Review: "Rashomon" Defies Time (Happy B'day, Akira Kurosawa)

TRASH IN MY EYE No. 60 (of 2004) by Leroy Douresseaux


Rashômon (1950) – Black and white
COUNTRY OF ORIGIN: Japan
Running time: 88 minutes (1 hour, 28 minutes)
Not rated by the MPAA
EDITOR/DIRECTOR: Akira Kurosawa
WRITERS: Shinobu Hashimota and Akira Kurosawa (based upon stories by Ryunosuke Akutagawa)
PRODUCER: Minoru Jingo
CINEMATOGRAPHER: Kazuo Miyagawa
EDITOR: Fumio Hayasaka
Academy Award winner

DRAMA/MYSTERY/CRIME with elements of a thriller

Starring: Toshirô Mifune, Machiko Kyô, Masayuki Mori, Takashi Shimura, Minoru Chiaki, Kichijiro Ueda, Fumiko Honma, Daisuke Katô

Rashômon is a 1950 Japanese crime drama from director Akira Kurosawa. In 1952, the film won an Honorary Academy Award as the best foreign language film released in the United States in 1951. The film is based on two stories by Ryunosuke Akutagawa and is the story of a murder told from differing points of view.

The fact that Akira Kurosawa’s Rashômon is considered by critics to be one of the best films ever made and that it is also one of the most influential films every made should be enough of a recommendation. However, I’m well aware of how put off many people are by “serious film” or movies that critics hail as masterpieces. Rashômon is simply a good movie, and virtually anyone who likes crime dramas or mysteries will love this philosophical and psychological thriller.

An incident involving the murder of a husband and the rape of the wife in the forest is reported to local authorities, but what really happened? The horrible incident is told from the point of view of four witnesses: the alleged murderer/rapist, the wife, the murdered husband (the husband’s spirit speaks through his wife as a medium, nonetheless), and someone who watched part of what happened from a hidden vantage point. Who is telling the truth, and, in this case, just what is truth?

One of the many wonderful things about this film, like all the great stories, is that it spins a good yarn while simultaneously examining the state of man. Why are people selfish? Why do they lie? And are all humans basically selfish creatures who (when it comes down to it) really serve their own individual interests? The film is a fine mystery/crime drama with some amazing twists and turns (the husband’s tortured spirit telling his side of the tale is unforgettable) that will keep the viewer riveted, but that it also makes you think about us, about humanity, pushes it over the top. Except that Rashômon seems a bit too slow from the top, it nears perfection in the art of cinema and in making good use of the medium.

9 of 10
A+

NOTES:
1952 Academy Awards: 1 win: “Honorary Award” (Japan) – Voted by the Board of Governors as the most outstanding foreign language film released in the United States during 1951.

1953 Academy Awards: 1 nomination: “Best Art Direction-Set Decoration, Black-and-White” (Takashi Matsuyama and H. Motsumoto)

1953 BAFTA Awards: 1 nomination: “Best Film from any Source” (Japan)

Second Robert Downey Jr. "Sherlock Holmes" Surpasses First in Cash Made

“Sherlock Holmes: A Game of Shadows” Bests Its Predecessor, Nabbing Global Tally of $529 Million and Counting

BURBANK, Calif.--(BUSINESS WIRE)--Warner Bros. Pictures’ and Village Roadshow Pictures’ “Sherlock Holmes: A Game of Shadows” has hit the $529 million benchmark in global box office, with an estimated $186.7 million on the domestic side and $342.3 million internationally, surpassing its predecessor’s worldwide gross of $524.4 million. The announcement was made today by Dan Fellman, President of Domestic Distribution, and Veronika Kwan-Rubinek, President of International Distribution, Warner Bros. Pictures.

The film has drawn large opening crowds and repeat business since its late December debut, continuing its momentum as it rolled out internationally. In the U.S., “Sherlock Holmes: A Game of Shadows” opened at #1 and spent six weeks in the U.S. top ten. Internationally, it was the #1 film for three straight weeks (January 8 - January 23).

“Our successful box office continues to prove the appeal of Sherlock Holmes, especially in the hands of guy Ritchie and his amazing cast, led by Robert Downey Jr. and Jude Law,” Fellman said. “The film had outstanding results throughout the holidays and continued to gain traction well into 2012.”

“Rolling out this film internationally has been tremendously exciting, as the film has clearly resonated with audiences around the globe,” Kwan-Rubinek added. “The first ‘Sherlock Holmes’ was such a tremendous success overseas, and to surpass that number in these same markets is truly a remarkable achievement. We congratulate the filmmakers and cast, as well as our international teams, on these excellent results.”

“‘Sherlock Holmes: A Game of Shadows’ gave moviegoers another opportunity to experience Guy Ritchie’s fun and inventive take on the legendary detective,” said Sue Kroll, the Studio's President, Worldwide Marketing. “The movie is a great adventure—complete with action, humor and great characters. Congratulations to the filmmakers and cast, who were truly our partners in bringing Sherlock Holmes back to an enthusiastic worldwide audience.”

Robert Downey Jr. reprises his role as the world’s most famous detective, Sherlock Holmes, and Jude Law returns as his friend and colleague, Dr. Watson, in “Sherlock Holmes: A Game of Shadows.”

Sherlock Holmes has always been the smartest man in the room…until now. There is a new criminal mastermind at large—Professor James Moriarty (Jared Harris)—and not only is he Holmes’ intellectual equal, but his capacity for evil, coupled with a complete lack of conscience, may give him an advantage over the renowned detective. Holmes’ investigation into Moriarty’s plot becomes more dangerous as it leads him and Watson out of London to France, Germany and finally Switzerland. But the cunning Moriarty is always one step ahead, and moving perilously close to completing his sinister plan. If he succeeds, it will not only bring him immense wealth and power but alter the course of history.

Filmmaker Guy Ritchie returned to direct “Sherlock Holmes: A Game of Shadows,” the follow-up to the smash hit “Sherlock Holmes.” The sequel reunited producers Joel Silver, Lionel Wigram, Susan Downey and Dan Lin. Bruce Berman and Steve Clark-Hall served as executive producers. The film also stars Noomi Rapace, Jared Harris, Eddie Marsan, Kelly Reilly, and Rachel McAdams. “Sherlock Holmes: A Game of Shadows” was written by Michele Mulroney & Kieran Mulroney. Sherlock Holmes and Dr. Watson were created by the late Sir Arthur Conan Doyle, and appear in stories and novels by him.

Warner Bros. Pictures presents, in association with Village Roadshow Pictures, a Silver Pictures Production, in association with Wigram Productions, a Guy Ritchie Film, “Sherlock Holmes: A Game of Shadows.” The film is being distributed by Warner Bros. Pictures, a Warner Bros. Entertainment Company, and in select territories by Village Roadshow Pictures.

http://www.sherlockholmes2.com/

Review: "Pleasantville" is Pleasingly Pleasant

TRASH IN MY EYE No. 156 (of 2004) by Leroy Douresseaux on Patreon

Pleasantville (1998)
Running time: 124 minutes (2 hours, 4 minutes)
MPAA – PG-13 for some thematic elements emphasizing sexuality, and for language
WRITER/DIRECTOR: Gary Ross
PRODUCERS: Robert J. Degus, Jon Kilik, Gary Ross, and Steven Soderbergh
CINEMATOGRAPHER: John Lindley
EDITOR: William Goldenberg
COMPOSER: Randy Newman
Academy Award nominee

COMEDY/DRAMA/FANTASY

Starring: Tobey Maguire, William H. Macy, Joan Allen, Reese Witherspoon, Jeff Daniels, Jane Kaczmarek, Don Knotts, Paul Walker, and J.T. Walsh

The subject of this movie review is Pleasantville, a 1998 comedy-drama and fantasy film from writer/director Gary Ross, who would go on to write and direct the Oscar-nominated, Seabiscuit (2003). Pleasantville stars Tobey Maguire and Reese Witherspoon as a brother and sister transported into their television set where they find themselves in the world of a 1950s black and white situation comedy.

It’s premise, especially the device that initiates the premise, is something straight out of pulp science fiction or pulp comics (in particular, EC comics), but Pleasantville ends up being a film poignant and delightful and thought provoking and entertaining. The film begins in the 1990’s with a brother and sister pair. David Wagner (Tobey Maguire), single, lonely, and unhappy, escapes his melancholy reality by watching the nostalgic 1950’s era soap opera, “Pleasantville.” After his TV breaks, a very strange repairman (Don Knott) gives him an equally strange remote control, but his sister, Jennifer (Reese Witherspoon), who is David’s exact opposite (happy and more far more sexually active than her brother), argues with David over watching the TV. During their struggle for the peculiar remote control, it transports the pair into the television to Pleasantville.

Suddenly, David and Jennifer are Bud and Mary-Sue Parker, and they find themselves completely assimilated into the new world. They are now black and white instead of color, and they have new 50’s era clothes. They also have new and different parents Betty (Joan Allen) and George Parker (William H. Macy), more pleasant than the old models. While David decides to blend in with this new world, Jennifer is sexually aggressive with the sexually naïve teenage boys of this “Leave it to Beaver” like world. David/Bud and Jennifer/Mary-Sue’s antics begin to change the world, and one thing leads to another and suddenly there is a vivid, red rose in this black and white world. Soon, the denizens of Pleasantville start to break rules and to break with long held traditions and before long, life is growing ever more colorful in Pleasantville. But not everyone is happy, including Bud and Mary-Sue’s Pleasantville dad and the town council, and they plan to do something about it.

There is so much to like about this movie, especially the wonderful cast. Tobey Maguire and Reese Witherspoon perfectly portray the squabbling pair of siblings, playing them at just the right pitch to make this movie work. However, it is the adult or older actors that sell Pleasantville’s ideas and messages. The themes of conformity, rebellion, marital discord, infidelity, betrayal, loyalty, and mob violence and group-think come to life in the stand out performances of William H. Macy, Joan Allen, Jeff Daniels and the late J.T. Walsh. It’s fun to watch Ms. Witherspoon’s antics, and Maguire has that young everyman quality that draws audiences into living vicariously through him, but the older actors shape and structure the elements that define this film.

Many Oscar® watchers had pegged this film as an early favorite to receive some big nominations, but it only earned three Academy Award nominations in the so-called technical categories. I get the feeling that many people were put off by the film. The very things that make it so intriguing – from its ideas to its concept start to fall apart about midway through the film. Slowly, but surely, the structure becomes shaky the longer the film runs. At 124 minutes (2 hours and 4 minutes) this film seems about 20 minutes too long. The last third of the film seems especially too preachy, too obvious, and heavy-handed.

Still, director/screenwriter Gary Ross created an enduring and charming gem; though flawed, it harks back to simply notions and an idealized simpler time in a fictional golden age. But the film does seem to ask, was that time really idealized and just how much is actually fiction about the good old days.

7 of 10
B+

NOTES:
1999 Academy Awards: 3 nominations: “Best Art Direction-Set Decoration” (Jeannine Claudia Oppewall and Jay Hart), “Best Costume Design” (Judianna Makovsky), and “Best Music, Original Dramatic Score” (Randy Newman)

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Review: "Hugo" Captures the Magic of Movies

TRASH IN MY EYE No. 23 (of 2012) by Leroy Douresseaux

Hugo (2011)
Running time: 126 minutes (2 hours, 6 minutes)
MPAA – PG for mild thematic material, some action/peril and smoking
DIRECTOR: Martin Scorsese
WRITER: John Logan (based on Brian Selznick’s book, The Invention of Hugo Cabret)
PRODUCERS: Johnny Depp, Tim Headington, Graham King, and Martin Scorsese
CINEMATOGRAPHER: Robert Richardson
EDITOR: Thelma Schoonmaker
COMPOSER: Howard Shore
Academy Award winner

HISTORICAL/DRAMA/FAMILY with elements of fantasy

Starring: Asa Butterfield, Ben Kingsley, Sacha Baron Cohen, Chloë Grace Moretz, Ray Winstone, Emily Mortimer, Christopher Lee, Helen McCrory, Michael Stuhlbarg, Frances de la Tour, Richard Griffiths, and Jude Law

Hugo is a 2011 Oscar-winning historical drama and 3D adventure film directed by Martin Scorsese. The film is based upon The Invention of Hugo Cabret, a 2007 historical fiction novel by Brian Selznick. The film is about a boy who lives in the walls of a Paris train station and how he meets Georges Méliès, the real-life French film pioneer.

It is 1931, and 12-year-old Hugo Cabret (Asa Butterfield) takes care of the clocks at the Gare Montparnasse railway station in Paris. He lives in the walls of the station with his uncle, Claude Cabret (Ray Winstone), an alcoholic watchmaker who is responsible for maintaining the clocks at the station and who teaches the craft to Hugo. After his uncle disappears, Hugo fends for himself, stealing food and maintaining the clocks. Hugo has also taken on a project of his late father (Jude Law), repairing a broken automaton, a mechanical man that is supposed to write after he is wound.

To repair the automaton, Hugo steals mechanical parts from an elderly toy store owner. One day, the owner, Georges Méliès (Ben Kingsley), catches Hugo and takes the boy’s notebook, which has notes and drawings for fixing the automaton. To get his notebook back, Hugo begins working for Méliès and also befriends the old man’s goddaughter, Isabelle (Chloë Grace Moretz). The children’s friendship and curiosity lead to a shocking revelation that might restore the spirit of a forgotten artist.

I guess that I should not be surprised that Martin Scorsese could pull off a film like Hugo – what is basically a family movie. I know that not all Scorsese’s films involve mobsters and violence, for instance, The Last Temptation of Christ and The Aviator, but his films are generally edgy adult dramas. With Hugo, however, Scorsese drives this film not only with a child’s sense of wonder and curiosity, but also with a child’s grit and determination to do what they believe is the right thing.

Scorsese’s films are successful because he gets great performances from his actors, and these performances are sometimes what make his films special (Robert De Niro in Raging Bull), or memorable (Joe Pesci in Goodfellas), or legendary (De Niro in Taxi Driver). In Hugo, the actors are so upfront emotionally that their intentions are clear to the audience. This makes the characters honest and vulnerable, in a childlike way that makes them endearing. That is why Chloë Grace Moretz’s Isabelle comes across as refreshing and intriguing rather than just being the girl character intruding in a boy’s tale.

While Ben Kingsley’s name is listed first in the credits, Asa Butterfield is the film’s star and Hugo Cabret is the lead character. Unlike some child actors who pretend more than they act, Butterfield plays Hugo with a veteran movie actor’s chops. He makes Hugo whole and believable, so much so that I lied to myself that Hugo was real boy.

Speaking of Ben Kingsley: after decades of great performances, I should not be surprised at how good he is as Georges Méliès, but I am. Kingsley is shockingly intense, even in the scenes that are relatively quiet and low key. In the scene in which Méliès tells the story of his past, Kingsley’s voice takes on a life of its own and magically transports us to Georges Méliès’ golden age.

And Hugo is magical. It is a trip into our dreams, in which the past comes to life. Most of all, Hugo reminds us of why movies are so special.

9 of 10
A+

NOTES:
2012 Academy Awards: 5 wins: “Best Achievement in Art Direction” (Francesca Lo Schiavo-set decorator and Dante Ferretti-production designer), “Best Achievement in Cinematography” (Robert Richardson), “Best Achievement in Sound Editing” (Philip Stockton and Eugene Gearty), “Best Achievement in Sound Mixing” (Tom Fleischman and John Midgley), and “Best Achievement in Visual Effects” (Robert Legato, Joss Williams, Ben Grossmann, Alex Henning); 6 nominations: “Best Achievement in Costume Design” (Sandy Powell), “Best Achievement in Directing” (Martin Scorsese), “Best Achievement in Film Editing” (Thelma Schoonmaker), “Best Achievement in Music Written for Motion Pictures, Original Score” (Howard Shore), “Best Motion Picture of the Year” (Graham King and Martin Scorsese), “Best Writing, Adapted Screenplay” (John Logan)

2012 BAFTA Awards: 2 wins: “Best Production Design” (Dante Ferretti and Francesca Lo Schiavo) and “Best Sound” (Tom Fleischman, Philip Stockton, John Midgley, and Eugene Gearty); 7 nominations: “Best Cinematography” (Robert Richardson), “Best Costume Design” (Sandy Powell), “Best Director” (Martin Scorsese), “Best Editing” (Thelma Schoonmaker), “Best Make Up & Hair” (Morag Ross and Jan Archibald), “Best Original Music” (Howard Shore), “Best Special Visual Effects” (Alex Henning, Robert Legato, Ben Grossmann, and Joss Williams)

2012 Golden Globes: 1 win: “Best Director - Motion Picture” (Martin Scorsese); 2 nominations: “Best Motion Picture – Drama” and “Best Original Score - Motion Picture” (Howard Shore)

Tuesday, March 20, 2012

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Disney Makes It Official: "John Carter" is a Box Office Bomb

Yesterday, The Walt Disney Company released a statement regarding the disappointing box office of its recent release, John Carter.  The film made a little over $30 million during its opening weekend, March 9-11, 2012.  The film, which reportedly had a production budget of $250 million, is largely based upon A Princess of Mars (1917), the first novel in Edgar Rice Burroughs' Barsoom novel series.  Disney's statement read:

“In light of the theatrical performance of John Carter ($184 million global box office), we expect the film to generate an operating loss of approximately $200 million during our second fiscal quarter ending March 31. As a result, our current expectation is that the Studio segment will have an operating loss of between $80 and $120 million for the second quarter. As we look forward to the second half of the year, we are excited about the upcoming releases of The Avengers and Brave, which we believe have tremendous potential to drive value for the Studio and the rest of the company.”

There are a number of theories as to why the film failed to meet expectations.  One is that there was a disconnect between the film's director, Andrew Stanton, a two-time Oscar-winner at Pixar Animation Studios for Finding Nemo and Wall-E, and Disney's marketing division.  So because of disagreements between the two or a lack of cooperation, if you read it that way, the film's marketing never piqued the interests of large numbers of potential moviegoers.  And big-budget event films like John Carter need lots of tickets sold to be profitable theatrically.

So far the film is doing okay outside of the North American market.  I guessing that Disney probably spent about $400 million making and marketing the film, so they're announcing a loss to their shareholders and the public because there is no way that this film can make a profit theatrically.  It would probably need to make around $800 million worldwide to do so.

I have been too busy to see the film at the theatre, but I will see it on DVD or on television.  Most people who see it will probably see it via some kind of home entertainment.  Who knows?  Over time, it may make Disney a pretty penny and become liked enough to make frequent appearances on the networks and channels that seem to have Disney franchises like Pirates of the Caribbean and National Treasure on heavy rotation.

Review: "Inside Man" is Slick Entertainment, Nothing More (Happy B'day, Spike Lee)

TRASH IN MY EYE No. 130 (of 2006) by Leroy Douresseaux

Inside Man (2006)

Running time: 128 minutes (2 hours, 8 minutes)
MPAA – R for language and some violent images
DIRECTOR: Spike Lee
WRITER: Russell Gewirtz
PRODUCER: Brian Grazer
CINEMATOGRAPHER: Matthew Libatique (director of photography)
EDITOR: Barry Alexander Brown
COMPOSER: Terrence Blanchard

DRAMA/CRIME with elements of a thriller

Starring: Denzel Washington, Clive Owen, Jodie Foster, Christopher Plummer, Willem Dafoe, Chiwetel Ejiofor, Carlos Andrés Gómez, Kim Director, James Ransone, Bernard Rachelle, Peter Gerety, Victor Colicchio, and Cassandra Freeman

Inside Man is a 2006 crime drama from director Spike Lee. Lee was basically a director-for-hire of this story of a peculiar bank heist, which was originally going to be directed by Ron Howard.

Four people dressed in painters outfits march into the Manhattan Trust Bank and take 50 customers and employees hostage, and then put the bank under a surgically planned siege. Detective Keith Frazier (Denzel Washington) and Detective Bill Mitchell (Chiwetel Ejiofor) are dispatched to the seemingly airtight heist by their precinct captain, with Frazier acting as the hostage negotiator. Frazier is hopeful of resolving the situation quickly, but Dalton Russell (Clive Owen), the bank robbers’ leader, is exceedingly clever, uncannily calm, and totally in command. Not only does he manage to disorient his hostages, but he’s also managing to confuse the police and stall for time.

Meanwhile, the bank’s chairman of the board of directors (ostensibly the owner), Arthur Case (Christopher Plummer), has used his vast and considerable political connections to arrange a meeting between Madeline White (Jodie Foster), a shadowy power player, and Russell – much to the chagrin of Detective Frazier. White is vague with Frazier about what she and Russell discuss during their brief meeting, but it seems as if looting a bank full of money isn’t Russell’s only objective. Detective Frazier needs to unravel this puzzle though, because he’s running out of time to keep this standoff from turning ugly and bloody for both hostages and hostage takers. The police high command is about to unleash Emergency Services Unit (ESU) Captain John Darius (Willem Dafoe) and his tactical unit to go in and settle the situation – to kill if necessary - and Frazier still isn’t sure just who is pulling the invisible strings of this strange case.

Inside Man may be Spike Lee’s most purely enjoyable film to date, being that it is almost totally free of his usual political drama and social commentary. The film is clever and Spike expertly extracts the unexpected turns and labyrinthine twists of writer Russell Gewirtz’s script. Lee adds the big time gloss to Gewirtz’s screenplay, his first produced for the big screen (He’d previously written for the late ABC TV series “Blind Justice.”). Lee makes the plot’s crafty tricks practical for a movie aimed at a broad audience.

Gewirtz’s script is rife with good characters, but it is obviously up to the director to set the tone and the actors to create by giving flesh to the concepts. There’s a natural humor to the characters, especially in their dialogue, and Lee allows that to play out, which brings the right amount of levity to this crime drama – a nice touch since this bank heist/hostage situation really isn’t about blood, guts, and guns. Lee also makes the most of the match of wits or chess game between Clive Owen’s Dalton Russell and Denzel Washington’s Keith Frazier.

This is the fourth collaboration between Spike and Denzel, after Mo’ Better Blues, Malcolm X, and He Got Game. Lee also seems familiar with Clive Owen, as he comfortable taps into Owen’s understated air of menace – the charming rogue. Jodie Foster makes the most of her part and creates an adversary that engages the audience as much as she engages the other characters. Foster’s Madeline White is a charming reptile; like the actress, the character has a natural intelligence that is obvious the first time someone meets her, but Foster adds the twist of making Madeline the perfect trouble-shooting witch.

Still, Inside Man is a bit too clever for its own good. Gewirtz never really taps into the raw emotional power of the devastating secret at the heart of his heist story, and Lee seems more in love with the shiny bauble the plot is, with all its unexpected shifts and revelations in the narrative, than he is with the consequences of malfeasance and with genuine evil. As a police procedural and heist film, Inside Man is as crafty as its colorful cast of cunning and wily characters makes it, and that’s craftiness by the carload – enough to keep your mind fighting with the puzzle for just about all of this film. The last 20 minutes or so of Inside Man is a bit of a stumble, as the filmmakers avoid the meat of an ugly subject matter, but getting to the end was still fun to watch.

Once upon a time – not that long ago – Spike would have readily ignored the genre aspects of this story in favor of tackling the issues of bigotry, public corruption, and appalling evil this story raises. Oh, well. At least he proved that he can be a very capable director-for-hire.

6 of 10
B

Thursday, June 15, 2006

NOTES:
2007 Black Reel Awards: 1 win: “Best Director” (Spike Lee); 3 nominations: “Best Actor” (Denzel Washington), “Best Film” (Brian Grazer and Jonathan Filley), “Best Original Score” (Terence Blanchard)

2007 Image Awards: 1 win: “Outstanding Directing in a Feature Film/Television Movie - Comedy or Drama” (Spike Lee); 1 nomination: “Outstanding Actor in a Motion Picture” (Denzel Washington)

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Disney's Oscar-Winning "The Muppets" Now on DVD and Blu-ray

The Biggest Muppet Adventure Ever Comes Home!

Disney's The Muppets

The Must-Own Movie For The Entire Family Debuts on Blu-ray ™ Combo Pack, Digital and On-Demand March 20, 2012

Debut Release Offers Fans the Full Movie Soundtrack with DVD Release and as part of a ‘Wocka-Wocka’ Pack for the Ultimate Muppets Experience!

One of the year’s best-loved family comedies and among the best reviewed films of 2011, Disney’s “The Muppets,” starring Jason Segel, Academy Award®-nominee Amy Adams, and favorite celebrity couple Kermit the Frog and Miss Piggy -- debuts March 20 on Blu-ray™ Combo Pack, DVD, Digital Download and On-Demand formats. A must-own movie the entire family can enjoy, Disney’s “The Muppets” in-home release includes the DVD and music soundtrack packaged together and also offered as the ultimate Muppets experience, a ‘Wocka-Wocka Value Pack,’ which contains the movie on Blu-ray high definition, DVD and Digital Copy (three discs), plus a download card which allows fans to own all the songs from the film’s hugely popular soundtrack.

Disney’s “The Muppets” Blu-ray Combo Pack, with its flawless picture and pitch perfect sound, comes with a fantastic slate of bonus content including the laugh out loud “The Longest Blooper Reel Ever Made (In Muppet History––We Think).” The exciting release also includes the hilarious featurette “A Little Screen Test on the Way to the Read Through,” which follows Jason Segel, Kermit, The Great Gonzo, Fozzie Bear, Miss Piggy and others as they get ready for the first day of production, and much more fun.

“Blu-ray is a great way to bring the Muppets into your home without having to worry about cleaning up after us,” said Kermit the Frog, commenting on the announcement. “And the behind-the-scenes extras are a revealing tell-all look at what it took to bring our movie to the big screen. It’s a must-see for fans of bloopers, flubs and slip-ups – which pretty much describes our act.”

Miss Piggy is equally thrilled at the movie’s Blu-ray release, “Now you can watch moi whenever you want! Ooh! Lucky vous!”

Additional fun-filled features on Disney’s “The Muppets” Blu-ray include a groundbreaking industry first -- ‘Disney Intermission,’ a hilarious all-new feature that allows viewers to press Pause on their remote control and watch as the Muppets take over the screen and entertain until the movie resumes playing. The release also includes “Explaining Evil: The Full Tex Richman Song,” an extended version of the rollicking rap song by villain Tex Richman (Academy Award® winner Chris Cooper) who provides the hilarious backstory of why he hates the Muppets. Audio commentaries with screenwriter and star Jason Segel, director James Bobin and screenwriter Nicholas Stoller are also included.

With the Muppet’s signature irreverent comedy, songs and dancing, Muppet fans of all ages will cheer as the gang reunites to put on a benefit show to save the crumbling Muppet Studios from being razed by nefarious oil baron Tex Richman. New fans and long-time devotees will find the rainbow connection when they bring Disney’s “The Muppets” into their very own homes.

Release Formats & Suggested Retail Pricing:
3-Disc Blu-ray with Soundtrack (‘Wocka-Wocka Value Pack’) = $49.99 U.S./$56.99 Canada
2-Disc Blu-ray = $39.99 U.S./$46.99 Canada
1-Disc DVD with Soundtrack = $34.99/$41.99 Canada
1-Disc DVD = $29.99 U.S./$35.99 Canada
High Definition Digital = $39.99 U.S./$44.99 Canada
Standard Definition Digital = $29.99 U.S./$35.99 Canada
On-Demand = check with your television provider or favorite digital retailer for pricing

Review: "The Whole Nine Yards" Surprises (Happy B'day, Bruce Willis)

TRASH IN MY EYE No. 54 (of 2004) by Leroy Douresseaux

The Whole Nine Yards (2000)
Running time: 98 minutes (1 hour, 38 minutes)
MPAA – R
DIRECTOR: Jonathan Lynn
WRITER: Mitchell Kapner
PRODUCERS: Allan Kaufman and David Willis
CINEMATOGRAPHER: David Franco
EDITOR: Tom Lewis
COMPOSERS: Randy Edelman and Gary Gold

CRIME/COMEDY

Starring: Bruce Willis, Matthew Perry, Rosanna Arquette, Michael Clarke Duncan, Natasha Henstridge, Amanda Peet, Kevin Pollack, Harland Williams, and Carmen Ferland

The Whole Nine Yards is a 2000 crime comedy starring Bruce Willis and Matthew Perry. The film focuses on a struggling dentist living in Montreal and his neighbor, a former mob hitman living under an assumed name.

Nicholas “Nick” or “Oz” Oseransky (Matthew Perry) is an American dentist living in Canada, struggling with his practice and suffering his monstrously selfish wife Sophie (Rosanna Arquette) and her tiresome mother (Carmen Ferland). His troubles start to pile when a hit man, Jimmy “The Tulip” Tudeski (Bruce Willis), moves into the neighborhood under the witness protection program.

Sophie figures Jimmy has a bounty placed on his head by whatever group he betrayed to the authorities. She forces Nick to go to Chicago and rat out Jimmy to Janni Pytor Gogolak (Kevin Pollack), a mob boss who has a score to settle with The Tulip. Sophie assumes that Gogolak will pay her husband a finder’s fee for locating The Tulip. But things are never so easy as one, two, three. Everyone, from Sophie to Jimmy and from Janni to Jimmy’s sexy wife, Cynthia (Natasha Henstridge), has a plan of his own, and poor Nick’s just a pawn. Will he survive them?

The Whole Nine Yards is both surprisingly funny and good; in fact, it’s probably one of the best crime comedies since Get Shorty. The film’s strength and quality lies in two things: the cast and the writing. Most of the stars are pretty good character actors, and they usually don’t get credit for being so, Bruce Willis especially. He’s a big time movie star and can generally carry a quality action flick. Put him in a quality ensemble piece, and he soars because he can play well off his colleagues. Amanda Peet has a sexy energy that livens the film, but the big surprise is Matthew Perry. He’s a funny guy, an expert at mixing sarcastic asides and pratfalls. He’s also quite good at playing the ordinary joe barely making it in extraordinary circumstances.

Mitchell Kapner’s script is light and breezy, but tightly written. It goes by quickly and smoothly, but it gives the cast a lot of room to play to their strengths. The sarcasm is nice, but Kapner’s feat is that he uses ugly violent crime and murderous characters to make a good comedy – a farce about mobsters, hit men, and cops, who despite the obvious differences in their respective professions, often act like the same people.

7 of 10
B+

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As a Sequel, "The Whole Ten Yards" is an Incomplete Pass

TRASH IN MY EYE No. 55 (of 2004) by Leroy Douresseaux


The Whole Ten Yards (2004)
Running time: 98 minutes (1 hour, 38 minutes)
MPAA – PG-13
DIRECTOR: Howard Deutch
WRITERS: George Gallo; from a story Mitchell Kapner (based upon characters created by Mitchell Kapner)
PRODUCERS: Allan Kaufman, Arnold Rifkin, Elie Samaha, and David Willis
CINEMATOGRAPHER: Neil Roach (D.o.P.)
EDITOR: Seth Flaum
COMPOSER: John Debney

CRIME/COMEDY

Starring: Bruce Willis, Matthew Perry, Amanda Peet, Kevin Pollack, Natasha Henstridge, Frank Collison, Johnny Messner, Silas Weir Mitchell, Tasha Smith, and Ellisa Gallay

The Whole Ten Yards is a 2004 crime comedy. It is also a sequel to the 2000 film, The Whole Nine Yards, a title derived from the popular expression that means completely and everything.

Many critics have already asked, “Why is there a sequel to 2000’s The Whole Nine Yards?” It’s a legitimate question. Nine Yards was a nice crime comedy and caper film with some really neat characters, but half the really good ones bit the bullet or were looking at jail time by the end of the film. Who knows why The Whole Ten Yards exists, but it’s a fairly decent film with a lot of belly laughs, although its plot is almost nonexistent and the script lumbers around like a shooting victim on weak legs.

Lazlo Gogolak (Kevin Pollack) is just out of prison, and he’s looking for his son Yanni’s killer. Yanni (also played by Pollack in the first film) was one of those funny characters that got whacked in Nine Yards. Lazlo knows the killer is Jimmy “The Tulip” Tudeski (Bruce Willis), but he also knows Jimmy is hiding somewhere. So Lazlo finds the next best thing, Jimmy’s former neighbor and the second husband of Jimmy’s ex-wife Cynthia (Natasha Henstridge). That would be hapless fall guy Nick Oseransky or Oz (Matthew Perry), as his friends call him.

When Lazlo kidnaps Cynthia, Oz runs to Jimmy for help and inadvertently leads Lazlo and his band of merry killer idiots to Jimmy’s hideaway in Mexico where he lives with his wife Jill (Amanda Peet), Oz’s former assistant and a budding contract killer. Things aren’t going well for Jimmy and Jill. They’re trying to have a baby, but Jimmy may be shooting blanks. Jimmy also has something Lazlo wants, and Lazlo has something Jimmy wants. Everyone’s playing everyone, and poor Oz, just like the last time, is caught in the middle.

There are numerous hilarious, laugh-out-loud scenes in The Whole Ten Yards. Ten Yards, however, is totally a character driven piece. The plot and story are crippled and confusing, and the story has too much subterfuge for its own good. Even as a character piece, this film feels stretched thin. The actors have to be “on” all the time, or the film will fall apart; thus, a lot of the comedy routines and scenes feel like they go on too long or they’re too over the top. Perry frantically bounces off the walls, but he mostly succeeds in making both his character endearing and the film viewable. Amanda Peet maintains the sexy energy she had the first time. Willis is good, but a lot of his scenes are poorly written and/or staged.

Poor Natasha Henstridge is wasted, as is Kevin Pollack. The Whole Ten Yards is not so much a wasted opportunity as it is a wasted effort. As funny as it can be in moments, it’s largely forgettable and you do have to wonder why it’s here. Still, it’ll make a good rental when you “just want something to watch.”

5 of 10
C+

"If a Tree Falls..." Just One Story About the ELF

TRASH IN MY EYE No. 22 (of 2012) by Leroy Douresseaux


If a Tree Falls: A Story of the Earth Liberation Front (2011)
Running time: 86 minutes (1 hour, 26 minutes)
Unrated by the MPAA
DIRECTOR: Marshall Curry with Sam Cullman (co-director)
WRITERS: Marshall Curry and Matthew Hamachek
PRODUCERS: Sam Cullman and Marshall Curry
EDITORS: Marshall Curry and Matthew Hamachek
COMPOSER: James Baxter
Academy Awards nominee

DOCUMENTARY

Starring: Daniel McGowan, Bill Barton, Kirk Engdall, Jacob Ferguson, Jim Flynn, Greg Harvey, Tim Lewis, Lisa McGowan, and Jenny Synan

If a Tree Falls: A Story of the Earth Liberation Front is a 2011 documentary film that delves into the origins of the radical environmental group, the Earth Liberation Front (ELF). Nominated for a best documentary feature Oscar, the film focuses on Daniel McGowan, an early ELF member, who would face life in prison after being arrested on December 7, 2005.

The film introduces the viewer to McGowan and explains his situation, as he awaits trial for his involvement in acts of arson that burned down a tree farm in Oregon and a research building at the University of Washington in 2001. Daniel recounts how he came to embrace environmental activism and how that led him to Oregon. There, he met like-minded individuals who believed in more direct confrontation when protesting for environmental causes. “More direct confrontation” often meant property damage, especially large scale acts of arson.

The film also explains the origins and motives of the ELF, as well as the methods they used against their adversaries. Their use of economic sabotage and what they considered guerilla warfare would get the ELF branded as eco-terrorists. The second half of the film details the F.B.I. investigation of McGowan and his associates and how law enforcement was able to discover their identities and arrest them. The film also examines larger questions about environmentalism, the effectiveness of activism, and the use of the word, “terrorism.”

As a film about Daniel McGowan, If a Tree Falls: A Story of the Earth Liberation Front, is a quality documentary drama. The filmmakers allow McGowan to tell his story, and he is both honest and articulate. This allows the viewer to get a sense of the man, his times, the places, and the events before, during, and after the ELF. Director Marshall Curry shows off his storytelling skills in the moments when the consequences of McGowan’s actions hit home – on him, the young woman who would become his wife, and his parents and siblings. His feelings of dread, boredom, helplessness, and fear, and also his family’s tears and grief can feel like a punch in gut.

The film’s title, If a Tree Falls: A Story of the Earth Liberation Front, is honest. This is “a story” about the ELF, not an all-encompassing take on the organization. Curry and his cohorts’ use Dan McGowan as a vehicle to tell a story about the ELF, but ultimately, this documentary is less about the group than it is about McGowan.

That is a bit disappointing, but who knows when and if any one filmmaker will be able to pierce the secretive organization’s veil wide enough to make a great film about the ELF. Although this is a good documentary, focusing on McGowan isn’t enough either to answer question about labeling activists as terrorists or to make If a Tree Falls: A Story of the Earth Liberation Front a great documentary. There just seems to be too much missing from it.

6 of 10
B

NOTES:
2012 Academy Awards: 1 nomination: “Best Documentary, Features” (Marshall Curry and Sam Cullman)

Friday, March 16, 2012

85th Academy Awards Set for February 24, 2013

Academy Sets 85th Academy Awards® Date

Beverly Hills, CA (March 14, 2012) – The 85th Academy Awards nominations will be announced on Tuesday, January 15, 2013, and the Oscar® telecast will be presented on Sunday, February 24th.

The ceremony will take place at the Hollywood & Highland Center® in Hollywood, and will be televised live by the ABC Television Network to more than 225 countries.

Review: "Big Trouble in Little China" is Still a Big Deal (Happy Birthday, Kurt Russell)

TRASH IN MY EYE No. 7 (of 2003) by Leroy Douresseaux

John Carpenter’s Big Trouble in Little China (1986)
Running time: 99 minutes (1 hour, 39 minutes)
MPAA – PG-13
DIRECTOR: John Carpenter
WRITERS: Gary Goldman and David Z. Weinstein; adaptation by W. D. Richter
PRODUCERS: Larry J. Franco
CINEMATOGRAPHER: Dean Cundey
EDITORS: Steve Mirkovich, Mark Warner, and Edward A. Warschilka
COMPOSERS: John Carpenter and Alan Howarth

ACTION/ADVENTURE/FANTASY with elements of comedy

Starring: Kurt Russell, Kim Cattrall, Dennis Dun, James Hong, Victor Wong, Kate Burton, and Donald Li

Big Trouble in Little China is a 1986 fantasy and martial arts film from director John Carpenter (Halloween) and starring Kurt Russell. The comic adventure film follows a truck driver who plunges into a mysterious underworld beneath Chinatown where he takes on a powerful ancient sorcerer.

Big Trouble in Little China may well be John Carpenter’s most entertaining film with its heady mish mash of kung fu, eastern mysticism, action movies, fantasy, and camp. It’s a celebration of how a dumb movie can actually be outrageous, inventive, silly, and kinda smart, after all.

The story revolves around big-talking, wisecracking trucker Jack Burton, played by Kurt Russell as a kind of John Wayne beset by bad luck and pratfalls. Determined to get money owed to him, Burton follows Wang Chi (Dennis Dunn), a business associate, to the airport to pick up his fiancée, Miao Yin (Suzee Pai). When gang members kidnap her, Jack and Wang follow them into a wild adventure that tests the limits of Jack’s endurance and disbelief. Lo Pan (James Hong), a 2,000-year-old sorcerer who rules an underground empire in Chinatown, needs Miao to extend his life and power. A busybody lawyer (Kim Cattrall) further complicates Jack’s life when she tags along for the ride through Lo Pan’s terror filled labyrinth.

Carpenter directs the film at a break neck pace. Virtually every scene is packed with something strange and wondrous, so much so that the viewer never has time to really pay attention to the holes in the film. But it’s all played for fun: wild and lunatic martial arts fights, bizarre and ugly monsters, colorful costumes, imaginative sets, sparkling special effects, off-kilter shootouts and chases. It’s a great time at the movies, and that it maintains its charm without its SFX seeming dated is a testament to Carpenter’s skill, an under appreciated cinematic genius.

As usual, the team-up of Carpenter and actor Kurt Russell, who have worked together on three films and a television movie, results in a good movie. Russell, known as an action star, is actually an excellent comic actor. I don’t think this movie would really work without him, and it is certainly worth watching again because of him.

8 of 10
A

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New "Teenage Mutant Ninja Turtles" Movie December 2013

Paramount Pictures PR announced the following release dates:

Paramount Pictures and Nickelodeon Movies are proud to announce the release of TEENAGE MUTANT NINJA TURTLES on December 25, 2013 (wide).

The following Paramount films have changed release dates:

ONE SHOT will open on December 21, 2012 (wide).

WORLD WAR Z will open on June 21, 2013 (wide).

President Obama and Cartoon Network Team Up Against Bullying

President Barack Obama Joins Cartoon Network To Speak Up Against Bullying

Will Introduce The Network’s Original Documentary Speak Up Premiering Sunday, March 18 at 5:30 p.m. (ET/PT) with an Encore at 8 p.m. (ET, PT)

Commercial-Free Telecast Part of the Award-Winning “Stop Bullying: Speak Up” Pro-Social Campaign

ATLANTA--(BUSINESS WIRE)--President Barack Obama will deliver a special opening message that will introduce viewers to Speak Up, the original documentary from Cartoon Network that captures the authentic, everyday stories of America’s bullied kids and the youth who have helped them. Having already recognized the importance of dealing with this crucial issue by hosting the first-ever bullying prevention summit at the White House in 2011, Mr. Obama will speak to viewers, not only as the President but as a father and emphasize the importance of taking a stand against bullying.

The half-hour film, which is an extension of the network’s nationally recognized and award-winning pro-social initiative Stop Bullying: Speak Up, seeks to empower all kids to take part in the growing movement to help bring an end to bullying. It will premiere commercial-free on Sunday, March 18 at 5:30 p.m. (ET/PT) with an 8:00 p.m. encore telecast. Speak Up is directed by Lee Hoffman (Third Act Productions), executive produced by Hoffman and Cartoon Network Chief Content Officer Rob Sorcher, and produced by Rebecca Miller.

“We are honored that President Obama wanted to add his voice to our program,” said Stuart Snyder, president and COO, Turner Broadcasting’s Animation, Young Adults & Kids Media division. “This is such a key issue for our audience and their families and his participation helps even more to raise awareness about the importance of speaking up.”

Before, during and immediately following the telecast, renowned bullying prevention expert and author Rosalind Wiseman will provide further explanation of key bullying issues for kids and adults, answering viewer questions online at http://www.stopbullyingspeakup.com/. Speak Up also will be posted in its entirety on the website for ongoing viewing by students, parents, educators and community leaders. Further viewing of Speak Up across multiple digital platforms will be facilitated free of charge to customers through Comcast Xfinity, Facebook, iTunes and YouTube.com, each for at least two weeks following the world premiere.

Along with the documentary’s youth participants discussing the difficulties in approaching adults and getting them to understand their situation, Speak Up also features appearances from the hosts of Cartoon Network’s Dude What Would Happen (CJ Manigo, Ali Sepasyar and Jackson Rogow), Venus Williams (World Tennis Champion), Chris Webber (Five time NBA All-Star), Hope Solo (Soccer Star), Matt Wilhelm (Pro BMX champion), Lisa Leslie (WNBA All-Star) and NASCAR drivers Trevor Bayne (2011 Daytona 500 winner), Jeff Burton and Joey Logano (youngest winner of a NASCAR Sprint Cup race).

Original theme music for the documentary, “Speak Up” was written and performed by Jonathon Tortora, Fredric Duey and Brett Spigelman.

Cartoon Network (CartoonNetwork.com), currently seen in more than 99 million U.S. homes and 168 countries around the world, is Turner Broadcasting System, Inc.’s ad-supported cable service now available in HD offering the best in original, acquired and classic entertainment for youth and families.

Turner Broadcasting System, Inc., a Time Warner company, creates and programs branded news, entertainment, animation and young adult media environments on television and other platforms for consumers around the world.

Disney to Hold D23 in Anaheim - August 2013

D23 EXPO—The Ultimate Disney Fan Event—Returns to Anaheim, Once Again Bringing All the Magical Worlds of Disney under One Roof from August 9–11, 2013

Advance Tickets On Sale August 9, 2012, for the Most All-Encompassing Disney Fan Event in the World

BURBANK, Calif.--(BUSINESS WIRE)--All the magic and excitement of the past, present and future of Disney entertainment will come together once again when D23: The Official Disney Fan Club presents an all-new D23 EXPO at the Anaheim Convention Center on Aug. 9-11, 2013.

“The D23 Expo has become a phenomenal way for Disney fans to see everything they love about Disney all in one place — from Disney’s biggest stars and latest innovations to unforgettable performances live on stage,” said Steven Clark, head of D23: The Official Disney Fan Club, which produces the bi-annual D23 EXPO. “Our third Expo is sure to create even more magical new experiences and memories for our biggest fans attending from throughout the U.S. and around the globe.”

“Anaheim is extremely pleased that the D23 EXPO will be returning next year,” said Charles Ahlers, president, Anaheim/Orange County Visitor & Convention Bureau. “This exciting event is quickly becoming an industry icon, drawing Disney fans from around the world. The Anaheim community truly appreciates and enjoys this quality show and positive impacts it brings.”

More than 40,000 Disney fans attended D23 EXPO 2011, which brought together the entire world of Disney under one roof for three star-studded days and nights. Fans were treated to appearances by superstars like Robert Downey Jr., Scarlett Johansson, Regis Philbin and Billy Crystal; enjoyed performances by Dick Van Dyke, The Muppets and Disney princess voice talent Jodi Benson, Paige O’Hara, Lea Salonga and Anika Noni Rose; previewed concept art and attractions coming from Disney Parks and Walt Disney Imagineering; glimpsed back at Disney’s rich history through extraordinary panels, presentations and exhibits; and discovered the newest entertainment, technology, and products from The Walt Disney Company.

Among the highlights of D23 EXPO 2013 will be expanded capacities at some of our most popular venues; the 2013 Disney Legends Ceremony, which honors the talented men and women who have made significant contributions to the Disney legacy; Treasures of the Walt Disney Archives, a treasure trove of crown jewels from the Walt Disney Archives; the bustling aisles of the Collectors Forum, where Disney fans can buy, sell and trade Disney collectibles, memorabilia and merchandise; and a massive show floor full of special opportunities to see what’s on the horizon for Disney around the world—and where guests may bump into their favorite Disney stars, characters, Imagineers, animators and filmmakers.

Advance tickets for the D23 EXPO 2013 will go on sale at D23Expo.com beginning August 9, 2012. D23 Members receive special pricing on both one- and three-day tickets to the event, which is also open to the general public.

D23 Members receive early admission to the Expo show floor, and D23 will once again give a special thanks to D23 Charter Members, providing them special access to the Expo’s Charter Member Lounge. Members will also have an opportunity to purchase a special Sorcerer Package, which provides a host of special benefits and amenities.

D23 EXPO 2013 marks the third D23 Expo held in Anaheim — the first Expo was held in 2009 followed by a second in 2011. Each event played host to thousands of Disney fans from every corner of the globe. Starting today, guests can visit D23Expo.com to relive some of the extraordinary experiences from the first two Expo events and get a peek at what’s to come in 2013.

D23: The Official Disney Fan Club celebrates the remarkable past, present and future of Disney, taking its name from 1923, the year Walt Disney founded his world-famous company. D23 unlocks the magic of Disney with a host of exclusive benefits, including a quarterly publication, Disney twenty-three; a rich website at www.D23.com; a weekly e-mail newsletter; an array of discounts and special offers; free gifts throughout the year; as well as exclusive events created especially for its members.

Disney fans can join the world’s only Official Disney Fan Club by visiting http://www.d23.com/, or at select shops at the Disneyland® Resort, the Walt Disney World® Resort and www.DisneyStore.com/D23. To keep up with all the latest D23 news and events, follow “DisneyD23” on Twitter, YouTube and Facebook.

Kevin, Whitney, and "The Bodyguard" Return to Theatres March 28

The Bodyguard Returns to Cinemas In Celebration of 20th Anniversary

NCM Fathom Events and Warner Bros. Present Beloved Romantic Thriller Starring Kevin Costner and Whitney Houston in Select Movie Theaters Nationwide, Wednesday, March 28

CENTENNIAL, Colo.--(BUSINESS WIRE)--One of the biggest box office hits of the 1990s returns to movie theaters this month celebrating The 20th Anniversary of The Bodyguard, a special one-night in-theater event on Wednesday, March 28 at 7:30 p.m. local time. Starring Kevin Costner and Whitney Houston, The Bodyguard became one of the most popular hits of 1992, marking Houston's acting debut. Additionally, The Bodyguard: Original Soundtrack Album went on to become the No. 1 best-selling soundtrack of all time with nearly 12 million copies sold in the U.S., and the sixth best-selling album overall in the Nielsen SoundScan era. Featuring the hugely successful cover of "I Will Always Love You," the album also launched four other hit singles for Houston: “I'm Every Woman,” “Queen of the Night,” and two Oscar® nominated songs, “I Have Nothing” and "Run to You.”

Tickets for The 20th Anniversary of The Bodyguard event are available at participating theater box offices and online at http://www.fathomevents.com/. For a complete list of theater locations and prices, visit the NCM Fathom Events website (theaters and participants are subject to change).

Presented by NCM Fathom Events and Warner Bros., The 20th Anniversary of The Bodyguard event will be broadcast to more than 400 select movie theaters across the country through NCM’s exclusive Digital Broadcast Network.

“When originally released, the story and unforgettable songs of The Bodyguard, captured the hearts of audiences everywhere,” said Shelly Maxwell, executive vice president of NCM Fathom Events. “Through this special anniversary presentation, fans will be able to come together for one night and see it once more on the big screen.”

Directed by Mick Jackson, Costner stars as a former Secret Service Agent-turned-bodyguard who is hired to protect Houston's character, a music star, from an unknown stalker. The bodyguard ruffles the singer's feathers and most of her entourage by tightening security more than they feel is necessary. Eventually the bodyguard and the singer start an affair, and she begins to believe his precautions are necessary when the stalker strikes close to home.

Warner Bros. will release The Bodyguard 20th Anniversary Edition Blu-ray™ on March 27. Special features include Houston’s well-known “I Will Always Love You” music video and “Memories of The Bodyguard,” a making-of documentary. Featuring director Mick Jackson, writer/producer Lawrence Kasdan, actors Whitney Houston and Kevin Costner and others, the cast and crew will discuss the story’s 17-year path to the screen, reworks of the script, how Jackson and Houston joined the production and more.


About National CineMedia (NCM)
NCM operates NCM Media Networks, a leading integrated media company reaching U.S. consumers in movie theaters, online and through mobile technology. The NCM Cinema Network and NCM Fathom present cinema advertising and events across the nation’s largest digital in-theater network, comprised of theaters owned by AMC Entertainment Inc., Cinemark Holdings, Inc. (NYSE: CNK), Regal Entertainment Group (NYSE: RGC) and other leading regional theater circuits. NCM’s theater advertising network covers 177 Designated Market Areas® (49 of the top 50) and includes over 18,600 screens (approximately 17,700 digital). During 2011, nearly 671 million patrons (on an annualized basis) attended movies shown in theaters in which NCM currently has exclusive, cinema advertising agreements in place. The NCM Fathom Events live digital broadcast network (“DBN”) is comprised of over 700 locations in 167 Designated Market Areas® (including all of the top 50). The NCM Interactive Network offers 360-degree integrated marketing opportunities in combination with cinema, encompassing 42 entertainment-related websites, online widgets and mobile applications. National CineMedia, Inc. (NASDAQ: NCMI) owns a 48.7% interest in and is the managing member of National CineMedia LLC. For more information, visit http://www.ncm.com/ or http://www.fathomevents.com/.

About Warner Home Video
With operations in 90 international territories, Warner Home Video, a division of Warner Bros. Home Entertainment Inc., commands the largest home entertainment distribution infrastructure in the global video marketplace. Warner Home Video's film library is the largest of any studio, offering top quality new and vintage titles from the repertoires of Warner Bros. Pictures, Turner Entertainment, Castle Rock Entertainment, HBO Video and New Line Cinema.

Review: "A History of Violence" is Really Violent (Happy B'day, David Cronenberg)

TRASH IN MY EYE No. 160 (of 2005) by Leroy Douresseaux


A History of Violence (2005)
Running time: 98 minutes (1 hour, 38 minutes)
MPAA – R for brutal violence, graphic sexuality, nudity, language, and some drug use
DIRECTOR: David Cronenberg
WRITER: Josh Olson (based upon the graphic novel by John Wagner and Vince Locke)
PRODUCERS: Chris Bender, JC Spink, and David Cronenberg
CINEMATOGRAPHER: Peter Suschitzky
EDITOR: Ronald Sanders
Academy Award nominee

CRIME/DRAMA/MYSTERY with elements of a thriller

Starring: Viggo Mortensen, Maria Bello, Ed Harris, William Hurt, Ashton Holmes, Heidi Hayes, and Peter MacNeill

Tom Stall (Viggo Mortensen) is a pillar of the community in a rural Indiana town where he owns a small business, Stall’s Diner, and lives a quiet live with his wife, Edie (Maria Bello), and their two children, Jack (Ashton Holmes) and Sarah (Heidi Hayes). But the Stalls’ lives are forever changed after Tom thwarts a violent attempted robbery at the diner and kills the two, armed robbers. Lauded as a hero by his fellow townsfolk and by the media, he captures the attention of a Philadelphia mobster, Carl Fogarty (Ed Harris), and his henchmen who swear Tom is an old associate named Joey Cusack. It seems as if Fogarty wants Tom (or the man he swears is Joey) to tie up some loose ends…

In some ways, David Cronenberg’s new film, A History of Violence, is just like most violent crime dramas or action thrillers – the kind in which a man of few words tries to have a family and a peaceful life in a small town, but one day his violent history comes back to bite him on the ass. A good example of this sub-genre is the film noir (true) classic, Out of the Past with Robert Mitchum and Kirk Douglas, or even Clint Eastwood’s Oscar-winning Best Picture, Unforgiven. Like those two example of superb cinema, A History of Violence is contemplative. Where many directors would turn a movie crime drama into a hyper-kinetic music video, Cronenberg (who received a “Golden Palm” nomination at the 2005 Cannes Film Festival for this film) is almost painterly.

Bodies that are shot or mortally wounded in some other manner don’t fly off screen, nor do they disappear once used like some throw away special effects. We see humans rather than objects with gun shot wounds and nearly destroyed faces struggling to hold onto life. Cronenberg makes sure we hear the death rattle and the raspy, distressed breathing. Violence, even when justified, isn’t clean and pretty; there are real world consequences, as when Jack Stall badly beats two tormenting bullies at his high school. Cronenberg shows us chunks of flesh and some how that makes everything so visceral and more real, or maybe not so surreal, ethereal, and unreal as film violence normally is.

The performances are a mixed bag. Ed Harris and William Hurt shine with malicious glee in small, kooky roles. Maria Bello is sometimes, annoying and shrill, as Edie Stall, and sometimes she has moments where she is as earthy and authentic as a working woman with a family. Peter MacNeill as Sheriff Sam Carney is believable as the small town lawman who is as steady in the face of big city thugs as he is when dealing with his own people.

Still, this material truly stands out because of Cronenberg. The concept is pedestrian (almost pitiful), but screenwriter Josh Olson punches it up by creating weirdo and oddball characters and giving them quirky lines. Ultimately, Cronenberg is the ringmaster, or master chef, if you will, who makes this tale of a small town hero, who must face the vile and violent horror of his past, something a little different from the rest. A History of Violence is about the consequences of the past, and it’s too smart for pat resolutions; that only makes it special.

7 of 10
B+

Thursday, October 20, 2005

NOTES:
2006 Academy Awards: 2 nominations: “Best Performance by an Actor in a Supporting Role” (William Hurt) and “Best Writing, Adapted Screenplay” (Josh Olson)

2006 BAFTA Awards: 1 nomination: “Best Screenplay – Adapted” (Josh Olson)

2005 Cannes Film Festival: 1 nomination: “Palme d'Or” (David Cronenberg)

2006 Golden Globes: 2 nominations: “Best Motion Picture – Drama” and “Best Performance by an Actress in a Motion Picture – Drama” (Maria Bello)

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"The Campaign" with Will Ferrell Ready for August 2012 Release

Will Ferrell and Zach Galifianakis Wrap Production on Jay Roach Comedy “The Campaign”

Film Opens Nationwide this Summer

BURBANK, Calif.--(BUSINESS WIRE)--Filming has concluded on “The Campaign,” starring Will Ferrell and Zach Galifianakis as competing candidates in a no-holds-barred race for Congress. The new comedy from “Meet the Parents” director Jay Roach is scheduled to open in theaters on August 10, 2012.

The film also stars Jason Sudeikis, Dylan McDermott and Katherine LaNasa, with John Lithgow, Dan Aykroyd and Brian Cox.

In “The Campaign,” when long-term congressman Cam Brady (Ferrell) commits a major public gaffe before an upcoming election, a pair of ultra-wealthy CEOs plot to put up a rival candidate and gain influence over their North Carolina district. Their man: naïve Marty Huggins (Galifianakis), director of the local Tourism Center. At first, Marty appears to be the unlikeliest possible choice but, with the help of his new benefactors’ support, a cutthroat campaign manager and his family’s political connections, he soon becomes a contender who gives the charismatic Cam plenty to worry about. As election day closes in, the two are locked in a dead heat, with insults quickly escalating to injury until all they care about is burying each other, in this mud-slinging, back-stabbing, home-wrecking battle that takes today’s political circus to its logical next level. Because even when you think campaign ethics have hit rock bottom, there’s room to dig a whole lot deeper.

Directed by Jay Roach and written by Chris Henchy & Shawn Harwell, the film is produced by Will Ferrell, Adam McKay, Jay Roach and Zach Galifianakis. Amy Sayres, Jon Poll and Chris Henchy serve as executive producers.

The creative filmmaking team includes director of photography Jim Denault (Emmy nominee for HBO’s “Carnivàle”); production designer Michael Corenblith (Oscar® nominee for “How the Grinch Stole Christmas” and “Apollo 13”); editors Craig Alpert (“Knocked Up,” “Borat”) and Jon Poll (“Meet the Fockers”); and costume designer Daniel Orlandi (“The Blind Side”).

“The Campaign” was filmed in and around New Orleans, beginning in October of 2011. Set for an August 10, 2012 release, it will be distributed by Warner Bros. Pictures, a Warner Bros. Entertainment Company.

Review: "The Debt" is Good, But Unfocused

TRASH IN MY EYE No. 21 (of 2012) by Leroy Douresseaux

The Debt (2011)
Running time: 113 minutes (1 hour, 53 minutes)
MPAA – R for some violence and language
DIRECTOR: John Madden
WRITERS: Matthew Vaughn, Jane Goldman, and Peter Straughan (based on the film, Ha-Hov, by Assaf Bernstein and Ido Rosenblum)
PRODUCERS: Eitan Evan, Eduardo Rossoff, Kris Thykier, and Matthew Vaughn
CINEMATOGRAPHER: Ben Davis
EDITORS: Alexander Berner
COMPOSER: Thomas Newman

DRAMA/HISTORICAL/THRILLER

Starring: Helen Mirren, Tom Wilkinson, Ciarán Hinds, Jessica Chastain, Sam Worthington, Martin Csokas, Jesper Christensen, Romi Aboulafia, and István Goz

The Debt is a 2011 drama and espionage thriller from director John Madden. It is a remake of a 2007 film (directed by Assaf Bernstein) of the same name from Israel. In the 2011 film, a former Mossad intelligence agent relives a 1965 mission in which she and two other agents pursued a Nazi war criminal. At times quite riveting, The Debt often comes across as a broken movie because it tries to be different things at different times in the story.

In 1997, Rachel Singer (Helen Mirren), a former Mossad agent, and her ex-husband, Stefan Gold (Tom Wilkinson), who is still a Mossad agent, are celebrating a new book written by their daughter, Sarah Gold (Romi Aboulafia). Sarah’s book recounts a 1965 mission in which Rachel, Stefan, and another former Mossad agent, David Peretz (Ciarán Hinds), pursued a notorious Nazi war criminal. The trio targeted Dieter Vogel (Jesper Christensen), infamously known as “the Surgeon of Birkenau,” believed to be living in East Berlin.

The story flashes back to 1965 where we meet the younger versions of the trio: Rachel (Jessica Chastain), Stefan (Martin Csokas), and David (Sam Worthington). They find Vogel living as “Doktor Bernhardt” and operating an obstetrics and gynecology clinic in East Berlin. The team’s mission was eventually accomplished, or was it? Rachel must confront her past when two figures from it reemerge.

The Debt takes place across two different time periods, which I think inhibits the movie from sustaining suspense or building character relationships with any traction. The Debt certainly has potent moments, and the last act is a killer suspense thriller. Of course, any movie starring Helen Mirren and Tom Wilkinson would, at least, be interesting. I’m down to see anything with Mirren, and she doesn’t disappoint – once again, I mention that last act of this movie.

I see The Debt as a broken movie because it is really two films – one that takes place in 1965 and the other in 1997 – instead of being one complete narrative. That is what can happen to a movie that has so many flashbacks that it seems as if they are half the film. The Debt is good, but it would have better by focusing on 1965 or 1997 – not both.

5 of 10
B-

Wednesday, February 29, 2012

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Journey 2 Passes "Journey to the Center of the Earth" in Worldwide Box Office

“Journey 2: The Mysterious Island” Travels Farther Than Its Predecessor, Surpassing $275 Million Worldwide

Ranks #1 Internationally for Fourth Consecutive Weekend

BURBANK, Calif.--(BUSINESS WIRE)--Audience response to New Line Cinema’s “Journey 2: The Mysterious Island” has already taken the new 3D family adventure to greater heights than the 2008 hit “Journey to the Center of the Earth,” with more than $276.5 million in worldwide box office gross and still counting. The announcement was made today by Dan Fellman, President of Domestic Distribution, and Veronika Kwan-Rubinek, President of International Distribution, Warner Bros. Pictures.

In addition, the new film has held the number one spot in international box office for the past four weekends in a row.

“Journey 2” The Mysterious Island” was a box-office winner in its international debut beginning January 19th, and has so far outpaced its popular predecessor by earning more than $190 million in 52 markets overseas, with some territories, including Japan, yet to release. It then opened February 10th in North America to positive word-of-mouth and has generated over $86.5 million domestically to date.

Moviegoers are also onboard in IMAX® theaters, making the film a giant-screen hit in 448 IMAX® locations around the world, with a box office total exceeding $22.7 million.

In this follow-up to “Journey to the Center of the Earth,” starring Dwayne Johnson, Michael Caine, Josh Hutcherson, Vanessa Hudgens, Luis Guzmán and Kristin Davis, the new adventure begins when young Sean Anderson receives a coded distress signal from a mysterious island where no island should exist. It’s a place of strange life forms, mountains of gold, deadly volcanoes, and more than one astonishing secret. Unable to stop him from going, Sean’s new stepfather joins the quest. Together with a helicopter pilot and his beautiful, strong-willed daughter, they set out to find the island, rescue its lone inhabitant and escape before seismic shockwaves force the island under the sea and bury its treasures forever.

“Journey 2: The Mysterious Island” is directed by Brad Peyton and produced by Beau Flynn & Tripp Vinson and Charlotte Huggins, from a screenplay by Brian Gunn & Mark Gunn, screen story by Richard Outten. Serving as executive producers are Michael Bostick, Evan Turner, Marcus Viscidi, Richard Brener, Samuel J. Brown and Michael Disco. The creative filmmaking team includes director of photography David Tattersall; production designer Bill Boes; costume designer Denise Wingate; and Academy Award® nominee Boyd Shermis ("Poseidon") as visual effects supervisor. The music is composed by Andrew Lockington.

“Journey 2: The Mysterious Island” is a New Line Cinema presentation of a Contrafilm Production and is distributed by Warner Bros. Pictures, a Warner Bros. Entertainment Company. Concurrently, the film is being released in IMAX® theatres worldwide.

It is rated PG for some adventure action and brief, mild language.

http://www.themysteriousisland.com/

"Wallace and Gromit's World of Invention" Now on DVD and Blu-ray

An All-New Six-Part Series from the Hilarious Oscar-Winning Duo!

WALLACE & GROMIT’S WORLD OF INVENTION

Available for the first time in the USA on DVD and Blu-ray on March 13, 2012

Blu-ray Disc SRP: $14.99
DVD SRP: $14.98

PROGRAM DESCRIPTION
From Aardman Animations, see beloved British inventor Wallace and his loyal friend Gromit in their return to the television screen as Lionsgate releases the complete Wallace & Gromit’s World of Invention six-part series on Blu-ray Disc and DVD in March. The title contains the complete six-part BBC1 TV series, and features Wallace as host introducing viewers to a number of amazing, real-world contraptions. Available for the first time in the U.S., the title is the first new Wallace & Gromit animation since the Academy Award® nominated animated short film, A Matter of Loaf & Death (2009). Timed to the release of Aardman Animations and Sony Pictures Animation’s new stop-motion theatrical film The Pirates! Band of Misfits, Wallace & Gromit's World of Invention will be available on Blu-ray Disc and DVD on March 13, 2012 for the suggested retail price of $14.99 and $14.98, respectively.

The Wallace & Gromit franchise has been going strong for more than 20 years. During this time, two of its short films won Academy Awards® (The Wrong Trousers, short film [animated], 1993 and A Close Shave, short film [animated], 1995), while two others were nominated for Oscars® (A Grand Day Out, short film [animated], 1990 and A Matter of Loaf and Death, short film [animated], 2009). Wallace & Gromit were also the stars of the theatrical film The Curse of the Were-Rabbit. In the past six years alone, the beloved series and movie has sold more than four million DVDs. The Wallace & Gromit franchise also launched another Aardman Animations creation, Shaun the Sheep. This character originated in the award-winning short film, A Close Shave, and is a popular television series and Lionsgate DVD star as well.

SYNOPSIS
Wallace & Gromit's World of Invention sees world-renowned inventor Wallace and his faithful sidekick (turned camera dog) Gromit turn their hand to presenting for the very first time, hosting a six-part series from the basement of 62 West Wallaby Street. They take an enthusiastic look at some real life cracking contraptions, from gadgets that help around the home to the mind-boggling world of space travel and much more in between.

EPISODES
• “Home Sweet Home”
• “Getting from A to B”
• “Nature Knows Best”
• “Reach for the Sky”
• “Better Safe than Sorry”
• “Come to Your Senses”

SPECIAL FEATURES
• Your World of Invention - Build six of your own cracking contraptions!
o Upside-down-o-scope
o Wind-powered sprinkler
o Atmospheric Railway
o Fin Ray Grabber
o Spy Camera
o Air Rocket

PROGRAM INFORMATION
Year of Production: 2010
Title Copyright: © and TM Aardman/Wallce & Gromit Limited 2010. All rights reserved. Wallace and Gromit (word mark) and the characters "Wallace" and "Gromit" and © TM Aaardman/Wallace & Gromit Limited.

Type: Home Entertainment premiere
Rating: Not Rated
Genre: Animation, Comedy, Educational
Subtitles: Blu-ray – English SDH
DVD - English
Blu-ray Format: 1080P High Definition 16x9 Widescreen (1.78:1)
DVD Format: 16x9 Widescreen (1.78:1)
Feature Running Time: 175 minutes
Blu-ray Audio Status: 5.1 DTS-HD Master Audio™
DVD Audio Status: 5.1 Dolby Digital
Website: www.wallaceandgromit.com/
Facebook: www.facebook.com/wallaceandgromit

Review: Gromit Shines in "The Curse of the Were-Rabbit"

TRASH IN MY EYE No. 152 (of 2005) by Leroy Douresseaux

Wallace & Gromit: The Curse of the Were-Rabbit (2005) – animation
COUNTRY OF ORIGIN: UK
Running time: 94 minutes (1 hour, 34 minutes)
MPAA – G
DIRECTOR: Nick Park and Steve Box
WRITERS: Bob Baker, Mark Burton, Nick Park and Steve Box
PRODUCERS: Claire Jennings, Peter Lord, Carla Shelley, David Sproxton, and Nick Park
CINEMATOGRAPHERS: Tristan Oliver and Dave Alex Riddett
EDITORS: David McCormick and Gregory Perler
Academy Award winner

ANIMATION/ACTION/COMEDY/FAMILY/FANTASY

Starring: (voices) Peter Sallis, Ralph Fiennes, Helena Bonham Carter, Peter Kay, Nicholas Smith, Liz Smith, John Thomson, Mark Gatiss, and Vincent Ebrahim

Wallace & Gromit: The Curse of the Were-Rabbit is a 2005 Oscar-winning, stop-motion animated film. This comic horror, British film focuses on the eccentric inventor, Wallace, and his silent dog, Gromit (the brains of this duo).

Director Nick Park and his stop-motion, “Claymation”-like characters Wallace & Gromit, return in a new film, Wallace & Gromit: The Curse of the Were-Rabbit. The cheese-loving Wallace (voice of Peter Sallis), an affable, absent-minded inventor, and his faithful dog, Gromit, who doesn’t say a word, but is smarter and wiser than his human master/friend, have their first full-length film in The Curse of the Were-Rabbit; they previously were the stars of three animated short films, all Academy Award-nominated, with two winning Oscars.

In this new feature, Wallace & Gromit’s hometown is in the midst of a vegetable growing fever because the Tottington Hall Giant Vegetable Competition. The enterprising chums have been cashing in on this “veggie-mania” with their pest control outfit, “Anti-Pesto,” which captures and humanely dispatches the hundreds of rabbits that have invaded the town’s sacred vegetable gardens, trying to eat all those overly pampered giant veggies the town folks are growing for the Giant Vegetable Competition.

Suddenly, a huge, mysterious vegetable-ravaging beast begins terrorizing the town attacking all those prized garden plots by night, eating or destroying everything in its path. Panic sets in because this monster, dubbed the were-rabbit, endangers the Giant Vegetable Competition. Determined to protect the competition Tottington Hall has held almost annually for over 500 years, its hostess, Lady Tottington (voice of Helena Bonham Carter), hires Anti-Pesto to catch the creature, but in a humane fashion that doesn’t lead to the vegetable-chomping marauder’s demise. Also, lying in wait, is Lady Tottington’s snobby suitor, Victor Quatermaine (voice of Ralph Fiennes), who’d rather shoot the were-rabbit, which would not only make him a local hero, but might also secure him Lady Tottington’s hand in marriage. With Wallace & Gromit having so much trouble securing the beast, Lady Tottington must eventually give in to Victor’s desire to hunt the were-rabbit. What she doesn’t know (but Victor does) is that the hunt could have dire consequences for Wallace, who is smitten with Lady Tottington. Can Gromit save the day again?

Co-directed by Nick Park and Steve Box, The Curse of the Were-Rabbit is easily one the few truly great films I’ve seen this year. Five years in the making, and the film shows that Park and his crew are geniuses of stop-motion animation (also known as Claymation®). There is just so much ingenuity in the film, from Wallace’s crazy inventions and assorted contraptions – such as the brain altering machine that is supposed to make rabbits shun veggies to the suction device and tanks that holds captured rabbits.

Park and company create amazing edge-of-the-seat action scenes as thrilling as those in live action movies. The Curse of the Were-Rabbit also has safe adult humor – a combination of soap opera romance and mystery and intrigue mixed with the offbeat Wallace & Gromit’s disarming humor. The film is a touch dry in several places, in which scenes play out slowly or seem padded. Also, I didn’t like Lady Tottington and Victor Quatermaine because they were both facially unattractive and too caricatured, especially Victor, more unlikable than he needs to be even as a villain.

The story, ultimately, is about a man and his dog – Wallace the happy chum and Gromit the good-natured patient companion who always takes care of his cheese-loving master. Gromit, who doesn’t have a mouth, has physicality on par with silver screen legends of the silent era such as Buster Keaton and Charlie Chaplin, and Gromit’s face can be as expressive as a pantomime character. Gromit, made by hand and animated by a painstaking stop-motion process, has soul in a way that characters created in the other 3-D animated process, computer animation, likely won’t ever have. Wallace & Gromit, two of the most delightful characters in the history of animation, are more engaging than the characters that populate such films as Shrek and Monster’s Inc., as fun as they are.

Expertly crafted, Wallace & Gromit: The Curse of the Were-Rabbit will impress even viewers not interested in “how they do it.” Fun to watch, it’s one of the year’s premiere comedies and best films.

9 of 10
A+

NOTES:
2006 Academy Awards: 1 win: “Best Animated Feature Film of the Year” (Steve Box and Nick Park

2006 BAFTA Awards: 2 wins: “Alexander Korda Award for Best British Film” (Claire Jennings, David Sproxton, Nick Park, Steve Box, Mark Burton, Bob Baker) and “BAFTA Children's Award Best Feature Film” (Nick Park, Steve Box, Peter Lord, David Sproxton)

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Animated Short Review: "The Wrong Trousers" is the Right Thing

TRASH IN MY EYE No. 83 (of 2005) by Leroy Douresseaux

Wallace & Gromit in the Wrong Trousers (1993) – animated
Running time: 30 minutes
DIRECTOR: Nick Park
WRITERS: Bob Baker and Park
PRODUCER: Christopher Moll
EDITOR: Helen Garrard
Academy Award winner

SHORT/ANIMATION/COMEDY/FAMILY/MYSTERY with elements of sci-fi

Starring: (voice) Peter Sallis

Wallace & Gromit in the Wrong Trousers is a 1993 stop-motion animated short film. In 1994, the film, also known as Wallace & Gromit: The Wrong Trousers, won an Oscar for “Best Short Film, Animated” and the BAFTA Award for “Best Animated Film.” Directed by Nick Park (who would go on to co-direct 2000’s Chicken Run for DreamWorks), the film is animated in stop-motion animation using clay figures. The public is familiar with this kind of animation under the brand name “Claymation.” This is the art of modeling characters and props out of clay and using stop-motion photography to give the illusion of the figures and props moving.

Wallace (voice of Peter Sallis) is the oddball inventor with an obsessive appetite for cheese and crackers, and Gromit is his nonchalant and patient dog, the smarter one of this duo. Wallace obviously loves his dog to the point of treating him like a spouse or a third hand (as if Gromit were a Wallace to Wallace’s Sherlock Holmes). Gromit actually keeps things organized and moving in the house.

In this film, Wallace discovers that he is low on finances, so he takes a tenant into his large home in order to get some extra money. However, his lodger, a beady-eyed penguin, is really the thief, Feathers McGraw. Soon, the sly, and silent penguin has moved into Gromit’s room, and has come between master and canine. McGraw’s real plan is to use the enormous mechanical, walking pants that Wallace gave Gromit for his birthday to rob a museum. It’s up to Gromit to save his master from these horribly wrong trousers and a scheming penguin.

There is no one reason to love the Wallace & Gromit cartoons. From the seamless stop-motion animation and to the smooth and easy pace of the story and from the instantly endearing leads to the unflustered way they tackle difficulties, there is something that just rings right about director Nick Park’s fabulous little animated shorts. Maybe, it’s because Wallace & Gromit: The Wrong Trousers is just practically perfect in every way.

10 of 10

NOTES:
1994 Academy Awards: 1 win: “Best Short Film, Animated” (Nick Park)

1994 BAFTA Awards: 1 win: “Best Animated Film” (Christopher Moll and Nick Park)

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Animated Short Review: "A Grand Day Out with Wallace & Gromit"

TRASH IN MY EYE No. 84 (of 2005) by Leroy Douresseaux

A Grand Day Out with Wallace & Gromit (1989) – animation
COUNTRY OF ORIGIN: UK
Running time: 23 minutes
DIRECTOR: Nick Park
WRITERS: Steve Rushton and Nick Park
PRODUCERS: Rob Copeland and Soozy Mealing
CINEMATOGRAPHER: Nick Park
EDITOR: Rob Copeland
Academy Award nominee

SHORT/ANIMATION/COMEDY/FAMILY/SCI-FI

Starring: (voice) Peter Sallis

Wallace & Gromit: A Grand Day Out is a 1989 animated film short. It is the first in the series of Wallace and Gromit short films that use the stop-motion animation process. A Grand Day Out earned an Oscar nomination for “Best Short Film, Animated,” while winning the BAFTA Award for “Best Animated Film.”

A Grand Day Out follows Wallace (Peter Sallis), the wacky inventor, and Gromit, his exceedingly patient and brilliantly resourceful canine. The duo builds a rocket ship that takes them to the moon so that Wallace can sample the different cheeses of which the moon is made. However, this “cheese holiday” isn’t free of trouble when they encounter a stove-like contraption. This moon resident wants to go back to earth with them so that it can ski.

A Grand Day Out is a bit technically inferior to the Wallace & Gromit films that would follow it, but its charm lies in the short’s imaginative settings and the fantastical execution of its scenario. There is lots of charm here, and Wallace & Gromit: A Grand Day Out (also known as A Grand Day Out with Wallace & Gromit) shares something with the great fantasy films like The Wizard of Oz and classic Disney animated films, which is a sense of wonder that can capture the heart of young and old viewers alike.

9 of 10
A+

NOTES:
1991 Academy Awards: 1 nomination: “Best Short Film, Animated” (Nick Park)

1990 BAFTA Awards: 1 win: “Best Animated Film” (Nick Park)

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