Negromancer News Bits and Bites from April 1st to 11th, 2026 - UPDATE #13

by Leroy Douresseaux a.k.a. "I Reads You"

You can support Leroy via Paypal or on Patreon:

Amazon wants me to inform/remind you that any affiliate links found on this page are PAID ADS, but I technically only get paid (eventually) if you click on affiliate links like this, MOVIES PAGE, and BUY something(s).

TREATS: From AnotherCookie?:  There is a new online cookie retailer, "AnotherCookie?" The cookies are delicious.

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NEWS:

DISNEY - From WSJ:  New Disney CEO Josh D'Amaro's opening salvo is to layoff at least 1000 employees.

From WorldofReel:  The fallout of Pixar's cancelled animated film, "Be Fri," has come to include word that executives were concerned that the story would emphasize (shudder, gasp, choke)... "girl power!"

MOVIES - From THR:  Cinema United, the largest exhibition trade organization in the world, confirmed the formation of a "Filmmaker Leadership Council" that will provide “meaningful support” for theatrical exhibition of movies. It will be led by blockbuster veteran, Jerry Bruckheimer, and Oscar winning producer, Emma Thomas. as chair and vice chair respectively.  Rounding out the council will be Oscar winners Ryan Coogler and Brad Bird, and Oscar nominees Jason Reitman and Celine Song.

SCANDAL - From Variety:  Jeff Shell has exited his role as president of Paramount Skydance due to a controversy.  He stepped down as CEO of NBCUniversal in 2023 because of an inappropriate relationship.

MOVIES - From WorldofReel:  HBO Max has begun show "Alien 3: The Assembly Cut."  This is a 2 hour and 25 minute-version of director David Fincher's 1992 "Alien" sequel, "Alien 3."  It is 31 minutes longer that the original release.  Fincher chose not be involved with the new release.

BOX OFFICE - From BoxOfficePro:  The winner of the 4/3 to 4/5/2026 weekend box office is Universal/Illumination's "The Super Mario Galaxy Movie" with an estimated take of $130.94 million dollars.

STREAMING - From WorldofReel:  Disgraced movie star, Jonathan Majors, was injured on the set of a film for "The Daily Wire," and the Wire's response is "we don't negotiate with terrorists."

DISNEY+ - From Variety:  Disney+ has greenlit an "Animorphs" television series.  It is in early development and is executive produced by Ryan Coogler through Proximity Media. Writer Bayan Wolcott is penning the scripts. The project is an adaptation of the 1996-2001 Scholastic books series by Katherine Applegate and Michael Grant.  The books focused on kids who fight the parasitic "Yeerks" invading Earth.  The series blended action, body horror, and moral depth over its 54 volumes that sold over 35 million copies.

APPLE - From WorldofReel:  David E. Kelly is adapting Tom Wolfe's 1987, "The Bonfire of the Vanities" for Apple TV+.  Matt Reeves ("The Batman") is set to direct the series.  The novel was previously adapted in to film by director Brian De Palma. Starring Tom Hanks and released in 1990, the movie was and still is considered a disaster.

MOVIES - From Deadline:  Sisters Lilla and Nora Zuckerman are writing "Scream 8."  They were recently showrunner for Peacock's streaming series, "Poker Face."

MOVIES - From Variety: Sony Pictures is developing a biopic about famed CBS anchor and journalist, the late Walter Cronkite. The film will be an adaptation of Douglas Brinkley's 2012 biography, "Cronkite."

BUSINESS - From Variety:  J.J. Abrams is downsizing his production company, "Bad Robot," and is moving it from Los Angeles to New York.

MOVIES - From WorldofReel:  The critically-acclaimed and hit horror film, "Weapons," will get a prequel film.  Entitled "Gladys," it will focus on Weapons' villain, "Aunt Gladys," who was portrayed by Amy Madigan, who, in turn, was a "Best Supporting Actress" Oscar for her performance.  Zach Cregger, creator of "Weapons," will write the screenplay with Zach Shields. There is no word as to whether or not Cregger will direct, "Gladys."

TELEVISION - From EW:  HBO's teen drama, "Euphoria," returns April 12, 2026, but it won't be about teens...

Negromancer News Bits and Bites from July 7th to 13th, 2024 - UPDATE #15

by Leroy Douresseaux a.k.a. "I Reads You"

You can support Leroy via Paypal or on Patreon:

Amazon wants me to inform/remind you that any affiliate links found on this page are PAID ADS, but I technically only get paid (eventually) if you click on affiliate links like this, MOVIES PAGE, and BUY something(s).

ENTERTAINMENT AND CULTURE NEWS:

SCANDAL - From Deadline:  Today (Fri., July 12th) in New Mexico, Judge Mary Marlowe Sommer has dismissed the involuntary manslaughter trial against Alec Baldwin. Baldwin has been charged in the 2021 accidental shooting death of cinematographer Halyna Hutchins on the set of the Western film, "Rust."  Judge Sommer accused the state of repeatedly failing to disclose key evidence to Baldwin's defense team.  The trial was dismissed without prejudice meaning it cannot be refiled.  The already-convicted armorer on the film, Hannah Gutierrez-Reed could also be released from prison.

From Deadline:  Alec Baldwin racks up a win early in his trial on involuntary manslaughter charges.  Baldwin is being tried for the shooting death of cinematographer, Halyna Hutchins, in 2021 on the set of the Western film, "Rust."

POLITICS - From TheNewYorkTimes:  George Clooney says that he loves President Joe Biden, but that Biden has got to go... with friends like this...

STREAMING - From Variety:  Halle Berry and Glenn Close is joining Ryan Murphy's Hulu legal drama, "All's Fair," which will star Kim Kardashian.  Berry and Close will join Kardashian as executive producers.

BOX OFFICE - From BoxOfficePro:  The winner of the 7/5 to 7/7/2024 weekend box office is Universal/Illumination's "Despicable Me 4" with an estimated take of 75 million dollars.

BUSINESS - From Variety:  David Ellison meets the press in the way of his company, Skydance Media, gobbling up Paramount Global.

From Deadline:  David Ellison's Skydance Media and its backers are taking over Paramount Global with an 8 billion dollar investment.  Ellison will be chairman and CEO of the merged companies, and the deal is expected to be closed by mid-2025.

From Deadline:  A special committee of Paramount Global board members has given a key approval vote to Skydance Media's bid to gain the controlling share of National Amusements Inc., the parent company of Paramount.

MOVIES - From Deadline:  Producer Jerry Bruckheimer and director Joseph Kosinki talk about next summer's blockbuster film, "F1," starring Brad Pitt.

From WorldofReel:  There is a first poster for director Joseph Kosinski's "F1," which stars Brad Pitt. The film is due Summer 2025. Kosinski directed the megahit, "Top Gun: Maverick."

OBITS:

From Variety:  American television fitness guru and personality and author, Richard Simmons, has died at the age of 76, Saturday, July 13, 2024.  Simmons was best known for his extensive line of self-help books and videos related to exercise and weight-loss.  His best known series is probably the "Sweatin' to the Oldies," initially released on videocassette.  He gained fame as a fitness guru after opening his exercise studio, "The Anatomy Asylum," in 1974.  By the late 70s and into the early 1980s, he began consistently appearing on television.  From 1980-84, he hosted "The Richard Simmons Show," which was nominated for seven Daytime Emmy Awards and won four.  After the series ended, Simmons continued to make numerous TV and public appearances.  Beginning in 2014, Simmons largely became a recluse.

From THR:  American film and television actress and TV producer, Shelley Duvall, has died at the age of 75, Thursday, July 11, 2024.  Early on in her career, Duvall was the protege of director, Robert Altman, who discovered her, and she appeared in several of his films, including "Brewster's McCloud" (1970) and "McCabe & Mrs. Miller" (1971), and "Nashville" (1975).  Known for playing eccentric roles, she starred in "Popeye" (1980), the adaptation of the famed newspaper comics strip and animated cartoon series.  Duvall's most famous role may be that of the tormented wife, "Wendy Torrance," opposite Jack Nicholson's "Jack Torrance" in Stanley Kubrick's "The Shining" (1980).  As a producer she earned two Primetime Emmy Award nominations for her work on children's programming.

From Variety:  The magazine's Owen Gleiberman writes a remembrance of actress Shelley Duvall, who died Thurs., July 11th.

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From Deadline:  American actor and voice artist and former child star, Benji Gregory, has died at the age of 46, Thursday, June 13, 2024.  Gregory is best known for the role of "Brian Tanner" on the former NBC sitcom, "Alf" (1986-90). Gregory also performed voice roles on such animated series as "Pound Puppies" and the "Back to the Future" animated series.

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From Deadline:  American film producer, Jon Landau, has died at the age of 63, Friday, July 5, 2024.  Landau was best known for his association with writer-director James Cameron and was the COO of Cameron's Lightstorm Entertainment.  Landau shared the "Best Picture" Oscar win with Cameron for the 1997 film, "Titanic."  He also received "Best Picture" Oscar nominations for "Avatar" (2009) and "Avatar: The Way of Water" (2022).

From Deadline:  In mourning the death of his close friend and collaborator, Jon Landau, James Cameron says "a part of myself has been torn away."

From Deadline:  Hollywood is shocked by the death of Oscar-winning producer Jon Landau ("Titanic), and they salute his vision, achievements, and kindness.

Review: Netflix's "BEVERLY HILLS COP: AXEL F" is a Delightful Surprise

TRASH IN MY EYE No. 29 of 2024 (No. 1973) by Leroy Douresseaux

Beverly Hills Cop: Axel F (2024)

Running time:  118 minutes (1 hour, 58 minutes)

MPA – R for language throughout, violence and brief drug use

DIRECTOR: Mark Molloy

WRITERS:  Will Beall and Tom Gormican & Kevin Etten; from a story by Will Beall (based on characters created by Daniel Petrie, Jr. and Danilo Bach)

PRODUCERS:  Jerry Bruckheimer, Eddie Murphy, and Chad Oman

CINEMATOGRAPHER:  Eduard Grau (D.o.P.)

EDITOR:  Dan Lebental

COMPOSER:  Lorne Balfe

COMEDY/ACTION/CRIME

Starring:  Eddie Murphy, Joseph Gordon-Levitt, Taylour Paige, Judge Reinhold, John Ashton, Paul Reiser, Bronson Pinchot, Damien Diaz, Kyle S. More, Luiz Guzman, and Kevin Bacon

SUMMARY OF THE REVIEW:

--Beverly Hills Cop: Axel F is probably the closest in spirit and tone to the 1984 original film.  It is one of Eddie Murphy's better recent efforts.

--The members of the original cast that manage a return in this new film work quite well and don't seem to be hear for nostalgic purposes.

--The new characters are quite good and are worthy of returning

--Beverly Hills Cop: Axel F is surprisingly really good and certainly worth a original fan's time and viewers new to franchise may end up wanting to go back and discover the original after this film.

Beverly Hills Cop: Axel F is a 2024 American buddy-cop film and action-comedy directed by Mark Molloy and starring Eddie Murphy.  It is the fourth entry in the Beverly Hills Cop film franchise, and it began streaming July 3, 2024 on Netflix as a “Netflix Original.”  Axel F finds Axel Foley returning to Beverly Hills after his estranged daughter's life is threatened.

Beverly Hills Cop: Axel F opens in Detroit, Michigan.  After more than four decades on the job, Detective Axel Foley (Eddie Murphy) of the Detroit Police Department is still wrecking cars and tearing up the city via his maniacal car chases in his bid to capture criminals.  He has managed to remain on the job under the supervision of his friend, Deputy Chief Jeffrey Friedman (Paul Reiser).  Axel's latest antics, however, leads to Jeffrey's retirement.

As Axel contemplates this situation, he gets a call from his old friend, Billy Rosewood (Judge Reinhold), former Beverly Hills Police Department detective turned private investigator.  Axel has a daughter, Jane Saunders (Taylour Paige), from whom he is estranged.  She has taken on the case of a young drug dealer, Samuel Enriquez (Damien Diaz), who has been accused of murdering an undercover cop.  Billy informs Axel that Jane is in grave danger

Axel flies to Beverly Hills, but he quickly discovers that Jane doesn't want to have anything to do with him.  He also learns that the young policeman, Detective Bobby Abbott (Joseph Gordon-Levitt), investigating the Enriquez case, also has a complicated relationship with Jane.  Although Axel's other old BHPD buddy, former detective and now, Chief John Taggart (John Ashton), is happy to see him, Taggart is reluctant to take on the Enriquez case.  He seems to have deferred most of it to Captain Cade Grant (Kevin Bacon), a well-dressed cop who acts mighty suspiciously.  It will take a mix of old pals and new friends to help Axel Foley unravel a dangerous conspiracy, but will Axel do more harm than good?

This year (2024) is the 40th anniversary of the original theatrical release of Beverly Hills Cop (1984), which I recently watched for the first time in over thirty years.  Beverly Hills Cop: Axel F succeeds where the other sequels came up short, but it successfully replicates the best moments from the original film.  There are four spectacular car chases that hold the viewer's attention and don't at all seem contrived or desperate to capture the spirit of what came before it.  Plus, the “Axel F” theme (composed by Harold Faltermeyer) dominates the film's soundtrack in so many different ways that I could not help but think of the original film, which usually makes me feel good.

Director Mark Molloy gets the best out of the supporting cast, even the old guys, who look really old forty years after their debut in the original film.  Still, the script gives the classic characters much to do so that they don't seem extraneous.  Kevin Bacon is Kevin Bacon, and that usually means something quite good, as it does here.  The new characters – Joseph Gordon-Levitt's Bobby Abbott and Taylour Paige's Jane Saunders – are good enough to carry a fifth film – if that becomes a necessity.

Of course, Beverly Hills Cop: Axel F is about Axel Foley, and that means Eddie Murphy, who doesn't need a director to tell him how to be him.  Still, I think Mark Molly helps.  Eddie was Eddie in the Coming to America (1988) sequel, 2021's Coming 2 America (which originally streamed on Amazon Prime Video), and that time, Eddie being Eddie yielded tepid comedic results.  So I'm giving credit to the director and the screenwriters, Will Beall, Tom Gormican, and Kevin Etten, for making Axel F something more than just another nostalgic sequel.

Beverly Hills Cop: Axel F is surprisingly entertaining and delightful.  It is way better than I thought it would be, and I must say that I won't wait thirty years to watch it again.  I have never attempted to watch Beverly Hills Cop III (1984), of which I've heard bad things, but Beverly Hills Cop: Axel F makes this third shot at a sequel a charm.

B+

7 of 10

★★★½ out of 4 stars

Sunday, July 7, 2024

The text is copyright © 2024 Leroy Douresseaux. All Rights Reserved.  Contact this blog or site for reprint and syndication rights and fees.

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Review: Original "BEVERLY HILLS COP" is Still Crazy and Cool

TRASH IN MY EYE No. 28 of 2024 (No. 1972) by Leroy Douresseaux

Beverly Hills Cop (1984)

Running time:  105 minutes (1 hour, 45 minutes)

MPAA – R

DIRECTOR: Martin Brest

WRITERS:  Daniel Petrie, Jr.; from a story by Daniel Petrie, Jr. and Danilo Bach

PRODUCERS:  Jerry Bruckheimer and Don Simpson

CINEMATOGRAPHER:  Bruce Surtees (ASC)

EDITORS:  Arthur Coburn and Billy Weber

COMPOSER:  Harold Faltermeyer

Academy Award nominee

COMEDY/ACTION/CRIME

Starring:  Eddie Murphy, Judge Reinhold, John Ashton, Lisa Eilbacher, Ronny Cox, Steven Berkoff, Jonathan Banks, James Russo, Stephen Elliot, Gilbert R. Hill, Art Kimbro, Joel Bailey, Bronson Pinchot, Paul Reiser, Michael Champion, and Damon Wayans

Beverly Hills Cop is a 1984 American buddy-cop film and action-comedy directed by Martin Brest and starring Eddie Murphy.  This year (2024) makes the 40th anniversary of Beverly Hills Cop original theatrical release (specifically December 1984).  The film was the first entry in what would become the Beverly Hills Cop film franchise.  Beverly Hills Cop focuses on a cocky young Detroit cop who pursues a murder investigation in Beverly Hills where he must deal with a very different culture and a very different police department.

Beverly Hills Cop opens in Detroit, Michigan.  There, we meet Axel Foley (Eddie Murphy), a plainclothes police detective.  As the story begins, his unauthorized sting operation goes sour resulting in a disastrous high-speed chase.  Axel's reckless behavior earns him the ire of his superior, Inspector Todd (Gilbert R. Hill), who threatens to fire him unless he changes his ways.

Axel returns to his apartment to find his childhood friend, Michael “Mikey” Tandino (James Russo).  After doing a stint in prison, Mikey got a job as a security guard in Beverly Hills, California via a childhood friend of both Axel and Mikey's, Jenny Summers (Lisa Eilbacher).  However, Mikey has gotten into something dangerous, and it costs him his life.

In spite of threats from Inspector Todd, Axel travels to Beverly Hills and visits Jenny at her place of employment, the “Hollis Benton Art Gallery.”  There, he discovers that the gallery's owner, Victor Maitland (Steven Berkoff), is involved in something very shady, and that he also likely had Mickey killed.  Meanwhile, Axel runs afoul Lt. Bogomil (Ronny Cox) at the local precinct of the Beverly Hills PD.  Bogomil has two of his detectives,  Billy Rosewood (Judge Reinhold) and Sergeant John Taggart, trail Axel.  Can the street-smart Axel convince Rosewood and Taggart to help him discover exactly what Victor Maitland is doing?  Or will Axel end up sharing the same tragic fate as Mikey?

It has been well over 30 years since I had watched Beverly Hills Cop in its entirety.  As far as I can remember, I definitely saw it in a movie theater sometime in December 1984, likely with some or all of my sisters.  I may have watched it once or twice more before the 1980s came to an end.  In anticipation of the just released sequel, Beverly Hills Cop: Axel F (a “Netflix Original”), I decided to watch the first film again.  Just for starters, the film's soundtrack is still perky, although a bit quaint.  Harold Faltermeyer's score, especially the instrumental title tune/theme, “Axel F,” still seems pitch perfect for this movie, as if nearly four decades had not passed.

I wondered if I would like it as much as I did the first time I saw it, and I absolutely loved it back then.  This film made Eddie Murphy, for a few years, the biggest star in Hollywood.  Watching Beverly Hills Cop now, I feel as if I have fallen in love with it again.  Beverly Hills Cop was originally meant to be a star vehicle for Sylvester Stallone and be a straight action film.  Instead, it became an Eddie Murphy star vehicle, and a comic action film that has numerous funny moments, most of them executed by Eddie Murphy.  Here, you can see what made Murphy a transcendent star; he has true movie star qualities and loads of charisma.  Still, Judge Reinhold and John Ashton have their chances to be funny as Rosewood and Taggart, respectively.  Of course, Bronson Pinchot as the museum employee, Serge, steals every scene in which he appears.  He would go on to use this role to launch himself into television stardom.

As funny as Beverly Hills Cop is, it retains some of the edge that was probably in the early versions of its screenplay.  The beginning of the film shamelessly displays the inner city ruins of Detroit.  There are also multiple violent deaths, beginning with Mikey's, but I find that the excellent car chase scenes and gun battles are a bit of pop movie fun that balance out the poverty, deprivation, and violent firearm deaths that pepper this film.

Director Martin Brest, who made a career out of turning plain genre films into something just a bit more special, eagerly keeps his camera on his star.  Brest records every last bit of Murphy's talent, star power, and comedy modus operandi on the way to making Beverly Hills Cop a cop movie like nothing audiences had seen before or have seen since.  In spite of its sequels, Beverly Hills Cop remains one of a kind, and is surprisingly (at least to me) still crazy as heck and funny as hell.

A

8 of 10

★★★★ out of 4 stars

Thursday, July 4, 2024

NOTES:

1985 Academy Awards, USA:  1 nomination: “Best Writing, Screenplay Written Directly for the Screen” (Daniel Petrie Jr.-screenplay/story and Danilo Bach-story)

1985 Golden Globes, USA:  2 nominations:  “Best Motion Picture - Comedy or Musical” and “Best Performance by an Actor in a Motion Picture - Comedy or Musical” (Eddie Murphy)

1986 BAFTA Awards:  1 nomination: “Best Score” (Harold Faltermeyer)

The text is copyright © 2024 Leroy Douresseaux. All Rights Reserved.  Contact this blog or site for reprint and syndication rights and fees.

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Review: "BAD BOYS: RIDE OR DIE" is the Best Buddy Cop Action-Comedy in Decades

TRASH IN MY EYE No. 25 of 2024 (No. 1969) by Leroy Douresseaux

Bad Boys: Ride or Die (2024)

Running time:  115 minutes (1 hour, 55 minutes)

MPA – R for strong violence, language throughout and some sexual references

DIRECTORS:  Adil El Arbi and Bilall Fallah

WRITERS:  Chris Bremner and Will Beall (based on characters created by George Gallo)

PRODUCERS:  Doug Belgrad, Jerry Bruckheimer, Chad Oman, and Will Smith

CINEMATOGRAPHER:  Robrecht Heyvaert (D.o.P.)

EDITORS: Dan Lebental and Asaf Eisenberg

COMPOSER:  Lorne Balfe

ACTION/CRIME/COMEDY

Starring:  Will Smith, Martin Lawrence, Vanessa Hudgens, Paola Núñez, Alexander Ludwig, Jacob Scipio, Eric Dane, Ioan Gruffudd, Melanie Liburd, Rhea Seehorn, Tiffany Haddish, John Salley, Quinn Hemphill, Dennis Mcdonald, Tasha Smith and Joe Pantoliano

SUMMARY OF THE REVIEW:

Bad Boys: Ride or Die is the best entry in the series to date

The comic timing and humor of Martin Lawrence as Marcus Burnett is unleashed in his best work of comedy in ages. Lawrence gives this movie so much energy, and he kept the audience where I saw this film laughing almost the entire time.

Will Smith as Mike Lowrey is a solid action-movie hero. Smith, who is also quite funny in this film, makes sure that Bad Boys is truly an explosive, violent action flick.

I unequivocally recommend this film to fans of the “Bad Boys” series and to fans of both Smith and Lawrence.

Bad Boys: Ride or Die is a 2024 American action, crime, and buddy cop film directed by Adil El Arbi and Bilall Fallah, better known as “Adil & Bilall.”  It is the fourth entry in the Bad Boys film series, which began with 1995's Bad Boys, and it is a sequel to Bad Boys for Life (2020).  In Bad Boys: Ride or Die, Detectives Lowrey and Burnett, the “Bad Boys,” have to take on their own department and a group of professional killers in order to clear their late captain's name.

Bad Boys: Ride or Die opens four years after the event depicted in Bad Boys for Life, Detective Mike Lowrey (Will Smith) marries his physical therapist, Christine (Melanie Liburd).  However, at the reception, Detective Marcus Burnett (Martin Lawrence) suffers a serious medical emergency, but worse is to come.

The FBI claims it has discovered a paper trail which proves that the late Captain Conrad Howard (Joe Pantoliano) was tied to drug cartels.  Determined to stop the posthumous tarnishing of Capt. Howard, Mike and Marcus discover that Mike's imprisoned son, Armando Aretas (Jacob Scipio), has information that might help their case.  Eventually, Mike, Marcus, and Armando must join forces with new Miami PD Captain Rita Secada (Paola Núñez) and the remains of her “AMMO” (Advance Miami Metro Operations) unit – Kelly (Vanessa Hudgens) and Dorn (Alexander Ludwig).  In order to clear Capt. Howard's name, however, Mike and Marcus' crew will have to take on a vicious killer, James McGrath (Eric Dane), and his secret mole inside the Miami PD.

I'd seen Bad Boys (1995) and Bad Boys II (2003), so I had to see Bad Boys for Life in preparation for Bad Boys: Ride or Die.  It is a good idea to see the 2020 film because quite a bit of its plot and many of its character carry over into the new film.  Being somewhat familiar with the Bad Boys film franchise will make the already enjoyable Bad Boys: Ride or Die even more enjoyable.

I think the thing that makes Bad Boys: Ride or Die such a joy to watch is that the team of Will Smith and Martin Lawrence seems to be re-energized.  In Bad Boys for Life, Lawrence looked a bit bloated and slow, but here in Ride or Die, he has recovered his comedy mojo.  Now, we get a Martin Lawrence that is like the Marty-Mar who was at the height of his powers in the 1990s.  He kept me and the audience with which I saw Ride or Die last night in stitches.  Lawrence was a constant barrage of comedy one-liners and comic riffs, and none of them seemed contrived.  I'm happy for him because Lawrence has not been this good in well over a decade.

Will Smith's notorious slap has apparently not delivered a knock out to his talents as a film actor and movie star.  I can't speak for the rest of y'all, dear readers, by I ain't canceling Will over that.  Smith is most solid as an action movie hero in the Bad Boys franchise, and he is at his best here.  Smith is quite funny himself, but as a gun-totting, pop-capping deliverer of justice and vengeance, Smith is as good as any other movie star.  In Bad Boys: Ride or Die, Will Smith is as sturdy and as robust as Bruce Willis was in Die Hard and in its best sequels.  As of right now, Smith is the king of action cinema.

Now, I won't act as if Bad Boys: Ride or Die is without problems.  The plot strains credulity; honestly, it us obvious that Capt. Howard is being framed, but in order for the narrative to work, the audience has to act as if such a scenario as this would happen.  Still, the directorial team of Adil & Bilall have made magic with their two entries in the Bad Boy series, and have delivered a new film that should thrill audiences throughout the summer movie season.  Bad Boys: Ride or Die even has a cameo by the series' original director, Michael Bay.

8 of 10

A

★★★★ out of 4 stars

Friday, June 14, 2024

The text is copyright © 2024 Leroy Douresseaux. All Rights Reserved. Contact this site for syndication rights and fees.

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Amazon wants me to inform/remind you that any affiliate links found on this page are PAID ADS, but I technically only get paid (eventually) if you click on affiliate links like this, MOVIES PAGE, and BUY something(s).

Review: "BAD BOYS FOR LIFE" Takes a Bit to Come to Life

TRASH IN MY EYE No. 24 of 2024 (No. 1968) by Leroy Douresseaux

Bad Boys for Life (2020)

Running time:  124 minutes (2 hours, 4 minutes)

MPA – R for strong bloody violence, language throughout, sexual references and brief drug use

DIRECTORS:  Adil El Arbi and Bilall Fallah

WRITERS:  Chris Bremner, Peter Craig & Joe Carnahan; from a story by Peter Craig & Joe Carnahan (based on characters created by George Gallo)

PRODUCERS:  Doug Belgrad, Jerry Bruckheimer, and Will Smith

CINEMATOGRAPHER:  Robrecht Heyvaert (D.o.P.)

EDITORS: Dan Lebental and Peter McNulty

COMPOSER:  Lorne Balfe

ACTION/CRIME/COMEDY

Starring:  Will Smith, Martin Lawrence, Vanessa Hudgens, Paola Núñez, Alexander Ludwig, Charles Melton, Kate del Castillo, Nicky Jam, Joe Pantoliano, Jacob Scipio, and Theresa Randle

Bad Boys for Life is a 2020 American action, crime, and buddy cop film directed by Adil El Arbi and Bilall Fallah, better known as “Adil & Bilall.”  It is the third entry in the Bad Boys film series, which began with 1995's Bad Boys, and it is a sequel to Bad Boys II (2003).  In Bad Boys for Life, Detectives Lowrey and Burnett, the “Bad Boys,” face off against a mysterious killer whose campaign of revenge is centered on Lowrey.

Bad Boys for Life opens in Mexico at the Santa Maria Ixcotel Prison.  There, Isabel Aretas (Kate del Castillo) escapes with the help of her son, Armando (Jacob Scipio).  Isabel is the son of the late cartel kingpin, Benito Aretas, and she wants revenge against the men who helped take down her husband twenty-four years ago.  Armando, a highly-skilled criminal, savvy fighter, and vicious killer, is the instrument of her revenge.

One of those men is Detective Lt. Michael “Mike” Lowrey (Will Smith), and Armando comes close to killing him.  Mike is a hard man to keep down, and he wants payback.  His boss, Captain Conrad Howard (Joe Pantoliano), wants Mike to let a new, tech-driven police unit, called “AMMO” (Advance Miami Metro Operations), hunt the shooter.  Mike doesn't like that, especially as his former girlfriend, Lieutenant Rita Secada (Paolo Nunez), is head of AMMO.  Even worse, Mike's longtime partner, Det. Lt. Marcus Burnett (Martin Lawrence), has retired and wants to stay that way.  But when things get worse, will the Bad Boys be forced to unite for one last ride?

I still laugh at the fact that the film that became 1995's Bad Boys was originally written for actor-comedians, Dana Carvey and Jon Lovitz.  Bad Boys would go on to become a signature entry in the filmographies of both eventual Oscar-winning actor, Will Smith (King Richard), and Martin Lawrence, who would go on to star in such films as Big Momma's House (2000) and Wild Hogs (2007).  The duo eventually reunited for 2003's Bad Boys II.  Because the fourth entry in the Bad Boys series, Bad Boys: Ride or Die (2024), is about to be released, I decided to go back and watch and review the one film in the franchise that I had not seen in its entirety, Bad Boys for Life (2020).

A close friend told me that he thought Bad Boys for Life was bad.  I did find the first hour to be rather poorly developed.  After all, Lowrey and Burnett seem pretty slow in figuring out that the shootings of Lowrey and others are obviously related.  All these veteran cops and young, smart, new-school law enforcement are working on this case, and they are as clueless as can be.

However, in the film's second hour, directors Adil & Bilall make the most of their creative cohorts, especially their stunt coordinators, lighting department, and film editors in order to deliver a film that is fast-paced and slickly violent.  The filmmakers also bring out all of the colors and life in both the Miami and Mexican locations  Adil & Bilall do their best to summon the spirit of Michael Bay, the director of the first two films.  I wonder what he thought of the new directors' homage to his style.  I must say that Adil & Bilall eschew Bay's over-the-top theatrics for a slick visual, action style that is more focused on the characters than on sweeping shots and a deafening score and soundtrack.

In some ways, Bad Boys for Life is this series' best entry.  Yes, Martin Lawrence looks a little pudgy in the face, but his comic timing and humor eventual rev up.  Will Smith still looks lithesome and on the edge.  While it starts clunky, Bad Boys for Life doesn't show its age, but it does show that – surprisingly – there is still life in these cinematic bad boys.

7 of 10

B+

★★★½ out of 4 stars

Saturday, June 1, 2024

NOTES:

2021 Image Awards (NAACP):  1 win: “Outstanding Motion Picture” and 1 nomination: “Outstanding Actor in a Motion Picture” (Will Smith)

The text is copyright © 2024 Leroy Douresseaux. All Rights Reserved. Contact this site for syndication rights and fees.

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Review: "BAD BOYS II": What'cha Gonna Do 'Cept Watch This

TRASH IN MY EYE No. 114 (of 2003) by Leroy Douresseaux

Bad Boys II (2003)

Running time:  147 minutes (2 hours, 27 minutes)

MPAA – R for strong violence and action, pervasive language, sexuality and drug content

DIRECTOR:  Michael Bay

WRITERS:  Ron Shelton and Jerry Stahl; from a story by Cormac Wibberley & Marianne Wibberley and Ron Shelton (based upon the characters created by George Gallo)

PRODUCER:  Jerry Bruckheimer

CINEMATOGRAPHER:  Amir Mokri (D.o.P.)

EDITORS:  Roger Barton, Mark Goldblatt, and Thomas A. Muldoon

COMPOSER:  Trevor Rabin

ACTION/COMEDY/THRILLER/CRIME

Starring:  Martin Lawrence, Will Smith, Gabrielle Union, Joe Pantoliano, Theresa Randle, Jordi Molla, Gary Nickens, Jason Manuel Olazabal, John Salley, Henry Rollins, and Dan Marino

Bad Boys II is a 2003 American buddy-cop film and action-comedy from director Michael Bay.  It is a sequel to the 1995 film, Bad Boys, and is also the second film in the Bad Boys film series.  In Bad Boys II, loose-cannon Detectives Burnett and Lowrey investigate the flow of illegal drugs into Miami and end up on the middle of a battle for control of the ecstasy trade.

In a crowded field of auteurs, director Michael Bay (The Rock, Armageddon) strives to become the director god of action movies; indeed, he may already be there.  He returns for the sequel to Bad Boys, the film that put him on the map as a big time director of insane gunfights, fiery explosions, and slow motion ballets of unabashed violence.  And since we must not worship any god before the god, this Zeus of adrenaline films unleashes a film of wall-to-wall mayhem that overwhelms the audience to paranoiac exhaustion just to show us what he can do.

Bay is fortunate (if a god can ever be called fortunate) to have two talents who are very good at what they do, Martin Lawrence and Will Smith.  It’s ironic that these roles weren’t originally written for them, but the two actor/comedians have made the bad boys, Marcus Burnett (Lawrence) and Mike Lowrey (Smith) of Bad Boys II, their own because Burnett and Lowrey could not exist without them.

The plot is a confused half-assed muddle involving stereotypical Russian, Cuban, Jamaican, and redneck drug dealers battling it out in Miami for control of the ecstasy trade.  If that wasn’t addled enough, Marcus’s sister, Sydney (the beautiful and sexy Gabrielle Union), is an undercover DEA agent caught in the middle of some mismanaged surveillance operation of a Russian and Cuban money-laundering scheme.

Smith and Lawrence are absolutely wonderful as the bad boys.  They have to be because they’re on a very short list of actors whom Michael Bay cannot overwhelm with his thunderous conflagrations of balls-to-the-walls violence.  Smith is pure bravado, sweating confidence with cartoonish machismo.  His physical bearing and rapid-fire delivery of his dialogue create a seamless presence in the film that leads you to believe that Smith is always Lowery, even when you know that a stunt guy has to step in every now and then.  He’s no bossy director’s action marionette or pretty boy A-list actor frontin’ like he’s all that.  Smith is all that.

When he has good material, Martin Lawrence is a riot act of physical and facial humor.  He’s a comedian, born to make us laugh despite his own personal demons.  Lately, he’s sold himself for movies that treat him like a minstrel, when he’s at his best skewering the mainstream.  In Bad Boy II, he reveals himself to be the best graduate of the Richard Pryor school of facial contortions, which Lawrence uses to grand effect to make us believe that the film’s juggernaut of violence actually scares him.

Even the overwhelming performances of Smith and Lawrence are almost no match for the overwhelming violence of Bad Boys II, but the actors are game.  They do an admirable job keeping up with the exploding body parts, flying corpses, decapitated corpses, defiled corpses, gunshot wounds, gratuitous ass shots, the bare breasts of a naked corpse, flying cars, disintegrating cars, exploding cars, car wrecks, car crashes, and flesh wounds to the buttocks.  There was a point early in the film when I was sure that Michael Bay was a fabulous artist of the absurd, cinema his canvas, and wanton violence his raw materials.  The action was great and invigorating, the violence was cathartic and deliriously funny, and I wanted to revel in the excess.  Lawrence and Smith were so on that I screamed with the kind of laughter I reserve for classic Richard Pryor, Mel Brooks, Marx Brothers, Lenny Bruce, and Burns and Allen.

After awhile, I realized that this was as much popcorn cinema as it was art.  I still believe that Bay is on to something.  One day, we will see him a great filmmaker who pushed the envelope with his inventiveness and imagination, but in Bad Boys II, he went too far too soon.  It’s more popcorn than an even an audience ravenously hungry for Circus Maximus bedlam can stomach.  With this film, Bay made the mistake that Martin Scorsese did with Gangs of New York:  end the picture early enough and he has a cinematic classic, a truly great film.  Overstay his welcome, and the director spoils his film.

As mean-spirited as this film gets, I’d still recommend this to die hard action fans and fans of Smith and Lawrence.  I’d only recommend that they just have a bib ready for when you spit up from overeating this cinematic pandemonium.

6 of 10

B

★★★ out of 4 stars

Edited:  Monday, July 1, 2024

NOTES:

2004 Image Awards (NAACP):  3 nominations: “Outstanding Motion Picture,” “Outstanding Actor in a Motion Picture” (Will Smith), and “Outstanding Supporting Actress in a Motion Picture” (Gabrielle Union)

2004 Black Reel Awards:  1 nomination: “Film: Best Soundtrack”

The text is copyright © 2024 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

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Review: "BAD BOYS" Has Had a Surprisingly Long Life

TRASH IN MY EYE No. 113 (of 2003) by Leroy Douresseaux

Bad Boys (1995)

Running time:  119 minutes (1 hour, 59 minutes)

MPAA – R for intense violent action and pervasive strong language

DIRECTOR:  Michael Bay

WRITERS:  Michael Barrie, Jim Mulholland, and Doug Richardson; from a story by George Gallo

PRODUCERS:  Jerry Bruckheimer and Don Simpson

CINEMATOGRAPHER:  Howard Atherton

EDITOR:  Christian Wagner

COMPOSER:  Mark Mancina

ACTION/COMEDY/THRILLER/CRIME

Starring:  Martin Lawrence, Will Smith, Tea Leoni, Joe Pantoliano, Tcheky Karyo, Theresa Randle, Marg Helgenberger, Nestor Serrano, Julio Oscar Mechoso, Saverio Guerra, Michael Imperioli, and Karen Alexander

As usual, a cog in the Hollywood system had written an action/comedy for Jon Lovitz and Dana Carvey, two funny white men.  Perhaps, the white studio bosses never thought of persons of colors playing the parts and playing them not only well, but also better than the actors of the default skin color.  By happy accident, two tremendously talented comic actors, who also happened to be men of color inherited the parts, and, thus was born Bad Boys.  Lord knows, we can never again think of Lovitz and Carvey, two milky-white Americans, as proper for these roles, not that there’s anything wrong with one’s skin color being that white.

Bad Boys is a 1995 American buddy-cop film and action-comedy directed by Michael Bay.  Bad Boys focuses on two savvy, Black detectives who try to protect a witness to murder while also investigating the theft of heroin from their police precinct’s evidence room.

Marcus Burnett (Martin Lawrence) and Mike Lowrey (Will Smith) are two hip detectives; at least they seem cooler than their Miami PD colleagues, but they can take the heat that comes with their job.  As the film begins, they’ve already made a major heroin bust, but a gang of well-equipped thieves breaks into the precinct’s evidence room and steals the dope.  Obviously, the raid is an inside job, so the precinct takes the blame.  Burnett and Lowrey’s Captain Howard (Joe Pantoliano) feels the heat and returns it to the boys, putting the onus on them to find the dope.  Making matters more complicated, they get saddled with protecting Julie Mott (Tea Leoni) a murder witness somehow connected to the smack thieves.

According to stories from the set of Bad Boys, director Michael Bay, Lawrence, and Smith hated the script, so they ad-libbed a lot of the dialogue.  This was Bay’s first feature film, but he’d made a name for himself directing music videos for Tina Turner and “Wilson Phillips” (among others) and commercials for Nike and Budweiser (among others).  Bay brings all the visual flair and clichés you could expect from music videos: quick-cut editing, dark alleyways full of steam, sexy chicks, and hot cars.  He mixed in car chases, tremendous explosions, cartoonish violence, and gunfights with hundreds of rounds of ammunition.  Smith and Lawrence brought the comedy and the hip sensibility to play the characters so over the top that you’d think they were heroes right out of a comic book.  It works to an extent.  Bad Boys is a very funny, exciting, and visually agile action movie.

If anything, it’ll be remembered for its African-American leads, unusual for an cop buddy movie/action flick.  Beyond that, Bay introduced his over the top visual style that he would bring all his heart-pounding, action vehicles:  slow motion camera buzzing around a posing action stud, panoramic shots of the sky, narrow escapes from devastating fire balls, etc.  Bad Boys is pleasant and fun, nothing important, but it stands out in the white bread world of Hollywood action romps.  Certainly, Lawrence and Smith are more believable as renegade cops than say, Josh Hartnett or Ben Affleck.

6 of 10

B

★★★ out of 4 stars

Edited:  Friday, June 28, 2024

The text is copyright © 2024 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

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Negromancer News Bits and Bites from April 1st to 8th, 2023 - Update #19

by Leroy Douresseaux a.k.a. "I Reads You"

You can support Leroy via Paypal or on Patreon:

ENTERTAINMENT AND CULTURE NEWS:

STREAMING - From Deadline:  Damson Idris, star of FX's "Snowfall," has been chosen to co-star with Brad Pitt in Apple Studios, Joseph Kosinki, and Jerry Bruckheimer's F1 racing movie.

STAR WARS - From THR:  Disney announces new "Star Wars" films, including one starring Daisy Ridley and directed by Sharmeen Obaid-Chinoy.

MOVIES - From THR:  The film critics at "The Hollywood Reporter" pick the "50 Best Films of the 21st Century (So Far)."

SCANDAL - From Deadline:  Irving Cartagena, the drug dealer who sold actor Michael K. Williams the drugs that killed him in 2021, has pleaded guilty to “one count of conspiracy to distribute and possess with intent to distribute fentanyl analogue, fentanyl, and heroin.”  He will serve a mandatory minimum of five years and up to 40 years.

MOVIES - From Variety:  Emmy-winner Donald Glover has revealed that Malia Obama, the elder daughter of President Barack Obama and First Lady Michelle Obama, is developing a short film via  his production company, "Gilga."

DISNEY - From Deadline:  Disney+ has unveiled "Pauline," a German original about a teenager who falls in love with the devil from the team behind Netflix’s "How to Sell Drugs Online (Fast)."

TRUMP - From Truthout:  Today, Tuesday, April 4, 2023, former President Donald Trump was formally arraigned by the Manhattan District Attorney’s office in New York City, making him the first former president to be indicted in United States history.

From ManhattanDA:  Read the full indictment of Donald J. Trump in PDF form from the Manhanttan District Attorney's website.

From Truthout:  Former President Donald Trump and his ratchet campaign are leveraging misinformation and anti-Jewish conspiracy theories to turn the media circus around his indictment in New York into a cash cow. 

MOVIES - From Deadline:  Warner Bros. has unleashed "Barbie" movie posters.  The Greta Gerwig-directed film stars Margot Robbie as "Barbie" and Ryan Gosling as "Ken" and is due July 21, 2023.

MOVIES - From Deadline:  Recent Oscar-nominee, Austin Butler ("Elvis"), will play crime boss, "Danny Ryan," in Sony 3000 Pictures' film adaptation of Don Winslow's 2022 novel, "City on Fire."

MOVIES - From Deadline:  Director Michael Mann is considering "Heat 2," as his next film. It would be a sequel to his 1995 classic, "Heat."  Mann is currently in post-production on his current film, "Ferrari," which stars Adam Driver, the possible lead in "Heat 2"

DISNEY - From Variety:  Disney is set to make a live-action remake of its 2016 animated film, "Moana."  Dwayne Johnson, who made the announcement and performed a voice role in the original, is set to return for the remake.

BOX OFFICE - From BoxOfficePro:  The winner of the 3/31 to 4/2/2023 weekend box office is Paramount Pictures' "Dungeons & Dragons: Honor Among Thieves" with an estimated gross of 38.5 million dollars.

From Variety:  "Dungeons & Dragons: Honor Among Thieves" opens with 33 millions dollars at the international box office.

TELEVISION - From Deadline:  The BBC is cancelling its hit comedy, "Ghosts," after its upcoming fifth season.  The series was remade as CBS' hit comedy, "Ghosts."

OBITS:

From Variety:  Japanese composer and record producer, Ryuichi Sakamoto, has died at the age of 71, Tuesday, March 28, 2023.  He won an Oscar with David Byrne and Cong Su for composing the music for the film, "The Last Emperor" (1987). His film music also won him a two Golden Globes, a BAFTA, and a Grammy Award.  He also composed the music for such films as "Merry Christmas, Mr. Lawrence," "The Sheltering Sky" (1990), "Little Buddha" (1993), and "The Revenant" (2015).  With his band, "Yellow Magic Orchestra," he was a pioneer in several electronic music genres.

From THR:  Television producer, N'Neka Garland, has died at the age of 49, Monday, March 27, 2023.  She was best known for her 22-year association with the daytime TV soap opera, "General Hospital."  She began as an assistant to veteran producer, Jill Farren Phelps, but she eventually worked her way up to series producer.  In 2021, she shared a Daytime Emmy award win for "Outstanding Drama Series," after being nominated in that category the previous two years.  Garland was also the half-sister of the late hip-hop and rap legend, Tupac Shakur.

From THR:  Animator and animation filmmaker, Leo D. Sullivan, has died at the age of 82, Saturday, March 25, 2023.  Sullivan was a groundbreaking African-American animator and a pioneer in Black animation.  Sullivan also was a writer, producer, director, layout artist and storyboard artist at studios including Hanna-Barbera, Warner Bros., Filmation, DePatie-Freleng Enterprises, DIC Entertainment and Marvel Productions.  He worked on TV series featuring such characters as Scooby-Doo, Fat Albert, and the Animanicas, to name a few.  Sullivan also helped animated the original locomotive and graphics for the syndicated music series, "Soul Train."  Sullivan co-founded the first Black-owned animation production company, Vignette Films.

Review: "TOP GUN: Maverick" Surpasses the Original and is Hugely Entertaining

TRASH IN MY EYE No. 34 of 2022 (No. 1846) by Leroy Douresseaux

Top Gun: Maverick (2022)
Running time:  131 minutes (2 hours, 11 minutes)
MPAA – PG-13 for sequences of intense action, and some strong language
DIRECTOR:  Joseph Kosinski
WRITERS:  Ehren Kruger, Eric Warren Singer, and Christopher McQuarrie; from a story by Peter Craig and Justin Marks (based on characters created by Jim Cash & Jack Epps Jr.)
PRODUCERS:  Tom Cruise, Jerry Bruckheimer, David Ellison, and Christopher McQuarrie
CINEMATOGRAPHER:  Claudio Miranda (D.o.P.)
EDITOR:  Eddie Hamilton
COMPOSERS:  Lorne Balfe, Lady Gaga, and Harold Faltermeyer

DRAMA/ACTION/MILITARY

Starring:  Tom Cruise, Jennifer Connelly, Miles Teller, Bashir Salahuddin, Jon Hamm, Charles Parnell, Monica Barbaro, Lewis Pullman, Jay Ellis, Danny Ramirez, Glen Powell, Jack Schumacher, Manny Jacinto, Kara Wang, Greg Tarzan Davis, Jake Picking, Raymond Lee, Jean Louisa Kelly, Lyliana Wray, Ed Harris, Chelsea Harris, and Val Kilmer

Top Gun: Maverick is a 2022 action and military drama film directed by Joseph Kosinski and starring Tom Cruise.  The film is a direct sequel to the 1986 film, Top Gun.  Maverick focuses on a veteran U.S. Navy flight instructor ordered to transform a group of the Navy's top young aviators into a fighter squadron that can take on an impossible mission.

Top Gun: Maverick opens over three decades after the events of the first film.  Former “Top Gun” candidate, Captain Pete “Maverick” Mitchell (Tom Cruise) currently serves as a U.S. Navy test pilot.  Over his 33 years of service, he has purposely dodged promotion in order to continue flying for the Navy.  A stunt with the “Darkstar scramjet” program looks as if it is going to be the thing that finally gets Maverick grounded.  However, Admiral Tom “Iceman” Kazansky (Val Kilmer), commander of the U.S. Pacific Fleet, is Maverick's former rival and his friend.  Iceman saves Maverick from being grounded by giving him orders to return to where they first met, the United States Navy Strike Fighter Tactics Instructor program in San Diego, CA.

There, Maverick must train an elite group of 16 Top Gun graduates for a specialized mission – a dangerous and practically impossible mission.  However, there are plenty of ghosts from his past waiting for him there, including Penelope "Penny" Benjamin (Jennifer Connelly), Maverick's former lover, who is a single mother, a bar owner, and the daughter of a former admiral.

The most troubling ghost from Maverick's past, however, may be one of the young aviators he must train, Lieutenant Bradley “Rooster” Bradshaw (Miles Teller).  He is the son of Maverick's late best friend and RIO (Radar Intercept Officer), Nick “Goose” Bradshaw.  Maverick still blames himself for Goose's death during a training flight (as seen in Top Gun), and, in a way, so does Rooster, who also blames Maverick for hurting his career as an aviator.  As he pushes this elite group of aviators to test their limits and beyond, Maverick wonders if he may finally be grounded and fears that he may also end up causing the son's death as he believes he caused the father's death.

I don't like Top Gun.  I think that it is not a very well made film.  I love Top Gun: Maverick, which is a direct sequel to the original film and is intimately tied to it.  In a way, Maverick takes some of the best story elements of the first film and gives them dramatic heft, depth, weight, and a gravitas that they really did not have in the original.

Top Gun: Maverick is just all-around well made.  Joseph Kosinski does a much better job at directing the sequel than the late Tony Scott did with the original.  Maverick's screenplay, which like the original, is the result of several writers, nonetheless comes across like a seamless work produced by a single talented story mind.  The film editing is superb, so Maverick's editor, Eddie Hamilton, should also get an Oscar nomination next year, because the editors of the first film were Oscar-nominated for their … problematic work.  Even Maverick's musical score is better, although quite a bit of Harold Faltermeyer's music from the first film does make it into the sequel.

Top Gun: Maverick may also be Tom Cruise's best dramatic performance in over two decades.  Not only do his emotions seem genuine, but his emotional range is shocking.  Cruise has award-worthy moments in this film, especially a pivotal scene between Maverick and Iceman.  Cruise and Miles Teller also seem to work very well together, and Teller once again proves that he has some serious dramatic chops.  Jennifer Connelly, an Oscar-winner, as Penny, makes the most of what comes across as an extraneous token female character.  Actually, quite a few actors make the most of their roles and screen time in this surprisingly heartfelt and genuinely emotional film.

Top Gun: Maverick is, of course, an intense action-thriller with some amazing flight and combat scenes and sequences.  It kept me on the edge of my seat, worrying that one of the young pilots or Maverick would be killed in a crash or in combat.  And no, the filmmakers apparently did not use computer-generated effects for the flight scenes.  This is all advanced cameras, fighter planes, and human pilots, making the film a masterpiece of practical filmmaking and U.S. Navy flying.  Top Gun: Maverick surpasses Top Gun as a military-action film, and is something the first film was not, an emotionally resonate and real military drama.

Yes, it does seem to work a little too hard at pushing our buttons with dramatic conflict and melodrama.  But I honestly enjoyed the heck out of this film in a way that I did not expect – even after hearing so many good things before I saw it.  Top Gun: Maverick is … well, awesome, and this time, I really feel the need for speed and for more Top Gun.  And Tom Cruise still looks good on a motorcycle.

8 of 10
A
★★★★ out of 4 stars

Friday, May 27, 2022


The text is copyright © 2022 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

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Review: Original "TOP GUN" is Still a Bad Movie

TRASH IN MY EYE No. 33 of 2022 (No. 1845) by Leroy Douresseaux

Top Gun (1986)
Running time:  110 minutes (1 hour, 50 minutes)
MPAA – PG
DIRECTOR:  Tony Scott
WRITERS:  Jim Cash & Jack Epps Jr. (based on the magazine article, “Top Guns,” by Ehud Yonay)
PRODUCERS:  Don Simpson and Jerry Bruckheimer
CINEMATOGRAPHER:  Jeffrey Kimball (D.o.P.)
EDITORS:  Chris Lebenzon and Billy Weber
COMPOSER:  Harold Faltermeyer
Academy Award winner

DRAMA/ACTION

Starring:  Tom Cruise, Kelly McGillis, Val Kilmer, Anthony Edwards, Tom Skerritt, Michael Ironside, Tim Robbins, John Stockwell, Barry Tubb, Rick Rossovich, Whip Hubley, James Tolkan, Adrian Pasdar, Meg Ryan, and Clarence Gilyard, Jr.

Top Gun is a 1986 action and drama film directed by Tony Scott and starring Tom Cruise.  The film was inspired by an article entitled, “Top Guns,” which was written by Ehud Yonay and published in the May 1983 issue of California Magazine.  Top Gun the film focuses on a daring young U.S. Navy pilot who is a student at an elite fighter weapons school where he competes with other students and learns a few things from a female instructor.

Top Gun opens on the Indian Ocean aboard the vessel, the “USS Enterprise.”  The story introduces United States Naval Aviator, Lieutenant Pete “Maverick” Mitchell (Tom Cruise), and his RIO (Radar Intercept Officer), Lieutenant Junior Grade Nick “Goose” Bradshaw (Anthony Edwards).  While on a mission flying their fighter aircraft, Maverick and Goose have an encounter with a hostile aircraft.  As a result of the incident, Maverick and Goose are invited to the U.S. Navy “Fighter Weapons School” in Miramar, California (also known as “Fightertown U.S.A.”).  The top one percent of naval aviators (pilots) get to attend Fighter Weapons School, also known as “Top Gun” (or “TOPGUN”).

Naval aviators have to complete a five-week course of classroom studies and flight training (called a “hop”).  The top graduating aviator receives the “Top Gun” plaque.  Maverick's rival for Top Gun is top student, Lieutenant Tom “Iceman” Kazansky (Val Kilmer), who considers Maverick's attitude foolish and his flying dangerous.  Maverick also becomes romantically involved with Charlotte “Charlie” Blackwood (Kelly McGillis), an astrophysicist and civilian instructor, an unwise move for both.

Will Maverick earn the Top Gun trophy?  Or will his reckless ways and tendency to disobey orders endanger those around him and cost him his future.

Until recently, I had never watched Top Gun, not even a minute of it.  From the first time I saw a trailer for it, I thought Top Gun looked stupid, although I was a Tom Cruise fan at the time of its release (as I still am).  I only recently watched it in preparation for seeing the long-awaited sequel, Top Gun: Maverick, which has a good looking trailer and has received glowing early reviews.

But I was right.  Top Gun is stupid.  It is poorly written, especially on the character drama end.  Writers Jim Cash & Jack Epps Jr. are credited as the film's screenwriters.  The film's credited “Associate Producer,” the late Warren Skarren (1946-90), was a screenwriter known for rewriting the screenplays of big Hollywood projects (such as Beetlejuice and the 1989 Batman film).  Skarren apparently did some heavy rewriting for Top Gun's shooting script.  However, the film seems to be made from the parts of several screenplays that were combined to form a new script.  That especially shows during the character drama scenes, which are sometimes awkward, sometimes nonsensical, sometimes inauthentic, and sometimes all three at the same time.

To me, the film looks poorly edited (which was Oscar-nominated), once again, mainly on the drama scenes.  The film's musical score, composed by Harold Faltermeyer, is mostly atrocious.

However, the flight action sequences and the aerial stunts are quite good.  When the film is in the air with those fighter jets or when Maverick is riding his motorcycle, Top Gun can be entertaining and invigorating.  The drama is just so bad that it makes me forget the film's good stuff.

In 2015, Top Gun was added to the “National Film Registry” because it was considered “culturally, historically, or aesthetically significant.”  For me, the only reason that would be true is because of its lead actor, Tom Cruise.  I think Top Gun is the film that made  Cruise a celluloid god.  He became his generation's biggest movie star and remains so.  Top Gun began a decade (1986-96) that gave us “peak” Tom Cruise.  Yes, he is still in his prime, but that was the decade that saw him give his most acclaimed and memorable performances, and in 1996, he began his most successful film franchise with the first Mission: Impossible.  Yes, Cruise has given other memorable and acclaimed performances, but never so many as in that time period of 1986 to 1996.

So Top Gun is significant because of Tom Cruise.  He is so handsome and fresh-faced here, and his youth, dynamism, and screen presence save this thoroughly mediocre film.  Even with the great action sequences, this film would have been at best a cult film had any actor or movie star other than Tom Cruise been the lead.

Yeah, I could talk about the other actors who were in Top Gun, but what they did could not rise above the mediocrity of this film's drama – both in screenwriting and in directing.  Tom Cruise – in a fighter or on a motorcycle – is Top Gun.  As much as I am a fan of his, however, I wouldn't watch this shit again.  But yes, I will see Top Gun: Maverick.

4 of 10
C
★★ out of 4 stars

Wednesday, May 25, 2022


1987 Academy Awards, USA:  1 win: “Best Music, Original Song” (Giorgio Moroder-music and Tom Whitlock-lyrics for the song “Take My Breath Away”); 3 nominations: “Best Sound” (Donald O. Mitchell, Kevin O'Connell, Rick Kline, and William B. Kaplan), “Best Film Editing” (Billy Weber and Chris Lebenzon), and “Best Effects, Sound Effects Editing” (Cecelia Hall and George Watters II)

1987 Golden Globes, USA:  1 win: “Best Original Song - Motion Picture” (Giorgio Moroder-music and Tom Whitlock-lyrics for the song “Take My Breath Away”); 1 nomination: “Best Original Score - Motion Picture” (Harold Faltermeyer)

2015 National Film Preservation Board, USA:  National Film Registry


The text is copyright © 2022 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

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Negromancer News Bits and Bites from May 1st to 9th, 2020- Update #26

by Leroy Douresseaux a.k.a. "I Reads You"

Support Leroy on Patreon:

BLACK AMERICA AND COVID-19 - Crisis or... :

From YahooNews:  A tale of two parks: Enjoying the sun in wealthy Manhattan, social distancing under police scrutiny in the Bronx

From YahooGMA: (4/28) - Rana Zoe Mungin, a 30-year-old teacher from Brooklyn, died on Monday, April 27th for COVID-19.  She had twice been denied a test for the coronavirus after showing symptoms.  Her family and friends blame racial disparity in the health care system.

From RSNWashPost:  How COVID-19 is a perfect storm for Black Americans.

CORONAVIRUS/COVID-19 NEWS - Hollywood and Beyond:

From YahooNews:  Why does COVID-19 kill some people and hardly affects others?

From YahooNews:  Yahoo has a dedicated page of links updating news about COVID-19.

From Deadline:  The news site "Deadline" has a dedicated page for news about coronavirus and the film, TV, and entertainment industries.

From TheNewYorker:  The venerable magazine has a dedicate COVID-19 page free to all readers.

From YahooNews:  Re: the federal government's response to COVID-19: What if the most important election of our lifetime was the last one - 2016?

From YahooLife:  What is "happy hypoxia?"  And do you have this COVID-19 symptom?

From YahooNews:  The U.S. Secret Service has 11 positive cases of COVID-19.

From CNN:  One of President Donald's personal valet has test positive for COVID-19.

From YahooNews:  Academy Award-winning actress and humanitarian, Angelina Jolie, has written a letter to top officials in the U.S. Congress asking them to increase SNAP benefits (Supplemental Nutrition Assistance Program) in the next coronavirus legislation.  She said many children are going hungry due to job loss and not being in school due to the COVID-19 pandemic.

From YahooNews:  Pulitzer Prize winning journalist, Laurie Garrett, who has been predicting the global spread of contagious pathogens for decades sees dark times ahead of us because of COVID-19 and no medical miracle arriving anytime soon.

From YahooNews:  As states push ahead with reopening, CDC warns coronavirus cases and deaths are set to soar

From Deadline: (4/30) - Broadway actor, Nick Cordero, has taken a turn for the worse in his battle against COVID-19, including having tremendous lung damage.

From YahooFinance:  Sixteen prominent health officials have proposed giving American $50 a day to self-isolate until testing and treatment for COVID-19 is under control.

From YahooNews:  Anti-vaccination activists (or anti-vaxxers) have joined and in some cases have led the protests against COVID-19 stay-at-home orders.

ENTERTAINMENT NEWS:

CULTURE - From PulitzerPrizes:  The 2020 Pulitzer Prize Winners have been announced.

DISNEY+ - From Deadline:  Producer Jerry Bruckheimer is working on a TV series reboot of his Disney hit film series, "National Treasure."

STREAMING - From BleedingCool:  Director Spike Lee's next film, "Da 5 Bloods," will debut on Netflix June 12th.

POLITICS - From HuffPost:  Veteran Democratic strategist and political consultant, James Carville, warns President Donald about his "grifter campaign.

MOVIES - From RottenTomatoes:  Neve Campbell, who played the central character "Sidney Prescott" in the first four "Scream" films, may return for "Scream 5."

TELEVISION - From Deadline:  CBS has renewed 18 more of its TV series, bringing the total of renewed series to 23.  The network has cancelled four including Patricia Heaton's "Carol's Second Act."

MOVIES - From Deadline:  Filmmaker Ava DuVernay has named former Netflix executive, Sarah Bremner, as president of her ARRAY Filmworks.

MOVIES - From Deadline:  NASA, Tom Cruise, and crazy rich guy Elon Musk are working on a project that would be the first movie (an action-adventure) shot in outer space.

STREAMING - From Deadline:  The streaming service, "Peacock" (Universal), has chosen a showrunner for its reboot (the second) of "Battlestar Galactica."  It's Michael Lesslie, who was the lead writer and showrunner of AMC's "The Little Drummer Girl."

MOVIES - From Deadline:  MGM has won an auction for a production commitment to director Ron Howard's film, "Thirteen Lives," 2018 Thai cave rescue true story.

MOVIES - From Variety:  Because you asked for it... I guess... Paramount Pictures and Hasbro are rebooting the "G.I. Joe" film franchise.  This new film would be a follow-up to "Snake Eyes: G.I. Joe Origins," which is still due October 23rd.

CELEBRITY - From YahooE:  Legendary actor Harrison Ford is once again the subject of an FAA (Federal Aviation Authority) investigation over his actions as pilot of a airplane.  He has been investigated several times, the most infamous being after he crashed a World War II era plane in 2015 that left Ford with a head wound.

ANIMATION - From THR:  Fox claims this is the real reason they fired TV music composer, Alf Clausen, from his job composing music for its long-running animated series, "The Simpson."

OBITS:

From RollingStone:  One of the founding fathers of rock and roll music, Little Richard, has died at the age of 87, Saturday, May 9, 2020.  He combined blues and gospel music to create a thrilling new sound, and his flamboyant and gender-bending persona helped to create the sound and spirit of a new art form, rock and roll or rock 'n' roll music.  His best known recordings included "Tutti Frutti" (1955), "Long Tall Song" (1956), and "Good Golly, Miss Molly" (1958).  In 1986, Little Richard was among the first inductees of the "Rock and Roll Hall of Fame."

From RollingStone:  Music executive and record label founder, Andre Harrell, has died at the age of 59, Friday, May 8, 2020.  In 1986, he founded the highly influential music label, "Uptown Record," which was the home of artists such as Notorious B.I.G., Mary J. Blige, Heavy D & The Boyz, and Jodeci, to name a few.  Although they would eventually fall out, Harrell was also instrumental in the development of the career of Sean "Diddy" Combs.

From ESPN - Legendary NFL coach, Don Shula, has died at the age of 90, Monday, May 4, 2020.  Shula was the coach of the Baltimore Colts from 1963 to 1969, where he lead them to the 1968 NFL Championship (now called NFC Champion), before losing to the New York Jets in Super Bowl III.  He is best known for his stint as head coach of the Miami Dolphins (1970 to 1995), where he lead them to victories in Super Bowls VII and VIII and appearances in Super Bowls XVII and XIX.  The 1972 Dolphins finished the regular season 14-0 and won all their postseason games, including the Super Bowl, finishing 17-0, the only NFL team to finish the season with a perfect season.

From THR:  The actor Sam Lloyd has died at the age of 56, Friday, May 1, 2020.  Lloyd was best known for playing the role of "Ted Buckland" on the NBC-ABC sitcom, "Scrubs" (2001o2010), for 95 episodes.  Lloyd was also the nephew of actor Christopher Lloyd.

From Deadline:  The film and television director and writer, John Lafia, has died at the age of 63, Wednesday, April 29, 2020, reportedly by suicide.  Lafia was best known for co-writing the classic horror film, "Child's Play " (1988) and for directing its sequel "Child's Play" (1990).  He also wrote and directed the popular NBC disaster miniseries, "10.5" (2004) and "10.5: Apocalypse" (2006).

Review: "Gemini Man" Strong Start, Embarrassing Finish

TRASH IN MY EYE No. 2 (of 2020) by Leroy Douresseaux

[This review was originally posted on Patreon.]

Gemini Man (2019)
Running time:  117 minutes (1 hour, 57 minutes)
MPAA – PG-13 for violence and action throughout, and brief strong language.
DIRECTOR:  Ang Lee
WRITERS:  David Benioff, Billy Ray, and Darren Lemke (from a story by Darren Lemke and David Benioff)
PRODUCERS:  Jerry Bruckheimer, David Ellison, Dana Goldberg, and Don Granger
CINEMATOGRAPHER:  Dion Beebe
EDITOR:  Tim Squyres
COMPOSER:  Lorne Balfe

SCI-FI/ACTION/THRILLER

Starring: Will Smith, Mary Elizabeth Winstead, Clive Owen, Benedict Wong, Linda Emond, Douglas Hodge, Ralph Brown, Ilia Volok, and E.J. Bonilla

Gemini Man is a 2019 science fiction and action-thriller film from director Ang Lee and starring Will Smith.  The film focuses on an aging hit man who faces off against a younger version of himself.

Gemini Man introduces Henry Brogan (Will Smith), a government assassin who is considered the best assassin of his generation.  After completing an assassination mission in Europe that turns complicated, Henry decides to retire.  However, the government agency for which Henry kills, the Defense Intelligence Agency (D.I.A.), decides that it is time to permanently retire him, and sends an assassination squad to kill him.

Henry kills the team, and rescues a fellow D.I.A. agent, Danny Zakarweski (Mary Elizabeth Winstead), who had been watching him.  Henry and Danny turn to a longtime associate of Henry's, Baron (Benedict Wong), who flies them to Bogata, Colombia.  There, Henry plots his next move, but what he doesn't know is that a D.I.A. supervisor, Clayton “Clay” Varris (Clive Owen), head of a top-secret black ops unit code-named “GEMINI,” has marked him for death.  And the assassin Clay has sent to kill Henry may be the most-perfect assassin to take down the world's best assassin.

While watching Gemini Man, I thought the film reminded me of one of those mid-1990s action movies that had science fiction elements.  I am thinking of director John Woo's Nicolas Cage vs. John Travolta film, Face/Off (1997), or director Chuck Russell's Eraser (1996), starring Arnold Schwarzenegger.  Sure enough, I later learned that Gemini Man was originally meant to go into production back in 1997, but it ended up in “development hell” until producer David Ellison bought the rights.

They really don't make movies like Gemini Man anymore.  Our current movie action heroes are superhero action heroes like Black Panther, Captain America, and Iron Man, and, quite frankly, their films are better than Gemini Man is.

Actually, Gemini Man starts off pretty strongly, kind of like a slightly less polished version of a Jason Bourne film.  The first hour or so of Gemini Man is tense, thrilling, and filled with mystery.  However, once the mystery is solved and once the film reveals the identity and origin of the killer (code-named “Junior”) sent to kill Henry Brogan, the tension and drama of the film is let out like air out of a balloon.  There is an fierce “final battle” in the film's last act, and there is a feel-good, if not weird, happy ending, but the atmosphere of high-tech thrills that initially filled Gemini Man is gone.

The special effects in Gemini Man look like special effects – in a too obvious way.  The computer-generated 23-year-old Will Smith sometimes looks weird and plastic.  I don't want to use the word “awful,” but...  I think Marvel Studios did a much better job creating a younger face for Samuel L. Jackson/Nick Fury in this year's blockbuster, mega-smash hit film, Captain Marvel.

Anyway, the performances are good, but not great.  Will Smith's performance as Henry Brogan is practically the same he gave in his previous sci-fi action-thriller, I, Robot (2004).  It is good to see that Mary Elizabeth Winstead can play an adult, and Benedict Wong is proving to be a winning character actor in roles that provide both comic relief and wit.  As usual, Clive Own proves that he can do mean, but his Clay Farris is much more menacing early in Gemini Man.  By the end of the film, Farris is practically a cartoon villain.

Gemini Man is a good and entertaining film.  It could have been so much better though; in fact, (as I keep saying), the beginning is really good and holds the promise of being the start of an exceptional action film.  Alas, Gemini Man is not exceptional.  If you are a Will Smith fan, Gemini Man is not so good that you have to see it in a theater; you can certainly wait for the home media release.

6 of 10
B

Saturday, October 12, 2019


The text is copyright © 2019 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for syndication rights and fees.

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