Showing posts with label vampire. Show all posts
Showing posts with label vampire. Show all posts

Saturday, March 9, 2024

Comics Review: "SCOOBY-DOO, Where Are You? #126" is in the Books

SCOOBY-DOO, WHERE ARE YOU? (2010) #126
DC COMICS

STORY: Derek Fridolfs; Sholly Fisch
PENCILS: Valerio Chiola; Scott Jeralds
INKS: Valerio Chiola; Scott Jeralds
COLORS: Valerio Chiola; Silvana Brys
LETTERS: Saida Temofonte
EDITORS: Courtney Jordan; Brittany Holzherr (reprint)
COVER: Derek Fridolfs with Valerio Chiola
32pp, Color, $2.99 U.S. (February 2024)

Ages 8+

“Girls Night Ouch!”

Welcome, dear readers, to my continuing journey through the Scooby-Doo, Where Are You? comic book series, which began publication in 2010.  I continue to renew my subscription so that I can continue to review this series for you, dear readers.

Scooby-Doo, Where Are You? #126 opens with “Girls Night Ouch!,” which is written by Derek Fridolfs and drawn by Valerio Chiola.  The story finds Mystery Inc.Scooby-Doo, Shaggy, Fred, Daphne, and Velma making some plans.  Not everyone has the same plans for this evening.  Scooby and Shaggy have an all-you-can-eat buffet to attend, and Fred is going to investigate a haunted kitchen.

Meanwhile, Daphne and Velma are going to a local bookstore for a release party for the second book in the popular, teenage vampire romance book series, “Once Bitten.”  The series' author, Steven Majors, is going to read from “Twice Bitten,” the new book, but his appearance is nothing compared to a surprise appearance.  It seems that the book series' star, the vampire Danté, has arrived and is tearing the bookstore apart.  Can Daphne and Velma solve this mystery alone?

As usual, the second story, “Ghost Writers,” is a reprint story.  It is written by Sholly Fisch and drawn by Scott Jeralds.  [This story was originally published in Scooby-Doo, Where Are You #76 (cover date: February 2017).]  The story finds Mystery Inc. investigating a haunted library.  Paige the librarian wants to know why the ghosts of Edgar Allen Poe and William Shakespeare are haunting her library.  Now, Scooby and the gang have to discover what these literary ghosts want.

Scooby-Doo, Where Are You? #126 has as its theme literary hauntings.  The new story is set in a book event at a local book store, and of course, there is an obvious reference to author Stephenie Meyer's Twilight book series.  Readers familiar with Twilight will enjoy the references to the book and to its fans and – dare I say it – its devoted, cult-like following.

Scooby-Doo, Where Are You? #126 is not a particularly good issue compared to recent issues.  Still, it's a fun read.  So grab your “Scooby Snacks” and read it, and maybe watch a Scooby-Doo movie, later.  And until next time, Scooby-Dooby-Doo!

C+

[This comic book includes a seven-page preview of the DC Comics original graphic novel, “Metropolis Grove” by Drew Brockington.]

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


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Sunday, January 28, 2024

Comics Review: "KILLADELPHIA #32" - Don't Trust a White Devil While Signing Your Record Deal in the Hood

KILLADELPHIA #32
IMAGE COMICS

STORY: Rodney Barnes
ART: Jason Shawn Alexander and Germán Erramouspe
COLORS: Lee Loughridge
LETTERS: Marshall Dillon
EDITORS: Greg Tumbarello; Chris Robinson
COVER: Jason Shawn Alexander with Lee Loughridge
44pp, Colors, 3.99 U.S. (December 2023)

Rated “M/ Mature”

Killadelphia created by Rodney Barnes and Jason Shawn Alexander

“Death Be Not Proud” Part II: “Whatever Happened to Blake Edwards?”

Killadelphia is an apocalyptic vampire and dark fantasy comic book series from writer Rodney Barnes and artist Jason Shawn Alexander.  Published by Image Comics, it centers on a conspiracy in which vampires attempt to rule Philadelphia.  The series is currently written by Barnes and drawn by Alexander and Germán Erramouspe.  Colorist Lee Loughridge and letterer Marshall Dillon complete Killadelphia's creative team.

Killadelphia focuses on James “Jim” Sangster, Jr.; Anansi the Spider-God; Toussaint Louverture and his army of killers; and a menagerie of fighters and gods and monsters on one side or the other or both in the vampire invasion of Philadelphia.  Of note is a special young vampire (Tevin Thompkins a.k.a. “See Saw”), and his activities have summoned the most infamous Hellspawn of all.

Killadelphia #32 (“Whatever Happened to Blake Edwards?”) opens in West Philadelphia, where two National Guardsmen are about to make a big mistake with Blake Edwards.  But isn't Blake supposed to be dead?  Well, his desire for revenge against Ron Davies, one of the world's biggest music producers, is very much alive.

Meanwhile, in North Philadelphia, See Saw, Spawn, and a pack of werewolves continue to battle the horde of demons that keep emerging from a... hellhole, while Anansi provides sass and color commentary.  With Corson and Lucifer behind this invasion, victory won't come easy.

Elsewhere, Toussaint Louverture is convinced to rejoin the fight, but this time, he has a new weapon.  And it's a dragon.

THE LOWDOWN:  It's a new day for Killadelphia.  The sixth story arc, “Death Be Not Proud,” has a starring role for the most famous creation from the comics universe of Todd McFarlane, Spawn.

To say that writer Rodney Barnes has shocked and surprised me would be to repeat myself for the umpteenth time in several years.  What can I say?  Here, the definition of insanity would be to keep doing the same thing (reading) and expecting a different result (not be surprised and thrilled).  I must say, however, the Blake Edward subplot and the surprise appearance on the final page are almost more than my imagination can take.

The art team of Jason Shawn Alexander and Germán Erramouspe continue to Ragnarok and roll under the fiery coloring of Lee Loughride.  Their terrifying storytelling with its stream of terrible fates is truly its own hellish Avengers: Endgame.

Where is “Death Be Not Proud” going?  Let's keep following, dear readers.

[Killadelphia #32 is also available in a “Noir Edition,” featuring black-and-white line art interiors.]

I READS YOU RECOMMENDS:  Fans of vampire comic books and of exceptional dark fantasy will want Killadelphia.

[This issue includes an 12-page installment of “Johnny Gatlin” by Rodney Barnes, Syzmon Kudranski, and Marshall Dillon.]

A+

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


https://twitter.com/TheRodneyBarnes
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The text is copyright © 2024 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

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Thursday, January 18, 2024

Comics Review: "KONI WAVES" Crests on Cool Characters and Inventive Elements

KONI WAVES
HAUNTED PIZZA LLC/ARCANA STUDIOS

STORY: Mark Poulton
SCRIPT: Mandy Summers
ART: Renzo Rodriguez
COLORS: Dexter Weeks
LETTERS: Dexter Weeks
COVER: Renzo Rodriguez with Ink Spots
VARIANT COVER ARTISTS: Irene Strychalski; Chris Graves
ISBN: 979-8-987-45314-8; paperback (November 2023)
56pp, Color, $25.00 U.S.

Koni Waves created by Mark Poulton, Stephen Sistilli, and Dexter Weeks

Koni Waves is an independent supernatural horror comic book that was published as a series of miniseries and one-shots from 2006 to 2010 by Arcana Studio.  Created by Mark Poulton, Stephen Sistilli, and Dexter Weeks, Koni Waves focused on Koni Kanawai, a female detective in Honolulu, Hawaii, who specialized in supernatural cases.

Koni Kanawai returns in a new original graphic novel, entitled Koni Waves, that was crowdfunded on Indiegogo last year and was published late last year (2023). The new graphic novel is written by Mark Poulton (story) and Mandy Summers (script); drawn by Renzo Rodriguez; and colored and lettered by Dexter Weeks.  In this new story, Koni becomes involved in a complicated murder case that involves supernatural scheme and conspiracy.

Koni Waves opens with Koni Kanawai rescuing her pal, Pete, from the vampires(!) of Black Bear Cove, but that adventure is easy compared to what is coming.  Koni's father, James Kanawai, a detective with the HPD, wants Koni to try to get back on the force.  Koni, who was suspended apparently after running afoul of Internal Affairs, is willing to give that a try.

Later, at her favorite watering hole, Koni learns that District Attorney Choi believes that he has convicted the wrong man, Danny Snyder, of the murder of Felicity Andrews, an exotic dancer and former associate of Koni's.  Taking on the case, Koni contacts Krystal, another dancer and former associate of Felicity's.  After snooping around, Koni comes to believe that a local power broker, Prince Hopohopo, is connected to the Felicity Andrews case.  However, Koni will discover that this case involves Hawaii's darkest secrets and its edgiest supernatural and spiritual past.

THE LOWDOWN:  A few years ago, I came across the Twitter feed of a Mexican comic book artist named Renzo Rodriguez.  From the first of examples of his art I saw, I thought he was very talented, but because I had never heard of him previously, I assumed Renzo was a new talent.  I would later learn that Renzo was a veteran talent who had been drawing professionally for a long time, including for Zenescope Entertainment.

Last year, I learned that Renzo would be the artist for a crowdfunded project, entitled Koni Waves, so I quickly contributed.  I did not know that Koni Waves was a comics property with a history, so I did not know what to expect.  Now, having read and received this original graphic novel, I am glad that I contributed to the campaign.

Renzo is obviously influenced by legendary comic book artist Art Adams.  Some artists who were influenced by Adams (such as J. Scott Campbell and Rob Liefeld) picked up on Adams' stylish flourishes.  However, what Renzo seems to have taken from Adams is the ability to compose complex, multi-panel pages that allows a story to be told in detail without going into overdrive with decompression.  Most of Renzo's pages have at least seven panels of varying size, and Renzo composes detailed backgrounds and environments in a way that compares to the work of set decorators for film and television.  Renzo makes the world of Koni Waves feel lived-in, like a real place.

All those panels on each page allows scripter Mandy Summers to flesh out Mark Poulton's character-rich story in a way that conveys motivation and personality, plot and mythology, and action and drama.  Summers makes Koni Waves read like an actual graphic novel in a way that so-called graphic novels (trade paperbacks) three times its size do not.

Dexter Weeks' precise, rich colors capture the curves, shapes, and contours of Renzo's figure drawing.  Those colors make every character seem alive and, in the case of some, seem quite sexy, and they also make the art pop on the page.  In addition, Weeks' lettering finds plenty of space for Summers' dialogue, so that nothing is crowded out.

I like Koni Waves, and I'd like to see more of Koni and her closest allies and most dangerous adversaries.  This comic book scratches the surface of Koni Waves' supernatural skin, but the freaks want to come out.  So I say let them out with more Koni Waves.

I READS YOU RECOMMENDS:  Fans of supernatural and occult detective comics will want Koni Waves.

A

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


https://www.hauntedpizzallc.com/
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The text is copyright © 2024 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for syndication rights and fees.

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Wednesday, November 15, 2023

Comics Review: "KILLADELPHIA #31" is All About FAFO

KILLADELPHIA #31
IMAGE COMICS

STORY: Rodney Barnes
ART: Jason Shawn Alexander and Germán Erramouspe
COLORS: Lee Loughridge
LETTERS: Marshall Dillon
EDITORS: Greg Tumbarello; Chris Robinson
COVER: Jason Shawn Alexander with Lee Loughridge
VARIANT COVER ARTISTS: Francesco Mattina; Jae Lee with June Chung
32pp, Colors, 3.99 U.S. (November 2023)

Rated “M/ Mature”

Killadelphia created by Rodney Barnes and Jason Shawn Alexander

“Death Be Not Proud” Part I: “From Hell the Dead Thing Spawned”

Killadelphia is an apocalyptic vampire and dark fantasy comic book series from writer Rodney Barnes and artist Jason Shawn Alexander.  Published by Image Comics, it centers on a conspiracy in which vampires attempt to rule Philadelphia.  The series is currently written by Barnes and drawn by Alexander and Germán Erramouspe.  Colorist Lee Loughridge and letterer Marshall Dillon complete Killadelphia's creative team.

Killadelphia focuses on James “Jim” Sangster, Jr.; Anansi the Spider-God; Toussaint Louverture and his army of killers; and a menagerie of fighters and gods and monsters on one side or the other or both in the vampire invasion of Philadelphia.  Of note is a special young vampire (Tevin Thompkins a.k.a. “See Saw”), and his activities have summoned the most infamous Hellspawn of all.

Killadelphia #31 (“From Hell the Dead Thing Spawned”) opens in the wake of the events depicted in Killadelphia #30.  See Saw stopped time and now, the rulers of realms light and dark have taken notice.  They all want See Saw destroyed, but Anansi is determined to protect him – even if it leads to a battle that brings Armageddon closer.  Meanwhile, a Demon King has chosen American comic book's most infamous anti-hero as the champion who will bring him See Saw's head.

THE LOWDOWN:  It's a new day for Killadelphia.  The sixth story arc, “Death Be Not Proud,” begins with a starring role for the most famous creation from the comics universe of Todd McFarlane, Spawn.

Writer Rodney Barnes offers this series first crossover battle, and having Spawn kicking ass is a genius move considering who the guest-star for this arc is.  That bodes well for future guest possibilities (Blacula? Blade? Lando Calrissian?), and this new arc retains Barnes' sharp social satirical touches.

The art team of Jason Shawn Alexander and Germán Erramouspe present a hellscape of Ragnarok and roll.  This is their “crisis of infinite demonic Earths,” and they don't hold back.  The action is heightened by Lee Loughridge storm front of infernal colors and hues for a battle royale.

Where is “Death Be Not Proud” going?  Judging by everything that Killadelphia has presented to date, all Hell is breaking and bustin' loose.

Killadelphia #31 is also available in a “Noir Edition,” featuring black-and-white line art interiors.

I READS YOU RECOMMENDS:  Fans of vampire comic books and of exceptional dark fantasy will want Killadelphia.

[This issue includes an 11-page installment of “Johnny Gatlin” by Rodney Barnes, Syzmon Kudranski, and Marshall Dillon.]

A

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


https://twitter.com/TheRodneyBarnes
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The text is copyright © 2023 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

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Friday, October 20, 2023

Review: "BLACULA" Can't Stop, Won't Stop Rising from the Grave

TRASH IN MY EYE No. 47 of 2023 (No. 1936) by Leroy Douresseaux

Blacula (1972)
Running time: 93 minutes (1 hour, 33 minutes)
MPAA – PG
DIRECTOR:  William Crain
WRITERS:  Joan Torres and Raymond Koenig
PRODUCER:  Joseph T. Naar
CINEMATOGRAPHER:  John M. Stevens (D.o.P.)
EDITOR:  Allan Jacobs
COMPOSER:  Gene Page

BLAXPLOITATION/HORROR/ROMANCE

Starring:  William Marshall, Vonetta McGee, Denise Nicholas, Thalmus Rasulala, Gordon Pinsent, Charles Macaulay, Emily Yancy, Lance Taylor, Sr., Ted Harris, Rick Metzler, Logan Field, Ketty Lester, Elisha Cook, Jr., Jitu Cumbuka, Eric Brotherson, and The Hues Corporation

Blacula is a 1972 American blaxploitation vampire horror and romance film directed by William Crain.  Originally released by American International Pictures, the film was a hit and inspired a wave of blaxploitation (black exploitation) films, including its own sequel, Scream Blacula Scream.  Blacula focuses on an 18th century African prince-turned-vampire who awakens to find himself in modern day Los Angeles.

Blacula opens in 1780, in Transylvania at Castle Dracula.  The African prince, Mamuwalde (William Marshall), has traveled there with his wife, Luva (Vonetta McGee), to seek the help of Count Dracula (Charles Macaulay) in suppressing the African slave trade.  Dracula refuses and after some insults and violence, he bites Mamuwalde and curses him to an immortal existence as the vampire, “Blacula.”  He imprisons Mamuwalde in a sealed coffin in a crypt hidden beneath the castle, where he also leaves Luva to die.

In 1972, Blacula emerges from his coffin and begins a reign of terror and death.  However, he is shocked to discover a young woman named Tina Williams (Vonetta McGee) who looks exactly like his long-lost Luva.  Initially hesitant, Tina warms to Blacula, who introduces himself as Mamuwalde.  In turn, Tina introduces him to her sister, Michelle Williams (Denise Nicholas), and her boyfriend, Dr. Gordon Thomas (Thalmus Rasulala).

A pathologist for the Los Angeles Police Department, Dr. Gordon has been investigating the deaths of people whom he suspects are victims of a vampire.  Teaming with LAPD's Lieutenant Jack Peters (Gordon Pinsent), Gordon must discover the force behind these deaths before its too late, even as Tina finds herself irresistibly drawn to Mamuwalde / Blacula.

I have seen Blacula several times, but I had previously not attempted to review it.  I have seen several “Black vampire films,” but I have previously only reviewed Spike Lee's Da Sweet Blood of Jesus (2014), although I have not seen the film it remakes, Ganja and Hess (1973).  Of course, I have reviewed all the films in New Line Cinema's Blade franchise that began with 1998's Blade.

When I discovered that Blacula was available on Turner Classic Movies (TCM) via Spectrum On-Demand, I decided to view it again with an eye towards writing a review.  I must say that I'd forgotten how good the music is, especially the funk score by conductor, composer, and record producer, Gene Page (1939-98), which was one of the first of its kind for a vampire film.  The songs:  three performed by the pop-soul trio, The Hues Corporation, and one by the short-lived L.A. soul group, The 21st Century Ltd., are quite nice.

Something I noticed for the first time is that Blacula depicts a world in which African-American professionals are equal to their white peers.  In fact, it isn't even a question that they are not.  For instance, Dr. Gordon Thomas is respected and his orders are followed without question.  The only time that his opinion is questioned involves the obvious – telling people that there is a vampire loose in Los Angeles and that he is murdering people.  Obviously, a blaxploitation film would feature a cast of black leads, but the film isn't really about them being “Black.”  Blacula, in a way, is a movie about humans fighting the forces of darkness; this time, the lead vampire killer is a black man.  Sometimes, I got the feeling that Blacula was almost nonchalant about the characters being African-American.

Of course, Blacula could not pass as an ordinary vampire film when the late, great stage, television, and film actor, William Marshall (1924-2003), played the title role.  Marshall doesn't play Mamuwalde as a victim, which he is (of Dracula); rather, he is a man (or creature) awakened to new circumstances, and as he did in his former life (based on assumptions), will live it to the fullest.  I like that Mamuwalde / Blacula is a man who gets what he wants.  Perhaps, that is what makes Mamuwalde so memorable to African-American audiences.  He isn't a tragic or misunderstood monster; he is a king.

I have believed for a long time that given the space and runtime, Blacula's screenwriters, Joan Torres and Raymond Koenig, with William Marshall adding his ideas, could have made a greater film.  Still, William Crain's deft directing and Allan Jacob's precision film editing allow Blacula to breeze past its shortcomings.  I love Blacula, obviously, and I can't wait to see it again.

B+
7 of 10
★★★½ out of 4 stars

Friday, October 20, 2023


The text is copyright © 2023 Leroy Douresseaux. All Rights Reserved.  Contact this blog or site for reprint and syndication rights and fees.

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Sunday, October 8, 2023

Comics Review: "ELVIRA in Monsterland Volume 1 #5" Assembles an Raucous Endgame

ELVIRA IN MONSTERLAND VOLUME 1 #5
DYNAMITE ENTERTAINMENT

STORY: David Avallone
ART: Kewber Baal
COLORS: Walter Pereya
LETTERS: Taylor Esposito
EDITOR: Joseph Rybandt
COVER: Dave Acosta with Walter Pereya
VARIANT COVER ARTISTS: John Royle; Kewber Baal
32pp, Color, $3.99 U.S. (September 2023)

Rated Teen+

Chapter Five: “The Monster Mash”

In 1981, actress and model Cassandra Peterson created the “horror hostess character,” known as “Elvira.”  Elvira gradually grew in popularity and eventually became a brand name.  As Elvira, Peterson endorsed many products and became a pitch-woman, appearing in numerous television commercials throughout the 1980s.

Elvira also appeared in comic books, beginning in 1986 with the short-lived series from DC Comics, Elvira's House of Mystery.  In 2018, Elvira returned to comic books via Dynamite Entertainment.  Elvira's latest comic book series is Elvira in Monsterland Volume 1.  The series is written by David Avallone; drawn by Kewber Baal; colored by Walter Pereyra; and lettered by Taylor Esposito.  The series finds Elvira returning to the Multiverse of Movies (a bunch of “pocket dimensions” created by the existence of movies), where she joins the “Space-Time Cops” in order to stop Vlad the Impaler from creating a monster army.

Elvira in Monsterland Volume 1 #5 (“The Monster Mash”) opens with the Mistress of the Dark putting a writer pal in check.  Then, it's on to the big confrontation with Vlad and his benefactor, the disgraced film director, Stanley Salivia.  And they're both out for sweet revenge against Elvira, so what will she do when she loses Agent Grant?  Call in reinforcements?

Here, comes the “Revengers” and the “Justice Guild,” two superhero teams straight out of the multiverse of movies and ready to brawl.  So is this the endgame or is there more madness of the Multiverse of Movies to come?

THE LOWDOWN:  Since July 2021, Dynamite Entertainment's marketing department has been providing me with PDF review copies of some of their titles.  One of them is Elvira in Monsterland Volume 1 #5, one of many Dynamite/David Avallone Elvira comic books that I have read and enjoyed.

As much as I've enjoyed Elvira in Monsterland (and I have), I never knew what to expect of it.  Even when I suspected that writer David Avallone was going to spoof werewolf movies, including of the classic early 1980s horror flick, An American Werewolf in London (1981), I did not know what was coming.  That was a good thing.

I totally didn't see his epic finale for this series going down the way “The Monster Mash” does.  Avallone's riff on Disney/Marvel's saga-ending Avengers: Endgame is the vehicle by which he is drives Elvira through her current dilemma.  If some of “The Monster Mash” resembles the 1987 cult film, The Monster Squad, that's because Elvira has a squad of monsters that needs to be dealt with by another another, friendlier Monster Squad.

Artist Kewber Baal is an excellent match for Avallone's humor.  Baal's storytelling has a breezy pace and is quite good at capturing the essences of American cinema and its obvious soft spots, which are ripe for spoofing.  Colorist Walter Pereya replicates the garish colors of traditional superhero comic books, and letterer Taylor Esposito provides a kind of end-of-the-saga soundtrack.

Elvira in Monsterland is a delightful romp, and I'm going to miss Felini's magic remote.  But H.P. Lovecraft is coming soon.

I READS YOU RECOMMENDS:  Fans of Elvira and of David Avallone's Elvira comic books will want to read Elvira in Monsterland Volume 1.

A

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


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The text is copyright © 2023 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

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Thursday, July 27, 2023

Comics Review: "NIGHT CLUB #6" Doesn't Wait Until Dark

NIGHT CLUB #6 (OF 6)
IMAGE COMICS

STORY: Mark Millar
ART: Juanan Ramírez
COLORS: Fabiana Mascolo
LETTERS: Clem Robins
COVER: Matteo Scalera with Giovanna Niro
EDITORIAL: Sarah Unwin
VARIANT COVER ARTIST: Matteo Scalera
36pp, Color, $3.99 U.S. (July 2023)

Rated M / Mature

Night Club created by Mark Millar at Netflix

Night Club is a six-issue miniseries written and created by Mark Millar and drawn by Juanan Ramírez.  An Image Comics publication and a Netflix production, Night Club focuses on a teen boy who is bitten by a vampire and decides to make the best of his new condition.  Colorist Fabiana Mascolo and letterer Clem Robins complete Night Club's creative team.

Night Club introduces 17-year-old Danny Garcia, who had ambitions to gain fame and fortune as a YouTube star with his friends, DJ Sam Huxley and Amy Chen.  Then, after a terrible accident, a vampire bites him, and his life goes awry.  Instead of living like a stereotypical vampire, Danny decides to live “la vida loca” of a superhero.

Night Club #6 opens with Starguard (Danny), Thundercloud (Sam), and Yellowbird (Amy) prepare to get the vampire gang overlord, Gunner Joe, and crew his crew before they get them.  The best laid schemes o' mice an' men an' teen vampires, however, is a way of saying that things will not go according to plan.  In the final showdown, it is clear that one side will have to annihilate the other.  So what happens after that?

THE LOWDOWN:  Netflix/Millarworld sends me PDF review copies of their comic books.  Thus, I have been lucky enough to get review copies of all six issues of Night Club.

Writer Mark Millar and artist Juanan Ramírez offered big surprises in Night Club #5.  There was an intriguing origin story and the depiction of the strife between the (apparently) small number of vampires that currently exist.  In this finale, Millar sets the groundwork for more rivalries and offers a revelation that it is not so much that power corrupts, but that it inflates the ego.

Ramirez attacks the action in this final issue with gusto.  It is somewhere between supernatural violence and rural crime thriller.  Colorist Fabiana Mascolo captures the subtly moments and the violence with equal aplomb.  Letterer Clem Robins also captures the shifts and tones in mood that lay the groundwork for what is to come in future Night Club series.

Night Club is a truly unique spin on vampire comic books the way the 1997 film, Near Dark is certainly a unique  take on the vampire movie.  Night Club #6 is quite a nice end of the beginning, and it will probably seem even better in trade paperback form

I READS YOU RECOMMENDS:  Fans of Mark Millar and of vampire comic books will want to be bitten by Night Club.

A

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


https://twitter.com/ImageComics
https://twitter.com/mrmarkmillar
https://twitter.com/netflix
https://www.mrmarkmillar.com/
http://www.millarworld.tv/
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The text is copyright © 2023 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

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Monday, May 29, 2023

Comics Review: "NIGHT CLUB #5" Wants You... to Join the Vampire Army

NIGHT CLUB #5 (OF 6)
IMAGE COMICS

STORY: Mark Millar
ART: Juanan Ramírez
COLORS: Fabiana Mascolo
LETTERS: Clem Robins
COVER: Ben Templesmith
EDITORIAL: Sarah Unwin
VARIANT COVER ARTIST: Ben Templesmith
28pp, Color, $1.99 U.S. (April 2023)

Rated M / Mature

Night Club created by Mark Millar at Netflix

Night Club is a six-issue miniseries written and created by Mark Millar and drawn by Juanan Ramírez.  An Image Comics publication and a Netflix production, Night Club focuses on a teen boy who is bitten by a vampire and decides to make the best of his new condition.  Colorist Fabiana Mascolo and letterer Clem Robins complete Night Club's creative team.

Night Club introduces 17-year-old Danny Garcia, who had ambitions to gain fame and fortune as a YouTube star with his friends, DJ Sam Huxley and Amy Chen.  Then, after a terrible accident, a vampire bites him, and his life goes awry.  Instead of living like a stereotypical vampire, Danny decides to live “la vida loca” of a superhero.

Night Club #5 opens with Starguard (Danny), Thundercloud (Sam), and Yellowbird (Amy) in a tight spot.  The man who rescued them, the former police Detective Nick Laskaras, is simply Laskaras, and he is holding them as his prisoners.  He is creating an army, and he wants to be their leader – if they join him.  Not that they have much choice, and they must listen to his origin story.

Danny and friends must realize that their superhero days are over.  They must become bloodthirsty murderers, but for whom?  Will it be Laskaras or vampire gang chieftain, Gunner Joe?

THE LOWDOWN:  Netflix/Millarworld sends me PDF review copies of their comic books.  Thus, I have been lucky enough to get review copies of the first five issues of Night Club.

Writer Mark Millar and artist Juanan Ramírez are offering big surprises with Night Club #5.  Sure, there is an intriguing origin story, but this series is more than just about biting necks.  Now, we're seeing strife between the (apparently) small number of vampires that currently exist.  So with colorist Fabiana Mascolo and letterer Clem Robins, Millar and Ramírez flip the script for a really excellent read in this penultimate issue.

Night Club is infectious and addictive, a vampire comic book determined to be a new kind of batty.  I am recommending Night Club #5 as I did the previous four issues.  Drink deeply of its fun; this comic book has flavors in layers and waves.  And it only costs a $1.99.

I READS YOU RECOMMENDS:  Fans of Mark Millar and of vampire comic books will want to be bitten by Night Club.

A+

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


https://twitter.com/ImageComics
https://twitter.com/mrmarkmillar
https://twitter.com/netflix
https://www.mrmarkmillar.com/
http://www.millarworld.tv/
www.imagecomics.com


The text is copyright © 2023 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

-------------------------

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Tuesday, May 16, 2023

Comics Review: "ELVIRA in Monsterland Volume 1 #1" - B*tch Better Have My Vampire

ELVIRA IN MONSTERLAND VOLUME 1 #1
DYNAMITE ENTERTAINMENT

STORY: David Avallone
ART: Kewber Baal
COLORS: Walter Pereya
LETTERS: Taylor Esposito
EDITOR: Joseph Rybandt
COVER: Dave Acosta with Walter Pereya
32pp, Color, $3.99 U.S. (May 2023)

Rated Teen+

Chapter One: “It's a Vlad, Vlad, Vlad, Vlad World”

In 1981, actress and model Cassandra Peterson created the “horror hostess character,” known as “Elvira.”  Elvira gradually grew in popularity and eventually became a brand name.  As Elvira, Peterson endorsed many products and became a pitch-woman, appearing in numerous television commercials throughout the 1980s.

Elvira also appeared in comic books, beginning in 1986 with the short-lived series from DC Comics, Elvira's House of Mystery.  In 2018, Elvira returned to comic books via Dynamite Entertainment.  Elvira's latest comic book series is Elvira in Monsterland Volume 1.  The series is written by David Avallone; drawn by Kewber Baal; colored by Walter Pereyra; and lettered by Taylor Esposito.  The series finds Elvira returning to the Multiverse of Movies (a bunch of “pocket dimensions” created by the existence of movies) in order to stop the creation of a monster army.

Elvira in Monsterland Volume 1 #1 (“It's a Vlad, Vlad, Vlad, Vlad World”) opens at Elvira's home on the outskirts of Hollywood.  Inside, Elvira is enjoying a respite from her recent misadventures in the “Multiverse of Movies,” though it turns out to be a brief break.  While watching director Tod Browning's 1931 horror classic, Dracula, starring Bela Lugosi, a strange thing happens.

Vlad the Impaler is back!  He is raiding the Multiverse of Movies in order to build a monster army by plucking up some of cinema and television's greatest, most famous, and most infamous vampires and bloodsuckers.  Of course, it's up to Elvira, the Mistress of the Dark and bane of Vlad's existence, to stop his evil plan.

THE LOWDOWN:  Since July 2021, Dynamite Entertainment's marketing department has been providing me with PDF review copies of some of their titles.  One of them is Elvira in Monsterland Volume 1 #1, one of many Dynamite/David Avallone Elvira comic books that I have read and enjoyed.

I have lost track of how many times I written in a review how much I enjoy writer David Avallone's Elvira comic books.  Hopefully, Avallone will continue to chronicle Elvira adventures long enough into the future that I will also forget this instance of praise.  Elvira in Monsterland #1 is a delightful, tongue-in-cheek romp, filled with sparkling cameos and pleasing references to both cinematic and real-world people, places, and things.  This first issue is such a joy to read, and I needed that.  Avallone's Elvira comic books are not only some of the best humor comic books published over the last decade, but they are also the consistent cure for the anytime and comic book reading blues.

Artist Kewber Baal's art perfectly captures the spirited chase through this “Multiverse of Movies,” and in his figure drawing, Baal makes it look like the characters are having a blast.  Colorist Walter Pereyra and letterer Taylor Esposito make the story hop around like a maniacal musical comedy, which is just the kind of crazy entertainment we probably all need right now.

I had high hopes for Elvira in Monsterland Volume 1 #1.  I had been waiting for Elvira in Monsterland Volume 1 #1.  It was worth it, and I think you should not deny yourself this fun, dear readers.

I READS YOU RECOMMENDS:  Fans of Elvira and of David Avallone's Elvira comic books will want to read Elvira in Monsterland Volume 1.

A

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


https://twitter.com/DAvallone
https://twitter.com/DynamiteComics
https://www.dynamite.com/htmlfiles/
https://www.facebook.com/DynamiteComics/
https://www.youtube.com/channel/UCNOH4PEsl8dyZ2Tj7XUlY7w
https://www.linkedin.com/company/dynamite-entertainment


The text is copyright © 2023 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

---------------------


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Tuesday, April 25, 2023

Comics Review: "KILLADELPHIA #30" is Also Designed to Fill Your Mind

KILLADELPHIA #30
IMAGE COMICS

STORY: Rodney Barnes
LAYOUTS: Jason Shawn Alexander
PENCILS: Germán Erramouspe
INKS: Jason Shawn Alexander with Robert Melendrez
COLORS: Lee Loughridge
LETTERS: Marshall Dillon
EDITOR: Greg Tumbarello
COVER: Jason Shawn Alexander
VARIANT COVER ARTIST: J.A.W. Cooper
32pp, Colors, 3.99 U.S. (April 2023)

Rated “M/ Mature”

Killadelphia created by Rodney Barnes and Jason Shawn Alexander

“There's No Place Like Home” Part VI: “This One's for Ray”

Killadelphia is an apocalyptic vampire and dark fantasy comic book series from writer Rodney Barnes and artist Jason Shawn Alexander.  Published by Image Comics, it centers on a conspiracy in which vampires attempt to rule Philadelphia.  The series is currently written by Barnes and drawn by Alexander and Germán Erramouspe.  Colorist Lee Loughridge and letterer Marshall Dillon complete Killadelphia's creative team.

Killadelphia focuses on James “Jim” Sangster, Jr., a ragtag team of fighters, and a menagerie of gods and monsters on one side or the other or both in the vampire invasion of Philadelphia.  Of note are a special young vampire (Tevin Thompkins a.k.a. “See Saw”), Anansi the Spider-God, and the infamous rebel leader turned monster hunter, Toussaint Louverture, and his army of killers.

Killadelphia #30 (“This One's for Ray”) opens with the story of Raynard, a friend of our vampire prodigy, See Saw.  In the story of Raynard, we see the origins of See Saw's curiosity and of how he views the world.  It all leads to his terrible and transformational decision, one that will spawn great consequences.

Meanwhile, holed up in their apartment are Jim, Jr. and a pregnant Jose.  They're about to receive a visitor, and it isn't one they expect.  But it is one that had to happen, considering what Jim left behind in Baltimore, Maryland.

THE LOWDOWN:  We have reached the final chapter of Killadelphia's fifth story arc, “There's No Place Like Home.”  Before this arc debuted, creators Rodney Barnes and Jason Shawn Alexander warned readers that they were not prepared for what was coming in the arc – which has proven to be true, very true – even truer than true.

In many of my previous reviews of Killadelphia, I have talked about how Barnes and artist Alexander have embraced change.  The surprises and shockers aren't just story arc to story arc or even just issue to issue.  Change and transformation are the foundation of the rhythms of this narrative.

Barnes has taken history, mythology, myth, and lore and used the connections that bind them to weave a complicated dark fantasy that is as much supernatural realism as it is vampire comic book.  And it is a very good vampire comic book.  Killadelphia is simply world-building that excepts change and chaos more than it deals with order and canonical trappings and other tropes of fictional universes.

The art team for Killadelphia #30, Jason Shawn Alexander and Germán Erramouspe, offer a poignant closer that explodes in preparation for what comes next.  Yes, we didn't know what was coming in Killadelphia #30, but we did know that the unexpected was coming.  That much is always assured.

I READS YOU RECOMMENDS:  Fans of vampire comic books and of exceptional dark fantasy will want Killadelphia.

A+

NOTES:

 - Killadelphia #30 is also available in a “Noir Edition,” featuring black-and-white line art interiors.

 - This issue includes an “Afterword” by Rodney Barnes


Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


https://twitter.com/TheRodneyBarnes
https://twitter.com/jasonshawnalex
https://twitter.com/MarshallDillon
https://twitter.com/ImageComics
https://imagecomics.com/
http://rodneybarnes.com/
https://www.instagram.com/imagecomics/
https://www.facebook.com/pages/Image-Comics-Inc/178643148813259
https://www.twitch.tv/imagecomics
https://www.youtube.com/channel/UCHmaKLo0FXWIPx-3n6qs3vQ
https://www.linkedin.com/company/image-comics/


The text is copyright © 2023 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

----------------------

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Friday, April 7, 2023

Comics Review: "NIGHT CLUB #4" Brings Its Biggest Dick Out to Play

NIGHT CLUB #4 (OF 6)
IMAGE COMICS

STORY: Mark Millar
ART: Juanan Ramírez
COLORS: Fabiana Mascolo
LETTERS: Clem Robins
COVER: Juanan Ramírez with Fabiana Mascolo
EDITORIAL: Sarah Unwin
VARIANT COVER ARTIST: Juanan Ramírez
28pp, Color, $1.99 U.S. (March 2023)

Rated M / Mature

Night Club created by Mark Millar at Netflix

Night Club is a six-issue miniseries written and created by Mark Millar and drawn by Juanan Ramírez.  An Image Comics publication and a Netflix production, Night Club focuses on a teen boy who is bitten by a vampire and decides to make the best of his new condition.  Colorist Fabiana Mascolo and letterer Clem Robins complete Night Club's creative team.

Night Club introduces 17-year-old Danny Garcia, who had ambitions to gain fame and fortune as a YouTube star with his friends, DJ Sam Huxley and Amy Chen.  Then, after a terrible accident, a vampire bites him, and his life goes awry.  Instead of living like a stereotypical vampire, Danny decides to live “la vida loca” of a superhero.

Night Club #4 opens with Starguard (Danny), Thundercloud (Sam), and Yellowbird (Amy) having to deal with the fallout of their disastrous rescue mission.  Danny is trapped, weak, and without a source of food … and the cops have him cornered.  Sam and Amy aren't better, but maybe Amy can't think a way out of this.

So they need someone to come to their rescue.  But what if a rescue isn't quite a rescue when Laskaras is involved?

THE LOWDOWN:  Netflix/Millarworld sends me PDF review copies of their comic books.  Thus, I have been lucky enough to get review copies of the first four issues of Night Club.

Writer Mark Millar specializes in a variety of bad-ass and crazy-ass mutha f**ka type characters.  Big Daddy and Hit-Girl of Kick-Ass; Magneto-killing Professor X from Ultimate X-Men; beat-your-wife Henry Pym/Giant-Man of The Ultimates; Nemesis of the Nemesis comic books; the descendants of an evil Earth in Prodigy; and every single character in The Magic Order.

Detective Nick Laskaras, a powerful vampire, is one of Mark's newest “bastard of bastards.”  He is the great darkness at the edges of Night Club – soon to strike at the heart of the narrative.  I'm so scared of him that I was hoping he would stay away for a long time, but he couldn't stay away forever.  After all, this is the fourth issue, so Laskaras returns with a vengeance, swinging the biggest d*ck possible.

Artist Juanan Ramírez and colorist Fabiana Mascolo, a team whose graphics and storytelling stand out from everything else, present Laskaras in all his reptilian and lava-eyed glory.  The art and colors create a sense of anticipation; doom is coming.  And we'll want to back for the fifth issue, dear readers, because the bastard seems ready to be a bastard to three young, dumb vampires.

Night Club is infectious and addictive, a vampire comic book determined to be a new kind of batty.  I am recommending Night Club #4 as I did the previous three issues.  Drink deeply of its fun; this comic book has flavors in layers and waves.  And it only costs a $1.99.

I READS YOU RECOMMENDS:  Fans of Mark Millar and of vampire comic books will want to be bitten by Night Club.

A+

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


https://twitter.com/ImageComics
https://twitter.com/mrmarkmillar
https://twitter.com/netflix
https://www.mrmarkmillar.com/
http://www.millarworld.tv/
www.imagecomics.com


The text is copyright © 2023 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

----------------------

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Tuesday, March 28, 2023

Comics Review: "KILLADELPHIA #29" is Designed to Fill Your Mind

KILLADELPHIA #29
IMAGE COMICS

STORY: Rodney Barnes
LAYOUTS: Jason Shawn Alexander
PENCILS: Germán Erramouspe
INKS: Jason Shawn Alexander with Robert Melendrez
COLORS: Lee Loughridge
LETTERS: Marshall Dillon
EDITOR: Greg Tumbarello
COVER: Jason Shawn Alexander
VARIANT COVER ARTIST: Christopher Shy
28pp, Colors, 3.99 U.S. (March 2023)

Rated “M/ Mature”

Killadelphia created by Rodney Barnes and Jason Shawn Alexander

“There's No Place Like Home” Part V: “My Country, 'Tis of Thee”

Killadelphia is an apocalyptic vampire and dark fantasy comic book series from writer Rodney Barnes and artist Jason Shawn Alexander.  Published by Image Comics, it centers on a conspiracy in which vampires attempt to rule Philadelphia.  The series is currently written by Barnes and drawn by Alexander and Germán Erramouspe.  Colorist Lee Loughridge and letterer Marshall Dillon complete Killadelphia's creative team.

Killadelphia focuses on James “Jim” Sangster, Jr., a ragtag team of fighters, and a menagerie of gods and monsters on one side or the other or both in the vampire invasion of Philadelphia.  Of note are a special young vampire (Tevin Thompkins a.k.a. “See Saw”), Anansi the Spider-God, and the infamous rebel leader turned monster hunter, Toussaint Louverture, and his army of killers.

As Killadelphia #29 (“My Country, 'Tis of Thee”) opens, it is the sunset of former President John Adams, slave owner turned vampire.  The smoldering skeletal remains of the detective, James Sangster, Sr.; former Presidents George Washington and Thomas Jefferson; Adams' wife Abigail; and two loyal slaves, are his to ponder.

Now, Adams must finally, truly contemplate what he and the “Founding Fathers” wrought?  Was it really meant to be perfect, especially if it were created by the imperfect?  And what is freedom, really?  And time is short for the answering.

THE LOWDOWN:  We are at the penultimate chapter of Killadelphia's fifth story arc, “There's No Place Like Home.”  Before this arc debuted, creators Rodney Barnes and Jason Shawn Alexander warned readers that they were not prepared for what was coming in the arc – which has proven to be true, very true.

I am at a loss for words again.  So, I'll take the easy way out.  Rodney Barnes script is great.  Jason Shawn Alexander and Germán Erramouspe are a great art team.  Lee Loughridge is always a good colorist.  And Killadelphia could not be great without a great letterer – Marshall Dillon.

If The 1619 Project offends you, then, dear readers, your ass is really going to be chapped by Killadelphia.  I can't imagine that public libraries and public and private school libraries in the states of the old Confederacy will allow any copies of Killadelphia trade and hardback collections on their shelves once they discover what it is.  Killadelphia, however, so bold, that it'll get on those shelves anyway.

I love reading Killadelphia so much.  Guys, I'm on my knees, too, but in a slightly more dignified manner.

NOTE: Killadelphia #29 is also available in a “Noir Edition,” featuring black-and-white line art interiors.

I READS YOU RECOMMENDS:  Fans of vampire comic books and of exceptional dark fantasy will want Killadelphia.

A+

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


https://twitter.com/TheRodneyBarnes
https://twitter.com/jasonshawnalex
https://twitter.com/MarshallDillon
https://twitter.com/ImageComics
https://imagecomics.com/
http://rodneybarnes.com/
https://www.instagram.com/imagecomics/
https://www.facebook.com/pages/Image-Comics-Inc/178643148813259
https://www.twitch.tv/imagecomics
https://www.youtube.com/channel/UCHmaKLo0FXWIPx-3n6qs3vQ
https://www.linkedin.com/company/image-comics/


The text is copyright © 2023 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

-------------------------

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Tuesday, March 21, 2023

Comics Review: "VAMPIRELLA Mindwarp #5" is a Superb Finale

VAMPIRELLA MINDWARP VOLUME 1 #5
DYNAMITE ENTERTAINMENT

STORY: Jeff Parker
ART: Benjamin Dewey
COLORS: Dearbhla Kelly
LETTERS: Jeff Eckleberry
EDITOR: Nate Cosby
COVER: Joseph Michael Linsner
32pp, Color, $3.99 U.S. (January 2023)

Rated Teen+

“Ouch”

Vampirella is a vampire and female superhero created by the late author and science fiction and horror expert, Forrest J Ackerman, and designed by comic book artist, Trina Robbins.  Vampirella first appeared in Vampirella #1 (Sept. 1969), the debut issue of a black and white horror comics magazine from Warren Publishing.  Writer-editor Archie Goodwin changed the character from a hostess of horror comics to a leading character in her own stories.

In 2010, Dynamite Entertainment obtained the character and has been publishing new Vampirella material since then.  The latest is Vampirella Mindwarp Volume 1.  This new series is written by Jeff Parker; drawn by Benjamin Dewey; colored by Dearbhla Kelly; and lettered by Jeff Eckleberry.  The series follows a mad chase across time and space, as an aged sorceress tries to steal and inhabit Vampirella's body.

Vampirella Mindwarp Volume 1 #5 (“Ouch”) opens in 1969... because Baroness Liesel Gruzal attempted to possess Vampirella's body.  The result was that Vampirella and the Baroness have been projected back into their bodies in the year 1969.  With her companions:  Ren, now in the body of Pendragon the Great (a popular magician of the 1930s and Vampirella's friend); Adam Van Helsing of those Van Helsings; and Ravashi, the young woman who is a mystic, Vampirella is planning to thwart the Baroness and force her back to the present.

Now, the Baroness is enjoying her past life to the fullest, living it as she didn't the first time around.  But eventually there will be some kind of paradox that will wipe away everything.  Vampirella must convince … or force the Baroness to return to the present.  The problem is that Vampirella is also really enjoying this chance to relive 1969 … and maybe she doesn't want to return, either.

THE LOWDOWN:  Since July 2021, Dynamite Entertainment's marketing department has been providing me with PDF review copies of some of their titles.  One of them is Vampirella Mindwarp Volume 1 #5, which is one of many Dynamite Vampirella comic books I have read.

Vampirella Mindwarp #1 surprised me, so I have been diligently following the series since.  That turns out to be a good idea, as this is the most delightful and playful Vampirella series to date.  Writer Jeff Parker made sure that the issues that followed the first issue lived up to that great opening chapter.  He offered a series of imaginative twists and turns that were not only unexpected, but were also endlessly pleasing to read.  Well, in this fifth issue, that leads to a doozy of a resolution of the conflict between Vampirella and the Baroness.

The team of artist Benjamin Dewey and colorist Dearbhla Kelly deliver an eye-popping pop-art confection over this entire series.  Their work here reminds me of the art of husband-wife art team of Michael and Laura Allred, in terms of graphical style and storytelling substance.  Dewey's strong storytelling and singular visual style are an excellent change of pace to the sameness of superhero comic books.

Vampirella: Mindwarp is humorous, delightful, and mystical … and mind-warping – so to speak.  It should make for an excellent trade paperback collection.

I READS YOU RECOMMENDS:  Fans of Vampirella comics will want to read Vampirella Mindwarp Volume 1.

A

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


https://twitter.com/DynamiteComics
https://www.dynamite.com/htmlfiles/
https://www.facebook.com/DynamiteComics/
https://www.youtube.com/channel/UCNOH4PEsl8dyZ2Tj7XUlY7w
https://www.linkedin.com/company/dynamite-entertainment


The text is copyright © 2023 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

------------------------


Friday, February 24, 2023

Comics Review: "KILLADELPHIA #28" ... But He Never Meant Sh*t to Me

KILLADELPHIA #28
IMAGE COMICS

STORY: Rodney Barnes
LAYOUTS: Jason Shawn Alexander
PENCILS: Germán Erramouspe
INKS: Jason Shawn Alexander with Robert Melendrez
COLORS: Lee Loughridge
LETTERS: Marshall Dillon
EDITOR: Greg Tumbarello
COVER: Jason Shawn Alexander
VARIANT COVER ARTIST: Chris Anthony
32pp, Colors, 3.99 U.S. (February 2023)

Rated “M/ Mature”

Killadelphia created by Rodney Barnes and Jason Shawn Alexander

“There's No Place Like Home” Part IV: “Death of the Dream”

Killadelphia is an apocalyptic vampire and dark fantasy comic book series from writer Rodney Barnes and artist Jason Shawn Alexander.  Published by Image Comics, it centers on a conspiracy in which vampires attempt to rule Philadelphia.  The series is currently written by Barnes and drawn by Alexander and Germán Erramouspe.  Colorist Lee Loughridge and letterer Marshall Dillon complete Killadelphia's creative team.

Killadelphia focuses on James “Jim” Sangster, Jr., a ragtag team of fighters, and a menagerie of gods and monsters on one side or the other or both in the vampire invasion of Philadelphia.  Of note are a special young vampire (Tevin Thompkins a.k.a. “See Saw”), Anansi the Spider-God, and the infamous rebel leader turned monster hunter, Toussaint Louverture, and his army of killers.

As Killadelphia #28 (“Death of the Dream”) opens, immortal (vampire) Thomas Jefferson mourns the destruction of his compatriot-turned-immortal, George Washington.  But why can't eternally young old Tom Jefferson show real love to the man who has loved him like he was blood, his slave turned vampire, Jupiter?

Plus, See Saw suffers an existential crisis.  What has really changed in Philly since the vampire infestation, he wonders?  Is shit the same in Killadelphia?  Meanwhile, Anansi, a trickster god, tries to trick the great deceiver himself.

THE LOWDOWN:  We are at the middle point of Killadelphia's fifth story arc, “There's No Place Like Home.”  Before this arc debuted, creators Rodney Barnes and Jason Shawn Alexander warned readers that they were not prepared for what was coming in the arc – which has proven to be true, very true.

I'm not sure what to say about Killadelphia #28, although I can say that love it … to death.  Some of it reads like an enthralling, fiery Black Panther Party tract that throws jet fuel on a gasoline fire.  Other parts read like a hypnotic revenge fantasy inspired by “The 1619 Project.”

In my recent reviews of comic books written by Mark Millar (such as Nemesis Reloaded), I talked about how they recall the craziness and rebellion of 1980s comic books.  Killadelphia is beautifully crazy.  If Fox News and other conservative, right wing, reactionary, KKK media organizations knew about Killadelphia, they would dog Rodney Barnes' name they do Nikole Hannah-Jones.

If such criticism and negativity were to become a reality, however, they would ask you a simple question, dear readers.  If you aren't reading Killadelphia, then, why isn't your dumb ass reading Killadelphia?

NOTE: Killadelphia #28 is also available in a “Noir Edition,” featuring black-and-white line art interiors.

I READS YOU RECOMMENDS:  Fans of vampire comic books and of exceptional dark fantasy will want Killadelphia.

A+

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


https://twitter.com/TheRodneyBarnes
https://twitter.com/jasonshawnalex
https://twitter.com/MarshallDillon
https://twitter.com/ImageComics
https://imagecomics.com/
http://rodneybarnes.com/
https://www.instagram.com/imagecomics/
https://www.facebook.com/pages/Image-Comics-Inc/178643148813259
https://www.twitch.tv/imagecomics
https://www.youtube.com/channel/UCHmaKLo0FXWIPx-3n6qs3vQ
https://www.linkedin.com/company/image-comics/


The text is copyright © 2023 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

----------------------

Amazon wants me to inform you that the affiliate link below is a PAID AD, but I technically only get paid (eventually) if you click on the affiliate link below AND buy something(s).


Thursday, February 16, 2023

Comics Review: "NIGHT CLUB #3" - Fun and Games for a $1.99 Cover Price

NIGHT CLUB #3 (OF 6)
IMAGE COMICS

STORY: Mark Millar
ART: Juanan Ramírez
COLORS: Fabiana Mascolo
LETTERS: Clem Robins
COVER: Juanan Ramírez with Fabiana Mascolo
EDITORIAL: Sarah Unwin
VARIANT COVER ARTIST: Juanan Ramírez
28pp, Color, $1.99 U.S. (February 2023)

Rated M / Mature

Night Club created by Mark Millar at Netflix

Night Club is a six-issue miniseries written and created by Mark Millar and drawn by Juanan Ramírez.  An Image Comics publication and a Netflix production, Night Club focuses on a teen boy who is bitten by a vampire and decides to make the best of his new condition.  Colorist Fabiana Mascolo and letterer Clem Robins complete Night Club's creative team.

Night Club introduces 17-year-old Danny Garcia, who had ambitions to gain fame and fortune as a YouTube star with his friends, DJ Sam Huxley and Amy Chen.  Then, after a terrible accident, a vampire bites him, and his life goes awry.  Instead of living like a stereotypical vampire, Danny decides to live “la vida loca” of a superhero.

Night Club #3 opens with an introduction.  Meet Starguard (Danny), Thundercloud (Sam), and Yellowbird (Amy).  They are Night Club, Philadelphia's first and only superhero team.  But playing superhero isn't as easy as comic books make it seem.  Some bad guys will put up a terrific fight, and some vampires don't want the publicity...

THE LOWDOWN:  Netflix/Millarworld sends me PDF review copies of their comic books.  Thus, I was lucky enough to get a review copy of the first three issues of Night Club.

Writer Mark Millar reveals in Night Club #3 that with great power must come great realization.  It was never going to be so simple that Danny and friends could use their vampire powers to become superheroes.  In a sense, they don't know what they don't know.

Millar builds tension, now and going forward, by revealing that Danny and his friends are vulnerable, even to the chance and happenstance of humanity.  Millar, who is exceptionally adept at shocking his readers, now makes it clear to them.  Danny being bitten by a vampire isn't the big surprise; it is merely the first of many surprises, and it may be the most mundane of them.

Artist Juanan Ramírez continues to bring Millar's story to life in a graphical storytelling that has enough energy to light up every corner of this narrative.  Ramirez's art is both stylish and gritty and simultaneously representational and abstract.  Fabiana Mascolo's colors make the story look as if it came out of an old-fashioned four-color comic book, while also looking like what it is at times – bloody vampire horror.

Night Club is infectious and addictive.  I am recommending Night Club #3 as I did the first two issues.  Drink deeply of its fun; this comic book has flavors in layers and waves.  And it only costs a $1.99.

I READS YOU RECOMMENDS:  Fans of Mark Millar and of vampire comic books will want to be bitten by Night Club.

A+

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


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The text is copyright © 2023 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

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Thursday, February 2, 2023

Comics Review: "BLACULA: Return of the King" Revives, Saves, and Improves a Classic

BLACULA: RETURN OF THE KING
ZOMBIE LOVE STUDIOS

STORY: Rodney Barnes
ART: Jason Shawn Alexander with Scott Hampton
COLORS: Jason Shawn Alexander
LETTERS: Marshall Dillon
EDITOR: Greg Tumbarello
COVER: Jason Shawn Alexander
ISBN: 978-1-958509-00-5; paperback (January 31, 2023)
128pp, Colors, 19.99 U.S., $26.50 CAN

Rated “T+ / Teen Plus” or “16 years and up”

Blacula: Return of the King is a full-color, original graphic novel (comic book) that is based on Blacula, a 1972 vampire horror and Black exploitation film.  Published by Zombie Love Studios, Blacula: Return of the King is written by Rodney Barnes; drawn and colored by Jason Shawn Alexander (with some contributions from artist Scott Hampton); and lettered by Marshall Dillon.  Barnes and Alexander are the creators of the dark fantasy and vampire horror comic book, Killadelphia (Image Comics).

Blacula the film starred renowned African-American actor, William Marshall.  He played the film's title role, an 18th-century African prince named Mamuwalde.  In the year 1780, after a dispute, Count Dracula punishes Mamuwalde by turning him into a vampire and cursing him with the name “Blacula.”  Dracula seals Mamuwalde in a coffin that he hides deep in a crypt in his castle in Transylvania.  Blacula reemerges in the United States in 1972 where he pursues a human woman in what turns out to be a doomed romance.

Blacula: Return of the King opens in modern Los AngelesTina Thomas, a young African-American reporter, writes for “Dark Knights,” a blog that “chronicles all things unnatural, uneasy, and undead in the greater Los Angeles area.”  For the past six months, people have been disappearing, and the word on the street and rumors from the shadows insist that the legendary vampire that haunted Los Angeles in the early 1970s has returned to kill.  That's right; Blacula's back.

During her reporting, Tina meets Kross, a young Black man whose family has been plagued by the curse of Blacula since his first appearance.  Kross leads a group of children, a band of “Lost Boys,” if you will, and all have also been hurt by the plague of undead that follows Blacula's blood lust.  Kross and his boys are determined to hunt and to kill Blacula, and before long, Tina finds herself joining them.

Blacula is also on a mission – his own kind of hunt.  He is searching for the one who forever changed his life centuries ago and cursed him with the mocking name, “Blacula.”  His enemy's name is Count Dracula, and that's right.  Dracula's back, too.

THE LOWDOWN:  I want and need to convince you, dear readers, to read Blacula: Return of the King.  It may be the most inventive and artistically ambitious graphic novel about a vampire since Jon J. Muth's Dracula: A Symphony in Moonlight and Nightmares, which was originally published by Marvel Comics in 1986.

The art and coloring by Jason Shawn Alexander is at times regal and elegant, as if hinting at what Prince Mamuwalde once was.  At other times, it is a blustery and frantic, desperate and stormy, and impressionistic and insane.  It is in these moments that the storytelling reminds reader of the backdrop to the horrific melodrama.  The victims of both Blacula and Dracula, as well as their undead acolytes, are the lower classes, the poor, and those living on the edge of an already frayed society.

That is why what writer Rodney Barnes offers is a true sequel to the 1972 film.  Blacula the movie was a very “Black” film, and Blacula: Return of the King is a very Black comic book.  Blacula, Tina Thomas, and Kross and his lost boys are all living the legacy of slavery and bondage, which is suffering and degradation.  In a way, the characters are living the best that they can, but they are cursed by history, both national and personal.  Blacula may be a monster, but he kills for food, a fate forced on him.  It is like fate of the young African-Americans characters here, who live in a gloomy world of abandoned and ignored neighborhoods.

Barnes and Alexander have made in Blacula: Return of the King a vampire story that is an amazing layered work – literal, metaphorical, and allegorical horror.  It is a sequel that honors the original and advances the story forward in way that is faithful in spirit and in potential.  And as a horror comic book, it is a damn fun read.

I READS YOU RECOMMENDS:  Fans of Blacula, of Dracula, and of great vampire fiction will want to read Blacula: Return of the King.

[This issue contains an introduction, “Blacula and Me” by Rodney Barnes.  It also includes “Prince Mamuwalde Lives!: Resurrecting Blacula,” written by Stephen R. Bissette and edited by John Jennings.]

A+

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


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The text is copyright © 2023 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

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Amazon wants me to inform you that the affiliate link below is a PAID AD, but I technically only get paid (eventually) if you click on the affiliate link below AND buy something(s).