Showing posts with label Family. Show all posts
Showing posts with label Family. Show all posts

Tuesday, February 20, 2024

Review: DreamWorks' "ORION AND THE DARK" Takes on Childhood Fears

TRASH IN MY EYE No. 12 of 2024 (No. 1956) by Leroy Douresseaux

Orion and the Dark (2024)
Running time:  93 minutes (1 hour, 33 minutes)
MPA – not rated
DIRECTOR:  Sean Charmatz
WRITERS:  Charlie Kaufman (based on the book by Emma Yarlett)
PRODUCER:  Peter McCown
EDITOR:  Kevin Sukho Lee
COMPOSERS:  Kevin Lax and Robert Lydecker

ANIMATION/FANTASY/ADVENTURE and COMEDY/DRAMA

Starring:  (voices): Jacob Tremblay, Paul Walter Hauser, Colin Hanks, Mia Akemi Brown, Ike Barinholtz, Nat Faxon, Golda Rosheuvel, Natasia Demetriou, Aparna Nancherla, Carla Gugino, Matt Dellapina, Nick Kishiyama, Shino Nakamichi, Werner Herzog, and Angela Bassett

SUMMARY OF THE REVIEW:

Orion and the Dark is a unique animated film that is about a child learning to accept fear as a part of life without letting it control him.

Orion and the Dark has an eclectic cast full of surprising characters, but Orion and Dark are this film's winning pair.

Orion and the Dark is a good family film, especially for parents and for children who are of middle grade age and younger.  I find it to be too deep in its feelies, but it will tug on the heartstrings of its intended audience.

Orion and the Dark is a 2024 animated fantasy-adventure and comedy-drama film directed by Sean Charmatz and produced by DreamWorks Animation.  The film is animated by French production company, Mikros Animation, and is also a “Netflix Original” that began streaming on Netflix February 2, 2024.

Orion and the Dark is based on the 2015 children's book, Orion and the Dark, from author Emma Yarlett.  Orion and the Dark the movie focuses on a boy whose active imagination causes him to be scared of everything and on the entity that takes him on an incredible journey.

Orion and the Dark introduces 11-year-old Orion Mendelson (Jacob Tremblay).  He is a severely anxious child with a long list of irrational fears.  He is a schoolboy with a fear of speaking in front of class, being bullied, ending up in a toilet, and a fear of speaking to Sally (Shino Nakamichi), the girl of his dreams, of course.  Outside of school, he also has a bunch of fears, including the fear of getting eaten by a shark, but at home its is worse.

Orion is afraid of the night, especially of the dark and of all the dark places in his bedroom.  Orion's father (Matt Dellapina) and mother (Carla Gugino) have a difficult time getting him to bed.  One night a giant, smiling creature slithers into his room.  He introduces himself as “Dark,” the embodiment of Orion's worst fear, the dark.  Tired of hearing Orion's constant complaints about him (the dark), Dark takes the 11-year-old on an adventure to help him overcome his fears and to appreciate the benefits of nighttime and of the dark.  But there are plenty of dangers along the way, including Dark's rival, “Light” (Ike Barinholtz), and Orion's own deep-seated fears.

Orion and the Dark is a beautifully animated film with simple, but evocative character and concept design.  It took me awhile to remember that Orion and the Dark reminds me of the 2014 DreamWorks Animation film, Mr. Peabody & Sherman.  Both films share a visual aesthetic, possibly because artist and designer, Timothy Lamb, served as the production designer on the two films.  Both films also convey their fantastical settings and surreal environments via eye-appealing art and design that have a children's picture book quality.  

I do have one gripe about Orion and the Dark.  The film does have a heart – a center – which is that both Orion and Dark have to learn something about themselves and to overcome self-doubt.  The film, however, also has sentiment, and it is, at times, exceedingly sentimental, which can be both heartwarming and saccharine.  Orion and the Dark is sometimes too much in its emotions and feelies, so much so that by the end, I thought the film was trying to give me an insulin attack.  Orion and the Dark pounds on its parent-child themes and dynamics with schmaltzy consistency.

I want to avoid spoilers.  Still, I will say that Orion and the Dark does have a time-travel subplot courtesy of screenwriter, Charlie Kaufman (Eternal Sunshine of a Spotless Mind), who is known for creating elaborate, twisty, meta screenplays.  Orion and the Dark has several interesting supporting characters, especially Dark's fellow “Night Entities,” so many so that I could see it becoming an animated television series.  Orion and the Dark is unique and quite well made, and many may find its heartwarming insistence just what we need in these dark times.

7 of 10
B+
★★★½ out of 4 stars

Tuesday, February 20, 2024


The text is copyright © 2024 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

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Sunday, December 10, 2023

Review: Prime Video's "CANDY CANE LANE" is an Unexpected Delight

TRASH IN MY EYE No. 52 of 2023 (No. 1941) by Leroy Douresseaux

Candy Cane Lane (2023)
Running time:  117 minutes (1 hour, 57 minutes)
MPA – PG for language throughout and some suggestive references
DIRECTOR: Reginald Hudlin
WRITER:  Kelly Younger
PRODUCERS:  Brian Grazer, Charisse M. Hewitt, Karen Lunder, and Eddie Murphy
CINEMATOGRAPHER:  Newton Thomas Sigel (ASC)
EDITORS:  Kenny G. Krauss and Jim May
COMPOSER:  Marcus Miller

COMEDY/FANTASY

Starring:  Eddie Murphy, Tracee Ellis Ross, Jillian Bell, Genneya Walton, Thaddeus J. Mixson, Madison Thomas, Nick Offerman, Chris Redd, Robin Thede, David Alan Grier, Ken Marino, Timothy Simons, Danielle Pinnock, and D.C. Young Fly

SUMMARY OF THE REVIEW:
  • I watched “Candy Cane Lane” on a lark, and I did not expect much from it.  Boy, am I surprised. It is so shockingly charming and endearing that this must be some kind of Christmas magic.
  • Eddie Murphy is quite good in family-oriented films, and even his fans who don't ordinarily like Murphy's family films will probably find something to like in “Candy Cane Lane”
  • The story is ridiculous at times, but “Candy Cane Lane” is the best Christmas movie I have seen in a long time.  I recommend it without reservation.

Candy Cane Lane is a 2023 comedy, fantasy, and Christmas film directed by Reginald Hudlin and starring Eddie Murphy.  The film is an Amazon “Prime Original” that began streaming December 1, 2023.  Candy Cane Lane focuses on a man who is so determined to win the neighborhood's annual Christmas decorating contest that he makes an unwise pact with a rogue elf.

Candy Cane Lane introduces Chris Carver (Eddie Murphy), a husband and father who crafts his own hand-carved Christmas decorations.  Every year, a local television station hosts the “Candy Cane Lane Spectacular,” a contest to judge the best decorated house.  Chris has never won, and he is jealous of his neighbor, Bruce (Ken Marino), who has won several times.

Shortly before Christmas, Chris' employer, the industrial plastics firm, Sydel Twain, lays him off.  When Chris learns that this year's Candy Cane Lane prize is $100,000, he becomes desperate to win the money for his family, although he wife, Carol Carver (Tracee Ellis Ross), has a very good job.  Chris is also oblivious to the lives of his two older children, Joy (Genneya Walton), a high school senior and track star, and Nick (Thaddeus J. Mixson), a tuba player and budding musician.

Looking for Christmas decorations and supplies, Chris and his youngest child, daughter Holly (Madison Thomas), stumble across “Kringle's,” a mysterious Christmas shop filled with all kinds of beautiful decorations, including model buildings, ceramic figures, and a strange Christmas tree.  Chris is so enchanted by all that he sees, believing that these decorations could help him win Candy Cane Lane.  He unwarily signs a deal with Kringle's eccentric shopkeeper, Pepper (Jillian Bell).  However, Pepper is more than she seems, and so is the receipt Chris signs.  Soon, he will need all the help he can get from his family and from a trio of diminutive new friends in order to keep himself out of Pepper's clutches.  And he also has some Christmas lessons to learn.

Audiences first came to know and love Eddie Murphy from his stand-up comedy career; his stint as a cast member of “Saturday Night Live” (1980-84); and his R-rated comedy films, such as 48 Hrs (1982), Trading Places (1983), and Beverly Hills Cop (1983).  Much to the chagrin of the those fans, Murphy's film career as an A-list star eventually led him to make innocuous family-friends films, especially Dr. Doolittle (1998), Shrek (2001), and Daddy Day Care (2003).

Those fans will not be pleased with Candy Cane Lane.  It is a family movie, an absurd fantasy film, and a Christmas movie full of holiday lessons to learn.  For me, Candy Cane Lane is one of the best absurd movies that I have ever seen.  Its concepts and ideas are as imaginative and as inventive as they are ridiculous and preposterous, yet I find the film endlessly lovable.  Every time I tried to dismiss it, I found myself drawn ever deeper into its delicious, addictive fluffiness.  Candy Cane Lane is a true feel-good movie.  It shouldn't work, yet it works to perfection.  Considering director Reginald Hudlin's past directorial efforts, I was (and still am) shocked that he could pull of this kind of Christmas movie, which is, for the most part, a warm cup of cocoa.  If anything, Candy Cane Lane suggests that screenwriter Kelly Younger is certainly inventive.

Nick Offerman, Chris Redd, and Robin Thede are a delight in their voice roles, and David Alan Grier is sly and smooth in his surprise role.  Jillian Bell is nearly perfect as Pepper, except for a few moments that are too over the top.  I think Madison Thomas needed more screen time as Holly Carver, and Timothy Simons and Danielle Pinnock are a winning pair as TV co-hosts, Emerson and Kit.

Eddie Murphy barely breaks a sweat as Chris Carver, and neither does Tracee Ellis Ross as Carol Carver.  Still, they work well together as a screen couple at the center of this delightful family fare.  Despite what some fans may think, Eddie Murphy has the magic touch when it comes to family films.  Murphy passes on the lessons that Chris has to learn with a knowing wink and a nudge, and I was willing to buy it all.  I think I'll be watching Candy Cane Lane again, if only because, for two hours, it made me believe in that Hollywood bullshit called “Christmas magic.”

B+
7 of 10
★★★½ out of 4 stars

Sunday, December 10, 2023


The text is copyright © 2023 Leroy Douresseaux. All Rights Reserved.  Contact this blog or site for reprint and syndication rights and fees.

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Tuesday, October 31, 2023

Review: "SCOOBY-DOO and the Witch's Ghost" is Kind of Witchy

TRASH IN MY EYE No. 48 of 2023 (No. 1937) by Leroy Douresseaux

Scooby-Doo and the Witch's Ghost (1999) – Video
Running time:  66 minutes (1 hour, 6 minutes)
Unrated
DIRECTOR:  Jim Stenstrum
WRITERS:  Rick Copp, David A. Goodman, Davis Doi, and Glenn Leopold
PRODUCER: Cos Anzilotti
EDITOR:  Rob DeSales
COMPOSER:  Louis Febre
ANIMATION STUDIO:  Mook Animation

ANIMATION/FANTASY/FAMILY and ACTION/COMEDY/MYSTERY

Starring:  (voices) Frank Welker, Scott Innes, Mary Kay Bergman, B.J. Ward, Tim Curry, Kimberly Brooks, Jennifer Hale, Jane Wiedlin, Bob Joles, Tress MacNeille, Peter Reneday, and Neil Ross

Scooby-Doo and the Witch's Ghost is a 1999 straight-to-video, animated horror-comedy film that was directed by Jim Stenstrum and produced by Hanna-Barbera Cartoons.  It was the second film in the Scooby-Doo straight-to-video film series that began with 1998's Scooby-Doo on Zombie Island.  It was released on VHS on October 5, 1999, then on DVD on March 6, 2001.  In the film, Scooby and the company get involved with a famous horror novelist and his ancestor who was rumored to be a witch.

Scooby-Doo and the Witch's Ghost opens with Mystery Incorporated: Fred Jones (Frank Welker), Daphne Blake (Mary Kay Bergman), Velma Dinkley (B.J. Ward), Shaggy Rogers (Scott Innes), and Scooby-Doo (Scott Innes) solving a case at a San Francisco museum.  There, they meet the famous horror novelist, Ben Ravencroft (Tim Curry).  Velma Dinkley is a huge fan of Ravencroft, so he invites her and the rest of the gang to his hometown of Oakhaven, Massachusetts.

Upon arrival, Ravencroft and Mystery Inc. discover that the town's Mayor Corey (Neil Ross) has transformed Oakhaven into a tourist trap.  The town is even putting on a concert featuring an all-female gothic rock band, the Hex Girls: Thorn (Jennifer Hale), Dusk (Jane Wiedlin), and Luna (Kimberly Brooks).

Oakhaven is like an amusement park with a theme based on the ghost of Sarah Ravencroft (Tress MacNeille), who is an ancestor of Ben Ravencroft.  Ben describes Sara as a “wiccan” who used herbal remedies to heal the poor and less fortunate.  In 1657, the townspeople of Oakhaven believed that Sarah was a witch, and they persecuted and executed her.  Ben has spent years searching for Sarah's medical journal, which he believes will help him prove her innocence.

But now, the ghost of Sarah Ravencroft is really back, and she wants revenge.  Scooby, Shaggy, and the gang are about to discover that this mystery turns out to have plenty of twists and turns.

Like a number of the early straight-to-video Scooby-Doo movies, Scooby-Doo and the Witch's Ghost has a tone that is darker than the franchise's usual fare.  In this film, the supernatural elements are “real” as compared to the usual fake supernatural shenanigans committed by the adversaries in Mystery Inc.'s cases.  Still, I was surprised that the film takes such a benevolent attitude about the modern pagan, earth-centered religion, “Wicca.”  The film's story goes to some lengths to separate Wicca from “witchcraft,” which is generally seen as the use of magic for nefarious purposes.

Beyond that, Scooby-Doo and the Witch's Ghost is a standard Scooby-Doo film.  I find the “ghost of Sarah Ravencroft” to be less impressive than the “fake ghost witches” of earlier Scooby-Doo cartoons, such as “The Witch” in the “Scooby-Doo, Where Are You!” episode, “Which Witch is Which?”  I can say that the film does have a nice twist involving Sarah Ravencroft that does darken the film's tone a bit more.

However, as a Scooby-Doo fan, I consider almost all Scooby-Doo productions to be must-see.  And while, it isn't special, Scooby-Doo and the Witch's Ghost is entertaining.  And the Hex Girls are quite nice.

6 of 10
B
★★★ out of 4 stars

Tuesday, October 31, 2023


The text is copyright © 2023 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

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Wednesday, September 20, 2023

Review: Walt Disney's "ROBIN HOOD" is the Non-Classic Disney Classic

TRASH IN MY EYE No. 44 of 2023 (No. 1933) by Leroy Douresseaux

Robin Hood (1973) – animation
Running time:  83 minutes (1 hour, 23 minutes)
MPAA – G
PRODUCER/DIRECTOR:  Wolfgang Reitherman
WRITERS:  Larry Clemons; based on story and character concepts by Ken Anderson
EDITORS:  Tom Acosta and Jim Melton
COMPOSER:  George Bruns
Academy Award nominee

ANIMATION/FANTASY/FAMILY

Starring:  (voices) Brian Bedford, Phil Harris, Roger Miller, Peter Ustinov, Terry-Thomas, Monica Evans, Andy Devine, Carole Shelley, Pat Buttram, George Lindsey, and Ken Curtis

Robin Hood is a 1973 animated musical-comedy and fantasy-adventure film produced and directed by Wolfgang Reitherman.  It is also the twenty-first feature-length animated film from Walt Disney Productions, part of a line also known as the “Disney Classics.”  The film is based on the English folklore character, Robin Hood, and the stories that have grown around the character.  Disney's 1953 Robin Hood film depicts the legendary outlaw and the cast of characters around his legend as anthropomorphic animals (animals that talk and act like humans)

Robin Hood opens with the story's narrator, Alan-a-Dale – The Rooster (Roger Miller), saying that there are many stories of Robin Hood, but that the one he is about to tell takes place in the world of animals.  He introduces Robin Hood – A Fox (Brian Bedford) and Little John – A Brown Bear (Phil Harris).  They are outlaws and live in Sherwood Forest.  They rob from the rich in order to give gold coins to the overtaxed citizens of the town of Nottingham.

The Sheriff of Nottingham – A Wolf (Pat Buttram) tries to catch the two, but he fails every time.  The sheriff's failure to capture the outlaws irritates Prince John – A Lion (Peter Ustinov).  John is the “Prince Regent” of England while his older brother, King Richard – A Lion (Peter Ustinov), is out of the country fighting in the Third Crusade.  Prince John and his advisor, Sir Hiss – A Snake (Terry-Thomas), plot to end the nuisance of Robin Hood.  Prince John also demands that the Sheriff tax the poor townsfolk of Nottingham excessively, driving many to abject poverty.

Meanwhile, Robin's attention is not entirely focused on robbing the rich.  He wishes to reunite with his love interest, Maid Marian – A Vixen (Monica Evans), who is also the niece of King Richard.  And Prince John's latest plot to catch Robin Hood may just reunite Robin and Marian.  Can their love survive an increasingly enraged Prince John?

As “DVD Netflix” prepares to shutdown, I've been racing to catch up on certain films that I have never seen or have not seen in a long time.  I recently decided to sample some films in which 2023 is the fiftieth anniversary of their original theatrical releases.  That includes such films as Woody Allen's Sleeper, George Lucas' American Graffiti, and the Bruce Lee classic, Enter the Dragon.

Walt Disney's Robin Hood is one of those films celebrating a 50th anniversary, and it is one of the Disney animated classics that I had never seen prior to now.  I am a fan of Robin Hood films, especially the 1991 Kevin Costner vehicle, Robin Hood: Prince of Thieves.  I also like Ridley Scott's 2010 film, Robin Hood, starring Russell Crowe in the title role.  I found some enjoyment in Tom and Jerry: Robin Hood and His Merry Mouse, a 2012 direct-to-DVD film.  [Robin Hood makes a small appearance in director Richard Thorpe's “Best Picture” Oscar nominee, Ivanhoe (1952), which I have seen a few times on Turner Classic Movies.]

Disney's Robin Hood is an odd film.  First, it isn't an origin story, and takes place, apparently, well into Robin's career as an outlaw.  While Alan-o-Dale mentions “the Merry Men,” Robin's legendary band of outlaws, Little John is the only one that appears in this film.  Friar Tuck – A Badger (Andy Devine) does appear, but he seems to be purely the priest of Nottingham – more a beneficiary of Robin's outlaw activities than a participant.  For me, this makes the film seem under-developed, as if it we are getting half of the intended story.

Apparently, using the the American “Deep South” as a setting for this film was considered, but ultimately the chosen locale was Robin Hood's traditional English setting.  However, Roger Miller, who provides the talking and singing voice of Alan-o-Dale, is best known for his honky-tonk inflected country music and novelty songs, so much of Miller's performance here seems out of place.  Miller's Alan-o-Dale has the flavors of America's rural South, which somewhat clashes with the English setting.  Still, I tend to like Miller's narrating and singing in Robin Hood, although this film's best song is the Oscar-nominated “Love,” written by George Bruns and Floyd Huddleston.

To begin, Robin Hood feels muddled, and it really does not find its narrative flow until about 37 minutes into the film.  At that point, the characters really emerge as they take their places within the story.  The action turns lively, and the animation and animation effects start to stand out.  The voice performances overall are good, but not great – nothing that I would call memorable in the context of the great performances in other Disney animated classics.  Walt Disney's Robin Hood does not exactly miss the mark, but it does not hit the bullseye, either.

6 of 10
B
★★★ out of 4 stars

Wednesday, September 20, 2023


NOTES:
1974 Academy Awards, USA:  1 nomination: “Best Music, Original Song” (George Bruns-music and Floyd Huddleston-lyrics for the song “Love”)


The text is copyright © 2023 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

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Friday, August 18, 2023

Review: "BLUE BEETLE" is a Family Affair

TRASH IN MY EYE No. 38 of 2023 (No. 1927) by Leroy Douresseaux

Blue Beetle (2023)
Running time:  127 minutes (2 hours, 7 minutes)
MPA – PG-13 for sequences of action and violence, language, and some suggestive references
DIRECTOR:  Angel Manuel Soto
WRITER:  Gareth Dunnet-Alcocer (based on characters from DC Comics)
PRODUCERS:  Zev Foreman and John Rickard
CINEMATOGRAPHER:  Pawel Pogorzelski (D.o.P.)
EDITOR:  Craig Alpert
COMPOSER:  The Haxan Cloak

SUPERHERO/FANTASY/ACTION/FAMILY

Starring:  Xolo Maridueña, Bruna Marquezine, Damien Alcazar, Adriana Barraza, Belissa Escobedo, Elpidia Carrillo, Raoul Max Trujillo, Modesto Lacen, and Harvey Guillén, Susan Sarandon, George Lopez, and  (voice) Becky G

Blue Beetle is a 2023 superhero and action-fantasy film directed by Ángel Manuel Soto.  The film is based on the DC Comics character, Blue Beetle/Jaime Reyes, that was created by Keith Giffen, John Rogers, and Cully Hamner and first appeared in the comic book, Infinite Crisis #3 (cover dated: February 2006).  Blue Beetle the movie focuses on a young man who finds himself chosen to be the symbiotic host of an alien artifact that gives him a suit of armor.

Blue Beetle introduces recent college graduate, Jaime Reyes (Xolo Mariduena), who is returning to his hometown of Palmera City.  He receives a warm welcome from his family:  his father, Alberto Reyes (Damian Alcazar); his mother, Rocio Reyes (Elpidia Carrillo); his Nana (Adrian Barraza), his younger sister, Milagro (Belissa Escobedo); and his uncle, Rudy Reyes (George Lopez).  Jaime soon learns that his family will lose their home due to financial difficulties and to Alberto's poor health.  Still, Jaime is optimistic that he will quickly get a job and make enough money for his family.

Some time later, Jaime meets Jenny Kord (Bruna Marquezine), the daughter of Ted Kord, the currently-missing CEO OF Kord Industries.  Jenny is at odds with her aunt, Victoria Kord (Susan Sarandon), the current CEO.  Jenny discovers that Victoria has dark plans for her recent discovery, an alien artifact called “the Scarab.”  Jenny steals the Scarab, and not knowing its true nature, she passes it on to Jaime.
 
As soon as Jaime touches the Scarab, it activates and attaches to him, creating a suit of armor around him.  The suit gives Jaime extraordinary powers, such as flight, super-strength, and invulnerability, but those powers are unpredictable.  Now, Jaime's family calls him a “superhero.”  However, Jaime isn't sure that he wants to be a superhero, and Victoria Kord will do whatever she has to do – including murder – to regain possession of the Scarab.

The Blue Beetle first appeared in Fox Comics' Mystery Men Comics #1 (cover dated: August 1939) and was the secret identity of a young police officer, Dan Garrett.  The second Blue Beetle first appeared in Charlton Comics' Captain Atom #83 (November 1966) and was Ted Kord, an industrialist and owner of KORD Industries.  I mention this because Dan Garrett is referenced in this film.  Also, Ted Kord, with a new origin, is a major subplot in this film, although the story is that he has been missing for years under mysterious circumstances.

However, this is Blue Beetle/Jaime Reyes' film.  He comes across as a normal young man in his early twenties.  Warner Bros. didn't even cast some muscular young android-like actor for the role.  Xolo Mariduena's body is in good shape, but he looks more like a high school kid still in physical development.  Everything about Xolo comes across as boy-next-door, which makes him more relatable to a larger segment of the audience.  After all, Jaime seems so vulnerable that even an alien suit of armor doesn't seem capable of completely protecting him.  If there is a superhero of the people – the champion next door – Xolo makes Jaime Reyes as Blue Beetle fit the role perfectly.

Like Warner Bros.'s 2019 DC Comics film, Shazam, Blue Beetle emphasizes family, and the Reyes are delightful.  George Lopez's Uncle Rudy is a scene stealer, and I'm glad the story reveals that there is so much more to him than meets the eye.  Of course, one can judge how good a family is by placing it in contrast with a problematic family, and that is the Kords.  Susan Sarandon plays the evil aunt, Victoria Kord, with relish, although she doesn't really go over the top.  The film puts Jenny Kord, smoothly played by actress Bruna Marquezine, at the center of the good family (the Reyes)-bad family (Victoria Kord) dynamic.  Which will Jenny ultimately choose?  Like Shazam, Blue Beetle shows how cool an extended or surrogate family can be, especially to someone in need.

I like what director Angel Manuel Soto does with his collaborators, cast, and crew.  Blue Beetle is an easy-going superhero film that is fun for a family audience, even with the sometimes intense action and dark plot elements.  I'm surprised that the film has as its themes, “imperialism in the name of democracy” and “militarized capitalism,” neither of which are ever portrayed as a good thing.  Uncle Rudy even calls Batman a “fascist,” which has caused a stir in some Internet circles.  This film definitely has an anti-authoritarian streak.

That aside, Blue Beetle is hugely and surprisingly entertaining, and it sparkles with humor.  By focusing on Jaime Reyes as much as it does on the Blue Beetle armor, the film gets to center on the most winning aspect of it story, family and friends.  Blue Beetle won't get the attention of bigger superhero film productions, but it has more heart than most of those other films.

[Blue Beetle has two extra scenes during the end credits.]

7 of 10
B+
★★★½ out of 4 stars

Friday, August 18, 2023


The text is copyright © 2023 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

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Saturday, May 27, 2023

Review: Halle Bailey is the Heart of Disney's Eye-Popping "THE LITTLE MERMAID"

TRASH IN MY EYE No. 23 of 2023 (No. 1912) by Leroy Douresseaux

The Little Mermaid (2023)
Running time: 135 minutes (2 hours, 15 minutes)
MPA – PG for action/peril and some scary images
DIRECTOR: Rob Marshall
WRITER: David Magee
PRODUCERS: John DeLuca, Rob Marshall, Lin-Manuel Miranda, and Marc Platt
CINEMATOGRAPHER:  Dion Beebe (D.o.P.)
EDITOR: Wyatt Smith
COMPOSER: Alan Menken
SONGS: Howard Ashman (lyrics), Alan Menken (music), and Lin-Manuel Miranda (new lyrics)

FANTASY/DRAMA/FAMILY

Starring:  Halle Bailey, Jonah Hauer-King, Norma Dumezweni, Art Malik, and Javier Bardem and Melissa McCarthy and the voices of Daveed Diggs, Jacob Tremblay, and Awkwafina

The Little Mermaid is a 2023 fantasy musical and drama film directed by Rob Marshall and released by Walt Disney Pictures.  It is a live-action remake of Disney's 1989, Oscar-winning, animated film, The Little Mermaid.  Both films are loosely based on “The Little Mermaid,” the literary fairy tale authored by Hans Christian Andersen and first published in 1837.  The Little Mermaid 2023 focuses on a young mermaid who longs to live in the human world and makes a terrible deal to do so.

The Little Mermaid introduces Ariel (Halle Bailey), a mermaid princess and the youngest daughter of King Triton (Javier Bardem), ruler of the merpeople.  Ariel is fascinated with the human world despite never having seen it, as Triton forbids all merfolk from going to the surface.  However, Ariel collects human objects that sink below the surface of the sea.  She hides them in a grotto with the support of her best friends, Flounder (voice of Jacob Tremblay), a fish, and Scuttle (voice of Awkwafina), a seabird.  Furious that Ariel has missed a meeting with him and her sisters, Triton commands Sebastian (Daveed Diggs), a crab, to watch over her.

Ariel eventually swims to the surface where she comes upon a human sea vessel.  The ship, from an isolated island kingdom, is commanded by kingdom's Prince Eric (Jonah Hauer-King).  Eric tells his confidant, Sir Grimsby (Art Malik), the kingdom's Prime Minister, that he wishes to explore the unknown seas in a bid to help his people, but he knows that his mother, Queen Selina (Norma Dumezweni), is against such exploration.  Hearing that, Ariel considers Eric a kindred spirit.

After she saves Eric's life, Ariel is determined to visit him on his island home, but as a mermaid, she does not have legs.  Fortunately … the sea witch, Ursula (Melissa McCarthy), says that she has the magic that can make Ariel human so that she can be with Prince Eric.  However, the price is Ariel's beautiful singing voice, and, unknown to her, the fates of her father, their kingdom, and Eric.

I was not sure how Disney would pull off creating the undersea world of The Little Mermaid, especially the merfolk and other sea creatures.  Silly me: in the wake of Avatar: The Way of Water, The Little Mermaid could certainly pull off a water world that isn't nearly as ambitious as Avatar's – and still look good.  Under the sea and on land, the production design, art direction, set decoration, costumes, and environments are all dazzling.  The result is a stunningly beautiful film in which the undersea world looks a real, but still magical environment.  The island kingdom of Queen Selina seems like a kind of Caribbean utopia-lite, but it is both fantastical and inviting.  I want to see more of it.

The computer imagery creates merpeople that are beautiful, although it is not until the end of the film that we see the full dazzling array of merfolk, no two looking alike.  The special effects that turn Halle Bailey into a mermaid is try cinematic magic; she is a flawless, beautiful creature.  Ariel's trio of animal friends and helpers: Sebastian, Flounder, and Scuttle resemble real animals, and I was surprised how good Sebastian looked.  I thought he'd be a disaster as a CGI animal.

The performances – both acting and voice roles – are one of the elements that really makes The Little Mermaid work.  Daveed Diggs, Jacob Tremblay, and Awkwafina give winning voice performances as Sebastian, Flounder, and Scuttle, respectively.  Jonah Hauer-King as Prince Eric holds his own next to Halle Bailey as Ariel, which is not easy.  Melissa McCarthy is shockingly good as Ursula, and I didn't expect that.  I was sure she could not pull it off, although I am a fan of her work.  Her performance, which takes inspiration from the late actor, singer, and drag queen legend, Divine, gives this film the dark fairy magic energy that it needs.

Screenwriter David Magee cleverly spins something new out of old sources, but he is also respectful of the original film.  What the new film lacks in the original's charm, it makes up for by seeming more consequential.  Magee also benefits from having the classic songs of the late lyricist, Howard Ashman (1950-1991), and composer, Alan Menken, from The Little Mermaid 1989.  Also, contrary to some complaints, Lin-Manuel Miranda's new songs and new lyrics for two of the original songs both serve this film quite well.

The true star of this film is Halle Bailey, however.  Rob Marshall makes the most of Halle's natural gifts, especially her soaring singing voice, photogenic looks, and winning personality.  The ads for this film are not lying; when Halle sings, the waters part.  With Halle as his star, Marshall delivers his version The Little Mermaid that can stand on its own, apart from the Walt Disney animated classic that is its source.  Yes, I find The Little Mermaid 2023 to be a tad bit too long, but I was surprised.  The Little Mermaid is much better than I expected, and it feels like a true Disney fairy tale film.

7 of 10
A-
★★★½ out of 4 stars

Saturday, May 27, 2023

You may visit the Amazon LITTLE MERMAID page here.


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Sunday, April 16, 2023

Review: "PUSS IN BOOTS: The Last Wish" is a Delightful Surprise

TRASH IN MY EYE No. 17 of 2023 (No. 1906) by Leroy Douresseaux

Puss in Boots: The Last Wish (2022)
Running time:  102 minutes (1 hour, 42 minutes)
MPA – PG for action/violence, rude humor/language, and some scary moments
DIRECTOR:  Joel Crawford with Januel Mercado
WRITERS:  Paul Fisher and Tommy Swerdlow; from a story by Tom Wheeler and Tommy Swerdlow
PRODUCER:  Mark Swift
EDITOR:  James Ryan
COMPOSER:  Heitor Pereira
Academy Award nominee

ANIMATION/FANTASY/ADVENTURE/COMEDY

Starring:  (voices) Antonio Banderas, Salma Hayek, Harvey Guillén, Florence Pugh, Olivia Coleman, Ray Winstone, Samson Kayo, John Mulaney, Wagner Moura, Da'Vine Joy Randolph, Kevin McCann, Anthony Mendez, and Bernardo De Paula

Puss in Boots: The Last Wish is a 2022 computer-animated fantasy-adventure film directed by Joel Crawford and produced by DreamWorks Animation.  The film is a sequel to Puss in Boots (2011) and is also the sixth installment in the Shrek film franchise.  The Last Wish focuses on Puss in Boots' epic journey to gain the wish that will restore the eight of his nine lives that he has lost.

Puss in Boots: The Last Wish opens in the town of Del Mar.  There, the renowned hero and outlaw, Puss in Boots (Antionio Banderas), hosts a party and later, saves the town from a giant.  After being injured during his battle with a giant, Puss sees a local doctor (Anthony Mendez) who informs him that he has used eight of his nine lives.  [I'm assuming that you, dear readers, are familiar with the superstitious belief that cats have nine lives].  The doctor urges Puss to retire from adventuring before he loses his ninth and final life.

Puss refuses to retire, but then, he has an unfortunate encounter with a menacing, bounty-hunting.  Known as Wolf (Wagner Moura), he is garbed in a black robe and hood and wields twin sickles, and he is so fearsome that Puss has to flee.  While on the run, Puss learns of the magical “Wishing Star,” which can grant a single wish to someone bearing the map to its location.  Puss begins his journey to the Star's location, the “Dark Forest.”  Joining him on his journey is Kitty Softpaws (Salma Hayek), the savvy Tuxedo cat he apparently betrayed, and also a small dog that Puss and Kitty call “Perrito” (Harvey Guillén).  But they aren't the only ones looking for the Wishing Star.

I was happy to hear about Puss in Boots: The Last Wish.  When I first saw the original, Puss in Boots, I was surprised that I enjoyed it as much as I did.

Puss in Boots: The Last Wish is like its fellow DreamWorks Animation 2022 stablemate, The Bad Guys.  Both films take inspiration for their production design from Sony Pictures Animation's 2018, Oscar-winning film, Spider-Man: Into the Spider-Verse, which mixes both a 3D and a 2D aesthetic in its design.  I think The Last Wish looks closer to Into the Spider-Verse than The Bad Guys does, but neither film electrifies the screen the way the Spider-Man film did.  

Like its predecessor, The Last Wish has a lead character who is part Zorro and part Valentino.  Puss in Boots is a charming rogue, the kind of character that can drive a swashbuckling adventure film to success.  However, The Last Wish requires a character to not only undergo a character arc, but also to evolve.  To that end, Antonio Banderas gives a performance with more humor and pathos than most actors give in live-action roles.  By the time The Last Wish ends, Banderas has me wishing real hard for a third film in this series.

As Kitty Softpaws, Salma Hayek makes the most of her moments.  The character doesn't get the space to roam dramatically that Puss does, but Hayek makes Kitty seem like a character that could carry her own movie.  Actor Harvey Guillén keeps Perrito the dog perfectly cute for this film, because he is just the kind of character that can quickly go from lovable to annoying.

The rest of the characters in Puss in Boots: The Last Wish come across as extraneous.  The “Three Bears Crime Family,” which includes Goldilocks (Florence Pugh), Mama Bear (Olivia Colman), Papa Bear (Ray Winstone), and Baby Bear (Samson Kayo), and also the crime lord, “Big” Jack Horner (John Mulaney), don't feel so important to the story that they could not be replaced with other famous fairy tale characters.  They aren't bad characters, but they seem to exist in The Last Wish for no other reason than to be part of this film's big action set pieces.  But Wagner Moura is awesome as the magnificent “Wolf.”  The film could have used more of him and less of the other “criminals.”

Still, Antonio Banderas once again makes Puss in Boots an animated character worthy of headlining his own films.  Hopefully, Puss in Boots: The Last Wish is not the last Puss in Boots film.

7 of 10
A-
★★★½ out of 4 stars

Sunday, April 16, 2023


NOTES:
2023 Academy Awards, USA:  1nomination: “Best Animated Feature Film” (Joel Crawford and Mark Swift)

2023 BAFTA Awards:  1 nomination: “Best Animated Feature Film” (Joel Crawford and Mark Swift)

2023 Golden Globes, USA:  1 nomination: “Best Motion Picture – Animated”

2023 Image Awards (NAACP):  1 nomination: “Outstanding Animated Motion Picture”


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Saturday, March 11, 2023

Review: Disney's "ENCANTO" Spins Its Own Special Magic

TRASH IN MY EYE No. 12 of 2023 (No. 1901) by Leroy Douresseaux

Encanto (2021)
Running time:  102 minutes (1 hour, 42 minutes)
MPAA – PG for some thematic elements and mild peril
DIRECTORS:  Jared Bush and Byron Howard with Charise Castro Smith (co-director)
WRITERS:  Jared Bush and Charise Castro Smith; from a story by Jared Bush, Byron Howard, Charise Castro Smith, Jason Hand, Nancy Kruse, and Lin-Manuel Miranda
PRODUCERS:  Clark Spencer and Yvett Merino
CINEMATOGRAPHERS:  Alessandro Jacomini, Daniel Rice, and Nathan Warner
EDITOR:  Jeremy Milton
ORIGINAL SONGS:  Lin-Manuel Miranda
COMPOSER:  Germaine Franco

ANIMATION/FANTASY/FAMILY/DRAMA

Starring:  (voices) Stephanie Beatriz, María Cecilia Botero, John Leguizamo, Mauro Castillo, Jessica Darrow, Angie Cepeda, Carolina Gaitan, Diane Guerrero, Wilmer Valderrama, Rhenzy Feliz, Ravi Cabot-Conyers, Adassa, Maluma, Rose Portillo, Alan Tudyk, and Noemi Josefina Flores

Encanto is a 2021 computer-animated fantasy film from directors Jared Bush and Byron Howard and produced Walt Disney Animation Studios.  It is the 60th animated feature film in the “Walt Disney Animated Classics” line.  Encanto focuses on a teenage girl who must deal with being the only member of her family without magical powers even as the family's magic begins to fade.

Encanto introduces Mirabel Madrigal (Stephanie Beatriz), a teen girl who is part of the multi-generational "la familia Madrigal" (the Madrigal family).  Fifty years ago, her grandfather and grandmother, Pedro and Alma Madrigal (Maria Cecilia Botero), were forced to flee their home village in rural Columbia.  They took their infant triplets, Julieta, Pepa and Bruno, and escaped into the countryside, but their pursuers killed Pedro, but Alma had a candle that suddenly released magic and repelled the attackers.  The magic also created, “Casita,” a living or sentient house for Alma and her children.  The home is located in “Encanto,” a magical realm bordered by high mountains.  A village of newcomers now thrives under the candle's protection, shining its light from an upper room in the Madrigal home, “La Casa Madrigal.”

But all is not well.  The children and grandchildren of Abuela Alma were all granted magical gifts that each one uses to serve the villagers.  For instance, Mirabel's oldest sister, Isabela (Diane Guerrero), can make flowers grow anywhere, and her second oldest sister, Luisa (Jessica Darrow), has superhuman strength.  However, Mirabel did not receive any powers from the candle, and her Abuela Alma seems to act as if Mirabel is an obstacle in the way of the rest of the family.  Mirabel is almost as cursed as her mysterious uncle, Bruno (John Leguizamo), who disappeared years ago.  When Mirabel learns that her family members are losing their magic, she is determined to find out what is happening, although everyone else is in a state a denial about it.

I won't waste too much time telling you, dear readers, how beautiful Encanto looks.  That is standard for animated films produced by Walt Disney Animation Studios.  The art direction yields beautiful sets and environments, and the costume designs results in colorful costumes that are dazzling, colorful, and imaginative.  The visual effects go off like fireworks, and it makes the magic seem … well, really magical.  Even the character design stands out, making Encanto one of the few mainstream American films set in Latin American or are Latino-themed that actually recognize that there are dark-skinned and black Latinos.  Not every Latino has light skin tones, light enough to front as white.

Encanto plays with notions of “magical realism,” a story that is realistic, but is infused with magic and the supernatural.  However, the world of Encanto barely looks realistic, as many animation films don't.  In fact, Encanto is one of the most magically-infused Disney films in years.

However, Encanto is like many Disney animated films – a coming of age film that focuses on the lead character, in this case, Mirabel.  The film's first dominant theme involves the struggle between tradition and change, the former embodied by Alma, who holds onto Madrigals' tradition of magic, and the latter by Mirabel, who clearly and correctly senses that something is wrong.  The second main theme is the conflict between family obligations and individual desires.  I think audiences will enjoy that, through Mirabel, Encanto shows that the family and the individual can work together for the benefit of everyone and each one.

Lin-Manuel Miranda's lively song score makes Encanto's narrative flow like an energetic stream, and the hit, “We Don't Talk About Bruno,” isn't the only excellent song.  Encanto stands out because it celebrates people overcoming suffering and life's trials and tribulations.  Also, one should take notice of the film's diversity and representation.  That makes Encanto stand out as special and as a place worth visiting time and again.

8 of 10
A
★★★★ out of 4 stars

Thursday, March 9, 2023


NOTES:
2022 Academy Awards, USA:  1 win: “Best Animated Feature Film” (Jared Bush, Byron Howard, Yvett Merino, and Clark Spencer); 2 nominations: “Best Achievement in Music Written for Motion Pictures-Original Score” (Germaine Franco) and “Best Achievement in Music Written for Motion Pictures-Original Song” (Lin-Manuel Miranda-music and lyric for the song “Dos Oruguitas”)

2022 BAFTA Awards:  1 win: “Best Animated Feature Film” (Clark Spencer, Jared Bush, Byron Howard, and Yvett Merino)

2022 Golden Globes, USA:  1 win: “Best Motion Picture – Animated;” 2 nominations: “Best Original Score-Motion Picture” (Germaine Franco) and “Best Original Song - Motion Picture” (Lin-Manuel Miranda for the song “Dos Oruguitas”)


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Tuesday, October 18, 2022

Review: "Scooby-Doo on Zombie Island" Started a Thing

TRASH IN MY EYE No. 61 of 2022 (No. 1873) by Leroy Douresseaux

Scooby-Doo on Zombie Island (1998) – Video
Running time:  77 minutes (1 hour, 17 minutes)
Rated TV-G
DIRECTOR:  Jim Stenstrum
WRITERS: Glenn Leopold; from a story by Glenn Leopold and David Doi (based on the Hanna-Barbera characters)
PRODUCER:  Cosmo Anzilotti
EDITOR:  Paul Douglas
COMPOSER:  Steven Bramson
ANIMATION STUDIO:  Mook Animation

ANIMATION/FANTASY/FAMILY and ACTION/COMEDY/MYSTERY

Starring:  (voices) Frank Welker, Scott Innes, Billy West, Mary Kay Bergman, B.J. Ward, Tara Strong, Cam Clarke, Jim Cummings, Mark Hamill, Jennifer Leigh Warren, and Ed Gilbert

Scooby-Doo on Zombie Island is a 1998 straight-to-video, animated, comic mystery film.  It was the first animated movie in what became the Scooby-Doo straight-to-video series from Warner Bros. Animation.  In Scooby-Doo on Zombie Island, the Mystery Inc. Gang reunites and visits a remote island with a dark secret.

As Scooby-Doo on Zombie Island opens, the five members of Mystery, Inc.Fred Jones (Frank Welker); Daphne Blake (Mary Kay Bergman), Velma Dinkley (B.J. Ward); Shaggy Rogers (Billy West), and Scooby-Doo (Scott Innes) have gone their separate ways.  They apparently became bored of mystery solving because culprits were never real ghosts, aliens, and monsters, but were practically always people in costumes.

Daphne Blake now has her own television series, “Coast to Coast with Daphne Blake,” in which she investigates claims of supernatural occurrences.  Fred Jones is her cameraman and producer.  Shaggy and Scooby are security guards, and Velma owns a book shop, “Dinkley's Mystery Book Shoppe,” which is also known as “Mystery Inc. Books.”

Daphne decides that she wants to hunt down a real ghost rather than investigating ghosts that turn out to be fakes.  So Fred calls the gang back together, and the reunited Mystery Inc. embarks on a road trip scouting haunted locations across the United States for Daphne's TV show.

That is why they end up in New Orleans, Louisiana, where they meet a curious local, Lena Dupree (Tara Strong).  She tells them that they can find real ghosts at her place of employment, a mansion and hot pepper plantation on Moonscar Island.  Skeptical at first, Fred, Daphne, Velma, Shaggy, and Scooby follow Lena to the island hoping to find a real ghost instead of a villain in a costume.  What they find is more than they expected in a spooky place that might as well be called “Zombie Island.”

I remember that I first heard about Scooby-Doo on Zombie Island probably about a month or so before it was released in September 1998.  It was big news in the world of the American television animation industry and in home entertainment.  I bought a copy for the elementary school age son of a close friend of mine, who was a huge Scooby-Doo fan, then.  [He is now an adult in his late twenties (as of this writing), and I don't know if he still loves Scooby-Doo.]

Scooby-Doo on Zombie Island was billed as the first time that a Scooby-Doo cartoon would find Scooby and Shaggy and company facing real supernatural entities.  The advertising for this straight-to-video (VHS) release declared, “This time, the monsters are real.”  However, as early as a 1980 episode of the “Scooby-Doo and Scrappy-Doo” animated TV series, the stories featured real aliens and a real vampire.

That aside, it is nice to see Scooby-Doo on Zombie Island pit the characters against real ghosts, real zombies, and other real supernatural creatures.  My problem with Scooby-Doo on Zombie Island is that the writers open the movie with some nice character development, but by the time the characters reach Moonscar Island, the story devolves into Scooby and Shaggy running around and screaming or we get tedious scenes of Scooby chasing one or more of the cats that belong to Moonscar mansion's owner, Simone Lenoir (Adrienne Barbeau).

That animation is average to above average, with the best sequences being those with the zombies.  The film's direction presents an inconsistent pace to go with the inconsistent story, so sometimes even a haunted mansion and a zombie island seem like boring places.  Still, I am glad that I finally watched Scooby-Doo on Zombie Island.  I've been putting it off for at least two decades.

I will say that it is an important film because it launched the Scooby-Doo straight-to-video series, of which I am a big fan.  So Scooby-Doo on Zombie Island is a must see for fans of all things Scooby-Doo and Mystery Inc.

6 of 10
B
★★★ out of 4 stars


Wednesday, July 7, 2021


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Sunday, October 2, 2022

Review: Original "HOCUS POCUS" Still Casts a Friendly Spell

TRASH IN MY EYE No. 56 of 2022 (No. 1868) by Leroy Douresseaux

Hocus Pocus (1993)
Running time: 96 minutes (1 hour, 36 minutes)
MPAA – PG for some scary sequences, and for language
DIRECTOR:  Kenny Ortega
WRITERS: Mick Garris and Neil Cuthbert (from a story by Mick Garris and David Kirschner)
PRODUCERS:  Steve Haft and David Kirschner
CINEMATOGRAPHER:  Hiro Narita (D.o.P.)
EDITOR:  Peter E. Berger
COMPOSER:  John Debney

FANTASY/COMEDY/FAMILY

Starring:  Bette Midler, Sarah Jessica Parker, Kathy Najimy, Omri Katz, Thora Birch, Vinessa Shaw, Stephanie Faracy, Charles Rocket, Sean Murray, Amanda Shepherd, Larry Bagby III, Tobias Jelinek, Doug Jones, and Jason Marsden (voice) with Garry Marshall and Penny Marshall

Hocus Pocus is a 1993 fantasy, supernatural comedy, and Halloween film directed by Kenny Ortega.  The film focuses on the new boy in town who ignores local Halloween legend and lore and unwittingly awakens a trio of scheming witches who were executed 300 years earlier.

Hocus Pocus opens on October 31, 1693 (All Hallow's Eve), in Salem, Massachusetts.  A boy named Thackery Binx (Sean Murray) tries to save his little sister, Emily (Amanda Shepherd), from the schemes of Winifred “Winnie” Sanderson (Bette Midler) and her two sisters, Sarah (Sarah Jessica Parker) and Mary (Kathy Najimy), who are all witches.  Thackery fails to save Emily, whose life force is drained in order to make the witch sisters young again.  The witches curse Thackery with eternal life and transform him into a black cat.  However, the vengeful townsfolk capture the Sanderson sisters and hang them, but not before Winifred casts a curse.  According to this curse, the Sanderson sisters will be resurrected during a full moon on All Hallows' Eve if a virgin lights the “Black Flame Candle” in their cottage.  Thackery, now a black cat, decides to guard the cottage in order to keep anyone from bringing the witches back to life.

Three hundred years later, it is October 31, 1993 – Halloween.  Teenager Max Dennison (Omri Katz) is the new kid in Salem, where he has moved from Los Angeles with his sister, Dani (Thora Birch), and their mother (Stephanie Faracy) and father (Charles Rocket).  Max's parents force him to take Dani out trick-or-treating.  One of the houses they visit is the home of Allison (Vinessa Shaw), Max's classmate at Jacob Bailey High School and a beautiful teen girl upon whom he has a crush.

Looking to do something different on Halloween, Max, Allison and Dani visit the former Sanderson cottage, which became a museum before it was shut down.  There, Max, a virgin, lights the Black Flame Candle which, in turn, resurrects, Winnifred, Sarah, and Mary.  Now, the three children join the still alive Thackery the black cat (voice of James Marsden), and William “Billy” Butcherson (Doug Jones) the zombie in a bid to stop the Sanderson sisters from sucking the souls out of all the children of Salem, which would give them eternal youth and immortality.

I remember that Walt Disney did mount a somewhat strong marketing campaign for Hocus Pocus upon it original release in 1993, but the film under-performed at the theatrical box office.  [I won't describe it as a box office bomb, as some do.]  In the 1990s, I worked at a video store and our VHS copy of Hocus Pocus was frequently rented, especially during Halloween.  During the last decade and a half, Hocus Pocus has exploded in a popularity due to repeated shows on “The Disney Channel” and what is now known as “Freeform.”  That popularity resulted in the production of a recently released sequel, Hocus Pocus 2 (via the “Disney+” streaming service).  The arrival of the sequel was the impetus I needed to finally watch the original Hocus Pocus from beginning to end, which I had never done, although I had been putting it off literally for decades.

Having finally seen it, I really like it.  Honestly, despite my best attempts, I can't find anything to dislike about it.  Bette Midler, Sarah Jessica Parker, and Kathy Najimy are a riot as the Sanderson sisters, even if Midler is a little too over the top … here and there.  The sisters' costumes and the Halloween costumes worn by the townsfolk are impressive and imaginative, especially the sisters garb.  The sets and art direction are visually perfect, creating a pop Gothic mood and playful macabre sensibility that are pitch-perfect for a family-oriented Halloween film.

The child actors: Omri Katz as Max, Thora Birch as Dani, and Vinessa Shaw as Allison are quite good, and Max ably carries the film.  I do find the emphasis on Max's virginity to be a bit odd.  Billy the zombie and Thackery the black cat are pitch perfect supporting characters for this film.  Hocus Pocus is an impressive bit of directing on the part of Kenny Ortega and also smooth editing on the part of Peter E. Berger.  Hocus Pocus never stops moving; it has a brisk and appealing pace that can make the viewer lose track of time.  I certainly did.

I highly recommend Hocus Pocus for a family viewing night.  It is not a masterpiece of American cinema, but it is simply as perfect and as effective as it can be.  The critics who initially panned Hocus Pocus were sourpusses, and may still be sourpusses … dead or alive.

8 of 10
A
★★★★ out of 4 stars

Sunday, October 2, 2022


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Thursday, April 28, 2022

Review: Pixar's "LUCA" is a True Disney Instant Classic

TRASH IN MY EYE No. 26 of 2022 (No. 1838) by Leroy Douresseaux

Luca (2021)
Running time:  95 minutes (1 hour, 35 minutes)
MPAA –  PG for rude humor, language, some thematic elements and brief violence
DIRECTOR:  Enrico Casarosa
WRITERS:  Jesse Andrews and Mike Jones; from a story by Enrico Casarosa, Jesse Andrews, and Simon Stephenson
PRODUCER:  Andrea Warren
CINEMATOGRAPHERS:  David Juan Bianchi (D.o.P.) and Kim White (D.o.P.)
EDITORS:  Catherine Apple and Jason Hudak
COMPOSER: Dan Romer
Academy Award nominee

ANIMATION/FANTASY/ADVENTURE/COMEDY/DRAMA

Starring:  (voices) Jacob Tremblay, Jack Dylan Grazer, Emma Berman, Saverio Raimondo, Maya Rudolph, Marco Barricelli, Jim Gaffigan, Peter Sohn, Lorenzo Crisci, Marina Massironi, Gino LaMoica, Sandy Martin, and Sacha Baron Cohen

Luca is a 2021 computer-animated, coming-of-age, fantasy film directed by Enrico Casarosa, produced by Pixar Animation Studios, and distributed by Walt Disney Studios Motion Pictures.  The film focuses on a two sea monster boys disguised as humans and the human girl they befriend.

Luca opens sometime in the 1950s in and around the Italian Riviera.  Below the surface of the waters of the Riviera live a group of sea monsters.  Luca Paguro (Jacob Tremblay), a timid young sea monster, herds goatfish below the coast of the small Italian town of Portorosso.  Luca is curious about the human world, but his parents, Daniela (Maya Rudolph) and Lorenzo Paguro (Jim Gaffigan), fear that the humans might hunt him for food.  Thus, they forbid him from approaching the surface.

One day, Luca meets Alberto Scorfano (Jack Dylan Grazer), a fellow sea monster boy who lives alone above the surface on Isola del Mare.  Alberto encourages Luca to venture out of the ocean, showing him that sea monsters turn into humans when their bodies become dry, but return to their true forms when they become wet.  Alberto invites Luca to his hideout where the boys connect and dream about owning a Vespa (an Italian luxury brand of scooter) so that they can travel the world.

Venturing into Portorosso as humans, the boys discover that a local children's triathlon, the “Portorosso Cup,” is about to take place.  They run afoul of Ercole Visconti (Saverio Raimondo), the local bully and five-time champion of the Portorosso Cup.  They also meet a young girl named Giulia Marcovaldo (Emma Berman), the daughter of a fisherman, Massimo Marcovaldo (Marco Barricelli).  Giulia has participated in the triathlon, but has never won.  Hoping to win the money they need to buy a Vespa, Luca and Alberto form a team with Giulia.  Through Giulia, Luca learns that there is so much more to the surface world, but his feelings for her threaten everything, including his plans with Alberto.

I could say that Luca is one of Pixar's most beautiful films, and I will, although that is redundant.  Pixar's films always have beautiful visuals, and sometimes they are stunning and a wonder to behold.  The film is drenched in the bright colors of the Italian Riviera and reinterprets them as if they were watercolor paintings.

Dear readers, perhaps you are familiar with the animated films of the Japanese master, Hayao Miyazaki.  His films are a symphony of wondrous colors and stunning locales, and those films clearly have an influence on Luca on a number of levels, especially in terms of visuals and in the tone of the story.  Luca's town of Portorosso may be named in honor of Miyazaki's 1992 animated film, Porco Rosso, which is also set in Italy.

I think the elements that really drive this film, its beauty aside, are the characters and voice performances.  The characters are very well developed:  their personalities, their goals, and fears.  From Alberto's jealousy and fear of loss to Giulia's determination and open-mindedness, the viewer can believe in these characters.  Luca is ostensibly a coming-of-age story focusing on Luca.  His sense of adventure is overcome by his fear of trying new things, whether it is actually going to the surface world or going to school.  In Luca, we see the film's themes of acceptance (accepting others, accepting help, and accepting oneself) and overcoming fear (especially the fear of change).  Luca takes on a beautiful journey as we see the evolution of the title character, and as for the coming-of-age angle, this film feels like only the first chapter of Luca's coming of age.

The voice performances make the characters seem like real people.  If there were an Oscar for voice performances, Jacob Tremblay as Luca would be worthy of being nominated.  Every performance is winning, from major characters to bit players.  I am crazy about the performances here.

Dan Romer's beautiful score highlights and accentuates the journey of change and evolution that is Luca, both the film and the character.  Luca is one of Pixar's most convincing boy characters, which is quite a feat in a filmography full of wonderfully drawn characters.  Speaking of drawn, the character design and art direction and production design are on par with Pixar's best.

I always thought that I would like Luca, and now that I have seen it, I am in love with it.  For me, Luca is one of Pixar's best ever films, and it is one of 2021's very best films  I recommend it without reservation; everyone should see it.

10 of 10

Thursday, April 28, 2022


NOTES:
2022 Academy Awards, USA:  1 nomination: “Best Animated Feature Film” (Enrico Casarosa and Andrea Warren)

2022 BAFTA Awards:  1 nomination: “Best Animated Feature Film” (Enrico Casarosa and Andrea Warren)

2022 Golden Globes, USA:  1 nomination:  “Best Motion Picture-Animated”

2022 Black Reel Awards:  1 win: “Outstanding Voice Performance” (Maya Rudolph)

2022 Image Awards (NAACP):  1 nomination: “Outstanding Animated Motion Picture”


The text is copyright © 2022 Leroy Douresseaux. All Rights Reserved.  Contact this blog or site for reprint and syndication rights and fees.

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Friday, April 22, 2022

Review: Super Sonic VFX and Humor Drive "SONIC THE HEDGEHOG 2"

TRASH IN MY EYE No. 25 of 2022 (No. 1837) by Leroy Douresseaux

Sonic the Hedgehog 2 (2022)
Running time:  122 minutes (2 hours, 2 minutes)
MPAA – PG for action, some violence, rude humor, and mild language
DIRECTOR:  Jeff Fowler
WRITERS:  Pat Casey & Josh Miller and John Whittington; based on a story by Pat Casey & Josh Miller
PRODUCERS:  Toby Ascher, Neal H. Moritz, Toru Nakahara, and Hitoshi Okuno
CINEMATOGRAPHER:  Brandon Trost (D.o.P.)
EDITOR:  Jim May
COMPOSER: Tom Holkenborg (Junkie XL)

FANTASY/FAMILY/ACTION/ADVENTURE/COMEDY

Starring:  James Marsden, Tika Sumpter, Natasha Rothwell, Adam Pally, Shemar Moore, Lee Majdoub, Tom Butler; Ben Schwartz, Colleen O'Shaughnessey, Idris Elba, and Jim Carrey

Sonic the Hedgehog 2 is a 2022 action-adventure, fantasy and comedy film directed by Jeff Fowler.  The film is based on the Japanese video game series and media franchise that was created and is owned by the Sega Corporation and which began with the 1991 Sega Genesis game, Sonic the Hedgehog.  The film is also a direct sequel to the 2020 film, Sonic the Hedgehog.  Sonic the Hedgehog 2 pits the titular character and his archenemy in a race to obtain an all-powerful jewel.

Sonic the Hedgehog 2 opens several months after the events depicted in Sonic the Hedgehog.  The mad scientist, Dr. Robotnik, also known as “Eggman” (Jim Carrey), is still trapped on the mushroom planet.  As luck would have it, his schemes to escape the planet draw the attention of Knuckles the Echidna (voice of Idris Elba), an anthropomorphic red echidna (a spiny anteater) warrior who possesses superhuman strength.

Meanwhile, Robotnik and Knuckles mutual adversary, Sonic the Hedgehog (voice of Ben Schwartz), is living in Seattle as the superhero, “Blue Justice.”  However, Sonic, an anthropomorphic blue hedgehog who can run at supersonic speeds, is not really good at being a superhero.  Tom (James Marsden) and Maddie Wachowski (Tika Sumpter) adopted Sonic as their son, and Tom, as his father, advises Sonic to remain patient for the day his power will be needed.  Then, he and Maddie leave for Hawaii for the wedding of Maddie's sister, Rachel (Natasha Rothwell).

That leaves Sonic home alone for some fun, and he is having fun until Robotnik and Knuckles arrive, with the latter immediately attacking him.  Knuckles turns out to be a formidable fighter, and he also desires to honor his extinct tribe.  To do so, he must find the legendary “Master Emerald,” an ancient relic that allows anyone who possesses it to bend reality to their will.  Knuckles not only believes that the emerald is on Earth, but also that Sonic knows its secret location.

Sonic is rescued by Miles “Tails” Prower (voice of Colleen O'Shaughnessey), an anthropomorphic, two-tailed, yellow fox who idolizes Sonic and came to warn him about Knuckles.  Tails can fly by spinning his tails like a helicopter's blades.  Now, Sonic and Tails are on a race to keep Robotnik and Knuckles from locating the Master Emerald.  But can Sonic keep his parents, Tom and Maddie, from getting involved, and is that the right thing to do?

I have not seen the first film, Sonic the Hedgehog, and I had no intentions of watching it.  So, I also had no plans on seeing Sonic the Hedgehog 2, but then, my niece asked to me to take her to the theater to see it, as she did not want to wait for it to stream on Paramount+.  Because she rarely asks me to take her to the movies and because she usually turns down my offers to take her when I'm going, I (reluctantly) agreed to see Sonic the Hedgehog 2 with her.

I must say that Sonic the Hedgehog 2 is much better than I thought it would be.  I must be honest and admit that early in the movie, I dozed off several times – because I was tired and it had already been a long day.  However, Sonic's second live-action film has many exciting scenes, and the special effects and CGI are really good.  Sonic the Hedgehog may be a kids' movie, but the visual effects (VFX) are as a good as most big event, tent pole movies made for adults.  Soon, I was into it, pretty much enthralled by the impressive VFX.

The character animation is top notch.  Sonic, Tails, and Knuckles are obviously CGI and animated characters, but the character animation gives them personality and character.  They don't look like stuffed animals with weird eyes that have come to life.  The voice acting is quite good, with Colleen O'Shaughnessey making Tails see like a real hero-worshiping boy who finally meets his idol, and Idris Elba sounds all tough guy as Knuckles.  Ben Schwartz brings Sonic to life as a fully developed film character.  Schwartz makes Sonic's doubts and dilemmas seem genuine, and Sonic's exuberance and Schwartz's voice performance shine through the narrative.  Here, Sonic is more movie star than video game character.

As for Jim Carrey, he is what he usually is as an actor:  the good, the bad, and ugly of a performer in constant over-the-top mode.  The rest of the live-action cast makes the best of their roles with James Marsden and Tika Sumpter seeming like real parents in love with their alien child.  Natasha Rothwell, as Maddie's sister, Rachel, is quite good at stealing scenes.

So after saying all that, it is obvious that I like Sonic the Hedgehog 2.  But will I see the first film...?

6 of 10
B
★★★ out of 4 stars

Friday, April 22, 2022


The text is copyright © 2022 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

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Saturday, April 9, 2022

Review: "SING 2" is Full of Feel-Good Magic

TRASH IN MY EYE No. 21 of 2022 (No. 1833) by Leroy Douresseaux

Sing 2 (2021)
Running time:  110 minutes (1 hour, 50 minutes)
MPA – PG for some rude material and mild peril/violence
WRITER/DIRECTOR:  Garth Jennings
PRODUCERS:  Janet Healy and Chris Meledandri
EDITOR:  Gregory Perler
COMPOSER:  Joby Talbot

ANIMATION/FANTASY/MUSICAL AND FAMILY/COMEDY

Starring:  (voices) Matthew McConaughey, Reese Witherspoon, Scarlett Johansson, Taron Egerton, Tori Kelly, Nick Kroll, Jennifer Saunders, Garth Jennings, Chelsea Peretti, Bobby Cannavale, Nick Offerman, Adam Buxton, Eric Andre, Halsey, Letitia Wright, Bono, Pharrell Williams, Julia Davis, Peter Serafinowicz, and Wes Anderson and Spike Jonze

Sing 2 is a 2021 computer-animated, jukebox musical comedy film written and directed by Garth Jennings and produced by Illumination Entertainment.  It is a sequel to the 2016 animated film, Sing.  In Sing 2, the Moon Theater crew must persuade a media mogul and a reclusive rock star to believe in their new show.

Sing 2 opens some time after the events depicted in Sing.  Buster Moon the koala (Matthew McConaughey) and the rebuilt “Moon Theater” are thriving.  His latest goal is to impress Suki (Chelsea Peretti), a talent scout from Crystal Entertainment in Redshore City, but Suki is definitely not impressed with the stars of the theater.  So Buster leads his troupe:  Rosita (Reese Witherspoon), a housewife and mother of 25 piglets; Gunter (Nick Kroll), the exuberant pig performer who wants to dance as much as he wants to sing; Ash (Scarlett Johansson), the punk-rock porcupine and singer; Johnny (Taron Egerton), the teenage gorilla singer, and Meena (Tori Kelly), the shy teenage elephant singer, to their destiny in Redshore.

Once there, they infiltrate Crystal Tower Theater in order to get an audience with Jimmy Crystal (Bobby Cannavale), a white wolf and media mogul, but Crystal brushes them off.  Desperate, Buster starts making promises to Crystal.  The first is that he and his troupe can stage a massive space-themed musical, “Out of This World.”  Secondly, Buster says that he can get reclusive rock legend, Clay Calloway (Bono), to be part of his show.

The problem is that Calloway has not been seen in over fifteen years since his wife died.  Buster sends his secretary, Miss Crawly (Garth Jennings), to find him.  After Miss Crawly fails spectacularly, Buster's show is in trouble and his life is on the line with Jimmy Crystal.  Is there anyway or anyone that can save “Out of This World?”

I recently watched the original film, Sing, for the first time.  I found that all the obstacles that Buster and his troupe face in the original were all over the place and overkill, and I did not think that Matthew McConaughey's voice performance amounted to much.  McConaughey is better in Sing 2, but not great.  The conflict and obstacles that Buster and the Moon Theater troupe face are singularly focused or directly related to putting on their sci-fi show, “Out of This World.”

In Sing 2, I find the returning characters to be likable or more likable, perhaps, because I am now more familiar with then.  There are also some excellent new characters.  I hope Letitia Wright's Nooshy, a lynx and a street dancer who teaches Johnny to dance, returns if there is another film in the series.  Porsha Crystal (Halsey), Jimmy's daughter, actually grows as a character in the film.  Bobby Cannavale has a fine old time with his performance as Jimmy Crystal, and noted film director, Spike Jonze, is excellent as Jerry the cat, Jimmy's loyal and groveling assistant.  As Clay Calloway, Bono (of the legendary rock band, U2) doesn't sound like Bono, and his performance is mostly flat.

The film's big musical finale, the actual performance of “Out of This World,” is sweet and lovely, although it is a little over the top.  It is an excellent show-stopper, and serves as a nice send off for Buster Moon and his troupe – on to better things.  I hope that there is a third film in the series.  Watching the endearing Sing 2 reminded me of why I really love watching animated films, especially computer-animated films.  They are the warm cup of cocoa in my life as a movie lover.

7 of 10
A-

Saturday, April 9, 2022


NOTES:
2022 Image Awards (NAACP):  1 win: “Outstanding Character Voice-Over Performance-Motion Picture” (Letitia Wright); 2 nominations: “Outstanding Animated Motion Picture” (Outstanding Character Voice-Over Performance-Motion Picture” (Eric André)


The text is copyright © 2022 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

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