Showing posts with label Marlon Brando. Show all posts
Showing posts with label Marlon Brando. Show all posts

Tuesday, August 18, 2020

THE CONTENDER: The Story of Marlon Brando (Negromancer Book Review)

THE CONTENDER: THE STORY OF MARLON BRANDO
HARPERCOLLINS – @HarperCollins @HarperBooks

[This review was originally posted on Patreon.]

AUTHOR: William J. Mann – @WilliamJMann
ISBN: 978-0-06-242764-9; hardcover (October 15, 2019)
736pp, B&W, $35.00 U.S.

Who is Marlon Brando?  Some would, will, and will always tell you that he was and is the greatest American film actor of all time.  Marlon Brando won two Academy Awards, for his performance as Terry Malloy in On the Waterfront (1954) and again for his performance as Don Vito Corleone in The Godfather (1972).  His performance as Terry Malloy is considered the performance that changed film-acting in American motion pictures.

Marlon Brando the Hollywood legend was born Marlon Brando Jr. on April 3, 1924 to Dorothy Julia “Dodie” (Pennebaker) and Marlon Brando Sr. in Omaha, Nebraska.  He grew up in Libertyville, Illinois (where he met Wally Cox, an actor who would be a lifelong friend), and even attended a military school.  But who was Marlon Brando?

The award-winning film biographer, William J. Mann (Kate: The Woman Who Was Hepburn), presents a deeply-textured, ambitious, and definitive portrait of Marlon Brando.  The greatest movie actor of the twentieth century was also elusive, and Mann brings his extraordinarily complex life into view as never before in the biography, The Contender: The Story of Marlon Brando.

The most influential movie actor of his era, Marlon Brando changed the way other actors perceived their craft.  His natural, honest, and deeply personal approach to acting resulted in performances, especially in A Streetcar Named Desire and On the Waterfront, that are considered to be without parallel.  Americans hailed Brando as the “American Hamlet.”  He was the Yank who surpassed Laurence Olivier, John Gielgud, and Ralph Richardson, the holy trinity and the royalty of British stage and screen, as the standard of greatness in mid-twentieth century acting.

Brando’s impact on American culture, however, went beyond acting.  He was was also one of the first American movie stars to use his fame as a platform to address social, political, and moral issues, and he courageously and boldly called out the United States' deeply rooted, persistent racism.

The Contender illuminates this cultural icon for a new age, and Mann, its author, argues that Brando was not only a great actor, but also a cultural soothsayer.  Mann reveals that Brando was a Cassandra warning America about the challenges to come.  Brando’s admonitions against making financial gain the primary purpose of nearly every aspect of the nation's culture, and his criticisms that the news media's obsession with celebrity and other shallow and ultimately unimportant subjects were prescient.  Many public figures, from fellow Hollywood actors to politicians and media figures, criticized Brando's public protests against racial segregation and discrimination at the height of the Civil Rights movement. Yet less than half a century later, Brando's actions as an activist and an advocate have become the model many actors follow today.

In The Contender, William J. Mann shows the sides of Marlon Brando that many moviegoers never imagined him to have.  From his childhood traumas to the evolution of his professional life and the growing mess of his personal life, Marlon Brando is revealed anew.

THE LOWDOWN:  William J. Mann's biography of Marlon Brando is a story that runs over 600 pages.  That is not counting the section entitled “Marlon Brando Stage and Television Credits;” a two-page “Sources” section; and a 60-page “Notes” section.  Mann's The Contender is not only “psychologically astute” as the book's press materials state; it is also painstakingly and masterfully researched.  Mann's research is based on new material, previously revealed material, and interviews with the people who knew Marlon Brando, some of whom died during the time Mann worked on this book.

Mann's book is not a Hollywood tell-all, nor is it a celebratory festival of Brando's work.  The Contender explores the man that Brando was, and being a ground-breaking, celebrated, and revered actor was only part of the man.  To that end, The Contender and its author told me things that I did not know about Brando.  I did not know that he was “sexually fluid,” having sexual relationships with both men and women.  I did not know that he was a hopeless philanderer and womanizer; Brando cheated on every woman he dated or was married to – often with multiple women.

I did not know that Brando did not consider acting to be something important.  He certainly had a fidelity to his vocation, as seen in his numerous performances on film, but he did not take the profession seriously.  He did not tolerate people whom he believed took acting too seriously.

I had no idea that Brando supported human rights causes for African-Americans and supported the Civil Rights movement, both financially and in person, up to the time of his death.  He participated in numerous marches, including some in the American south.  Brando was also a participant in the 1963 “March on Washington.”  Brando was also a vocal and tireless advocate for Native Americans, which including him declining his best actor Oscar for The Godfather at the 45th Academy Awards on March 27, 1973 in protest of the way the U.S. had treated American Indians.

It is not so much that Mann tells Brando's story in vivid detail, which he does.  It is also that Mann uses his prose to transport readers back to the times and places of many key moments in Brando's life.  Mann puts us there, right next to his subject, and the result is the story that makes you think and feel the man, his life, and his times.  This is a big book for a monumental figure in American culture.  The Contender is a dazzling biography, the kind befitting our nation's greatest actor.

It took me forever to read this biography – seven months.  By the time, I finished, however, I wished there were more.  The Contender: The Story of Marlon Brando is for all time the biography for Marlon Brando fans and admirers, present and future.

I READS YOU RECOMMENDS:  Fans and students of Hollywood films and of Marlon Brando will want to read The Contender: The Story of Marlon Brando.

[The Contender: The Story of Marlon Brando includes sixteen pages of photographs.]

8 out of 10

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


https://williamjmann.com/
https://twitter.com/WilliamJMann

Facebook: @Harper1817
Instagram: @HarperBooks


The text is copyright © 2020 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for syndication rights and fees.

-----------------------

Saturday, August 31, 2019

Negromancer News Bits and Bites from August 25th to 31st, 2019 - Update #26

Support Leroy on Patreon:

POLITICS - From TheIntercept:  The Best Movie Ever Made About the Truth Behind the Iraq War Is “Official Secrets” says "The Intercept."

----------
BOX OFFICE - From YahooEntertainment:  Yahoo takes a look at the Summer 2019 box office winners and losers.

----------
POLITICS - From RSN:  "The Only Way to Take Our Country Back Is One Person at a Time" by Jane Fonda.

----------
MOVIES - From Deadline:  Dennis Quaid and Madalen Mills joins Queen Latifah in the film adaptation of the children's book, "The Tiger Rising."

----------
MOVIES - From Deadline:  James Cameron talks about returning to "Terminator," the franchise he created in the new film, "Terminator: Dark Fate."

---------
MOVIES - From Variety:  Anthony Michael Hall will appear in the 2020 film, "Halloween Kills."  He will portray "Tommy Doyle," who was one of the two children Laurie Strode (played by Jamie Lee Curtis) was babysitting in the original "Halloween."

------------
CELEBRITY/SCANDAL - From YahooEntertainment:  Apparently, the late and legendary actor, Marlon Brando, one confronted his close friend, Michael Jackson, about child sexual abuse allegations against Jackson.  Now, a podcast is claiming that it has obtained audio of an interview that Brando allegedly gave to the Los Angeles District Attorney Office about those allegations.

----------
TELEVISION - From TheWrap:  Oscar-nominated actress Naomi Harris ("Moonlight") star in the miniseries, "The Third Day," for HBO-Sky.

----------
MOVIES - From TheWrap:  Oscar-winning actor Matthew McConaughey is now a "professor practice" in the Department of Radio-Television-Film at the University of Texas, Austin.

----------
TELEVISION - From TheWrap:  An employee at Old Navy’s Philadelphia store accused the company of purposefully sidelining people of color during a taping of Netflix’s “Queer Eye,” saying white employees were bused in from other stores for the day of the shoot.

----------
MOVIES - From Variety:  Himesh Patel ("Yesterday") has joined Chris Nolan's much-anticipated 2020 film, "Tenet."

----------
MOVIES - From Deadline:  In Europe, film festivals are screening films from directors beset by #MeToo problems like Roman Polanski and Nate Parker.  In the U.S. and Canada, festivals have steered clear of those directors.

----------
STREAMING - From Deadline:  Netflix will release Martin Scorsese's "The Irishman" to theaters November 1, 2019 and will begin streaming it November 27th.

From Deadline:  Netflix has announced both the theatrical and streaming release dates for its award-contending Fall films, including "Dolemite is My Name" and "Marriage Story."

----------
TELEVISION - From Deadline:  Viola Davis will portray First Lady Michelle Obama in a one-hour drama, "First Ladies," that Showtime has on fast-track development.  Davis will also be one of the executive producers on the project.

----------
AWARDS - From Indiewire:  If you care, this link is to a list of the winners at last night's 2019 MTV Video Music Awards (the VMA's).  The night's top award, "Video of the Year," went to Taylor Swift for "You Need to Calm Down."

----------
BOX OFFICE - From BoxOfficeMojo:  The winner of the 8/23 to 8/25/2019 weekend box office is "Angel Has Fallen" with an estimated take of 21.25 million dollars.

From Variety:  In international box office news, "Fast & Furious Presents: Hobbs & Shaw" has a 102 million dollar debut in China.

---------
DISNEY - From Indiewire:  Using information gleaned at the D23 Expo, the writer of this article talks about 9 potential monster hit films upcoming from Disney.

----------
MOVIES - From Indiewire:  John Carpenter doesn't expect the "Halloween" franchise to end anytime soon.  “As long as there’s money in this, I wouldn’t count on an ending,” [Hell, I expect at least one more reboot of the series in the next decade. - Leroy]

----------
PIXAR - From Variety:  At D23 Expo, Jamie Foxx and Tina Fey were announced as the leads in the upcoming Pixar animated film, "Soul."  The film is set for June 19, 2020.

----------
DISNEY - From BlackFilm:  Janelle Monae is creating new music for Disney's live-action remake of "Lady and the Tramp."

----------
STREAMING - From Variety:  There is news on the "Breaking Bad" movie based on the AMC TV series.  it will be released on Netflix October 11, 2019.  It will be titled "El Camino: A Breaking Bad Movie."  It was star multiple Emmy winner Aaron Paul.

----------
DISNEY - From From YahooHufffPost:  Here is a first look at Oscar-winner Emma Stone as Cruella de Vil in the film, "Cruella," which will not debut until May 28, 2021.

OBITS:

From THR:  The actress Valerie Harper has died at the age of 80, Friday, August 30, 2019.  Harper is best known for playing the character, Rhoda Morgenstern, for which she won four Emmys.  She first played the character on "The Mary Tyler Moore Show" for 92 episodes from 1970 to 1977, and she played the character in a spinoff series, "Rhoda," from 1974 to 1978.

From Deadline:  Television writer, Gordon Bressack, has died at the age of 68, Friday, August 30, 2019.  Bressack was best known for his work as a writer for animated television series.  He won three Daytime Emmy Awards for his work on "Animaniacs," "Pinky and the Brain," and "Pinky, Elmyra & the Brain."  Bressack was also a playwright.

From Variety:  Film magazine writer and documentary filmmaker, Andrew Horn, died at the age of 66, Saturday, August 24, 2019.  He wrote for "Variety," among other publications, and his documentary films includes one on 1980s rock band, Twisted Sister, entitled "We are Twisted F--cking Sister."


Saturday, February 10, 2018

Negromancer News Bits and Bites from February 1st to 10th, 2018 - Update #34

Support Leroy on Patreon:

COMICS-FILM - From BleedingCool:  See Marvel's Black Panther family tree

OSCARS - From IndieWire:  Paul Michael Thomas, Oscar-nominated director of "Phantom Thread," praises his fellow best director Oscar nominees.

----------
CRIME - From TheGuardian:  California police work and cooperate with white supremacists against anti-racist activists.

----------
COMICS-FILM - From Variety:  Joaquin Phoenix in talks to play Batman arch-nemesis, "The Joker," in a stand-alone Joker movie that would be directed by Todd Phillips.

From GeekTyrant:  DC Comics/Entertainment wants Michael Bay to direct a movie based on their character, Lobo.

----------
MOVIES - From TheFilmStage:  The prolific Richard Linklater, who has directed six films in the last seven years, has apparently set his sights on a film about the 1969 moon landing.

----------
SCANDAL - From TheGuardian:  Recent statements have famed director Quentin Tarantino facing a backlash.

MOVIE - From IndieWire:   French director Jean Pierre-Jeunet accuses Guillermo del Toro of plagiarism.

----------
MUSIC - From Vulture:  This is a killer interview with Quincy Jones who talks about Michael Jackson, The Beatles, and the Trumps.

From TMZ:  Quincy Jones claims in his Vulture interview that the late legendary actor Marlon Brando had sex with the late legendary comedian Richard Pryor.  Pryor's widow, Jennifer, apparently confirms it.

----------
COMICS-TV - From PreviewsWorld:  Gaumont has optioned the rights to produce an animated TV series based on the long-running comic book, Usagi Yojimbo.

-----------
ANIMATION - From Variety:  Fox Animaton and Universal music an united to produce an animated film based on the music of the late world music legend, Bob Marley.

-----------
MOVIES - From Variety:  Newly-minted Oscar nominee, James Mangold, will follow his hit film "Logan" (an X-Men) with a movie Henry Ford II's rivalry with Ferrari.

----------
STREAMING - From Deadline:  Amazon Studios is developing a series based on Robert E. Howard's "Conan the Cimmerian" (or Conan the Barbarian) character.

----------
BLM - From NYTimes:  Remembering #TrayvonMartin via Charles M. Blow's opinion piece, "The Whole System Failed Trayvon Martin.

From GuardianUK:  Why NFL player protests still matter - Kareem Abdul-Jabbar.

----------
SUPERBOWL - From SBNation:   Philadelphia Eagles (NFC) win Super Bowl LII 41 to 33 over the New England Patriots (AFC).

From CBSSports:  Here are the players rosters for Super Bowl LII's participants, the Philadelphia Eables and the New England Patriots.

From YahooEntertainment:  Which movie trailer won Super Bowl LII - see them all.

From EW - Celebrities react to Justin Timberlake's mediocre Super Bowl LII halftime show.

----------
BOX OFFICE - From BoxOfficeMojo:  The winner of the Super Bowl LII weekend box office - 2/2 to 2/4/2018 - is "Jumanji: Welcome to the Jungle" with an estimated take of $11 million.

From Deadline:  Multiple Oscar nominee, "The Darkest Hour," passes the $100 mark in global box office.

----------
SCANDAL - From YahooET:  Halle Berry addresses sexual harassment allegations against her former agent, Vincent Cirrincione.

----------
TELEVISION - From Variety:  CBS has ordered for additional drama pilots for the 2018-19 season.  One of them is a modern take on the James Ellroy's novel, "L.A. Confidential," which was previously adapted into a 1997 Oscar-winning film.

----------
SCANDAL - From NYTimes:  Actress Uma Thurman has a lot to say about Harvey Weinstein and about Quentin Tarantino, with whom she made three films.

----------
MOVIES - From GeekTyrant:  Steven Soderbergh eyes a screenplay entitled "Planet Kill" as his next film... although he is supposed to be in retirement.

----------
POLITICS - From HuffPost:  A graphic cartoon that shows him sniffing President Donald Trump's ass has got British TV personality Piers Morgan enraged.

----------
MOVIES - From THR:  Director F. Gary Gray is in talks to direct Sony Picture's "Men in Black" spinoff.  The film would focus on new characters and be a semi-reboot the way "Jurassic World" was a semi-reboot of "Jurassic Park."  The film is slate to be released June 14, 2019.

----------
CELEBRITY - From GQ:   A profile of actor Taylor Kitsch, who is currently starring in the Paramount Network's "Waco" miniseries.

-----------
COMICS-FILM - From BleedingCool:  Marvel Studio's "Black Panther" will pay tribute to the late stuntman, John Bernecker, who died last year on the set of AMC's "The Walking Dead."

----------
CELEBRITY - From THR:  Apparently, the Los Angeles County Sheriff's Office has named actor Robert Wagner as a "person of interest" in its investigation in the "mysterious death" of his late wife, Natalie Wood, in 1981.

TRAILERS:

From YahooNews:  Here is the first teaser trailer for Sony/Marvel's "Venom" (October 5th, 2018), starring Tom Hardy.

From YouTube:  Here is the first teaser/trailer for Marvel Studios' "Ant-Man and the Wasp" which opens in theaters July 6th, 2018.

OBITS:

From IndieWire:  The actor, Reg E. Cathey, has died at the age of 59, Friday, February 9, 2018.  Cathey is best known for his roles in the television series, "The Wire" and "Oz."  He won an Emmy ("Outstanding Guest Actor in a Drama Series") for his appearances on Netflix's "House of Cards."  He also appeared as "Franklin Richards" in Fox's 2015 reboot of "The Fantastic Four."

From THR:  The actor John Mahoney has died at the age of 77, Sunday, February 4, 2018.  Mahoney is best known for playing "Martin Crane" the cantankerous father on NBC's "Frasier" (1993 to 2004).  Mahoney was also a Tony Award winner.

From RollingStone:  Soul and R&B singer, Dennis Edwards, has died at the age of 74, Friday, February 2, 2018.  Edwards was the former lead singer of seminal Motown vocal group, The Temptations, singing on classic hits, "Papa Was a Rollin' Stone" "I Can't Get Next to You."

From MSN:  Utah billionaire and philanthropist, Jon Huntsman, Sr., died at the age of 80, Friday, February 2, 2018.  The founder of Huntsman Corp, Huntsman and his family have given away more than $1.4 billion.  Huntsman, Sr. was also the father of Jon Huntsman, Jr., the former U.S. ambassador, Utah governor, and Republican presidential candidate.


Saturday, December 10, 2016

Negromancer News Bits and Bites from December 1st to 10th, 2016 - Update #37

Support Leroy on Patreon.

POLITICS - From RSN:   Oliver Stone speaks on the passing of Fidel Castro.

----------
MOVIES - From CNN:  Legendary actor Kirk Douglas is 100 years old today, Friday, December 9, 2016.  CNN offers a life in pictures.

----------
MOVIES - From YahooMovies:  The eighth entry in "The Fast and the Furious" franchise has a title, "The Fate of the Furious."  Trailer due soon.

----------
ECO - From EcoWatch:  Leonardo DiCaprio and Terry Tamminen (the CEO of Leo's foundation) meet Donald Trump and his daughter Ivanka about green jobs.

----------
OBIT - From TheWrap:  John Glenn, former NASA astronaut and U.S. Senator, has died at the age of 95, Thursday, December 8, 2016.  In 1962, Glenn became the first American to orbit the Earth, and he is the last of the "Mercury 7" astronauts.

From YahooMusic:  Musician and guitarist, Greg Lake, has died at the age of 69, Wednesday, December 7, 2016.  Lake was a pioneer of the ambitious rock genre known as prog-rock (progressive rock).  He co-founded the band, King Crimson and and later Emerson, Lake, and Palmer (or ELP) with Carl Palmer and the late Keith Emerson.

----------
MOVIES - From Variety:  Poland's Supreme Court rejects bid to extradite Oscar-winning director Roman Polanski to the United States to face "justice" for having sex with a 13-year-old girl... in the 1970s.  So now Polanski can live and work freely in Poland.

----------
BOOKS - From Mashable:   George R.R. Martin says that "The Winds of Winter," the next installment of his book series, "A Song of Fire and Ice" (the inspiration for the TV series, "Game of Thrones") will not be a happy book.

----------
GRAMMYS - From YahooMusic:  A list of 2016/17 Grammy snubs, according to Yahoo Music.

From YahooMusic:   Kip Winger (yes, that Winger) has scored a Grammy nomination in a classical category.

From YahooMusic:  Five musical acts got their first Grammy nominations this year.  I was surprised that Blink-182 (which surprises me quite a bit) and Demi Lovato, who is really coming on strong as a singer.

From YahooMusic:  Beyonce, the queen of all Grammy genres.

----------
OSCARS - From Deadline:  Jimmy Kimmel will hosts 89th Academy Awards.

----------
ECO - From NPR:  Standing Rock / #NoDAPL win major victory as the Army Corps of Engineers looks for an alternate path for the Dakota Access Pipeline in North Dakota.

----------
MOVIES - From Variety:  Bernardo Bertolucci trying to clear up the "rape" backlash regarding his controversial and (in)famous 1972 film, "Last Tango in Paris."

----------
OBITS - From Variety:  The actor Van Williams has died at the age of 82, Monday, November 28, 2016.  Van was best known as the star of the 1966 TV series, "The Green Hornet," in which he played the titular role and the alter ego, Britt Reid.

From YahooMovies:  The actress Margaret Whitton has died at the age of 67, Sunday, December 4, 2016.  She was best known for her role in the 1989 film, "Major League," in which she played the Las Vegas showgirl turned owner of the Cleveland Indians.

----------
MOVIES - From YahooMovies:  Universal debuts first full trailer for its reboot of "The Mummy" starring Tom Cruise.

----------
BOX OFFICE - From BoxOfficeMojo:  The winner of the 12/2 to 12/4/2016 weekend box office is Disney's "Moana" with an estimated take of $28.37 million.

From Deadline:  "Doctor Strange" ($419.6) has surpassed the international box office earned by "Deadpool" ($419.5) and "Iron Man 2" ($311.5).  "Fantastic Beasts and Where to Find Them" and "Moana" lead the international box office.

----------
TELEVISION - From Variety:  Netflix renews Marvel "Luke Cage" for a second season.

----------
OBIT - From THR:  The film and TV character actress, Alice Drummond, has died at the age of 88, Wednesday, November 30, 2016.  I remember her as a frightened library in the original "Ghostbusters."

----------
MOVIES - From Deadline:  So it was actually rape in "Last Tango."

----------
BOOKS - From YahooNews:  "To Kill a Mockingbird" and "Adventures of Huckleberry Finn" still being challenged in public schools.

----------
COMICS-FILM - From Deadline:  Warner Bros.' future flop, "Aquaman," is due October 2018.

----------
POLITICS - From YahooCelebrity:  Seth McFarlane on why Hollywood does not like Trump.

----------
MOVIES - From YahooMovies:  Johnny Depp and Sam Raimi are among a group of Hollywood filmmakers and actors who help a 16-year-old cancer patient finish his short film.

----------
MOVIES - From THR:  Oscar hopeful Mahershala Ali ("Moonlight") hits The Hollywood Reporter's Oscar roundtable.

----------
OBITS - From Variety:  The actor Andrew Sachs has died at the age of 86, Wednesday, November 23, 2016.  Sachs was best known for playing the Spanish waiter, Manuel, on the classic British sitcom, "Fawlty Towers."

----------
MOVIES - From Variety:  John Goodman to star in Rupert Wyatt's sci-fi "Captive State."

TRAILERS:

From YahooMovies:  This is the first official trailer for next summer's "Spider-Man: Homecoming."

From YouTube:  Official trailer for "War of the Planet of the Apes," which is due July 14, 2017.

From YouTube:  It's opens today, so here is a new trailer for "Office Christmas Party."

From YouTube:  This is the new teaser trailer for "Baywatch."  To me, it is too long and detailed to be a teaser trailer, although it offers a lot of teasing...

From YouTube:  The oh-so-serious teaser trailer for "Transformers: The Last Knight."

From YouTube:  The first trailer for Martin Scorsese's "Silence."

From YouTube:  The second trailer for Denzel's Washington's "Fences."

From YouTube:  First teaser trailer for "The Mummy" reboot with Tom Cruise.


Saturday, December 13, 2014

Vin Diesel Talks "Groot" and "Guardians of the Galaxy"


Walt Disney Home Entertainment provided the following question-and-answer interview with actor Vin Diesel as a promotion for its Blu-ray and DVD release of Marvel Studios' Guardians of the Galaxy.  "Q" is the anonymous questioner and "A" is Diesel:

AN INTERVIEW WITH VIN DIESEL (GROOT) FOR THE BLU-RAY AND DVD RELEASE OF GUARDIANS OF THE GALAXY

Q: How was it working with a script where your only line is “I am Groot”?

A: I was lucky that I had a director [James Gunn] who was willing to indulge me. I told him: ‘We know that Groot is really saying any number of things when he says that line and most people are oblivious to the nuances of his speech because of his hardened larynx’. All you hear is the growl but he could be saying any number of things and we know that Rocket Raccoon understands him. He doesn’t always tell everybody he understands Groot and he plays on that, but he does understand him. So I asked James: ‘Can you give me a basic idea of what he’s trying to say when he’s saying “I am Groot”?’ James had a 50-page document waiting for me when I came in to do the voice. On the left-hand side of the page it said ‘I am Groot’ and on the right-hand side it had whatever the line really was if you could understand this floral colossus. That was the beginning of trying to go deep into a character like this. In many ways it was the most challenging thing to ask an actor to do. The thespian in me responded to the challenge of not being able to use facial expressions, physicality or a Golum-like vocabulary.

Q: Were there other actors in the recording booth with you?

A: No, there weren’t, but I did have the luxury of being able to watch the film. Both Bradley [Cooper, who plays Rocket] and I had the advantage of being able to play off the other actors by watching them in a rough cut of the film.

Q: Did you do any of the motion-capture for the character?

A: A lot of times in animation, what they’ll do is they’ll film you in the recording booth. So I went in there with stilts so I could actually be seven and a half feet tall. Don’t ask me why, but there was something about it that really helped with the character. In New York acting circles in the 1970s there was this legend that Robert De Niro didn’t know his character until he found that character’s shoes. Who knows how that works? But in its own way it did. For me, being seven and a half feet tall did something. I found myself dropping my shoulders, I was sometimes self-conscious about my height and sometimes I felt very powerful about my height, and it affected the character that way. Groot’s the most innocent character I’ve ever played. I don’t usually play characters who are that innocent.

Q: There’s something of Chewbacca from Star Wars in Groot. Was that deliberate?

A: The similarities are obvious and fun, but it wasn’t what I was thinking, going into it. It’s probably down to James Gunn.

Q: Was that you doing the dance moves for Baby Groot at the end of the film?

A: [Laughs] Yeah, it was.

Q: And what would be the first track on your own Awesome Mix tape?

A: It’d be When the Saints Go Marching In; The Beatles version, by the way, not Elvis Presley’s. I’d also have Rocky Raccoon on there, also by The Beatles. People don’t know that the Rocket Raccoon came from a Beatles song. Who’d ever think that a Marvel character would be inspired by a Beatles song? They just changed him from Rocky to Rocket.

Q: You have millions and millions of Facebook followers. Why do you think that is?

A: I think it’s because I share my thoughts. Remember that movie The Social Network where they showed the beginnings of Facebook? They didn’t even know what they had started because they thought their brilliant idea was to check people’s marital status. [Laughs] But that wasn’t so brilliant. What was so brilliant was the idea of interaction. If I could have interacted with Marlon Brando as a kid, wow! If I could have spoken to him, or written to him, or read from him, or followed him – that is what has made social media what it is, that interaction. When I started on Facebook there was only Obama who had a million fans and he got elected, in part, because of his social media presence. When I started talking on Facebook I was being real. It was almost more therapeutic for me because I’d always been reserved. I’m not out there that much and I’ve always protected and maintained my privacy. I felt detached from my audience in some way, unlike my younger years on stage where you get that immediate gratification and you’re able to see how you’re affecting the fans and the audience. With Facebook, suddenly I was able to interact with people all over the world and essentially create this community. It was a very powerful moment. It was something very special and very therapeutic to me, and it’s something that’s affected the last five years of my career. So much that’s happened and so many of the accomplishments have come from that. In fact, the reason I’m here now talking about this movie is because Facebook fans started creating fan art that put me in the Marvel universe or fantasizing about me as a Marvel character. Then when I met with Marvel we were talking about doing something in the Phase Three, 2017/2018 slot. But social media demanded we do something now and that’s when [Marvel Studios president] Kevin Feige called me two weeks after I’d been to Comic-Con last year, and he said he’d come from the Captain America press junket and the big question was ‘What are you doing with Vin?’ Then he told me ‘You’re a tree’ and all my childhood phobias came back to me. I had to face that fear of walking onto the stage as a seven-year-old and having the director say, ‘Vin, you’re playing the tree’. [Laughs] Now we face our fears!

Q: How do you see the character developing in the next film?

A: I think there’s something very fun in imagining how that might be. I expect we’ll learn more about him. He’s such a complex and fascinating character. He’s a scion of a noble family and probably one of the most intelligent Marvel characters of all. He loses his intelligence every time he dies but he never truly dies and it’s a small price to pay for immortality.

Q: Besides other actors like Marlon Brando, who are your real-life heroes?

A: Well, our mothers are our first heroes. Mine is MY superhero because when I was an infant she was a single mother to me and my twin brother in New York, traveling from the Bronx to Brooklyn with two seven-month-old babies. And now look where I am! She’s a hero in that respect. She’s a special woman. My father is a hero, too.

Q: What drew you to acting in the first place?

A: I started acting at a young age. I remember being five years old and watching my father do roadshow theatre. We went up to Maine and I watched him. He’d dyed his hair white – I remember that. Later I grew up in a government subsidized building for artists in New York and if you made more than $10,000 a year you’d be kicked out of the building. It was kind of a bohemian artists’ community that made art for the sake of art, but for me there was something very therapeutic about acting. I was a kid like everybody else, maybe with a heightened quest for identity. Whenever I would play a role, the parameters of my identity were clear. There was something comforting or therapeutic about that.


Guardians of the Galaxy is available on Blu-ray, Digital HD and Disney Movies Anywhere December 9, 2014

- ENDS -


Saturday, June 8, 2013

Review: "Superman: The Movie" and Christopher Reeve Are Still Great

TRASH IN MY EYE No. 148 (of 2006) by Leroy Douresseaux

Superman: The Movie (1978)
Running time: 143 minutes (2 hours, 23 minutes)
MPAA – PG
DIRECTOR: Richard Donner
WRITERS: Mario Puzo, David Newman, Leslie Newman, and Robert Benton; from a story by Mario Puzo (based upon the characters and situations created by Jerry Siegel and Joe Shuster)
PRODUCER: Pierre Spengler
CINEMATOGRAPHER: Geoffrey Unsworth
EDITORS: Stuart Baird and Michael Ellis
COMPOSER: John Williams
Academy Award winner

SUPERHERO/ACTION/DRAMA with elements of comedy and sci-fi

Starring: Marlon Brando, Gene Hackman, Christopher Reeve, Margot Kidder, Ned Beatty, Jackie Cooper, Glenn Ford, Phyllis Thaxter, Valerie Perrine, Jeff East, Marc McClure, and Susannah York

The subject of this movie review is Superman: The Movie, a 1978 superhero drama and action film from director Richard Donner. This movie is based on the DC Comics character, Superman, created by comic book writer Jerry Siegel and comic book artist Joe Shuster. Superman: The Movie is a very good film, but more important is this film’s influence on the superhero movies that followed it. Superman: The Movie took its subject matter seriously and played it straight, rather than campy, proving that superhero movies could be more than silly comedies looking for cheap laughs.

Superman: The Movie is the first of four films starring the late actor, Christopher Reeve, in the role of Superman and also his civilian identity, Clark Kent. Although he does not receive a screenwriting credit, Tom Mankiewicz wrote Superman: The Movie’s final draft script. The father-son team of Alexander and Ilya Salkind produced this movie along with Pierre Spengler. The movie depicts Superman’s origin, from his birth on a distant planet to his youth in a rural small town, Smallville. The movie also begins to chronicle his adult life as a big city newspaper reporter and as Superman.

Mild-mannered Clark Kent (Christopher Reeve) works as a reporter at The Daily Planet, one of the major newspapers in the city of Metropolis (a stand-in for New York City). He has a crush on fellow ace reporter, Lois Lane (Margot Kidder), but Lois has a crush on the flying, impossibly strong hero, Superman (Christopher Reeve). Superman, however, is the alter ego of Clark Kent, and Kent also has many other secrets. He’s from another world, the planet Krypton, and before Krypton exploded, his father, Jor-El (Marlon Brando) sent baby Clark, whose birth name is Kal-El, in a starship on a three-year journey to Earth. Shortly after the star ship carrying Kal-El crashes in a Kansas field, a middle-aged couple, Martha and Jonathan Kent (Phyllis Thaxter and Glenn Ford), takes Kal-El as their own and names him Clark Kent.

Not long after Superman reveals himself to the world, he runs up against the nefarious genius, Lex Luthor (Gene Hackman), who has launched a plan to destroy much of western California in a real estate scheme that will make him perhaps the richest man on earth, although it will kill millions of people. Superman has met his match. Not only must he save millions of lives, but he must also save his friends Lois and cub reporter, Jimmy Olsen (Marc McClure), and even Superman might not have enough time to do that.

Nearly 30 years after its first release, many critics and fans still consider director Richard Donner’s (The Omen) Oscar-nominated film, Superman: The Movie, to be the definitive big screen version of DC Comics’ venerable superhero. Christopher Reeve, a then unknown when cast to play Clark Kent/Superman, also remains for many the definitive screen Superman, be it TV or film (I personally prefer George Reeves of the 1950’s “Superman” TV series).

This version of Superman is an example of producer spending a large sums of money on a film and actually getting superior results. A talented director and crew of good writers took a cast that included a few great actors and movie stars, quality character actors, and some up and coming new talent and told an epic story that fills the viewer with the same kind of wonder of which the film itself is made. Everything works: Marlon Brando is a solemn, otherworldly, mystic-like figure that presides over the first half of the film like a grand marshal in an ambitious parade.

Gene Hackman is a smooth, scene-stealing, genius wise guy as Lex Luthor (and though I’m a big fan of Hackman, I’ve always had slight misgivings about Hackman as Luthor). Other cast members also resonate: Jackie Cooper is pitch-perfect tart as Planet boss, Perry White; Margot Kidder as Lois Lane is both tomboyish and girlish with a touch of feminism; and Marc McClure is spot-on as a Jimmy. Simply put, Reeve seems to embody both Clark and Superman. It’s as if he stepped out of a classic Superman comic book, and that’s enough to make it all work.

Superman’s technical aspects were also high quality. The visual effects are actually still good; they stand up to much of the high-priced, over-the-top computer effects done today. Using a harness and cranes to lift Christopher Reeve and give him the illusion of flying was and still is great stuff. As the film’s tagline says, “You’ll Believe a Man Can Fly.”

8 of 10
A

NOTES:
1979 Academy Awards, USA: 1 win: “Special Achievement Award for Visual Effects” (Les Bowie, Colin Chilvers, Denys N. Coop, Roy Field, Derek Meddings, and Zoran Perisic); 3 nominations: “Best Film Editing” (Stuart Baird), “Best Music, Original Score” (John Williams), and “Best Sound” (Gordon K. McCallum, Graham V. Hartstone, Nicolas Le Messurier, and Roy Charman)

1979 BAFTA Awards: 1 win: “Most Promising Newcomer to Leading Film Roles” (Christopher Reeve); 4 nominations: “Best Cinematography” (Geoffrey Unsworth), “Best Production Design/Art Direction” (John Barry), “Best Sound” (Chris Greenham, Gordon K. McCallum, Peter Pennell, Mike Hopkins, Pat Foster, Stan Fiferman, John Foster, Roy Charman, Norman Bolland, Brian Marshall, Charles Schmitz, Richard Raguse, and Chris Large), and “Best Supporting Actor” (Gene Hackman)

1979 Golden Globes, USA: 1 nomination: “Best Original Score - Motion Picture” (John Williams)

Friday, July 14, 2006

----------------------


Tuesday, April 3, 2012

Review: "On the Waterfront" is Still an American Classic (Happy B'day, Marlon Brando)

TRASH IN MY EYE No. 75 (of 2005) by Leroy Douresseaux

On the Waterfront (1954) – Black & White
Running time: 108 minutes (1 hour, 48 minutes)
DIRECTOR: Elia Kazan
WRITER: Budd Schulberg; from a story by Budd Schulberg (suggest by the series of articles “Crime on the Waterfront” for the New York Sun newspaper by Malcolm Johnson)
PRODUCER: Sam Spiegel
CINEMATOGRAPHER: Boris Kaufman
EDITOR: Gene Milford
Academy Award winner

DRAMA/CRIME/ROMANCE

Starring: Marlon Brando, Karl Malden, Lee J. Cobb, Rod Steiger, Eva Marie Saint, Pat Henning, Leif Erickson, James Westerfield, John Hamilton, Marty Balsam, Fred Gwynne, and Pat Hingle

The 1954 “Best Picture” winner, On the Waterfront, remains one of the all-time greats of American cinema. A landmark “issue” film, its screenplay is based upon Malcolm Johnson’s series of articles for the New York Sun, “Crime on the Waterfront;” the Pulitzer Prize-winning series focused on organized crime’s control of the longshoreman’s union, specifically in New York City. However, On the Waterfront is more than just an important film or some kind of docu-drama, it is film art as truth, taking real life and wringing the drama out of it into a story that is compelling because it portrays true crime and also because it beautifully depicts the struggle of real lives.

Terry Malloy (Marlon Brando in an Oscar-winning role) was a prizefighter who threw fights for his corrupt boxing manager and for his brother Charley “the Gent” Malloy (Rod Steiger), who was in tight with organized crime. Now, Terry feeds his pigeons and runs errands for Johnny Friendly (Lee J. Cobb), the corrupt boss of the longshoreman’s (or dock workers’) union, but one of those errands leads to the death of an acquaintance, Joey Doyle, at the hands of Friendly’s thugs. Now, the Waterfront Crime Commission is about to hold hearings on the underworld’s infiltration of unions, specifically the longshoremen.

Terry feels pangs of guilt, especially after he meets and falls for Joey Doyle’s sister, Edie (Eva Marie Saint, who won an Oscar for supporting actress for the role). Spurred on by Edie (who sees more in Terry than he sees in himself) and Father Barry (Karl Malden), a local priest who wants to stop the corrupt union from preying on desperate workers, the washed up boxer contemplates taking on the corrupt union boss, Friendly, much to the chagrin of Friendly and Friendly’s right hand man, Terry’s brother Charley.

Marlon Brando gives one of the great screen performances as Terry Malloy, and the cab ride with Terry and Charley having a man-to-man chat in the backseat is one of the most famous scenes in cinematic history. Brando embodies a man who is soured on life and made cynical by his bad decisions, the cruel injustices, and minor (and major) disappointments in life. We can watch Brando struggle to better himself against the part of him that really believes in nothing more than getting by each day, a man who believes that you live longer if you don’t have ambitions. This performance is a work of art that established Brando in many minds as the greatest screen actor of all time.

Don’t let Brando’s performance take away from the rest of the cast. There are some really great supporting performances here. Eva Marie Saint is fetching as a young woman who can be both relentless in her quest for justice and coy in her play at getting a man. Karl Malden’s Father Barry also has a great scene at the dock when he delivers a powerful “eulogy” about standing up like Christ to injustice and accepting that Christ is in each and every man, making each man your brother – powerful stuff.

On the Waterfront is superbly directed; it’s as if Elia Kazan couldn’t help but make the right choice every time. He was blessed with Budd Schulberg’s screenplay, which mastered the perfect balance of gritty realism and potent drama. Combine excellent cinematography with the real locations in NYC, and you have must-see cinema.

10 of 10

NOTES:
1955 Academy Awards: 8 wins: “Best Picture” (Sam Spiegel), “Best Director” (Elia Kazan), “Best Actor in a Leading Role” (Marlon Brando), “Best Actress in a Supporting Role” (Eva Marie Saint), “Best Art Direction-Set Decoration, Black-and-White” (Richard Day), “Best Cinematography, Black-and-White” (Boris Kaufman), “Best Film Editing” (Gene Milford), and “Best Writing, Story and Screenplay” (Budd Schulberg); 4 nominations: “Best Actor in a Supporting Role” (Lee J. Cobb), “Best Actor in a Supporting Role” (Karl Malden), “Best Actor in a Supporting Role” (Rod Steiger), and “Best Music, Scoring of a Dramatic or Comedy Picture” (Leonard Bernstein)

1955 BAFTA Awards: 1 win: “Best Foreign Actor” (Marlon Brando, USA); 2 nominations: “Best Film from any Source” (USA) and “Most Promising Newcomer to Film” (Eva Marie Saint)

1955 Golden Globes: 4 wins: “Best Motion Picture – Drama,” “Best Cinematography - Black and White” (Boris Kaufman), “Best Director” (Elia Kazan), and “Best Motion Picture Actor – Drama” (Marlon Brando)

1989 National Film Preservation Board: National Film Registry

Saturday, May 21, 2005

--------------