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Monday, August 12, 2024
Advanced Comics Review: "BIG GUNS STUPID REDNECKS #2" Does it Bigly
Wednesday, June 26, 2024
Comics Review: "CABRA CINI: Voodoo Junkie Hitwoman #0 Deluxe" is a Big F'ing Deal
Wednesday, June 12, 2024
Advanced Comics Review: "BIG GUNS STUPID REDNECKS #1" Makes a Strong Debut
Thursday, February 22, 2024
Comics Review: "GEEK-GIRL #12" Breaks Out the Break-In
Saturday, February 17, 2024
Comics Review: "FAKE GEEK-GIRL #1" - How to Spot a Fake or Be One
Thursday, January 18, 2024
Comics Review: "KONI WAVES" Crests on Cool Characters and Inventive Elements
Friday, October 6, 2023
Comics Review: "ECTYRON VS. DES MOINES" is a Delightful and Edgy Original Graphic Novel
Tuesday, July 4, 2023
Comics Review: "GEEK-GIRL #11" Shows That the Series Keeps Getting Better
Tuesday, April 4, 2023
Comics Review: "GEEK-GIRL #10" is Looking for Teammates and Super-Powers
Thursday, February 2, 2023
Comics Review: "BLACULA: Return of the King" Revives, Saves, and Improves a Classic
Friday, September 9, 2022
Comics Review: "GOOD ON BOTH SIDES" is Good Cover to Cover
GOOD ON BOTH SIDES – A (TH)INK ANTHOLOGY #5
KEITH KNIGHT PRESS/Microcosm Publishing
CARTOONIST: Keith Knight
ISBN: 978-0-9788053-5-7; paperback; 6" x 7.5" x 0.4" (June 2022)
128pp, Color, $20.00 U.S.
Good on Both Sides is a new collection of the socio-political, single-panel comic strip, (th)ink. Debuting in 2000 on the now defunct website, Africana.com, (th)ink is the creation of Keith Knight, a cartoonist, comics creator, and musician. Knight is also the creator and an executive producer on the recent Hulu series, “Woke.” (th)ink currently appears in several outlets, including the Nib, Daily KOS, Antigravity, and The Funny Times.
Good on Both Sides, the fifth (th)ink paperback collection, takes its title by paraphrasing Donald Trump's moral equivalency after the 2017 “Unite the Right” rally in Charlottesville, Virginia. It covers (th)ink episodes published during the early years of Donald Trump's masquerade as the 45th President of the United States. Knight captures the absurdity of the time under an absurd leader and chronicles and depicts everything that made non-white supremacists cringe.
THE LOWDOWN: In a sense political cartoonists are a dime a dozen. The truth is that I have a hard time finding many that are really bad at their chosen professions. What makes Keith Knight different?
I first became acquainted with Knight's work in late 2006 when I received a copy of Are We Feeling Safer Yet? (2007), the second (th)ink collection. Sadly, I lost touch with him and had not thought of him until I heard about his Hulu TV series, “Woke,” last year. I recently reconnected with him to request a copy-for-review of Good on Both Sides. On the back cover of this book is a quote from Dawn Tol, part of which reads, “Keith Knight has never been more overtly Black.”
That is what makes Knight different from other political cartoonists. He is Black. Yes, there are other African-American political cartoonists (Walt Carr, David G. Brown), but for now, we are talking about Keith Knight, who is from a particular tradition. That tradition involves Coloreds, Negroes, Afro-Americans, African-American, etc. who do not bite their tongues, metaphorically or otherwise, for the sake of propriety and for the feelings of good White folk and cautious, fretting Black folk.
I had forgotten just how screwed up the first half of Trump's occupation was … because the second half turned into … well,you know. Knight's commentary via political cartoons is both incisive and relentless. I won't say that he is “unapologetic” because apologizing is irrelevant in the context of what Knight does. It isn't just Trump that is wrong with this country; it is also the rotten culture and society. Honestly, much of that rot comes from White racism, supremacy, and privilege: those that perpetuate it; those that enjoy the advantages while letting someone else do the dirty work; and those who benefit and give nominal lip service in criticizing it.
In Good on Both Sides, nothing and no one is spared. Warts and all, Klan robes and hoods: Knight reveals the stains without a thought for decorum. Political commentary, words, pictures, or cartoons need that, especially when so many commentators want us to “turn down the temperature.” Knight is the triple truth, Ruth.
Good on Both Sides isn't all about Trump. As I said, there were plenty of awful people during that time who deserve Knight's punches. Knight also offers several nice memorials and tributes to such luminaries as W.E.B. Du Bois, Dick Gregory, and Josephine Baker, to name a few. I am not crazy about everything in Good on Both Sides, but it's close. I could have read another hundred pages just to see what Knight has to say about the time period this collection covers.
Keith Knight's political cartoons are timely, and many are timeless. The timeless ones will always have bite, but the timely will cut like a knife for years to come. And Good on Both Sides is just plain funny. I laughed a lot, and I practically always need that from political cartoons. I encourage you, dear readers, to get a copy of Good on Both Sides. Maybe if enough of you read it, someone will get the notion to shortlist Mr. Knight for a Pulitzer Prize.
I READS YOU RECOMMENDS: Fans of great political cartoons and of Keith Knight's work will want to read Good on Both Sides.
A
Reviewed by Leroy Douresseaux a.k.a. "I Reads You"
You can buy copies of Good on Both Sides at indie book stores or at the following online shops: here or https://keithknight.bigcartel.com/product/pre-order-good-on-both-sides-the-new-th-ink-collection and here or https://microcosmpublishing.com/catalog/books/1446.
Find Keith Knight on the Internet:
https://keithknightart.com/
https://kchronicles.com/
https://twitter.com/KeefKnight
https://www.patreon.com/keefknight
https://www.instagram.com/iamkeithknight/?hl=en
https://keithknight.bigcartel.com/
https://microcosmpublishing.com/catalog/books/1446
https://www.facebook.com/keithknightcartoonist/
https://www.gocomics.com/thekchronicles
The text is copyright © 2022 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.
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Friday, July 22, 2022
Comics Review: "ECTYRON OMNIBUS VOL. 1" is a Five Piece Spicy Graphic Novel
CANDLE LIGHT PRESS/Warning Comics
STORY: Carter Allen; Austin Allen Hamblin; Leroy Douresseaux
SCRIPT: John Ira Thomas; Austin Allen Hamblin; Leroy Douresseaux
ART: Carter Allen
LETTERS: John Ira Thomas
COVER: Carter Allen
BACK COVER: Carter Allen
MISC ART: Will Grant; Christopher Martinez
ISBN: 978-0-9895371-8-6; paperback (June 21, 2022)
136pp, Color, $24.95 U.S.
Comic book writer-artist and graphic novelist, Carter Allen, has been publishing a series of comic books and graphic novels featuring a “kaiju” character known as “Ectyron! The Radioactive Chicken!” Candle Light Press and Allen's Warning Comics published three Ectyron comic books: Ectyron Against Lagaxtu (2017), Ectyron: Rise of Nemehiss (2018), and Ectyron: The Invasion from the Red Star Nebula (2019).
Now, CLP and Warning Comics have collected together for the first time the first three Ectyron comic books in the graphic novel and trade paperback collection, Ectyron Omnibus Vol. 1. This book also includes the numerous full color as illustrations that Allen has committed for this series.
Ectyron Omnibus Vol. 1 also includes bonus material. There is a new Ectyron short story, entitled “General Clucker vs. Ectyron” written by Austin Allen Hamblin and drawn by Carter Allen. Then, Carter and I (yes, me, Leroy Douresseaux) introduce Carter's newest kaiju, “Karapace” and our wacky superhero team, “The Big Spirits.” This five-page preview is entitled, “Karapace: Prelude to Big Spirits” and is drawn by Carter and written by me.
All three Ectyron comics employ particular elements of various Japanese science fiction sub-genres. “Kaiju” is a term used to describe a genre of Japanese films that feature giant monsters, and the term is also used to describe the giant monsters themselves. [Godzilla is an example of a kaiju.] In this case, Ectyron is a giant-sized chicken. There is also an example of “tokusatsu” the “mecha” or giant robot superheroes. [“Power Rangers” are an example of “tokusatsu.”]
Here is a recap of the first three Ectyron books:
Ectyron Against Lagaxtu (2017): Here, comes the super-cyborg warrior hero, AtoM.I.K.E. He is always on the lookout for the kind of giant monster that hides beneath the Earth before finally surfacing to wreak havoc. Lagaxtu is one of those monsters, a “kaiju,” a beast like Japan's Godzilla. AtoM.I.K.E. (a “tokusatsu” like character) can kick some monster butt, but he will need help from another behemoth beast, one that can sense evil. Here, comes Ectyron!
Ectyron: Rise of Nemehiss (2018): From the Great Basin Desert, Jake and the kaiju fighters of “Sustenatione Stabilitas Base” take on the giant-goose kaiju, “Nemehiss.” Victory is not assured, however, unless they can get help from... Ectyron!
Ectyron: The Invasion from the Red Star Nebula (2019): The kaiju fighters of Sustenatione Stabilitas Base join the kaiju fighting mecha, “AtoM.I.K.E.” They take on a mecha version of Ectyron, vicious alien invaders from the Red Star Nebula, and “Men in Black” agents. But where is the real Ectyron?
Bonus stories:
General Clucker vs. Ectyron (2022): Karl Clucker is the heir to the legacy of the “General Clucker's Chicken” fried chicken restaurant franchise. Unfortunately for Clucker, however, people seem to be eating less chicken out of respect for Ectyron. Embittered, Clucker decides to make himself just the kind of man or kaiju that can take on Ectyron … with unexpected results.
Karapace: Prelude to Big Spirits (2022): Aboard a fishing boat, a sleeping psychic receives a warning about the natural world's ultimate kaiju of vengeance and balance. But can the young woman gather enough help to stop Karapace?!
THE LOWDOWN: Ectyron: The Invasion from the Red Star Nebula is, thus far, my favorite Ectyron publication. It easily surpasses the first two releases, Ectyron: Rise of Nemehiss (the second) and Ectyron Against Lagaxtu (the first), which were quite good themselves.
A cartoonist and graphic designer, Carter Allen, fills his comic books with Godzilla-sized creations, which includes monsters, beasts, machines, and contraptions. However, there also improbable heroes of all shapes, colors, genders, and sizes. In black and white and in full color, Ectyron comics are pure comic book fun rendered in texture pencil illustrations, pencil and ink; software, and marker. Allen recreates the wild, the weird, and the wonderful of traditional American superhero, science fiction, horror, monster, and action-adventure comic books – with the infusion of Japanese sci-fi, fantasy, and superhero, of course.
In “General Clucker vs. Ectyron,” Allen's illustrative and coloring style and techniques take a turn, which is a way that he keeps his comic books fresh. He has also found a kindred spirit in writer Austin Allen Hamblin, as this short captures the spirit of the original Ectyron comics. Allen's dynamic art, with it energetic array of angles, and Hamblin's mix of B-movie and monster comics elements come together to create a colorful tale of pugnacious characters that deserves an encore.
As for Carter Allen and Leroy's collabo, “Karapace: Prelude to Big Spirits,” it is a sweet sample of our comic book masala, made of ingredients from old comics and cartoons. There is more to come.
Meanwhile, Ectyron Omnibus Vol. 1 is the best way to experience Carter Allen's way-out-there inventions of imagination. His Ectyron comic books, like many of his works, are a sequence of unexpected events. Allen is great solo, but Ectyron Omnibus Vol. 1 provides a look at his quirky group of collaborators. Some of them joined him on the original Ectyron comic books and showed their originality. And that is what Ectyron is about – originality in the spirit of originals.
I READS YOU RECOMMENDS: Fans of kaiju and of Carter Allen will want Ectyron Omnibus Vol. 1.
A
Reviewed by Leroy Douresseaux a.k.a. "I Reads You"
Buy Ectyron Omnibus Vol. 1:
Amazon: https://www.amazon.com/Ectyron-Omnibus-Carter-Allen/dp/0989537188/ref=mp_s_a_1_1?crid=FPC4RCGP5FQL&keywords=ectyron+omnibus&qid=1657192587&sprefix=%2Caps%2C95&sr=8-1
Barnes and Noble: https://www.barnesandnoble.com/w/ectyron-omnibus-carter-allen/1141688819;jsessionid=4050D43796BC5832D603E92F478ED155.prodny_store02-atgap09?ean=9780989537186
Powells: https://www.powells.com/book/ectyron-omnibus-9780989537186
http://www.warningcomics.com/
http://candlelightpress.tumblr.com/
https://twitter.com/attila71
https://twitter.com/candlelightpres
https://www.facebook.com/Warning-Comics-194471080646766/
https://www.deviantart.com/vectorattila
The text is copyright © 2022 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.
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Thursday, July 7, 2022
Review: "What We Do in the Shadows" Does It Good
TRASH IN MY EYE No. 41 of 2022 (No. 1853) by Leroy Douresseaux
What We Do in the Shadows (2014)
Running time: 86 minutes (1 hour, 26 minutes)
MPAA – R for bloody violent content, some sexual material and language
WRITERS/DIRECTORS: Jemaine Clement and Taika Waititi
PRODUCERS: Emanuel Michael, Taika Waititi, and Chelsea Winstanley
CINEMATOGRAPHERS: Richard Bluck and D.J. Stipsen
EDITORS: Tom Eagles, Yana Gorskaya, and Jonathan Woodford-Robinson
COMPOSER: Plan 9
COMEDY/FANTASY
Starring: Jemaine Clement, Taika Waititi, Cori Gonzalez-Macuer, Jonny Brugh, Stu Rutherford, Ben Fransham, Jackie Van Beek, and Elena Stejko
What We Do in the Shadows is a 2014 New Zealand comic vampire film and mockumentary (mock documentary) written and directed by Jemaine Clement and Taika Waititi. The film focuses on three vampires who live together in a flat while trying to deal with the mundane aspects of modern life in Wellington, New Zealand.
What We Do in the Shadows introduces four vampires living as housemates in a flat in a suburb of Wellington, New Zealand. They are 379-year-old Viago (Taika Waititi), 862-year-old Vladislav (Jemaine Clement), 183-year-old Deacon (Jonny Brugh), and 8000-year-old Petyr (Ben Fransham). A documentary film crew follows them as they prepare for “the Unholy Masquerade,” a ball held by some of the monster secret societies of Wellington.
The vampires struggle with the ordinary aspects of modern life: overcoming flatmate conflicts, keeping up with chores, dealing with demanding familiars (human servants), etc. Most of all they struggle to navigate the city's nightclub scene where they hunt for human victims who will become their food. One of their victims-to-be is Nick (Cori Gonzalez-Macuer), the ex-boyfriend of Deacon's familiar, Jackie (Jackie Van Beek). Nick is unexpectedly turned into a vampire, and the new bloodsucker brings complications into the older vampires' lives. Nick even brings his human friend, Stu (Stu Rutherford), whom everyone wants to eat, but likes too much to eat, into the vampire world.
Plus, they still have to attend “the Unholy Masquerade” where they will meet “the Beast.”
The most famous example of a mockumentary and perhaps, the most beloved is director Rob Reiner's 1984 film, This is Spinal Tap. With the exception of that film, I am usually bored of mockumentaries by the second half of such films. I was surprised to discover that except for a few places, I found myself thoroughly engaged with What We Do in the Shadows.
I think the combination of the script and the acting really brings the film to life. The actors seem to create fully functioning people by emphasizing the ordinary aspects of the human character and personality. Although the film's leads are vampires, they manage to be only a little special, amazing, horrible, and fantastic. They are interesting and lovable by being only a little above ordinary. They are not too bright, not smart enough to be conniving, and rather short-sighted, and that all makes them endearing to me.
I also like that What We Do in the Shadows quotes from or references a number of vampire films, including the Blade film series, Bram Stoker's Dracula, Interview with the Vampire, and Twilight, to name a few. That helps to make it feel like a genuine vampire film, rather than being only a documentary and horror comedy. I actually started watching (on and off) the FX cable television series, also titled “What We Do in the Shadows,” that is based on the film. Truthfully, the film is such a delight, it feels like something that has a lot more to offer, so we are lucky to have a TV series.
I would not recommend What We Do in the Shadows to everyone who enjoys the mainstream work of the film's co-writer and co-director, Taika Waititi, such as his Thor films for Disney/Marvel Studios. I will recommend it to film audiences who are always searching for something different, offbeat, and/or daring in modern independent and foreign films. For being another in a long, long line of vampire films, What We Do in the Shadows manages to be fresh blood.
7 of 10
A-
★★★½ out of 4 stars
Thursday, July 7, 2022
The text is copyright © 2022 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for syndication rights and fees.
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Friday, April 29, 2022
"Cabra Cini" Mini Series Now Live on Kickstarter
Press Release:
Cabra Cini: Voodoo Junkie Hitwoman is coming for you!
Following a number of anthology short stories and also having appeared in the pages of Geek-Girl, cult character Cabra Cini is graduating to her own Mini-Series – Live on Kickstarter now!
“We've been working on the Mini-Series for some time,” says Cabra's creator/writer Sam Johnson (Geek-Girl, The Almighties), “and with the art now complete, it's time to introduce Cabra to a wider audience… I hope you're ready for what's coming!”
No longer willing to let her boyfriend/pimp treat her like dirt, Cabra Cini got lethal payback with the help of voodoo magik - and liked it. Voodoo became her new addiction and Cabra has cleaned up her act and forged a deadly new vocation…
In her debut issue, we’re introduced to the supporting characters and antagonists in Cabra’s 4-Issue Mini-Series - including her pet werewolf El Hombre Lobo; insane Neo-Nazi White Out and his lobotomized, zombified butler Chives; and her friend-with-benefits Geoff...
Johnson fills us in on Cabra’s potential love interest; “Cabra hasn’t let anyone get close to her in a long time, after what she went through with her ex, and has kept Geoff at arm’s length. But the two have been spending more time together, and Geoff wants to take things to the next level.”
Johnson continues: “When Geoff makes his move, Cabra is using her bastardized version of voodoo magik to meditate herself into her ‘Mind-Scape’ – which she uses to psychically reach out and learn about whomever she’s been hired to deal with. Geoff wants to come in… and Cabra lets him in… but something’s off.
“Cabra routinely utilizes her magik to access a dimension known as ‘The Infinite’ – Limbo’s ‘crazy cousin, locked away in the attic’ – which, for those who trespass upon it, can serve as a dimensional gateway between where they are and wherever they want to go (a boon for finding her ‘hits’). But The Infinite and Cabra’s Mind-Scape – two completely separate dimensions - seem to be overlapping. In her Mind-Scape, Cabra should have complete control – but she seems to be losing it.”
Meanwhile, white supremacist White Out – who, based on urban legend, may or may not be a ghost - is making his presence felt in Cabra’s Detroit neighborhood – offering the upper-classes an opportunity to rid the place of its ‘less desirable elements.’
Johnson continues: “When White Out’s actions impact on Cabra and Geoff, the ‘Voodoo Lady’ gets involved – and things will never be same again for she and her would-be-lover.
“Cabra has broken free of her old life, and is a badass, independent, strong woman,” continues Johnson, before concluding ominously, “With what's coming her way in the Mini-Series, she's going to need to be.”
Written by Johnson (Geek-Girl, The Almighties), illustrated by Nathan Ramirez (Cannibal Family, Red Sonja), with Bruno Letizia, Pablo Zambrano & Jorge Oliveira - Cabra Cini: Voodoo Junkie Hitwoman #1 is live on Kickstarter now, and you can get to it at www.cabracini.com
Praise for Cabra Cini:
“This is something new altogether. I give it my recommendation. Strongly.” - Michael Wearden, Mike's Comic Blog.
“The pacing’s fast, the art is moving, the surprises many. I applaud Cabra Cini for breaking the limits that female characters can play in comics.” - Wayne Hall, Major Spoilers.
“Smart, effective and highly entertaining. This is from a rising talent in the comics industry.” - Steven Leitman, Reading with a Flight Ring.
“A hard hitting story with incredible artwork. I'm already a junkie and quite addicted to this character and can't wait for more. - Bill Gladman, Comic Related.
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Wednesday, April 27, 2022
Comics Review: CABRA CINI: Voodoo Junkie Hitwoman #1
CABRA CINI: VOODOO JUNKIE HITWOMAN #1
STORY: Sam Johnson
ART: Nathan Ramirez; Bruno Letizia with R.D. Ricci; Pablo Zambrano; Jorge Oliveira
COLORS: Mark Dodson; Harwan Stia Yoga; Jorge Oliveira
LETTERS: Nathan Ramirez; Bruno Letizia with Micah Myers; Jacob Bascle
COVER ARTIST: Carlos Villas
Suggest for mature readers
Cabra Cini created by Sam Johnson
“White Out”
Cabra Cini is a comics character created by writer Sam Johnson. He is best known as the writer and creator of the sexy superhero, Geek-Girl, who has starred in a comedy-fantasy miniseries and ongoing series. Cabra Cini is a former sex worker who used “voodoo magik” to free herself of her abusive pimp/boyfriend. Now, she is a hit woman addicted to voodoo.
Cabra Cini is about to be the star of her own four-issue miniseries, Cabra Cini: Voodoo Junkie Hitwoman. Johnson has launched a Kickstarter campaign to help fund series. He passed me an advanced PDF review copy of the first issue.
Cabra Cini: Voodoo Junkie Hitwoman #1 opens with a “Prologue” written by Johnson and drawn by Bruno Letizia with R.D. Ricci. “Prologue” asks the question, what would you do if the clumsy antics of a young werewolf interrupted your sex life. If you're Cabra Cini, you fix him...
The main story, “White Out,” is set in Detroit and is written by Johnson and drawn by Nathan Ramirez. There is a new killer in town. He's dressed in white from head to toe and he likes to kill Black men; plus, he has plans for the neighborhood. All Cabra wanted to do was prepare dinner for her man, but now she is forced to face a dangerous, enigmatic stranger.
“Kiss That Grrrl” is written by Johnson and drawn by Pablo Zambrano and Jorge Oliveira. The story finds Cabra in her “Mindscape.” Her boyfriend, Geoff, wants to join with her … in more ways than one – if he survives the experience.
THE LOWDOWN: I never really know what to expect when I get a cold call request for a comic book review. I hope for the best, of course, but I have discovered a number of very interesting comic books either self-published by the creator or creators or published by a small press. Readers can find excellent comic books in the wilds of independent publishing, as I have found Sam Johnson (although he may have found me).
I am familiar with writer Sam Johnson from his lovable superhero comic book series, Geek-Girl, in which Cabra Cini: Voodoo Junkie Hitwoman has appeared. I have wondered if Cabra could carry her own comic book. Of course, she could if the writer is good, and Johnson is.
What really surprised me is that the story chapters that comprise Cabra Cini: Voodoo Junkie Hitwoman #1 have a genuine sense of drama and also character depth. There is a sense of the tragic without being overly melodramatic. The feelings that the characters have for one another come across as authentic; I can believe that Geoff really cares from Cabra Cini. There is also a strong sense of humor and light comedy that keeps the edgier aspects of this first issue from taking over the entire comic book.
Five artists: Nathan Ramirez, Bruno Letizia, R.D. Ricci, Pablo Zambrano, and Jorge Oliveira draw portions of Cabra Cini: Voodoo Junkie Hitwoman #1. However, their diverse styles and approaches to graphical storytelling come together. The change in artists isn't jarring because they seem to share a similar aesthetic. In fact, having several artists helps to make Cabra Cini come across more like a multifaceted character than a mere clever name and idea.
My opinion is that Cabra Cini: Voodoo Junkie Hitwoman #1 is certainly good enough to make me recommend that readers consider contributing to the crowdfunding campaign for the series, which you can do here … if you so choose. If Geek-Girl is any indication, Sam Johnson has a world of excellent comics in store for us via Cabra Cini: Voodoo Junkie Hitwoman.
I READS YOU RECOMMENDS: Fans of writer Sam Johnson's comic books will want to fund Cabra Cini: Voodoo Junkie Hitwoman.
A
Reviewed by Leroy Douresseaux a.k.a. "I Reads You"
Cabra Cini: Voodoo Junkie #1 is available on Kickstarter now at www.cabracini.com.
https://twitter.com/daSamJohnson
https://twitter.com/Markosia
https://twitter.com/Markosia_News
https://markosia.com/
The text is copyright © 2022 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for syndication rights and fees.
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