Showing posts with label Aardman Animations. Show all posts
Showing posts with label Aardman Animations. Show all posts

Saturday, December 16, 2023

Review: First "CHICKEN RUN" Runs Wild at the End


TRASH IN MY EYE No. 54 of 2023 (No. 1943) by Leroy Douresseaux

Chicken Run (2000)
Running time:  84 minutes (1 hour, 24 minutes)
MPAA – G
DIRECTORS:  Peter Lord and Nick Park
WRITERS:  Karey Kirkpatrick; from a story by Peter Lord and Nick Park
PRODUCERS:  Peter Lord, Nick Park, and David Sproxton
CINEMATOGRAPHER: Dave Alex Riddett (D.o.P.)
EDITOR:  Mark Solomon
COMPOSERS:  Harry Gregson-Williams and John Powell
BAFTA nominee

ANIMATION/FANTASY/ADVENTURE/COMEDY

Starring:  (voices):  Julia Sawalha, Mel Gibson, Phil Daniels, Lynn Ferguson, Tony Haygarth, Jane Horrocks, Miranda Richardson, Timothy Spall, Imelda Staunton, and Benjamin Whitrow

Chicken Run is a 2000 stop-motion animated fantasy and comedy film directed by Peter Lord and Nick Park.  It is a British, French, and U.S. co-production produced by Pathe and Aardman Animations in partnership with DreamWorks Animation.  Chicken Run was Aardman's first feature-length animated film and, as of this writing, remains the highest-grossing stop-motion animated film in worldwide box office history.  Chicken Run is set at a British chicken farm where the chickens hope that an American chicken can help them escape the farm's vicious owners.

Chicken Run opens in post World War II England, specifically at an egg farm that is run like a prisoner-of-war camp.  The farm is owned and operated by the cruel Mrs. Malisha Tweedy (Miranda Richardson) and her submissive husband, Mr. Tweedy (Tony Haygarth), who eat and kill any chicken that is no longer able to lay eggs.  Inside the chicken yard, a rebellious chicken, Ginger (Julia Sawalha), is constantly engaged in escape attempts.  Her goal is to help all her fellow chickens escape the farm and find a new home in the land that lies behind a hill some distance from the Tweedy's farm. 

One night, Ginger witnesses a rooster glide over the coop's fences.  She learns that he is an American rooster, Rocky Rhodes (Mel Gibson), a.k.a. “Rocky the Flying Rooster” a.k.a. “Rocky the Rhode Island Red.”  Believing that Rocky can fly, Ginger begs him to help teach her and the other chickens how to fly so that they can escape the farm.  Rocky is not quite what he seems, however, and time is running out as Mrs. Tweedy has devised a new way to get more money out of the farm's large population of chickens.

I have been putting off seeing Chicken run for 23 years.  Then, I discovered that a sequel, Chicken Run: Dawn of the Nugget, was set to debut on Netflix December 15, 2023, so I decided to finally watch it.  I am a fan of the later feature-length animated films that Aardman Animations produced in partnership with DreamWorks Animation, Wallace & Gromit: The Curse of the Were-Rabbit (2005) and Flushed Away (2006).  I have also enjoyed a few of Aardman's animated short films, including A Grand Day Out with Wallace & Gromit (1989) and Wallace & Gromit in the Wrong Trousers (1993).

In the end, I like Chicken Run, not as much as I like other Aardman works I've seen.  Chicken Run takes some inspiration from director John Sturges 1963 war and adventure film, The Great Escape.  Chicken Run is also described as an adventure film, but it is really a sedate comedy and drama that only occasionally plays with its edgier elements.  Honestly, I think the storytellers under-utilize the Tweedys who are delightfully menacing and are endlessly funny as a dysfunctional couple.  The film is filled with interesting characters, inventive production design, and a novel plot, but the filmmakers seem to keep holding back the narrative's energy for the big ending – more than they need to as far as I'm concerned.

Chicken Run does not really live up to its comic and adventure potential until the last 20 minutes of the story before the end credits start.  The film suddenly seems to wind up and then explode in a final act of flying contraptions, determined poultry, and maniacal farmers.  In fact, the finale is the first time in the film that Mel Gibson's Rocky does not seem like an extraneous character.  I will try to see the sequel on Netflix, but for the time being, finally seeing Chicken Run seems to be the only run I really need to make at the story.

7 of 10
B+
★★★½ out of 4 stars

Saturday, December 16, 2023


NOTES:
2001 BAFTA Awards:  2 nominations: “Alexander Korda Award for Best British Film” (Peter Lord, David Sproxton, and Nick Park) and “Best Achievement in Special Visual Effects” (Paddy Eason, Mark Nelmes, and Dave Alex Riddett)

2001 Golden Globes, USA:  1 nomination: “Best Motion Picture - Comedy or Musical”


The text is copyright © 2023 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

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Sunday, December 2, 2018

25 Movies Seek an "Animated Feature Film" Oscar Nod at 91st Academy Awards

25 ANIMATED FEATURES SUBMITTED FOR 2018 OSCAR RACE

Twenty-five features have been submitted for consideration in the Animated Feature Film category for the 91st Academy Awards.

The submitted features, listed in alphabetical order, are:

“Ana y Bruno”
“Dr. Seuss’ The Grinch”
“Early Man”
“Fireworks”
“Have a Nice Day”
“Hotel Transylvania 3: Summer Vacation”
“Incredibles 2”
“Isle of Dogs”
“The Laws of the Universe – Part I”
“Liz and the Blue Bird”
“Lu over the Wall”
“MFKZ”
“Maquia: When the Promised Flower Blooms”
“Mirai”
“The Night Is Short, Walk on Girl”
“On Happiness Road”
“Ralph Breaks the Internet”
“Ruben Brandt, Collector”
“Sgt. Stubby: An American Hero”
“Sherlock Gnomes”
“Smallfoot”
“Spider-Man: Into the Spider-Verse”
“Tall Tales”
“Teen Titans Go! To the Movies”
“Tito and the Birds”

Several of the films have not yet had their required Los Angeles qualifying run.  Submitted features must fulfill the theatrical release requirements and comply with all of the category’s other qualifying rules before they can advance in the voting process.  Sixteen or more films must qualify for the maximum of five nominees to be voted.

Films submitted in the Animated Feature Film category also qualify for Academy Awards in other categories, including Best Picture.

Nominations for the 91st Academy Awards will be announced on Tuesday, January 22, 2019.

The 91st Oscars® will be held on Sunday, February 24, 2019, at the Dolby Theatre® at Hollywood & Highland Center® in Hollywood, and will be televised live on the ABC Television Network.  The Oscars also will be televised live in more than 225 countries and territories worldwide.

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Tuesday, August 22, 2017

Comic Books, Magazines and Books from Diamond Distributors for August 23, 2017

COMICS & GRAPHIC NOVELS

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BOOKS
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JUN172203    ROKKA BRAVES OF SIX FLOWERS LIGHT NOVEL VOL 02 (C: 0-1-0)    $14.00
JUN172314    RUBE GOLDBERGS SIMPLE NORMAL HUMDRUM SCHOOL DAY HC (C: 1-1-0    $17.95
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Monday, January 4, 2016

2015 Central Ohio Film Critics Association Award Nominations - Complete List

The Central Ohio Film Critics Association (COFCA) was founded in 2002 and is made up of film critics based in Columbus, Ohio, and the surrounding areas.  Its membership currently consists of more than 21 print, radio, television, and new media critics.  Each January, COFCA votes on a number of awards, recognizing excellence in the film industry.

The nominees for the 2015 Central Ohio Film Critics Awards were announced Sunday, January 3, 2016.

2015 / 14th Central Ohio Film Critics Association Award nominations:

Best Film
-The Big Short
-Ex Machina
-Inside Out
-Mad Max: Fury Road
-The Martian
-The Revenant
-Room
-Sicario
-Spotlight
-Star Wars: Episode VII – The Force Awakens

Best Director
-Alejandro González Iñárritu, The Revenant
-Todd Haynes, Carol
-Tom McCarthy, Spotlight
-George Miller, Mad Max: Fury Road
-Ridley Scott, The Martian
-Denis Villeneuve, Sicario

Best Actor
-Matt Damon, The Martian
-Johnny Depp, Black Mass
-Leonardo DiCaprio, The Revenant
-Michael Fassbender, Steve Jobs
-Jacob Tremblay, Room

Best Actress
-Cate Blanchett, Carol
-Brie Larson, Room
-Saoirse Ronan, Brooklyn
-Charlize Theron, Mad Max: Fury Road
-Alicia Vikander, The Danish Girl

Best Supporting Actor
-Benicio Del Toro, Sicario
-Tom Hardy, The Revenant
-Oscar Isaac, Ex Machina
-Mark Ruffalo, Spotlight
-Sylvester Stallone, Creed

Best Supporting Actress
-Jennifer Jason Leigh, The Hateful Eight
-Rooney Mara, Carol
-Rachel McAdams, Spotlight
-Alicia Vikander, Ex Machina
-Kate Winslet, Steve Jobs

Best Ensemble
-The Big Short
-Ex Machina
-The Hateful Eight
-Spotlight
-Steve Jobs

Actor of the Year (for an exemplary body of work)
-Cate Blanchett (Carol, Cinderella, and Truth)
-Michael Fassbender (Macbeth, Slow West, and Steve Jobs)
-Domhnall Gleeson (Brooklyn, Ex Machina, The Revenant, and Star Wars: Episode VII – The Force Awakens)
-Tom Hardy (Child 44, Legend, Mad Max: Fury Road, and The Revenant)
-Alicia Vikander (Burnt, The Danish Girl, Ex Machina, The Man from U.N.C.L.E., Seventh Son, and Testament of Youth)

Breakthrough Film Artist
-Sean Baker, Tangerine – (for producing, directing, screenwriting, film editing, cinematography, camera operation, and casting)
-Joel Edgerton, The Gift – (for producing, directing, and screenwriting)
-David Robert Mitchell, It Follows – (for producing, directing, and screenwriting)
-Daisy Ridley, Star Wars: Episode VII – The Force Awakens – (for acting)
-Jacob Tremblay, Room – (for acting)
-Alicia Vikander, Burnt, The Danish Girl, Ex Machina, The Man from U.N.C.L.E., Seventh Son, and Testament of Youth – (for acting)

Best Cinematography
-Roger Deakins, Sicario
-Emmanuel Lubezki, The Revenant
-Robert Richardson, The Hateful Eight
-John Seale, Mad Max: Fury Road
-Dariusz Wolski, The Martian

Best Film Editing
-Maryann Brandon and Mary Jo Markey, Star Wars: Episode VII – The Force Awakens
-Tom McArdle, Spotlight
-Stephen Mirrione, The Revenant
-Margaret Sixel, Mad Max: Fury Road
-Joe Walker, Sicario

Best Adapted Screenplay
-Emma Donoghue, Room
-Drew Goddard, The Martian
-Nick Hornby, Brooklyn
-Charles Randolph and Adam McKay, The Big Short
-Aaron Sorkin, Steve Jobs

Best Original Screenplay
-Pete Docter, Meg LeFauve, and Josh Cooley, Inside Out
-Alex Garland, Ex Machina
-Taylor Sheridan, Sicario
-Josh Singer and Tom McCarthy, Spotlight
-Quentin Tarantino, The Hateful Eight

Best Score
-Carter Burwell, Carol
-Michael Giacchino, Inside Out
-Jóhann Jóhannsson, Sicario
-Junkie XL, Mad Max: Fury Road
-Ennio Morricone, The Hateful Eight

Best Documentary
-Amy
-Best of Enemies
-Going Clear: Scientology and the Prison of Belief
-The Look of Silence
-The Wolfpack

Best Foreign Language Film
-The Assassin (Nie yin niang) – from Taiwan, China, Hong Kong
-Goodnight Mommy (Ich seh, ich sech) – from Austria
-Phoenix – from Germany
-The Tribe (Plemya) – from Ukraine and Netherlands
-Timbuktu – from France and Mauritania
-Wild Tales (Relatos salvajes) – from Argentina and Spain

Best Animated Film
-Anomalisa
-The Good Dinosaur
-Inside Out
-The Peanuts Movie
-Shaun the Sheep Movie

Best Overlooked Film
-The End of the Tour
-The Gift
-Me and Earl and the Dying Girl
-Mistress America
-Slow West
-The Tribe (Plemya)

-----------------

Saturday, January 2, 2016

2015 San Diego Film Critics Society Award Nominations - Complete List

The members of the San Diego Film Critics Society write and/or broadcast for a San Diego County based outlet. The society’s mission statement is “to provide diverse critical opinion about movies, advance film education and awareness, and recognize excellence in cinema.”

2015 San Diego Film Critics Award nominations were announced December 11, 2015.

San Diego Film Critics Society Top Films of 2015 nominees:

Best Picture
EX MACHINA
BROOKLYN
MAD MAX: FURY ROAD
ROOM
SPOTLIGHT

Best Director
George Miller, MAD MAX: FURY ROAD
John Crowley, BROOKLYN
Lenny Abrahamson, ROOM
Tom McCarthy, SPOTLIGHT
Alejandro Gonzalez Inarritu, THE REVENANT

Best Actor, Male
Leonardo DiCaprio, THE REVENANT
Jason Segel, THE END OF THE TOUR
Matt Damon, THE MARTIAN
Bryan Cranston, TRUMBO
Jacob Tremblay, ROOM

Best Actor, Female
Saoirse Ronan, BROOKLYN
Brie Larson, ROOM
Charlotte Rampling, 45 YEARS
Charlize Theron, MAD MAX: FURY ROAD
Alicia Vikander, EX MACHINA

Best Supporting Actor, Male
Mark Rylance, BRIDGE OF SPIES
Tom Noonan, ANOMALISA
Oscar Isaac, EX MACHINA
Paul Dano, LOVE & MERCY
RJ Cyler, ME AND EARL AND THE DYING GIRL

Best Supporting Actor, Female
Alicia Vikander, THE DANISH GIRL
Jennifer Jason Leigh, THE HATEFUL EIGHT
Helen Mirren, TRUMBO
Kristen Stewart, CLOUDS OF SILS MARIA
Olivia Cooke, ME AND EARL AND THE DYING GIRL

Best Original Screenplay
Noah Baumbach, Greta Gerwig, MISTRESS AMERICA
Alex Garland, EX MACHINA
Jemaine Clement, Taika Waititi, WHAT WE DO IN THE SHADOWS
Quentin Tarantino, THE HATEFUL EIGHT
Tom McCarthy, Josh Singer, SPOTLIGHT

Best Adapted Screenplay
Nick Hornby, BROOKLYN
Emma Donoghue, ROOM
Charlie Kaufman, ANOMALISA
Donald Margulies, THE END OF THE TOUR
Drew Goddard, Andy Weir THE MARTIAN

Best Documentary
AMY
HE NAMED ME MALALA
CARTEL LAND
MERU
THE WRECKING CREW

Best Animated Film
INSIDE OUT
ANOMALISA
SHAUN THE SHEEP MOVIE
THE GOOD DINOSAUR
THE PEANUTS MOVIE

Best Foreign Language Film
PHOENIX (Germany)
TAXI (Iran)
WHITE GOD (Hungary)
A PIGEON SAT ON A BRANCH REFLECTING ON EXISTENCE (Sweden, Norway, France, Germany)
GOODNIGHT MOMMY (Austria)

Best Editing
Margaret Sixel, Jason Ballantine MAD MAX: FURY ROAD
Joe Walker, SICARIO
Pietro Scalia, THE MARTIAN
Michael Kahn, BRIDGE OF SPIES
Nathan Nugent, ROOM
Stephen Mirrione, THE REVENANT

Best Cinematography
Roger Deakins, SICARIO
Yves Belanger, BROOKLYN
Dariuz Wolski, THE MARTIAN
John Seale, MAD MAX: FURY ROAD
Emmanuel Lubezki, THE REVENANT

Best Production Design
Colin Gibson, MAD MAX: FURY ROAD
Mark Digby, EX MACHINA
Arthur Max, THE MARTIAN
Francois Seguin, BROOKLYN
Adam Stockhausen, BRIDGE OF SPIES

Best Sound Design
THE MARTIAN
MAD MAX: FURY ROAD
EX MACHINA
SICARIO
LOVE & MERCY

Best Visual Effects
THE MARTIAN
EX MACHINA
MAD MAX: FURY ROAD
THE WALK
JURASSIC WORLD

Best Use Of Music In A Film
THE HATEFUL EIGHT
LOVE & MERCY
MAD MAX: FURY ROAD
SICARIO
STRAIGHT OUTTA COMPTON

Breakthrough Artist
Alicia Vikander, THE DANISH GIRL, EX MACHINA
Jacob Tremblay, ROOM
Emory Cohen, BROOKLYN
Abraham Attah, BEASTS OF NO NATION
Sean S. Baker, TANGERINE

Best Ensemble
SPOTLIGHT
THE HATEFUL EIGHT
STRAIGHT OUTTA COMPTON
INSIDE OUT
THE BIG SHORT
WHAT WE DO IN THE SHADOWS


----------------------

Wednesday, December 23, 2015

21st Critics Choice Award Nominations - Film Categories - UPDATED

The Broadcast Film Critics Association (BFCA) is the largest film critics organization in the United States and Canada.  It represents almost 300 television, radio and online critics. For additional information about the BFCA and their memberships, visit www.criticschoice.com.

The Broadcast Film Critics Association (BFCA) announced the nominees for the 21st Annual Critics’ Choice Movie Awards, Monday, December 14, 2015.  The winners will be revealed at the Critics’ Choice Movie Awards on January 17, 2016 at the Barker Hangar in Santa Monica.  The award ceremony, hosted by T.J. Miller, will air simultaneously on A&E, Lifetime and LMN.  The three-hour event will be preceded by one-hour red-carpet coverage.

The 2016 / 21st Annual Critics' Choice Movie Award nominations (for the year in film, 2015):

MOVIE

BEST PICTURE (Updated, Sat., Jan. 9th, 2016)
The Big Short
Bridge of Spies
Brooklyn
Carol
Mad Max: Fury Road
The Martian
The Revenant
Room
Sicario
Spotlight
Star Wars: The Force Awakens

ACTOR
Bryan Cranston – Trumbo
Matt Damon – The Martian
Johnny Depp – Black Mass
Leonardo DiCaprio – The Revenant
Michael Fassbender – Steve Jobs
Eddie Redmayne – The Danish Girl

ACTRESS
Cate Blanchett – Carol
Brie Larson – Room
Jennifer Lawrence – Joy
Charlotte Rampling – 45 Years
Saoirse Ronan – Brooklyn
Charlize Theron – Mad Max: Fury Road

SUPPORTING ACTOR
Paul Dano – Love & Mercy
Tom Hardy – The Revenant
Mark Ruffalo – Spotlight
Mark Rylance – Bridge of Spies
Michael Shannon – 99 Homes
Sylvester Stallone – Creed

SUPPORTING ACTRESS
Jennifer Jason Leigh – The Hateful Eight
Rooney Mara – Carol
Rachel McAdams – Spotlight
Helen Mirren – Trumbo
Alicia Vikander – The Danish Girl
Kate Winslet – Steve Jobs

YOUNG ACTOR/ACTRESS
Abraham Attah – Beasts of No Nation
RJ Cyler – Me and Earl and the Dying Girl
Shameik Moore – Dope
Milo Parker – Mr. Holmes
Jacob Tremblay – Room

ACTING ENSEMBLE
The Big Short
The Hateful Eight
Spotlight
Straight Outta Compton
Trumbo

DIRECTOR
Todd Haynes – Carol
Alejandro González Iñárritu – The Revenant
Tom McCarthy – Spotlight
George Miller – Mad Max: Fury Road
Ridley Scott – The Martian
Steven Spielberg – Bridge of Spies

ORIGINAL SCREENPLAY
Matt Charman and Ethan Coen & Joel Coen – Bridge of Spies
Alex Garland – Ex Machina
Quentin Tarantino – The Hateful Eight
Pete Docter, Meg LeFauve, Josh Cooley – Inside Out
Josh Singer and Tom McCarthy – Spotlight

ADAPTED SCREENPLAY
Charles Randolph and Adam McKay – The Big Short
Nick Hornby – Brooklyn
Drew Goddard – The Martian
Emma Donoghue – Room
Aaron Sorkin – Steve Jobs

CINEMATOGRAPHY
Carol – Ed Lachman
The Hateful Eight – Robert Richardson
Mad Max: Fury Road – John Seale
The Martian – Dariusz Wolski
The Revenant – Emmanuel Lubezki
Sicario – Roger Deakins

PRODUCTION DESIGN
Bridge of Spies – Adam Stockhausen, Rena DeAngelo
Brooklyn РFran̤ois S̩guin, Jennifer Oman and Louise Tremblay
Carol – Judy Becker, Heather Loeffler
The Danish Girl – Eve Stewart, Michael Standish
Mad Max: Fury Road – Colin Gibson
The Martian – Arthur Max, Celia Bobak

EDITING
The Big Short – Hank Corwin
Mad Max: Fury Road – Margaret Sixel
The Martian – Pietro Scalia
The Revenant – Stephen Mirrione
Spotlight – Tom McArdle

COSTUME DESIGN
Brooklyn – Odile Dicks-Mireaux
Carol – Sandy Powell
Cinderella – Sandy Powell
The Danish Girl – Paco Delgado
Mad Max: Fury Road – Jenny Beavan

HAIR & MAKEUP
Black Mass
Carol
The Danish Girl
The Hateful Eight
Mad Max: Fury Road
The Revenant

VISUAL EFFECTS
Ex Machina
Jurassic World
Mad Max: Fury Road
The Martian
The Revenant
The Walk

ANIMATED FEATURE
Anomalisa
The Good Dinosaur
Inside Out
The Peanuts Movie
Shaun the Sheep Movie

ACTION MOVIE
Furious 7
Jurassic World
Mad Max: Fury Road
Mission Impossible: Rogue Nation
Sicario

ACTOR IN AN ACTION MOVIE
Daniel Craig – Spectre
Tom Cruise – Mission Impossible: Rogue Nation
Tom Hardy – Mad Max: Fury Road
Chris Pratt – Jurassic World
Paul Rudd – Ant-Man

ACTRESS IN AN ACTION MOVIE
Emily Blunt – Sicario
Rebecca Ferguson – Mission Impossible: Rogue Nation
Bryce Dallas Howard – Jurassic World
Jennifer Lawrence – The Hunger Games: Mockingjay – Part 2
Charlize Theron – Mad Max: Fury Road

COMEDY
The Big Short
Inside Out
Joy
Sisters
Spy
Trainwreck

ACTOR IN A COMEDY
Christian Bale – The Big Short
Steve Carell – The Big Short
Robert De Niro – The Intern
Bill Hader – Trainwreck
Jason Statham – Spy

ACTRESS IN A COMEDY
Tina Fey – Sisters
Jennifer Lawrence – Joy
Melissa McCarthy – Spy
Amy Schumer – Trainwreck
Lily Tomlin – Grandma

SCI-FI/HORROR MOVIE
Ex Machina
It Follows
Jurassic World
Mad Max: Fury Road
The Martian

FOREIGN LANGUAGE FILM
The Assassin
Goodnight Mommy
Mustang
The Second Mother
Son of Saul

DOCUMENTARY FEATURE
Amy
Cartel Land
Going Clear: Scientology and the Prison of Belief
He Named Me Malala
The Look of Silence
Where to Invade Next

SONG
Fifty Shades of Grey – Love Me Like You Do
Furious 7 – See You Again
The Hunting Ground – Til It Happens To You
Love & Mercy – One Kind of Love
Spectre – Writing’s on the Wall
Youth – Simple Song #3

SCORE
Carol – Carter Burwell
The Hateful Eight – Ennio Morricone
The Revenant – Ryuichi Sakamoto and Alva Noto
Sicario – Johann Johannsson
Spotlight – Howard Shore

-----------------------


Sunday, December 20, 2015

2015 Washington DC Area Film Critics Association Award Nominations

Founded in 2002, The Washington DC Area Film Critics Association (WAFCA) is comprised of professional DC-based film critics with affiliations in television, radio, print and the internet. As of 2013, WAFCA has grown to include 58 dedicated members from the District, Maryland and Virginia.

2015 WAFCA Award nominees:

Best Film:
Brooklyn
Mad Max: Fury Road
The Revenant
Sicario
Spotlight

Best Director:
Alex Garland (Ex Machina)
Todd Haynes (Carol)
Alejandro G. Iñárritu (The Revenant)
George Miller (Mad Max: Fury Road)
Ridley Scott (The Martian)

Best Actor:
Matt Damon (The Martian)
Johnny Depp (Black Mass)
Leonardo DiCaprio (The Revenant)
Michael Fassbender (Steve Jobs)
Eddie Redmayne (The Danish Girl)

Best Actress:
Cate Blanchett (Carol)
Brie Larson (Room)
Saoirse Ronan (Brooklyn)
Sarah Silverman (I Smile Back)
Charlize Theron (Mad Max: Fury Road)

Best Supporting Actor:
Paul Dano (Love & Mercy)
Idris Elba (Beasts of No Nation)
Tom Hardy (The Revenant)
Mark Rylance (Bridge of Spies)
Sylvester Stallone (Creed)

Best Supporting Actress:
Jennifer Jason Leigh (The Hateful Eight)
Rooney Mara (Carol)
Alicia Vikander (The Danish Girl)
Alicia Vikander (Ex Machina)
Kate Winslet (Steve Jobs)

Best Acting Ensemble:
The Big Short
The Hateful Eight
Spotlight
Steve Jobs
Straight Outta Compton

Best Youth Performance:
Abraham Attah (Beasts of No Nation)
Raffey Cassidy (Tomorrowland)
Oona Laurence (Southpaw)
Güneş Şensoy (Mustang)
Jacob Tremblay (Room)

Best Adapted Screenplay:
Nick Hornby (Brooklyn)
Phyllis Nagy (Carol)
Drew Goddard (The Martian)
Emma Donoghue (Room)
Aaron Sorkin (Steve Jobs)

Best Original Screenplay:
Matt Charman and Ethan Coen & Joel Coen (Bridge of Spies)
Alex Garland (Ex Machina)
Pete Docter, Meg LeFauve and Josh Cooley (Original Story by Pete Docter and Ronnie Del Carmen) (Inside Out)
Tom McCarthy and Josh Singer (Spotlight)
Amy Schumer (Trainwreck)

Best Animated Feature:
Anomalisa
The Good Dinosaur
Inside Out
The Peanuts Movie
Shaun the Sheep Movie

Best Documentary:
Amy
Best of Enemies
Cartel Land
Going Clear: Scientology and the Prison of Belief
The Look of Silence

Best Foreign Language Film:
The Assassin (Taiwan, Hong Kong, China)
Goodnight Mommy (Austria)
Mustang (Turkey, France, Germany)
The Second Mother (Brazil)
Son of Saul (Hungary)

Best Production Design:
Production Designer: François Séguin, Set Decorators: Jennifer Oman and Louise Tremblay (Brooklyn)
Production Designer: Judy Becker, Set Decorator: Heather Loeffler (Carol)
Production Designer: Dante Ferretti, Set Decorator: Francesca Loschiavo-Ferretti (Cinderella)
Production Designer: Thomas Sanders, Set Decorators: Jeffrey Melvin and Shane Vieau (Crimson Peak)
Production Designer: Colin Gibson, Set Decorator: Lisa Thompson (Mad Max: Fury Road)

Best Cinematography:
Yves Bélanger, CSC (Brooklyn)
Ed Lachman, ASC (Carol)
John Seale, ASC, ACS (Mad Max: Fury Road)
Emmanuel Lubezki, ASC, AMC (The Revenant)
Roger Deakins, ASC, BSC (Sicario)

Best Editing:
Margaret Sixel (Mad Max: Fury Road)
Pietro Scalia, ACE (The Martian)
Stephen Mirrione, ACE (The Revenant)
Joe Walker, ACE (Sicario)
Elliott Graham, ACE (Steve Jobs)

Best Original Score:
Michael Brook (Brooklyn)
Carter Burwell (Carol)
Ennio Morricone (The Hateful Eight)
Tom Holkenborg aka Junkie XL (Mad Max: Fury Road)
Jóhann Jóhannsson (Sicario)

--------------------------


Saturday, December 19, 2015

2015 Austin Film Critics Association Nominations Announced

The Austin Film Critics Association describes itself as a group dedicated to supporting the best in film, whether at the international, national, or local level.  Members of the AFCA contribute to such publications and outlets as Ain’t It Cool News, the Austin American-Statesman, the Austin Chronicle, The Daily Texan, DVDActive, Fandango, Film School Rejects, FirstShowing.net, KOOP Radio, Movies.com, among others.

The AFCA will announce its 2015 awards winners, Top 10 films of the 2015, and special awards on Tuesday, December 29, 2015.

2015 Austin Film Critics Association Awards nominations:

Best Film:
Anomalisa
Carol
Mad Max: Fury Road
Spotlight
Trumbo

Best Director:
Todd Haynes, Carol
Tom McCarthy, Spotlight
Adam McKay, The Big Short
George Miller, Mad Max: Fury Road
Quentin Tarantino, The Hateful Eight

Best Actor:
Bryan Cranston, Trumbo
Leonardo DiCaprio, The Revenant
Michael Fassbender, Steve Jobs
Michael B. Jordan, Creed
Jacob Tremblay, Room

Best Actress:
Cate Blanchett, Carol
Brie Larson, Room
Rooney Mara, Carol
Saoirse Ronan, Brooklyn
Charlize Theron, Mad Max: Fury Road

Best Supporting Actor:
Benicio Del Toro, Sicario
Idris Elba, Beasts of No Nation
Oscar Isaac, Ex Machina
Michael Shannon, 99 Homes
Sylvester Stallone, Creed

Best Supporting Actress:
Elizabeth Banks, Love & Mercy
Jennifer Jason Leigh, The Hateful Eight
Kristen Stewart, Clouds of Sils Maria
Alicia Vikander, Ex Machina
Kate Winslet, Steve Jobs

Best Original Screenplay:
Pete Docter, Meg LeFauve, Josh Cooley, Inside Out
Alex Garland, Ex-Machina
Taylor Sheridan, Sicario
Josh Singer & Tom McCarthy, Spotlight
Quentin Tarantino, The Hateful Eight

Best Adapted Screenplay:
Emma Donoghue, Room
Charlie Kaufman, Anomalisa
Phyllis Nagy, Carol
Charles Randolph and Adam McKay, The Big Short
Aaron Sorkin, Steve Jobs

Best Cinematography:
Roger Deakins, Sicario
Edward Lachman, Carol
Emmanuel Lubezki, The Revenant
Robert Richardson, The Hateful Eight
John Seale, Mad Max: Fury Road

Best Score:
Carter Burwell, Carol
Michael Giacchino, Inside Out
Tom Holkenborg (as Junkie XL), Max Max: Fury Road
Ennio Morricone, The Hateful Eight
Rich Vreeland (as Disasterpeace), It Follows

Best Foreign-Language Film:
Mustang (Turkey, France, Germany)
Phoenix (German)
Son of Saul (Hungary)
The Tribe (Ukraine)
Victoria (German)

Best Documentary:
Amy
Best of Enemies
Cartel Land
The Look of Silence
Where to Invade Next

Best Animated Film:
Anomalisa
The Good Dinosaur
Inside Out
The Peanuts Movie
Shaun the Sheep Movie

Best First Film:
Bone Tomahawk
The Diary of a Teenage Girl
Ex Machina
Mustang
Son of Saul

The Robert R. “Bobby” McCurdy Memorial Breakthrough Artist Award:
Abraham Attah, Beasts of No Nation
Amy Schumer, Trainwreck
Mya Taylor, Tangerine
Jacob Tremblay, Room
Alicia Vikander, Ex-Machina

Best Austin Film:
Arlo and Julie (dir: Steve Mims)
A Brave Heart: The Lizzie Velasquez Story (dir: Sara Hirsh Bordo)
Kumiko, the Treasure Hunter (dir: David Zellner)
Peace Officer (dir: Brad Barber, Scott Christopherson)
Two Step (dir: Alex R. Johnson)

------------------------


Wednesday, December 16, 2015

2015 Chicago Film Critics Association Award Nominations - Complete List

The Chicago Film Critics Association (CFCA) is a tax-exempt, not-for-profit organization that hands out the Chicago Film Critics Awards, hold critics roundtables, and takes on industry and artists’ rights issues. The parent association was founded in 1990 by film critic Sue Kiner after the successful launch of the Chicago Film Critics Awards in 1989.

Now in its 26th year, the CFCA will announce the winners of Chicago Film Critics Association Awards during their year-end awards dinner to be held on the evening of Wednesday, December 16, 2015.

2015 / 26th Annual Chicago Film Critics Association Award nominations:

BEST PICTURE
Carol
Inside Out
Mad Max: Fury Road
The Revenant
Spotlight

BEST DIRECTOR
Todd Haynes--Carol
Alejandro Gonzalez Inarritu--The Revenant
Tom McCarthy--Spotlight
Adam McKay--The Big Short
George Miller--Mad Max: Fury Road

BEST ACTOR
Christopher Abbott--James White
Leonardo DiCaprio--The Revenant
Michael Fassbender--Steve Jobs
Eddie Redmayne--The Danish Girl
Jason Segel--The End of the Tour

BEST ACTRESS
Cate Blanchett--Carol
Brie Larson--Room
Charlotte Rampling--45 Years
Saoirse Ronan--Brooklyn
Charlize Theron--Mad Max: Fury Road

BEST SUPPORTING ACTOR
Benicio Del Toro--Sicario
Sam Elliott--Grandma
Mark Rylance--Bridge of Spies
Michael Shannon--99 Homes
Sylvester Stallone--Creed

BEST SUPPORTING ACTRESS
Jennifer Jason Leigh--Anomalisa
Jennifer Jason Leigh--The Hateful Eight
Cynthia Nixon--James White
Kristen Stewart--Clouds of Sils Maria
Alicia Vikander--Ex Machina

BEST ORIGINAL SCREENPLAY
Bridge of Spies--Matt Charman and Joel & Ethan Coen
Ex Machina--Alex Garland
The Hateful Eight--Quentin Tarantino
Inside Out--Pete Docter, Meg LeFauve and Josh Cooley
Spotlight--Tom McCarthy & Josh Singer

BEST ADAPTED SCREENPLAY
Anomalisa--Charlie Kaufman
The Big Short--Adam McKay & Charles Randolph
Brooklyn--Nick Hornby
Room--Emma Donoghue
Steve Jobs--Aaron Sorkin

BEST CINEMATOGRAPHY
Carol--Edward Lachman
The Hateful Eight--Robert Richardson
Mad Max: Fury Road--John Seale
The Revenant--Emmanuel Lubezki
Sicario--Roger Deakins

BEST ORIGINAL SCORE
Carol--Carter Burwell
The Hateful Eight--Ennio Morricone
Inside Out--Michael Giacchino
It Follows--Disasterpeace
Mad Max: Fury Road--Junkie XL

BEST ART DIRECTION/PRODUCTION DESIGN
The Assassin
Brooklyn
Carol
Crimson Peak
Mad Max: Fury Road

BEST EDITING
The Big Short--Hank Corwin
Mad Max: Fury Road--Jason Ballantine & Margaret Sixel
The Martian--Pietro Scalia
The Revenant--Stephen Mirrione
Spotlight--Tom McArdle

BEST FOREIGN-LANGUAGE FILM
The Assassin (Taiwan)
The Look of Silence (Denmark)
Phoenix (Germany)
Son of Saul (Hungary)
White God (Hungary)

BEST DOCUMENTARY
Amy
Cartel Land
The Hunting Ground
The Look of Silence
Where to Invade Next

BEST ANIMATED FEATURE
Anomalisa
The Good Dinosaur
Inside Out
The Peanuts Movie
The Shaun the Sheep Movie

MOST PROMISING PERFORMER
Christopher Abbott--James White
Bel Powley--The Diary of a Teenage Girl
Geza Rohrig--Son of Saul
Amy Schumer--Trainwreck
Jacob Tremblay--Room

MOST PROMISING FILMMAKER
Alex Garland--Ex Machina
Marielle Heller--The Diary of a Teenage Girl
Josh Mond--James White
Laszlo Nemes--Son of Saul
Bill Pohlad--Love & Mercy

--------------------


Tuesday, December 8, 2015

Online Film Critics Soceity Announces 2015 OFCS Award Nominations

Founded in 1997, the Online Film Critics Society (OFCS) describes itself as “the largest, most respected organization for critics whose work appears primarily on the Internet.” The OFCS says that it has been the key force in establishing and raising the standards for Internet-based film journalism. Its membership consists of film reviewers, journalists and scholars based in the U.S., Canada, Europe, Latin America and the Asia/Pacific Rim region. The Online Film Critics Society currently consists of 254 members with writers representing 22 countries across the globe.

The Online Film Critics Society recognized the year’s best films with nominations for their 19th annual awards. The winners will be announced on Monday, December 14, 2015.

2015 / 19th OFCS Award nominations:

Best Picture:
Brooklyn
Carol
Ex Machina
Inside Out
Mad Max: Fury Road
The Martian
The Revenant
Room
Sicario
Spotlight

Best Animated Feature:
Anomalisa
The Good Dinosaur
Inside Out
The Peanuts Movie
Shaun the Sheep Movie

Best Film Not in the English Language:
The Assassin (Taiwan)
Goodnight Mommy (Austria)
Mustang (France)
Phoenix (Germany)
Son of Saul (Hungary)

Best Documentary:
Amy
Best of Enemies
Cartel Land
Going Clear: Scientology and the Prison of Belief
The Look of Silence

Best Director:
Todd Haynes (Carol)
Tom McCarthy (Spotlight)
George Miller (Mad Max: Fury Road)
Ridley Scott (The Martian)
Denis Villeneuve (Sicario)

Best Actor:
Matt Damon (The Martian)
Leonardo DiCaprio (The Revenant)
Michael Fassbender (Steve Jobs)
Michael B. Jordan (Creed)
Ian McKellen (Mr. Holmes)

Best Actress:
Cate Blanchett (Carol)
Brie Larson (Room)
Charlotte Rampling (45 Years)
Saoirse Ronan (Brooklyn)
Charlize Theron (Mad Max: Fury Road)

Best Supporting Actor:
Benicio Del Toro (Sicario)
Oscar Isaac (Ex Machina)
Mark Ruffalo (Spotlight)
Mark Rylance (Bridge of Spies)
Sylvester Stallone (Creed)

Best Supporting Actress:
Rooney Mara (Carol)
Cynthia Nixon (James White)
Kristen Stewart (Clouds of Sils Maria)
Alicia Vikander (The Danish Girl)
Kate Winslet (Steve Jobs)

Best Original Screenplay:
Ex Machina (Alex Garland)
Inside Out (Pete Docter, Ronnie Del Carmen, Meg LeFauve, Josh Cooley)
Mistress America (Greta Gerwig, Noah Baumbach)
Sicario (Taylor Sheridan)
Spotlight (Josh Singer, Tom McCarthy)

Best Adapted Screenplay:
Brooklyn (Nick Hornby)
Carol (Phyllis Nagy)
The Martian (Drew Goddard)
Room (Emma Donoghue)
Steve Jobs (Aaron Sorkin)

Best Editing:
Mad Max: Fury Road (Margaret Sixel)
The Martian (Pietro Scalia)
The Revenant (Stephen Mirrione)
Sicario (Joe Walker)
Steve Jobs (Elliot Graham)

Best Cinematography:
The Assassin (Ping Bin Lee)
Carol (Edward Lachman)
Mad Max: Fury Road (John Seale)
The Revenant (Emmanuel Lubezki)
Sicario (Roger Deakins)


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Monday, November 9, 2015

16 Films Vie for "Best Animated Feature" at 88th Oscars

16 ANIMATED FEATURES SUBMITTED FOR 2015 OSCAR® RACE
Sixteen features have been submitted for consideration in the Animated Feature Film category for the 88th Academy Awards®.

The submitted features, listed in alphabetical order, are:

“Anomalisa”
“The Boy and the Beast”
“Boy and the World”
“The Good Dinosaur”
“Home”
“Hotel Transylvania 2”
“Inside Out”
“Kahlil Gibran’s The Prophet”
“The Laws of the Universe - Part 0”
“Minions”
“Moomins on the Riviera”
“The Peanuts Movie”
“Regular Show: The Movie”
“Shaun the Sheep Movie”
“The SpongeBob Movie: Sponge out of Water”
“When Marnie Was There”

Several of the films have not yet had their required Los Angeles qualifying run.  Submitted features must fulfill the theatrical release requirements and comply with all of the category’s other qualifying rules before they can advance in the voting process.  At least eight eligible animated features must be theatrically released in Los Angeles County within the calendar year for this category to be activated.  In any year in which 16 or more animated feature films are eligible, a maximum of five motion pictures may be nominated.

Films submitted in the Animated Feature Film category also may qualify for Academy Awards in other categories, including Best Picture, provided they meet the requirements for those categories.
The 88th Academy Awards nominations will be announced live on Thursday, January 14, 2016, at 5:30 a.m. PT at the Academy’s Samuel Goldwyn Theater in Beverly Hills.

The 88th Oscars® will be held on Sunday, February 28, 2016, at the Dolby Theatre® at Hollywood & Highland Center® in Hollywood, and will be televised live by the ABC Television Network at 7 p.m. ET/4 p.m. PT.  The Oscar presentation also will be televised live in more than 225 countries and territories worldwide.

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Saturday, November 7, 2015

Amazon Adds Three Kids Series and One Special

Amazon Orders Three Original Kids Series—Dino Dana, The Kicks and Lost in Oz—and Orders Half-Hour Special Shaun the Sheep: The Farmer’s Llamas

Two series greenlit from previous kids pilot season, including Amazon’s first original animated series for kids ages 6 to 11, Lost in Oz and live-action series The Kicks, based on Alex Morgan’s book series

Additional pick-ups include a follow-up to the Emmy award-winning Dino Dan and a half-hour special following up the Shaun the Sheep series and recent hit movie

SEATTLE--(BUSINESS WIRE)--(NASDAQ: AMZN)—Amazon today announced it has ordered three new Amazon Original Kids SeriesDino Dana, The Kicks and Lost in Oz—as well as half-hour special, Shaun the Sheep: The Farmer’s Llamas to debut on Prime Video. The new series come from creative talent including Aardman Animations, Bureau of Magic’s Mark Warshaw, Abram Makowka, Darin Mark and Jared Mark (East Los High, Smallville), novelist James Frey (I Am Number Four), and J.J. Johnson (Dino Dan, Annedroids). All three series will be available for Prime members in the US, UK, Germany and Austria and will debut next year. Shaun the Sheep: The Farmer’s Llamas will make its world debut for Prime members in the US on November 13.

    “We’re excited to offer our Prime members a beautifully reimagined world in our first original kids 6-to-11 animated series and bring to the screen Alex Morgan’s successful book series with an inspirational role model at the core”

“We’re excited to offer our Prime members a beautifully reimagined world in our first original kids 6-to-11 animated series and bring to the screen Alex Morgan’s successful book series with an inspirational role model at the core,” said Tara Sorensen, Head of Kids Programming at Amazon Studios. “Aardman and Sinking Ship are award-winning producers and we’re excited to debut Dino Dana and Shaun the Sheep on Prime Video.”

A follow up to the 2015 Emmy award-winning series Dino Dan, Dino Dana is a preschool program that takes viewers on a whole new level of dinosaur encounters. The series will feature 16 new prehistoric creatures, an adopted baby dino and, for the first time, two sisters. After a chance encounter with Trek and his Dino Field Guide, Dana, a “paleontologist in training,” and her teenage sister Emily, begin to see dinosaurs all around them, leading to plenty of action and adventure. Created and directed by J.J. Johnson (Dino Dan, Annedroids), the series will be executive produced by Sinking Ship partners Johnson, Blair Powers and Matt Bishop, co-executive produced by Christin Simms (Dino Dan) and written by Johnson and Simms.

In The Kicks, a live-action series for children ages six to 11, Devin Burke (played by newcomer Sixx Orange) was the star player on her soccer team back home until her family moved to California midway through the school year. Now, Devin has to rise to the challenge after discovering that her new school team has been on a losing streak over the last few months and is badly in need of a leader to rally the team together. Based on a book series by US Olympic Gold Medalist and current US Women’s National Team soccer player Alex Morgan, the project is Executive Produced by Full Fathom Five’s novelist James Frey (I Am Number Four) and Todd Cohen (Lumen), as well as Andrew Orenstein (Malcolm in the Middle). The series also stars E’myri Crutchfield (Vacation) as Zoe Hanson, Gabe Eggerling (Even Angels Cry) as Bailey Burke, Sophia Mitri Schloss (Desert Cathedral) as Emma Gelbaum, Monica Lacy (Hawaii Five-0) as Sharon Burke, and Tim Martin Gleason (New Girl) as Tom Burke.

Lost in Oz is an animated, action-adventure comedy for children ages 6 to 11 set in a modern, metropolitan Emerald City. Stranded in this spectacular world, 12-year-old Dorothy Gale befriends West, a young, street-smart witch grappling with dark temptations, and Ojo, a giant munchkin. With Dorothy’s dog Toto, this unlikely crew embarks on an epic journey, seeking out the magic Dorothy needs to get back to Kansas. The challenge for Dorothy, and everyone else in this world, is that Oz is facing the greatest magic crisis in eons. Developed and produced by Bureau of Magic’s Mark Warshaw, Darin Mark, Jared Mark, and Abram Makowka (East Los High, Smallville), this contemporary re-imagining of L. Frank Baum’s extraordinary universe is designed by Flaunt Productions (Under Siege, Project Spark), music by Adam Berry (The Penguins of Madagascar) with theme music by Mark Mothersbaugh (The Lego Movie).

In Shaun the Sheep: The Farmer’s Llamas, the Farmer and Bitzer go to a Country Fair and Shaun accompanies them intent on causing mischief. Shaun spies an auction of three exotic and very crafty Llamas and cleverly gets the unwitting Farmer to buy them. At first everything’s great fun, but soon their new Llama roommates get a bit too comfortable in their new home. When things spiral out of control, Shaun is forced to take action to oust the intruders and save the farm. The Aardman Animations special is written by Lee Pressman (Peter Rabbit), Richard Starzak (Shaun the Sheep movie) and Nick Vincent Murphy (Moone Boy), directed by Jay Grace (Shaun the Sheep, Creature Comforts) and produced by Paul Kewley & John Woolley (Shaun the Sheep).

Amazon Original Series are available for Prime members to stream and enjoy through the Amazon Video app for TVs, connected devices and mobile devices, or online at Amazon.com/originals, at no additional cost to their membership. Customers who are not already a Prime member can sign up for a free trial at www.amazon.com/prime. The new series will also be available as part of Amazon FreeTime Unlimited, the all-you-can-eat subscription service designed from the ground up for kids. FreeTime Unlimited is available exclusively on Amazon devices including Amazon Fire TV and Fire tablets, and a year-long subscription is included with every Fire Kids Edition.


About Amazon Video
Amazon Video includes tens of thousands of movies and TV episodes available on Prime Video at no additional charge to Prime members, as well as access to hundreds of thousands of titles to buy or rent. Amazon Video is the only service in the world that brings customers both of these options in one place.

Prime Video, available on Amazon Video, lets Prime members enjoy binge-worthy TV shows including Amazon Original Series airing now such as the multi-Golden Globe-winning and Emmy-winning series Transparent, Red Oaks, Hand of God, Bosch, Catastrophe and Mozart in the Jungle as well as hit series like Sex and the City, Veep, Girls, The Sopranos, Entourage, Curb Your Enthusiasm and The Wire. Prime Video also offers members blockbuster movies such as Transformers: Age of Extinction, Teenage Mutant Ninja Turtles, Jack Ryan: Shadow Recruit, Star Trek Into Darkness and The Hunger Games: Catching Fire, among others. Prime members have access to a collection of kids shows including Amazon Original Series Annedroids, Gortimer Gibbon’s Life on Normal Street, the Annecy, Annie and multi-Emmy Award-winning Tumble Leaf, and Wishenpoof, as well as popular shows from Nickelodeon and Nick Jr. including SpongeBob SquarePants, Dora the Explorer, Team Umizoomi, and Blue’s Clues.

Prime members can look forward to new original series premiering this year such as the much anticipated adaptation of Philip K. Dick’s The Man in the High Castle premiering on November 20 along with Mozart in the Jungle premiering later this year. Coming in 2016 will be the second seasons of Bosch and romantic comedy Catastrophe, along with the debut season of The New Yorker Presents and Mad Dogs.

Amazon Video can be accessed through the Amazon Video app on TVs, connected devices and mobile devices, or online at Amazon.com/amazonvideo. Prime Video titles can also be downloaded for offline enjoyment—the only subscription streaming service to offer this functionality. Customers who are not already Prime members can sign up for a free trial at Amazon.com/prime.

Amazon Prime is an annual membership program for $99 a year that offers customers unlimited Free Two-Day Shipping on more than 20 million items across all categories, unlimited Free Same-Day Delivery on more than a million items in 16 metro areas, unlimited streaming of tens of thousands of movies and TV episodes, more than one million songs, more than one thousand playlists and hundreds of stations with Prime Music, early access to select Lightning Deals all year long, free secure, unlimited photo storage in Amazon Cloud Drive with Prime Photos and access to more than 800,000 books to borrow with the Kindle Owners’ Lending Library. In addition, Prime members in select cities receive one and two hour delivery through Prime Now on tens of thousands of items through a mobile app. Not a member? Start a free trial of Amazon Prime at amazon.com/prime.

About Amazon
Amazon.com opened on the World Wide Web in July 1995. The company is guided by four principles: customer obsession rather than competitor focus, passion for invention, commitment to operational excellence, and long-term thinking. Customer reviews, 1-Click shopping, personalized recommendations, Prime, Fulfillment by Amazon, AWS, Kindle Direct Publishing, Kindle, Fire tablets, Fire TV, Amazon Echo, and Alexa are some of the products and services pioneered by Amazon. For more information, visit www.amazon.com/about.

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Tuesday, August 4, 2015

The Academy and Siggraph Celebrate Aardman Animations

AARDMAN ANIMATIONS COMING TO THE ACADEMY AND SIGGRAPH

The Academy of Motion Picture Arts and Sciences celebrates the work of Aardman Animations with three programs featuring the studio’s Oscar®-winning and nominated Wallace and Gromit shorts on Friday, August 7, and Sunday, August 9, 2015.

Wallace and Gromit Restored – The Marc Davis Celebration of Animation
Friday, August 7, 7:30 p.m. │Samuel Goldwyn Theater, Beverly Hills

As part of the Academy’s Marc Davis Celebration of Animation series, Aardman Animations co-founder David Sproxton and Wallace and Gromit cinematographer Dave Alex Riddett will discuss the making of the studio’s Oscar-winning shorts “The Wrong Trousers” and “A Close Shave,” and the Oscar-nominated shorts “A Grand Day Out” and “A Matter of Loaf and Death.” The program also will include the world premiere screening of the restorations of all four films, the result of a collaborative effort between the Academy Film Archive and Aardman Animations.

Click here for more information and to purchase tickets

Cracking Animation: Behind the Scenes at Aardman
Sunday, August 9, 9 a.m. │ Los Angeles Convention Center, Downtown Los Angeles

The Academy returns to SIGGRAPH Conference with a panel featuring Sproxton and Riddett, who will trace the arc of Aardman’s voyage over the last three decades, present clips of the studio’s work, and discuss the evolving production techniques and future prospects of stop-motion animation.

Click here for more information

A Grand Day Out: Wallace and Gromit Family Matinees
Sunday, August 9, 1–5:30 p.m. │Linwood Dunn Theater, Hollywood

The Academy presents matinee screenings of all four Wallace and Gromit shorts for families, as well as an animation workshop for children ages 8 to 13. The 90-minute hands-on workshop will offer a small group of participants the opportunity to learn some of Aardman Animations’ stop-motion techniques.

Click here for more information and to purchase tickets

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Friday, April 27, 2012

Review: "Flushed Away" was the Best Animated Film of 2006

TRASH IN MY EYE No. 234 (of 2006) by Leroy Douresseaux

Flushed Away (2006)
COUNTRY OF ORIGIN: UK (with USA)
Running time: 90 minutes; MPAA – PG for crude humor and some language
DIRECTORS: David Bowers and Sam Fell
WRITERS: Dick Clement and Ian La Frenais, Chris Lloyd and Joe Keenan, and Will Davies; from a story by Sam Fell, Peter Lord and Dick Clement and Ian La Frenais
PRODUCERS: Peter Lord, David Sproxton, and Cecil Kramer
CINEMATOGRAPHER: Brad Blackbourn and Frank Passingham
EDITOR: John Venzon and Eric Dapkewicz
BAFTA nominee

ANIMATION/COMEDY/ACTION

Starring: (voices) Hugh Jackman, Kate Winslet, Ian McKellen, Andy Serkis, Bill Nighy, Shane Richie, and Jean Reno

The computer-animated feature film, Flushed Away, is the star child of two of the most successful animation studios of the last decade: DreamWorks Animation (Shrek) and Aardman Features (Wallace and Gromit: The Curse of the Were-Rabbit). DreamWorks creates state-of-the-art computer animation. Aardman films are usually done with stop-motion animation, and their characters and sets are made of Plasticene (modeling clay) – called “claymation.” Now, the two studios have created a film with a story and characters that are as inventive as the technical and artistic process that created it.

The story begins in London – specifically the Kensington Gardens house where Roddy St. James (Hugh Jackman) lives the pampered life of a pet mouse. Roddy gets an unwanted guest in the form of a rowdy sewer rat named Sid (Shane Richie), after he comes spewing out of the sink. Roddy tries to get rid of Sid by tricking him into taking a whirlpool bath in the toilet, but Sid pushes Roddy in and Roddy gets flushed away.

After a rough trip, Roddy discovers a metropolis in the sewers beneath London, made by industrious rodents out of discarded items. Roddy meets the spunky and resourceful Rita (Kate Winslet), captain of her own boat, the Jammy Dodger. Rita, however, is in the middle of a long-running feud with a local crime lord, the villainous Toad (Ian McKellen, superb as a villain prone to fits of melodrama and theatrics). Toad despises all rodents and has hatched a diabolical plot to destroy all of them during halftime of the World Cup. Roddy and Rita are determined to stop him, but to do that, they have to battle Toad’s henchrats Spike (Andy Serkis) and Whitey (Bill Nighy), as well as Toad’s cousin, Le Frog (Jean Reno), every step of the way.

There are animated films in which the composition in terms of what the viewer sees on screen is prettier – Pixar productions come to mind, but when it comes to pure comedy, I would be hard pressed to find a more successful 3D animated film than Flushed Away. Visually, Flushed Away is true to the signature style of Aardman, as seen in the Wallace and Gromit films and in Chicken Run, but I would be remiss in this review if I emphasized the technical side. Flushed Away is a funny film, a superb achievement in comedy as good as live action.

The strong screenwriting emphasizes wacky, scatological humor and funny characters. The humor isn’t too crude for children; actually, it’s the kind of humor that frequently shows up in children’s entertainment: jokes and sight gags about bodily functions, taking a blow to the loins, and other light innuendo. This is a broad kind of humor, seemingly lowbrow but familiar to all regardless of age. Simply brilliant, the comedy writing is wry yet boisterous and both subtle and blunt. A blend of parody and slapstick, Flushed Away satirizes melodramatic, Hollywood action thrillers, and it still has time to be part romantic comedy.

It’s not as if any one group of people should get credit for Flushed Away being such a fine flick. However, if the voice performers weren’t so good, the excellent work of the directors, writers, animators, and computer guys would have been… flushed away. The vocal performances take this film to the next two levels by bringing the characters to life in such a way that they become more than just kiddie cartoons. Truthfully, Hugh Jackman, Kate Winslet, and Ian McKellan, and Jean Reno are international movie stars and superb actors, and their supporting cast – Andy Serkis, Bill Nighy, and Shane Richie – are fine character actors. Indeed, Serkis’ comically inept little brute, Spike, and Nighy’s Zen heavy, Whitey, are so funny and well done that the duo deserves its own flick. In the end, the actors give us the same great work they would in a live action movie, and that is the main reason why Flushed Away may be the year’s best animated feature film.

9 of 10
A+

Sunday, November 12, 2006

NOTES:
2007 BAFTA Awards: 1 nomination: “Best Animated Feature Film” (David Bowers and Sam Fell)

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Tuesday, March 13, 2012

Review: Gromit Shines in "The Curse of the Were-Rabbit"

TRASH IN MY EYE No. 152 (of 2005) by Leroy Douresseaux

Wallace & Gromit: The Curse of the Were-Rabbit (2005) – animation
COUNTRY OF ORIGIN: UK
Running time: 94 minutes (1 hour, 34 minutes)
MPAA – G
DIRECTOR: Nick Park and Steve Box
WRITERS: Bob Baker, Mark Burton, Nick Park and Steve Box
PRODUCERS: Claire Jennings, Peter Lord, Carla Shelley, David Sproxton, and Nick Park
CINEMATOGRAPHERS: Tristan Oliver and Dave Alex Riddett
EDITORS: David McCormick and Gregory Perler
Academy Award winner

ANIMATION/ACTION/COMEDY/FAMILY/FANTASY

Starring: (voices) Peter Sallis, Ralph Fiennes, Helena Bonham Carter, Peter Kay, Nicholas Smith, Liz Smith, John Thomson, Mark Gatiss, and Vincent Ebrahim

Wallace & Gromit: The Curse of the Were-Rabbit is a 2005 Oscar-winning, stop-motion animated film. This comic horror, British film focuses on the eccentric inventor, Wallace, and his silent dog, Gromit (the brains of this duo).

Director Nick Park and his stop-motion, “Claymation”-like characters Wallace & Gromit, return in a new film, Wallace & Gromit: The Curse of the Were-Rabbit. The cheese-loving Wallace (voice of Peter Sallis), an affable, absent-minded inventor, and his faithful dog, Gromit, who doesn’t say a word, but is smarter and wiser than his human master/friend, have their first full-length film in The Curse of the Were-Rabbit; they previously were the stars of three animated short films, all Academy Award-nominated, with two winning Oscars.

In this new feature, Wallace & Gromit’s hometown is in the midst of a vegetable growing fever because the Tottington Hall Giant Vegetable Competition. The enterprising chums have been cashing in on this “veggie-mania” with their pest control outfit, “Anti-Pesto,” which captures and humanely dispatches the hundreds of rabbits that have invaded the town’s sacred vegetable gardens, trying to eat all those overly pampered giant veggies the town folks are growing for the Giant Vegetable Competition.

Suddenly, a huge, mysterious vegetable-ravaging beast begins terrorizing the town attacking all those prized garden plots by night, eating or destroying everything in its path. Panic sets in because this monster, dubbed the were-rabbit, endangers the Giant Vegetable Competition. Determined to protect the competition Tottington Hall has held almost annually for over 500 years, its hostess, Lady Tottington (voice of Helena Bonham Carter), hires Anti-Pesto to catch the creature, but in a humane fashion that doesn’t lead to the vegetable-chomping marauder’s demise. Also, lying in wait, is Lady Tottington’s snobby suitor, Victor Quatermaine (voice of Ralph Fiennes), who’d rather shoot the were-rabbit, which would not only make him a local hero, but might also secure him Lady Tottington’s hand in marriage. With Wallace & Gromit having so much trouble securing the beast, Lady Tottington must eventually give in to Victor’s desire to hunt the were-rabbit. What she doesn’t know (but Victor does) is that the hunt could have dire consequences for Wallace, who is smitten with Lady Tottington. Can Gromit save the day again?

Co-directed by Nick Park and Steve Box, The Curse of the Were-Rabbit is easily one the few truly great films I’ve seen this year. Five years in the making, and the film shows that Park and his crew are geniuses of stop-motion animation (also known as Claymation®). There is just so much ingenuity in the film, from Wallace’s crazy inventions and assorted contraptions – such as the brain altering machine that is supposed to make rabbits shun veggies to the suction device and tanks that holds captured rabbits.

Park and company create amazing edge-of-the-seat action scenes as thrilling as those in live action movies. The Curse of the Were-Rabbit also has safe adult humor – a combination of soap opera romance and mystery and intrigue mixed with the offbeat Wallace & Gromit’s disarming humor. The film is a touch dry in several places, in which scenes play out slowly or seem padded. Also, I didn’t like Lady Tottington and Victor Quatermaine because they were both facially unattractive and too caricatured, especially Victor, more unlikable than he needs to be even as a villain.

The story, ultimately, is about a man and his dog – Wallace the happy chum and Gromit the good-natured patient companion who always takes care of his cheese-loving master. Gromit, who doesn’t have a mouth, has physicality on par with silver screen legends of the silent era such as Buster Keaton and Charlie Chaplin, and Gromit’s face can be as expressive as a pantomime character. Gromit, made by hand and animated by a painstaking stop-motion process, has soul in a way that characters created in the other 3-D animated process, computer animation, likely won’t ever have. Wallace & Gromit, two of the most delightful characters in the history of animation, are more engaging than the characters that populate such films as Shrek and Monster’s Inc., as fun as they are.

Expertly crafted, Wallace & Gromit: The Curse of the Were-Rabbit will impress even viewers not interested in “how they do it.” Fun to watch, it’s one of the year’s premiere comedies and best films.

9 of 10
A+

NOTES:
2006 Academy Awards: 1 win: “Best Animated Feature Film of the Year” (Steve Box and Nick Park

2006 BAFTA Awards: 2 wins: “Alexander Korda Award for Best British Film” (Claire Jennings, David Sproxton, Nick Park, Steve Box, Mark Burton, Bob Baker) and “BAFTA Children's Award Best Feature Film” (Nick Park, Steve Box, Peter Lord, David Sproxton)

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Animated Short Review: "The Wrong Trousers" is the Right Thing

TRASH IN MY EYE No. 83 (of 2005) by Leroy Douresseaux

Wallace & Gromit in the Wrong Trousers (1993) – animated
Running time: 30 minutes
DIRECTOR: Nick Park
WRITERS: Bob Baker and Park
PRODUCER: Christopher Moll
EDITOR: Helen Garrard
Academy Award winner

SHORT/ANIMATION/COMEDY/FAMILY/MYSTERY with elements of sci-fi

Starring: (voice) Peter Sallis

Wallace & Gromit in the Wrong Trousers is a 1993 stop-motion animated short film. In 1994, the film, also known as Wallace & Gromit: The Wrong Trousers, won an Oscar for “Best Short Film, Animated” and the BAFTA Award for “Best Animated Film.” Directed by Nick Park (who would go on to co-direct 2000’s Chicken Run for DreamWorks), the film is animated in stop-motion animation using clay figures. The public is familiar with this kind of animation under the brand name “Claymation.” This is the art of modeling characters and props out of clay and using stop-motion photography to give the illusion of the figures and props moving.

Wallace (voice of Peter Sallis) is the oddball inventor with an obsessive appetite for cheese and crackers, and Gromit is his nonchalant and patient dog, the smarter one of this duo. Wallace obviously loves his dog to the point of treating him like a spouse or a third hand (as if Gromit were a Wallace to Wallace’s Sherlock Holmes). Gromit actually keeps things organized and moving in the house.

In this film, Wallace discovers that he is low on finances, so he takes a tenant into his large home in order to get some extra money. However, his lodger, a beady-eyed penguin, is really the thief, Feathers McGraw. Soon, the sly, and silent penguin has moved into Gromit’s room, and has come between master and canine. McGraw’s real plan is to use the enormous mechanical, walking pants that Wallace gave Gromit for his birthday to rob a museum. It’s up to Gromit to save his master from these horribly wrong trousers and a scheming penguin.

There is no one reason to love the Wallace & Gromit cartoons. From the seamless stop-motion animation and to the smooth and easy pace of the story and from the instantly endearing leads to the unflustered way they tackle difficulties, there is something that just rings right about director Nick Park’s fabulous little animated shorts. Maybe, it’s because Wallace & Gromit: The Wrong Trousers is just practically perfect in every way.

10 of 10

NOTES:
1994 Academy Awards: 1 win: “Best Short Film, Animated” (Nick Park)

1994 BAFTA Awards: 1 win: “Best Animated Film” (Christopher Moll and Nick Park)

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