"Ocean's 8" Surpasses $100 Million in Domestic Box Office

“Ocean’s 8” Hits $100 Million at the Domestic Box Office

BURBANK, Calif.--(BUSINESS WIRE)--Warner Bros. Pictures and Village Roadshow Pictures’ “Ocean’s 8” crossed $100 million at the domestic box office this past weekend. The film now stands as the 10th-highest-grossing film of the year domestically, it was announced today by Jeff Goldstein, President of Domestic Distribution, Warner Bros. Pictures.

    “Since its opening, ‘Ocean’s 8’ has been delighting moviegoers, resulting in strong word of mouth that is driving the box office. We congratulate the amazing ensemble cast and the filmmakers, as well as our partners at Village Roadshow, on this success.”

Goldstein stated, “Since its opening, ‘Ocean’s 8’ has been delighting moviegoers, resulting in strong word of mouth that is driving the box office. We congratulate the amazing ensemble cast and the filmmakers, as well as our partners at Village Roadshow, on this success.”

The latest installment of the successful “Ocean’s” franchise, “Ocean’s 8” stars Sandra Bullock, Cate Blanchett, Anne Hathaway, Mindy Kaling, Sarah Paulson, Awkwafina, Rihanna, and Helena Bonham Carter.

Five years, eight months, 12 days...and counting. That’s how long Debbie Ocean (Sandra Bullock)—just released from prison—has been concocting the greatest heist of her storied career. She knows what it’s going to take—a team of the best in their field, starting with her former partner-in-crime Lou (Cate Blanchett). Together, they recruit a crew of specialists: jeweler Amita (Kaling); street con Constance (Awkwafina); expert fence Tammy (Paulson); hacker Nine Ball (Rihanna); and fashion designer Rose Weil (Bonham Carter). The target is $150 million in diamonds—diamonds that will adorn the neck of world-famous actress Daphne Kluger (Hathaway), who will be center stage at the event of the year, The Met Gala. Their plan appears rock solid, but it will need to be flawless if the team is to get in and get away—all in plain sight.

“Ocean’s 8” also stars Richard Armitage as Claude Becker, Kluger’s unwitting date at the Gala, and James Corden as John Frazier, an insurance investigator trying to put the pieces together.

Gary Ross (“Seabiscuit,” “The Hunger Games,” “Pleasantville”) directed “Ocean’s 8” from a screenplay he co-wrote with Olivia Milch, original story by Ross. Steven Soderbergh and Susan Ekins produced the film. Michael Tadross, Diana Alvarez, Jesse Ehrman and Bruce Berman served as executive producers, with Milch co-producing.

Ross’s behind-the-scenes team included director of photography Eigil Bryld, production designer Alex DiGerlando, Oscar-nominated editor Juliette Welfling (“The Diving Bell and the Butterfly”), costume designer Sarah Edwards, and composer Daniel Pemberton. “Ocean’s 8” is based on characters created by George Clayton Johnson & Jack Golden Russell.

Warner Bros. Pictures presents, in association with Village Roadshow Pictures, a Rahway Road production, “Ocean’s 8.” The film is being distributed worldwide by Warner Bros. Pictures, a Warner Bros. Entertainment Company, and in select territories by Village Roadshow Pictures. This film has been rated PG-13.

www.Oceans8movie.com

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Review: Disney's Live-Action "Cinderella" is Good, But is not Disney Classic

TRASH IN MY EYE No. 5 (of 2017) by Leroy Douresseaux

[This review was originally posted on Patreon.]

Cinderella (2015)
Running time:  105 minutes (1 hour 45 minutes)
Rating: MPAA – PG for mild thematic elements
DIRECTOR:  Kenneth Branagh
WRITER:  Chris Weitz
PRODUCED:  David Barron, Simon Kinberg, and Allison Shearmur
CINEMATOGRAPHER:  Haris Zambarloukos (D.o.P.)
EDITOR:  Martin Walsh
COMPOSER:  Patrick Doyle
Academy Award nominee

FANTASY/ROMANCE

Starring:  Cate Blanchett, Lily James, Richard Madden, Helen Bonham Carter, Nonso Anozie, Stellan Skarsgard, Sophie McShera, Holliday Grainger, Derek Jacobi, Ben Chaplin, and Hayley Atwell

Cinderella is a 2015 fantasy and romance film from director Kenneth Branagh and writer Chris Weitz.  Released by Walt Disney Pictures, the film is based on Walt Disney's 1950 animated feature film, Cinderella, and the folk tale of the same name.  In this new version of the story, a young woman is at the mercy of her cruel stepmother, but her fortunes change after she meets a dashing young man.

In a peaceful kingdom there is a father (Ben Chaplin), a mother (Hayley Atwell), and their beautiful daughter, Ella (Lily James).  Ella's parents teach her courage and kindness, and her mother teaches her to believe in magic.  Some years after her mother dies, Ella's father marries the Lady Tremaine (Cate Blanchett), who has two loud, rude daughters, Anastasia (Holliday Grainger) and Drisella (Sophie McShera).

When Ella's father goes abroad for business, Lady Tremaine reveals her cruel and jealous nature.  After Ella's father dies, Lady Tremaine takes over the household and pushes Ella from her own bedroom and into the attic.  Anastasia and Drisella even give Ella a new name, Cinderella.  After one particularly cruel day, Ella rides off into the woods where she meets a young man who says his name is Kit (Richard Madden).  For both young people, this meeting is a turning point, but there are forces arrayed to keep them apart.

At the end of this movie, the Fairy Godmother (played by Helena Bonham Cater) describes the “forever-after” as being defined by “courage,” “kindess,” and “a little magic” (or something like that).  This live-action version of Cinderella is indeed about “just a little magic.”  Disney's classic, 1950 animated Cinderella is a fairy tale that is practically entirely infused with magic – from talking animals to an atmosphere of enchantment.  Cinderella is more like a fantasy-romance or a romantic fantasy than it is like a fairy tale.  With its lavish costumes and opulent sets, Cinderella plays like a period set piece set in a fictional kingdom in an indeterminate time.

But I can move past that.  2015 live-action Cinderella does not have to be 1950 animated Disney classic Cinderella.  This new Cinderella relies on its title character for the magic that a wand or a fairy godmother might provide.  As Cinderella, Lily James is quite good.  When she smiles or is happy, the movie lights up.  When she is sad, I felt sad, too.  In this film, James does not have the greatest range between happy and sad.  When Cinderella isn't happy or sad, James makes her look as if she is in a solid state of consternation.  Luckily, it is Cinderella's state of happiness or sadness that drives the movie, and that works.

I don't need to say that Cate Blanchett is really good as Lady Tremiane, “the Stepmother.”  Blanchett dominates her scenes, and the filmmakers were wise to limit her screen time; otherwise, Blanchett would have burned this movie down in a larger roll.  Everyone else is good enough to pretty good, although Stellan Skarsgård seems neutered as The Grand Duke.  Of course, there is not enough of Nonso Anozie as Captain of the Guards, but I am glad that this film's decision-makers were willing to cast him.

Cinderella is not for everyone.  It is sweet and cute, a feel-good movie that goes down like warm hot chocolate on a cold winter's night.  Cinderella is a good, but not great film, and director Kenneth Branagh does nothing to distinguish himself here.  But there is enough Disney magic here to entertain some of us.

6 of 10
B

Sunday, September 18, 2016


NOTES:
2016 Academy Awards, USA:  1 nomination: “Best Achievement in Costume Design” (Sandy Powell)

2016 BAFTA Awards:  1 nomination: “Best Costume Design” (Sandy Powell)


The text is copyright © 2016 Leroy Douresseaux. All Rights Reserved. Contact this site for reprint or syndication rights and fees.

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Review: "Terminator Salvation" Remains a Fresh Take on the Franchise

TRASH IN MY EYE No. 3 (of 2009) by Leroy Douresseaux

Terminator Salvation (2009)
Running time: 130 minutes (2 hours, 10 minutes)
MPAA – PG-13 for intense sequences of sci-fi violence and action, and language
DIRECTOR:  McG
WRITERS:  John D. Brancato & Michael Ferris
PRODUCERS:  Derek Anderson, Moritz Borman, Victor Kubicek, and Jeffrey Silver
CINEMATOGRAPHER:  Shane Hurlbut (D.o.P.)
EDITOR:  Conrad Buff IV
COMPOSER:  Danny Elfman

SCI-FI/ACTION/WAR/THRILLER

Starring:  Christian Bale, Sam Worthington, Moon Bloodgood, Helena Bonham Carter, Anton Yelchin, Jadagrace, Bryce Dallas Howard, Common, and Michael Ironside

Terminator Salvation is a 2009 post-apocalyptic science fiction film from director McG.  It is the fourth film in the Terminator film franchise.  The film is set in the year 2018, and focuses on a mysterious man who joins the resistance on the eve of an attack on Skynet, but whose side is he really on?

Seven years after the debut of The Terminator (1984), its sequel Terminator 2: Judgment Day arrived in 1991.  It was another 12 years before the third film, Terminator 3: Rise of the Machines (2003) debuted, but only six years later, the fourth film, Terminator Salvation arrives.  This shorter gestation period likely isn’t why Terminator Salvation is good enough to be considered the second best film in The Terminator franchise.

Terminator Salvation finally takes us into the world only hinted at in the other Terminator films – the post-apocalyptic future that finds the remnants of the human race fighting the all-powerful artificial intelligence, Skynet, and its army of man-killing Terminators.  John Connor (Christian Bale) is the man fated to lead the human resistance against Skynet and the Terminators.  It was his mother that Skynet marked for termination before she could give birth to John, so they sent a Terminator back in time to kill her (as seen in The Terminator).  In Judgment Day, Skynet sent a Terminator back in time to kill a 12-year-old John Connor.

This new film opens in 2018, and John Connor is not in charge of the Resistance.  Connor continues, however, to study his past, through his memories and through the tape recordings his late mother left, as he tries to determine what Skynet’s next move might be.  Then, Connor learns that Skynet has made a human civilian named Kyle Reese (Anton Yelchin), their top priority for termination.  Reese is a man who is of utmost importance to Connor’s existence, so Connor prepares to launch a rescue mission even if General Ashdown (Michael Ironside) and the Resistance leadership are against it.

Then, Connor meets Marcus Wright (Sam Worthington), a stranger whose last memory is of being on death row in 2003.  It seems that Wright’s appearance has altered what John knew the future to be.  Connor and Marcus embark on an odyssey into Skynet central operations in the ruins of Los Angeles, where they discover the truth of Skynet’s diabolical plans.

Any moviegoers that are familiar with the internal mythology of The Terminator films can follow all the twists and turns of this time-bending film franchise… for the most part.  Are there inconsistencies between Terminator Salvation and the original film (let alone the others)?  Yes, there are, but director McG (the Charlie’s Angels films) takes the script for this film (which apparently had at least six writers, if not more) and makes one of those great summer movies that keeps your eyes glued to the screen and just keeps you awestruck with the awesomeness of its action and special effects.  It’s fanboy eye candy.

It’s easy for critics and snobby fans to dismiss McG (whose name is Joseph McGinty Nichol), but in the case of Terminator Salvation, he makes the best use of his actors, getting superb performances out of Bale, Worthington, Yelchin, Moon Bloodgood, and Jadagrace.  Plus, McG squeezes the best from the visual effects, special effects, and stunt crews.  When a director harnesses this effort to maximum effect, he can make that kind of action flick that is the Art of the summer movie.

There are times when McG and company stumble over themselves in an effort to both connect Terminator Salvation to the original films (especially the first two) and to be respectful of the originals, somewhat to the detriment of this film.  However, McG has led his cast and creative staff to the promised land of the great action film, one so stuffed with edge-of-the-seat thrills and breathtaking visuals that it won’t soon be forgotten.

8 of 10
A

Sunday, May 31, 2009

EDITED:  Thursday, November 5, 2015


The text is copyright © 2015 Leroy Douresseaux. All Rights Reserved. Contact this blog for reprint and syndication rights and fees.

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IMAX to Screen Disney's Live-Action "Cinderella" Film

Disney's Live-Action Cinderella To Be Released In IMAX® Theatres Globally Starting March 13

SANTA MONICA, Calif., /PRNewswire/ -- IMAX Corporation (NYSE: IMAX) and The Walt Disney Studios, a division of The Walt Disney Company (NYSE: DIS), today announced that the highly anticipated live-action Cinderella - directed by Academy Award(®) nominee Kenneth Branagh and starring Academy Award(®) winner Cate Blanchett as the Stepmother and Lily James in the timeless title role - will be digitally re-mastered into the immersive IMAX(®) format and released in IMAX(®) theatres globally beginning March 13, 2015.

A live-action feature inspired by the classic fairy tale, Cinderella is written by Chris Weitz and produced by Simon Kinberg, Allison Shearmur and David Barron. Tim Lewis served as executive producer.

"Based on the timeless classic, Cinderella now is a visually breath-taking live-action gem from the hugely talented Kenneth Branagh, with whom we're thrilled to partner again, as well as the wonderful team at Disney," said Greg Foster, Senior Executive Vice President, IMAX Corp. and CEO of IMAX Entertainment. "Having been fortunate to see the movie several weeks ago, we believe Cinderella will resonate with movie-goers from around the globe, and we can't wait to share it with IMAX audiences worldwide."

The IMAX(®) release of Cinderella will be digitally re-mastered into the image and sound quality of The IMAX Experience(®) with proprietary IMAX DMR(®) (Digital Re-mastering) technology. The crystal-clear images, coupled with IMAX's customized theatre geometry and powerful digital audio, create a unique environment that will make audiences feel as if they are in the movie.

For more information about Cinderella, please visit Disney's official website at http://disney.com/cinderella/.

About CINDERELLA:
The story of Cinderella follows the fortunes of young Ella (Lily James) whose merchant father remarries following the death of her mother. Eager to support her loving father, Ella welcomes her new stepmother (Cate Blanchett) and her daughters Anastasia (Holliday Grainger) and Drisella (Sophie McShera) into the family home. But, when Ella's father unexpectedly passes away, she finds herself at the mercy of a jealous and cruel new family. Finally relegated to nothing more than a servant girl covered in ashes, and spitefully renamed Cinderella, Ella could easily begin to lose hope. Yet, despite the cruelty inflicted upon her, Ella is determined to honor her mother's dying words and to "have courage and be kind." She will not give in to despair nor despise those who mistreat her. And then there is the dashing stranger she meets in the woods. Unaware that he is really a prince, not merely an apprentice at the Palace, Ella finally feels she has met a kindred soul. It appears her fortunes may be about to change when the Palace sends out an open invitation for all maidens to attend a ball, raising Ella's hopes of once again encountering the charming Kit (Richard Madden). Alas, her stepmother forbids her to attend and callously rips apart her dress. But, as in all good fairy tales, help is at hand, and a kindly beggar woman (Helena Bonham-Carter) steps forward and - armed with a pumpkin and a few mice - changes Cinderella's life forever.

About IMAX Corporation
IMAX, an innovator in entertainment technology, combines proprietary software, architecture and equipment to create experiences that take you beyond the edge of your seat to a world you've never imagined. Top filmmakers and studios are utilizing IMAX theatres to connect with audiences in extraordinary ways, and, as such, IMAX's network is among the most important and successful theatrical distribution platforms for major event films around the globe.

IMAX is headquartered in New York, Toronto and Los Angeles, with offices in London, Tokyo, Shanghai and Beijing.  As of September 30, 2014, there were 880 IMAX theatres (751 commercial multiplexes, 19 commercial destinations and 110 institutions) in 60 countries.

IMAX®, IMAX® 3D, IMAX DMR®, Experience It In IMAX®, An IMAX 3D Experience®, The IMAX Experience® and IMAX Is Believing® are trademarks of IMAX Corporation. More information about the Company can be found at www.imax.com. You may also connect IMAX on Facebook (www.facebook.com/imax), Twitter (www.twitter.com/imax) and YouTube (www.youtube.com/imaxmovies).

This press release contains forward looking statements that are based on IMAX management's assumptions and existing information and involve certain risks and uncertainties which could cause actual results to differ materially from future results expressed or implied by such forward looking statements. These risks and uncertainties are discussed in IMAX's most recent Annual Report on Form 10-K and most recent Quarterly Reports on Form 10-Q.

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Review: "The Lone Ranger" is a Little Bit Stranger

TRASH IN MY EYE No. 9 (of 2014) by Leroy Douresseaux

The Lone Ranger (2013)
Running time:  149 minutes (2 hours, 29 minutes)
MPAA – PG-13 for sequences of intense action and violence, and some suggestive material
DIRECTOR:  Gore Verbinski
WRITERS:  Justine Haythe and Ted Elliot & Terry Rossio; from Justine Haythe and Ted Elliot and Terry Rossio
PRODUCERS:  Jerry Bruckheimer and Gore Verbinski
CINEMATOGRAPHER:  Bojan Bazelli
EDITORS:  James Haygood and Craig Wood
COMPOSER:  Hans Zimmer
Academy Award nominee

WESTERN/ACTION with elements of fantasy

Starring:  Johnny Depp, Armie Hammer, William Fichtner, Tom Wilkinson, Ruth Wilson, Helena Bonham Carter, James Badge Dale, Bryant Prince, Barry Pepper, Leon Rippy, Stephen Root, Terry Treadaway, Saginaw Grant, Joaquin Cosio, James Frain, Leonard Earl Howze, Grover Coulson, and Mason Cook.

For those who don’t know:  The Lone Ranger is a fictional character that first debuted in a radio show in late January 1933.  The Lone Ranger is a Texas Ranger who fights injustice in the American Old West with the assistance of Tonto, his Native American friend.

The radio show ran from 1933 to the mid-1950s for almost 3,000 episodes.  The character is probably best-remembered for the television series, The Lone Ranger, which aired for eight seasons (1949 to 1957) for over 200 episodes on the ABC television network.  Clayton Moore starred as the Lone Ranger, and Jay Silverheels played Tonto.  The character also made several appearance in film, the last being an infamous and unsuccessful 1981 movie.  Early in the Summer of 2013, the Lone Ranger and Tonto returned to the big screen.

The Lone Ranger is a 2013 action and Western film from producer-director Gore Verbinski and producer Jerry Bruckheimer.  Starring Johnny Depp and Armie Hammer, The Lone Ranger 2013 focuses on the earliest efforts of The Lone Ranger and Tonto to end corruption in and to bring justice to the American Old West.

[A NOTE:  Since the following review is a longish one, I’ll summarize it here.  I thoroughly enjoyed The Lone Ranger 2013, and had a blast watching it.  However, it is not a traditional Western movie, just as the Pirate of the Caribbean movies are not typical pirate movies.  The Lone Ranger is funny, but quirky.  If you look past its oddness and focus on the action, you might find it to be quite entertaining.]

The Lone Ranger opens in 1933 at a fair in San Francisco.  In a sideshow, a boy named Will (Mason Cook) just happens to meet an elderly Native American who claims to be Tonto (Johnny Depp).  Learning that Will idolizes the Lone Ranger, Tonto tells the boy the story of how he first met the legendary hero.

The story moves back to 1869.  Lawyer John Reid (Armie Hammer) returns to his hometown of Colby, Texas.  He finds the Transcontinental Railroad to be the focus of attention, but railroad tycoon, Latham Cole (Tom Wilkinson), is focused on the capture of outlaw, Butch Cavendish (William Fichtner).  John joins his brother, Texas Ranger Dan Reid (James Badge Dale), who leads the search for Cavendish and his gang.

John discovers that Native American Comanche warrior, Tonto (Johnny Depp), is also searching for Cavendish, whom the Indian believes is a creature he calls “windigo.”  Events leave John a “lone Ranger,” and he is forced join Tonto in an often-contentious but effective partnership.  But can the two new partners stop a conspiracy that is bigger and older than they may realize?

I think that the movie reviews which accompanied The Lone Ranger upon its initial theatrical release back in late June 2013 can be described as mostly negative to mixed.  I unequivocally like this movie, although I will admit that it has some flaws.  For instance, I have a question that has already been asked by other critics.  What is the target audience for The Lone Ranger?

The Lone Ranger 2013 is a Western.  It has several elements that can be found throughout the history of American Western films:  brothels, construction of a railroad, cowboys and Indians, lone lawman, outlaws, quests for redemption, revenge, and the shoot ‘em up.  However, this new Lone Ranger is nothing like The Lone Ranger television series, which was a traditional Hollywood Western aimed at a general audience and relied on stock elements that were familiar to viewers of all ages.

This movie is also a comedy and action flick as much as it is a Western, but it is not reverent about the things found in many Western movies and television programs from the 1930s to the 1950s.  The film has those big, reality-bending action scenes we have come to expect of Jerry Bruckheimer movies like the Pirates of the Caribbean franchise (which also stars Johnny Depp).  As a comedy, the film sometimes mocks elements and aspects associated with The Lone Ranger franchise.  Some of the dialogue and scenes in this movie have a single purpose – be funny.

The Lone Ranger 2013 is also surprisingly quirky.  It is kind of a “weird Western,” like the films, Jonah Hex and Wild Wild West (1999).  The movie has a strange mixture of imitation Native American mysticism and quasi-occultism, with a funky supernatural twist.  Much of that is tied to violence, cannibalism in particular.

I think that in order to enjoy this film, the viewer has to focus more on the basic plot, the characters, and the big action scenes and sequences and less on the setting (the post-Civil War “Old West”) and genre (the Western).  I didn’t mind that The Lone Ranger is an unusual Western film, and I certainly like the plot, characters, and action set pieces.

Also, Armie Hammer turned out to fit in this movie better than I thought he would.  Still, to me, it seems as if he can never make his character, John Reid/The Lone Ranger, escape the tremendous shadow cast by Johnny Depp’s Tonto.  Depp owns this movie, and that is a bigger problem for this movie than anything else.  It is more about Tonto than it is about The Lone Ranger.  In fact, whenever the story switched to other characters, I could feel myself chomping-at-the-bits for the movie to go back to Depp/Tonto.

I have to admit that I wish that we get a sequel to The Lone Ranger.  That is unlikely, as this movie is considered a box office disappointment and, to some, a flop.

7 of 10
B+

NOTES:
2014 Academy Awards, USA:  2 nominations:  ‘Best Achievement in Makeup and Hairstyling” (Joel Harlow and Gloria Pasqua Casny) and “Best Achievement in Visual Effects” (Tim Alexander, Gary Brozenich, Edson Williams, and John Frazier)

2014 Razzie Awards:  1 win: “Worst Remake, Rip-Off or Sequel;” 4 nominations: “Worst Picture,” “Worst Actor” (Johnny Depp), “Worst Director” (Gore Verbinski), and “Worst Screenplay” (Ted Elliott-screen story and screenplay, Justin Haythe-screen story and screenplay, and Terry Rossio-screen story and screenplay)

Tuesday, March 04, 2014


The text is copyright © 2014 Leroy Douresseaux. All Rights Reserved. Contact this site for syndication rights and fees.

London Film Critics Choose "Amour"

by Leroy Douresseaux

I'm still tying up some loose ends from the 2012 movie award season.  I just remembered that I did not post the result of a critics organization awards ceremony, although I did post its nominations earlier.  So...

The acclaimed Austrian film, Amour, won the "Film of the Year" award for 2012 at the 33rd annual edition of the London Critics' Circle Film Awards.  Amour also earned an "Actress of the Year" award for Emmanuelle Riva and a "Screenwriter of the Year" award for its writer/director, Michael Haneke.  "Director of the Year" went to Ang Lee for Life of Pi.  Lee surprised quite a few people at the Oscars this past Sunday night by winning the best director Oscar for Life of Pi.

The 33rd annual edition London Critics' Circle Film Awards took place on Sunday, January 20, 2013, in a ceremony held at the May Fair Hotel.

33rd London Film Critics’ Circle Awards Winners:

The Sky Movies Award: FILM OF THE YEAR
Amour (Artificial Eye)

FOREIGN LANGUAGE FILM OF THE YEAR
Rust and Bone (StudioCanal)

DOCUMENTARY OF THE YEAR
The Imposter (Picturehouse/Revolver)

The Attenborough Award: BRITISH FILM OF THE YEAR - presented by The May Fair Hotel
Berberian Sound Studio (Artificial Eye)

Top 10 Films
1. Amour (Artificial Eye)
2. The Master (Entertainment)
3. Life of Pi (Fox)
4. Argo (Warners)
5. Beasts of the Southern Wild (StudioCanal)
6. Zero Dark Thirty (Universal)
7. Once Upon a Time in Anatolia (New Wave)
8. Django Unchained (Sony)
9. Tabu (New Wave)
10. Rust and Bone (StudioCanal)

The American Airlines Award: DIRECTOR OF THE YEAR
Ang Lee – Life of Pi (Fox)

ACTOR OF THE YEAR - Sponsored by Spotlight
Joaquin Phoenix – The Master (Entertainment)

ACTRESS OF THE YEAR - Sponsored by Spotlight
Emmanuelle Riva – Amour (Artificial Eye)

SUPPORTING ACTOR OF THE YEAR
Philip Seymour Hoffman – The Master (Entertainment)

SUPPORTING ACTRESS OF THE YEAR
Anne Hathaway – Les Miserables (Universal)

BRITISH ACTOR OF THE YEAR - In association with Cameo Productions
Toby Jones – Berberian Sound Studio (Artificial Eye)

BRITISH ACTRESS OF THE YEAR
Andrea Riseborough – Shadow Dancer (Paramount)

YOUNG BRITISH PERFORMER OF THE YEAR
Tom Holland – The Impossible (eOne)

SCREENWRITER OF THE YEAR - Sponsored by Distrupol
Michael Haneke – Amour (Artificial Eye)

BREAKTHROUGH BRITISH FILM-MAKER
Alice Lowe and Steve Oram, writers – Sightseers (StudioCanal)

The Sky 3D Award: TECHNICAL ACHIEVEMENT
Life of Pi – Bill Westenhofer, visual effects (Fox)

DILYS POWELL AWARD FOR EXCELLENCE IN FILM - sponsored by Premier
Helena Bonham Carter

http://www.criticscircle.org.uk/

2012 London Film Critics Circle Award Nominations Complete List

The London Film Critics’ Circle (if I understand correctly) is part of a larger organization, The Critics’ Circle, which makes an annual award for Services to the Arts. This circle is comprised of the five sections: dance, drama, film, music, and visual arts.

On its website, The Circle says that its aims are “to promote the art of criticism, to uphold its integrity in practice, to foster and safeguard members’ professional interests, to provide opportunities to meet, and to support the advancement of the arts.” Currently there are 430 members of the Circle, mostly from the UK, and the majority of them write regularly for national and regional newspapers and magazines. Membership is by invitation.

The 33rd annual edition London Critics' Circle Film Awards will take place on Sunday, January 20, 2013, in a ceremony held at the May Fair Hotel.

33rd (2012) CRITICS' CIRCLE FILM AWARDS NOMINATIONS (film distributor's name in parenthesis):

The Sky Movies Award: FILM OF THE YEAR
Amour (Artificial Eye)
Argo (Warners)
Beasts of the Southern Wild (StudioCanal)
Life of Pi (Fox)
The Master (Entertainment)

FOREIGN LANGUAGE FILM OF THE YEAR
Amour – from Austri (Artificial Eye)
Holy Motors – from France (Artificial Eye)
Once Upon a Time in Anatolia – from Turkey (New Wave)
Rust and Bone – from France/Belgium (StudioCanal)
Tabu – from Portugal (New Wave)

DOCUMENTARY OF THE YEAR
The Imposter (Picturehouse/Revolver)
London: The Modern Babylon (BFI)
Nostalgia for the Light (New Wave)
The Queen of Versailles (Dogwoof)
Searching for Sugar Man (StudioCanal)

The May Fair Hotel Award: BRITISH FILM OF THE YEAR
Berberian Sound Studio (Artificial Eye)
The Imposter (Picturehouse/Revolver)
Les Miserables (Universal)
Sightseers (StudioCanal)
Skyfall (Sony)

The Spotlight Award: ACTOR OF THE YEAR
Daniel Day-Lewis – Lincoln (Fox)
Hugh Jackman – Les Miserables (Universal)
Mads Mikkelsen – The Hunt (Arrow)
Joaquin Phoenix – The Master (Entertainment)
Jean-Louis Trintignant – Amour (Artificial Eye)

ACTRESS OF THE YEAR
Jessica Chastain - Zero Dark Thirty (Universal)
Marion Cotillard - Rust and Bone (StudioCanal)
Helen Hunt - The Sessions (Fox)
Jennifer Lawrence - Silver Linings Playbook (Entertainment)
Emmanuelle Riva – Amour (Artificial Eye)

SUPPORTING ACTOR OF THE YEAR
Alan Arkin – Argo (Warners)
Javier Bardem – Skyfall (Sony)
Michael Fassbender – Prometheus (Fox)
Philip Seymour Hoffman – The Master (Entertainment)
Tommy Lee Jones – Lincoln (Fox)

SUPPORTING ACTRESS OF THE YEAR
Amy Adams – The Master (Entertainment)
Judi Dench – Skyfall (Sony)
Sally Field – Lincoln (Fox)
Anne Hathaway – Les Miserables (Universal)
Isabelle Huppert – Amour (Artificial Eye)

BRITISH ACTOR OF THE YEAR – In association with Cameo Productions
Daniel Craig – Skyfall (Sony)
Charlie Creed-Miles - Wild Bill (The Works/Universal)
Daniel Day-Lewis – Lincoln (Fox)
Toby Jones – Berberian Sound Studio (Artificial Eye)
Steve Oram – Sightseers (StudioCanal)

BRITISH ACTRESS OF THE YEAR
Emily Blunt – Looper (eOne) and Your Sister's Sister (StudioCanal)
Judi Dench – The Best Exotic Marigold Hotel (Fox) and Skyfall (Sony)
Alice Lowe – Sightseers (StudioCanal)
Helen Mirren – Hitchcock (Fox)
Andrea Riseborough – Shadow Dancer (Paramount)

YOUNG BRITISH PERFORMER OF THE YEAR
Samantha Barks – Les Miserables (Universal)
Fady Elsayed – My Brother the Devil (Verve)
Tom Holland – The Impossible (eOne)
Will Poulter – Wild Bill (The Works/Universal)
Jack Reynor – What Richard Did (Artificial Eye)

The American Airlines Award: DIRECTOR OF THE YEAR
Paul Thomas Anderson – The Master (Entertainment)
Kathryn Bigelow – Zero Dark Thirty (Universal)
Nuri Bilge Ceylan – Once Upon a Time in Anatolia (New Wave)
Michael Haneke – Amour (Artificial Eye)
Ang Lee – Life of Pi (Fox)

SCREENWRITER OF THE YEAR
Paul Thomas Anderson – The Master (Entertainment)
Mark Boal – Zero Dark Thirty (Universal)
Michael Haneke – Amour (Artificial Eye)
Quentin Tarantino - Django Unchained (Sony)
Chris Terrio – Argo (Warners)

BREAKTHROUGH BRITISH FILM-MAKER
Ben Drew, writer/director – Ill Manors (Revolver)
Sally El Hosaini, writer/director – My Brother the Devil (Verve)
Dexter Fletcher, co-writer/director – Wild Bill (The Works/Universal)
Bart Layton, writer/director – The Imposter (Picturehouse/Revolver)
Alice Lowe & Steve Oram, writers – Sightseers (StudioCanal)

The Sky 3D Award: TECHNICAL ACHIEVEMENT AWARD
Anna Karenina – Jacqueline Durran, costumes (Universal)
Argo – William Goldenberg, film editing (Warners)
Beasts of the Southern Wild – Ben Richardson, cinematography (StudioCanal)
Berberian Sound Studio – Joakim Sundstrom & Stevie Haywood, sound design (Artificial Eye)
Holy Motors – Bernard Floch, makeup (Artificial Eye)
Life of Pi – Claudio Miranda, cinematography (Fox)
Life of Pi – Bill Westenhofer, visual effects (Fox)
The Master – Jack Fisk & David Crank, production design (Entertainment)
My Brother the Devil – David Raedeker, cinematography (Verve)
Rust and Bone – Alexandre Desplat, music (StudioCanal)

DILYS POWELL AWARD FOR EXCELLENCE IN FILM: Sponsored by PREMIER
Helena Bonham Carter

http://www.criticscircle.org.uk/

Review: Johnny Depp Shines in Dim "Dark Shadows"

TRASH IN MY EYE No. 35 (of 2012) by Leroy Douresseaux


Dark Shadows (2012)
Running time: 113 minutes (1 hour, 53 minutes)
MPAA – PG-13 for comic horror violence, sexual content, some drug use, language and smoking
DIRECTOR: Tim Burton
WRITERS: Seth Grahame-Smith; story by John August and Seth Grahame-Smith (based on the television series, Dark Shadows, created by Dan Curtis)
PRODUCERS: Christi Dembrowski, Johnny Depp, David Kennedy, Graham King, and Richard D. Zanuck
CINEMATOGRAPHER: Bruno Delbonnel
EDITOR: Chris Lebenzon
COMPOSER: Danny Elfman

FANTASY/COMEDY/HORROR

Starring: Johnny Depp, Michelle Pfeiffer, Helena Bonham Carter, Eva Green, Jackie Earle Haley, Jonny Lee Miller, Bella Heathcote, Chloë Grace Moretz, Gulliver McGrath, Ray Shirley, and Christopher Lee

Dark Shadows is a 2012 gothic horror and comedy fantasy film from director Tim Burton and starring Johnny Depp. The film is based upon Dark Shadows, a gothic horror soap opera that was created by Dan Curtis and was originally broadcast from 1966 to 1971 on ABC. Dark Shadows the film follows a vampire who returns to his ancestral home, after two centuries of imprisonment, and finds his dysfunctional descendants in need of help.

Dark Shadows begins in the mid-1700s where we meet Joshua and Naomi Collins and their young son, Barnabas, as they sail from Liverpool, England to start a new life in America. Joshua builds a fishing empire in Maine at a town he names Collinsport. Barnabas Collins (Johnny Depp) grows into a wealthy playboy, who loves and leaves numerous women. His biggest mistake is to spurn the love of Angelique Bouchard (Eva Green), because she is a witch. Angelique puts a curse on Barnabus, turning him into a vampire, and then, has him buried alive.

Nearly 200 years later, Barnabas is inadvertently freed from his tomb into the very changed world of 1972. Returning to his family’s estate, Collinwood Manor, Barnabas finds that his relatives are now dysfunctional and not as well off financially. Family matriarch, Elizabeth Collins Stoddard (Michelle Pfeiffer), rules over a small group that includes her rebellious daughter, Carolyn Stoddard (Chloë Grace Moretz), and troubled, precocious nephew, David Collins (Gulliver McGrath). They need Barnabas’ help, and so he begins to revive the family fortune and the family home, but an old enemy is determined to destroy them all.

Dark Shadows is a Johnny Depp movie, as directed by Tim Burton, and Depp is brilliant as always. I couldn’t get enough of his Barnabas Collins, and neither could the screenplay. This movie is so much about Barnabas that the other characters are left in Depp/Barnabas’s considerable wake. First of all, some of the supporting characters are extraneous, like young Miss Grace’s Carolyn Stoddard and Helena Bonham Carter’s Dr. Julia Hoffman; the good doctor provides some nice comic relief, which is good, because the character is otherwise useless. Some like, Pfeiffer’s Elizabeth and young Mr. McGrath’s David, are under-utilized. Everything about the witch Angelique Bouchard is forced, and so is much of Eva Green’s performance as her.

Still, this is Depp’s show, and he creates a Barnabas that is so cool, you’ll want to be his friend (in spite of the inherent danger of being pals with a vampire). In a career full of idiosyncratic characters, Barnabas is Depp’s most endearing oddball.

Back in the late 1980s and early 1990s, I often came across articles about Depp or director Tim Burton that described either man as quirky. Dark Shadows is quirky and also campy. It spoofs the melodrama of soap operas, and Depp’s droll, tongue-firmly-in-cheek comedy gives this sometimes awkward film a lot of humor and laughs, which it needs. Like all of Burton’s films, Dark Shadows has excellent production values, especially the costumes and set and art decoration. However, Dark Shadows is not only quirky, but also odd in its quality. It is partially a good Burton-Depp movie, but the rest of it is a misfire because of the poor screenwriting. The acting and directing cannot, try as they might, change that.

5 of 10
B-

Saturday, May 12, 2012

Depp, Carter Make Magic in Tim Burton's "Corpse Bride"

TRASH IN MY EYE No. 151 (of 2005) by Leroy Douresseaux


Tim Burton’s Corpse Bride (2005) – animated
Running time: 81 minutes (1 hour, 21 minutes)
MPAA – PG for some scary images and action, and brief mild language)
DIRECTORS: Mike Johnson and Tim Burton
WRITERS: John August, Caroline Thompson, and Pamela Pettler
PRODUCER: Allison Abbate and Tim Burton
CINEMATOGRAPHER: Pete Kozachik
EDITOR: Jonathan Lucas and Chris Lebenzon, A.C.E.
COMPOSER: Danny Elfman
Academy Award nominee

ANIMATION/FANTASY/MUSICAL/FAMILY with elements of comedy and romance

Starring: (voices) Johnny Depp, Helena Bonham Carter, Emily Watson, Tracey Ullman, Paul Whitehouse, Joanna Lumley, Albert Finney, Christopher Lee, Richard E. Grant, Michael Gough, Jane Horrocks, Enn Reitel, Deep Roy, Stephen Ballantyne, Lisa Kay, Danny Elfman

12 years ago, Tim Burton conceived and produced a fabulous stop-motion animated film, Tim Burton’s Nightmare Before Christmas (directed by Henry Selick). It remains something of a cult classic and family favorite and has spawned numerous merchandise spin offs, including several toy lines. Burton returns to stop-motion animation with the new film Tim Burton’s Corpse Bride, co-directed by Mike Johnson.

Transformed from a Russian folk tale, Corpse Bride begins in a small, gloomily repressed Victorian town that is about to see the wedding of two young people who’ve never met. Canned fish tycoons, Nell and William Van Dort (voiced by Tracey Ullman and Paul Whitehouse) crassly make a bid to social climb by wedding their bachelor son, Victor (voice of Johnny Depp) to old-money aristocrats.

Maudeline and Finis Everglot (voices of Joanna Lumley and Albert Finney) have an old-money aristocratic name, but are penniless. All they have left is their name and social standing and a daughter named Victoria (voice of Emily Watson). The Everglots are willing to hold their noses and grudgingly marry Victoria off to Victor, whose money will allow them to climb back into the upper reaches of society (where their ancestor, the Duke of Everglot, was). By marrying Victor to Victoria, the Van Dorts will have the requisite class to go with their enormous wealth.

Upon their first meeting, Victor and Victoria do slowly and quietly begin to fall in love, but at the wedding rehearsal, Victor continually bungles his lines. Pastor Galswells (voice of Christopher Lee), who will preside over the wedding, sends Victor away until he can manage to learn the somewhat tricky lines of his vows. Humiliated, he wanders into the dark forest that surrounds his village. Alone, he successfully recites his vows, and even goes so far as to place his wedding ring on the root of a tree as a finishing touch.

However, the root is really bony finger. Like a magic incantation, Victor’s vows and the ring resurrect the decaying corpse to which the finger belongs. Up rises the strange and strangely beautiful Corpse Bride (voice of Helena Bonham Carter) wearing the tattered remains of a wedding dress. She may have died long ago (after being mysteriously murdered on her wedding night), but her search for true love and a husband never died. She grabs Victor, mistaking him for husband and drags him beneath the earth to the Land of the Dead, a colorful and rowdy place that is the exact opposite of the dull, somber, and cold Land of the Living (known by the denizens of the Land of the Dead as upstairs).

Victor tries in vain to return to Victoria. Meanwhile, the Everglots have hastily arranged a second wedding for their daughter, to a mysterious, arrogant, and somewhat sinister stranger calling himself, Lord Barkis Bittern (voice of Richard E. Grant). With his Corpse Bride determined to hold him in the bonds of their unholy matrimony, Victor must find is way back upstairs to his true bride-to-be before Victoria is also bond by an unfortunate marriage.

First, if I had the chance, I would tell co-directors Tim Burton and Mike Johnson and their animators and other crew that their 55-week shoot during, which 109,000,440 individually animated frames were set up and filmed, resulted in a truly glorious film fairy tale. I don’t know if they think the effort was worth it, but I sure as hell do. Corpse Bride is an exuberant stop-motion, pop Gothic animated fable. Delightfully and mysteriously creepy, the film is a sweet tale of love both lost and unrequited. Corpse Bride does have the usual Burton ticks. For instance, the Land of the Dead is a fun, colorful and oddly creepy place where the dead do more that just make the best of it, while the Land of the Living is so cold and somber. The living are so reserved, grave, serious and sober, while the dead party up!

However, it all works because the film’s internal logic makes sense (with only a few exceptions). The direction and camera work (they shot the film using digital still cameras rather than film cameras) create a sense of movement and a flow in the narrative that is… well, as animated as live action film. The script captures the film’s whimsical, yet eerie nature with a narrative that is melancholy, yet filled with funny moments and also dialogue that fits right in with all the whimsy, moodiness, and dead things.

The voice cast is excellent, and I’m loathed to single anyone out. However, Helena Bonham Carter as the Corpse Bride (whose name was/is Emily) does a superb job straddling the line between macabre and sweet and between comic and menace (especially in the scene when she arrives at the Everglot estate to get “her man” back from Victoria). Still, Johnny Depp (obviously Burton’s stand-in) and Emily Watson are also very good and make their characters charming and engaging. All in all, they’re part of fine cast and crew that made Tim Burton’s Corpse Bride a great film, a must-see for lovers of animated films.

10 of 10

Friday, October 07, 2005

NOTES:
2006 Academy Awards: 1 nomination: “Best Animated Feature Film of the Year” (Tim Burton and Mike Johnson)

Tim Burton's "Dark Shadows" Gets Soundtrack Release on May 8th

Danny Elfman’s Dark Shadows Original Score to Be Released May 8

Film Marks 14th Collaboration Between Composer Danny Elfman And Director Tim Burton

LOS ANGELES--(BUSINESS WIRE)--WaterTower Music will release Dark Shadows – Original Score digitally and in stores on May 8, 2012. The album features original music by Grammy Award-winning and four-time Oscar®-nominated composer Danny Elfman, which is featured in director Tim Burton’s new gothic comedy Dark Shadows.

For more than 25 years, Burton and Elfman have collaborated on some of the cinema’s most beloved and recognizable films and soundtracks, including Big Fish, for which Elfman received an Oscar® nomination; Beetlejuice; Batman; Edward Scissorhands; Sleepy Hollow; Corpse Bride; and, more recently, Alice in Wonderland.

“Tim had some specific ideas about the music on Dark Shadows,” says Elfman. “I knew that the bigger dramatic scenes would be played in a rather grand theatrical manner, but the real treat was tapping into the retro pallet Tim had imagined. He wanted something that payed homage to both the original TV series and other '70s horror genres as well. For that we kept it minimal, eerie, and atmospheric with only electronics and a few solo instruments carrying the melodies.”

Elfman has also received Oscar® nominations for his scores for Barry Sonnenfeld’s Men in Black, and Gus Van Sant’s Good Will Hunting and Milk. Movie audiences worldwide have also heard Danny Elfman’s unique sound and style in some 80 film scores, including Sam Raimi’s Spider-Man; Brian De Palma’s Mission: Impossible; Martin Brest’s Midnight Run; Jon Amiel’s Sommersby; the Hughes Brothers’ Dead Presidents; Rob Marshall’s Academy® Award-winning Chicago; and Shawn Levy’s Real Steel.

In the year 1750, Joshua and Naomi Collins, with young son Barnabas, set sail from Liverpool, England to start a new life in America. Two decades pass and Barnabas (Johnny Depp) has the world at his feet—or at least the town of Collinsport, Maine. The master of Collinwood Manor, Barnabas is rich, powerful and an inveterate playboy…until he makes the grave mistake of breaking the heart of Angelique Bouchard (Eva Green). A witch, in every sense of the word, Angelique dooms him to a fate worse than death: turning him into a vampire, and then burying him alive. Two centuries later, Barnabas is inadvertently freed from his tomb and emerges into the very changed world of 1972. He returns to Collinwood Manor to find that his once-grand estate has fallen into ruin and the dysfunctional remnants of the Collins family have fared little better, each harboring their own dark secrets.

Warner Bros. Pictures, in association with Village Roadshow Pictures, presents an Infinitum Nihil/GK Films/Zanuck Company production, a Tim Burton Film Dark Shadows in theaters and IMAX on May 11, 2012. “Dark Shadows” stars Johnny Depp, Michelle Pfeiffer, Helena Bonham Carter, Eva Green, Jackie Earle Haley, Jonny Lee Miller, Chloë Grace Moretz, Bella Heathcote and Gully McGrath.

The Dark Shadows -- Original Score on WaterTower Music will be available digitally and in stores on May 8, 2012; and on the same date, WaterTower Music will also be releasing the Dark Shadows –Original Motion Picture Soundtrack, containing eleven songs from the film.

http://www.darkshadowsmovie.com/

Review: Gromit Shines in "The Curse of the Were-Rabbit"

TRASH IN MY EYE No. 152 (of 2005) by Leroy Douresseaux

Wallace & Gromit: The Curse of the Were-Rabbit (2005) – animation
COUNTRY OF ORIGIN: UK
Running time: 94 minutes (1 hour, 34 minutes)
MPAA – G
DIRECTOR: Nick Park and Steve Box
WRITERS: Bob Baker, Mark Burton, Nick Park and Steve Box
PRODUCERS: Claire Jennings, Peter Lord, Carla Shelley, David Sproxton, and Nick Park
CINEMATOGRAPHERS: Tristan Oliver and Dave Alex Riddett
EDITORS: David McCormick and Gregory Perler
Academy Award winner

ANIMATION/ACTION/COMEDY/FAMILY/FANTASY

Starring: (voices) Peter Sallis, Ralph Fiennes, Helena Bonham Carter, Peter Kay, Nicholas Smith, Liz Smith, John Thomson, Mark Gatiss, and Vincent Ebrahim

Wallace & Gromit: The Curse of the Were-Rabbit is a 2005 Oscar-winning, stop-motion animated film. This comic horror, British film focuses on the eccentric inventor, Wallace, and his silent dog, Gromit (the brains of this duo).

Director Nick Park and his stop-motion, “Claymation”-like characters Wallace & Gromit, return in a new film, Wallace & Gromit: The Curse of the Were-Rabbit. The cheese-loving Wallace (voice of Peter Sallis), an affable, absent-minded inventor, and his faithful dog, Gromit, who doesn’t say a word, but is smarter and wiser than his human master/friend, have their first full-length film in The Curse of the Were-Rabbit; they previously were the stars of three animated short films, all Academy Award-nominated, with two winning Oscars.

In this new feature, Wallace & Gromit’s hometown is in the midst of a vegetable growing fever because the Tottington Hall Giant Vegetable Competition. The enterprising chums have been cashing in on this “veggie-mania” with their pest control outfit, “Anti-Pesto,” which captures and humanely dispatches the hundreds of rabbits that have invaded the town’s sacred vegetable gardens, trying to eat all those overly pampered giant veggies the town folks are growing for the Giant Vegetable Competition.

Suddenly, a huge, mysterious vegetable-ravaging beast begins terrorizing the town attacking all those prized garden plots by night, eating or destroying everything in its path. Panic sets in because this monster, dubbed the were-rabbit, endangers the Giant Vegetable Competition. Determined to protect the competition Tottington Hall has held almost annually for over 500 years, its hostess, Lady Tottington (voice of Helena Bonham Carter), hires Anti-Pesto to catch the creature, but in a humane fashion that doesn’t lead to the vegetable-chomping marauder’s demise. Also, lying in wait, is Lady Tottington’s snobby suitor, Victor Quatermaine (voice of Ralph Fiennes), who’d rather shoot the were-rabbit, which would not only make him a local hero, but might also secure him Lady Tottington’s hand in marriage. With Wallace & Gromit having so much trouble securing the beast, Lady Tottington must eventually give in to Victor’s desire to hunt the were-rabbit. What she doesn’t know (but Victor does) is that the hunt could have dire consequences for Wallace, who is smitten with Lady Tottington. Can Gromit save the day again?

Co-directed by Nick Park and Steve Box, The Curse of the Were-Rabbit is easily one the few truly great films I’ve seen this year. Five years in the making, and the film shows that Park and his crew are geniuses of stop-motion animation (also known as Claymation®). There is just so much ingenuity in the film, from Wallace’s crazy inventions and assorted contraptions – such as the brain altering machine that is supposed to make rabbits shun veggies to the suction device and tanks that holds captured rabbits.

Park and company create amazing edge-of-the-seat action scenes as thrilling as those in live action movies. The Curse of the Were-Rabbit also has safe adult humor – a combination of soap opera romance and mystery and intrigue mixed with the offbeat Wallace & Gromit’s disarming humor. The film is a touch dry in several places, in which scenes play out slowly or seem padded. Also, I didn’t like Lady Tottington and Victor Quatermaine because they were both facially unattractive and too caricatured, especially Victor, more unlikable than he needs to be even as a villain.

The story, ultimately, is about a man and his dog – Wallace the happy chum and Gromit the good-natured patient companion who always takes care of his cheese-loving master. Gromit, who doesn’t have a mouth, has physicality on par with silver screen legends of the silent era such as Buster Keaton and Charlie Chaplin, and Gromit’s face can be as expressive as a pantomime character. Gromit, made by hand and animated by a painstaking stop-motion process, has soul in a way that characters created in the other 3-D animated process, computer animation, likely won’t ever have. Wallace & Gromit, two of the most delightful characters in the history of animation, are more engaging than the characters that populate such films as Shrek and Monster’s Inc., as fun as they are.

Expertly crafted, Wallace & Gromit: The Curse of the Were-Rabbit will impress even viewers not interested in “how they do it.” Fun to watch, it’s one of the year’s premiere comedies and best films.

9 of 10
A+

NOTES:
2006 Academy Awards: 1 win: “Best Animated Feature Film of the Year” (Steve Box and Nick Park

2006 BAFTA Awards: 2 wins: “Alexander Korda Award for Best British Film” (Claire Jennings, David Sproxton, Nick Park, Steve Box, Mark Burton, Bob Baker) and “BAFTA Children's Award Best Feature Film” (Nick Park, Steve Box, Peter Lord, David Sproxton)

------------------------

Harry Potter 8 Now Third Highest Grossing Film Ever

“Harry Potter and the Deathly Hallows – Part 2” is the Number One Film of 2011

The finale of the series is the top-grossing film domestically and internationally

BURBANK, Calif.--(BUSINESS WIRE)--Continuing to make box office magic, Warner Bros. Pictures’ “Harry Potter and the Deathly Hallows – Part 2” has now become the top-grossing release of 2011 in all categories: domestic box office, international box office and worldwide box office. The announcement was made today by Warner Bros. Pictures President of Domestic Distribution, Dan Fellman, and President of International Distribution, Veronika Kwan-Rubinek.

The last installment of the blockbuster motion picture franchise has broken numerous box office records around the world in just under a month since its July opening. As of August 8, the film had earned $344.8 million domestically and $801.5 million internationally, for an astounding worldwide box office gross of $1.146 billion, making “Harry Potter and the Deathly Hallows – Part 2” the third-highest-grossing film worldwide of all time.

Veronika Kwan-Rubinek stated, “‘Harry Potter and the Deathly Hallows – Part 2’ can truly be called a global phenomenon. The filmmakers and cast, who dedicated their talents to the success of these films for over a decade, share in this piece of cinema history. We congratulate and thank them all.”

Dan Fellman said, “This is another incredible milestone for the last chapter of this historic film series, and for the Harry Potter franchise as a whole. In a crowded and very competitive summer, it is a tribute to both the film and the people behind it that moviegoers are still turning out to enjoy it—whether for the first time or for a repeat viewing.”

“Harry Potter and the Deathly Hallows – Part 2” is the final adventure in the Harry Potter film series. In the epic finale, the battle between the good and evil forces of the wizarding world escalates into an all-out war. The stakes have never been higher and no one is safe. But it is Harry Potter who may be called upon to make the ultimate sacrifice as he draws closer to the climactic showdown with Lord Voldemort. It all ends here.

Daniel Radcliffe, Rupert Grint and Emma Watson reprise their roles as Harry Potter, Ron Weasley and Hermione Granger. The film’s ensemble cast also includes Helena Bonham Carter, Robbie Coltrane, Warwick Davis, Tom Felton, Ralph Fiennes, Michael Gambon, Ciarán Hinds, John Hurt, Jason Isaacs, Matthew Lewis, Gary Oldman, Alan Rickman, Maggie Smith, David Thewlis, Julie Walters and Bonnie Wright.

The film was directed by David Yates, and produced by David Heyman, David Barron and J.K. Rowling. Steve Kloves adapted the screenplay, based on the novel by J.K. Rowling. Lionel Wigram is the executive producer.

“Harry Potter and the Deathly Hallows – Part 2” is the first Harry Potter film to be released in both 3D and 2D. Concurrently with its nationwide theatrical distribution, the film is being released in select IMAX® theatres. The film is being distributed worldwide by Warner Bros. Pictures, a Warner Bros. Entertainment Company. It has been rated PG-13 for some sequences of intense action violence and frightening images.

http://www.harrypotter.com/

Harry Potter 8 Becomes Ninth Film to Gross a Billion Dollars in Worldwide Box Office

“Harry Potter and the Deathly Hallows – Part 2” Crosses $1 Billion Threshold

The last is now first, as the finale becomes the top-grossing title in the film series.

BURBANK, Calif.--(BUSINESS WIRE)--Continuing its record-breaking run, Warner Bros. Pictures’ “Harry Potter and the Deathly Hallows – Part 2” has surpassed $1 billion at the worldwide box office, becoming the first in the series—and just the ninth film in cinema history—to reach that benchmark. The announcement was made today by Warner Bros. Pictures President of Domestic Distribution, Dan Fellman, and President of International Distribution, Veronika Kwan-Rubinek.

Adding to the records already achieved, “Harry Potter and the Deathly Hallows – Part 2” tied the record for the fastest climb to $1 billion. The finale of the blockbuster motion picture franchise crossed the billion dollar mark on Sunday, July 31, only its 17th day in release in North America, as well as most international markets. The film has now earned an estimated $318.46 million domestically and an estimated $690 million on the international side for a worldwide total to date of approximately $1.008 billion, already making it, globally, the top-grossing film in Warner Bros. Pictures’ history.

Dan Fellman stated, “What’s truly astounding is that these kinds of numbers are being achieved so early in the film’s release. The movie’s excellent reviews, outstanding word-of-mouth and repeat business will ensure that Harry Potter will be charming moviegoers for months to come.”

Veronika Kwan-Rubinek remarked, “To say that the global response to the film has been extraordinary would be an understatement. We are so proud that this last film in the series has not only reached such heights but has reached them in record time. It is now Warner Bros.’ most successful release ever, and there is still plenty more to come.”

“Harry Potter and the Deathly Hallows – Part 2” is the final adventure in the Harry Potter film series. In the epic finale, the battle between the good and evil forces of the wizarding world escalates into an all-out war. The stakes have never been higher and no one is safe. But it is Harry Potter who may be called upon to make the ultimate sacrifice as he draws closer to the climactic showdown with Lord Voldemort. It all ends here.

Daniel Radcliffe, Rupert Grint and Emma Watson reprise their roles as Harry Potter, Ron Weasley and Hermione Granger. The film’s ensemble cast also includes Helena Bonham Carter, Robbie Coltrane, Warwick Davis, Tom Felton, Ralph Fiennes, Michael Gambon, Ciarán Hinds, John Hurt, Jason Isaacs, Matthew Lewis, Gary Oldman, Alan Rickman, Maggie Smith, David Thewlis, Julie Walters and Bonnie Wright.

The film was directed by David Yates, and produced by David Heyman, David Barron and J.K. Rowling. Steve Kloves adapted the screenplay, based on the novel by J.K. Rowling. Lionel Wigram is the executive producer.

“Harry Potter and the Deathly Hallows – Part 2” is the first Harry Potter film to be released in both 3D and 2D. Concurrently with its nationwide theatrical distribution, the film is being released in select IMAX® theatres. The film is being distributed worldwide by Warner Bros. Pictures, a Warner Bros. Entertainment Company. It has been rated PG-13 for some sequences of intense action violence and frightening images.

http://www.harrypotter.com/

Harry Potter Film Series Passes $7 Billion in Worldwide Box Office

Harry Potter Film Franchise Surpasses $7 Billion Milestone

The finale continues to break global box office records, as it further solidifies the series’ standing as the top-grossing franchise of all time.

BURBANK, Calif.--(BUSINESS WIRE)--With “Harry Potter and the Deathly Hallows – Part 2” still in the first week of its record-breaking run, the Harry Potter film franchise has now crossed the $7 billion mark worldwide, and counting. The announcement was made today by Jeff Robinov, President, Warner Bros. Pictures Group.

“Harry Potter and the Deathly Hallows – Part 2” has earned an astounding $640.2 million worldwide in its initial week, encompassing $214.9 million domestically and $425.3 million at the international box office.

In addition, the success of the movie has propelled Warner Bros. Pictures’ combined 2011 domestic box office past $1 billion for an eleventh consecutive year, which is an industry record.

Robinov stated, “It is an extraordinary privilege for everyone at Warner Bros. to share in this piece of cinema history. We are extremely grateful to the Harry Potter fans, who have remained loyal to the movies for more than a decade. We also want to congratulate the amazing roster of actors and filmmakers, whose artistry and talent is evident in every frame of every film. But special thanks must go to the woman whose incomparable imagination literally changed the world, Jo Rowling.”

Sue Kroll, Warner Bros. Pictures President of Worldwide Marketing, noted, “Each film has inspired us creatively and it has been exciting to watch the evolution through eight remarkable movies. It has truly been the movie event of a generation, as Harry Potter fans who were there from the beginning have been joined by new fans over the years, and their enthusiasm—as well as our own—has never waned.”

Dan Fellman, Warner Bros. Pictures President of Domestic Distribution, said, “Becoming a $7 billion-plus franchise is a stunning achievement, which is shared by everybody involved in any or all of the Harry Potter films. On the domestic side, the studio is also thrilled to have reached the billion-dollar benchmark for an unprecedented eleventh year in a row. We thank everyone at Warner Bros. whose hard work and dedication have contributed so much to our success.”

Veronika Kwan-Rubinek, Warner Bros. Pictures President of International Distribution, added, “It is a rare pleasure to have an opportunity to be a part of a global event of this magnitude. For ten years, the Harry Potter films have delighted audiences, bridging across countries and continents. We applaud all the actors and filmmakers who have given us the true definition of movie magic.”

The collective Harry Potter films are the highest-grossing franchise of all time, a global record it has held since the success of the sixth film, 2009’s “Harry Potter and the Half-Blood Prince.” Individually, the worldwide grosses for the previous films stand as: “Harry Potter and the Sorcerer’s Stone” at $974,755,371; “Harry Potter and the Chamber of Secrets” at $878,979,634; “Harry Potter and the Prisoner of Azkaban” at $796,688,549; “Harry Potter and the Goblet of Fire” at $896,911,078; “Harry Potter and the Order of the Phoenix” at $939,885,929; “Harry Potter and the Half-Blood Prince” at $934,416,487; and “Harry Potter and the Deathly Hallows – Part 1” at $955,417,476.

“Harry Potter and the Deathly Hallows – Part 2” is the final adventure in the Harry Potter film series. In the epic finale, the battle between the good and evil forces of the wizarding world escalates into an all-out war. The stakes have never been higher and no one is safe. But it is Harry Potter who may be called upon to make the ultimate sacrifice as he draws closer to the climactic showdown with Lord Voldemort. It all ends here.

Daniel Radcliffe, Rupert Grint and Emma Watson reprise their roles as Harry Potter, Ron Weasley and Hermione Granger. The film’s ensemble cast also includes Helena Bonham Carter, Robbie Coltrane, Warwick Davis, Tom Felton, Ralph Fiennes, Michael Gambon, Ciarán Hinds, John Hurt, Jason Isaacs, Matthew Lewis, Gary Oldman, Alan Rickman, Maggie Smith, David Thewlis, Julie Walters and Bonnie Wright.

The film was directed by David Yates, and produced by David Heyman, David Barron and J.K. Rowling. Steve Kloves adapted the screenplay, based on the novel by J.K. Rowling. Lionel Wigram is the executive producer.

“Harry Potter and the Deathly Hallows – Part 2” is the first Harry Potter film to be released in both 3D and 2D. Concurrently with its nationwide theatrical distribution, the film is being released in select IMAX® theatres. The film has been digitally re-mastered into the unparalleled image and sound quality of The IMAX Experience® through proprietary IMAX DMR® technology.

Opened nationwide on July 15, the film is being distributed worldwide by Warner Bros. Pictures, a Warner Bros. Entertainment Company. It has been rated PG-13 for some sequences of intense action violence and frightening images.

http://www.harrypotter.com/

"Deathly Hallows - Part 2" a Dark, Epic Harry Potter Finale

TRASH IN MY EYE No. 61 (of 2011) by Leroy Douresseaux


Harry Potter and the Deathly Hallows: Part 2 (2011)
Running time: 130 minutes (2 hours, 10 minutes)
MPAA – PG-13 for some sequences of intense action violence and frightening images
DIRECTOR: David Yates
WRITER: Steve Kloves (based upon the novel by J.K. Rowling)
PRODUCERS: David Barron and David Heyman and J.K. Rowling
CINEMATOGRAPHER: Eduardo Serra
EDITOR: Mark Day
COMPOSER: Alexandre Desplat

FANTASY/DRAMA/ACTION

Starring: Daniel Radcliffe, Rupert Grint, Emma Watson, Helena Bonham Carter, Robbie Coltrane, Warwick Davis, Tom Felton, Ralph Fiennes, Michael Gambon, Ciarán Hinds, John Hurt, Jason Isaacs, Matthew Lewis, Gary Oldman, Alan Rickman, Maggie Smith, David Thewlis, Julie Walters, George Harris, and Bonnie Wright

Harry Potter and the Deathly Hallows was the seventh (and final) novel in the Harry Potter book series. Warner Bros. Pictures is releasing the film adaptation of the book as two films. The first film, Harry Potter and the Deathly Hallows: Part 1, arrived in theatres in November 2010. Now, the final film, Harry Potter and the Deathly Hallows: Part 2, has hit theatres with a bang. It’s an excellent film, fun as usual, but sad because this is an ending.

Harry Potter (Daniel Radcliffe) and his closest friends, Ron Weasley (Rupert Grint) and Hermione Granger (Emma Watson), embarked on a quest to find and destroy the Horcruxes, which hold the secret of the immortality of Lord Voldemort (Ralph Fiennes). They’re down to the last few Horcruxes, and one of them is hidden at Hogwarts School of Witchcraft and Wizardry.

The trio must return to Hogwarts, where they are no longer welcomed and will need the help of friends to enter. Meanwhile, Voldemort and his army of followers march on the school, and a pitched battle between the defenders of the school and Voldemort’s forces ensues. Now, the Dark Lord and boy wizard prepare for their final showdown.

By turning Harry Potter and the Deathly Hallows the novel into two movies, Warner Bros. Pictures is able to make a more faithful adaptation of the book or, at least, an adaptation that has more of the book in it. Harry Potter and the Deathly Hallows: Part 1 and Part 2 can be viewed as one larger movie, but with each movie having its own distinctive tone and style. Deathly Hallows: Part 1 is contemplative, tense, and suspenseful like an espionage or psychological thriller. Deathly Hallows: Part 2 is darker in tone, but has the look and scope of a grand epic.

Harry Potter and the Deathly Hallows: Part 2 is an action movie, one filled with gritty conflict, soaring flights, hair-raising missions, and desperate bids for escape. Occasionally, the film does stumble; the pace becomes awkward, it’s rhythm out of step. At those times, Deathly Hallows: Part 2 seems more about tying up loose ends than about being the grand finale it should be, but those moments don’t dominate the film.

Deathly Hallows: Part 2 is as thrilling and as visually dazzling as the previous films, but this one has a dragon flight that, for me at least, surpasses any other scene of magically-powered flight in this film franchise. This scene looks natural, more plausible, seeming to capture how a dragon, if such a thing existed, would move. It’s a sequence that should earn Deathly Hallows: Part 2 a best visual effects Oscar nomination, at least.

The final Harry Potter film may also surpass the others in the actors’ performances because Deathly Hallows: Part 2 is powerfully acted. As the series went along, the characters’ became more complex, moving from familiar archetypes to complicated people with shifting motivations and personalities and also becoming darker. In Deathly Hallows: Part 2, the characters, from Harry and Voldemort on down, are either made vulnerable or become more vulnerable than they ever were. Ralph Fiennes’s turn as Voldemort is layered and textured; suddenly, the Dark Lord is made tragic… even sympathetic. Fiennes will make you love as well as love-to-hate this great villain.

In the end, Daniel Radcliffe, Rupert Grint, and Emma Watson, our beloved star trio, don’t disappoint. Their ability to perform together and their screen chemistry affirm that this story was never just about Harry Potter alone. I don’t need to spend too many more words on Harry Potter and the Deathly Hallows: Part 2. That last scene of Harry, Ron, and Hermione together embodies the magic that this series offered and why we are sad that the story is ending, for now…

8 of 10
A

Thursday, July 21, 2011

First Lady Michelle Obama Screens "Deathly Hallows - Part 2" U.S. Navy Families

Warner Bros. Pictures “Joining Forces” With First Lady Michelle Obama for a Special Screening of “Harry Potter and the Deathly Hallows – Part 2”

VIRGINIA BEACH, Va.--(BUSINESS WIRE)--In appreciation of their service, members of the United States Navy and their families will be treated to a special exclusive screening of Warner Bros. Pictures’ “Harry Potter and the Deathly Hallows – Part 2,” the finale of the blockbuster film franchise, which opened nationwide on July 15, 2011.

As part of the Joining Forces initiative, First Lady Michelle Obama will be in attendance to thank the members of the military and their families. While there, she will also introduce the film.

Location: Naval Air Station Oceana, Virginia Beach, VA
Date: Thursday, July 21, 2011
Time: 12:00 p.m. Screening

The screening is only open to members of the military and their families. Media representatives will have the opportunity to interview, photograph and film those attending the film.


About Joining Forces:
Joining Forces is a national initiative that mobilizes all sectors of society to give our service members and their families the opportunities and support they have earned. First Lady Michelle Obama and Dr. Jill Biden have met with military families, learned about their successes and challenges, and made it their priority to support them. Joining Forces provides ways for all Americans to step up and show their gratitude to our service members and their families. Through this effort, Mrs. Obama and Dr. Biden ask Americans to do more for those who have done so much for us. They are highlighting outstanding American citizens, communities, and businesses that are supporting our troops and making commitments to serve our nation’s military families. They are asking Americans to get involved in any way they can.

About the Film:
“Harry Potter and the Deathly Hallows – Part 2” is the final adventure in the Harry Potter film series. In the epic finale, the battle between the good and evil forces of the wizarding world escalates into an all-out war. The stakes have never been higher and no one is safe. But it is Harry Potter who may be called upon to make the ultimate sacrifice as he draws closer to the climactic showdown with Lord Voldemort. It all ends here.

“Harry Potter and the Deathly Hallows – Part 2” stars Daniel Radcliffe, Rupert Grint and Emma Watson, reprising their roles as Harry Potter, Ron Weasley and Hermione Granger. The film’s ensemble cast also includes Helena Bonham Carter, Robbie Coltrane, Warwick Davis, Tom Felton, Ralph Fiennes, Michael Gambon, Ciarán Hinds, John Hurt, Jason Isaacs, Matthew Lewis, Gary Oldman, Alan Rickman, Maggie Smith, David Thewlis, Julie Walters and Bonnie Wright.

The film was directed by David Yates, who also helmed the blockbusters “Harry Potter and the Order of the Phoenix,” “Harry Potter and the Half-Blood Prince” and “Harry Potter and the Deathly Hallows – Part 1.” David Heyman, the producer of all of the Harry Potter films, produced the final film, together with David Barron and J.K. Rowling. Screenwriter Steve Kloves adapted the screenplay, based on the book by J.K. Rowling. Lionel Wigram is the executive producer.

Warner Bros. Pictures presents a Heyday Films Production, a David Yates Film, “Harry Potter and the Deathly Hallows – Part 2,” which marks the last installment in the most successful film franchise of all time. The film is being distributed worldwide by Warner Bros. Pictures, a Warner Bros. Entertainment Company. It has been rated PG-13 for some sequences of intense action violence and frightening images. http://www.harrypotter.com/

Deathly Hallows Part 2 Box Office: Can't Stop, Won't Stop

The Global Box Office is Spellbound by the Opening of “Harry Potter and the Deathly Hallows – Part 2”

The finale of the most successful film series of all time rewrites the record books with the biggest worldwide debut ever

BURBANK, Calif.--(BUSINESS WIRE)--With an astounding estimated worldwide box office total of more than $476 million, Warner Bros. Pictures’ “Harry Potter and the Deathly Hallows – Part 2” shattered multiple domestic and international box office records in a history-making opening weekend. The announcement was made today by Warner Bros. Pictures President of Domestic Distribution, Dan Fellman, and President of International Distribution, Veronika Kwan-Rubinek.

The finale of the globally beloved film series, “Harry Potter and the Deathly Hallows – Part 2” earned a stunning $168.5 million at the domestic box office, which not only is the biggest Harry Potter opening weekend but also obliterated the industry’s opening weekend record, including holiday weekends. Among the other records broken were single-day box office (Friday at $92.1 million), Friday box office, and opening day box office.

With the film opening day-and-date in 59 territories, the international box office take was a staggering $307 million, making it the biggest international weekend of all time. Led by record-breaking grosses in the UK ($36.6 million) and Australia ($26.7 million), all markets have performed exceedingly well, including Germany ($25.7 million), France ($23.9 million) and Japan ($21.5 million).

Globally, it also broke the IMAX opening weekend record with a worldwide gross of $23.5 million, which includes setting a new record in North America with $15.5 million.

The film began breaking records even before its opening, as unprecedented advance ticket sales gave the first indication of just how huge the box office bow would be. Midnight opening screenings not only met but exceeded those expectations, with $43.5 million at the domestic box office alone.

Dan Fellman stated, “These numbers are amazing, but they are only part of the story. It is impossible to quantify how thrilled and grateful we all are that both critics and audiences—especially loyal Harry Potter fans—continue to support the film. This is the culmination of an extraordinary decade, and a reflection of the hard work and dedication of many, many people on both sides of the camera, beginning with the brilliant J.K. Rowling, as well as producer David Heyman. We applaud them all.”

Veronika Kwan-Rubinek remarked, “Harry Potter is truly a cultural phenomenon the world over. Whether in German, French, Japanese, Russian, or any language, international audiences have embraced the Harry Potter films over the years, with the powerful finale punctuating just how special the property is. We congratulate everyone associated with the films on this monumental achievement.”

“Harry Potter and the Deathly Hallows – Part 2” is the final adventure in the Harry Potter film series. In the epic finale, the battle between the good and evil forces of the wizarding world escalates into an all-out war. The stakes have never been higher and no one is safe. But it is Harry Potter who may be called upon to make the ultimate sacrifice as he draws closer to the climactic showdown with Lord Voldemort. It all ends here.

Daniel Radcliffe, Rupert Grint and Emma Watson reprise their roles as Harry Potter, Ron Weasley and Hermione Granger. The film’s ensemble cast also includes Helena Bonham Carter, Robbie Coltrane, Warwick Davis, Tom Felton, Ralph Fiennes, Michael Gambon, Ciarán Hinds, John Hurt, Jason Isaacs, Matthew Lewis, Gary Oldman, Alan Rickman, Maggie Smith, David Thewlis, Julie Walters and Bonnie Wright.

The film was directed by David Yates, and produced by David Heyman, David Barron and J.K. Rowling. Steve Kloves adapted the screenplay, based on the novel by J.K. Rowling. Lionel Wigram is the executive producer.

“Harry Potter and the Deathly Hallows – Part 2” is the first Harry Potter film to be released in both 3D and 2D. Concurrently with its nationwide theatrical distribution, the film is being released in select IMAX® theatres. The film has been digitally re-mastered into the unparalleled image and sound quality of The IMAX Experience® through proprietary IMAX DMR® technology.

Opened nationwide on July 15, the film is being distributed worldwide by Warner Bros. Pictures, a Warner Bros. Entertainment Company. It has been rated PG-13 for some sequences of intense action violence and frightening images.

http://www.harrypotter.com/

Harry Potter 8 Makes Midnight Magic

MIDNIGHT IS THE MAGIC HOUR FOR “HARRY POTTER AND THE DEATHLY HALLOWS – PART 2”

The film series’ finale breaks all-time record for a midnight opening

Warner Bros. Pictures’ “Harry Potter and the Deathly Hallows – Part 2” smashed the domestic box office record for a midnight opening, taking in a phenomenal $43.5 million. The announcement was made today by Dan Fellman, President, Warner Bros. Pictures Domestic Distribution.

In addition, the film broke the midnight opening record for IMAX theatres, with a $2 million gross on a record number of IMAX screens.

Some midnight showings around the country capped marathon screenings of all the previous Harry Potter movies, leading up to the long-awaited finale. There were fan celebrations at a number of theatres, with audience members dressing up as their favorite characters, turning the release of the film into a shared event.

“Harry Potter and the Deathly Hallows – Part 2” is also the first in the series to be released in 3D, and many lucky fans attending midnight 3D screenings received commemorative Harry Potter 3D glasses to keep as a souvenir.

The midnight opening record came on the heels of the film setting the record for advance ticket sales. Many of the opening day’s shows were sold out weeks ago as moviegoers rushed to be among the first people to see the last title in the most successful film franchise of all time.

Fellman stated, “What an incredible beginning for the movie that ends it all. The filmmakers and cast crafted a wonderful and fitting finale for this extraordinary franchise, and the response of the fans has been extremely gratifying. Everyone at Warner Bros. joins me in congratulating the many people behind the Harry Potter films. We know this is just the start of what promises to be an astounding weekend and a magical summer.”

“Harry Potter and the Deathly Hallows – Part 2” is the final adventure in the Harry Potter film series. In the epic finale, the battle between the good and evil forces of the wizarding world escalates into an all-out war. The stakes have never been higher and no one is safe. But it is Harry Potter who may be called upon to make the ultimate sacrifice as he draws closer to the climactic showdown with Lord Voldemort. It all ends here.

Daniel Radcliffe, Rupert Grint and Emma Watson reprise their roles as Harry Potter, Ron Weasley and Hermione Granger. The film’s ensemble cast also includes Helena Bonham Carter, Robbie Coltrane, Warwick Davis, Tom Felton, Ralph Fiennes, Michael Gambon, Ciarán Hinds, John Hurt, Jason Isaacs, Matthew Lewis, Gary Oldman, Alan Rickman, Maggie Smith, David Thewlis, Julie Walters and Bonnie Wright.

“Harry Potter and the Deathly Hallows – Part 2” was directed by David Yates, and produced by David Heyman, David Barron and J.K. Rowling. Steve Kloves adapted the screenplay, based on the novel by J.K. Rowling. Lionel Wigram is the executive producer.

“Harry Potter and the Deathly Hallows – Part 2” is the first Harry Potter film to be released in both 3D and 2D. Concurrently with its nationwide theatrical distribution, the film will be released in select IMAX® theatres. The film has been digitally re-mastered into the unparalleled image and sound quality of The IMAX Experience® through proprietary IMAX DMR® technology.

Opening nationwide on July 15, the film is being distributed worldwide by Warner Bros. Pictures, a Warner Bros. Entertainment Company. It has been rated PG-13 for some sequences of intense action violence and frightening images.

http://www.harrypotter.com/

"Deathly Hallows - Part 2" Sets Advance Ticket Sales Records

“Harry Potter and the Deathly Hallows – Part 2” Breaks Multiple Records in Advance of Opening Day

Midnight showings are scheduled around the country as anticipation builds for the finale of the blockbuster motion picture series

BURBANK, Calif.--(BUSINESS WIRE)--Warner Bros. Pictures’ “Harry Potter and the Deathly Hallows – Part 2” has already broken several records in the days leading up to the series finale’s hugely anticipated release. The announcement was made today by Dan Fellman, President, Warner Bros. Pictures Domestic Distribution.

Advance ticket sales have skyrocketed to more than $32 million, a new pre-opening record. Many midnight and first-day show times are already sold out across the country, despite the fact that the movie will be showing on more than 11,000 screens in 4,375 locations—both marking records for the Harry Potter series—with more than 3,800 locations opening the film at midnight on Thursday night. Breaking another industry record, the film is being released on 274 IMAX screens nationwide.

The very first Harry Potter movie to be released in 3D, “Harry Potter and the Deathly Hallows – Part 2” will be shown in 3D at more than 3,000 locations. In a nod to one of the most iconic features of the title character, special commemorative Harry Potter 3D glasses will be given free to fans attending select 3D midnight showings, while supplies last.

In making the announcement, Fellman stated, “We appreciate the loyalty of Harry Potter fans and understand that they have been waiting 10 years for this moment. We can’t wait to show them the movie, which we believe delivers on every level, so we are putting the film out on as many screens as possible in an effort to satisfy demand from coast to coast. We want to ensure that fans who have been counting down to the finale will have every chance to see it, early and often, and we hope that they will take advantage of the opportunity to watch all their favorite characters in 3D for the first time, which is an experience not-to-be-missed.”

“Harry Potter and the Deathly Hallows – Part 2” is the final adventure in the Harry Potter film series. In the epic finale, the battle between the good and evil forces of the wizarding world escalates into an all-out war. The stakes have never been higher and no one is safe. But it is Harry Potter who may be called upon to make the ultimate sacrifice as he draws closer to the climactic showdown with Lord Voldemort. It all ends here.

Daniel Radcliffe, Rupert Grint and Emma Watson reprise their roles as Harry Potter, Ron Weasley and Hermione Granger. The film’s ensemble cast also includes Helena Bonham Carter, Robbie Coltrane, Warwick Davis, Tom Felton, Ralph Fiennes, Michael Gambon, Ciarán Hinds, John Hurt, Jason Isaacs, Matthew Lewis, Gary Oldman, Alan Rickman, Maggie Smith, David Thewlis, Julie Walters and Bonnie Wright.

“Harry Potter and the Deathly Hallows – Part 2” was directed by David Yates, and produced by David Heyman, David Barron and J.K. Rowling. Steve Kloves adapted the screenplay, based on the novel by J.K. Rowling. Lionel Wigram is the executive producer.

“Harry Potter and the Deathly Hallows – Part 2” is the first Harry Potter film to be released in both 3D and 2D. Concurrently with its nationwide theatrical distribution, the film will be released in select IMAX® theatres. The film has been digitally re-mastered into the unparalleled image and sound quality of The IMAX Experience® through proprietary IMAX DMR® technology.

Opening nationwide on July 15, the film is being distributed worldwide by Warner Bros. Pictures, a Warner Bros. Entertainment Company. It has been rated PG-13 for some sequences of intense action violence and frightening images.

http://www.harrypotter.com/