Showing posts with label Alfred Molina. Show all posts
Showing posts with label Alfred Molina. Show all posts

Friday, December 17, 2021

Review: "SPIDER-MAN: No Way Home" Brings it on Home

TRASH IN MY EYE No. 72 of 2021 (No. 1810) by Leroy Douresseaux

Spider-Man: No Way Home (2021)
Running time: 148 minutes (2 hours, 28 minutes)
MPAA – PG-13 for sequences of action/violence, some language and brief suggestive comments
DIRECTOR: Jon Watts
WRITERS: Chris McKenna and Erik Sommers (based upon the Marvel comic book by Stan Lee and Steve Ditko)
PRODUCERS: Amy Pascal and Kevin Feige
CINEMATOGRAPHER: Mauro Fiore (D.o.P.)
EDITORS: Leigh Folsom Boyd and Jeffrey Ford
COMPOSER: Michael Giacchino

SUPERHERO/DRAMA/ACTION/ROMANCE

Starring:  Tom Holland, Zendaya, Benedict Cumberbatch, Jacob Batalon, Jon Favreau, Jamie Foxx,Willem DaFoe, Alfred Molina, Tony Revolori, Marisa Tomei, Angourie Rice, Arian Moayed, Hannibal Buress, Martin Starr, J.B. Smoove, J.K. Simmons, Thomas Hayden Church, Rhys Ifans, Charlie Cox, Andrew Garfield, and Tobey Maguire

Spider-Man: No Way Home is a 2021 superhero film and drama from director Jon Watts.  It is the eighth film in Columbia Picture's Spider-Man film franchise, and it is the third entry in a film trilogy that began with 2017's Spider-Man: Homecoming.  No Way Home is also a co-production between Columbia and Marvel Studios, making it the 27th film in the Marvel Cinematic Universe.  In No Way Home, Peter Parker turns to fellow Avenger, Doctor Strange, for help in making the world forget that he is Spider-Man, with disastrous results.

Spider-Man: No Way Home opens one week after the events depicted in Spider-Man: Far From Home (2019).  Peter Parker's (Tom Holland) identity as Spider-Man has been revealed to the world, and Spider-Man has been framed for the murder of Mysterio/Quentin Beck, whom some in the public see as a hero and a warrior.  Although his Aunt May (Marisa Tomei) takes the news better than expected, Peter is stilled concerned with how the news is affecting the lives of his girlfriend, Michelle “MJ” Jones-Watson (Zendaya), and his best friend, Ned Leeds (Jacob Batalon).

Peter turns to Dr. Stephen Strange (Benedict Cumberbatch) for help.  He asks Doctor Strange to cast a mystic spell that will make the world forget that he is Spider-Man, but Strange's mentor and friend, Wong (Benedict Wong), warns him about casting such a spell.  Strange casts the spell anyway, but Peter damages it by constantly asking for changes in who can remember him, which destabilizes the magic.  That in turn destabilizes the multiverse, causing cracks in reality.  Yes, the multiverse is real, and now, people from other universes who know that Peter is Spider-Man start showing up in Peter's world.  And that includes some dangerous villains who have previously engaged Spider-Man in death matches.  Peter does not know any of them, but he is determined to save them from their fates.  Is our young hero willing to pay the costs and make the sacrifices that it will take to make everything right in this world and in the wider multiverse?

Sony Pictures is determined to keep social media and media in general from spoiling the many surprises contained in its film, Spider-Man: No Way Home.  The film does a number of things very well, but it does two things particularly well.  Talking about the first could reveal spoilers, so what I will say is that this film gives us the appearances by certain characters and actors that many of us have wanted since we first heard the rumors that this film would deal with the multiverse.  Most of the character appearances are not cameos, and they contribute significantly to No Way Home.  The audience which with I saw No Way Home this past evening cheered with gusto for each special appearance.  They cheered as much as I ever heard an audience cheer during a superhero film.

Spider-Man: No Way Home is a joint production between Sony Pictures and Walt Disney Pictures' Marvel Studios.  One of the many things that Marvel's films do well is character development and drama.  No Way Home is the first film in the Sony/Marvel Spider-Man trilogy in which Peter Parker is confronted with the high costs of being Spider-Man.  Until this film, he has been relatively unscathed., but now, he learns that the decisions he makes can have ruinous consequences.  He suffers humiliations, setbacks, and heartbreaking loss.  He learns that with great power there must come great responsibility, and he learns that true heroes often make tremendous personal sacrifices for the benefit of others.  In No Way Home, Spider-Man becomes a man.

Don't get me wrong.  Spider-Man: No Way Home is certainly a true crowd-pleaser, and it is also one of the best films that I have seen this year.  As Peter Parker/Spider-Man, Tom Holland gives a wonderful performance in a film that requires him to express a wide range of emotions, sometimes from one extreme to another.  Holland, in layers, with textures, and with art, shows us the evolution of Spider-Man and especially of Peter Parker.  Spider-Man: No Way Home is one for the ages, and it is a great way to end one Spider-Man trilogy … so that the next one can come home.

9 of 10
A+

Friday, December 17, 2021


The text is copyright © 2021 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for syndication rights and fees.

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Wednesday, April 28, 2021

Review: "PROMISING YOUNG WOMAN" Rocked Me Like a Hurricane

TRASH IN MY EYE No. 29 of 2021 (No. 1767) by Leroy Douresseaux

[This review was originally posted on Patreon.]

Promising Young Woman (2020)
Running time: 113 minutes (1 hour, 53 minutes)
MPAA – R for strong violence including sexual assault, language throughout, some sexual material and drug use
WRITER/DIRECTOR:  Emerald Fennell
PRODUCERS:  Tom Ackerley, Ben Browning, Emerald Fennell, Ashley Fox, Josey McNamara, and Margot Robbie
CINEMATOGRAPHER:  Benjamin Cracun (D.o.P.)
EDITOR:  Frederic Thoraval
COMPOSER:  Anthony Willis
Academy Award winner

DRAMA/COMEDY/THRILLER

Starring:  Carey Mulligan, Bo Burnham, Alison Brie, Clancy Brown, Jennifer Coolidge, Laverne Cox, Chris Lowell, Connie Britton, Adam Brody, Max Greenfield, Christopher Mintz-Plasse, Sam Richardson, Alfred Molina, and Molly Shannon

Promising Young Woman is a 2020 black comedy and suspense thriller film from director Emerald Fennell.  The film focuses on a young woman who takes revenge for a traumatic event in her past on the unwary young men who cross her path.

Promising Young Woman introduces Cassandra “Cassie” Thomas (Carey Mulligan), a 30 year-old medical school dropout who lives with her parents, Susan (Jennifer Coolidge) and Stanley Thomas (Clancy Brown), in Ohio.  Seven years earlier, something terrible happened to Cassie's best friend, Nina Fisher, at a party, and it led to both Cassie and Nina leaving the medical school they attended, Forrest University.

Now, Cassie spends her nights feigning drunkenness in clubs, and allowing men to take her to their homes.  Then, she bluntly and forcefully reveals her sobriety when these men try to take advantage of her by having sexual relations with a woman who is too inebriated to give consent.  Things begin to change when Cassie is reunited with a former classmate, Dr. Ryan Cooper (Bo Burnham), a pediatrician.  When another classmate reveals a lurid secret, Cassie resumes her mission of revenge, but can she survive her own mission.

Of the many shocking things about Promising Young Woman, one of them is actress Carey Mulligan.  She completely buries herself in this role, and the waif-like persona she adopted in some of her early films disappears in the storm of the force of nature that is Cassie.  Mulligan's performance as Cassie recalls classic Clint Eastwood movie characters like “Dirty” Harry Callahan and “Preacher” (from 1985's Pale Rider).  I also have to give a shout out to Promising Young Woman's makeup department for its work in creating Cassie's look, which, spiritually, recalls the those vengeful dead girls in such Japanese horror films as Ringu (1998) and Ju-On: The Grudge (2002).

I can't help but be impressed by the debut directorial effort of writer-director Emerald Fennell.  Her film is straight to the point.  Fennell is not being allegorical, metaphorical, or symbolic.  Fennell delivers stunning entertainment that is both a timely message movie and a timeless cinematic film, a mainstream spin of the spirit of The Last House on the Left (1972) and I Spit on Your Grave (1978).  She may or may not be talking to you, sir, but there is no doubt about what Fennell is saying.

In a way, Promising Young Woman is the Get Out of 2020.  Like Jordan Peele's Oscar-winning film, Promising Young Woman is a game changer.  Whereas Peele's Get Out was a revelation in its message about white people's violence against African-American bodies, Fennell's Promising Young Woman is the clarion call to the reckoning for the way men objectify and enact sexual violence on the bodies of women.  Hopefully, Fennell's film is the cinematic earthquake that leads to a Hollywood tsunami.

And yes, Promising Young Woman is entertaining.  It simply manages to also blow your mind, chill your blood … and make some men reflexively cover their jewels.

9 of 10
A+

Monday, March 22, 2021


NOTES:
2021 Academy Awards, USA:  1 win: “Best Original Screenplay” (Emerald Fennell); 4 nominations: “Best Motion Picture of the Year” (Ben Browning, Ashley Fox, Emerald Fennell, and Josey McNamara), “Best Performance by an Actress in a Leading Role” (Carey Mulligan), “Best Achievement in Directing” (Emerald Fennell), and “Best Achievement in Film Editing” (Frédéric Thoraval)

2021 Golden Globes, USA:  4 nominations: “Best Screenplay - Motion Picture” (Emerald Fennell), “Best Performance by an Actress in a Motion Picture – Drama” (Carey Mulligan), “Best Director - Motion Picture” (Emerald Fennell), “Best Motion Picture - Drama”

2021 BAFTA Awards:  2 wins: “Best Screenplay-Original” (Emerald Fennell) and “Outstanding British Film of the Year” (Emerald Fennell, Ben Browning, Ashley Fox, and Josey McNamara); 4 nominations: “Best Film” (Ben Browning, Emerald Fennell, Ashley Fox, and Josey McNamara), “Best Editing” (Frédéric Thoraval), “Original Score” (Anthony Willis), and “Best Casting” (Lindsay Graham and Mary Vernieu)


The text is copyright © 2021 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

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Thursday, October 18, 2018

Review: "Justice League Dark" Surprises

TRASH IN MY EYE No. 8 (of 2018) by Leroy Douresseaux

Justice League Dark (2017)
Running time:  75 minutes (1 hour, 15 minutes)
MPAA – R for some disturbing violence
DIRECTOR:  Jay Oliva
WRITERS:  Ernie Altbacker; from a story by Ernie Altbacker and J.M. DeMatteis
EDITOR:  Christopher D. Lozinsk
COMPOSER:  Robert J. Kral
ANIMATION STUDIO:  DR Movie

ANIMATION/SUPERHERO/ACTION/FANTASY

Starring:  (voices) Matt Ryan, Jason O'Mara, Camilla Luddington, Nicholas Turturro, Ray Chase, Roger Cross,  Alfred Molina, Enrico Colantoni, Jeremy Davies, Rosario Dawson, Jerry O'Connell, Colleen O'Shaughnessey, and Fred Tatasciore

Justice League Dark is a 2017 straight-to-video animated superhero film from Warner Bros. Animation.  It is the 27th film in Warner's line of “DC Universe Animated Original Movies.”  This film features a supernatural-leaning version of DC Comics' Justice League.  Called “Justice League Dark,” this team was introduced in the 2011 comic book created by writer Peter Milligan and artist Mikel Janin.  Justice League Dark the film focuses on a group of beings with supernatural powers that join together to fight against supernatural villains.

Justice League Dark opens with a series of violent murders in the cities of Metropolis, Gotham, and Washington, D.C.  These murders are committed by people who believe that they are being attacked by demonic creatures, or so they say after being stopped by members of the Justice League.  The truth is that they are hallucinating, and these hallucinations cause them to see the people around them, including their family and friends, as demonic creatures.

The Justice League, which includes such as heroes as Superman (Jerry O'Connell), Wonder Woman (Rosario Dawson), and Green Lantern (Roger Cross), conclude that magic is behind these visions of demonic creatures, but Batman (Jason O'Mara) is skeptical.  However, an encounter with Deadman/Boston Brand at Wayne Manor, convinces Batman to join Deadman and Zatanna (Camilla Luddington), the powerful magician, to find Zatanna's ex-boyfriend, John Constantine (Matt Ryan).

A con man, Constantine is a powerful exorcist and magic user and is also the custodian of the “House of Mystery.”  Constantine may be the key to finding the source behind the demonic visions.  Joined by Jason Blood (Ray Chase) and Etrigan the Demon (Ray Chase), this odd group forms a dark version of the Justice League in order to battle a centuries-old sorcery named Destiny (Alfred Molina).

In Justice League Dark, several characters fling explosive magical energy blasts about.  There are several battles that look like mini versions of the epic battle between Albus Dumbledore and Lord Voldemort in the film, Harry Potter and the Order of the Phoenix (2007).  My experience with such DC Comics characters as Constantine and Zatanna is different from what this film offers, which is that they are not wielders of combat magic, but maybe they have on occasions that I missed.

Still, this is an entertaining movie.  Although I found myself wanting to dislike it, it is strangely entertaining, surprising me that I enjoyed it a lot.  Perhaps, Justice League Dark is capable of casting a spell.  It is weird and has an eclectic cast and some nice plot twists.  There is no need to say any more.  Fans of the DC Animated Movie Universe will want to see this.

7 of 10
B+

Thursday, October 18, 2018


The text is copyright © 2018 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

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Saturday, October 21, 2017

"Hey Arnold!: The Jungle Movie" to Simulcast Nov. 24th, 2017

Arnold and Crew Are Back in Nickelodeon’s Hey Arnold!: The Jungle Movie Premiering Friday, Nov. 24, at 7:00 P.M. (ET/PT)

Two-Hour TV Movie Solves Unanswered Questions, Taking Arnold and Friends on the Field Trip of a Lifetime

Share it: @Nickelodeon @officialheyarnold #HeyArnold #TheJungleMovie

NEW YORK--(BUSINESS WIRE)--Nickelodeon fans of all ages are getting a Thanksgiving treat this year, as the highly anticipated, brand-new Hey Arnold!: The Jungle Movie bows Friday, Nov. 24, 2017 from 7:00-9:00 p.m. (ET/PT). Featuring a storyline picking up where the original TV series ended in 2004, Hey Arnold!: The Jungle Movie follows the kids on the field trip of a lifetime, where Arnold and his friends embark on a quest to achieve his dream of finding his missing parents. Hey Arnold!: The Jungle Movie will premiere as a simulcast on Nickelodeon, TeenNick and Nicktoons.

Co-written and executive produced by the TV series’ original creator Craig Bartlett, Hey Arnold!: The Jungle Movie features original voice cast members:  Francesca Marie Smith (The Prince of Egypt) as Helga and Anndi McAfee (Tom and Jerry: The Movie) as Phoebe, alongside dynamic new voice talent Mason Vale Cotton (Mad Men) as Arnold and Benjamin “Lil’ P-Nut” Flores, Jr. (Game Shakers) as Gerald.

Lane Toran (original voice of Arnold) and Jamil Walker Smith (original voice of Gerald) will supplement the returning cast by lending their voices as Che and Paulo, two members of the boat crew in San Lorenzo, and Alfred Molina (Spider-Man 2) stars as resident villain, Lasombra.

Additional voice actors reprising their famed roles include: Justin Shenkarow (Recess) as Harold; Olivia Hack (Family Guy) as Rhonda; Nika Futterman (The Boxtrolls) as Olga; Dan Butler (Frasier) as Mr. Simmons; Dan Castellaneta (The Simpsons) as Grandpa; Tress MacNeille (The Simpsons) as Grandma; Antoinette Stella (Melrose Place, writer) as Stella; Carlos Alazraqui (Happy Feet) as Eduardo; Dom Irrera (Back at the Barnyard) as Ernie; Maurice LaMarche (Futurama) as Bob Pataki; Kath Soucie (Rugrats) as Miriam; Danielle Judovits (Toy Story) as Big Patty; Danny Cooksey (The Lorax) as Stoop Kid; Jim Belushi (According to Jim) as Coach Wittenberg; and Craig Bartlett as Miles.

New voices include: Gavin Lewis (Real Boy) as Eugene; Jet Jurgensmeyer (Shimmer and Shine) as Stinky; Aiden Lewandowski (Comedy Bang! Bang!) as Sid; Laya Hayes (Santa Hunters) as Nadine; Nicolas Cantu (The Impossible Joy) as Curly; Wally Wingert (Sonic Boom) as Oskar; and Stephen Stanton (Star Wars Rebels) as Pigeon Man.

Viewers can visit the Hey Arnold!: The Jungle Movie page on Nick.com and the Nick App, along with the Hey Arnold! Facebook page and Instagram, to get a look at the TV movie. For more information, visit nickpress.com.

NickSplat, TeenNick’s programming block dedicated to Nickelodeon’s legendary library of hits from the ‘90s and 2000s, will celebrate Hey Arnold! throughout the month of November with fan-favorite episodes every night from 12:00 a.m.-1:00 a.m. (ET/PT). In addition, NickSplat will treat fans to a marathon of every single Hey Arnold! episode beginning Friday, Nov. 17, through Friday, Nov. 24, from 11:00 p.m.–6:00 a.m. (ET/PT). Hey Arnold!: The Jungle Movie encores Saturday, Nov. 25, and Friday, Dec. 1, at 12:00 a.m. (ET/PT) on TeenNick.

Debuting in 1996, Hey Arnold! helped usher in a new era of groundbreaking animation on TV, joining the ranks of landmark Nickelodeon hits, including Doug, Rugrats, The Ren & Stimpy Show, Rocko’s Modern Life, SpongeBob SquarePants and more. Hey Arnold!:The Jungle Movie is one of Nickelodeon’s three animated properties from its rich library reimagined for today’s audience, including the upcoming TV special Rocko’s Modern Life: Static Cling and Invader Zim.


About Nickelodeon
Nickelodeon, now in its 38th year, is the number-one entertainment brand for kids. It has built a diverse, global business by putting kids first in everything it does. The company includes television programming and production in the United States and around the world, plus consumer products, digital, recreation, books and feature films. Nickelodeon’s U.S. television network is seen in more than 90 million households and has been the number-one-rated kids’ basic cable network for 22 consecutive years. For more information or artwork, visit http://www.nickpress.com. Nickelodeon and all related titles, characters and logos are trademarks of Viacom Inc. (NASDAQ: VIA, VIAB).

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Tuesday, June 14, 2016

"Hey Arnold!: The Jungel Movie" is the Title of 2017 "Hey Arnold!" TV Movie

Nickelodeon Reveals Title of the Hey Arnold! TV Movie as Hey Arnold!: The Jungle Movie; Original Voice Actors Return

BURBANK, Calif.--(BUSINESS WIRE)--Nickelodeon announced today that the upcoming TV movie titled Hey Arnold!: The Jungle Movie will feature 19 original voices from the beloved television series. The announcement comes in the midst of Nickelodeon’s 25th anniversary celebration of original creator-driven animation. Hey Arnold!: The Jungle Movie is written and executive produced by the series’ original creator Craig Bartlett and produced by Nickelodeon Animation Studios in Burbank. The two-hour TV movie will debut in 2017.

    “We’re incredibly fortunate to work with these talented voice actors who brought to life one of the most celebrated cartoons in Nickelodeon’s history”

The voice actors reprising their famed roles include: Francesca Marie Smith (The Prince of Egypt) as Helga; Anndi McAfee (Tom and Jerry: The Movie) as Phoebe; Justin Shenkarow (Recess) as Harold; Olivia Hack (Family Guy) as Rhonda; Nika Futterman (The Boxtrolls) as Olga; Dan Butler (Frasier) as Mr. Simmons; Dan Castellaneta (The Simpsons) as Grandpa; Tress MacNeille (The Simpsons) as Grandma; Antoinette Stella (Melrose Place, writer) as Stella; Carlos Alazraqui (Happy Feet) as Eduardo; Dom Irrera (Back at the Barnyard) as Ernie; Maurice LaMarche (Futurama) as Bob Pataki; Kath Soucie (Rugrats) as Miriam; Danielle Judovits (Toy Story) as Big Patty; Danny Cooksey (The Lorax) as Stoop Kid; Jim Belushi (According to Jim) as Coach Wittenberg; and Craig Bartlett as Miles.

Additionally, Lane Toran (original voice of Arnold) and Jamil Smith (original voice of Gerald) will supplement the returning cast by lending their voices to several other roles.

“We’re incredibly fortunate to work with these talented voice actors who brought to life one of the most celebrated cartoons in Nickelodeon’s history,” said Chris Viscardi, SVP, Content Development, Nickelodeon Franchise Properties. “The voice cast is an essential piece to the Hey Arnold! universe and we're excited for a new generation of fans to hear these characters in a new TV movie.”

Original cast members will give new life to Helga, a complicated and cynical girl who puts up a mean front, but is full of extreme emotions; Phoebe, Helga’s confidante and loyal best friend; Harold, a former bully with a tough exterior and soft interior; Rhonda, a fashionista who comes from a preppy and prestigious family; and Olga, Helga’s beautiful, intelligent and friendly older sister; as well as the other colorful characters.

New voices in the Hey Arnold!: The Jungle Movie include: Mason Vale Cotton (Mad Men) as Arnold; Benjamin “L’il P-Nut” Flores, Jr. (Game Shakers) as Gerald; Gavin Lewis (Real Boy) as Eugene; Jet Jurgensmeyer (Bubble Guppies) as Stinky; Aiden Lewandowski (Comedy Bang! Bang!) as Sid; Laya Hayes (Santa Hunters) as Nadine; Nicolas Cantu (The Impossible Joy) as Curly; Wally Wingert (Sonic Boom) as Oskar; and Stephen Stanton (Star Wars Rebels) as Pigeon Man.

Rounding out the cast, Alfred Molina (Spider-Man 2) voices resident villain, Lasombra, an infamous river pirate operating from a secret compound in the jungles of San Lorenzo.

The greenlight for an original Hey Arnold! TV movie was announced earlier this year. Hey Arnold!: The Jungle Movie will feature a storyline that picks up from where the original series ended in 2004 and will resolve unanswered questions and plotlines--including Arnold finally getting answers about the whereabouts of his missing parents.

This August celebrates 25 years of original creator-driven animation for Nickelodeon, marking a significant milestone exemplifying decades of rich history and commitment to bringing fresh innovative content to kids and families around the world. Later in the year, Nickelodeon will open up a 190,000 square-foot, state-of-the-art complex to serve as the West Coast hub for the network, housing the ever-growing number of animated and live-action series, TV movies, and award shows and events seen globally.


About Nickelodeon
Nickelodeon, now in its 37th year, is the number-one entertainment brand for kids. It has built a diverse, global business by putting kids first in everything it does. The company includes television programming and production in the United States and around the world, plus consumer products, online, recreation, books and feature films. Nickelodeon’s U.S. television network is seen in more than 90 million households and has been the number-one-rated basic cable network for 20 consecutive years. For more information or artwork, visit http://www.nickpress.com. Nickelodeon and all related titles, characters and logos are trademarks of Viacom Inc. (NASDAQ: VIA, VIAB).

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Sunday, December 20, 2015

Poster and Trailer for "Whiskey Tango Foxtrot"


See Tina Fey in the new trailer for WhiskeyTango Foxtrot

Link - https://youtu.be/dxAcIWDi8ps

WHISKEY TANGO FOXTROT is in-theaters March 4, 2016!

Directed By: Glenn Ficarra & John Requa
Starring: Tina Fey, Margot Robbie, Martin Freeman, Alfred Molina and Billy Bob Thornton

Website - http://www.whiskeytangofoxtrotthemovie.com/
Twitter - https://twitter.com/WTFTheMovie
Facebook - https://www.facebook.com/WTFTheMovie
Instagram - https://www.instagram.com/WTFTheMovie/

Sunday, September 20, 2015

Starz Gains U.S. Rights to WWII-Era Drama, "Close to the Enemy"

Starz to Co-Produce Writer/Director Stephen Poliakoff’s “Close to the Enemy” Original Miniseries

BEVERLY HILLS, Calif.--(BUSINESS WIRE)--Starz today announced it has secured, via a deal with international distributor all3media International, the exclusive U.S. premium rights to, and will co-produce the six-episode original miniseries “Close to the Enemy,” written and directed by the multi-award winning Stephen Poliakoff (STARZ Original miniseries, "Dancing on the Edge," Glorious 39, The Lost Prince) with Helen Flint (Longford, The Take, Galavant), Hilary Bevan Jones (Roald Dahl's Esio Trot, The Escape Artist) and Colin Callender (Wolf Hall) serving as Executive Producers. “Close To the Enemy” is a Little Island production produced in association with Endor Productions and Playground Entertainment and distributed by all3media International. “Close to the Enemy” is expected to premiere on BBC Two in the UK and STARZ in the U.S. in 2016.

    “We are excited to team up with Little Island, Endor Productions, Playground Entertainment, all3media International and Stephen Poliakoff again as he brings this post-World War II thriller to life in a way our viewers will find extremely compelling”

“We are excited to team up with Little Island, Endor Productions, Playground Entertainment, all3media International and Stephen Poliakoff again as he brings this post-World War II thriller to life in a way our viewers will find extremely compelling,” said Carmi Zlotnik, Managing Director of Starz.

Stephen Driscoll, SVP Sales, all3media International commented, “We are delighted to announce another significant collaboration with Starz who will release ‘Close to the Enemy’ to their U.S. subscribers in 2016. Stephen Poliakoff and this wonderful cast of actors are creating a thrilling mini-series that will enthrall audiences on both sides of the Atlantic. We look forward to announcing further international deals in the very near future.”

Polly Hill, Controller BBC Drama Commissioning, also added, “It is wonderful to welcome Starz and Playground on board. The combination of such talented producers with first-rate track records will ensure audiences from around the globe can enjoy Poliakoff's truly original and compelling new drama series.”

Jim Sturgess (One Day) heads an all-star cast including Freddie Highmore (Bates Motel), Charlotte Riley (Peaky Blinders), Phoebe Fox (Woman in Black 2), August Diehl (Inglourious Basterds), Robert Glenister (Hustle), Alfie Allen (Game of Thrones), Charity Wakefield (Wolf Hall), with Lindsay Duncan (Birdman), Angela Bassett (American Horror Story), and Alfred Molina (Love is Strange).

Set in a bomb-damaged London hotel during the aftermath of World War II, “Close to the Enemy” is a thriller that follows British intelligence officer Captain Callum Ferguson (Sturgess), whose last task for the Army is to ensure that a captured German scientist, Dieter (Diehl), hands over secret cutting-edge military technology crucial to national security. Callum employs unorthodox methods in his attempt to convince Dieter to work for the British, developing a friendship with him, which is soon threatened as the German’s involvement in the Nazi war machine may be more than it initially seems.

In the tradition of Stephen Poliakoff’s other work, Callum encounters a number of other characters whose stories all intertwine. These characters include Victor (Highmore), Callum’s younger brother, struggling to deal with psychological trauma caused by his experiences on the frontlines; Harold (Molina), a Foreign Office official who reveals some startling truths about the outbreak of the war; Rachel (Riley), an enchanting Anglophile American engaged to his best friend; Eva (Bassett), a confident American jazz singer who breathes life into the old hotel with her music; and Kathy (Fox), a tough, young woman working for the War Crimes Unit, fighting to bring war criminals who escaped prosecution to justice. All of these characters are trying to rebuild and move forward with their lives in the aftermath of a war that scarred them all so deeply.

Starz acquired U.S. network pay TV and SVOD rights from all3media international who will distribute the series worldwide.


About Starz
Starz (NASDAQ: STRZA, STRZB) is a leading integrated global media and entertainment company with operating units that provide premium subscription video programming on domestic U.S. pay television channels (Starz Networks), global content distribution (Starz Distribution) and animated television and movie production (Starz Animation), www.starz.com.

Starz Networks is a leading provider of premium subscription video programming through the flagship STARZ® and ENCORE® pay TV networks which showcase premium original programming and movies to U.S. multichannel video distributors, including cable operators, satellite television providers, and telecommunications companies. As of June 30, 2015, STARZ and ENCORE serve a combined 56.8 million subscribers, including 23.5 million at STARZ, and 33.3 million at ENCORE, making them the largest pair of premium flagship channels in the U.S. STARZ® and ENCORE®, along with Starz Networks’ third network MOVIEPLEX®, air more than 1,000 movies monthly across 17 linear networks, complemented by On Demand and authenticated online offerings through STARZ PLAY, ENCORE PLAY, and MOVIEPLEX PLAY. Starz Distribution develops, produces and acquires entertainment content, distributing it to consumers globally on DVD, digital formats and traditional television. Starz Distribution’s home video, digital media and worldwide distribution business units distribute original programming content produced by Starz, as well as entertainment content for itself and third parties. Starz Animation produces animated TV and movie content for studios, networks, distributors and audiences worldwide.

About Playground
Playground was founded in 2012 by Callender, and is committed to producing high quality drama for the screen and the stage bringing together the finest US and UK talent from the worlds of theatre, film, and television. Callender won his first Emmy for the television adaptation of the RSC’s The Life and Adventures of Nicholas Nickleby and, as president of HBO Films, was responsible for an unprecedented award-winning slate of movies and mini-series. Playground recently received 8 Emmy nominations for its coproduction with Company Pictures, the six-part miniseries adaptation of Hilary Mantel’s Wolf Hall starring Mark Rylance, Damian Lewis, Claire Foy and Jonathan Pryce for BBC and Masterpiece. It also partnered with Charlie Pattinson’s New Pictures on The Missing the eight part thriller for the BBC and Starz. Playground recently wrapped production on the television adaptation of Ronald Harwood’s The Dresser starring Anthony Hopkins and Ian McKellen and directed by Richard Eyre for the BBC and Starz.

About all3media International
all3media International distributes popular, award-winning TV programmes to over 1,000 broadcasters and media platforms around the world.

The company has been celebrated for producing, marketing and distributing quality, ground-breaking and pioneering shows to global audiences – consistently topping the Broadcast and Televisual annual Indies Surveys and we have been awarded the Queen’s Award for Enterprise in recognition of our growth – twice.

Our catalogue contains over 7,000 hours of content across all genres, with a focus on drama, comedy, factual, entertainment and formats. As well as Britain’s top-selling series Midsomer Murders, our lead dramas include The Missing, Indian Summers, Foyle’s War, Skins, Miss Fisher’s Murder Mysteries and Hinterland. Factual, entertainment and format bestsellers include Gogglebox, Undercover Boss, The Gadget Show, The Cube, The Only Way is Essex and The Million Second Quiz.

As part of the UK’s leading multi-label studio we partner with UK and international producers – including our own studios – in developing, financing and delivering content and formats.

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Friday, February 13, 2015

New Tina Fey Film Begins Shooting in New Mexico

PARAMOUNT PICTURES ANNOUNCES START OF PRINCIPAL PHOTOGRAPHY ON THE “UNTITLED TINA FEY - MARGOT ROBBIE - MARTIN FREEMAN PROJECT”

HOLLYWOOD, CA – Paramount Pictures announced that principal photography has commenced on the “UNTITLED TINA FEY - MARGOT ROBBIE - MARTIN FREEMAN PROJECT,” starring Tina Fey (“30 Rock,” “This is Where I Leave You”), Margot Robbie (“Focus,” “The Wolf of Wall Street”) and Martin Freeman (“The Hobbit” franchise, “Sherlock”).

Based on the autobiography The Taliban Shuffle: Strange Days in Afghanistan and Pakistan by Kim Barker, which the NY Times called “hilarious and harrowing, witty and illuminating, all at the same time,” the film is directed by Glenn Ficarra and John Requa (“FOCUS,” “CRAZY, STUPID, LOVE”) from a screenplay by Robert Carlock (“Saturday Night Live,” “30 Rock”). The producers are Lorne Michaels (“Saturday Night Live,” “THREE AMIGOS,” “MEAN GIRLS”), Tina Fey and Ian Bryce (“TRANSFORMERS” franchise, “WORLD WAR Z”).

The film also stars Alfred Molina (“The Normal Heart,” “Law & Order: LA”), Nicholas Braun (“GET A JOB,” “THE PERKS OF BEING A WALLFLOWER”), Christopher Abbott (“A MOST VIOLENT YEAR,” “Girls”), Sheila Vand (“State of Affairs,” “ARGO”), Stephen Peacocke (“Home and Away,” “HERCULES”), Evan Jonigkeit (“BONE TOMAHAWK,” “X-MEN: DAYS OF FUTURE PAST”) and Billy Bob Thornton (“THE JUDGE,” “Fargo”).

Shooting in now underway in New Mexico.


About Paramount Pictures Corporation
Paramount Pictures Corporation (PPC), a global producer and distributor of filmed entertainment, is a unit of Viacom (NASDAQ: VIAB, VIA), a leading content company with prominent and respected film, television and digital entertainment brands. Paramount controls a collection of some of the most powerful brands in filmed entertainment, including Paramount Pictures, Paramount Animation, Paramount Television, Paramount Vantage, Paramount Classics, Insurge Pictures, MTV Films, and Nickelodeon Movies. PPC operations also include Paramount Home Media Distribution, Paramount Pictures International, Paramount Licensing Inc., and Paramount Studio Group.

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Saturday, November 23, 2013

Review: "Monsters University" a Satisfying Second Helping

TRASH IN MY EYE No. 79 (of 2013) by Leroy Douresseaux

Monsters University (2013)
Running time:  104 minutes (1 hour, 44 minutes)
MPAA – G
DIRECTORS:  Dan Scanlon
WRITERS:  Robert Baird, Daniel Gerson, and Dan Scanlon; from a story by Robert Baird, Daniel Gerson, and Dan Scanlon
PRODUCER:  Kori Rae
EDITORS:  Greg Snyder
COMPOSER:  Randy Newman

ANIMATION/FANTASY/COMEDY/FAMILY

Starring:  (voices) Billy Crystal, John Goodman, Steve Buscemi, Helen Mirren, Peter Sohn, Joel Murray, Sean Hayes, Dave Foley, Charlie Day, Alfred Molina, Tyler Labine, Nathan Fillion, Aubrey Plaza, Julia Sweeney, Bonnie Hunt, and John Ratzenberger

Monsters University is a 2013 computer-animated comedy and fantasy film from Pixar Animation Studios.  Theatrically presented in 3D, Monsters University is Pixar’s fourteenth full-length feature film, and it is also the first prequel to one of the studio’s films.  Distributed by Walt Disney Pictures, it is a prequel to the 2001 animated film, Monsters, Inc.

Monsters University focuses on the stars of the original film, Mike and Sulley.  The movie looks at the early days of their relationship during their time in college, telling the story of how they went from rivals to friends.  Although it is not quite as good as the original, Monsters University is a warm and fuzzy and sweet and sentimental film that offers a return of one of the great comedy duos of animated films, Mike (ostensibly this movie’s lead character) and Sulley.

Monsters University introduces Michael “Mike” Wazowski (Billy Crystal), a young monster who dreams of being a “scarer,” a monster who enters the human world at night to scare children.  He enrolls at Monsters University, believing that is the best place to learn to be a great scarer.  Mike meets a large, blue furry monster named James P. “Sulley” Sullivan (John Goodman), a privileged student from a family of renowned scarers.  The two immediately dislike each other.

Sulley joins the school’s premiere fraternity, Roar Omega Roar (ROR).  Mike has to settle for Oozma Kappa (OK), a fraternity of geeks and outcasts.  An incident between Mike and Sulley puts the two on the fast track to trouble.  Mike decides that the Scare Games, a competition between Monsters University’s select fraternities and sororities, can save his and Sulley’s college careers.  First, the two rivals will have to learn to trust each other and their new Oozma Kappa friends.

Pixar is known for animated films that offer superb character drama, but Monsters University is simply a comedy with endearing characters.  I call Monsters University Pixar’s DreamWorks Animation movie.  Like many DreamWorks animated features, Monsters University is a broad comedy with several clever set pieces and sequences in which the heroes must deal with seemingly impossible-to-overcome obstacles.  Also like DreamWorks animation, Monsters University lacks the emotional resonance of Pixar’s best films, although this movie’s director and writers try.  Similar to Pixar’s Brave, Monsters University also has a weak first half-hour.

The two best things about Monsters University are the delightful supporting characters that are members of Oozma Kappa and the Scare Games.  I found those supporting players to be endearing, and the film gives just enough of them to make you feel that you didn’t get enough.  The Scare Games are exciting and have a great ending, which a subsequent plot twist kinda ruins.

When Monsters Inc. first appeared in 2001, it was novel, maybe even groundbreaking in a way.  All Monsters University can be is a welcome return of old friends, and that’s good enough.

7 of 10
B+

Saturday, November 23, 2013

The text is copyright © 2013 Leroy Douresseaux. All Rights Reserved. Contact this site for syndication rights and fees.



Thursday, April 25, 2013

Review: "Identity" Almost Great

TRASH IN MY EYE No. 61 (of 2003) by Leroy Douresseaux


Identity (2003)
Running time: 90 minutes (1 hour, 30 minutes)
MPAA – R for strong violence and language
DIRECTOR: James Mangold
WRITER: Michael Cooney
PRODUCER: Cathy Konrad
CINEMATOGRAPHER: Phedon Papamichael
EDITOR: David Brenner
COMPOSER: Alan Silvestri

HORROR/MYSTER/THRILLER with elements of crime drama

Starring: John Cusack, Ray Liotta, Amanda Peet, Alfred Molina, Clea DuVall, Rebecca De Mornay, John C. McGinley, John Hawkes, Jake Busey, Pruitt Taylor Vince, and Bret Loehr

The subject of this movie review is Identity, a 2003 mystery thriller and psychological horror film from director James Mangold. The film is set at a desolate Nevada motel during a nasty rainstorm. There, ten strangers are stranded and being killed off one by one. It’s actually a very good film until the end.

I often think that suspense thrillers and horror movies don’t have to be great, just effective, although there are great suspense and horror films. The plot and story may be familiar (it usually is), but the execution should make us forget that we’ve seen this before. We should be too busy jumping in our seats or making sure we locked all our doors and windows before the sun went down and we started watching a scary movie. Thus, while What Lies Beneath isn’t a great film, say like Psycho, it’s very well executed and does what it’s supposed to do: make us jump in our seats and feel something akin to the fear that the characters in the story feel. That is what Identity does.

Director James Mangold burst onto the film scene with the heartwarming and heart-wrenching drama Heavy, and entered the big time with Copland, wherein which he drew a very good performance from Sylvester Stallone. Identity is his first film that tackles the suspense/horror genre, and it’s a mighty good first leap.

Through the vagaries of coincidence, ten strangers are stranded at an isolated hotel during a nasty storm. As they begin to know each other, they discover that someone, either one of them or an unknown person, is killing them off one by one. As the most likely suspects are knocked off, the survivors are further confused when the bodies of the dead begin to disappear.

Writer Michael Cooney, the mastermind behind the Jack Frost films, creates what you could call a typical, professional Hollywood script, especially for a suspense film. The story has the usual clues and subtle tricks that you have to catch in order to learn the identity of the “bad guy.” It has the usual “bumps in the night,” an isolated setting for the story, the duplicitous characters, and enough false positives to scare off any pro football team. This is very good, if not spectacular work.

The strength of the film is in its cast and in its director. John Cusack is, as ever, very good as the leading man, and especially good in this case, as the smart guy trying to figure things out. Ray Liotta continues to shine in whatever roles he takes; everyone just seems to take him for granted. Mangold makes Identity part Alfred Hitchcock and a little slasher film. He’s subtle, even when the story seems to go over the top, as he takes advantage of Cooney’s suspense thriller settings: the lonely stretch of highway, the isolated motel, the overbearing and claustrophobic rainstorm, and the characters who come in all colors: shady, sneaky, weird, mental, dangerous, dishonest, weak, and angry. Mangold lets the cast run wild with these characters. He simply and quietly follows them, his camera greedily drinking what he’s carefully staged. It seems like zany and scary fun done with abandon, and while it is, Mangold knew what he was doing. He knew the buttons to push, and he knows where to take the story, every inch of the way, every scene in its place to give us the same sense of panic, fear, and growing desperation that his characters feel.

I had hoped that Identity would be fun and it was – good, spooky fun. When the story reveals its big secret, it does knock the steam out of the film, ruining the fun…almost. With the grace and athletic skill of a Kobe Bryant or Tracy McGrady, the film gets back on its feet for an ending that at least slaps you in the face if it doesn’t exactly bunch you in the stomach. Early in the film is a clue as to the killer’s identity. I ignored it, because a later scene corrected what seemed like a mistake when one character wrongly accuses another. That later scene was wrong and was a trick to throw us off. So pay attention to every step you take on this creepy trip.

6 of 10
B

Tuesday, March 12, 2013

2013 Sundance London Feature Film and Panel Programmes

Sundance London Film and Music Festival - April 25 to 28, 2013:

FEATURE FILM PROGRAMME — The international and UK premieres of American independent narrative and documentary films that premiered in January at the 2013 Sundance Film Festival in Park City, Utah, U.S.A.

Blackfish (Director: Gabriela Cowperthwaite) — Notorious killer whale Tilikum is responsible for the deaths of three individuals, including a top killer whale trainer. Blackfish shows the sometimes devastating consequences of keeping such intelligent and sentient creatures in captivity. (Documentary) International Premiere

Blood Brother (Director: Steve Hoover) — Rocky went to India as a disillusioned tourist. When he met a group of children with HIV, he decided to stay. He never could have imagined the obstacles he would face, or the love he would find. Winner of the U.S. Grand Jury Prize: Documentary and the Audience Award: U.S. Documentary presented by Acura at the 2013 Sundance Film Festival. (Documentary) UK Premiere

Emanuel and the Truth About Fishes (Director and screenwriter: Francesca Gregorini) — Emanuel, a troubled girl, becomes preoccupied with her mysterious, new neighbor, who bears a striking resemblance to her dead mother. In offering to babysit her newborn, Emanuel unwittingly enters a fragile, fictional world, of which she becomes the gatekeeper. Cast: Kaya Scodelario, Jessica Biel, Alfred Molina, Frances O'Connor, Jimmi Simpson, Aneurin Barnard. (Narrative) International Premiere

God Loves Uganda (Director: Roger Ross Williams) — A powerful exploration of the evangelical campaign to infuse African culture with values imported from America’s Christian Right. The film follows American and Ugandan religious leaders fighting “sexual immorality” and missionaries trying to convince Ugandans to follow biblical law. (Documentary) European Premiere

In a World... (Director and screenwriter: Lake Bell) — An underachieving vocal coach is motivated by her father, the king of movie-trailer voice-overs, to pursue her aspirations of becoming a voiceover star. Amidst pride, sexism and family dysfunction, she sets out to change the voice of a generation. Cast: Lake Bell, Demetri Martin, Rob Corddry, Michaela Watkins, Ken Marino, Fred Melamed. Winner of the Waldo Salt Screenwriting Award: U.S. Dramatic at the 2013 Sundance Film Festival. (Narrative) International Premiere

The Inevitable Defeat of Mister and Pete (Director: George Tillman Jr., Screenwriter: Michael Starrbury) — Separated from their mothers and facing a summer in the Brooklyn projects alone, two boys hide from police and forage for food, with only each other to trust. A story of salvation through friendship and two boys against the world. Cast: Skylan Brooks, Ethan Dizon, Jennifer Hudson, Jordin Sparks, Anthony Mackie, Jeffrey Wright. (Narrative) UK Premiere

The Kings of Summer (Director: Jordan Vogt-Roberts, Screenwriter: Chris Galletta) — A unique coming-of-age comedy about three teenagers who, in the ultimate act of independence, decide to spend their summer building a makeshift house in the woods. Free from their parents’ rules, their idyllic summer quickly becomes a test of friendship. Cast: Nick Robinson, Gabriel Basso, Moises Arias, Nick Offerman, Megan Mullally, Alison Brie. (Narrative) International Premiere

Muscle Shoals (Director: Greg 'Freddy' Camalier) — Down in Alabama Rick Hall founded FAME Studios and gave birth to the Muscle Shoals sound. Mick Jagger, Keith Richards, Gregg Allman, Aretha Franklin, Etta James, Alicia Keys, Bono and others bear witness to the greatest untold American music story. (Documentary) UK Premiere

Running from Crazy (Director: Barbara Kopple) — Mariel Hemingway, granddaughter of Ernest Hemingway, strives for a greater understanding of her family history of suicide and mental illness. As tragedies are explored and deeply hidden secrets are revealed, Mariel searches for a way to overcome a similar fate. From two-time Academy Award-winning director Barbara Kopple. (Documentary) International Premiere

Touchy Feely (Director and screenwriter: Lynn Shelton) — A massage therapist is unable to do her job when stricken with a mysterious and sudden aversion to bodily contact. Meanwhile, her uptight brother's foundering dental practice receives new life when clients seek out his “healing touch.” Cast: Rosemarie DeWitt, Allison Janney, Ron Livingston, Scoot McNairy, Ellen Page, Josh Pais. (Narrative) International Premiere

Upstream Color (Director and screenwriter: Shane Carruth) — A man and woman are drawn together, entangled in the life cycle of an ageless organism. Identity becomes an illusion as they struggle to assemble the loose fragments of wrecked lives. Cast: Amy Seimetz, Shane Carruth, Andrew Sensenig, Thiago Martins. Winner of a U.S. Dramatic Special Jury Award for Sound Design at the 2013 Sundance Film Festival and from the director of the 2004 Sundance Film Festival U.S. Grand Jury Prize: Dramatic-winning film Primer. (Narrative) UK Premiere

SPECIAL EVENT PROGRAMME — On-screen stories complemented by extraordinary off-screen experiences.

History of the Eagles Part One (Director: Alison Ellwood) — Iconic American rock band the Eagles have earned countless awards and sold more than 120 million albums worldwide, including the best-selling album of all time. Using never-before-seen home movies, archival footage and new interviews with all current and former members of the Eagles, this documentary provides an intimate look into the history of the band and the legacy of their music. Includes an extended Q&A with the Eagles. (Documentary) International Premiere

Peaches Does Herself (Director and screenwriter: Peaches) — On the advice of an old stripper, Peaches makes sexually forthright music. This electro rock opera follows Peaches' rise in popularity and her love affair with a beautiful she-male that ultimately leads her to realize who she really is. Cast: Peaches, Danni Daniels, Sandy Kane, Mignon, Sweet Machine Band, Jolly Goods. Sundance London will also host a performance by Peaches. (Narrative) UK Premiere

Sleepwalk With Me (Director: Mike Birbiglia, Screenwriters: Mike Birbiglia, Ira Glass, Joe Birbiglia, Seth Barrish) — Reluctant to confront his fears of love, honesty, and growing up, a budding standup comedian has both a hilarious and intense struggle with sleepwalking. Cast: Mike Birbiglia, Lauren Ambrose, Carol Kane, James Rebhorn, Cristin Milioti. Winner of the Best of NEXT <=> Audience Award, Presented by Adobe Systems Incorporated, at the 2012 Sundance Film Festival. Includes an extended Q&A with director and screenwriter Mike Birbiglia, moderated by comedian Jimmy Carr. (Narrative) European Premiere

UK SPOTLIGHT — Drawing on the Sundance Film Festival’s rich legacy of premiering outstanding films produced in the UK – including An Education, Four Weddings and a Funeral, In Bruges, In the Loop, Kinky Boots, and Lock, Stock, and Two Smoking Barrels – this new showcase presents a selection of UK films that premiered in Park City, Utah.

In Fear (Directed and story by: Jeremy Lovering) — Trapped in a maze of country roads with only their vehicle for protection, Tom and Lucy are terrorized by an unseen tormentor exploiting their worst fears. Eventually they realize they've let the evil in – it’s sitting in their car. Cast: Alice Englert, Iain De Caestecker, Allen Leech. (Narrative) UK Premiere

The Look of Love (Director: Michael Winterbottom, Screenwriter: Matt Greenhalgh) — The true story of British adult magazine publisher and entrepreneur Paul Raymond. A modern day King Midas story, Raymond became one of the richest men in Britain at the cost of losing those closest to him. Cast: Steve Coogan, Anna Friel, Imogen Poots, Tamsin Egerton. (Narrative) UK Premiere

The Moo Man (Directors: Andy Heathcote, Co-director: Heike Bachelier) — A year in the life of heroic farmer Steve, scene stealing Ida (queen of the herd), and a supporting cast of 55 cows. When Ida falls ill, Steve’s optimism is challenged and their whole way of life is at stake. (Documentary) UK Premiere

The Summit (Director: Nick Ryan) — Twenty-four climbers converged at the last stop before summiting the most dangerous mountain on Earth. Forty-eight hours later, 11 had been killed or simply vanished. Had one, Ger McDonnell, stuck to the climbers' code, he might still be alive. Winner of the Editing Award: U.S. Documentary at the 2013 Sundance Film Festival. (Documentary)

SHORT FILM PROGRAMME — A wide-ranging collection of short films that screened in January at the 2013 Sundance Film Festival. All will screen together in one Short Film Programme. The winner of the Sundance London Short Film Competition will be the tenth short film featured.

The Apocalypse (Director and screenwriter: Andrew Zuchero) — Four uninspired friends try to come up with a terrific idea for how to spend their Saturday afternoon. International Premiere

Black Metal (Director and screenwriter: Kat Candler) — After a career spent mining his music from the shadows, one fan creates a chain reaction for the lead singer of a black metal band. European Premiere

The Date (Director and screenwriter: Jenni Toivoniemi) — Tino’s manhood is put to the test in front of two women when he has to host a date for Diablo, the family’s stud cat. Winner of the Short Film Jury Award: International Fiction at the 2013 Sundance Film Festival.

Irish Folk Furniture (Director: Tony Donoghue) — In Ireland, old hand-painted furniture is often associated with hard times, with poverty, and with a time many would rather forget. In this animated documentary, 16 pieces of traditional folk furniture are repaired and returned home. Winner of the Short Film Jury Award: Animation at the 2013 Sundance Film Festival.

Jonah (Director: Kibwe Tavares, Screenwriter: Jack Thorne) — When two young men photograph a gigantic fish leaping from the sea, their small town becomes a tourist attraction in this story about the old and the new. From the director of the 2012 Sundance Film Festival Short Film Grand Jury Prize-winning film FISHING WITHOUT NETS. UK Premiere

Reindeer (Director: Eva Weber) — A lyrical and haunting portrait of reindeer herding in the twilight expanses of the Lapland wilderness. Winner of a Short Film Special Jury Award at the 2013 Sundance Film Festival.

Until the Quiet Comes (Director and screenwriter: Kahlil Joseph) — Shot in the Nickerson Gardens housing projects in Watts, Los Angeles, this film deals with themes of violence, camaraderie and spirituality through the lens of magical realism. Winner of a Short Film Special Jury Award at the 2013 Sundance Film Festival. European Premiere

Whiplash (Director and screenwriter: Damien Chazelle) — An aspiring drummer enters an elite conservatory’s top jazz orchestra. Winner of the Short Film Jury Award: U.S. Fiction at the 2013 Sundance Film Festival. International Premiere

The Whistle (Director: Grzegorz Zariczny) — Marcin, a lowest-leagues football referee who lives in a small town near Krakow, dreams of better times. At his mother’s urging, he decides to change his life and find himself a girlfriend and a better job. Winner of the Short Film Grand Jury Prize at the 2013 Sundance Film Festival. UK Premiere

PANEL PROGRAMME — Discussions with renowned guest speakers providing incredible insights into the filmmaking process.

The Art of the Score: An Afternoon with David Arnold — In a career that has produced over 60 scores to date, David Arnold has written and arranged some of the most exciting music in film and television today – and has done so across myriad genres and styles. Best known for his five James Bond scores, including Casino Royale and Tomorrow Never Dies, as well as Independence Day, Stargate, Godzilla, Hot Fuzz, The Stepford Wives, and the television series Sherlock and Little Britain, his work has garnered numerous Grammy, Emmy, BAFTA, UK Royal Television Society and BMI awards and nominations. He was also Musical Director for 2012 Olympic Games and 2012 Paralympic Games in London. In a lively afternoon celebrating creativity and collaboration, Arnold and guests offer a first-hand look at the composing process – through conversation, clips and various demonstrations of his approach to film and the musical choices that have led to some of his most notable work.

Screenwriting Flash Lab — It takes years of screenwriting to have an overnight success. It also takes talent, willpower, determination, grit and more than anything – it requires failure. And yet the fear of failure can stymy creativity. What is a writer to do? Join UK and American screenwriters for a lively, honest and irreverent discussion on the creative lessons learned from their biggest “cock-ups”. A not-to-be-missed opportunity to meet fellow writers, as well as Sundance Institute’s Feature Film Program Founding Director, Michelle Satter, and International Director, Paul Federbush. Tony Grisoni (Fear and Loathing in Las Vegas, Tideland, In This World, Death Defying Acts), Peter Straughan (Tinker, Tailor, Soldier, Spy, The Debt, Men Who Stare at Goats), Lynn Shelton (Touchy Feely, Your Sister’s Sister, Humpday), moderator Mia Bays, Oscar-winning producer (Six Shooter, 30 Century Man) and marketing consultant / creative executive at Microwave, and other panelist to be announced. Co-presented with BAFTA.

Senses of Humor and Humour: US – UK Comedy — As the wisest among us have often observed, humor is a serious thing. A strangely elusive form (E.B. White once likened it to dissecting a frog; you can do it, but the thing dies in the process) comedy may be dispensed with sugarcoated smoothness, but it’s a uniquely powerful, sophisticated way of looking at the foibles of human nature and the contradictions of our lives and societies. From family dysfunction to global politics, comedians might argue that laughing at the world is simply the most sensible way of making sense of it. In a battle to establish who is funnier and why, our group of UK and US actors, comedians and filmmakers unpeel the layers and explore what’s behind the American and British “brands” of humor. With comedian, author and filmmaker Mike Birbiglia (Sleepwalk With Me), writer, director and actress Lake Bell (In A World…) and other panelists to be announced. Co-presented with BFI.

Wednesday, August 15, 2012

Review: "Species" is Kooky and Entertaining (Happy B'day, Natasha Henstridge)

TRASH IN MY EYE No. 10 (of 2004) by Leroy Douresseaux


Species (1995)
Running time: 108 minutes (1 hour, 48 minutes)
MPAA – R for sci-fi violence, strong sexuality and some language
DIRECTOR: Roger Donaldson
WRITER: Dennis Feldman
PRODUCERS: Dennis Feldman and Frank Mancuso Jr.
CINEMATOGRAPHER: Andrzej Bartkowiak (D.o.P.)
EDITOR: Conrad Buff
COMPOSER: Christopher Young

DRAMA/SCI-FI/THRILLER with elements of action and horror

Starring: Ben Kingsley, Michael Madsen, Alfred Molina, Forest Whitaker, Marg Helgenberger, Natasha Henstridge, and Michelle Williams

The subject of this movie review is Species, a 1995 science fiction and horror film from director Roger Donaldson. The film follows a group of scientists who are trying to track down an alien killer that looks like a human female. The alien’s creature form (which is a bipedal being with tentacles on her shoulders and back) was created by Swiss artist, H.R. Giger, who also created the creature in the original, 1979 Alien film.

In 1979, the scientist at S.E.T.I., (the giant radio telescope that searches outer space for signals from intelligent extraterrestrial life) sends out a message that includes a map of human DNA. They get the message back with instructions on how to modify DNA. Human scientists use that information to create a genetically modified human child named Sil (Michelle Williams). Sil later escapes when the scientists decide to abort the project by killing her, and due to her incredible rate of growth, she morphs into a sexy, adult blonde bombshell. The head scientist, Xavier Finch (Ben Kingsley), leads a team of experts in their respective fields that tracks Sil to Los Angeles as she seeks a human male with whom she will mate.

When this film was first released, the film’s production company tried to sell Species as some kind of creature flick featuring a sexy monster who could arouse a man as easily as she could kill him. Species is actually a very entertaining movie that is as much a dramatic thriller as it is a sci-fi horror flick. The eroticism is mostly non-existent, other than the fact that the actress playing the “creature,” Natasha Henstridge is a very beautiful woman with the an athletic build and the kind of long legs that turn men on like a light switch.

The cast is made up of a group of fine character actors, including a personal favorite, the incomparable Ben Kingsley (Ghandi), who makes any role he plays something special. Although Marg Helgenberger seems slightly out of place with all these male players, she holds her own with the always-delightful Michael Madsen, the oddly charming Forest Whitaker, and the chameleonic Alfred Molina.

Director Roger Donaldson (Cocktail) does a fine job assembling his cast and getting them to make a passable sci-fi concept into a really good thriller that maintains its quality even through some bad CGI at the end.

6 of 10
B

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Monday, July 9, 2012

Review: Tom Hanks' Magic Touch Energizes "The Da Vinci Code" (Happy B'day, Tom Hanks)

TRASH IN MY EYE No. 109 (of 2006) by Leroy Douresseaux

The Da Vinci Code (2006)
Running time: 149 minutes (2 hours, 29 minutes)
MPAA – PG-13 for disturbing images, violence, some nudity, thematic material, brief drug references, and sexual content
DIRECTOR: Ron Howard
WRITER: Akiva Goldsman (based upon the book by Dan Brown)
PRODUCERS: John Calley, Brian Grazer and Ron Howard
CINEMATOGRAPHER: Salvatore Totino
EDITORS: Dan Hanley, A.C.E. and Mike Hille, A.C.E.

MYSTERY/THRILLER

Starring: Tom Hanks, Audrey Tautou, Ian McKellen, Alfred Molina, Jürgen Prochnow, with Paul Bettany and Jean Reno, Jean-Yves Berteloot, Etienne Chicot, and Jean-Pierre Marielle

The subject of this movie review is The Da Vinci Code, a 2006 American mystery thriller from director Ron Howard and starring Tom Hanks. The film is based upon Dan Brown’s 2003 novel, The Da Vinci Code, which was a worldwide bestseller.

The French police summon famed Harvard Professor of Religious Symbology, Robert Langdon (Tom Hanks), to the world renown Paris museum, the Louvre, to assist them in a murder investigation in which the victim, curator of the Louvre, Jacques Sauniere (Jean-Pierre Marielle), has left behind a bloody trail of symbols and clues, including a bloody pentacle Sauniere drew on his own body before he died. However, police cryptologist, Sophie Neveu (Audrey Tautou), also arrives at the crime scene and surreptitiously informs Langdon that the lead investigator, Captain Fauche (Jean Reno), has pegged him as the first and only suspect in the murder.

Together, Langdon and Neveu unveil a series of stunning secrets hidden in the works of Renaissance painter Leonardo Da Vinci housed at the museum, all of which lead to a legendary secret society that has been guarding a secret nearly 2000 years old. Barely escaping the museum with the police hot on the tracks, Langdon and Neveu race from Paris to the French countryside to London, collecting clues as they attempt to crack Da Vinci’s code and reveal a conspiracy that may shake the very foundations of mankind. There, are however, sinister forces determined to stop them – personified in the form of a murderous albino monk, Silas (Paul Bettany).

Ron Howard’s latest film, The Da Vinci Code, is adapted by screenwriter Akiva Goldsman from author Dan Brown’s insanely popular novel of the same name. In fact, at 60 million copies sold worldwide, Brown’s book is the biggest selling hardcover work of fiction in history, and it has courted controversy because of its mix of conspiracy theory and pseudo history about the origins of Christianity virtually since the day it was published. Howard’s adaptation opened the 2006 Cannes Film Festival, where many of those who saw it allegedly panned the movie. By the time it opened theatrically worldwide on May 19th, U.S. film critics were either damning the movie with faint praise or simply skewering it.

Some critics have said that Tom Hanks and Audrey Tautou have no screen chemistry, but their characters certainly connect the first time they meet one another in the narrative. Some said that Hanks was miscast as novelist Dan Brown’s cerebral version of Indiana Jones, Robert Langdon, and Hanks is certainly older than the Langdon in Brown’s books (Langdon is also the star of Brown’s Angels and Demons) who is 30-something. However, Hanks is one of the most popular actors of his generation and of the last two decades, not to mention that he is a stellar movie actor. Regardless of the roles he takes, audiences take to Hanks and willingly live vicariously through his characters – seeing the movie through his eyes. He could sell salvation to the devil. So if he’s not like the Langdon of the book, it hardly seems to matter in the context of the movie.

Some critics have said that Howard’s direction is slow and makes The Da Vinci Code clunky. The film is riveting from beginning to end, and Howard, who has a Spielberg-like penchant forgetting audiences to respond favorably to the emotional cues he sets for different points in his films, takes us on an thrill ride that is equal parts intellect-engaging mystery tale and pulse-pounding, action/adventure flick. Some critics have also said that Howard’s film buries us in exposition. Much of the novel amounts to page after page of endless (but interesting) discussion of philosophy, religious history, art history, Middle Ages history, symbols, codes, Catholicism, etc. Goldsman screenplay only retains the exposition that is necessary for the turning the central plot of Dan Brown’s book into a film. Howard takes much of the novel’s historical discussion and turns it into flashbacks for the movie, so (for instance) we see snippets of The Knights Templars’ history rather than just be told about it.

The Da Vinci Code is simply a grand adult thriller that more than retains the spirit of Brown’s both controversial and internationally beloved book. The filmmaking on the part of writer and director is superb. The art direction and set decoration is top notch, all of it filmed in a cool and comforting photography that creates a sense of great mystery – an atmosphere that recalls Raiders of the Lost Ark. The acting is just right, with the performers knowing how to play up or down the fantastical and preposterous notions from Brown’s books – how to make their characters make the outlandish seem worth the effort to unravel it. The best at that is Ian McKellen as the jovial, bon vivant of alternative and wacky history, Sir Leigh Teabing. It all makes The Da Vinci Code one of the truly exceptional film mysteries to come along in many a year.

9 of 10
A+

Tuesday, May 23, 2006

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Saturday, April 21, 2012

Animated "Wonder Woman" Thunders

TRASH IN MY EYE No. 30 (of 2012) by Leroy Douresseaux

Wonder Woman (2009) – straight-to-video
Running minutes: 74 minutes (1 hour, 14 minutes)
MPAA – PG-13 for violence throughout and some suggestive material
DIRECTOR: Lauren Montgomery
WRITERS: Michael Jelenic; from a story by Michael Jelenic and Gail Simone (based on characters created by William M. Marston)
PRODUCER: Bruce W. Timm
EDITOR: Rob Desales
COMPOSER: Christopher Drake
ANIMATION STUDIO: Moi Animation Studio

ANIMATION/SUPERHERO/SCI-FI/ACTION with elements of drama

Starring: (voices) Keri Russell, Nathan Fillion, Alfred Molina, Rosario Dawson, Virginia Madsen, Vicki Lewis, Marg Helgenberger, Oliver Platt, and Skye Arens

Wonder Woman is a 2009 direct-to-video superhero animated film from Warner Bros. Animation. Starring DC Comics character, Wonder Woman, this is also the fourth feature in the DC Universe Animated Original Movies line. The movie pits the most famous comic book super-heroine, Wonder Woman, against Ares, and is loosely based upon the stories by acclaimed comic book writer/artist, George Perez.

Wonder Woman begins during an epic battle between the proud and fierce race of warrior women, the Amazons, and the forces of Ares (Alfred Molina), the Greek god of war. After Amazon Queen Hippolyta (Virginia Madsen) defeats Ares, the gods force a peace. The Amazons are granted an island, Themyscira, where they can be eternally youthful and isolated from men, but Ares will also be imprisoned on the island.

Over a 1000 years later, United States Air Force pilot, Colonel Steve Trevor (Nathan Fillion) crashes on Themyscira. Modern man’s trespass of the island also leads to events that enable the imprisoned Ares to escape with the help of an Amazon who betrays her sisters. Princess Diana (Keri Russell), daughter of Hippolyta, wins the right to return Trevor to his world and to also recapture Ares. However, Ares plans to not only regain his former powers, but also to bring total war to Earth. Will Princess Diana triumph and become Wonder Woman?

First, I must say that I am surprised at the amount of violence in Wonder Woman, and I’m not just talking about standard science fiction and fantasy violence. Although it is not explicitly depicted, murder and killing are prominent in the film from beginning to end. That doesn’t offend me, but does surprise me, and I thought that I should mention it.

Anyway, this is a terrific movie, and although I have many films to go in the series, I think this is the best of the DC Universe Animated Original Movies I’ve seen. The animation is good, but even better is the action. Wonder Woman’s action set pieces are like having the Lord of the Rings films and the 2007 hit, 300, turned into animation for our viewing pleasure, and it’s pleasurable, indeed. The writing is solid, especially the character development, which emphasizes the relationship between Diana and Steve and also allows both characters to go on a journey of growth.

The voice acting is good; you know that voice acting is good when you see the animated character and voice actor as one. I know that not all DC Universe Animated Original Movies are going to be as good as Wonder Woman. How could they since Wonder Woman is so good.

9 of 10
A+

Wednesday, February 01, 2012


Tuesday, January 31, 2012

"Abduction" is a Broken Star Vehicle for Taylor Lautner

TRASH IN MY EYE No. 9 (of 2012) by Leroy Douresseaux


Abduction (2011)
Running time: 106 minutes (1 hour, 46 minutes)
MPAA – PG-13 for sequences of intense violence and action, brief language, some sexual content and teen partying
DIRECTOR: John Singleton
WRITERS: Shawn Christensen
PRODUCERS: Doug Davison, Ellen Goldsmith-Vein, Dan Lautner, Roy Lee, and Lee Stollman
CINEMATOGRAPHER: Peter Menzies Jr. (D.o.P.)
EDITOR: Bruce Cannon
COMPOSER: Edward Shearmur

ACTION/DRAMA/MYSTERY/THRILLER

Starring: Taylor Lautner, Lily Collins, Alfred Molina, Michael Nyqvist, Denzel Whitaker, Sigourney Weaver, Antonique Smith, Jason Isaacs, Maria Bello, Roger Guenveur Smith, and Dermot Mulroney

Abduction is a 2011 action thriller starring Taylor Lautner, currently best known for his portrayal of Jacob Black in The Twilight Saga film series. The film is about a teenager who sets out to discover who he really is after discovering a baby picture of himself on a missing persons website. Abduction is also the first feature film that John Singleton has directed in six years.

Nathan Harper (Taylor Lautner) is an ordinary teenager who lives with his parents, Kevin (Jason Isaacs) and Maria (Maria Bello). Nathan partners with longtime friend, Karen Murphy (Lily Collins), for a high school sociology project. One night while doing research on the Internet, Nathan and Karen discover a baby photo that resembles Nathan on a missing persons website.

The website also has an age-progression program that allows users to see what the child would look like when he is older. When he ages the photo of the baby who is named Steven Price, Nathan is shocked to see a picture of someone who looks exactly like he does. Then, an innocent call to that missing persons website leads to the end of the life Nathan knows. Now, he and Karen are on the run, as shadowy figures chase Nathan, insisting that he has information they want. And some of them are willing to kill for it.

Abduction tries to be several things: a suspenseful character drama, an action chase movie, a lost identity mystery, and an international espionage thriller. As any one of the four, the film is weak. As all of them together, Abduction is still weak. The premise: a high school boy discovers his picture on a missing persons website, is interesting and has real-world implications. However, that premise ends up being just a tease because Abduction wants to be an espionage thriller with international implications, but it mostly ends up being a middling action movie.

Taylor Lautner is not a terrible actor, but he doesn’t accomplish much here that would make people think that he is a good actor. Watching this, I could tell that Lautner is sincere and is making an effort to be good and to make people buy into his character and the obstacles and dangers Nathan faces. In the first half of the film, his efforts come across as overacting. In the second half of this film, Lautner really sells, especially when Nathan is forced to directly confront a character that is trying to kill him.

In early 1992, John Singleton earned two Oscar nominations for his debut film, Boyz n the Hood (1991). I am actually saddened that 20 years later, Singleton has directed a film that seems like nothing more than a straight-to-DVD version of The Bourne Identity. Still, I have to give Lautner credit for his efforts, which is why I’m giving Abduction what I consider to be a generous grade.

5 of 10
C+

Tuesday, January 31, 2012

Thursday, January 26, 2012

Oscar-Nominated "Rango" Returns in Limited Engagement

PARAMOUNT TO RE-RELEASE ACADEMY AWARD®-NOMINATED “RANGO” BEGINNING THIS FRIDAY, JANUARY 27th

The now Academy Award®-nominated Rango, from director Gore Verbinski and starring the voice of Johnny Depp, saddles up for a one week limited engagement at the ArcLight Hollywood beginning this Friday, January 27th. The original animated comedy-adventure from Paramount Pictures and Nickelodeon Movies a Blind Wing/GK Films Production that takes moviegoers for a hilarious and heartfelt walk in the Wild West, was this morning nominated for an Academy Award® for Best Animated Feature Film.

Rango is the winner of the National Board of Review and Critics’ Choice Movie Award for Best Animated Feature, while top critics’ groups around the country have declared Rango the Best Animated Film of 2011, including Boston, Chicago, Los Angeles, San Francisco and Washington D.C.

The incomparable Johnny Depp voices Rango, a chameleon living as an ordinary family pet who dreams of being a fearless hero and is challenged to become just that when he inadvertently becomes the sheriff of a lawless desert town called Dirt. Story by John Logan, Gore Verbinski, and James Ward Byrkit, Written by John Logan, Directed by Gore Verbinski, the visionary behind the Pirates of the Caribbean franchise, Rango delighted audiences of all ages, earning more than $230 million worldwide. The film also features the voices of Isla Fisher, Abigail Breslin, Alfred Molina, Bill Nighy, Ned Beatty, Harry Dean Stanton, Ray Winstone and Timothy Olyphant.


About Paramount Pictures Corporation
Paramount Pictures Corporation (PPC), a global producer and distributor of filmed entertainment, is a unit of Viacom (NASDAQ: VIA, VIAB), a leading content company with prominent and respected film, television and digital entertainment brands. Paramount controls a collection of some of the most powerful brands in filmed entertainment, including Paramount Pictures, Paramount Animation, Paramount Vantage, Paramount Classics, Insurge Pictures, MTV Films, and Nickelodeon Movies. PPC operations also include Paramount Famous Productions, Paramount Home Media Distribution, Paramount Pictures International, Paramount Licensing Inc., and Paramount Studio Group.

Monday, September 12, 2011

Julie Taymor and Coen Bros. Films Debut on Blu-ray

THE TEMPEST: This modern retelling of William Shakespeare’s final masterpiece is an exciting, mystical and magical fantasy with Academy Award®-winner Helen Mirren (Best Actress, The Queen, 2006) leading a star-studded cast including Russell Brand (Get Him To The Greek) and Alfred Molina (The Sorcerer’s Apprentice). Exiled to a magical island, the sorceress Prospera (Mirren) conjures up a storm that shipwrecks her enemies, and then unleashes her powers for revenge. Directed by Julie Taymor (Frida) — and complete with exclusive bonus features — The Tempest, with its innovative twist, is a supernatural dramedy filled with Shakespearean villains, lovers and fools that will leave you spellbound. The Tempest will be released as a 1-Disc Blu-ray for the suggested Retail Price: $39.99 U.S.

GREY’S ANATOMY: THE COMPLETE SEVENTH SEASON: Includes all 22 episodes in the popular medical drama‘s seventh season which features an exclusive extended version of the one-of-a-kind 'Music Event' episode, plus “The Making of the Music Event” created especially for the DVD. This DVD gives fans exactly what they‘ve loved for seven seasons – watching the compelling ensemble deal with life-or-death consequences, while they find comfort, friendship and, at times, love in one another. Through it all everyone involved discovers that neither medicine nor relationships can be defined in black and white -- real life only comes in shades of “grey”. Grey’s Anatomy: The Complete Seventh Season will be releasing as a 5-Disc DVD set for the suggested retail price of $45.99 U.S./$54.99 Canada.

PRIVATE PRACTICE: THE COMPLETE FOURTH SEASON: From the creators of Grey’s Anatomy, comes the fourth season of ABC‘s sexy medical drama, Private Practice. Re-experience daily life for Dr. Addison Montgomery and her family of colleagues at the Oceanside Wellness Group as they rely on one another to deal with every complex romance, medical case and moral dilemma that comes their way. Offering fans the chance to own every season episode on DVD, including the critically-acclaimed, award-winning episode "Did You Hear What Happened To Charlotte King?," the release also includes exciting never before seen bonus features! Private Practice: The Complete Fourth Season will be releasing as a 3-Disc DVD set for the suggested retail price of $29.99 U.S./$35.99 Canada.

O BROTHER WHERE ARE THOU? BLU-RAY: George Clooney (The Perfect Storm) and John Turturro (Cars 2) embark on the adventure of a lifetime in this hilarious, offbeat road picture. And now, for the first time, this quirky gem shines more brightly than ever in Blu-ray High Definition!

Fed up with crushing rocks on a prison farm in Mississippi, the dapper, silver-tongued Ulysses Everett McGill (Clooney) busts loose…except that he’s still shackled to two misfits from his chain gang: bad tempered Pete (Turturro) and sweet, dimwitted Delmar (Tim Blake Nelsen) With nothing to lose and buried loot to regain, the three embark on a riotous odyssey filled with chases, close calls, near misses and betrayal. Experience every unpredictable moment as it plays out in the crystal-clear sound and breathtaking picture quality of Blu-ray. Populated with strange characters, including a blind prophet, sexy sirens and a one-eyed Bible salesman (John Goodman), O Brother, Where Art Thou will leave you laughing at every outrageous and surprising twist and turn! O Brother Where Art Thou? will be releasing as a 1-Disc Blu-ray for the suggested retail price of $26.50 US / $31.50 Canada.

COUNT OF MONTE CRISTO BLU-RAY: Jim Caviezel (Deja Vu) and Guy Pearce (Bedtime Stories) give sizzling performances in The Count Of Monte Cristo. And now, for the first time, the world’s greatest tale of betrayal, adventure and revenge is more riveting than ever in Blu-ray High Definition!

When the dashing and guileless Edmond Dantes (Caviezel) is betrayed by his best friend (Pearce) and wrongly imprisoned, he becomes consumed by thoughts of vengeance. After a miraculous escape, he transforms himself into the mysterious and wealthy Count of Monte Cristo, insinuates himself into the French nobility, and puts his cunning plan of reprisal in action. Experience the resounding clash of swords and the deadly glint off every razor-sharp blade. With the pristine sound and magnificent picture quality of Blu-ray, this swashbuckling thriller will have you perched on the edge of your seat until the very last drop of sweet revenge is exacted. The Count of Monte Cristo will be releasing as a 1-Disc Blu-ray for the suggested retail price of $26.50 U. S./ $31.50 Canada.


Thursday, June 23, 2011

Review: "RAIDERS OF THE LOST ARK - 30 Years Later, It's Still a Beast

TRASH IN MY EYE No. 52 (of 2011) by Leroy Douresseaux

Raiders of the Lost Ark (1981)
Running time: 115 minutes (1 hour, 55 minutes)
MPAA – PG
DIRECTOR: Steven Spielberg
WRITERS: Lawrence Kasdan; from a story by George Lucas and Philip Kaufman
PRODUCER: Frank Marshall
CINEMATOGRAPHER: Douglas Slocombe (D.o.P.)
EDITOR: Michael Kahn
COMPOSER: John Williams
Academy Award winner

ADVENTURE/ACTION

Starring: Harrison Ford, Karen Allen, Paul Freeman, Ronald Lacey, John Rhys-Davies, Denholm Elliot, Wolf Kahler, Alfred Molina, Fred Sorenson, and George Harris

This month marks the 30th anniversary of the release of Raiders of the Lost Ark to movie theatres (specifically June 12, 1981). The 1981 American adventure film went on to become the top-grossing film of 1981 and spawned four sequels and a short-lived television series. The film introduced the still wildly-popular character, Indiana Jones, portrayed by Harrison Ford (with a few exceptions), to audiences. The creation of director Steven Spielberg and executive producer, George Lucas, Raiders of the Lost Ark showed that a family film didn’t have to be G-rated fare, but could be a movie with nonstop action and quite a bit of violence.

Raiders of the Lost Ark follows archeologist Indiana Jones (Harrison Ford), who braves ancient temples to retrieve archeological relics. After his latest adventure, Army intelligence officers seek Jones help in finding his old mentor, Abner Ravenwood. The officers also inform Jones that the Nazis, in a quest for occult power, are looking for the Ark of the Covenant, the chest the ancient Israelites built to hold the fragments of the original Ten Commandments tablets. Ravenwood is supposedly in possession of the headpiece of the Staff of Ra, an artifact essential in finding the Ark. Ravenwood is also an expert on the ancient Egyptian city of Tanis, where the Ark is believed to be hidden.

Jones discovers that Ravenwood is deceased and that his daughter, Marion Ravenwood (Karen Allen), is now in possession of the headpiece. With Marion in tow and the Nazis hot on their trail, Jones travels to Egypt, where enlists the help of an old friend, Sallah (John Rhys-Davies), a skilled excavator. Meanwhile, Dr. René Belloq (Paul Freeman), Jones’ arch-nemesis who always seems to beat him, has joined forces with the Nazis to find the Ark before Indiana Jones does.

I’m old enough to have seen Raiders of the Lost Ark in a movie theatre, and I also remember how much I loved the movie. I was flat out crazy about Raiders, and, as far as I was concerned, Indiana Jones was the man. I must have watched Raiders more than 20 times within a five year period after it was first released. I watched it a few times in the late 1980s and early 1990s because of the release of Indiana Jones and the Last Crusade (1989). Since then, I’ve watched bits and pieces, but I just recently sat down and watched the entire film. Do I still feel about Raiders of the Lost Ark the way I did after I first saw it and after I watched it countless times over the next decade? Yes.

It’s just a great movie, a magical summer movie. Raiders of the Lost Ark is fun and ingenious, in terms of story and also film technology, in the way only American-made adventure movies are. It has a sense of humor and the droll wit of the characters simply makes Raiders something special – something more than just another action movie with fistfights, gun battles, and chase scenes. The actors’ wit and style make it seem as if they are really into this movie and are determined to make us believe the outlandish, logic defying leaps the action and story often take.

Raiders of the Lost Ark may be an ode to the old movie serials of the 1930s and 40s (especially the ones produced by Republic Pictures), but it is a triumph that has stood the test of time better than the stories that influenced it. Every time I see Raiders of the Lost Ark, I am reminded of how much I love movies, and that makes up for the bad movies.

9 of 10
A+

NOTES:
1982 Academy Awards: 4 wins: “Best Art Direction-Set Decoration” (Norman Reynolds, Leslie Dilley, and Michael Ford), “Best Effects, Visual Effects” (Richard Edlund, Kit West, Bruce Nicholson, and Joe Johnston) “Best Film Editing” (Michael Kahn), “Best Sound” (Bill Varney, Steve Maslow, Gregg Landaker, and Roy Charman) and “Special Achievement Award” (Ben Burtt and Richard L. Anderson for sound effects editing); 4 nominations: “Best Picture” (Frank Marshall), “Best Director” (Steven Spielberg), “Best Cinematography” (Douglas Slocombe), and “Best Music, Original Score” (John Williams)

1982 BAFTA Awards: 1 win: “Best Production Design/Art Direction” (Norman Reynolds); 6 nominations: “Best Film,” “Anthony Asquith Award for Film Music” (John Williams), “Best Cinematography” (Douglas Slocombe), “Best Editing” (Michael Kahn), “Best Sound” (Roy Charman, Ben Burtt, and Bill Varney), and “Best Supporting Artist” (Denholm Elliott)

1982 Golden Globes: 1 nomination: “Best Director - Motion Picture” (Steven Spielberg)

Thursday, June 23, 2011

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