Showing posts with label Ireland. Show all posts
Showing posts with label Ireland. Show all posts

Thursday, January 26, 2023

Review: "THE BANSHEES OF INISHERIN" is Entertaining and Artsy, Until It Becomes Tiresome

TRASH IN MY EYE No. 5 of 2023 (No. 1894) by Leroy Douresseaux

The Banshees of Inisherin (2022)
Running time:  114 minutes (1 hour, 54 minutes)
MPA – R for language throughout, some violent content and brief graphic nudity
WRITER/DIRECTOR:  Martin McDonagh
PRODUCERS:  Graham Broadbent, Pete Czernin, and Martin McDonagh
CINEMATOGRAPHER:  Ben Davis (D.o.P.)
EDITORS:  Mikkel E.G. Nielsen
COMPOSER:  Carter Burwell

DRAMA/COMEDY

Starring:  Colin Farrell, Brendan Gleeson, Kerry Condon, Barry Keoghan, Gary Lydon, Pat Shortt, Sheila Flitton, Bríd Ní Neachtain, Aaron Monaghan, and David Pearce

The Banshees of Inisherin is a 2022 black comedy and drama from writer-director Martin McDonagh.  The film focuses on two longtime friends who come to an impasse when one abruptly ends their friendship, with alarming consequences for both of them.

The Banshees of Inisherin opens in 1923 on the fictional Irish isle of “Inisherin,” near the end of the Irish Civil War (1922-23).  Small dairy milk producer, Pádraic Súilleabháin (Colin Farrell), and folk musician, Colm Doherty (Brendan Gleeson), are friends … until just this moment.  Colm abruptly begins ignoring his longtime friend and drinking buddy, Pádraic.  “I just don't like you no more,” Colm tells him.

Colm eventually clarifies, saying that he finds Pádraic to be too “dull” and does not want to waste any more time on him.  Colm says that he would instead like to spend the remainder of his life composing music.  Pádraic is crushed by the loss of Colm's friendship, and even his sister, Siobhán Súilleabháin (Kerry Condon), can't life his spirits.  When Pádraic continues to make attempts to speak to him, Colm gives him a shocking ultimatum – one that could lead to tragic consequences.

A friend of my sister's once said of films like The Banshees of Inisherin, “What's the point?”  What kind of film is The Banshees of Inisherin?  It is a prestige drama, the kind to which some people refer as “Oscar bait.”  The Banshees of Inisherin did recently (as of this writing) receive nine nominations at the 2023 / 95th Academy Awards.  It is well-written by writer-director Martin McDonagh, and there are several nice characters.

But what's the point?  I had had enough of Padraic and Colm's “war” before the film was over.  I would say that I was done with them with about 40 minutes left.  At first, I was willing to go along, and I was intrigued by the mysteries and complexities of this friendship gone wrong.  Then, I found them tiresome, in spite of the good performances by Colin Farrell and Brendan Gleeson, especially the former.  Their feud is contrived, and I get that storytelling is basically a contrivance.  It's just not supposed to come across as so obviously contrived as this film's friendship turned sour.

The film has two outstanding supporting performances:  Kerry Condon as Padraic's sister, Siobhan, and Barry Keoghan as a sweet, but simple young man, Dominic.  I wanted to see more of those two actors and get to know their characters better.

One critic unfavorably compared The Banshees of Inisherin to early films of brothers, Joel and Ethan Coen.  That is correct, right down to the fact that Carter Burwell has composed film scores for both the Coens and for Martin McDonagh.  However, The Banshees of Inisherin lacks the wit, style, and purpose of any of the Coens' films.  The Banshees of Inisherin is a very well made film about sadness and despair, seemingly for art's sake.  I would never call it a bad film because it is a prestige drama that has indeed become prestigious.  I like the prestige of The Banshees of Inisherin, but I'm just not willing to call it one of 2022's best films.

7 of 10
B+
★★★½ out of 4 stars

Thursday, January 26, 2023


The text is copyright © 2023 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for syndication rights and fees.

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Wednesday, September 11, 2019

Sony Pictures Classics to Distribute "French Exit" in the United States

Sony Pictures Classics Acquires Azazel Jacobs’ “French Exit” Starring Oscar® Nominee Michelle Pfeiffer And Oscar® Nominee Lucas Hedges

Film To Start Production In Montreal & Paris In October

NEW YORK – Sony Pictures Classics announced today that they have acquired all rights in the United States, the United Kingdom, Germany, France, Italy, Japan, China and worldwide airlines to Azazel JacobsFRENCH EXIT. The film stars Oscar® nominee Michelle Pfeiffer and Oscar® nominee Lucas Hedges, and is set to start production this October in Montreal and Paris

Written by award-winning Canadian novelist Patrick deWitt, FRENCH EXIT is based on deWitt’sinternational bestselling book of the same title, which was shortlisted for the Scotiabank Giller Prize.

“My plan was to die before the money ran out,” says 60-year-old penniless Manhattan socialite Frances Price (Michelle Pfeiffer), but things didn’t go as planned. Her husband Franklin has been dead for 20 years and with his vast inheritance gone, she cashes in the last of her possessions and resolves to live out her twilight days anonymously in a modest apartment in Paris, accompanied by her directionless son Malcolm (Hedges) and the embodiment of Franklin in the form of 'Small Frank', the family cat.

“To work with Sony Pictures Classics is a dream come true for me. They have given us so many beautiful, inspiring films over the years, and the incredible care and expertise with which they release them has always impressed me. As I prepare to embark on production, I am happy and relieved to know that French Exit will ultimately be in their hands,” said Azazel Jacobs.

"When I wrote the novel and screenplay I couldn't have imagined a more exciting cast to embody these characters. Sony Classics is a dream distributor consistently delivering smart, quality work. I'm honored to be working with this incredibly talented team.," said Patrick deWitt.

"French Exit is the fresh, distinctive screenplay we've been looking for all year. Based on the spectacular best selling novel by Patrick DeWitt with settings in the New York and Paris we've grown to love, DeWitt’s screenplay has dialogue, witty and strong and rich characters in the mold of the best Hollywood comedies. This promises goldmine performances from Michelle Pfeiffer and Lucas Hedges. We couldn't be more pleased to be working with director Azazel Jacobs, a formidable voice in independent film," added Sony Pictures Classics.

The Canadian/ Irish international co-production is produced by Rocket Science, Elevation Pictures, Screen Siren Pictures and Blinder Films.

CAA Media Finance and Rocket Science brokered the deal with Sony Pictures Classics.

Sony Pictures Worldwide Acquisitions previously picked up all other international territories excluding Canada and Switzerland.

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Thursday, February 18, 2016

Select Regal Theatres Screening Oscar Nominated Short Films

Watch the Oscar® Nominated Shorts at Regal

See the best of the best in Animated and Live Action

KNOXVILLE, Tenn., Feb. 18, 2016 /PRNewswire/ -- Regal Entertainment Group, a leading motion picture exhibitor owning and operating the largest theatre circuit in the United States, today announces that ten of the best Live Action and Animated Shorts will be available at select Regal theatres. This year's most spectacular short films across Live Action and Animation will be available for a limited time to watch on the big screen February 19-21, 2016.

"Oscar® aficionados will want to buy their ticket to see the animated and live action shorts," said Mike Viane, Senior Vice President of Film at Regal Entertainment Group.  "These passion projects are not widely available, and Regal is offering a unique opportunity to watch these at the theatre the way the directors intended - on the big screen."

The Live Action Shorts include:

    --  Ave Maria (Palestine/France/Germany)
    --  Day One (USA)
    --  Everything Will Be Okay (Germany/Austria)
    --  Shok (Kosovo/United Kingdom)
    --  Stutterer (United Kingdom/Ireland)

The Animated Shorts include:

    --  Bear Story (Chile)
    --  Prologue (United Kingdom)
    --  Sanjay's Super Team (USA)
    --  We Can't Live Without Cosmos (Russia)
    --  World of Tomorrow (USA)

Tickets can be purchased at the box office or REGmovies.com.  For additional information and a list of participating theatres, please check http://www.regmovies.com/promotions/Oscar-Shorts.

Regal fans are encouraged to like Regal Cinemas' Facebook page and download the Regal Movies app. The Regal app also gives patrons the ability to upload their Regal Crown Club card straight to their phone for easy access while on-the-go. Through the industry-leading Regal Crown Club, 13-million patrons each year accumulate credits at the box office and concession stand to earn rewards including free popcorn, soft drinks and movies. Free membership is available at the box office or online at REGmovies.com/Crown-Club.


About Regal Entertainment Group:
Regal Entertainment Group (NYSE: RGC) operates the largest and most geographically diverse theatre circuit in the United States, consisting of 7,361 screens in 572 theatres in 42 states along with the District of Columbia, American Samoa, Guam and Saipan as of December 31, 2015. The Company operates theatres in 46 of the top 50 U.S. designated market areas. We believe that the size, reach and quality of the Company's theatre circuit not only provide its patrons with a convenient and enjoyable movie-going experience, but is also an exceptional platform to realize economies of scale in theatre operations.

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Tuesday, January 19, 2016

36th London Critics Circle Film Awards Announced; "Mad Max: Fury Road" Named Best Film

The London Critics’ Circle Film Section is part of a larger organization, The Critics’ Circle, which makes an annual award for Services to the Arts.  This circle is comprised of the five sections:  dance, drama, film, music, and visual arts.

The London Critics’ Circle Film Section announced nominations for its 36th annual film awards on December 15, 2015.  The winners were announced Sunday, January 17, 2016 at The May Fair Hotel.  Kenneth Branagh received the Dilys Powell Award for Excellence in Film.

2016 / 36th London Critics' Circle Film Awards – winners (for the year in film 2015):

FILM OF THE YEAR: Mad Max: Fury Road

BRITISH/IRISH FILM OF THE YEAR: 45 Years

FOREIGN LANGUAGE FILM OF THE YEAR: The Look of Silence (Denmark)

DOCUMENTARY OF THE YEAR: Amy

ACTOR OF THE YEAR: Tom Courtenay — 45 Years

ACTRESS OF THE YEAR: Charlotte Rampling — 45 Years

SUPPORTING ACTOR OF THE YEAR: Mark Rylance — Bridge of Spies

SUPPORTING ACTRESS OF THE YEAR: Kate Winslet — Steve Jobs

DIRECTOR OF THE YEAR: George Miller — Mad Max: Fury Road

SCREENWRITER OF THE YEAR: Josh Singer and Tom McCarthy — Spotlight

BRITISH/IRISH ACTOR OF THE YEAR: Tom Hardy — Legend, London Road, Mad Max: Fury Road, The Revenant

BRITISH/IRISH ACTRESS OF THE YEAR: Saoirse Ronan — Brooklyn, Lost River

YOUNG BRITISH/IRISH PERFORMER OF THE YEAR: Maisie Williams — The Falling

PHILIP FRENCH AWARD FOR BREAKTHROUGH BRITISH/IRISH FILMMAKER: John Maclean — Slow West

BRITISH/IRISH SHORT FILM OF THE YEAR: Stutterer — Benjamin Cleary

TECHNICAL ACHIEVEMENT AWARD: Ed Lachman, cinematography — Caro

DILYS POWELL AWARD FOR EXCELLENCE IN FILM: Kenneth Branagh

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Friday, January 1, 2016

36th London Critics Circle Film Awards Nominations Announced

The London Critics’ Circle Film Section is part of a larger organization, The Critics’ Circle, which makes an annual award for Services to the Arts.  This circle is comprised of the five sections:  dance, drama, film, music, and visual arts.

The London Critics’ Circle Film Section announced nominations for its 36th annual film awards on December 15, 2015.  The winners will be announced January 17, 2016 at The May Fair Hotel.  Kenneth Branagh will receive the Dilys Powell Award for Excellence in Film.

2016 / 36th London Critics' Circle Film Award Nominees:

FILM OF THE YEAR
45 Years
Amy
Carol
Inside Out
The Look of Silence
Mad Max: Fury Road
The Martian
The Revenant
Room
Spotlight

BRITISH/IRISH FILM OF THE YEAR
45 Years
Amy
Brooklyn
The Lobster
London Road

FOREIGN-LANGUAGE FILM OF THE YEAR
Eden (France)
Hard to Be a God (Russia and Czech Republic)
The Look of Silence (Denmark)
The Tale of the Princess Kaguya (Japan)
The Tribe (Ukraine and Netherlands)

DOCUMENTARY OF THE YEAR
Amy
Going Clear: Scientology and the Prison of Belief
The Look of Silence
Palio
A Syrian Love Story

ACTOR OF THE YEAR
Tom Courtenay - 45 Years
Paul Dano - Love & Mercy
Leonardo DiCaprio - The Revenant
Michael Fassbender - Steve Jobs
Tom Hardy - Legend

ACTRESS OF THE YEAR
Cate Blanchett - Carol
Brie Larson - Room
Rooney Mara - Carol
Charlotte Rampling - 45 Years
Saoirse Ronan - Brooklyn

SUPPORTING ACTOR OF THE YEAR
Benicio Del Toro - Sicario
Tom Hardy - The Revenant
Oscar Isaac - Ex Machina
Michael Keaton - Spotlight
Mark Rylance - Bridge of Spies

SUPPORTING ACTRESS OF THE YEAR
Olivia Colman - The Lobster
Kristen Stewart - Clouds of Sils Maria
Tilda Swinton - Trainwreck
Alicia Vikander - Ex Machina
Kate Winslet - Steve Jobs

DIRECTOR OF THE YEAR
Andrew Haigh - 45 Years
Todd Haynes - Carol
Alejandro G Iñárritu - The Revenant
George Miller - Mad Max: Fury Road
Ridley Scott - The Martian

SCREENWRITER OF THE YEAR
Emma Donoghue - Room
Nick Hornby - Brooklyn
Phyllis Nagy - Carol
Josh Singer & Tom McCarthy - Spotlight
Aaron Sorkin - Steve Jobs

BRITISH/IRISH ACTOR OF THE YEAR
Michael Caine - Kingsman: The Secret Service, Youth
Idris Elba - Beasts of No Nation, Second Coming
Colin Farrell - The Lobster, Miss Julie
Michael Fassbender - Macbeth Slow West, Steve Jobs,
Tom Hardy - Legend, London Roa, Mad Max: Fury Road, The Revenant

BRITISH/IRISH ACTRESS OF THE YEAR
Emily Blunt - Sicario
Carey Mulligan - Far From the Madding Crowd, Suffragette
Charlotte Rampling - 45 Years, The Forbidden Room
Saoirse Ronan - Brooklyn, Lost River
Kate Winslet - The Dressmaker, A Little Chaos, Steve Jobs

YOUNG BRITISH/IRISH PERFORMER
Asa Butterfield - X + Y
Milo Parker - Mr Holmes, Robot Overlords
Florence Pugh - The Falling
Liam Walpole - The Goob
Maisie Williams - The Falling

BREAKTHROUGH BRITISH/IRISH FILMMAKER
Tom Browne - Radiator
Mark Burton & Richard Starzak - Shaun the Sheep Movie
Emma Donoghue - Room
Alex Garland - Ex Machina
John Maclean - Slow West

BRITISH/IRISH SHORT FILM
Directed by Tweedie - dir Duncan Cowles
Leidi - dir Simon Mesa Soto
Over - dir Jorn Threlfall
Rate Me - dir Fyzal Boulifa
Stutterer - dir Benjamin Cleary

TECHNICAL ACHIEVEMENT AWARD
Carter Burwell, music - Carol

Wade Eastwood, stunts - Mission: Impossible - Rogue Nation

Colin Gibson, production design - Mad Max: Fury Road

Elliott Graham, editing - Steve Jobs

Edward Lachman, cinematography - Carol

Tom Ozanich, sound design - Sicario

Sandy Powell, costumes - Cinderella

John Seale, cinematography - Mad Max: Fury Road

Alistair Sirkett and Markus Stemler, sound design - Macbeth

Andrew Whitehurst, visual effects - Ex Machina

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Monday, December 21, 2015

Down to 9 Films Competeing for "Foreign Language Film" Oscar at 88th Academy Awards

9 FOREIGN LANGUAGE FILMS ADVANCE IN OSCAR® RACE

Nine features will advance to the next round of voting in the Foreign Language Film category for the 88th Academy Awards®.  Eighty films had originally been considered in the category.

The films, listed in alphabetical order by country, are:

     Belgium, "The Brand New Testament," Jaco Van Dormael, director;

     Colombia, "Embrace of the Serpent," Ciro Guerra, director;

     Denmark, "A War," Tobias Lindholm, director;

     Finland, "The Fencer," Klaus Härö, director;

     France, "Mustang," Deniz Gamze Ergüven, director;

     Germany, "Labyrinth of Lies," Giulio Ricciarelli, director;

     Hungary, "Son of Saul," László Nemes, director;

     Ireland, "Viva," Paddy Breathnach, director;

     Jordan, "Theeb," Naji Abu Nowar, director.

Foreign Language Film nominations for 2015 are being determined in two phases.

The Phase I committee, consisting of several hundred Los Angeles-based Academy members, screened the original submissions in the category between mid-October and December 14.  The group’s top six choices, augmented by three additional selections voted by the Academy’s Foreign Language Film Award Executive Committee, constitute the shortlist.

The shortlist will be winnowed down to the category’s five nominees by specially invited committees in New York, Los Angeles and London.  They will spend Friday, January 8, through Sunday, January 10, viewing 2016 three films each day and then casting their ballots.

The 88th Academy Awards nominations will be announced live on Thursday, January 14, 2016, at 5:30 a.m. PT at the Academy’s Samuel Goldwyn Theater in Beverly Hills.

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Monday, December 7, 2015

"Ex Machina" Dominates 2015 British Independent Film Awards

In 1998, Raindance created the British Independent Film Awards to celebrate merit and achievement in independently funded British filmmaking.  The awards also honor new talent and promote British films and filmmaking to a wider public.

The 2015/18th Moët British Independent Film Awards were announced in London.  The winners were announced in a ceremony on Sunday, December 6, 2015 at Old Billingsgate. The event was live streamed on www.bifa.film.

The 2015 Moët British Independent Film Awards winners:

Best British Independent Film sponsored by Moët & Chandon
EX MACHINA - Andrew Macdonald, Allon Reich, Alex Garland

Best Director
EX MACHINA - Alex Garland

Best Screenplay sponsored by BBC Films
EX MACHINA - Alex Garland

Best Actress sponsored by MAC
SAOIRSE RONAN - Brooklyn

Best Actor sponsored by Movado
TOM HARDY - Legend

Best Supporting Actress
OLIVIA COLMAN - The Lobster

Best Supporting Actor
BRENDAN GLEESON - Suffragette

Most Promising Newcomer sponsored by The London Edition
MIA GOTH - The Survivalist

The Douglas Hickox Award (Best Debut Director) sponsored by 3 Mills Studios
THE SURVIVALIST - Stephen Fingleton

The Discovery Award sponsored by Raindance
ORION: THE MAN WHO WOULD BE KING - Jeanie Finlay

Best Documentary
DARK HORSE: THE INCREDIBLE TRUE STORY OF DREAM ALLIANCE - Judith Dawson, Louise Osmond

Producer of the Year
PAUL KATIS, ANDREW DE LOTBINIERE - Kajaki: The True Story

Outstanding Achievement in Craft
ANDREW WHITEHURST - Visual Effects, Ex Machina

Best British Short Film:
EDMOND - Emilie Jouffroy, Nina Gantz

Best International Independent Film:
ROOM (Canada, Ireland) - Ed Guiney, David Gross, Emma Donoghue, Lenny Abrahamson

The Variety Award:
Kate Winslet
(The Variety Award recognises a director, actor, writer or producer who has made a global impact and helped to focus the international spotlight on the UK.)

The Richard Harris Award:
Chiwetel Ejiofor
(The Richard Harris Award was introduced in 2002 in honour of Richard Harris and recognizes outstanding contribution to British film by an actor.)

Special Jury Prize:
Chris Collins
(A BFI executive who died late last year.)

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Tuesday, September 2, 2014

Hayao Miyazaki and Harry Belafonte Among New Governors Awards and Oscar Statuette Recipients

Harry Belafonte, Jean-Claude Carrière, Hayao Miyazaki And Maureen O'Hara To Receive Academy's Governors Awards

LOS ANGELES, CA — The Board of Governors of the Academy of Motion Picture Arts and Sciences voted Tuesday night (August 26, 2014) to present Honorary Awards to Jean-Claude Carrière, Hayao Miyazaki and Maureen O’Hara, and the Jean Hersholt Humanitarian Award to Harry Belafonte.  All four awards will be presented at the Academy’s 6th Annual Governors Awards on Saturday, November 8, 2014, at the Ray Dolby Ballroom at Hollywood & Highland Center®.

“The Governors Awards allow us to reflect upon not the year in film, but the achievements of a lifetime,” said Academy President Cheryl Boone Isaacs.  “We’re absolutely thrilled to honor these outstanding members of our global filmmaking community and look forward to celebrating with them in November.”

Carrière, who began his career as a novelist, was introduced to screenwriting by French comedian and filmmaker Pierre Étaix, with whom he shared an Oscar® for the live action short subject “Heureux Anniversaire (Happy Anniversary)” in 1962.  He received two more nominations during his nearly two-decade collaboration with director Luis Buñuel, for the screenplays for “The Discreet Charm of the Bourgeoisie” and “That Obscure Object of Desire.”  Carrière also has collaborated notably with such directors as Volker Schlöndorff (“The Tin Drum”), Jean-Luc Godard (“Every Man for Himself”) and Andrzej Wajda (“Danton”).  He earned a fourth Oscar nomination for “The Unbearable Lightness of Being” with director Philip Kaufman.

Miyazaki is an artist, writer, director, producer and three-time Oscar nominee in the Animated Feature Film category, winning in 2002 for “Spirited Away.”  His other nominations were for “Howl’s Moving Castle” in 2005 and “The Wind Rises” last year.  Miyazaki gained an enormous following in his native Japan for such features as “Nausicaä of the Valley of the Wind,” “Laputa: Castle in the Sky,” “My Neighbor Totoro” and “Kiki’s Delivery Service” before breaking out internationally in the late 1990s with “Princess Mononoke.”  He is the co-founder of Studio Ghibli, a renowned animation studio based in Tokyo.

O’Hara, a native of Dublin, Ireland, came to Hollywood in 1939 to star opposite Charles Laughton in “The Hunchback of Notre Dame.”  She went on to appear in a wide range of feature films, including the swashbucklers “The Black Swan” and “Sinbad the Sailor,” the dramas “This Land Is Mine” and “A Woman’s Secret,” the family classics “Miracle on 34th Street” and “The Parent Trap,” the spy comedy “Our Man in Havana” and numerous Westerns.  She was a favorite of director John Ford, who cast her in five of his films, including “How Green Was My Valley,” “Rio Grande” and “The Quiet Man.”

An actor, producer, singer and lifelong activist, Belafonte began performing in theaters and nightclubs in and around Harlem, where he was born.  From the beginning of his film career, he chose projects that shed needed light on racism and inequality, including “Carmen Jones,” “Odds against Tomorrow” and “The World, the Flesh and the Devil.”  He was an early supporter of the Civil Rights Movement, marching and organizing alongside Martin Luther King, Jr. and often funding initiatives with his entertainment income.  Belafonte was named a UNICEF Goodwill Ambassador in 1987 and currently serves on the boards of the Advancement Project and the Institute for Policy Studies.  His work on behalf of children, education, famine relief, AIDS awareness and civil rights has taken him all over the world.

The Honorary Award, an Oscar statuette, is given “to honor extraordinary distinction in lifetime achievement, exceptional contributions to the state of motion picture arts and sciences, or for outstanding service to the Academy.”

The Jean Hersholt Humanitarian Award, also an Oscar statuette, is given “to an individual in the motion picture industry whose humanitarian efforts have brought credit to the industry.”

Sunday, April 27, 2014

Review: "When the Sky Falls" Means Well (Happy B'ay, Kevin McNally)

TRASH IN MY EYE No. 73 (of 2004) by Leroy Douresseaux

When the Sky Falls (2000)
Running time:  107 minutes (1 hour, 47 minutes)
MPAA – R for brutal violence, strong language, drug content and some sexuality
DIRECTOR:  John Mackenzie
WRITERS:  Ronan Gallagher, Colum McCann, and Michael Sheridan; with additional dialogue by Guy Andrews
PRODUCERS:  Nigel Warren Green and Michael Wearing
CINEMATOGRAPHER:  Seamus Deasy
EDITOR:  Graham Walker
COMPOSER:  Pol Brennan

CRIME/DRAMA

Starring:  Joan Allen, Patrick Bergin, Liam Cunningham, Kevin McNally, Jimmy Smallhourne, Gerard Mannix Flynn, Jason Barry, Pete Postlethwaite, Des McAleer, Owen Roe, Gavin Kelty, and Ruaidhrí Conroy

The subject of this movie review is When the Sky Falls, a 2000 crime drama directed by the late John Mackenzie.  The film is a fictional account of a real-life Irish investigative reporter’s battle with a Dublin drug lord.  This film stars one of my favorite actors, Joan Allen, and Kevin McNally, an actor of whom I became a fan after his roles in the Pirates of the Caribbean films.  When the Sky Falls did not receive a theatrical release in the United States, although it is partly a U.S. production.

When the Sky Falls, a fact-based drama, focuses on Sinead Hamilton (Joan Allen), a reporter who invades the drug underworld of Dublin, IrelandMackey (Patrick Bergin), the police officer who helps her, is mostly ineffectual because bureaucracy and lack of resources tie his hands.  Her husband, Tom (Kevin McNally), doesn’t particularly care about her work, but he supports her.

Sinead consorts with Mickey O’Fagan (Jimmy Smallhourne), minor thug who just might lead her to the big fish, Dave Hackett (Gerard Flynn), a brutal drug boss.  Add the Irish Republican Army to the danger mix, and you have a lone woman as a crusading reporter headed for doom.

The film is based upon the story of real life Dublin reporter Veronica Guerin with Sinead Hamilton as the fictional version of her, and for all the drama of the last year of Ms. Guerin’s short life, When the Sky Falls is rather tepid.  Although the film is less than two hours long, it drifts from one genre to another.

At moments, it’s a fairly intense crime thriller about a woman going after greedy men who would see the whole of Dublin addicted to heroin so that they could be fabulously wealthy.  At other times, it’s a clunky and clumsy crime drama about cops willing to go to any extreme to nail a criminal; that is whenever Patrick Bergin’s Mackey takes over the story.  It’s also a lame, movie of the week melodrama about a crusading reporter whenever Sinead Hamilton visits the offices of the newspaper for which she writes.

Anyone of the three storylines could have made a good film at a running time of one hundred and six minutes.  As it is, the subplots and storylines crowd the movie, and the filmmakers don’t do any of them justice.  The cast is mostly good, but seem to run on simmer and slow burn, lest they really let loose and chew up the scenery.  Dog forbid this movie should be as passionate as its real life subject matter.  I like Joan Allen, but this is one of her weaker performances – decent, but the kind of low wattage thing we can get from a TV movie.  When the Sky Falls is a fairly good film, but if you don’t see it, you won’t be missing anything important.

5 of 10
B-

Updated:  Sunday, April 27, 2014


The text is copyright © 2014 Leroy Douresseaux. All Rights Reserved. Contact this site for syndication rights and fees.


Sunday, May 20, 2012

Review: Close, McTeer Do the Damn Thing in "Albert Nobbs"

TRASH IN MY EYE No. 39 (of 2012) by Leroy Douresseaux

Albert Nobbs (2011)
COUNTRY OF ORIGIN: Ireland, U.K.
Running time: 113 minutes (1 hour, 53 minutes)
MPAA – R for some sexuality, brief nudity and language
DIRECTOR: Rodrigo García
WRITERS: Glenn Close, John Banville, and Gabriella Prekop; from a story by István Szabó (based upon the novella, “The Singular Life of Albert Nobbs” by George Moore)
PRODUCERS: Glenn Close, Bonnie Curtis, Julie Lynn, and Alan Moloney
CINEMATOGRAPHER: Michael McDonough (D.o.P.)
EDITOR: Steven Weisberg
COMPOSER: Brian Byrne
Academy Award nominee

DRAMA/HISTORICAL

Starring: Glenn Close, Janet McTeer, Mia Wasikowska, Aaron Johnson, Jonathan Rhys Meyers, Pauline Collins, Brenda Fricker, Mark Williams, Phyllida Law, Bronagh Gallagher, and Brendan Gleeson

Albert Nobbs is a 2011 Irish period drama from director Rodrigo Garcia (Mother and Child). The film is based upon the 1918 short story “The Singular Life of Albert Nobbs” by the late Irish novelist, George Augustus Moore. The film stars Glenn Close as a woman who poses as a man in order to work at a motel in late 19th century Ireland,

Albert Nobbs (Glenn Close) was born a female in London. He has been posing as a man for 30 years in order to survive the harsh environment of the impoverished working class in the late 19th century. Albert works as a waiter in Morrison’s Hotel in Dublin, Ireland, and is known for his extreme dedication to his job. However, Albert begins to reconsider how he has lived when he meets Hubert Page (Janet McTeer), a strapping painter who is doing some work at the hotel.

With its lesbian, gay, bisexual, and transgender themes, Albert Nobbs is certainly one of the most intoxicating period dramas that I have ever seen. Even when I enjoy a period or costume drama, I often forget about them not long after watching them (like The King’s Speech), but I can’t stop thinking about Albert Nobbs. I think that this is because Albert Nobbs has a screenplay which is determined to keep the audience guessing about the actions and motivations of the characters, and this is true from the main characters down to the supporting characters with small speaking roles. The movie engages the viewer in a guessing game of why and how. Why does she do that? How does she do it? How does she get away with it?

Albert Nobbs is marked by excellent performances and two great performances: Glenn Close as Albert Nobbs and Janet McTeer as Hubert Page. Close creates a compelling character in Nobbs by making the character’s fear that he will be caught a character itself. It is almost as if there are two characters: one is a waiter, and the other is a man whose secret-keeping is his life. As for McTeer, I don’t know if I have the words to describe her performance, which is a work of high art. I’ll just call it mega-awesome and leave it at that.

Albert Nobbs is a bit slow, but only a bit. I find that sometimes director Rodrigo García allows things to get too aloof and stiff, but he extracts passion and conflict from the kind of characters that like to keep things hidden and to act detached. However, the performances by Close and McTeer burn brightly enough to draw our attention to this unique film that depicts the diversity of relationships between women.

8 of 10
A

NOTES:
2012 Academy Awards: 3 nominations: “Best Performance by an Actress in a Leading Role” (Glenn Close), “Best Performance by an Actress in a Supporting Role” (Janet McTeer), and “Best Achievement in Makeup” (Martial Corneville, Lynn Johnson, and Matthew W. Mungle)

2012 Golden Globes, USA: 3 nominations: “Best Performance by an Actress in a Motion Picture – Drama” (Glenn Close), “Best Performance by an Actress in a Supporting Role in a Motion Picture” (Janet McTeer), and “Best Original Song - Motion Picture” (Brian Byrne-music and Glenn Close-lyrics for the song "Lay Your Head Down")

Saturday, May 19, 2012

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Sunday, March 11, 2012

Brendan Gleeson Shines in "The Guard"

TRASH IN MY EYE No. 20 (of 2012) by Leroy Douresseaux


The Guard (2011)
COUNTRY OF ORIGIN: Ireland
Running time: 96 minutes (1 hour, 36 minutes)
MPAA – R for pervasive language, some violence, drug material and sexual content
WRITER/DIRECTOR: John Michael McDonagh
PRODUCERS: Chris Clark, Flora Fernandez-Marengo, Ed Guiney, and Andrew Lowe
CINEMATOGRAPHER: Larry Smith
EDITOR: Chris Gill
COMPOSER: Calexico
BAFTA nominee

CRIME/COMEDY

Starring: Brendan Gleeson, Don Cheadle, Liam Cunningham, David Wilmot, Rory Keenan, Mark Strong, Fionnula Flanagan, Katarina Cas, Laurence Kinlan, Pat Shortt, Darren Healy, Gary Lydon, Wale Ojo, and Michael Og Lane

The Guard is a 2011 Irish crime comedy starring Brendan Gleeson and Don Cheadle (who is also one of the film’s executive producers). Written and directed by John Michael McDonagh (Ned Kelly), the film focuses on an unorthodox Garda (Irish policeman) and a tightly wound FBI agent in pursuit of international drug dealers.

Straight-laced FBI Special Agent Wendell Everett (Don Cheadle) arrives in Ireland on the trail of international drug dealers, specifically four suspects. Everett meets Sergeant Gerry Boyle (Brendan Gleeson), a wisecracking and confrontational local Garda from the village of Galway. Boyle may already have a lead on the drug smugglers, but he chooses to annoy the American instead of helping him. When the drug-related violence and murder get close to him, however, Boyle suddenly finds himself doing police work way beyond anything he has ever done before.

The Guard is a weird film. Perhaps, I did not expect an Irish film to be so quirky as to seem like a movie from Wes Anderson (Rushmore, The Royal Tennenbaums). This film is both a crime comedy and a black comedy, so it is violent and twisted. Also, every moment in the film that attempts to be poignant are sabotaged by the profane and scabrous.

Writer/director John Michael McDonagh gives the film satirical flourishes by poking fun at the Irish city of Dublin and also at the miscues of the highest law enforcement agencies in both the U.S. and the U.K. He defiantly fills his film with so many odd characters, like Eugene Moloney (Michael Og Lane), the weird kid obsessed with the Irish Republican Army (IRA), and a young odd duck who photographs crime scenes in loving, gruesome detail. That many eccentrics could ruin a movie, but McDonagh deftly keeps these characters and their strangeness in check.

He has to keep these characters under control so that they don’t stand in the way of Brendan Gleeson’s fragrantly pungent turn as Gerry Boyle. The verbally adroit Gleeson spits out the dialogue McDonagh wrote for him as if he were battling Eminem. It is a showy performance on the part of Gleeson, but he does it with such veteran ease that his seems natural. Boyle may be a loser living a crude life of lust and drink, but he isn’t doing it half-assed.

What keeps the film from being great is that it does not give us what its premise promises – a warped version of the buddy-cop movie. Gleeson and Don Cheadle are not together enough – for me, at least. When Cheadle’s Wendell Everett is with Gleeson’s Boyle, they seem perfectly matched for some mismatched comedy duo gold. The Guard only gives us Boyle/Everett in chopped up bits that never last that long, until the last act, which is a shame.

I must also note that I wish Mark Strong, Liam Cunningham, and David Wilmot’s villainous characters were more developed, as they could be the stars of their own movie. There is nothing wrong with The Guard focusing on Gleeson’s Boyle, but as the film’s final moments focus on Cheadle’s Everett, it becomes obvious that The Guard misses out on being a buddy-cop classic.

7 of 10
A-

NOTES:
2012 BAFTA Awards: 1 nomination: “Best Original Screenplay” (John Michael McDonagh)

2012 Golden Globes: 1 nomination: “Best Performance by an Actor in a Motion Picture - Comedy or Musical” (Brendan Gleeson)

2012 Black Reel Awards: 1 win: “Outstanding Supporting Actor” (Don Cheadle)

2012 Image Awards: 1 nomination: “Outstanding Supporting Actor in a Motion Picture” (Don Cheadle)

Friday, February 10, 2012

9th Annual Irish Film and Television Awards Takes Place Feb. 11th

IRISH FILM & TELEVISION AWARDS - ALL EYES ON THE EMERALD ISLE - 11th February 2012

Michael Fassbender, Brendan Gleeson, Chris O’Dowd, Dana Delany, AJ Buckley, Armand Assante, Stephen Rea, Brenda Fricker, Maria Doyle Kennedy and more at the Irish Film & Television Awards

(Dublin Ireland) – February 10, 2012: Ireland’s finest screen creative talent descend this weekend on Dublin, Saturday 11th of February 2012, for the 9th Annual Irish Film & Television Awards celebrations, taking place at the spectacular Convention Centre Dublin (CCD).

The President of Ireland Michael D. Higgins leads the celebrations, showcasing Ireland’s screen talent with IFTA Awards presented in categories across film and television. IFTA 2012 will see Ireland’s directors, writers, actors, craftspeople and television programme makers in attendance.

Guests scheduled to attend include Brendan Gleeson (The Guard), Michael Fassbender (Shame), Chris O’Dowd (Bridesmaids), Brenda Fricker (Albert Nobbs), Brían F. O'Byrne (Mildred Pierce, Prime Suspect), Stephen Rea (Underworld Awakening), Ruth Negga (Shirley, Misfits), Maria Doyle Kennedy (The Tudors, Albert Nobbs), Liam Cunningham (The Guard), Emmett J. Scanlan (Charlie Casanova), Amy Huberman (Threesome, Stella Days), Brendan O’Carroll (Mrs Brown’s Boys), Antonia Campbell Hughes (Lead Balloon), Colin Morgan (Merlin), Martin McCann (The Pacific), Charlene McKenna (RAW), Olivia Tracey (Agnes Browne), Allen Leech (Downton Abbey), Pat Shortt (Garage), Marcella Plunkett (Stella Days), Bronagh Gallagher (Albert Nobbs).

Veteran Irish actress Fionnula Flanagan (Some Mother’s Son, The Divine Secrets of the Ya Ya Sisterhood, LOST) is to receive Lifetime Achievement Award from the Irish Academy on the night and international guests presenting top Awards include Dana Delany (Desperate Housewives), Armand Assante (Gotti) and AJ Buckley (CSI NY).

Hosted by Simon Delaney (The Good Wife) the Irish Film & Television Awards show will broadcast primetime on Irish television RTÉ One at 9.40pm GMT.

Speaking ahead of the 9th Annual Irish Film & Television Awards this weekend, IFTA Chief Executive Áine Moriarty said: “Despite economic setbacks, Ireland can be proud of its creative talent who continue to deliver world class production, entertaining audiences both at home and around the world. The 9th Annual Irish Film & Television Awards promises to be a terrific evening of entertainment for the viewers at home, and a very special night of celebration for the 2012 nominees and Ireland’s film and television industry.”

Monday, February 6, 2012

Review: "In America" is Powerful and Heartfelt (Happy B'day, Jim Sheridan)

TRASH IN MY EYE No. 77 (of 2004) by Leroy Douresseaux

In America (2003)
Running time: 105 minutes (1 hour, 45 minutes)
MPAA – R for sexuality and brief language
DIRECTOR: Jim Sheridan
WRITERS: Jim Sheridan, Naomi Sheridan, and Kirsten Sheridan
PRODUCERS: Arthur Lappin and Jim Sheridan
CINEMATOGRAPHER: Declan Quinn
EDITOR: Naomi Geraghty
COMPOSERS: Gavin Friday and Maurice Seezer
Academy Award nominee

DRAMA

Starring: Paddy Considine, Samantha Morton, Sarah Bolger, Emma Bolger, Djimon Hounsou, Merrina Millsapp, Juan Hernandez, and Ciaran Cronin

In America is a 2003 semiautobiographical drama from director Jim Sheridan. This Irish/British film tells the story of an immigrant Irish family’s struggle to survive in New York City, with the story told through the eyes of the older daughter. Although gritty and dark, In American is actually an enchanting story about the bonds of family.

An out of work Irish actor takes his family to America for a fresh start. Johnny (Paddy Considine) and his wife Sarah (Samantha Morton, who received an “Best Actress” Oscar® nomination for this role) leave Ireland with their two daughters, Christy (Sarah Bolger) and Ariel (Emma Bolger), in toe and head for New York City via Canada. While Johnny pursues his acting career and Sarah works at an ice cream parlor, the children take in their new world with eyes that may be innocent, but are also world weary. When things seem most down for them, the family gets help from one of Sarah’s co-workers and Mateo (Djimon Hounsou, received an “Best Actor, Supporting Role” Oscar® nomination) an artist dying of AIDS, who brings magic and hope to the family.

Jim Sheridan and his daughters, Naomi and Kirsten, received “Best Screenplay, Screenplay Written Directly for the Screen” Oscar® nominations for writing In America, one of the best films of 2003. While the financial plight and wellness of the parents are riveting (although I found Considine and Ms. Morton’s performances a bit flat at times), the film is the daughters’ story. Christy narrates while Ariel steals one scene after another, and, in doing this, the Bolger girls (especially little Emma) give two of the best performances by young artists in the last year or so.

Although In America is a gritty tale, in a lot of ways it is told as if it came from a children’s book (albeit a dark, downbeat children’s book). Through Christy’s eyes we see the real world, but we see it through a character determined to survive and make the best of things. In Emma, the supernatural, the fantastic, and magic are possible; their presence in the real world isn’t an intrusion. It’s the just the way things are; they belong. I heartily recommend this beautiful and heartfelt drama. In America is a little more magical than it is honest, but to see Jim Sheridan weave loveliness from all this despair and sorrow is itself magic.

9 of 10
A+

NOTES:
2004 Academy Awards: 3 nominations: “Best Actor in a Supporting Role” (Djimon Hounsou, “Best Actress in a Leading Role” (Samantha Morton), and “Best Writing, Original Screenplay” (Jim Sheridan, Naomi Sheridan, and Kirsten Sheridan)

2004 Golden Globes: “Best Original Song - Motion Picture” (Bono, Gavin Friday, and Maurice Seezer for the song "Time Enough for Tears") and “Best Screenplay - Motion Picture” (Jim Sheridan, Naomi Sheridan, and Kirsten Sheridan)

2004 Black Reel Awards: 1 win: “Black Reel Film: Best Supporting Actor” (Djimon Hounsou)

2004 Image Awards: 1 nomination: “Outstanding Supporting Actor in a Motion Picture” (Djimon Hounsou)

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