Tuesday, March 11, 2014
Review: Father and Daughter Hold Down the "Homefront"
Running time: 101 minutes (1 hour, 41 minutes)
MPAA – R for strong violence, pervasive language, drug content and brief sexuality
DIRECTOR: Gary Fleder
WRITER: Sylvester Stallone (based upon the novel by Chuck Logan)
PRODUCERS: Sylvester Stallone, Kevin King Templeton, John Thompson, and Les Weldon
CINEMATOGRAPHER: Theo van de Sande
EDITOR: Padraic McKinley
COMPOSER: Mark Isham
Starring: Jason Statham, James Franco, Izabela Vidovic, Kate Bosworth, Marcus Hester, Winona Ryder, Clancy Brown, Omar Benson Miller, Rachelle Lefevre, Frank Grillo, Chuck Zito, Pruitt Taylor Vince, Linds Edward, and Austin Craig
Homefront is a 2013 crime thriller and action movie from director Gary Fleder. The film is loosely based on the 2005 novel, Homefront, by author Chuck Logan. Homefront the movie focuses on a former DEA agent who moves to a small town, where he soon catches the attention of a local drug lord.
Homefront is a mean, gritty little bastard of a film. It is a true southern gothic in the tradition of such movies as White Lighting (a Burt Reynolds classic), Deliverance, and Walking Tall.
Widowed ex-solider Phil Broker (Jason Statham) works undercover for the Drug Enforcement Agency (DEA). After an operation goes bad, Broker retires, and he and his 10-year-old daughter, Maddy (Izabela Vidovic), move to the quiet Southern town of Rayville. However, the small town is riddled with drugs and violence, and, after Maddy gets into a fight at her new school, Broker discovers that Rayville is not as idyllic as it seems on the surface. Broker catches the attention of Gator Bodine (James Franco), a local drug lord with big ambitions. Those ambitions cause Gator to go into Broker’s past, which brings trouble for everyone.
It is too easy to mock a screenplay written by Sylvester Stallone; after all, he has been writing movie scripts for four decades. His Homefront screenplay is tightly written, perhaps a bit too tightly. The movie runs at about an hour-and-a-half of actual story time, which is too short for the plot and characters. Stallone introduces several characters and establishes them as potentially having a major impact on the story. Many of them, however, end up being used sparingly, especially the teacher Susan Hetch (Rachelle Lefevre), who might have romantic feelings for Broker. Cassie Bodine Klum (Kate Bosworth), as a character connected to both Broker and Bodine, has the most potential to improve the drama in Homefront, but, except for a few scenes, Cassie is underutilized.
What Stallone’s script gets right is the relationship between Broker and his daughter, Maddy. The film takes the time to establish how important both characters are to each other. The movie emphasizes two things: as a family that recently underwent loss, Broker and Maddy are in a fragile state and also that external threats are not the only things that can damage the family. Maddy is every bit as stubborn and determined as her father, and her love for him won’t deter her from confronting him. So when the bad guys start attacking, the audience will buy into the threat to the family because the film made the bond and relationship between Broker and Maddy seem genuine and honest.
Fear not, Jason Statham fans; our guy gets to kick ass and pop caps. Director Gary Fleder and film editor Padraic McKinley largely eschew CGI god-tech and instead, offer old-fashioned, no-gloss gunfights that will glue your attention to the screen. The bone-crunching, ball-rupturing, face-smashing fights are short and to the point, and I found myself re-watching them.
Homefront is one of the better Jason Statham vehicles because his character seems more grounded in realism. Phil Broker is both susceptible to being hurt and has something to lose. And because this movie was not a box office success, we likely won’t get to see Statham as Broker in another film – a pity.
6 of 10
Sunday, March 09, 2014
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