Showing posts with label Nathan Fillion. Show all posts
Showing posts with label Nathan Fillion. Show all posts

Friday, May 5, 2023

Review: James Gunn Delivers a Series Best in the Great "GUARDIANS OF THE GALAXY VOL. 3"

TRASH IN MY EYE No. 20 of 2023 (No. 1909) by Leroy Douresseaux

Guardians of the Galaxy Vol. 3 (2023)
Running time:  150 minutes (2 hours, 30 minutes)
MPAA – PG-13 for intense sequences of violence and action, strong language, suggestive/drug references and thematic elements
DIRECTOR:  James Gunn
WRITERS:  James Gunn (based on the Marvel Comics characters)
PRODUCER:  Kevin Feige
CINEMATOGRAPHER:  Henry Braham (D.o.P.)
EDITORS:  Fred Raskin and Greg D'Auria
COMPOSER:  John Murphy

SCI-FI/FANTASY and ACTION/ADVENTURE/COMEDY

Starring:  Chris Pratt, Zoe Saldana, Dave Bautista, Karen Gillan, Pom Klementieff, Chukwudi Iwuji, Sean Gunn, Will Poulter, Nico Santos, Miriam Shor, Elizabeth Debicki, Sylvester Stallone, Nathan Fillion, Michael Rooker, Gregg Henry, and the voices of Linda Cardellini, Seth Green, Maria Bakalova, Bradley Cooper, and Vin Diesel

Guardians of the Galaxy Vol. 3 is a 2023 science fiction, comedy, and action-adventure film written and directed by James Gunn and produced by Marvel Studios.  It is the third film in Marvel's Guardians of the Galaxy film series, following 2014's Guardians of the Galaxy and 2017's Guardians of the Galaxy Vol. 2.  It is also the 32nd film in the Marvel Cinematic Universe (MCU).  Vol. 3 finds the Guardians fighting to save one of their members from his creator, a mission that may destroy the Guardians whether they are successful or not.

Guardians of the Galaxy Vol. 3 opens on Knowhere, the strange space station where the Guardians of the Galaxy have established their headquarters.  Their leader, Peter Quill/Star-Lord (Chris Pratt), mourns the loss of his girlfriend, Gamora (Zoe Saldana).  The alien warlord, Thanos, killed Gamora (as seen in Avengers: Infinity War), but an alternate universe version of her appeared (as seen in Avengers: Endgame).  This new Gamora does not love Peter, and she associates with The Ravagers, which was once essentially Peter's surrogate family.

The group has bigger troubles ahead.  The Guardians are being targeted by the “Sovereign” empress Ayesha (Elizabeth Debicki), someone with a grudge against them (as seen in Vol. 2).  She sends her son, Adam Warlock (Will Poulter), to attack the Guardians, and he grievously wounds Rocket (voice of Bradley Cooper).  To save Rocket, Peter and his fellow Guardians:  Drax the Destroyer (Dave Bautista), Groot (voice of Vin Diesel), Mantis (Pom Klementieff), Nebula (Karen Gillan), and a reluctant Gamora, must confront The High Evolutionary (Chukwudi Iwuji), the Counter-Earth scientist who created Rocket.

The original Guardians of the Galaxy was one of the surprise hits of 2014, if not the surprise hit of the year.  Vol. 2 was a fun sci-fi-action movie and a surprisingly thoughtful character melodrama.  Guardians of the Galaxy Vol. 3 does everything the first two films did well and amplifies that.  Vol. 3 is the series' funniest film, and I found myself laughing throughout it.  That still surprises me because this movie has some pretty dark moments, especially concerning The High Evolutionary, who is superbly played with volcanic intensity and unremitting cruelty by the most excellent Chuckwudi Iwuji.

Guardians of the Galaxy Vol. 3 is one of Marvel Studios' best films in years.  I think it works for three reasons.  First, the film's production values and special effects are impressive.  The CGI-created environments, backdrops, sets (interiors and exteriors), space-ways, worlds, etc. are so dazzling in scope, color, and imagination that they surpass the impressive work of the first two films, especially the second film.  The entire entire “Orgoscope” sequence is an eye-popping collection of inventiveness.  Even the menagerie of people, creatures, and robots exceeds the first two film, probably combined.

The acting is quite good, and that makes me want to engage the characters even more.  Chris Pratt gives his best tern as Peter Quill/Star-Lord – drama, pathos, big emotions, and the sarcasm and quips are still here – but with edginess.  This is the first time that I really hoped that Star-Lord would be a long term MCU character.  It is so shocking that Zoe Saldana can convince me that she is a different Gamora.  Karen Gillan as Nebula and Pom Klementieff as Mantis do superb work with the character arcs that the story gives them.  As Drax the Destroyer, Dave Bautista makes the character seem not extraneous for the first time.  Vin Diesel and Bradley Cooper as always are winning in their voice roles as Groot and Rocket, respectively, with Diesel bringing some extra to Groot this time.

The third reason Guardians of the Galaxy Vol. 3 is so damn good is writer-director James Gunn.  This is Gunn at the peak of his powers.  Honestly, I liked Vol. 2 so much that I didn't think he could top himself, but he does with this third film.  I did find Vol. 3 a little dry and too dark in the beginning, but once it grabbed me, it would not let go.

This film has a heart – a center that is about the struggle to help a friend or family member no matter how bad his or her troubles might be or even if he or she resists and rejects the help.  In Vol. 3, Gunn makes all the characters unique individuals with wants, needs, goals, conflicts, and melodrama.  However, the best thing that Gunn does is accept that even the most intense relationships change, so he lets some of the characters move on.  The result is a last act for the ages and a closing sequence that recalls the beginning of the original film and leaves the viewer with the warmest feelings.

Guardians of the Galaxy Vol. 3 opens in the U.S. today, May 5, 2023.  That is 15 years and a few days after the release of the first MCU film, Iron Man (2008).  Vol. 3 exemplifies something that I just realize runs throughout Marvel Studios' film.  In almost all of them, a dominant theme is the formation of surrogate families.  Friends, enemies, heroes, and sometimes even the villains come together in a unit that is more than just a group of friends; they are family.  In Guardians of the Galaxy Vol. 3, James Gunn gives us the end of one version of the family as it evolves into something larger.  What makes Guardians of the Galaxy Vol. 3 an amazing film is that it is as heartwarming as it is exciting and thrilling.  Yes, there are big, mesmerizing action set pieces, but by the end, I really believe that these guys love one another.  I could watch it forever.

9 of 10
A+
★★★★+ out of 4 stars

Friday, May 5, 2023

The text is copyright © 2023 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for syndication rights and fees.

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Friday, August 6, 2021

Review: Idris Elba Drives James Gunn's "THE SUICIDE SQUAD"

TRASH IN MY EYE No. 49 of 2021 (No. 1787) by Leroy Douresseaux

The Suicide Squad (2021)
Running time:  132 minutes (2 hours, 12 minutes)
MPAA – R for strong violence and gore, language throughout, some sexual references, drug use and brief graphic nudity
DIRECTOR:  James Gunn
WRITER:  James Gunn (based on characters appearing in DC Comics)
PRODUCERS:  Charles Roven and Peter Safran
CINEMATOGRAPHER:  Henry Braham (D.o.P.)
EDITORS:  Fred Raskin and Christian Wagner
COMPOSER:  John Murphy

SUPERHERO/FANTASY/ACTION and COMEDY/DRAMA

Starring:  Idris Elba, Margot Robbie, John Cena, Joel Kinnaman, Daniela Melchior, David Dastmalchian, Storm Reid, Sylvester Stallone (voice), Michael Rooker, Jai Courtney, Nathan Fillion, Flula Borg, Mayling Ng, Pete Davidson, Sean Gunn, Peter Capaldi, Juan Diego Botto, Joaquin Cosio, Lynne Ashe, Taika Waititi, and Viola Davis

[Overview:  Yes, The Suicide Squad 2021 is the entertaining film that Suicide Squad 2016 should have been, but was not.  And that has as much to do with star Idris Elba as it does with writer-director James Gunn.]

The Suicide Squad is a 2021 superhero and action-fantasy film from writer-director James Gunn.  It is a sequel to the 2016 film, Suicide Squad, and is based on the DC Comics team of antiheroes, Suicide Squad.  The Suicide Squad the film focuses on a team of imprisoned super-villains who are forced to invade a South American island where a deadly creature supposedly resides.

As The Suicide Squad opens, intelligence officer Amanda Waller (Viola Davis) has activated her “Task Force X,” a team composed of dangerous criminals.  Imprisoned in Louisiana's Belle Reve penitentiary, these individuals either possess super-powers, have special abilities, or are some kind of meta-human, humanoid, animal hybrid, or mutant.  All of them are “super-villains.”  Waller chooses thirteen of these inmates and divides them into two teams (unbeknownst to the inmates) and sends them to the small island nation of Corto Maltese, off the coast of South America.

The first team is led by Army Special Forces Colonel Rick Flag (Joel Kinnaman) and is comprised of  former psychiatrist and Joker boy toy, Harley Quinn (Margot Robbie); Australian thief and super-boomerang thrower, Captain Boomerang (Jai Courtney); animal hybrid and child killer, Weasel (James Gunn), meta-human, T.D.K. (Nathan Fillion); long-haired computer hacker, Savant (Michael Rooker); overeager mercenary, Blackguard (Pete Davidson); possessor of a special javelin ... Javelin (Flula Borg); and the alien warrior, Mongal (Mayling Ng).

The second more serious team is comprised of five super-villains.  It is lead by a mercenary and hit man with an advanced technological suit and weapons, Bloodsport (Idris Elba), and is comprised of the former military officer who kills for peace, Peacemaker (John Cena); a man who can emit polka-dots, Polka-Dot Man (David Dastmalchian); a female thief who controls rats, Ratcatcher 2 (Daniela Melchior); and a man-eating, human-shark hybrid, Nanaue a.k.a. “King Shark” (Sylvester Stallone).

Once on Corto Maltese, Task Force X has to reach a structure called “Jötunheim.”  It houses a laboratory built on the island decades ago by exiled Nazi scientists so that they could continue their monstrous experiments.  Now, Jötunheim apparently houses a secret program known as “Project Starfish.”  At the heart of this project is something referred to as “the beast,” and to destroy this project, the members of this squad will show why the nickname for Task Force X is “The Suicide Squad.”

First, I can say that The Suicide Squad is a much better film than its predecessor, Suicide Squad (2016), which was probably made problematic by Warner Bros. Pictures executives making bad decisions about it.  In The Suicide Squad, writer-director James Gunn offer his audience gleeful and extreme violence, insane set pieces, and snappy dialogue.  However, Gunn is also very good at creating engaging character drama that allows even the most troubling characters to have a journey in which he or she experiences a poignant or uplifting heroic arc.  In this case, Bloodsport (kinda) transforms from selfish, killer asshole into an anti-hero who cares … about a few things and people … and a rat.

Other characters more or less have a similar arc, although Margot Robbie's Harley Quinn is as crazy, as homicidal, and as sweet as ever.  Joel Kinnaman's Rick Flag, a holdover from the first film, is a much more interesting and likable character.  Viola Davis' Amanda Waller is darker, maybe even more … evil than ever, and Storm Reid delivers a surprisingly deft turn in a small role as Tyla, Bloodsport's daughter, who appears in two scenes.  David Dastmalchian steals a few scenes as the surprisingly endearing Polka-Dot Man.  Overall, the characters are both more interesting and much more appealing and fun than the characters in the first film.  I say that although in the new film, the Suicide Squad is much more homicidal.

Gunn makes sure The Suicide Squad feels irreverent and outrageous and pours on the ultra-violence, and most of the time, it works.  Sometimes, however, it feels like Gunn is trying too hard, and the violence is either gross or is so over the top as to come across as lame.  Gunn is known for writing and directing Disney/Marvel Studios' Guardians of the Galaxy films.  However, I think Gunn was trying to make The Suicide Squad like 20th Century Fox's Deadpool films, which are gleefully violent and shameless and infused with droll humor.  However, the Deadpool movies have Ryan Reynolds, who has mastered his own brand of (sometimes) endearing comedy that is witty, sarcastic, sardonic, silly, and stupid.  There is no Ryan Reynolds om The Suicide Squad, so the film can seem a little desperate in its bid to be crazy and cool.

However, The Suicide Squad does have Idris Elba, and if not for him, James Gunn would have ended up with a Suicide Squad film that works about as well as David Ayers' Suicide Squad film.  Elba, as the world-weary, but supernaturally skilled killer, Bloodsport, plays the complicated anti-hero turned action hero with his usual understated grace and commanding screen presence.  The Suicide Squad is bonkers, inventive, and imaginative – thanks to James Gunn.  However, it is a superhero fantasy and action thrill machine because of Idris Elba.

7 of 10
A-

Friday, August 6, 2021


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Thursday, July 29, 2021

Review: "REIGN OF THE SUPERMEN" Does Not Reign

TRASH IN MY EYE No. 48 of 2021 (No. 1786) by Leroy Douresseaux

Reign of the Superman – video (2019)
Running time:  87 minutes
MPAA – PG-13 for sequences of action violence
DIRECTORS:  Sam Liu
WRITERS:  Jim Krieg and Tim Sheridan (based on characters appearing in comic books published by DC Comics)
PRODUCERS:  Sam Liu and Amy McKenna
EXECUTIVE PRODUCERS: Sam Register and James Tucker
EDITOR:  Christopher D. Lozinski
COMPOSER:  Frederik Wiedmann  
ANIMATION STUDIO:  Maven Image Platform

ANIMATION/SUPERHERO/ACTION/FANTASY

Starring:  (voices) Jerry O'Connell, Rebecca Romijn, Rainn Wilson, Patrick Fabian, Cress Williams, Cameron Monaghan, Rosario Dawson, Nathan Fillion, Christopher Gorham, Matt Lanter, Shemar Moore, Nyambi Nyambi, Jason O'Mara, Jonathan Adams, Rocky Carroll, Trevor Devall, Paul Eiding, Jennifer Hale, Charles Halford, Erica Luttrell, Max Mittelman, Toks Olagundoye, and Tony Todd

Reign of the Supermen is a 2019 straight-to-video animated superhero film from Warner Bros. Animation and director Sam Liu.  It is the thirty-third film in the DC Universe Animated Original Movies series and is a direct sequel to the 2018 film, The Death of Superman.  The movie takes its story from “Reign of the Supermen!” a 1993 story arc that was part of “The Death of Superman” DC Comics story line and publishing event (1992-93).  In Reign of the Supermen, several new people present themselves as possible successors to Superman, in the wake of his death.

Reign of the Supermen opens six months following the death of Superman at the hands of Doomsday (as seen in The Death of Superman), and the rising crime rate in Metropolis has spread beyond the city.  Meanwhile, four new super-powered beings have emerged to take Superman's place.  Still grieving the loss of Superman and, by extension, his alter-ego, Clark Kent (Jerry O'Connell), reporter Lois Lane (Rebecca Romijn) of The Daily Planet has been investigating the new Supermen by gathering whatever information she can from different sources.

One Superman is a gold-visor wearing, energy blast-shooting vigilante called “The Eradicator.”  Another is “Steel,” the armored hero who is the identity of a young scientist, John Henry Irons (Cress Williams).  The third is a teen clone of Superman created by a scientist working for Lex Luthor (Rainn Wilson), and the public starts calling him “Superboy” (Cameron Monaghan).  The fourth, who seems the most like Superman, is part-man and part machine and is called “Cyborg Superman.”

The four “Supermen” are controversial and mysterious, and one of them is conspiring with Darkseid (Tony Todd) in the lord of Apokolips' plan to invade Earth.  Meanwhile, the Justice LeagueWonder Woman (Rosario Dawson), Batman (Jason O'Mara), Aquaman (Matt Lanter), Cyborg (Shemar Moore), Flash (Christopher Gorham), Green Lantern (Nathan Fillion), Hawkman, and Martian Manhunter (Nyambi Nyambi) have been sidelined.  Now, Lois and the three truly heroic Supermen must uncover the mystery of what actually happened to the real Superman if they are going to stop a plot to take over the world.

Some of the central conceits of superhero comic books and their media adaptations are that the superheroes will almost always win; the bad guys will lose; a superhero's death will ultimately not benefit the super-villain; and the villains will plot even in defeat, while the superheroes remain vigilante.  If you are never bored by this, you will generally always like or love superhero fiction.

In the case of Reign of the Supermen, the conceits are alive and well.  While the idea of Superman dying always causes the fanboy in me some internal discomfort, I found myself mostly bored by Reign of the Supermen.  I couldn't wait for this movie to end, but I wanted to finish it in order to write this review.  I did like the four “Supermen” and the drama in the film built around them.  Everything else only mildly interested me.

I found that the battle between Superman and Doomsday that made up the second half of The Death of Superman saved that movie.  The battle that dominates the last act of Reign of the Supermen only made me care about the movie a little more.  I really liked the Supermen of Reign of the Supermen, but not much else about this movie.

5 of 10
B-

Saturday, May 29, 2021


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Review: "THE DEATH OF SUPERMAN" Saved by Superman vs. Doomsday

TRASH IN MY EYE No. 47 of 2021 (No. 1785) by Leroy Douresseaux

The Death of Superman – video (2018)
Running time:  81 minutes (1 hour, 21 minutes)
MPAA – PG-13 for sequences of violence and action including some bloody images.
DIRECTORS:  Sam Liu and Jake Castorena
WRITER:  Peter Tomasi (based on characters appearing in comic books published by DC Comics)
PRODUCERS:  Sam Liu and Amy McKenna
EXECUTIVE PRODUCERS: Sam Register and James Tucker
EDITOR:  Christopher D. Lozinski
COMPOSER:  Frederik Wiedmann  
ANIMATION STUDIO:  Studio MIR

ANIMATION/SUPERHERO/ACTION/FANTASY

Starring:  (voices) Jerry O'Connell, Rebecca Romijn, Rainn Wilson, Rosario Dawson, Nathan Fillion, Christopher Gorham, Matt Lanter, Shemar Moore, Nyambi Nyambi, Jason O'Mara, Jonathan Adams, Rocky Carroll, Trevor Devall, Paul Eiding, Jennifer Hale, Charles Halford, Erica, Luttrell, Max Mittelman, and Toks Olagundoye

The Death of Superman is a 2018 straight-to-video animated superhero film from Warner Bros. Animation and directors Sam Lui and Jake Castorena.  It is the thirty-second film in the DC Universe Animated Original Movies series.  The movie takes its story from “Doomsday!” (also known as “The Death of Superman”), a story arc that ran in various DC Comics titles in late 1992.  In The Death of Superman movie, Superman battling a seemingly insurmountable foe.

The Death of Superman finds Superman (Jerry O'Connell) at the height of his popularity as a superhero in Metropolis and around the world.  However, Superman has some brewing domestic issues in his civilian life as Clark Kent (Jerry O'Connell).  Clark is dating Lois Lane (Rebecca Romijn), a fellow reporter at The Daily Planet.  Clark's parents, Ma and Pa Kent (Jennifer Hale and Paul Eiding), are visiting, and they will finally meet Lois, but that only forces Clark to face the fact that he has not told Lois that he is Superman.

Elsewhere, without warning, a meteor has crashed on Earth causing trouble above in Earth orbit and below in the ocean depths.  Emerging from the meteor is a gray-skinned, white-haired monster with incredible strength, stamina, and invulnerability.  Also, its skeleton protrudes through its skin in the form of multiple razor-sharp spurs.

The creature, whom Lois dubs “Doomsday,” quickly dispatches the Justice League.  Doomsday beats Wonder Woman (Rosario Dawson), Batman (Jason O'Mara), Aquaman (Matt Lanter), Cyborg (Shemar Moore), Flash (Christopher Gorham), Green Lantern (Nathan Fillion), Hawkman, and Martian Manhunter (Nyambi Nyambi) nearly to death.  Now, only Superman stands before the creature, but to defeat him, Superman may lose his own life.

The Death of Superman is not the first time that the “Doomsday”/“The Death of Superman” story line has been adapted into a direct-to-DVD animated film.  The first was 2007's Superman: Doomsday, which I did not care for all that much.  Concerning this newer film, I don't like the graphic design of the characters, who all appear to have anemic faces.  In fact, their heads are all face – odd, angular faces.  I find them a little jarring to look at, but the animation moves smoothly.

I thought the first half of 2018's The Death of Superman was dull, but the second half is a blast to watch.  Doomsday's fights with the other members of the Justice League are filled with bone-crushing blows and near-death intensity.  The Superman vs. Doomsday battle is so powerful that calling it “epic” does not completely describe the insane violence displayed in this literally to-the-death fight.

The character drama between Clark and Lois is also well-developed, and the depiction of the edginess in their relationship keeps the first half of the movie from being a total loss.  This film also includes a strong version of Lex Luthor (Rainn Wilson), one that could have taken over this film.  Ultimately, I am giving The Death of Superman a high recommendation because of the Superman-Doomsday battle.  This fight is like an animated equivalent of a battle one might find in a Disney/Marvel Studios' Avengers films.

7 of 10
B+

Saturday, April 24, 2021


The text is copyright © 2021 Leroy Douresseaux. All Rights Reserved.  Contact this blog or site for reprint and syndication rights and fees.

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Monday, April 5, 2021

The Trailer for the Upcoming Film "The Suicide Squad" Sets a Record

James Gunn’s “The Suicide Squad” Sets a New Record for Most Views of a Red Band Trailer in a Week

BURBANK, Calif.--(BUSINESS WIRE)--Warner Bros. Pictures dropped a heavy-hitting red band trailer for the R-rated actioner “The Suicide Squad” that, in the spirit of the Squad, is kicking some serious ass. With 151.1 million views, “The Suicide Squad” has set a new record for most views of a red band trailer in a week and counting.

The trailer—the first released for the film—delivers intense action and wry humor, and global fans showed up in a big way in support of writer/director James Gunn’s vision. In total, the trailer trended in 40 markets on YouTube and 28 markets on Twitter.

About “The Suicide Squad”:
From writer/director James Gunn comes Warner Bros. Pictures’ superhero action adventure “The Suicide Squad,” featuring a collection of the most degenerate delinquents in the DC lineup.

Welcome to hell—a.k.a. Belle Reve, the prison with the highest mortality rate in the US of A. Where the worst Super-Villains are kept and where they will do anything to get out—even join the super-secret, super-shady Task Force X. Today’s do-or-die assignment? Assemble a collection of cons, including Bloodsport, Peacemaker, Captain Boomerang, Ratcatcher 2, Savant, King Shark, Blackguard, Javelin and everyone’s favorite psycho, Harley Quinn. Then arm them heavily and drop them (literally) on the remote, enemy-infused island of Corto Maltese. Trekking through a jungle teeming with militant adversaries and guerrilla forces at every turn, the Squad is on a search-and-destroy mission with only Colonel Rick Flag on the ground to make them behave…and Amanda Waller’s government techies in their ears, tracking their every movement. And as always, one wrong move and they’re dead (whether at the hands of their opponents, a teammate, or Waller herself). If anyone’s laying down bets, the smart money is against them—all of them.

The film stars Margot Robbie (“Birds of Prey,” “Bombshell”), Idris Elba (“Avengers: Infinity War”), John Cena (upcoming HBO Max series “Peacemaker,” “Bumblebee”), Joel Kinnaman (“Suicide Squad”), Jai Courtney (the “Divergent” franchise), Peter Capaldi (“World War Z,” BBC’s “Doctor Who” ), David Dastmalchian (upcoming “Dune,” “Ant-Man and the Wasp”), Daniela Melchior (“Parque Mayer”), Michael Rooker (the “Guardians of the Galaxy” films), Alice Braga (“Elysium”), Pete Davidson (“The King of Staten Island,” TV’s “Saturday Night Live”), Joaquín Cosio (“Spider-Man: Into the Spider-Verse,” TV’s “Narcos: Mexico”), Juan Diego Botto (“The Europeans”), Storm Reid (“The Invisible Man,” “A Wrinkle in Time”, “Euphoria”), Nathan Fillion (“Guardians of the Galaxy,” TV’s “The Rookie”), Steve Agee (“Brightburn,” “Guardians of the Galaxy Vol. 2”), Sean Gunn (the “Guardians of the Galaxy” films, the “Avengers” films), Mayling Ng (“Wonder Woman”), Flula Borg (“Ralph Breaks the Internet”), Jennifer Holland (“Brightburn,” upcoming HBO Max series “Peacemaker”) and Tinashe Kajese (TV’s “Valor,” “The Inspectors”), with Sylvester Stallone (the “Rocky,” “Rambo” and “Expendables” franchises), and Viola Davis (“Ma Rainey’s Black Bottom,” “Suicide Squad”).

Gunn (the “Guardian of the Galaxy” films) directs from his own screenplay, based on characters from DC. The film is produced by Charles Roven and Peter Safran, with Zack Snyder, Deborah Snyder, Walter Hamada, Chantal Nong Vo, Nikolas Korda and Richard Suckle executive producing.

Gunn’s creative team includes director of photography Henry Braham (“Guardians of the Galaxy Vol. 2”), production designer Beth Mickle (“Captain Marvel”), editors Fred Raskin (“Guardians of the Galaxy Vol. 2,” “Once Upon a Time… In Hollywood”) and Christian Wagner (the “Fast & Furious” films) and Oscar-nominated costume designer Judianna Makovsky (“Guardians of the Galaxy Vol 2,” “Avengers: Endgame,” “Harry Potter and the Sorcerer’s Stone”). The music is by John Murphy (“Kick-Ass”).

Warner Bros. Pictures Presents An Atlas Entertainment/Peter Safran Production, A James Gunn Film, “The Suicide Squad.” The film will be distributed worldwide by Warner Bros. Pictures. It is set for release internationally beginning July 29, 2021 and in North America in theaters and IMAX on August 6, 2021; it will be available in the U.S. on HBO Max for 31 days from theatrical release.

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Saturday, September 5, 2020

Negromancer News Bits and Bites from September 1st to 5th, 2020 - Update #24

by Leroy Douresseaux a.k.a. "I Reads You"

Support Leroy on Patreon:

ENTERTAINMENT AND CULTURAL NEWS:

STREAMING - From Deadline:  "Jack Reacher," the star of author Lee Child's international bestselling series of novels, is coming to Amazon TV.  Actor Alan Ritchson will star as Reacher, who was previously played by Tom Cruise in two films.

MOVIES - From Variety:  Paramount Pictures will release a new edit and restoration of "The Godfather III (1990).  The new version will be entitled "Mario Puzo's The Godfather Coda: The Death of Michael Corleone."

TELEVISION - From Variety:   Anna Faris is leaving the hit CBS television sitcom, "Mom," ahead of the beginning of production of Season 8.

CULTURE - From RollingStone:   "The Unraveling of America" by Wade Davis.

STREAMING - From Deadline:  Amazon will not go forward with the miniseries, "Cortes y Moctezuma," due to the production constraints created by COVID-19, it says.

TELEVISION - From Deadline:  Production on SyFy/USA's "Chucky" reboot TV series has been pushed to 2021.

COVID-19 - From Deadline:  Superstar actor Dwayne Johnson announced on social media that he, his wife, and their two young daughters have tested positive for COVID-19.  He said that they are all recovering and are no longer contagious.

STAR TREK - From YahooEntertainment:  When "Star Trek: Discovery" Season 3 arrives on Oct. 15th, the series feature the "Star Trek" franchise's first non-binary and transgender characters.

CELEBRITY - From Forbes: - Media mogul and film and TV creator, Tyler Perry, is a billionaire.  "Forbes" has a cover feature on Perry - "'Poor as Hell' to billionaire."

LGBTQ - From YahooEntertainment:  Actress Niecy Nash comes out and marries girlfriend, Jessica Betts, in surprise wedding ceremony.

STREAMING - From Variety:  David Benioff and D.B. Weiss, the masterminds behind "Game of Thones," and Alexander Woo will adapt Chinese book series, "The Three-Body Problem" for Netflix.

RACE-BUSINESS - From YahooBI:   52 Black ex-franchisees file a $1 billion racial-discrimination lawsuit against McDonald's, claiming the company sent them on "financial suicide missions."

CULTURE - From TheDailyBeast:  Larry Flynt, president of Larry Flynt Publications and best known for publishing "Hustler" magazine, takes a victory lap after the Jerry Faldwell, Jr., the son of Flynt's late nemesis, Rev. Jerry Faldwell, takes a fall.

CELEBRITY - From BleedingCool:  Nathan Fillion talks about his audio choose-your-own-adventure, "Starfinder."

OBIT:

From ESPN:  Hall of Fame Major League Baseball pitcher, Tom Seaver, has died at the age of 75, Monday, August 31, 2020 of Lewy body dementia and COVID-19.  Seaver was a three-time Cy Young Winner and 12-time All-Star.  Nicknamed "Tom Terrific," Seaver was also a member of the 1969 World Series champions New York Mets.


REMEMBERING CHADWICK BOSEMAN:

From Slate:  Friends and Fans mourn "Black Panther" star, Chadwick Boseman, dead at 43.

From YahooHuffPost:  Why Chadwick Boseman kept his cancer battle secret, according to his agent.

From Variety:  Chadwick Boseman's life and career in photos.

From CNN:  Denzel Washington offers a tribute to Chadwick Boseman, for whom he once paid school tuition.

From THR:  Co-star Harrison Ford remembers Chadwick Boseman as being "as much a hero as any he played.

From BuzzFeed:  Why Chadwick Boseman's death hurts so much.

From Variety:  Michael B. Jordan remembers his "Black Panther" co-star, Chadwick Boseman.

From YahooEntertainment:  Remembering Chadwick Boseman: A journalist’s cherished, complicated friendship with a superhero.

From Deadline:  The site has a page dedicated to the late actor, Chadwick Boseman.

From Variety:   Chadwick Boseman: A Virtuoso Actor Who Could Do Just About Anything

From Variety:  Chadwick Boseman’s Final Tweet Is Twitter’s Most-Liked Post of All Time

From YahooEntertainment:  Did Chadwick Boseman hint at his cancer battle in a 2017 interview?

From Newsweek:  Chadwick Boseman's final tweet was a picture of him with Vice-Presidential candidate, Senator Kamala Harris.

DEMOCRATIC NATIONAL CONVENTION:

From CNN:  Full video of Vice-President Joe Biden's acceptance speech at the 2020 DNC.

From CNN:  Full video of Sen. Kamala Harris acceptance speech at the 2020 DNC


CORONAVIRUS/COVID-19 NEWS:

From CDC:   The Centers for Disease Control has a "COVID Data Tracker."

From YahooNews:  Why does COVID-19 kill some people and hardly affects others?

From YahooNews:  Yahoo has a dedicated page of links updating news about COVID-19.

From Deadline:  The news site "Deadline" has a dedicated page for news about coronavirus and the film, TV, and entertainment industries.

From TheNewYorker:  The venerable magazine has a dedicate COVID-19 page free to all readers.

From YahooNews:  Re: the federal government's response to COVID-19: What if the most important election of our lifetime was the last one - 2016?

From YahooLife:  What is "happy hypoxia?"  And do you have this COVID-19 symptom?

From JuanCole:  Remember when President Donald went crazy and suggested that we ingest household cleaning supplies and UV light to fight COVID-19.  Here is the video and commentary from Juan Cole.

From TheIntercept:  The federal government has ramped up security and police-related spending in response to the COVID-19/coronavirus pandemic, including issuing contracts for riot gear, disclosures show. The purchase orders include requests for disposable cuffs, gas masks, ballistic helmets, and riot gloves...

From TheAtlanticThe Coronavirus Was an Emergency Until Trump Found Out Who Was Dying. The pandemic has exposed the bitter terms of our racial contract, which deems certain lives of greater value than others.

From ProPublica:  Hospital's Secret COVID-19 Policy Separated Native American Mothers From Their Newborns

From TheGuardian:  More than 20 million Americans could have contracted COVID-19, experts say.

From RSN/WashPost:  The COVID-19 mutation that has taken over the world.

7/13 - From YahooSports:  Maybe a pandemic means that there will not be college football this fall.

7/13- From YahooNews:  The CDC adds four new symptoms (including nausea and purple or blue lesions on feet and toes) to the list of COVID-19 symptoms.

7/19 - From YahooFinance:  Harvard Public Health professor Dr. Howard Koh says the U.S. "needs to regroup" to find COVID-19.

7/22 - From YahooNews:  A public health employee predicted Florida's coronavirus catastrophe — then she was fired.

7/22 - From YahooLifestyle:  Florida mom loses son, 20, to coronavirus, and then days later, her daughter.

7/23 - From TheWrap:  The site has a list of movie and TV stars, entertainment and sports figures who have tested positive for COVID-19

From Bloomberg:  Will the COVID-19 pandemic turn Millennials into socialists?

7/27 - From CNN:   Chief of critical care at Baltimore's Mercy Medical Center, Dr. Joseph Costa, passes away due to Covid-19 complications... after treating the hospital's sickest COVID-19 patients.  He was 56 and leaves behind family, including a husband of 28 years.

7/30 - From Deadline:  Emmy-winning actor Bryan Cranston ("Breaking Bad") reveals that he had a bout with COVID-19.

7/31 - From YahooEntertainment:  Writer and actress, Lena Dunham, creator of HBO's "Girls, reveals that she contracted COVID-19 and the symptoms she experiences and still experience.

7/30 - From YahooGMA:  In their bid to crackdown on illegal gatherings amid COVID-19, New York authorities break up an alleged sex party.

7/31 - From Slate:  COVID-19 is airborne - for reals!

8/2 - From TheDailyBeast:  In Mississippi, COVID-19 has coroners terrified.

8/6 - From YahooNews:  Testing everyone constantly could stop the spread of COVID-19... according to this article.

8/8 - From YahooNYT:  The coronavirus is new, but your immune system might recognize it.

8/8 - From YahooNBC:  They thought COVID-19 was a hoax, and they almost died from it or are watching family and loved ones suffer with it or die from it.

8/9 - From YahooNews:  The rest of the world is incredulous at the pitiful U.S. response to COVID-19.

8/9 - From YahooAFP:  According to the real-time tally kept by John Hopkins University, the United States has hit 5 million cases of COVID-19.

8/16 - From Truthout: COVID Deaths Continue to Surge in Countries Led by Far Right Authoritarians

9/1 - From YahooPeople:  Mark Mothersbaugh is the front man of the rock band, Devo," and the prolific composer of music for film and television, but he also had a near-fatal battle with COVID-19.  He recalls it in this article.

9/2 - YahooNews:  The first COVID-19 death linked to the massive biker rally in Sturgis, South Dakota has been reported in Minnesota, several weeks after the event attracted over 400,000 vehicles.  Minnesota is also tracking 50 coronavirus cases related to the event.

BLACK LIVES MATTER:

From RSN:   Judge's Blistering Opinion Says Courts Have Placed Police Beyond Accountability

From Billboard:  In an interview will the venerable music publication, legendary country music singer-songwriter and actress, Dolly Parton, expresses support for the "Black Lives Matter" movement.

From RSN:  Reader Supported News' "Sunday Song" for Aug. 8th, 2020 is "Chain Gang" by Sam Cooke.

From VICE:  One of the 2020 Republican National Convention's top speakers, Abby Johnson, says the police would be justified in profiling her adopted biracial son.

From TheGuardian:  Yusef Salaam, one of the "Central Park Five," says in an interview, "Trump would have had me hanging from a tree in Central Park."

From NPR:  Prosecutors' plea deal required drug suspect to name Breonna Taylor a "co-defendant."


Wednesday, July 20, 2016

Dark Horse Comics Announces New "Serenity" Comic Book


SERENITY CREW RETURNS

Dark Horse announces new installment in “Serenity” series

SAN DIEGO, Calif. — Dark Horse is excited to announce the newest Serenity series, Serenity: No Power in the ’Verse. Originally created by the legendary Joss Whedon (Buffy, Angel), Serenity begins its next chapter with a story written by Chris Roberson (iZombie, Witchfinder: City of the Dead) and illustrated by Georges Jeanty (Buffy Seasons 8 and 9, Serenity: Leaves on the Wind).

Roberson described his excitement for the new series: “I’ve been a devoted fan of Captain Reynolds and company since the first episode of Firefly aired, and have followed the exploits of the Serenity crew through TV, film, and comics ever since. It’s an unbelievable thrill (and an enormous responsibility!) to help chart the course for their further adventures.”

Serenity: No Power in the ’Verse finds Malcolm Reynolds and his crew struggling through some difficult times. Tensions are at an all-time high when the crew receives a call to help find a missing friend. The crew must come together to discover the answers to her mysterious disappearance. Will they find her in time?

No Power in the ’Verse is preceded by the Serenity comics Those Left Behind, Better Days, The Shepherd’s Tale, and Leaves on the Wind.

No Power in the ’Verse’s first issue (of six) goes on sale October 26, 2016. Georges Jeanty provides a special variant cover.

Serenity: No Power in the ’Verse writer Chris Roberson will sign on Thursday, July 21, 2016 from 1 p.m. to 1:50 p.m. on Dark Horse's Hellboy signing stage, and on Sunday, July 24 from 11 a.m. to 11:50 a.m. Serenity creator Joss Whedon will host two signings on Saturday, July 23 on Dark Horse's Hellboy signing stage. His first signing is from 5 p.m. to 5:50 p.m. His second signing is from 6 p.m. to 6:50 p.m. Firefly and Serenity cast members Nathan Fillion and Alan Tudyk will join Joss at this signing.


About Dark Horse

For 30 years, Dark Horse Comics has proven to be a solid example of how integrity and innovation can help broaden a unique storytelling medium and establish a small, homegrown company as an industry giant. Founded in 1986 by Mike Richardson, the company is known for the progressive and creator-friendly atmosphere it provides for writers and artists. In addition to publishing comics from top talent, such as Eric Powell, Mike Mignola, Geof Darrow, Brian Wood, Gail Simone, Stan Sakai, and Guillermo del Toro, and comics legends, such as Will Eisner, Milo Manara, Kazuo Koike, Neil Gaiman, and Frank Miller, Dark Horse has developed its own successful properties, such as The Mask, Ghost, X, and Barb Wire. Its successful line of comics, manga, and products based on popular properties includes Dragon Age, Buffy the Vampire Slayer, Aliens, Conan, Tomb Raider, Halo, The Witcher, Serenity, Game of Thrones, and Avatar: The Last Airbender. Today Dark Horse Comics is the largest independent comic book publisher in the US and is recognized as one of the world’s leading entertainment publishers.

----------------------

Monday, August 3, 2015

Review: "Justice League: Throne of Atlantis" is a Tidal Wave of Fun

TRASH IN MY EYE No. 29 (of 2015) by Leroy Douresseaux

Justice League: Throne of Atlantis (2015) – Video
Running time:  72 minutes (1 hour, 12 minutes)
MPAA – PG-13 for sci-fi violence and action throughout
DIRECTOR:  Ethan Spaulding   
WRITER:  Heath Corson (based on the comic book by Geoff Johns, Paul Pelletier, and Ivan Reis)
COMPOSER:  Frederik Wiedmann
EDITOR:  Christopher D. Lozinsk
ANIMATION STUDIO:  Moi Animation Studios

ANIMATION/SUPERHERO/ACTION/FANTASY

Starring:  (voices) Matt Lanter, Sumalee Montano, Sam Witwer, Jerry O'Connell, Jason O'Mara, Rosario Dawson, Nathan Fillion, Christopher Gorham, Shemar Moore, Sean Astin, Sirena Irwin, Matthew Yang King, Jay Johnson, and Larry Cedar

Justice League: Throne of Atlantis is a 2015 straight-to-video animated superhero film from Warner Bros. Animation.  It is the 21st film in Warner's line of DC Universe original animated movies.  The film features DC Comics' top superhero team, the Justice League, with a focus on Aquaman.

Justice League: Throne of Atlantis is loosely based on the 2012-13 comic book story line, “Throne of Atlantis.”  Written by Geoff Johns and drawn by artists Ivan Reis and Paul Pelletier, “Throne of Atlantis” was published in Justice League (2011) #15-17 and Aquaman (2011) #14-16.  Throne of Atlantis the animated film pits Aquaman against his half-brother for the throne of Atlantis, as the Justice League tries to stop a war between the humans on the surface and the people of underwater kingdom of Atlantis.

Justice League: Throne of Atlantis opens with a mysterious attack against the S.S. California, a United States Navy submarine, in the Marianas Trench.  The attack is the first salvo in a war that Orm (Sam Witwer), a prince of the underwater kingdom of Atlantis, wishes to declare on the surface world.  His mother, Queen Atlanna (Sirena Irwin), seeks peace with the humans on the surface.  Atlanna sees her half-human/half-Atlantean son, Arthur Curry (Matt Lanter), as the key to this peace, and she sends a trusted warrior, Mera (Sumalee Montano), to protect Arthur and to inform him of his royal heritage.

Meanwhile, the Justice League:  Superman (Jerry O'Connell), Wonder Woman (Rosario Dawson), Batman (Jason O'Mara), Green Lantern (Nathan Fillion), Flash (Christopher Gorham), Shazam (Sean Astin), and Cyborg (Shemar Moore), does not really function as a unified group of superheroes protecting the world.  Only Cyborg has remained dedicated, but after he is attacked while investigating the attack on the S.S. California, he forces the issue with his erstwhile teammates.  Can the Justice League unite in time to defeat the plans of Orm and his partner, Black Manta?  Can Arthur Curry rise to the occasion and become the hero known as “Aquaman?”

Justice League: Throne of Atlantis is neither an exceptional “DC Universe” animated movie, nor is it a particularly special Justice League animated film.  Personally, there wasn't enough Batman in it to suit me, although, to be honest, most of the DC Comics animated films either star Batman or feature him in a prominent role.

Throne of Atlantis is entertaining, and I wouldn't have minded if the film lasted longer; of its 72 minutes of run time, barely 65 minutes features actual story and action.  This film's version of Atlantis is intriguing, but the movie doesn't reveal much about this underwater kingdom other than that its citizens are ready to kill surface dwellers with little provocation.  I must say that the creatures, armor, and machines of war for Atlantis are strikingly designed.  A longer film could have shown us more sides of Atlantis and not just the martial side.

Of note, Nathan Fillion delivers an uninspired voice performance as Green Lantern, but Shemar Moore shines as Cyborg.  I have to be honest with you, dear reader, I am always up for watching a DC Universe animated film, so Justice League: Throne of Atlantis pleased me and did leaving me wanting more, simply because it is fun to watch.

7 of 10
B+

Sunday, July 12, 2015


The text is copyright © 2015 Leroy Douresseaux. All Rights Reserved. Contact this site for reprint and syndication rights and fees.



Wednesday, May 28, 2014

Review: "Justice League: The Flashpoint Paradox"

TRASH IN MY EYE No. 26 (of 2014) by Leroy Douresseaux

Justice League: The Flashpoint Paradox (2013) – straight-to-video
Running minutes: 81 minutes (1 hour, 21 minutes)
MPAA – PG-13 for sci-fi violence and action throughout
DIRECTOR:  Jay Oliva with Yoshiharu Ashino (animation director)
WRITER:  James Krieg (from a comic book by Geoff Johns and Andy Kubert)
EDITOR:  Christopher D. Lozinski
COMPOSER:  Frederik Wiedmann
ANIMATION STUDIO:  Studio 4ºC

ANIMATION/SUPERHERO/ACTION/SCI-FI

Starring:  (voices) Justin Chambers, C. Thomas Howell, Michael B. Jordan, Kevin McKidd, Kevin Conroy, Dana Delany, Cary Elwes, Vanessa Marshall, Dee Bradley Baker, Grey DeLisle, Danny Huston, Danny Jacobs, Ron Perlman, Kevin Michael Richardson, Andrea Romano, and Nathan Fillion

Justice League: The Flashpoint Paradox is a 2013 direct-to-video superhero animated film from Warner Bros. Animation.  Starring DC Comics’ ultimate superhero team, the Justice League, this is also the 17th feature in the DC Universe Animated Original Movies line.  The Flashpoint Paradox is based on the 2011 DC Comics’ crossover publishing event, “Flashpoint.”

Barry Allen (Justin Chambers), who is also known as the superhero the Flash, visits the grave of his mother, Nora Allen (Grey DeLisle).  A day after an adventure with his Justice League teammates, Barry awakens to discover that his mother is alive, but that is not the only thing that has changed.  The entire world is different.  Some superheroes no longer exist.  Aquaman (Cary Elwes) and the military forces of Atlantis are engaged in a terrible war against Wonder Woman (Vanessa Marshall) and the Amazons.

Flash believes that his archenemy, Eobard Thawne a/k/a Professor Zoom (C. Thomas Howell), has done something to change time.  Now, he finds himself teaming up with an even darker version of Batman (Kevin McKidd) and a young superhero named Cyborg (Michael B. Jordan) to stop a war that will destroy the world.

In 2011, DC Comics used their Flashpoint publishing event to relaunch practically its entire line of superhero comic books.  As an adaptation of that event, Justice League: The Flashpoint Paradox is going to be a fresh start for the DC Universe Animated Original Movies line.  I imagine, however, that might not mean much to many viewers of these animated superhero movies.  Is Justice League: The Flashpoint Paradox any good?

Well, the first 20 minutes or so are a disaster.  At 81 minutes, it’s one of the longer DC Comics animated films, and I initially thought that there was no way I could make it through the entire thing.  Once I settled into the concept and understood the players, central plot, and various conflicts and rivalries, I started to enjoy The Flashpoint Paradox.

After all, it is pure superhero fun, and the filmmakers really play up the idea of what it means to be a superhero.  Themes of sacrifice and redemption run throughout the movie.  The belief that selflessness and togetherness can get mankind through the worst of the worst situations proudly permeates this film.  At a time when so many politicians and public figures smugly and shamelessly preach nihilistic individualism and naked self-interest, it is good to see classic superheroes giving life and limb to right wrongs and even to correct themselves.

I don’t like this film’s character design, because much of it is unimaginative.  The Flashpoint Paradox also offers some of the stiffest character animation I’ve seen in some time.  But watching these superheroes being genuinely heroic makes me like Justice League: The Flashpoint Paradox in spite of many reservations.

7 of 10
B+

Wednesday, May 21, 2014


The text is copyright © 2014 Leroy Douresseaux. All Rights Reserved. Contact this site for syndication rights and fees.



Saturday, November 23, 2013

Review: "Monsters University" a Satisfying Second Helping

TRASH IN MY EYE No. 79 (of 2013) by Leroy Douresseaux

Monsters University (2013)
Running time:  104 minutes (1 hour, 44 minutes)
MPAA – G
DIRECTORS:  Dan Scanlon
WRITERS:  Robert Baird, Daniel Gerson, and Dan Scanlon; from a story by Robert Baird, Daniel Gerson, and Dan Scanlon
PRODUCER:  Kori Rae
EDITORS:  Greg Snyder
COMPOSER:  Randy Newman

ANIMATION/FANTASY/COMEDY/FAMILY

Starring:  (voices) Billy Crystal, John Goodman, Steve Buscemi, Helen Mirren, Peter Sohn, Joel Murray, Sean Hayes, Dave Foley, Charlie Day, Alfred Molina, Tyler Labine, Nathan Fillion, Aubrey Plaza, Julia Sweeney, Bonnie Hunt, and John Ratzenberger

Monsters University is a 2013 computer-animated comedy and fantasy film from Pixar Animation Studios.  Theatrically presented in 3D, Monsters University is Pixar’s fourteenth full-length feature film, and it is also the first prequel to one of the studio’s films.  Distributed by Walt Disney Pictures, it is a prequel to the 2001 animated film, Monsters, Inc.

Monsters University focuses on the stars of the original film, Mike and Sulley.  The movie looks at the early days of their relationship during their time in college, telling the story of how they went from rivals to friends.  Although it is not quite as good as the original, Monsters University is a warm and fuzzy and sweet and sentimental film that offers a return of one of the great comedy duos of animated films, Mike (ostensibly this movie’s lead character) and Sulley.

Monsters University introduces Michael “Mike” Wazowski (Billy Crystal), a young monster who dreams of being a “scarer,” a monster who enters the human world at night to scare children.  He enrolls at Monsters University, believing that is the best place to learn to be a great scarer.  Mike meets a large, blue furry monster named James P. “Sulley” Sullivan (John Goodman), a privileged student from a family of renowned scarers.  The two immediately dislike each other.

Sulley joins the school’s premiere fraternity, Roar Omega Roar (ROR).  Mike has to settle for Oozma Kappa (OK), a fraternity of geeks and outcasts.  An incident between Mike and Sulley puts the two on the fast track to trouble.  Mike decides that the Scare Games, a competition between Monsters University’s select fraternities and sororities, can save his and Sulley’s college careers.  First, the two rivals will have to learn to trust each other and their new Oozma Kappa friends.

Pixar is known for animated films that offer superb character drama, but Monsters University is simply a comedy with endearing characters.  I call Monsters University Pixar’s DreamWorks Animation movie.  Like many DreamWorks animated features, Monsters University is a broad comedy with several clever set pieces and sequences in which the heroes must deal with seemingly impossible-to-overcome obstacles.  Also like DreamWorks animation, Monsters University lacks the emotional resonance of Pixar’s best films, although this movie’s director and writers try.  Similar to Pixar’s Brave, Monsters University also has a weak first half-hour.

The two best things about Monsters University are the delightful supporting characters that are members of Oozma Kappa and the Scare Games.  I found those supporting players to be endearing, and the film gives just enough of them to make you feel that you didn’t get enough.  The Scare Games are exciting and have a great ending, which a subsequent plot twist kinda ruins.

When Monsters Inc. first appeared in 2001, it was novel, maybe even groundbreaking in a way.  All Monsters University can be is a welcome return of old friends, and that’s good enough.

7 of 10
B+

Saturday, November 23, 2013

The text is copyright © 2013 Leroy Douresseaux. All Rights Reserved. Contact this site for syndication rights and fees.



Friday, November 30, 2012

Review: "Justice League: Doom" Goes Boom

TRASH IN MY EYE No. 93 (of 2012) by Leroy Douresseaux

Justice League: Doom (2012) – straight-to-video
Running minutes: 77 minutes (1 hour, 17 minutes)
MPAA – PG-13 for sequences of violent action
PRODUCER/DIRECTOR: Lauren Montgomery
WRITER: Dwayne McDuffie (from a comic book by Mark Waid)
EDITOR: Christopher D. Lozinski
COMPOSER: Christopher Drake
ANIMATION STUDIO: Telecom Animation Film

ANIMATION/SUPERHERO/ACTION

Starring: (voices) Kevin Conroy, Tim Daly, Susan Eisenberg, Nathan Fillion, Carl Lumbly, Michael Rosenbaum, Bumper Robinson, Carlos Alazraqui, Claudia Black, Paul Blackthorne, Olivia d’Abo, Alexis Denisof, Phil Morris, Dee Bradley Baker, Grey DeLisle, and Robin Atkin Downes

Justice League: Doom is a 2012 direct-to-video superhero animated film from Warner Bros. Animation. Starring DC Comics’ ultimate superhero team, the Justice League, this is also the 13th feature in the DC Universe Animated Original Movies line. Bruce W. Timm is an executive producer on the film, and Dwayne McDuffie wrote the screenplay before his death in February 2011.

Justice League: Doom is loosely based on the comic book story arc, “Tower of Babel,” which was published in the former Justice League comic book series, JLA #43-46 (July 2000 to October 2000 cover dates). The story was written by Mark Waid and drawn by artists Howard Porter and Steve Scott. A group of villains launch a highly-successful attack against the members of the Justice League using secret information compiled on the heroes by Batman.

The film begins with the Justice League beating up the Royal Flush Gang, but in the aftermath of this successful mission, the League doesn’t know that it is being spied upon – especially Batman (Kevin Conroy). The immortal villain, Vandal Savage (Phil Morris), is back, and he has a plot to destroy the world as we know it. To that end, he creates the Legion of Doom to make sure that the Justice League does not stand in his way.

Savage gathers supervillians who are individual enemies of particular members of the Justice League, and he shows each villain how to defeat his or her superhero nemesis. Superman (Tim Daly) takes on Metallo (Paul Blackthorne). Batman fights Bane (Carlos Alazraqui). Wonder Woman (Susan Eisenberg) cat-fights Cheetah (Claudia Black). Green Lantern (Nathan Fillion) renews his struggle with Star Sapphire (Olivia d’Abo). Flash (Michael Rosenbaum) tries to outrace the schemes of Mirror Master (Alexis Denisof). Martian Manhunter (Carl Lumbly) meets his match in Ma'alefa'ak (Carl Lumbly). This time, however, the individual members of the League are losing to the people they usually beat.

I find that of all the DC Universe Animated Original Movies, I’m partial to the ones featuring the Justice League or Batman, and Justice League: Doom features both. Although there may be some holes in the plot regarding the Legion of Doom’s attack on the Justice League, the film is very well written, in terms of a superhero action movie. The action in the film works in such a way that it captures the spirit and energy of a superhero comic book.

The animation is of a high quality so that the film is eye-candy, at least to me. I love the characters, especially Bane, Ma'alefa'ak, and Mirror Master. The voice performances are also of a high quality, although I found Nathan Fillion’s performance as Green Lantern a tad bit dry. Carl Lumbly is superb as both Martian Manhunter and Ma'alefa'ak; these characters should have their own movie, if Lumbly can reprise the roles. To put it plainly and simply, Justice League: Doom is fun.

9 of 10
A+

Friday, September 21, 2012


Wednesday, November 28, 2012

"Green Lantern: Emerald Knights" Good Space Opera

TRASH IN MY EYE No. 91 (of 2012) by Leroy Douresseaux


Green Lantern: Emerald Knights (2011) – straight-to-video
Running minutes: 84 minutes (1 hour, 24 minutes)
MPAA – PG-13 for sci-fi action violence throughout, and for some language
DIRECTORS: Lauren Montgomery, Chris Berkeley, and Jay Oliva
WRITERS: Alan Burnett, Eddie Berganza, Todd Casey, Dave Gibbons, Michael Green, Marc Guggenheim, Geoff Johns, and Peter Tomasi
PRODUCERS: Greg Berlanti, Donald De Line, and Lauren Montgomery
EDITOR: Margaret Hou
COMPOSER: Christopher Drake
ANIMATION STUDIO: Studio 4’C

ANIMATION/SUPERHERO/SCI-FI/ACTION with elements of drama

Starring: (voices) Nathan Fillion, Jason Isaacs, Elisabeth Moss, Henry Rollins, Arnold Vosloo, Grey DeLisle, Kelly Hu, Michael Jackson, Bruce Thomas, and Roddy Piper

Green Lantern: Emerald Knights is a 2011 direct-to-video superhero animated film from Warner Bros. Animation. Starring DC Comics characters, Green Lantern and the Green Lantern Corps, this is also the eleventh feature in the DC Universe Animated Original Movies (DCU AOM) line. Executive produced by Bruce Timm, this film is adapted from DC Comics’ Green Lantern mythology.

Green Lantern: Emerald Knights is not a direct sequel to an earlier DCU AOM film Green Lantern: First Flight, but both films use the same character designs. Emerald Knights is, like Batman: Gotham Knights, an anthology film, and it tells six stories (about various Green Lanterns) structured inside a larger, framing story. That framing story focuses on the Green Lantern Corps and their battle with an ancient enemy. While the Corps awaits that enemy, a new recruit hears stories about various Green Lanterns, including a story about the unlikely very first Green Lantern.

Green Lantern: Emerald Knights is set on and around the Green Lantern home world, Oa. The planet’s sun is about to become the gateway for Krona, an anti-matter, alien evil that the Guardians of the Universe (essentially the creators of the Green Lanterns) banished ages ago. While they wait for the epic battle to begin, Hal Jordan, the Green Lantern of Earth (Nathan Fillion), helps a Green Lantern rookie, a young woman named Arisia Rrab (Elisabeth Moss), by telling her stories about legendary Green Lanterns and about pivotal moments in the history of the Green Lantern Corps.

Some of the stories include “The First Green Lantern,” which tells the story of Avra, an unlikely Green Lantern who actually was not the first person to get a Green Lantern ring. “Kilowog” tells the story of the Green Lantern drill sergeant, Kilowog (Henry Rollins), and Sgt. Deegan (Wade Williams), who was Kilowog’s drill instructor. In “Abin Sur,” Hal Jordan’s predecessor, Abin Sur (Arnold Vosloo), hears a dark prophecy from Atrocitus (Bruce Thomas), an alien criminal he captured.

Green Lantern: Emerald Knights has excellent visuals. I would describe this movie as the hand-drawn animation equivalent of the computer-animated series, “Star Wars: The Clone Wars.” In fact, the action is on par with the Star Wars animated series, and the voice acting here has range, quality, and emotional resonance.

However, some of the action is laughable, ridiculous, and way too over-the-top even for superhero/space opera fantasy. The framing sequence has a paper-thin plot and story. I’d say that the writers should be embarrassed about this, but I bet they didn’t even notice. Still, the anthology part of this is pretty good, so I’d recommend Green Lantern: Emerald Knights.

7 of 10
B+

Sunday, September 16, 2012


Thursday, May 17, 2012

Adult Swim Announces New Series for 2012-13 Season

Adult Swim Announces Largest Programming Schedule Ever for 2012-13

Basic Cable’s #1 Network In Total Day With Adults 18-34 and 18-49 Offers Up 9 New Series/Specials, 8 Pilots and 10 Returning Series

Childrens Hospital Spin-off Newsreaders and Animated Harold & Kumar Make The List

Fan Favorite Toonami Returns to Saturday Nights

ATLANTA--(BUSINESS WIRE)--Adult Swim, basic cable’s #1 network with young adults for seven consecutive years, sets out to “control” the night by announcing a slate of new and returning programming at its annual Upfront presentation in New York City. Hours before their annual event featuring a scheduled performance by Grammy Award-winning rap artist T.I., the network announced the largest programming commitment in Adult Swim’s history, which includes new and returning series, pilots and specials.

After having its most-watched broadcast season-to-date in its history with adults 18-34, Adult Swim has ordered second seasons of new hit shows China, IL and Loiter Squad. The top-rated series Childrens Hospital returns with a spin-off in tow and an animated pilot based on the Harold & Kumar films is in development. Additionally, in response to overwhelming fan enthusiasm and devotion, the beloved anime programming block Toonami will make its return Saturday, May 26.

New original series and specials:

•NEWSREADERS – Newsreaders is a satire of the network television newsmagazine genre, from the creative team behind Adult Swim’s highly successful comedy Childrens Hospital. Based upon the “Newsreaders” episodes of Childrens Hospital which aired during seasons two and three, Newsreaders will explore the vital issues that actually don’t affect us every day, from hard-hitting investigations to harder-hitting heartwarming profiles. Created by Childrens Hospital executive producers Rob Corddry (Hot Tub Time Machine, The Daily Show with Jon Stewart and the upcoming films Seeking a Friend for the End of the World and Butter), Jonathan Stern (The Ten; NTSF:SD:SUV::) and David Wain (Wanderlust, Wet Hot American Summer, Superjail!, upcoming films They Came Together and Dr. Dan), with Jim Margolis (The Daily Show with Jon Stewart) serving as showrunner, Newsreaders will deliver unparalleled award-eligible reporting every week. The series is produced by Abominable Pictures and Warner Bros. Television Group’s Studio 2.0.

•THE ERIC ANDRE SHOW – The series premieres on Sunday, May 20, at 12:30 a.m. (ET/PT) The Eric Andre Show may be the most manic and unorthodox late night talk show ever made. The show’s traditional talk show format quickly devolves into chaos as its inept and bipolar host Eric Andre, along with his apathetic co-host Hannibal Buress (30 Rock, SNL), subvert all late night conventions. Taking place on a dingy public-access TV channel within an alternate reality, The Eric Andre Show creates its own distorted pop culture universe by conducting interviews with an unpredictable mix of actual celebrities, “fake” celebrities and extreme real-life weirdos. These interviews are broken up with deranged man-on-the-street segments, surreal flashes of inexplicable studio chaos, talk show desk-pieces and the general deconstruction of late night's most beloved tropes in every quarter-hour episode. The Eric Andre Show is produced by Abso Lutely and executive produced by Eric Andre, Andrew Barchilon, Kitao Sakurai, Daniel Weidenfeld (China, IL), and Dave Kneebone (Tim & Eric Awesome Show, Great Job!).

BLACK DYNAMITE – Premiering in July and based on 2009’s critically-acclaimed feature film, Black Dynamite, the animated series, further chronicles the exploits of the central character, Black Dynamite, and his crew. Under the direction of head writer Carl Jones (The Boondocks), the series features the voice talent of Michael Jai White (For Better or Worse, The Dark Knight, Why Did I Get Married?), Tommy Davidson (In Living Color, Bamboozled), Kym Whitley (The Cleveland Show, Brian McKnight Show) and Byron Minns (Mongo Wrestling Alliance), all of whom starred in the feature film. Black Dynamite, the animated series, is being produced by Ars Nova. Jon Steingart, Carl Jones, and Jillian Apfelbaum are executive producers. Brian Ash is co-executive producer. Scott Sanders, Michael Jai White and Byron Minns are producers. Monica Jones is associate producer. Lesean Thomas is creative producer/supervising director. Original music by Adrian Younge. Black Dynamite is being animated by Titmouse, Inc.

•TOONAMI – Beginning Saturday, May 26, Adult Swim brings back Toonami, the network’s popular block of anime programming. Airing weekly from midnight to 6 a.m. (ET/PT), in addition to the return of previous series featured in Toonami, Adult Swim is also developing new original anime programming for fans.

•HOT PACKAGE – Premiering this fall on Adult Swim, Hot Package is a live-action fictional Canadian entertainment news program in vein of "Entertainment Tonight," "EXTRA," or "E! News.” Hot Package is created by and stars Derrick Beckles (TV Carnage), produced by Abominable Pictures, with Jon Stern and Derrick Beckles as executive producers.

•UNTITLED HELL PROJECT – This new live-action series from Adult Swim is a workplace comedy about Gary, an associate demon, as he competes on the corporate ladder of the underworld. A Williams Street production, the show is created and directed by Dave Willis (Squidbillies, Aqua Teen Hunger Force) and Casper Kelly (Aqua Unit Patrol Squad 1, Squidbillies, Harvey Birdman: Attorney at Law).

ROBOT CHICKEN DC COMICS SPECIAL – Coming this fall, the Robot Chicken DC Comics Special brings you the awesomeness of the DC Comics universe of characters as only Robot Chicken can, with amazing guest stars and the stop-motion sketch comedy you've come to love after five seasons of the popular Adult Swim series. The special features many Robot Chicken favorites including the Robot Chicken Nerd, the Humping Robot, Composite Santa, and the Mad Scientist who will be joined by characters of the DC Comics universe to poke fun at those with the most impressive powers and the lesser ones who can't really be called superheroes. The all-star cast includes Seth Green as Batman, Robin and the put-upon Aquaman, Paul Reubens as The Riddler, Neil Patrick Harris as Two-Face, Alfred Molina as Lex Luthor, Nathan Fillion as the Green Lantern, Megan Fox as Lois Lane, Breckin Meyer as Superman, plus Abe Benrubi, Alex Borstein, Clare Grant, Tara Strong, Matt Senreich, Tom Root, Zeb Wells, and Kevin Shinick as the narrator. The Robot Chicken DC Comics Special is executive produced by Stoopid Monkey's Seth Green and Matthew Senreich and their Stoopid Buddy Stoodios partners, Buddy Systems' John Harvatine IV and Eric Towner along with DC Entertainment Chief Creative Officer Geoff Johns, and Warner Bros. Animation's Executive Vice President and Creative Affairs, Sam Register.

•VENTURE BROTHERS HALLOWEEN SPECIAL – This October on Adult Swim, the Venture Family fills your Halloween goody bag with fun-sized Truth. Created and directed by Jackson Publick and written by Publick and Doc Hammer, both of whom also provide voices for the special, the Venture Brothers Halloween Special is being animated by Titmouse, Inc.

•BEFOREL OREL – A Moral Orel special that sheds light on the origin of Orel’s religious nature and the birth of his brother, Shapey. Beforel Orel is created by Dino Stamatopoulos (Mary Shelley’s Frankenhole and Mr. Show).

Pilots:

•Untitled Animated Harold & Kumar Project (In Development) - An animated version of the eponymous blockbuster stoner comedy series. Produced by Lionsgate.

•Rick & Morty – A genius inventor grandfather and his less than genius grandson, and the journeys in life they share. From Dan Harmon (Community, Channel 101) and Justin Roiland. (30-minute animated)

•Colonel Wallace (Working Title) – An eccentric southern fried chicken magnate and his adventures with his family. Created by Greg Cohen (Conan O’Brien, King of the Hill, TV Funhouse). (15-minute animated)

•Coffin Dodgers – A group of misfit grumps get into fraternity-style trouble at a cozy suburban retirement home. From Dave Silverstein and Matt Jeser (Drawn Together). (30-minute animated)

•Green Bench: The American Day Dream – A group of friends have pooled their money to buy a large office space for their business. The only problem is they haven’t quite figured out what that business is. In the meantime, it’s an awesome headquarters where their petty, self-centered, and mischievous minds can wander. From the internet sketch comedy sensation Green Bench and produced by Dakota Pictures. (30-minute live-action)

•Freestyle Love Supreme – These I.T. guys work on their freestyle rapping at the office, much to the annoyance of their co-workers. Starring Lin-Manuel Miranda (In The Heights). From Ars Nova (Black Dynamite). (30-minute live-action)

•King Star King – King Star King is a modern day he-man who’s half-warrior, half-idiot. From artist JJ Villard (Monsters Vs. Aliens) and Eric Kaplan (Big Bang Theory). (15-minute animated)

•Rolling With Dad – A brilliant, but disabled man deals with his much less intelligent family. From Seth Grahame-Smith (Pride and Prejudice and Zombies; Abraham Lincoln, Vampire Hunter; Tim Burton’s Dark Shadows; The Hard Times of RJ Berger) and David Katzenberg (The Hard Times of RJ Berger). (30-minute animated)

Ridiculous and Absurd Infomercials (That Sell You Nothing):

•NTSF:SD:SUV::Home Security System – The state of the art home security system has arrived. Protect your home from every type of terrorist invasion. Through the installation of electrified moats, attack leopards, gun turrets, and even a mini detention center, NTSF:SD:SUV::HSS is the only type of security to make sure that your mailman is who he says he is and your next store neighbor is as friendly as they seem. Never have a surprise guest again. Be prepared for the worst with the best security money can buy. Produced by Abominable Pictures.

•You’re Whole - Michael Ian Black introduces viewers to the best, most economical system for taking your life to the next level now available on 27 DVDs. Produced by Abominable Pictures.

•Swords, Knives, Very Sharp Objects and Cutlery (Working Title) – A typical knife/sword infomercial and call-in show goes horribly wrong for host Dragon Shumway when the studio is suddenly attacked by bad guys and our host finally gets to realize the full potential of his weaponry by unleashing each one on his enemies. Created by and starring Rob Huebel and produced by Abominable Pictures.