Review: "SCOOBY-DOO and the Witch's Ghost" is Kind of Witchy

TRASH IN MY EYE No. 48 of 2023 (No. 1937) by Leroy Douresseaux

Scooby-Doo and the Witch's Ghost (1999) – Video

Running time:  66 minutes (1 hour, 6 minutes)

Unrated

DIRECTOR:  Jim Stenstrum

WRITERS:  Rick Copp, David A. Goodman, Davis Doi, and Glenn Leopold

PRODUCER: Cos Anzilotti

EDITOR:  Rob DeSales

COMPOSER:  Louis Febre

ANIMATION STUDIO:  Mook Animation

ANIMATION/FANTASY/FAMILY and ACTION/COMEDY/MYSTERY

Starring:  (voices) Frank Welker, Scott Innes, Mary Kay Bergman, B.J. Ward, Tim Curry, Kimberly Brooks, Jennifer Hale, Jane Wiedlin, Bob Joles, Tress MacNeille, Peter Reneday, and Neil Ross

Scooby-Doo and the Witch's Ghost is a 1999 straight-to-video, animated horror-comedy film that was directed by Jim Stenstrum and produced by Hanna-Barbera Cartoons.  It was the second film in the Scooby-Doo straight-to-video film series that began with 1998's Scooby-Doo on Zombie Island.  It was released on VHS on October 5, 1999, then on DVD on March 6, 2001.  In the film, Scooby and the company get involved with a famous horror novelist and his ancestor who was rumored to be a witch.

Scooby-Doo and the Witch's Ghost opens with Mystery Incorporated: Fred Jones (Frank Welker), Daphne Blake (Mary Kay Bergman), Velma Dinkley (B.J. Ward), Shaggy Rogers (Scott Innes), and Scooby-Doo (Scott Innes) solving a case at a San Francisco museum.  There, they meet the famous horror novelist, Ben Ravencroft (Tim Curry).  Velma Dinkley is a huge fan of Ravencroft, so he invites her and the rest of the gang to his hometown of Oakhaven, Massachusetts.

Upon arrival, Ravencroft and Mystery Inc. discover that the town's Mayor Corey (Neil Ross) has transformed Oakhaven into a tourist trap.  The town is even putting on a concert featuring an all-female gothic rock band, the Hex Girls: Thorn (Jennifer Hale), Dusk (Jane Wiedlin), and Luna (Kimberly Brooks).

Oakhaven is like an amusement park with a theme based on the ghost of Sarah Ravencroft (Tress MacNeille), who is an ancestor of Ben Ravencroft.  Ben describes Sara as a “wiccan” who used herbal remedies to heal the poor and less fortunate.  In 1657, the townspeople of Oakhaven believed that Sarah was a witch, and they persecuted and executed her.  Ben has spent years searching for Sarah's medical journal, which he believes will help him prove her innocence.

But now, the ghost of Sarah Ravencroft is really back, and she wants revenge.  Scooby, Shaggy, and the gang are about to discover that this mystery turns out to have plenty of twists and turns.

Like a number of the early straight-to-video Scooby-Doo movies, Scooby-Doo and the Witch's Ghost has a tone that is darker than the franchise's usual fare.  In this film, the supernatural elements are “real” as compared to the usual fake supernatural shenanigans committed by the adversaries in Mystery Inc.'s cases.  Still, I was surprised that the film takes such a benevolent attitude about the modern pagan, earth-centered religion, “Wicca.”  The film's story goes to some lengths to separate Wicca from “witchcraft,” which is generally seen as the use of magic for nefarious purposes.

Beyond that, Scooby-Doo and the Witch's Ghost is a standard Scooby-Doo film.  I find the “ghost of Sarah Ravencroft” to be less impressive than the “fake ghost witches” of earlier Scooby-Doo cartoons, such as “The Witch” in the “Scooby-Doo, Where Are You!” episode, “Which Witch is Which?”  I can say that the film does have a nice twist involving Sarah Ravencroft that does darken the film's tone a bit more.

However, as a Scooby-Doo fan, I consider almost all Scooby-Doo productions to be must-see.  And while, it isn't special, Scooby-Doo and the Witch's Ghost is entertaining.  And the Hex Girls are quite nice.

6 of 10

B

★★★ out of 4 stars

Tuesday, October 31, 2023

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Review: "NEXT AVENGERS: Heroes of Tomorrow" - Average Story; Really Good Characters

TRASH IN MY EYE No. 68 of 2022 (No. 1880) by Leroy Douresseaux

Next Avengers: Heroes of Tomorrow (2008) – video/animation
Running time:  78 minutes (1 hour, 28 minutes)
MPAA – PG-13 for sci-fi action violence and some mild language
DIRECTORS:  Jay Oliva and Gary Hartle
WRITERS:  Christopher Yost; from a screen story by Greg Johnson and Craig Kyle (based on the Marvel Comics characters)
PRODUCER:  Gary Hartle
EDITOR: George P. Rizkallah
COMPOSER: Guy Michaelmore
ANIMATION STUDIO:  The Answerstudio Col, Ltd.

ANIMATION/SUPERHERO/SCI-FI/ACTION with elements of drama

Starring:  (voices) Noah Crawford, Brenna O'Brien, Aidan Drummond, Dempsey Pappion, Adrian Petriw, Tom Kane, Shawn Macdonald, Ken Kramer, Nicole Oliver, Michael Adamthwaite, and Fred Tatasciore

“Marvel Animated Features” was a line of eight direct-to-DVD animated superhero films made by MLG Productions.  MLG was a joint venture between Marvel Animation (then called Marvel Studios) and Lions Gate Entertainment to produce direct-to-DVD animated films for the home entertainment market.  The first film in the series was Ultimate Avengers: The Movie, which was released to DVD in February 2006.

Next Avengers: Heroes of Tomorrow is a 2008 straight-to-video animated superhero film directed by Jay Oliva and Gary Hartle.  It was the fifth entry in the “Marvel Animated Features” line.  The film is based on the classic Marvel Comics franchise, the Avengers, which debuted in 1963 and was created by Stan Lee and Jack Kirby.  Next Avengers focuses on the children of the Avengers as they hone their powers and face the enemy that was responsible for their parents' demise.

Next Avengers: Heroes of Tomorrow is set on a world in which its mightiest superheroes:  Captain America, Iron Man, Thor, Giant Man, Wasp, Black Panther, Hawkeye, and Vision came together to protect Earth from its greatest threats.  They were “The Avengers.”  But one day, the Avengers fell before the might of the maniacal, mechanical foe, Ultron (Tom Kane), a robot.

Before they were defeated, the Avengers sent billionaire bachelor Tony Stark (Tom Kane) into hiding their children.  Twelve years later, at a hidden location, the son of Steve Rogers/Captain America, James Rogers (Noah Crawford); the daughter of Thor, Torunn (Brenna O'Brien); the son of Black Panther, Azari (Dempsey Pappion); and the son of Giant Man and the Wasp, Pym (Aidan Drummond); train under the tutelage of Tony.  The children, however, are growing restless, and their curiosity causes them to do something that brings them to Ultron's attention.

With their new ally, Hawkeye/Francis Baron (Adrian Petriw), the son of the original Hawkeye, these children of the Avengers will take on their parents' greatest adversary.  But will the children fall before this robot menace as their parents did?

Next Avengers: Heroes of Tomorrow is an entertaining superhero action-fantasy.  The action is engaging, and the plot is good, although it is not as well executed as it could be.  The resolution undersells the potential of the characters, as if the main purpose of this movie is just to quickly as possible wrap up the story even if it wastes the potential of both the children and the story.

The animation is good, not great.  The character design, especially the children, looks good and recalls the work of animation legends such as Bruce Timm and Don Bluth.  Not all the character are well designed; for instance, the Hulk (Fred Tatasciore) looks awful.  The environments are well designed, especially Ultron's city, “Ultra City.”

The best things about Next Avengers: Heroes of Tomorrow are the children, the “Next Avengers.”  They are especially well written and their personalities, doubts, struggles, conflicts, desires, and goals all seem genuine.  James Rogers' desire to know his father, Captain America, and Torunn's prayerful pleas for the return of her father, Thor, are powerful and poignant.  Azari's cautiousness belies the fierce fighting spirit that dwells within him, and Pym's playful nature provides good comic relief.  Hawkeye is brave and bold and witty; he could carry his own film.  Obviously, the voice actors sell the dimensions of the character drama, and like the young characters, the actors keep Next Avengers: Heroes of Tomorrow from being mediocre.

Next Avengers: Heroes of Tomorrow isn't great, but the children of the Avengers are great characters.  Thus, it is a shame that this animated film is, after 14 years (as of this writing), the only film in which they appear.  I recommend that fans of animated superhero films and television series that feature Marvel Comics characters try Next Avengers: Heroes of Tomorrow.

6 of 10
B
★★★ out of 4 stars

Wednesday, March 30, 2022


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Review: "SCOOBY-DOO! Return to Zombie Island" Revisits Scooby-Doo History

TRASH IN MY EYE No. 62 of 2022 (No. 1874) by Leroy Douresseaux

Scooby-Doo! Return to Zombie Island (2019) – Video
Running time:  77 minutes (1 hour, 17 minutes)
Rated TV-G
DIRECTORS:  Cecilia Aranovich Hamilton and Ethan Spaulding
WRITER: Jeremy Adams
PRODUCERS:  Amy McKenna and and Rick Morales
EXECUTIVE PRODUCER: Sam Register
EDITOR:  Robert Ehrenreich
COMPOSER:  Robert J. Kral
ANIMATION STUDIO:  Digital eMation

ANIMATION/FANTASY/FAMILY and ACTION/COMEDY/MYSTERY

Starring:  (voices) Frank Welker, Matthew Lillard, Grey Griffin, Kate Micucci, Janell Cox, David Herman, John Michael Higgins, Dave B. Mitchell, Cassandra Peterson, Roger Rose, and Travis Willingham

Scooby-Doo! Return to Zombie Island is a 2019 straight-to-video, animated, comic mystery film.  It is the thirty-third entry in the Scooby-Doo straight-to-video series from Warner Bros. Animation, and it is a direct sequel to 1998's Scooby-Doo on Zombie Island, the first movie in this series.  In Return to Zombie Island, the retired Mystery Inc. gang visits a remote, but familiar island with a dark secret.

Scooby-Doo! Return to Zombie Island opens a few months after the events depicted in Scooby-Doo! and the Curse of the 13th Ghost.  The members of Mystery Inc.: Fred Jones (Frank Welker), Daphne Blake (Grey Griffin), Velma Dinkley (Kate Micucci), Shaggy Rogers (Matthew Lillard), and Scooby-Doo (Frank Welker), have retired, and Fred is still depressed about selling the Mystery Machine.

On her television show, legendary horror hostess, Elvira (Cassandra Peterson), announces that Shaggy has won a trip to a tropical island paradise.  Coincidentally, Shaggy is allowed to bring three friends and a dog along.  Because they are supposedly retired from mystery-solving, Shaggy and Scooby-Doo make Fred, Daphne, and Velma promise that they will not solve any more mysteries and will actually try to relax on this vacation.

As they sail on a ferry toward the island, Fred, Daphne, and Velma realize the surroundings are more swamp-like than tropical.  The ferry captain (Dave B. Mitchell) says that zombies inhabit the island, which reminds some of the gang of the last time, years ago, when they visited “Moonscar Island” a.k.a. “Zombie Island,” an island with zombies on it.

When they arrive on this supposed island paradise, two people greet them off the boat, but warn them to get out.  Also, once on the island, a mysterious dark cat creature stalks them.  Even the the hotel is coincidentally named “Moonstar Island Resort.”  Still, no matter how many times they run into something that reminds them of Zombie Island, Shaggy and Scooby make their friends stick to their promise not to try to solve mysteries.  But has that promise put them all in danger of suffering a fate from which they once only narrowly escaped?

Scooby-Doo! Return to Zombie Island, like its predecessor, 1998's Scooby-Doo on Zombie Island, has an strong premise, but clumsy execution delivers an inconsistent film.  Sometimes, the sequel is fun, fast-moving, and comically horrifying, in the tradition of Scooby-Doo TV series and films, but other times, Return to Zombie Island meanders, juggling multiple subplots.  One of those subplots pops up late in the film and involves a movie, “Zombie Teenagers and the Island of Doom.”  At this point, Return to Zombie Island loses credibility, although the film-within-a-film subplot introduces a fun character, the self-absorbed movie director, Alan Smithee, voiced by John Michael Higgins, who delivers a good performance.

Scooby-Doo! Return to Zombie Island is a children's movie, but adults who are fans of this straight-to-video series will want to watch it.  Like me, they may even find some enjoyment in it.

6 of 10

B

★★★ out of 4 stars

Tuesday, October 5, 2022


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Review: "Scooby-Doo on Zombie Island" Started a Thing

TRASH IN MY EYE No. 61 of 2022 (No. 1873) by Leroy Douresseaux

Scooby-Doo on Zombie Island (1998) – Video
Running time:  77 minutes (1 hour, 17 minutes)
Rated TV-G
DIRECTOR:  Jim Stenstrum
WRITERS: Glenn Leopold; from a story by Glenn Leopold and David Doi (based on the Hanna-Barbera characters)
PRODUCER:  Cosmo Anzilotti
EDITOR:  Paul Douglas
COMPOSER:  Steven Bramson
ANIMATION STUDIO:  Mook Animation

ANIMATION/FANTASY/FAMILY and ACTION/COMEDY/MYSTERY

Starring:  (voices) Frank Welker, Scott Innes, Billy West, Mary Kay Bergman, B.J. Ward, Tara Strong, Cam Clarke, Jim Cummings, Mark Hamill, Jennifer Leigh Warren, and Ed Gilbert

Scooby-Doo on Zombie Island is a 1998 straight-to-video, animated, comic mystery film.  It was the first animated movie in what became the Scooby-Doo straight-to-video series from Warner Bros. Animation.  In Scooby-Doo on Zombie Island, the Mystery Inc. Gang reunites and visits a remote island with a dark secret.

As Scooby-Doo on Zombie Island opens, the five members of Mystery, Inc.:  Fred Jones (Frank Welker); Daphne Blake (Mary Kay Bergman), Velma Dinkley (B.J. Ward); Shaggy Rogers (Billy West), and Scooby-Doo (Scott Innes) have gone their separate ways.  They apparently became bored of mystery solving because culprits were never real ghosts, aliens, and monsters, but were practically always people in costumes.

Daphne Blake now has her own television series, “Coast to Coast with Daphne Blake,” in which she investigates claims of supernatural occurrences.  Fred Jones is her cameraman and producer.  Shaggy and Scooby are security guards, and Velma owns a book shop, “Dinkley's Mystery Book Shoppe,” which is also known as “Mystery Inc. Books.”

Daphne decides that she wants to hunt down a real ghost rather than investigating ghosts that turn out to be fakes.  So Fred calls the gang back together, and the reunited Mystery Inc. embarks on a road trip scouting haunted locations across the United States for Daphne's TV show.

That is why they end up in New Orleans, Louisiana, where they meet a curious local, Lena Dupree (Tara Strong).  She tells them that they can find real ghosts at her place of employment, a mansion and hot pepper plantation on Moonscar Island.  Skeptical at first, Fred, Daphne, Velma, Shaggy, and Scooby follow Lena to the island hoping to find a real ghost instead of a villain in a costume.  What they find is more than they expected in a spooky place that might as well be called “Zombie Island.”

I remember that I first heard about Scooby-Doo on Zombie Island probably about a month or so before it was released in September 1998.  It was big news in the world of the American television animation industry and in home entertainment.  I bought a copy for the elementary school age son of a close friend of mine, who was a huge Scooby-Doo fan, then.  [He is now an adult in his late twenties (as of this writing), and I don't know if he still loves Scooby-Doo.]

Scooby-Doo on Zombie Island was billed as the first time that a Scooby-Doo cartoon would find Scooby and Shaggy and company facing real supernatural entities.  The advertising for this straight-to-video (VHS) release declared, “This time, the monsters are real.”  However, as early as a 1980 episode of the “Scooby-Doo and Scrappy-Doo” animated TV series, the stories featured real aliens and a real vampire.

That aside, it is nice to see Scooby-Doo on Zombie Island pit the characters against real ghosts, real zombies, and other real supernatural creatures.  My problem with Scooby-Doo on Zombie Island is that the writers open the movie with some nice character development, but by the time the characters reach Moonscar Island, the story devolves into Scooby and Shaggy running around and screaming or we get tedious scenes of Scooby chasing one or more of the cats that belong to Moonscar mansion's owner, Simone Lenoir (Adrienne Barbeau).

That animation is average to above average, with the best sequences being those with the zombies.  The film's direction presents an inconsistent pace to go with the inconsistent story, so sometimes even a haunted mansion and a zombie island seem like boring places.  Still, I am glad that I finally watched Scooby-Doo on Zombie Island.  I've been putting it off for at least two decades.

I will say that it is an important film because it launched the Scooby-Doo straight-to-video series, of which I am a big fan.  So Scooby-Doo on Zombie Island is a must see for fans of all things Scooby-Doo and Mystery Inc.

6 of 10
B
★★★ out of 4 stars

Wednesday, July 7, 2021


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Review: "JUSTICE LEAGUE DARK: Apokolips War" - As Endings Go, This One is Good

TRASH IN MY EYE No. 8 of 2022 (No. 1820) by Leroy Douresseaux

Justice League Dark: Apokolips War – video (2020)
Running time:  90 minutes (1 hour, 30 minutes)
MPAA – R for bloody violence, language, and some sexual references
DIRECTORS:  Matt Peters and Christina Sotter
WRITERS:  Ernie Altbacker and Mairghread Scott; from a story by Mairghread Scott (based on characters appearing in DC Comics)
PRODUCER:  Amy McKenna
EXECUTIVE PRODUCERS: Sam Register and James Tucker
EDITOR:  Christopher D. Lozinski
COMPOSER:  Frederik Wiedmann
ANIMATION STUDIO:  Tiger Animation

ANIMATION/SUPERHERO/ACTION/FANTASY

Starring:  (voices) Matt Ryan, Camilla Luddington, Taissa Farmiga, Jerry O'Connell, Rebecca Romijn, Rosario Dawson, Jason O'Mara, Stuart Allen, Hynden Walch, Rainn Wilson, Liam McIntyre, Ray Chase, John DiMaggio, Roger Cross, Shemar Moore, Christopher Gorham, and Tony Todd

Justice League Dark: Apokolips War is a 2020 straight-to-video animated superhero film from Warner Bros. Animation.  It is the thirty-eighth film in Warner Home Video's line of “DC Universe Animated Original Movies.”  This film features the marquee DC Comics superhero teams:  Justice League, Teen Titans, and Suicide Squad.  The title of the movie references the supernatural-leaning version of the Justice League, the “Justice League Dark.”  In Justice League Dark: Apokolips War, the Earth's remaining superheroes engage in an epic battle to save what is left of Earth from Darkseid.

As Justice League Dark: Apokolips War opens, Superman (Jerry O'Connell) has devised a plan in which the Justice League will lead a first-strike attack on the all-powerful New God, Darkseid (Tony Todd), who has made two failed attempts at conquering Earth.  The plan is also for the Teen Titans to stay behind and protect the planet.  Unfortunately for the heroes of Earth, Darkseid has learned of their plans and overwhelms them with his “Paradooms,” a genetic hybrid creature made from combination of Darkseid's Parademons and Doomsday, the alien creature that once “killed” Superman.

Two years later, Earth is in ruins, and Darkseid has placed three devices, known as “Reapers,” on Earth to mine the planet's core of its magma.  Some superheroes, such as Cyborg (Shemar Moore), Wonder Woman (Rosario Dawson), and Batman (Jason O'Mara), are now Darkseid's slaves.  Many of the surviving heroes blame Clark Kent/Superman for leading them into failure, and worse, Superman has been forcibly de-powered after Darkseid tattooed his chest with liquid kryptonite.  Still, the Man of Steel has not given up on saving Earth.

Supeman and Lois Lane (Rebecca Romijn) have hatched a new plan to stop Darkseid.  Clark recruits the remaining Teen Titans, Damian Wayne/Robin (Stuart Allen) and Raven (Taissa Farmiga), who is struggling to maintain her father, Trigon's (John DiMaggio) imprisonment.  But everything may hinge on the troublesome con man and sorcerer, John Constantine (Matt Ryan).

Within the “DC Universe Animated Original Movies,” there is the “DC Animated Movie Universe.”  The line began in 2013 with the straight-to-video release of Justice League: The Flashpoint Paradox and is comprised of 15 feature length films.  The point of the “DC Animated Movie Universe” was to make animated films that were loosely based on “The New 52.”  Started in 2011, “The New 52” was the publishing initiative in which DC Comics relaunched its entire line of superhero comic books.

Justice League Dark: Apokolips War is the last film in the “DC Animated Movie Universe.”  That factoid is second in importance to the fact that Justice League Dark: Apokolips War is a really good DC Comics animated film.  The film probably uses the “Justice League Dark” title rather than simply “Justice League” because of the tone of the story and because, in many ways, John Constantine, the star of 2017's Justice League Dark animated film, is the lynch pin of Apokolips War.

Justice League Dark: Apokolips War takes the viewers in some inventive and intriguing directions in regards to characters, relationships, and mythologies.  The film offers a surprising amount of emotionally fulfilling character drama and arcs, including the usual Lois Lane and Clark Kent relationship.  However, John Constantine and Zatanna (Camilla Luddington) offer a poignant pairing, but the most surprising is the romance between Damian Wayne and Raven.  They're good enough to be the stars of their own animated film.

The surprising turns and compelling directions in which this film travels are matched by some high quality animation, a strong script, and some surprisingly lean and mean directing.  Such a large cast and so many subplots could have dragged on Apokolips War.  Instead, Justice League Dark: Apokolips War is an exciting and riveting film, and it is a great way to end one universe in the DC Comics multiverse.

8 of 10
A

Wednesday, August 18, 2021


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Review: "SUPERMAN: Red Son" is an Entertaining Novelty Film

TRASH IN MY EYE No. 68 of 2021 (No. 1806) by Leroy Douresseaux

Superman: Red Son – video (2020)
Running time:  87 minutes (1 hour, 27 minutes)
MPAA – PG-13 for violent content, bloody images, suggestive material, language, thematic elements and some smoking.
DIRECTOR:  Sam Liu
WRITERS:  J.M. DeMatteis (based on characters appearing in comic books published by DC Comics)
PRODUCERS:  Sam Liu and Amy McKenna
EXECUTIVE PRODUCERS: Sam Register and Bruce Timm
EDITOR:  Christopher D. Lozinski
COMPOSER:  Frederik Wiedmann  
ANIMATION STUDIO:  Digital eMation, Inc.

ANIMATION/SUPERHERO/ACTION/FANTASY

Starring:  (voices) Jason Isaacs, Amy Acker, Diedrich Bader, Vanessa Marshall, Phil Morris, Paul Williams, Greg Chun, Phil LeMarr, Jim Meskimen, Sasha Roiz, William Salyers, Roger Craig Smith, Jason Spisak, Tara Strong, Anna Vocino, Jim Ward, Travis Willingham, and Winter Ave Zoli

Superman: Red Son is a 2020 straight-to-video animated superhero film from Warner Bros. Animation and director Sam Liu.  It is the thirty-seventh film in the DC Universe Animated Original Movies series.  The film is based on the 2003, four-issue, comic book miniseries, Superman: Red Son, written by Mark Millar and drawn by Dave Johnson and Kilian Plunkett.

The traditional origin of Superman is as follows.  A rocket ship from the doomed planet, Krypton, carries baby Kal-El to Earth.  It lands in the United States, specifically in a field near the town of Smallville, Kansas.  Jonathan and Martha Kent find the rocket and Kal-El inside.  They adopt him and name him “Clark Kent,” and Clark grows up to be Superman.  The premise of Superman: Red Son is that the rocket ship landed in the Union of Soviet Socialist Republics (USSR) a.k.a. the Soviet Union.

Superman: Red Son opens in the Soviet Union during the year 1946.  There, we meet a young boy who is being chased by a gang of bullies.  The boy's friend, a young girl named Svetlana, defends him by chasing the bullies away.  The boy reveals to Svetlana that he was not scared of the boys, but that he was instead scared for their safety.  The boy then reveals to Svetlana his superhuman strength and his ability to fly.

In the year 1955, the Soviet Union releases a propaganda film of an alien superhuman under the command of the nation's premiere, Joseph Stalin.  The American media dubs the alien, the “Soviet Superman” (Jason Isaacs).  In the United States, President Dwight D. Eisenhower (Jim Meskimen) tasks genius scientist, industrialist, and inventor, Lex Luthor (Diedrich Bader), to develop countermeasures against this Soviet Superman.

After the Soviet Superman prevents a satellite from crashing into the American city of Metropolis, Luthor's wife, Lois Lane Luthor (Amy Acker), secures an interview with him.  Lois uses the interview to reveal to him a top secret document that indicates the horrors Premiere Stalin perpetuates against some citizens of the Soviet Union behind Superman's back.  This leads to changes in the nature of Superman's relationship with the Soviet Union and also with the world at large.  Now, a Cold War between Superman and the United States begins, with Lex guiding the U.S. side.  Can the world survive Superman's goals and Lex Luthor's machinations?

The novelty of Superman: Red Son is that it offers alternate-reality versions of not only Superman, Lex Luthor, and Lois Lane, but also of Batman, the Green Lantern Corps, and Wonder Woman (Vanessa Marshall).  However, the novelty soon wears off, and Superman: Red Son's gimmick grow old and cold rather quickly.

Luckily, Superman, Lex Luthor, Lois Lane, and Wonder Woman are so well-written in terms of personality and character drama that I found myself fascinated by the inter-character relationships involving these four.  Beyond that, I was initially fascinated by the film, but felt less so after the first half hour.

I have never read Mark Millar's original comic book, Superman: Red Son, but I have been planning to for ages, although I keep putting it off.  I am a huge fan of the majority of Millar's comic book output.  Superman: Red Son has its moments, but after seeing it, now, I really need to read the comic book.

6 of 10
B

Wednesday, September 29, 2021


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Review: "Scooby-Doo! & Batman: The Brave and the Bold" Deserves an Encore

TRASH IN MY EYE No. 67 of 2021 (No. 1805) by Leroy Douresseaux

Scooby-Doo! & Batman: The Brave and the Bold (2018) – Video
Running time:  75 minutes (1 hour, 15 minutes)
DIRECTOR:  Jake Castorena
WRITERS: Paul Giacoppo; from a story by James Tucker (based on characters from Hanna-Barbera and characters from DC)
PRODUCER: Michael Jelenic
EXECUTIVE PRODUCES: Sam Register and Benjamin Melniker & Michael E. Uslan
EDITORS:  Christopher D. Lozinski and Molly Yahr
COMPOSERS:  Kristopher Carter, Michael McCuistion, and Lolita Ritmanis
ANIMATION STUDIO:  Digital eMation, Inc.

ANIMATION/FANTASY/SUPERHERO/FAMILY and ACTION/COMEDY/MYSTERY

Starring:  (voices) Frank Welker, Matthew Lillard, Grey Griffin, Kate Micucci, Diedrich Bader, Jeff Bennett, Jeffrey Combs, John DiMaggio, Nicholas Guest, John Michael Higgins, Kevin Michael Richardson, Fred Tatasciore, Nika Futterman, and Tara Strong

Scooby-Doo! & Batman: The Brave and the Bold is a 2018 straight-to-video, animated, comic mystery film.  It is the 30th animated movie in the Scooby-Doo straight-to-video series from Warner Bros. Animation, which began in 1998 with Scooby-Doo on Zombie Island.  This film is also a crossover between Scooby-Doo and the Cartoon Network animated television series, “Batman: The Brave and the Bold” (2008-2011).  The story finds Scooby-Doo and his friends joining Batman and superhero colleagues in order to solve a mystery involving a scary new villain.

Scooby-Doo! & Batman: The Brave and the Bold opens as Mystery Incorporated: Fred Jones (Frank Welker), Daphne Blake (Grey Griffin), Velma Dinkley (Kate Micucci), Shaggy Rogers (Matthew Lillard), and Scooby-Doo (Frank Welker) investigates a series of thefts performed by the ghost of Puppetto the Puppeteer and his puppet, Fredo.  As the gang struggles to capture the ghost, Batman (Diedrich Bader) intervenes and warns them to leave things to the professionals.

Mystery Inc. manages to capture Puppetto and Fredo and discovers that the ghost and his puppet are really the superheroes, Martian Manhunter (Nicholas Guest) and Detective Chimp (Kevin Michael Richardson).  Batman, Manhunter, and Detective Chimp reveal that the Puppetto mystery was a test for Mystery Inc., which they passed.  So the heroes initiate Scooby and company into the “Mystery Analysts of Gotham,” the world's preeminent crime-busting organization.  The superheroes also inform the gang that they could use their help on a few cases.

A week later, Mystery Inc. visits the Mystery Analysts' headquarters where they meet the other members:  The Question (Jeffrey Combs), Black Canary (Grey Griffin), and Plastic Man (Tom Kenny), as well as the tag-a-long Aquaman (John DiMaggio), who desperately wants to be a member of the Analysts.

Mystery Inc. gets a chance to take the lead in the next case for the Analysts and follows the heroes to Gotham Chemical Storage.  There, they encounter a red-cloaked figure, calling himself “the Crimson Cloak” (John DiMaggio).  Why is he swearing revenge on Batman, and how is he tied to the one case Batman has never been able to solve?

I only watched a few episodes of “Batman: The Brave and the Bold.”  The series had a lighter tone than some of the Batman animated TV series that came before it, and it depicted Batman as being witty and playful.  I was curious how a collaboration between Scooby-Doo and this iteration of Batman would work.

As a child, I was a huge fan of the second Scooby-Doo animated TV series, “The New Scooby-Doo Movies,” which premiered on September 9, 1972 and ran for two seasons on CBS until 1974.  It was the first Scooby-Doo cartoon series that I ever saw, and it began my life-long love of Scooby-Doo and his pals.  It also began my life-long love affair with Batman and Robin.  The Dynamic Duo were guests stars on two Season One episodes of “The New Scooby-Doo Movies” – Episode #2's “The Dynamic Scooby-Doo Affair” and Episode #15's “The Caped Crusader Caper.”  These episodes were my first encounters with Batman and Robin, and I was immediately fascinated by the mysterious Batman and his colorful young sidekick.

Scooby-Doo! & Batman: The Brave and the Bold reminds me of those old cartoons, and while this film doesn't quite take me back to the 1970s, I enjoyed it immensely.  The animation is good, and it allows for the many colorful DC Comics' superheroes and super-villains that appear in this film to move in a way that really conveys the action.  The color palette is perfect for the comic mystery atmosphere of Scooby-Doo, and, to some extent, recalls those old Mystery Inc./Batman team-ups of the 1970s.

The story is good, but it has more superhero characters than it really needs.  Sometimes, Scooby-Doo! & Batman: The Brave and the Bold comes across like an advertisement for a DC Comics toy fair.  Aquaman, who eventually proves to be useful to solving the mystery, is often extraneous, and he is constantly and annoyingly yelling “Outrageous!”  And The Question, Black Canary, and Plastic Man seem like nothing more than IP placement.  Luckily, there is a surprisingly happy ending.

Still, Scooby-Doo and Mystery Incorporated teaming up with Batman casts a spell that is still effective on me.  I had fun, and I can't wait for them to do it again.

8 of 10
A

Tuesday, September 21, 2021


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Review: Strong Women Flow Through "WONDER WOMAN: Bloodlines"

TRASH IN MY EYE No. 58 of 2021 (No. 1796) by Leroy Douresseaux

Wonder Woman: Bloodlines – video (2019)
Running time:  83 minutes (1 hour, 23 minutes)

MPAA – PG-13 for sequences of fantasy action and violence, and some bloody images
DIRECTORS:  Sam Liu and Justin Copeland
WRITER:  Mairghread Scott (based on characters appearing in DC Comics)
PRODUCERS: Amy McKenna and Sam Liu
EXECUTIVE PRODUCERS: Sam Register and James Tucker
EDITOR:  Frederik Wiedmann
COMPOSERS:  Christopher D. Lozinski
ANIMATION STUDIO:  Digital eMation, Inc.

ANIMATION/SUPERHERO/ACTION/FANTASY

Starring:  (voices)  Rosario Dawson, Jeffrey Donovan, Marie Avgeropoulos, Kimberly Brooks, Michael Dorn, Mozhan Marnò, Adrienne C. Moore, Cree Summer, Courtenay Taylor, Nia Vardalos, Ray Chase, and Constance Zimmer

Wonder Woman: Bloodlines is a 2019 straight-to-video animated superhero film from Warner Bros. Animation and directors Sam Liu and Justin Copeland.  The film features classic DC Comics character, Wonder Woman, and is the 36th film in the “DC Universe Animated Original Movies” line.

Wonder Woman: Bloodlines opens several years in the past before the main story begins.  United States military pilot, Captain Steven “Steve” Trevor (Jeffery Donovan), is engaged in an aerial battle with Parademons.  He crash lands his fighter jet near Themyscira, the island home of the warrior race, the Amazons.  Princess Diana (Rosario Dawson), daughter of the Queen of the Amazons, Hippolyta (Cree Summer), rescues Trevor.  After he is healed, Trevor is taken prisoner because no men are allowed on Themyscira.  However, Diana sees Trevor's arrival as a sign that she needs to leave the island because it is her duty to protect man's world from a great evil she believes is coming.  This decision causes Hippolyta to disown her daughter.

In Washington D.C., Diana finds a place to stay in the home of geologist Julia Kapatelis (Nia Vardalos) and her daughter Vanessa (Marie Avgeropoulos).  Julia's hobby is the study of Amazons, so she is happy to have Diana live with them.  Vanessa, who already has issues with her mother, however, begins to resent Diana's presence in the home.

Five years later, in the present, Diana is the superhero, Wonder Woman.  Julia asks her help in finding Vanessa, who has stolen an artifact from Julia's employer, Veronica Cale (Constance Zimmer), of Cale Pharmaceuticals.  Vanessa has apparently fallen in with a cabal of villains lead by Dr. Cyber ( Mozhan Marnò) and Doctor Poison (Courtenay Taylor) and become part of their diabolical plot.  Now, Wonder Woman, Steve Trevor, and his friend, intelligence officer Etta Candy (Adrienne C. Moore), race to stop Cyber and Poison, but can Wonder Woman save Vanessa Kapatelis?

Wonder Woman: Bloodlines is standard DC Universe animated fare in terms of fights scenes, action, and animation.  In that, the film is entertaining enough.  Where it stands out is that writer Mairghread Scott offers a story that delves deeply into mother-daughter relationships – from love and war to rebellion and reconciliation.  At the point in which I finally realized that the strife between Julia Kapatelis and her daughter, Vanessa, mirrored the discord between Diana and Hippolyta, I suddenly became interested in a film that was, for the most part, boring me.

I also like the fact that the film is almost entirely driven by female leads and female supporting characters, with Etta Candy being most appealing to me.  Adrienne C. Moore delivers a standout voice performance as Etta, and I hope that Moore gets to reprise her performance if Etta appears in another DC Universe animated film.

Steve Trevor is good not great, which I can also say about Jeffrey Donovan's performance as Trevor.  On the other hand, Michael Dorn, best known as “Worf” on the the former television series, “Star Trek: The Next Generation,” makes the most of his small role as Ferdinand the Minotaur.

I heartily recommend Wonder Woman: Bloodlines to fans of Wonder Woman.  While it is not a great film, I think fans of animated films based on DC Comics characters will also like this.

7 of 10
B+

Tuesday, July 27, 2021


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Review: "REIGN OF THE SUPERMEN" Does Not Reign

TRASH IN MY EYE No. 48 of 2021 (No. 1786) by Leroy Douresseaux

Reign of the Superman – video (2019)
Running time:  87 minutes
MPAA – PG-13 for sequences of action violence
DIRECTORS:  Sam Liu
WRITERS:  Jim Krieg and Tim Sheridan (based on characters appearing in comic books published by DC Comics)
PRODUCERS:  Sam Liu and Amy McKenna
EXECUTIVE PRODUCERS: Sam Register and James Tucker
EDITOR:  Christopher D. Lozinski
COMPOSER:  Frederik Wiedmann  
ANIMATION STUDIO:  Maven Image Platform

ANIMATION/SUPERHERO/ACTION/FANTASY

Starring:  (voices) Jerry O'Connell, Rebecca Romijn, Rainn Wilson, Patrick Fabian, Cress Williams, Cameron Monaghan, Rosario Dawson, Nathan Fillion, Christopher Gorham, Matt Lanter, Shemar Moore, Nyambi Nyambi, Jason O'Mara, Jonathan Adams, Rocky Carroll, Trevor Devall, Paul Eiding, Jennifer Hale, Charles Halford, Erica Luttrell, Max Mittelman, Toks Olagundoye, and Tony Todd

Reign of the Supermen is a 2019 straight-to-video animated superhero film from Warner Bros. Animation and director Sam Liu.  It is the thirty-third film in the DC Universe Animated Original Movies series and is a direct sequel to the 2018 film, The Death of Superman.  The movie takes its story from “Reign of the Supermen!” a 1993 story arc that was part of “The Death of Superman” DC Comics story line and publishing event (1992-93).  In Reign of the Supermen, several new people present themselves as possible successors to Superman, in the wake of his death.

Reign of the Supermen opens six months following the death of Superman at the hands of Doomsday (as seen in The Death of Superman), and the rising crime rate in Metropolis has spread beyond the city.  Meanwhile, four new super-powered beings have emerged to take Superman's place.  Still grieving the loss of Superman and, by extension, his alter-ego, Clark Kent (Jerry O'Connell), reporter Lois Lane (Rebecca Romijn) of The Daily Planet has been investigating the new Supermen by gathering whatever information she can from different sources.

One Superman is a gold-visor wearing, energy blast-shooting vigilante called “The Eradicator.”  Another is “Steel,” the armored hero who is the identity of a young scientist, John Henry Irons (Cress Williams).  The third is a teen clone of Superman created by a scientist working for Lex Luthor (Rainn Wilson), and the public starts calling him “Superboy” (Cameron Monaghan).  The fourth, who seems the most like Superman, is part-man and part machine and is called “Cyborg Superman.”

The four “Supermen” are controversial and mysterious, and one of them is conspiring with Darkseid (Tony Todd) in the lord of Apokolips' plan to invade Earth.  Meanwhile, the Justice League:  Wonder Woman (Rosario Dawson), Batman (Jason O'Mara), Aquaman (Matt Lanter), Cyborg (Shemar Moore), Flash (Christopher Gorham), Green Lantern (Nathan Fillion), Hawkman, and Martian Manhunter (Nyambi Nyambi) have been sidelined.  Now, Lois and the three truly heroic Supermen must uncover the mystery of what actually happened to the real Superman if they are going to stop a plot to take over the world.

Some of the central conceits of superhero comic books and their media adaptations are that the superheroes will almost always win; the bad guys will lose; a superhero's death will ultimately not benefit the super-villain; and the villains will plot even in defeat, while the superheroes remain vigilante.  If you are never bored by this, you will generally always like or love superhero fiction.

In the case of Reign of the Supermen, the conceits are alive and well.  While the idea of Superman dying always causes the fanboy in me some internal discomfort, I found myself mostly bored by Reign of the Supermen.  I couldn't wait for this movie to end, but I wanted to finish it in order to write this review.  I did like the four “Supermen” and the drama in the film built around them.  Everything else only mildly interested me.

I found that the battle between Superman and Doomsday that made up the second half of The Death of Superman saved that movie.  The battle that dominates the last act of Reign of the Supermen only made me care about the movie a little more.  I really liked the Supermen of Reign of the Supermen, but not much else about this movie.

5 of 10
B-

Saturday, May 29, 2021


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Review: "THE DEATH OF SUPERMAN" Saved by Superman vs. Doomsday

TRASH IN MY EYE No. 47 of 2021 (No. 1785) by Leroy Douresseaux

The Death of Superman – video (2018)
Running time:  81 minutes (1 hour, 21 minutes)
MPAA – PG-13 for sequences of violence and action including some bloody images.
DIRECTORS:  Sam Liu and Jake Castorena
WRITER:  Peter Tomasi (based on characters appearing in comic books published by DC Comics)
PRODUCERS:  Sam Liu and Amy McKenna
EXECUTIVE PRODUCERS: Sam Register and James Tucker
EDITOR:  Christopher D. Lozinski
COMPOSER:  Frederik Wiedmann  
ANIMATION STUDIO:  Studio MIR

ANIMATION/SUPERHERO/ACTION/FANTASY

Starring:  (voices) Jerry O'Connell, Rebecca Romijn, Rainn Wilson, Rosario Dawson, Nathan Fillion, Christopher Gorham, Matt Lanter, Shemar Moore, Nyambi Nyambi, Jason O'Mara, Jonathan Adams, Rocky Carroll, Trevor Devall, Paul Eiding, Jennifer Hale, Charles Halford, Erica, Luttrell, Max Mittelman, and Toks Olagundoye

The Death of Superman is a 2018 straight-to-video animated superhero film from Warner Bros. Animation and directors Sam Lui and Jake Castorena.  It is the thirty-second film in the DC Universe Animated Original Movies series.  The movie takes its story from “Doomsday!” (also known as “The Death of Superman”), a story arc that ran in various DC Comics titles in late 1992.  In The Death of Superman movie, Superman battling a seemingly insurmountable foe.

The Death of Superman finds Superman (Jerry O'Connell) at the height of his popularity as a superhero in Metropolis and around the world.  However, Superman has some brewing domestic issues in his civilian life as Clark Kent (Jerry O'Connell).  Clark is dating Lois Lane (Rebecca Romijn), a fellow reporter at The Daily Planet.  Clark's parents, Ma and Pa Kent (Jennifer Hale and Paul Eiding), are visiting, and they will finally meet Lois, but that only forces Clark to face the fact that he has not told Lois that he is Superman.

Elsewhere, without warning, a meteor has crashed on Earth causing trouble above in Earth orbit and below in the ocean depths.  Emerging from the meteor is a gray-skinned, white-haired monster with incredible strength, stamina, and invulnerability.  Also, its skeleton protrudes through its skin in the form of multiple razor-sharp spurs.

The creature, whom Lois dubs “Doomsday,” quickly dispatches the Justice League.  Doomsday beats Wonder Woman (Rosario Dawson), Batman (Jason O'Mara), Aquaman (Matt Lanter), Cyborg (Shemar Moore), Flash (Christopher Gorham), Green Lantern (Nathan Fillion), Hawkman, and Martian Manhunter (Nyambi Nyambi) nearly to death.  Now, only Superman stands before the creature, but to defeat him, Superman may lose his own life.

The Death of Superman is not the first time that the “Doomsday”/“The Death of Superman” story line has been adapted into a direct-to-DVD animated film.  The first was 2007's Superman: Doomsday, which I did not care for all that much.  Concerning this newer film, I don't like the graphic design of the characters, who all appear to have anemic faces.  In fact, their heads are all face – odd, angular faces.  I find them a little jarring to look at, but the animation moves smoothly.

I thought the first half of 2018's The Death of Superman was dull, but the second half is a blast to watch.  Doomsday's fights with the other members of the Justice League are filled with bone-crushing blows and near-death intensity.  The Superman vs. Doomsday battle is so powerful that calling it “epic” does not completely describe the insane violence displayed in this literally to-the-death fight.

The character drama between Clark and Lois is also well-developed, and the depiction of the edginess in their relationship keeps the first half of the movie from being a total loss.  This film also includes a strong version of Lex Luthor (Rainn Wilson), one that could have taken over this film.  Ultimately, I am giving The Death of Superman a high recommendation because of the Superman-Doomsday battle.  This fight is like an animated equivalent of a battle one might find in a Disney/Marvel Studios' Avengers films.

7 of 10
B+

Saturday, April 24, 2021


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Review: "BATMAN: GOTHAM BY GASLIGHT" Runs on Jet Fuel

TRASH IN MY EYE No. 44 of 2021 (No. 1782) by Leroy Douresseaux

Batman: Gotham by Gaslight – video (2018)
Running time:  78 minutes (1 hour, 18 minutes)
MPAA – R for some violence
PRODUCER/DIRECTOR:  Sam Liu
WRITERS:  Jim Krieg (based on characters from the graphic novel, Gotham by Gaslight, by Brian Augustyn and Mike Mignola)
EXECUTIVE PRODUCERS: Sam Register and Bruce Timm and Benjamin Melniker & Michael Uslan
EDITOR:  Christopher D. Lozinski
COMPOSER:  Frederik Wiedmann  
ANIMATION STUDIO:  The AnswerStudio

ANIMATION/SUPERHERO/ACTION/FANTASY

Starring:  (voices) Bruce Greenwood, Jennifer Carpenter, Scott Patterson, John DiMaggio, Grey Griffin, Anthony Head, Bob Joles, Yuri Lowenthal, William Salyers, and Tara Strong

Batman: Gotham by Gaslight is a 2018 straight-to-video animated superhero film from Warner Bros. Animation and director Sam Lui.  It is the thirtieth film in the “DC Universe Animated Original Movies” series.  It is also a loose adaptation of the 1989 Batman graphic novel, Gotham by Gaslight, written by Brian Augustyn and drawn by Mike Mignola and P. Craig Russell.  Batman: Gotham by Gaslight is set in an alternate world in which Batman begins his war on crime in Victorian Age Gotham City just as Jack the Ripper begins killing women in the city.

Batman: Gotham by Gaslight opens in Victorian-era Gotham City.  A serial killer called “Jack the Ripper” is killing Gotham's poor and destitute women, especially in the area of the city known as “Skinner's End.”  Bruce Wayne (Bruce Greenwood) is also operating in the city as the bat-garbed vigilante, “the Batman.”  One night, Batman saves an unwary couple from being robbed by a trio of orphans who are in service of an abusive criminal handler.  At the same time, Pamela Isley, a prostitute and exotic dancer who performs under the name “Ivy the Plant Lady,” encounters Jack the Ripper, who savagely kills her.

Many citizens of Gotham believe that the Batman and Jack are the same man.  Stage actress, Selina Kyle (Jennifer Carpenter), is a protector of the women of “Skinner's End.”  She berates Gotham Police Commissioner James Gordon (Scott Patterson) and Chief of Police Harvey “Bulldog” Bullock (John DiMaggio) for their failure to stop the Ripper murders.  Later, when the Ripper targets Selina, Batman rescues her, but Batman discovers that Jack the Ripper is a formidable opponent who possesses the fighting skill to defeat him.  Initially, Selina rebukes Batman, but soon the two begin working together, even as the city prepares to blame Bruce Wayne for all the Ripper murders.

Writer Jim Krieg, probably one of Warner Bros. Animation's best writers (if not the best, as far as I'm concerned), has fashioned, in Batman: Gotham by Gaslight, a Batman “cinematic universe” that could be as interesting as any other world of Batman films.  Taking the source material (the Gotham by Gaslight comic), Krieg has created a world that has possibilities rather than just being a one-off, alternate-universe spin on Batman.  Batman: Gotham by Gaslight feels like it has a tangible back story behind it and an unknown, but full future ahead of it.

Krieg fills Batman: Gotham by Gaslight with highly-developed versions of familiar Batman characters.  Here, Bruce Wayne and Batman are one and the same; there is no light and dark, separate personalities so much as there is a man who understands the right time and right place to put on the correct public face – or mask, as it may be.

All the supporting characters are strong.  In fact, Batman: Gotham by Gaslight's Selina Kyle could carry her own film.  She is fierce and independent; she is beautiful and personable, even when she is being forceful in her mission to protect poor women.  Hugo Strange (William Salyers) is what some critics might call “deliciously devious,” while Alfred Pennyworth is devious in a benevolent and sly way.  And I can't help but love the “cock robins,” Dickie, Jason, and Timmy.

Batman: Gotham by Gaslight is pretty in its graphic design and art direction, and the animation moves smoothly.  Director Sam Liu oversees a film that not only plays a mystery, but offers an actually mystery that requires Batman and Selina Kyle to do some investigating.  The film's last act – a rousing section of prison escapes, brutal fights, and a burning park – is perfect escapism and also entertainment with a touch of art.  I thought that I might like Batman: Gotham by Gaslight, and I did.  I simply got far more joy out of it than I imagined I would.

8 of 10
A

Saturday, April 17, 2021


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Review: "PAUL MOONEY: Know Your History - Jesus is Black and So is Cleopatra"

TRASH IN MY EYE No. 59 (of 2007) by Leroy Douresseaux

Paul Mooney: Know Your History – Jesus is Black and so is Cleopatra (2007) – video
Running time:  83 minutes (1 hour, 23 minutes)
DIRECTOR:  Bart Phillips
WRITER:  Paul Mooney
PRODUCERS:  Shane Mooney and Malik Levy, Adrian Z. Sosebee, and Shawn Ullman
EDITOR:  Donnie Leapheart

CONCERT - Comedy

Starring:  Paul Mooney

Paul Mooney (August 4, 1941 – May 19, 2021) was an African-American comedian, writer, social critic, and actor.  Mooney was best known for his association with legendary comedian Richard Pryor, writing for and with Pryor.  Later, Mooney gained fame for his appearances on comedian Dave Chappelle's television sketch comedy series, “Chappelle's Show.”

Mooney was a comedian who seemingly loved controversy.  After all, he was also the creator of the character, “Homey the Clown,” for the early 1990’s TV sketch comedy series, “In Living Color.”  Mooney returned to the small screen with the DVD release of his stand-up comedy film, Paul Mooney: Know Your History – Jesus is Black and So is Cleopatra.  Mooney took center stage at Hollywood’s Laugh Factory for a stand-up comedy performance, which was recorded and became this film.

In Paul Mooney: Know Your History – Jesus is Black and So is Cleopatra, Mooney delivered his incendiary brand of comedy.  From the opening moments, he charged into his fiery subjects, which usually included racism, white people, racial tension, and, in this performance, the finer points of Black History.  He talked about divas, living in White America, President George W. Bush, Scientology, and various social and political topics.

Know Your History is edgier, darker, and perhaps a bit more mean-spirited than a previous Mooney DVD release, Paul Mooney: Analyzing White America (2004).  I am sure Analyzing White America was once known as Paul Mooney Live, and it was much funnier than Know Your History...  Still, in this second film, Mooney discussed racism and racial issues in America like no one else, and did so with the passion and honesty that most mainstream American political and social commentators could never match.  For all his bluntness, Know Your History... still had me doubled over with laughter.  Know Your History... is funny, but white people, the politically correct, and the sensitive are warned.  Professor Mooney’s history lesson might burn your mind to a crisp.

The stand-up is interspersed with some documentary footage and also testimonials from a number of celebrities including David Alan Grier, Lori Petty, and Sandra Bernhard, whom Mooney once mentored.  In light of his recent passing (as of this writing), I recommend that you seek out Paul Mooney: Know Your History – Jesus is Black and So is Cleopatra, dear readers.  If you don't know him, Mooney, as sharp social critic, is worth discovering, and if you only know his TV work, here a chance to discover Mooney at his best.

7 of 10
A-

Saturday, March 31, 2007 / Revised Wednesday, May 19, 2021


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Review: "Scooby-Doo! and the Gourmet Ghost" is a Happy Meal

TRASH IN MY EYE No. 3 of 2021 (No. 1741) by Leroy Douresseaux

Scooby-Doo! and the Gourmet Ghost (2018) – Video
Running time:  77 minutes (1 hour, 17 minutes)
DIRECTOR:  Doug Murphy
WRITER: Tim Sheridan (based on the Hanna-Barbera characters)
EDITOR:  Scott Fuselier
COMPOSERS:  Matthew Janszen and Jake Monaco
ANIMATION STUDIO: Digital eMation, Inc.

ANIMATION/FANTASY/FAMILY and ACTION/COMEDY/MYSTERY

Starring:  (voices) Frank Welker, Matthew Lillard, Grey Griffin, Kate Micucci, Jim Cummings, Bobby Flay, Giada De Laurentiis, Marcus Samuelsson, Maya Haile, David Kaye, Salli Saffioti, Dana Snyder, Jason Spisak, and Audrey Wasilewski

Scooby-Doo! and the Gourmet Ghost is a 2018 straight-to-video, animated, comic mystery film.  It is also the 31st animated movie in the Scooby-Doo straight-to-video series from Warner Bros. Animation, which began in 1998 with Scooby-Doo on Zombie Island.  In Scooby-Doo! and the Gourmet Ghost, Mystery Inc. meet celebrity chefs and a relentless Revolutionary War-era ghost.

Scooby-Doo! and the Gourmet Ghost opens in Newport Cove, Rhode Island, the year 1780.  Local chef and Revolutionary War hero, Chef Edward DuFlay (David Kaye), delights his neighbors with a gift, but later, disappears not long after he returns to his home and place of work, the Rocky Harbor Inn.  The last thing the townsfolk here is Chef DuFlay yelling “the Red Ghost, the Red Ghost!”

Moving to the present, we find Mystery Inc.: Fred Jones (Frank Welker), Daphne Blake (Grey Griffin), Velma Dinkley (Kate Micucci), Shaggy Rogers (Matthew Lillard), and Scooby-Doo (Frank Welker) arriving at the Rocky Harbor Inn, where Fred's uncle, Bobby Flay (Bobby Flay), has invited them to stay.  Actually, Fred is surprised to learn that Uncle Bobby is a celebrity chef.

Inside the inn, Bobby informs the gang that he has remodeled Rocky Harbor Inn and has changed its name to Rocky Harbor Culinary Institute.  It is a state-of-the-art kitchen fantasy camp designed to make cooking easy and fun.  It has a high-tech kitchen where “Rocky” (Grey Griffin), an interactive computer program, keeps the kitchen humming.

The gang also meet other famous resort attendees.  The first is celebrity chef, Giada De Laurentiis (Giada De Laurentiis) and her cat, Bella.  Then, they meet fellow celebrity chef, Marcus Samuelsson (Marcus Samuelsson), and his super-model wife, Maya Haile (Maya Haile), both of whom have previously had a run-in with Shaggy.

But all is not fun and games and eating great food.  The legendary “Red Ghost” is still haunting Rocky Harbor Inn, and apparently wants to destroy it.  And there seems to be some unpleasantness tied to the memory of Fred and Bobby Flay's ancestor, Chef Edward DuFlay.  Can Mystery Inc. solve this latest supernatural mystery before Bobby Flay loses everything he has worked so hard to create with Rocky Harbor Culinary Institute?

Scooby-Doo! and the Gourmet Ghost is one of the best Scooby-Doo! direct-to-DVD animated films that I have seen since I started watching the series on a regular bases a little over a decade ago.  I think the reason that I like it so much is that real-life celebrity chefs and television personalities, Bobby Flay, Giada De Laurentiis, Marcus Samuelsson, and Maya Haile (all playing themselves), bring some fresh ingredients to this series.

Writer Tim Sheridan also offers a buffet of fresh and tasty subplots that brings out the flavor of the main plot (solving the mystery of the Red Ghost).  The animation is especially good, and the directing and editing create a fast-paced, but thoughtful film, full of both engaging mystery and zany action.  I highly recommend Scooby-Doo! and the Gourmet Ghost to fans of the series and to fans of Scooby-Doo!

8 of 10
A

Monday, January 18, 2021


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Movie Review: "Suicide Squad: Hell to Pay" is Way Better Than "Suicide Squad" Live-Action Movie

TRASH IN MY EYE No. 25 of 2020 (No. 1738) by Leroy Douresseaux

Suicide Squad: Hell to Pay – video (2018)

Running time:  86 minutes (1 hour, 26 minutes)

MPAA – R for strong bloody violence throughout, sexual content, brief graphic nudity and some drug material

PRODUCER/DIRECTOR:  Sam Liu

WRITER:  Alan Burnett (based on characters appearing in comic books published by DC Comics)

EDITOR:  Christopher D. Lozinsk

COMPOSER:  Robert J. Kral

ANIMATION STUDIO:  DR Movie

ANIMATION/SUPERHERO/ACTION/FANTASY

Starring:  (voices) Christian Slater, Vanessa Williams, Billy Brown, Liam McIntyre, Tara Strong, Kristin Bauer van Straten, Gideon Emery, C. Thomas Howell, Jim Pirri, Dania Ramirez, Dave Fennoy, Greg Grunberg, Cissy Jones, Julie Nathanson, and James Urbaniak

Suicide Squad: Hell to Pay is a 2018 straight-to-video animated superhero film from Warner Bros. Animation.  A part of the “DC Animated Movie Universe,” this film stars the DC Comics antihero super-team, the Suicide Squad.  Hell to Pay finds the squad on a mission to obtain a powerful mystical object that a lot of other powerful people also want.

Suicide Squad: Hell to Pay opens three years in the past.  Amanda Waller (Vanessa Williams) has dispatched Task Force X, her “Suicide Squad” of super-villains and disgraced superheroes, to retrieve stolen intelligence.  By the end of the mission, Floyd Lawton a.k.a. “Deadshot” (Christian Slater) proves his absolutely loyalty to Waller.

In the present, after learning that she is diagnosed with a terminal illness, Waller reassembles Task Force X with a new roster:  Harley Quinn (Tara Strong), Captain Boomerang (Liam McIntyre), Killer Frost (Kristin Bauer van Straten), Copperhead (Gideon Emery), and Bronze Tiger (Billy Brown), with Deadshot as their leader.  Their mission is to find a man whose current identity is that of “Steel Maxim” (Greg Grunberg), a male stripper/dancer.  By a chance of … fate, Maxim is in possession of a mystical black card with the words, “Get Out of Hell Free,” emblazoned across it.  The card is indeed a magical item that will allow a person who is damned, upon death, to get out of hell free.

Task Force X, however, is not the only party interested in obtaining Maxim's card.  Professor Eobard “Zoom” Thawne, also known as “Reverse Flash” (C. Thomas Howell), and his two cohorts, Silver Banshee (Julie Nathanson) and Blockbuster (Dave Fennoy), have been chasing the card for some time.  Plus, Scandal Savage (Dania Ramirez) and her brawny girlfriend, Knockout (Cissy Jones), have their own specific reasons for wanting the card.  But there is one who seeks the card who is so cunning and so powerful that it may take all the other seekers' powers to stop him from getting it.

I rented Suicide Squad: Hell to Pay from DVD.com (Netflix) because I thought I would enjoy it and because I really enjoyed the Suicide Squad's previous appearance in an animated film, 2014's direct-to-DVD film, Batman: Assault on Arkham.  Turns out that I really enjoyed Suicide Squad: Hell to Pay.

The story, focusing on the quest for the card, is a mere contrivance, but the action, especially the brutal fights and violent battles, makes this movie a joy to watch.  There are some dry patches in this film, but the superhero-fantasy violence and the impudent, rude, murderous, and entertaining characters make up for the times when the film slows down.

Tara Strong is … strong in her voice performance as Harley Quinn.  Billy Brown is all righteousness and pathos as the thoroughly likable Bronze Tiger, and Christian Slater is surprisingly slow and steady as Deadshot.  Slater is successful in making Deadshot the center of this 15-ring circus of crazy super-powered people looking for that magical card.  I hated that live-action Suicide Squad film from 2016, and I find the Suicide Squad comic books that DC Comics has published over the last decade to be a bore.  But I am down with animated Suicide Squad.  The best thing that I can say about Suicide Squad: Hell to Pay is that after it ended, I really wanted more.

8 of 10
A

Wednesday, November 18, 2020


The text is copyright © 2020 Leroy Douresseaux. All Rights Reserved.  Contact this blog or site for reprint and syndication rights and fees.

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Review: "Teen Titans: The Judas Contract" Turns Out to Be Fun

TRASH IN MY EYE No. 20 (of 2020) by Leroy Douresseaux

Teen Titans: The Judas Contract – video (2017)

Running time:  84 minutes (1 hour, 24 minutes)

MPAA – PG-13 for language, some violence, sensuality, thematic elements and brief drug use

DIRECTOR:  Sam Liu

WRITERS:  Ernie Altbacker (based on the comic book story by Marv Wolfman and George Perez and on the DC Comics characters)

EDITOR:  Christopher D. Lozinsk

COMPOSER:  Frederik Wiedmann

ANIMATION STUDIO:  The Answerstudios

ANIMATION/SUPERHERO/ACTION/FANTASY

Starring:  (voices) Sean Maher, Kari Wahlgren, Stuart Allan, Taissa Farmiga, Brandon Soo Hoo, Jake T. Austin, Christina Ricci, Miguel Ferrer, Gregg Henry, Meg Foster, Masasa Moyo, Jason Spisak, Crispin Freeman, and Kevin Smith

Teen Titans: The Judas Contract is a 2017 straight-to-video animated superhero film from Warner Bros. Animation.  The films stars the DC Comics superhero team, the Teen Titans.  The film's story is based on “The Judas Contract,” the 1983-84 story arc that was published in The New Teen Titans #39 to #44 and in The New Teen Titans Annual 3, which were created by the writer-artist team of Marv Wolfman and George Perez.  Teen Titans: The Judas Contract the movie focuses on the Teen Titans and their battle against an insane cult leader and his conspiracy against them.

Teen Titans: The Judas Contract opens with the original Teen Titans:  Robin/Dick Grayson (Sean Maher), Speedy (Crispin Freeman), Kid Flash (Jason Spisak), Beast Boy (Brandon Soo Hoo), and Bumblebee (Masasa Moyo).  During a mission, the Titans rescue an alien princess, Koriand'r of Tamaran (Kari Wahlgren), also known as “Starfire,” from her captors.

Five years later, Dick Grayson, now known as “Nightwing,” rejoins the Teen Titans, who are led by Starfire.  In addition to original member, Beast Boy, the team is now comprised of Raven (Taissa Farmiga), Terra (Christina Ricci), Blue Beetle (Jake T. Austin), and the current Robin, Damien Wayne (Stuart Allan).  The Titans have been battling a high-tech terrorist organization called “H.I.V.E.” and are trying to find its leader, “Brother Blood” (Gregg Henry), the head of a terrorist cult.

Brother Blood has grown tired of the Titans interfering in his plans, but he desires to possess their powers.  Blood hires the mercenary/assassin, Deathstroke (Miguel Ferrer), to capture the Titans, and to that end, Deathstroke has a spy inside the Titans.

For most of the 1980s, The New Teen Titans was one of DC Comics' most popular comic book titles, and for awhile, it was the publisher's most important and popular title.  “The Judas Contract” was The New Teen Titans' signature story line.  Teen Titans: The Judas Contract the movie is true to the spirit of the original story, both in depicting how close a team of disparate individuals can become and in depicting the sting of betrayal committed by one member against the rest of the team.

I really enjoyed this movie, and I am surprised that I liked all the characters and all the voice actors' performances.  Christina Ricci does stand out and conveys the pathos and conflict within Terra Markov, while Brandon Soo Hoo gives comedic depth and dramatic weight to Beast Boy.  I will note, however, that film director, Kevin Smith, appears as a cartoon version of himself, and Teen Titans: The Judas Contract could have done without him.

Fans of the direct-to-video, DC Comics animated films will find that Teen Titans: The Judas Contract is a high point in this long-running series.  Teen Titans fans will also find that, although the film changes the original story quite a bit, this version of The Judas Contract maintains the core of the comic book original, Teen Titans: The Judas Contract.

8 of 10
A

Sunday, October 25, 2020


The text is copyright © 2020 Leroy Douresseaux. All Rights Reserved.  Contact this blog or site for reprint and syndication rights and fees.

--------------------------

Amazon wants me to inform you that the link below is a PAID AD, but I technically only get paid (eventually) if you click on the ad below AND buy something(s).