film, and also most of the characters seem to be yearning for more of something in their lives, even if more of what they want is bad for them. Their lives are emotionally and spiritually empty. I think the idea is that Jep has drifted through the last four decades of his life without realizing that he needs to establish roots.

I think that The Great Beauty encourages people to realize that beauty comes in fits and flashes between long stretches of what is ugly and banal in life; don't chase the superficial prettiness could be a tag line for the movie. Still, the parties depicted in this film look pretty good, and the apartments and houses are just lovely. I enjoyed Jep Gambardella's journey, although it meanders at times, but once again, the beauty in The Great Beauty is just so... beautiful. This visual splendor alone makes this a truly exceptional film.

9 of 10
A+

Friday, July 31, 2015

The text is copyright © 2015 Leroy Douresseaux. All Rights Reserved. Contact this site for reprint and syndication rights and fees.

NOTES:
2014 Academy Awards, USA: 1 win: “Best Foreign Language Film of the Year” (Italy)

2014 Golden Globes, USA: 1 win: “Best Foreign Language Film” (Italy)

2014 BAFTA Awards: 1 win: “Best Film not in the English Language” (Paolo Sorrentino, Nicola Giuliano, and Francesca Cima)

2013 Cannes Film Festival: 1 nomination: “Palme d'Or: (Paolo Sorrentino)

Friday, September 4, 2015

Review: "Transporter 2" Offers Good Fight Scenes, Little Else

TRASH IN MY EYE No. 141 (of 2005) by Leroy Douresseaux

Transporter 2 (2005)
Running time: 88 minutes (1 hour, 28 minutes)
MPAA – PG-13 for intense sequences of violent action, sexual content, partial nudity, and brief language
DIRECTOR: Louis Leterrier
WRITERS: Luc Besson & Robert Mark Kamen (based upon characters created by Luc Besson & Robert Mark Kamen )
PRODUCERS: Steve Chasman and Luc Besson
CINEMATOGRAPHER: Mitchell Amundsen
EDITOR: Walter Mauriot, Christine Lucas Navarro, and Vincent Tabaillon
COMPOSER: Alexandre Azaria

ACTION/MARTIAL ARTS/THRILLER

Starring: Jason Statham, Alessandro Gassman, Amber Valletta, Katie Nauta, Matthew Modine, Jason Flemyng, Keith David, Hunter Clary, Shannon Briggs, François Berléand, and Raymond Tong

Transporter 2 is a 2005 French action thriller from director Louis Leterrier and maestro Luc Besson and stars Jason Statham in the title role. It is a sequel to the 2002 film, The Transporter. In Transporter 2, mercenary Frank Martin is in Miami, Florida where he is implicated in the kidnapping of the young son of a powerful U.S. government official

Transporter 2 is set in Miami, Florida. There, ex-Special Forces operative, Frank Martin (Jason Statham), lives in retirement, but is still providing services as a transporter. Martin is a professional driver with almost-supernatural driving skills in a supa dupa car who can transport anyone or anything – no questions asked. For the past month, Frank has been the driver for the wealthy Billings family, driving young Jack Billings (Hunter Clary) back and forth to school.

When Gianni (Alessandro Gassman), a powerful gun-for-hire and criminal operative, has Jack kidnapped, Frank rushes to the rescue. However, Jack has been injected with a deadly virus as a ploy to poison his father, Jefferson Billings (Matthew Modine), and in turn spread the deadly virus, killing Mr. Billings’ government and business associates. Frank defies and eludes the FBI, who believes that he is behind the plot, while he tries to uncover Gianni’s master plan and stop a disastrous epidemic.

There was no reason for a sequel to 2002’s The Transporter, other than that it was an international box office hit. Transporter 2 is not as good as the first, mainly because the original had Frank Martin in a romantic entanglement that was the humanizing element of the film against its manic martial arts-inspired fight sequences and unrelenting gun violence. Corey Yuen, the director of the first film, is back for Transporter 2 only as the fight choreographer, and while his successor, Louis Leterrier, benefits from Yuen’s work on the fight scenes, Leterrier didn’t inherit anything else from the original. Thus, Transporter 2’s fight sequences are excellent in keeping with the spirit of The Transporter, but there just ain’t no soul. I was only mildly entertained with this as a movie, but I bet electronic games fans would get a kick out of this as a video game. We shouldn’t buy tickets to the cinema to see a flick and get instead a video game. The child character, Jack Billings, could have been the soul of this film, they way the love interest was in the original, but Jack is just the object that starts the ball rolling towards a series of violent, supernatural, Crouching Tiger, Hidden Dragon/Hero martial arts fight scenes.

Jason Statham has a nice film personality, but this time he wears Frank Martin as if he’s just a video game character and Transporter 2 is just the latest installment in a video game franchise. If you waited to see the first film on home video, it would only be right to wait for Transporter 2 on DVD and home video, as it is inferior and should not be honored with the movie ticket purchase you didn’t give the first film. This might sound nerdy and pretentious, but Transporter 2 is a pedestrian fight movie with great fights, but the kind of story that shows up in made-for-cable action movies.

5 of 10
C+

Revised: Thursday, September 3, 2015

The text is copyright © 2015 Leroy Douresseaux. All Rights Reserved. Contact this site for reprint syndication rights and fees.

Monday, May 25, 2015

"Dheepan" Wins Palme d'Or at 2015 Cannes Film Festival

The 68th annual Cannes Film Festival was held in Cannes, France from May 13 to May 24, 2015. The closing ceremony and the 2015 awards ceremony were held on Saturday, May 23, 2015.

I have included a list of winners from the “In Competition” categories; this is the main competition in which films compete for the festival’s top prize, the “Palme d’Or” (Golden Palm). I’ve included the winners from other Cannes award competitions, including “Un Certain Regard” and the “Golden Camera.”

The “Grand Prix” is the second most prestigious prize given at Cannes, after the Palme d’Or. The competition known as “Un Certain Regard” is a part of Cannes that runs parallel to the competition for the Palme d’Or.

2015 / 68th Cannes “In Competition” winners:

Palme d'Or: "Dheepan," Directed by Jacques Audiard

Grand Prix: "Son of Saul," Directed by Laszlo Nemes

Best Director: "The Assassin," Directed by Hou Hsiao-Hsien for

Best Screenplay: "Chronic," Written by Michel Franco

Camera d'Or (Best First Feature): "La Tierra y la Sombre," Directed by Cesar Acevedo

Jury Prize: "The Lobster," Directed by Yorgos Lanthimos

Best Actress: Rooney Mara for "Carol" and Emmanuelle Bercot for "Mon Roi" (Shared Prize)

Best Actor: Vincent Lindon for "The Measure of a Man"

Palme d'Or (Short Film): "Waves '98," Directed by Ely Dagher

Judges for the Main Competition – “In Competiton”:
Joel and Ethan Coen, American film directors. Main Jury Presidents
    Rossy de Palma, Spanish actress
    Sophie Marceau, French actress and film director
    Sienna Miller, English actress
    Rokia Traoré, Malian singer-songwriter and composer
    Guillermo del Toro, Mexican film director
    Xavier Dolan, Canadian film director and actor
    Jake Gyllenhaal, American actor

UN CERTAIN REGARD:
Prize of Un Certain Regard - HRÚTAR (RAMS) Directed by Grímur HAKONARSON

Jury Prize - Un Certain Regard - ZVIZDAN (THE HIGH SUN) Directed by Dalibor MATANIC

Directing Prize of Un Certain Regard - KISHIBE NO TABI (JOURNEY TO THE SHORE) Directed by KUROSAWA Kiyoshi

Un Certain Talent Prize - COMOARA (THE TREASURE) Directed by Corneliu PORUMBOIU

Promizing Future Prize Ex-aequo:
NAHID Directed by Ida PANAHANDEH
MASAAN Directed by Neeraj GHAYWAN

CINEFONDATION:
1st Prize Cinéfondation - SHARE Directed by Pippa BIANCO

2nd Prize Cinéfondation - LOCAS PERDIDAS (LOST QUEENS) Directed by Ignacio JURICIC MERILLÁN

3rd Prize Cinéfondation Ex-aequo:
VICTOR XX Directed by Ian GARRIDO LÓPEZ
THE RETURN OF ERKIN Directed by Maria GUSKOVA

GOLDEN CAMERA:
Caméra d'or - LA TIERRA Y LA SOMBRA Directed by César Augusto ACEVEDO

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