Showing posts with label Sam Raimi. Show all posts
Showing posts with label Sam Raimi. Show all posts

Wednesday, July 5, 2023

Review: "65" is Lean, Mean, and Much Better Than I Expected

TRASH IN MY EYE No. 30 of 2023 (No. 1919) by Leroy Douresseaux

65 (2023)
Running time:  93 minutes (1 hour, 33 minutes)
MPA – PG-13 for intense sci-fi action and peril, and brief bloody images
WRITERS/DIRECTORS:  Scott Beck and Bryan Woods
PRODUCERS:  Scott Beck, Bryan Woods, Sam Raimi, Zainab Azizi, Deborah Liebling,
CINEMATOGRAPHER:  Salvatore Totino
EDITORS:  Josh Schaeffer and Jane Tones
COMPOSER:  Chris Bacon with Danny Elfman

SCI-FI, ACTION, THRILLER

Starring:  Adam Driver, Ariana Greenblatt, Chloe Coleman, and Nika King

65 is a science fiction action-thriller film from writer-directors Scott Beck and Bryan Woods.  The film focuses on a pilot and a young girl who fight for survival after their starship crashes on a mysterious planet.

65 opens on Planet Somaris.  There, a spaceship pilot, Mills (Adam Driver), convinces his wife, Alya (Nika King), that he should take on a two-year space expedition to earn the money needed to treat their daughter, Nevine (Chloe Coleman), who is suffering from a deadly illness.

Later, Zoic Exploratory Charter 3703 is deep into its journey when it is hit by a mass of asteroids and crash-lands on an alien planet.  The Zoic is damaged beyond repair, and Mills discovers that all the ship's passengers, except one, have been killed.  The other survivor is a young girl named Koa (Arianna Greenblatt), and she does not speak the same language as Mills.  Meanwhile, Mills has sent a distress beacon, and he has also discovered that the spaceship's escape shuttle is still functioning.  However, it is 15 kilometers away (a little over nine miles), resting on the side of a mountain.

Now, Mills and Koa must track across an unknown landscape that they discover is home to dangerous and aggressive creatures.  What the duo doesn't know is that this planet is actually Earth 65 million years ago, and the animals are dinosaurs.  Plus, another danger has followed Mills and Koa from space.

Once upon a time, 65 would have been referred to as a “high concept film,” which is a movie with a premise that can be easily pitched or summarized.  65 is written and directed by Scott Beck and Bryan Woods, the duo who wrote the initial story and screenplay that became the 2018 hit film, A Quiet Place, a high concept film.

65 turned out not to be the hit that A Quiet Place was, but I found it to be a hugely entertaining film.  Yes, it shares elements with another film about humans from another planet, crash landing on Earth, After Earth (2013), and also, Pitch Black (2000), which finds humans stranded on a mysterious planet and facing monsters.  Still, Beck and Woods have so tightly written and directed 65 that I found myself enjoying it even when I was questioning its plot and narrative choices.  For instance, the human characters seem surprisingly unsophisticated considering they come from a race that possesses the technology to span the stars.  Also, Mills uses tech that can track objects in space, but it doesn't have a simple translation app?

The intense dinosaur attacks really don't start until after the 38-minute mark of the film, and I think that serves the story well.  First, this gives the directors and the cast the opportunity to gradually depict the growing bond between Mills and Koa.  Secondly, making the audience wait for the baddest and the biggest dinosaurs can create a sense of anticipation that is satisfied when the most awesome “thunder lizards” finally arrive.

Some of 65's plot and action stretches credulity past the breaking point, but this movie is a pop corn thriller that would be a great choice for a movie night.  For families with children, this film is appropriate for teens, but it is a little too dark and violent and has adult subject matter that is a bit much for elementary school age and maybe even middle school age children.  I love it and give it an unqualified recommendation.  I plan on watching it again, and truthfully, I'm curious about the world/universe in which this film is set.  65 is not a 10, but as far as dinosaur movies go, I found it more fun and entertaining than Jurassic Park III (2001) and Jurassic World: Fallen Kingdom (2018).

7 of 10
B+
★★★½ out of 4 stars

Wednesday, July 5, 2023


The text is copyright © 2023 Leroy Douresseaux. All Rights Reserved. Contact this site or blog for reprint and syndication rights and fees.

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Friday, May 6, 2022

Review: "DOCTOR STRANGE" Sequel is Pure Sam Raimi Goodness

TRASH IN MY EYE No. 28 of 2022 (No. 1840) by Leroy Douresseaux

Doctor Strange in the Multiverse of Madness (2022)
Running time:  126 minutes (2 hours, six minutes)
MPA – PG-13 for intense sequences of violence and action, frightening images and some language
DIRECTOR:  Sam Raimi
WRITER:  Michael Waldron (based on the Marvel Comics)
PRODUCER:  Kevin Feige
CINEMATOGRAPHER:  John Mathieson
EDITORS:  Bob Murawski and Tia Nolan
COMPOSER:  Danny Elfman

SUPERHERO/FANTASY/HORROR/ACTION

Starring:  Benedict Cumberbatch, Elizabeth Olsen, Chiwetel Ejiofor, Benedict Wong, Xochitl Gomez; Rachel McAdams, Michael Stuhlbarg, Julian Hilliard, Jett Klyne, Sheila Atim; Ako Mitchll, John Krasinski, Anson Mount, Hayley Atwell, Lashana Lynch, Charlize Theron, and Patrick Stewart

Doctor Strange in the Multiverse of Madness is a 2022 superhero, action, and horror-fantasy film directed by Sam Raimi and produced by Marvel Studios.  It is the 28th film in the Marvel Cinematic Universe (MCU) and is also a sequel to the 2016 superhero movie, Doctor Strange.  Both films focus on the Marvel Comics character, Doctor Strange, who first appeared in the comic book, Strange Tales #10 (cover dated: July 1963), and who was created by Steve Ditko and Stan Lee.  In the new film, Doctor Strange battles to protect the Multiverse and a young woman who can travel through it.

As Doctor Strange in the Multiverse of Madness opens, Dr. Stephen Strange (Benedict Cumberbatch) is plagued by dreams in which he finds himself involved with a mysterious young woman.  But life goes on.  Wong (Benedict Wong), Strange's friend and mentor, is now Earth's Sorcerer Supreme.  Also, Stephen's former lover, Dr. Christine Palmer (Rachel McAdams), is getting married, and he is attending the wedding.

During the wedding, an octopus demon wreaks havoc in the neighborhood, and Stephen meets the young woman again.  Her name is America Chavez (Xochitl Gomez), and she can travel through the Multiverse by punching doorways through dimensions.  Demonic forces are tracking her, and Strange believes that only the Book of Vishanti can stop these demons.  Dr. Strange turns to an expert for help, the former Avenger, Wanda Maximoff (Elizabeth Olsen).  However, the mastermind behind the attacks on America is quite powerful, and the identity of this attacker is quite surprising.

And things only get worse.  Dr. Strange must face his old adversary, Karl Mordo (Chiwetel Ejiofor) … something called “the Illuminati” … and multiple versions of himself.

I have come across complaints that Marvel Studios' films are formulaic and complaints that the studios' films are not “director-driven” (whatever that means).  Doctor Strange in the Multiverse of Madness is not like other Marvel films, and at least to me, it seems “director-driven.”

The director of Doctor Strange in the Multiverse of Madness is Sam Raimi, who is best known for directing Sony/Columbia Picture's first trilogy of Spider-Man films (2002-07).  Before then, Raimi's best known work was the “Evil Dead” trilogy, comprised of Evil Dead (1981), Evil Dead II (1987), and Army of Darkness (1993).  And Doctor Strange in the Multiverse of Madness seems like a superhero film built on the aesthetic or, at least, the sensibilities of the “Evil Dead” trilogy.  In fact, this Doctor Strange film is like an Evil Dead movie with the budget of a … well, Marvel Studios movie.  Even more than his Spider-Man films, Doctor Strange in the Multiverse of Madness is the truest Sam Raimi superhero movie to date.

I don't want to spoil much more than I already have, but I can say that the VFX in Doctor Strange in the Multiverse of Madness is not only superb, but also inventive and imaginative.  Of course, the productions values are quite good; once again, I must say that everything looks like it would in a Raimi Evil Dead movie with mega-event, tent-pole film's budget.  Also, Benedict Cumberbatch and Elizabeth Olsen give superb performances, especially Olsen.

In spite of what Marvel Studios and Disney may say, however, I am not sure what the impact of Doctor Strange in the Multiverse of Madness actually is.  I really like this movie because it really IS a Sam Raimi movie, and I love his movies.  But, is this Doctor Strange film as consequential to the Marvel Cinematic Universe as Spider-Man: No Way Home seems to be...?

Doctor Strange in the Multiverse of Madness seems most important because of what it promises – new tomorrows, new worlds, new heroes, new movies … and hopefully more Sam Raimi Marvel movies.  I am thankful that Marvel Studios allowed him to make this movie.  Doctor Strange in the Multiverse of Madness is better than the original film, and it is Marvel's weirdest movie to date – a thrill ride of delightful and inspired wackiness.  Plus, it gives some of us what we hoped that the original would – a true dark fantasy/horror Doctor Strange movie.

[Doctor Strange in the Multiverse of Madness has one mid-credit scene and one end-credit scene.]

8 of 10
A
★★★★ out of 4 stars


Friday, May 6, 2022


The text is copyright © 2022 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

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Monday, September 2, 2019

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Wednesday, April 12, 2017

Sam Raimi Signs Deal with Skydance Television


Skydance Television Forms First-Look Agreement with Director and Writer-Producer Sam Raimi and Producer Debbie Liebling

SANTA MONICA, Calif.--(BUSINESS WIRE)--Skydance, a diversified media company that creates event-level entertainment for global audiences, today announced that it has formed a multi-year first-look deal for television with director and writer-producer Sam Raimi (the Evil Dead series, Spider-Man 1-3, Oz the Great and Powerful) and his television producing partner, Debbie Liebling. The studio currently has multiple projects in development with Raimi, which will be announced in the coming months.

    .@Skydance Forms First-Look Agreement With Director And Writer-Producer Sam Raimi And Producer Debbie Liebling

“Over Sam’s prolific decades-long career, he has proven time and again his capacity to tell stories that simultaneously embrace action, adventure, humor, thrills, and mystery. On behalf of our entire team, I’d like to welcome Sam into the Skydance family,” said David Ellison, Chief Executive Officer of Skydance Media.

“After having the pleasure of working with David and the Skydance team on the feature side, I was thrilled to be joining forces with their TV division for this new venture,” said Raimi. “Skydance has made a name for itself around the world and I look forward to our collaboration in bringing great television to a global audience.”

Raimi is a director, producer, screenwriter, and actor who created the cult horror Evil Dead series and directed the original Spider-Man trilogy. His television producing credits include Ash vs. Evil Dead, Hercules: The Legendary Journeys and its spin-off, Xena: Warrior Princess. He is also the executive producer of Spartacus: Blood and Sand, Spartacus: Gods of the Arena, Spartacus: Vengeance, and Spartacus: War of the Damned. Raimi is repped by CAA and Hansen Jacobson.

Liebling is a seasoned film and television executive and producer most known for the development and launch of South Park, Borat, Dodgeball, Bridesmaids, and other influential comedies. Most recently, she ran Red Hour Films with Ben Stiller and is currently producing Another Period in its third season at Comedy Central. Liebling is repped by Ziffren Brittenham.

Raimi and Liebling’s partnership brings together two entities known for their successful original and oft-mischievous material and they have identified several such projects to date with Skydance.

Skydance Television’s current slate includes six series across nearly as many networks. Skydance has in the last year entered into overall and first-look deals with some of the industry’s top talent, including Marti Noxon, Laeta Kalogridis, and Michael B. Jordan.


About Skydance Media
Skydance is a diversified media company founded by David Ellison in 2010 to create high quality, event-level entertainment for global audiences. The Company brings to life stories of immersive worlds across its feature film, television, and interactive platforms. Its feature films include LIFE, Jack Reacher: Never Go Back, Star Trek Beyond, Mission: Impossible – Rogue Nation, Terminator Genisys, World War Z, Star Trek Into Darkness, G.I. Joe: Retaliation, Jack Reacher, Mission: Impossible – Ghost Protocol, and True Grit. Skydance’s upcoming films include Geostorm on October 20th and Annihilation as well as Baywatch on May 26th under the Company’s Uncharted label. In 2017 Skydance formed an animation division to develop and produce a slate of high-end animated feature films and television series in partnership with Spain’s Ilion Animation Studios. Skydance Television launched in 2013. Its current slate includes Emmy-nominated Grace and Frankie on Netflix, Altered Carbon on Netflix, Jack Ryan on Amazon, Condor on AT&T Audience Network, Ten Days in the Valley on ABC, and Dietland on AMC. Skydance Interactive launched in 2016 to create and publish original and IP-based virtual reality experiences and video games. In 2017, Skydance Interactive will debut Archangel – its first original title – in July.

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Saturday, December 10, 2016

Negromancer News Bits and Bites from December 1st to 10th, 2016 - Update #37

Support Leroy on Patreon.

POLITICS - From RSN:   Oliver Stone speaks on the passing of Fidel Castro.

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MOVIES - From CNN:  Legendary actor Kirk Douglas is 100 years old today, Friday, December 9, 2016.  CNN offers a life in pictures.

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MOVIES - From YahooMovies:  The eighth entry in "The Fast and the Furious" franchise has a title, "The Fate of the Furious."  Trailer due soon.

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ECO - From EcoWatch:  Leonardo DiCaprio and Terry Tamminen (the CEO of Leo's foundation) meet Donald Trump and his daughter Ivanka about green jobs.

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OBIT - From TheWrap:  John Glenn, former NASA astronaut and U.S. Senator, has died at the age of 95, Thursday, December 8, 2016.  In 1962, Glenn became the first American to orbit the Earth, and he is the last of the "Mercury 7" astronauts.

From YahooMusic:  Musician and guitarist, Greg Lake, has died at the age of 69, Wednesday, December 7, 2016.  Lake was a pioneer of the ambitious rock genre known as prog-rock (progressive rock).  He co-founded the band, King Crimson and and later Emerson, Lake, and Palmer (or ELP) with Carl Palmer and the late Keith Emerson.

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MOVIES - From Variety:  Poland's Supreme Court rejects bid to extradite Oscar-winning director Roman Polanski to the United States to face "justice" for having sex with a 13-year-old girl... in the 1970s.  So now Polanski can live and work freely in Poland.

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BOOKS - From Mashable:   George R.R. Martin says that "The Winds of Winter," the next installment of his book series, "A Song of Fire and Ice" (the inspiration for the TV series, "Game of Thrones") will not be a happy book.

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GRAMMYS - From YahooMusic:  A list of 2016/17 Grammy snubs, according to Yahoo Music.

From YahooMusic:   Kip Winger (yes, that Winger) has scored a Grammy nomination in a classical category.

From YahooMusic:  Five musical acts got their first Grammy nominations this year.  I was surprised that Blink-182 (which surprises me quite a bit) and Demi Lovato, who is really coming on strong as a singer.

From YahooMusic:  Beyonce, the queen of all Grammy genres.

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OSCARS - From Deadline:  Jimmy Kimmel will hosts 89th Academy Awards.

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ECO - From NPR:  Standing Rock / #NoDAPL win major victory as the Army Corps of Engineers looks for an alternate path for the Dakota Access Pipeline in North Dakota.

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MOVIES - From Variety:  Bernardo Bertolucci trying to clear up the "rape" backlash regarding his controversial and (in)famous 1972 film, "Last Tango in Paris."

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OBITS - From Variety:  The actor Van Williams has died at the age of 82, Monday, November 28, 2016.  Van was best known as the star of the 1966 TV series, "The Green Hornet," in which he played the titular role and the alter ego, Britt Reid.

From YahooMovies:  The actress Margaret Whitton has died at the age of 67, Sunday, December 4, 2016.  She was best known for her role in the 1989 film, "Major League," in which she played the Las Vegas showgirl turned owner of the Cleveland Indians.

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MOVIES - From YahooMovies:  Universal debuts first full trailer for its reboot of "The Mummy" starring Tom Cruise.

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BOX OFFICE - From BoxOfficeMojo:  The winner of the 12/2 to 12/4/2016 weekend box office is Disney's "Moana" with an estimated take of $28.37 million.

From Deadline:  "Doctor Strange" ($419.6) has surpassed the international box office earned by "Deadpool" ($419.5) and "Iron Man 2" ($311.5).  "Fantastic Beasts and Where to Find Them" and "Moana" lead the international box office.

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TELEVISION - From Variety:  Netflix renews Marvel "Luke Cage" for a second season.

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OBIT - From THR:  The film and TV character actress, Alice Drummond, has died at the age of 88, Wednesday, November 30, 2016.  I remember her as a frightened library in the original "Ghostbusters."

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MOVIES - From Deadline:  So it was actually rape in "Last Tango."

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BOOKS - From YahooNews:  "To Kill a Mockingbird" and "Adventures of Huckleberry Finn" still being challenged in public schools.

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COMICS-FILM - From Deadline:  Warner Bros.' future flop, "Aquaman," is due October 2018.

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POLITICS - From YahooCelebrity:  Seth McFarlane on why Hollywood does not like Trump.

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MOVIES - From YahooMovies:  Johnny Depp and Sam Raimi are among a group of Hollywood filmmakers and actors who help a 16-year-old cancer patient finish his short film.

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MOVIES - From THR:  Oscar hopeful Mahershala Ali ("Moonlight") hits The Hollywood Reporter's Oscar roundtable.

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OBITS - From Variety:  The actor Andrew Sachs has died at the age of 86, Wednesday, November 23, 2016.  Sachs was best known for playing the Spanish waiter, Manuel, on the classic British sitcom, "Fawlty Towers."

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MOVIES - From Variety:  John Goodman to star in Rupert Wyatt's sci-fi "Captive State."

TRAILERS:

From YahooMovies:  This is the first official trailer for next summer's "Spider-Man: Homecoming."

From YouTube:  Official trailer for "War of the Planet of the Apes," which is due July 14, 2017.

From YouTube:  It's opens today, so here is a new trailer for "Office Christmas Party."

From YouTube:  This is the new teaser trailer for "Baywatch."  To me, it is too long and detailed to be a teaser trailer, although it offers a lot of teasing...

From YouTube:  The oh-so-serious teaser trailer for "Transformers: The Last Knight."

From YouTube:  The first trailer for Martin Scorsese's "Silence."

From YouTube:  The second trailer for Denzel's Washington's "Fences."

From YouTube:  First teaser trailer for "The Mummy" reboot with Tom Cruise.


Friday, October 30, 2015

"Ash vs. Evil Dead" Gets Second Season Ahead of Halloween 2015 Debut

Starz Greenlights Second Season of Original Series “Ash vs Evil Dead” in Advance of Series Premiere on October 31

"HOT DAMN" – Deadline Hollywood
"IT’S FREAKIN’ GREAT" – IGN
“FEROCIOUSLY IN YOUR FACE” – TV Guide

BEVERLY HILLS, Calif.--(BUSINESS WIRE)--Ahead of its Halloween premiere, STARZ Original series “Ash vs Evil Dead” has earned an early renewal for a second season from Starz. Strong fan, affiliate and distributor demand for the highly-anticipated premiere of “Ash vs Evil Dead” has generated the early pickup of the series which is the long-awaited follow-up to the classic horror film The Evil Dead.

    “The early fan and press support, along with the international broadcaster demand for more story have made it clear that the adventures of Ash Williams can’t end with season one.”

Executive producers and The Evil Dead original filmmakers Sam Raimi, Rob Tapert and Bruce Campbell will return for the second season with executive producer and showrunner Craig DiGregorio. Campbell will continue in his role as Ash Williams, the aging lothario and chainsaw-handed monster hunter. Lucy Lawless (“Salem,” “Spartacus”) is also returning as Ruby, a mysterious figure who believes Ash is the cause of the Evil outbreaks.

“One season isn’t enough to satisfy the fans’ two decade-long appetite for more Ash,” said Carmi Zlotnik, Managing Director of Starz. “The early fan and press support, along with the international broadcaster demand for more story have made it clear that the adventures of Ash Williams can’t end with season one.”

Starz recently announced global licensing deals with broadcasters and digital platforms in more than 100 countries and territories worldwide allowing “Ash vs Evil Dead” to premiere simultaneously with its network premiere in the U.S. on October 31. Broadcasters and digital providers offering “Ash vs Evil Dead” on October 31 include Amedia (Russia/CIS), C More (Scandinavia), Fox Action on Fox+ Premium service/Fox Latin America Channels (Latin America/Brazil), Sky TV (New Zealand), Stan (Australia), Starz Play Arabia (Middle East/North Africa) and Super Channel (Canada).

Starz will retain all domestic and international multiplatform rights including television, home entertainment and digital.


About “Ash vs Evil Dead”
The 10-episode first season of the half-hour series features Bruce Campbell (Evil Dead, “Burn Notice”) as Ash Williams; Lucy Lawless (“Salem,” “Spartacus”) as Ruby, a mysterious figure who believes Ash is the cause of the Evil outbreaks; Ray Santiago (“Touch,” Meet the Fockers) as Pablo Simon Bolivar, an idealistic immigrant who becomes Ash’s loyal sidekick; Dana DeLorenzo (A Very Harold & Kumar 3D Christmas) as Kelly Maxwell, a moody wild child trying to outrun her past; and Jill Marie Jones (“Sleepy Hollow”) as Amanda Fisher, a disgraced Michigan State Trooper set to find our anti-hero Ash and prove his responsibility in the grisly murder of her partner.

About Starz
Starz (NASDAQ: STRZA, STRZB) is a leading integrated global media and entertainment company with operating units that provide premium subscription video programming on domestic U.S. pay television channels (Starz Networks), global content distribution (Starz Distribution) and animated television and movie production (Starz Animation), www.starz.com.

Starz Networks is a leading provider of premium subscription video programming through the flagship STARZ® and ENCORE® pay TV networks which showcase premium original programming and movies to U.S. multichannel video distributors, including cable operators, satellite television providers, and telecommunications companies. As of June 30, 2015, STARZ and ENCORE serve a combined 56.8 million subscribers, including 23.5 million at STARZ, and 33.3 million at ENCORE, making them the largest pair of premium flagship channels in the U.S. STARZ® and ENCORE®, along with Starz Networks’ third network MOVIEPLEX®, air more than 1,000 movies monthly across 17 linear networks, complemented by On Demand and authenticated online offerings through STARZ PLAY, ENCORE PLAY, and MOVIEPLEX PLAY. Starz Distribution develops, produces and acquires entertainment content, distributing it to consumers globally on DVD, digital formats and traditional television. Starz Distribution’s home video, digital media and worldwide distribution business units distribute original programming content produced by Starz, as well as entertainment content for itself and third parties. Starz Animation produces animated TV and movie content for studios, networks, distributors and audiences worldwide.

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Saturday, November 15, 2014

Negromancer New Bits and Bites for the Week of November 9th to 15th, 2014 - Update #20


NEWS:

From YahooCelebrity:  Kirk Cameron says, Cook and sing for Christmas, bitches!  Well, not quite, but here comes more advice from the guy who said that homosexuals are the main problem in the world.

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From DeadlineArmie Hammer joins actor/director Nate Parker's "The Birth of A Nation," a biopic of Nat Turner, the slave turned rebel in 1831 Virginia.

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From Vulture:  Jennifer Lawrence filmed a cameo for Dumb and Dumber To, this vetoed its inclusion in the film.

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From Eonline:  There will apparently be a sequel to the 1993 cult hit, Hocus Pocus.

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From CBS:  Jennifer Lawrence says she will never sign up for Twitter.

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From Variety:  Starz has ordered a sequel TV series to the original Evil Dead film franchise, entitled "Ash vs. Evil Dead," which will debut with 10 episodes in 2015.

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From THR:  Thank god.  Matt Damon will be back as Jason Bourne in 2016 with Paul Greengrass directing.

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From THR:  Disney's new animated film, Big Hero 6, wins the 11/7  to 11/9/2014 weekend box office with an estimated take of $56.2 million.  Chris Nolan's new film, Interstellar, finishes second with an estimated $50 million gross.

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From TheWrap:  A wrap up of the 2014 Academy's Governors Award, including Harry Belafonte's fiery speech.


COMIC BOOKS:  Movies and Books:

From the Examiner:  "Doctor Strange, say what!" Benedict Cumberbatch knows nothing about it.

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From YahooMovies:  Deadline has an exclusive story that Daniel Bruhl will be the villain in the next "Captain America" movie, which is set for May 2016.

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From THR:  "Game of Thrones" and "Breaking Bad" director, Michelle MacLaren, is top choice to direct Wonder Woman film.

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From YahooMovies:  Spider-Man merchandise is far ahead of other toy franchises, including Batman, in terms of annual gross - $1.3 billion.

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From TheVox:  There is a new (second) "extended" Avengers: Age of Ultron trailer.

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From TotalFilm:  Chris Nolan found Ben Affleck's casting as Batman "thrilling."

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From TheVerge:  More awful Spider-Man movie news - rumors of an Aunt May movie.

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From TheMovieBit:  I found this article from about a month ago that states that Will Smith and Tom Hardy are among the A-listers that Warner Bros. is pursuing for its "Suicide Squad" film.


STAR WARS:

From FlickeringMyth:  See Alex Ross' art for the variant cover of Marvel Comics' Star Wars: Darth Vader #1.

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From IBTimes:  A rumored scene involving Darth Vader...


MOVIE TRAILERS:

From FOX:  New Exodus: Gods & Kings trailer.


OBITS:

From HuffingtonPostBig Bank Hank (Henry Jackson), a member of one of the early rap groups, Sugar Hill, gang, died Tuesday, November 11, 2014 at the age of 57 of cancer.

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From Variety:  Carol Ann Susi, the actress who provided the voice of "Mrs. Wolowitz" on CBS' "The Big Bang Theory," died Tuesday, November 11, 2013, in Los Angeles.



MISC:

From Outsports:  The snubbing by the NFL or openly gay football player, Michael Sam.

Tuesday, November 11, 2014

Sequel to Original "Evil Dead" Franchise Will Be a Starz TV Series

Starz Raises the Dead - Network Reteams Sam Raimi, Bruce Campbell and Rob Tapert for a New TV Series Based on Their Classic Horror Film The Evil Dead

Raimi to Direct First Episode of New Series, “Ash Vs. Evil Dead”

Bruce Campbell to Star as Title Character, Ash

BEVERLY HILLS, Calif.--(BUSINESS WIRE)--Starz announced the greenlight of the network’s next original series, the long-awaited follow-up to the classic horror film franchise The Evil Dead. The project reteams the original filmmakers, director Sam Raimi, with longtime producing partner Rob Tapert and star Bruce Campbell.

    “Starz first worked with Sam and Rob on ‘Spartacus,’ and we are thrilled to be back in business with them”

The STARZ Original series officially titled “Ash Vs. Evil Dead” will be 10 half-hour episodes. Bruce Campbell will be reprising his role as Ash, the stock boy, aging lothario and chainsaw-handed monster hunter who has spent the last 30 years avoiding responsibility, maturity and the terrors of the Evil Dead. When a Deadite plague threatens to destroy all of mankind, Ash is finally forced to face his demons –personal and literal. Destiny, it turns out, has no plans to release the unlikely hero from its “Evil” grip.

“Starz first worked with Sam and Rob on ‘Spartacus,’ and we are thrilled to be back in business with them,” said Carmi Zlotnik, Managing Director of Starz. “With Sam writing and directing and Bruce Campbell returning to the screen, we are certain the show will give Evil Dead fans around the world the fix they’ve been craving.”

“Evil Dead has always been a blast. Bruce, Rob and I are thrilled to have the opportunity to tell the next chapter in Ash’s lame, but heroic saga. With his chainsaw arm and his ‘boomstick,’ Ash is back to kick some monster butt. And brother, this time there’s a truckload of it,” said Sam Raimi.

“I'm really excited to bring this series to the Evil Dead fans worldwide - it's going to be everything they have been clamoring for: serious deadite ass-kicking and plenty of outrageous humor,” said Bruce Campbell.

“STARZ has always been a great creative partner and we are excited to be working with them on this project,” said Robert Tapert.

Raimi will direct the first episode. “Ash Vs. Evil Dead” was written by Sam Raimi, Ivan Raimi (Darkman, Army of Darkness, Drag Me to Hell) and Tom Spezialy (“Chuck,” “Reaper,” “Desperate Housewives”). Sam Raimi will also serve as executive producer, along with Rob Tapert (Evil Dead, “Spartacus,” Xena: Warrior Princess”) and Bruce Campbell (Evil Dead, “Burn Notice”). Ivan Raimi will Co-Executive Produce and Aaron Lam (“Spartacus”) will serve as producer.

The original Evil Dead film followed Ash and his friends who travel to a cabin in the woods, where they unknowingly release demons intent on possessing the living. The film became an international success and is critically lauded to this day as one of the best horror movies of all time. It also spawned a media franchise, including two sequels, as well as video games and comic books and a recent reboot that grossed $97 million worldwide.

“Ash Vs. Evil Dead” project was packaged by CAA and Craig Jacobson at Hansen, Jacobson, Teller, Hoberman, Newman, Warren, Richman, Rush & Kaller. Marta Fernandez will serve as the executive in charge at Starz.

The series will air on STARZ in 2015.

Starz will retain all domestic and international multiplatform rights including television, home entertainment, and digital.

Sam Raimi Bio
Sam Raimi has directed one the industry’s most successful film franchises ever—the blockbuster Spider-Man trilogy, which has grossed over $2.5 billion at the global box office. All three films reside in the industry’s top 30 highest grossing domestic pictures of all time.

In addition to the franchise’s commercial success, Spider-Man (2002) won that year’s People’s Choice Award as Favorite Motion Picture, earned a pair of Oscar® nominations (for VFX and sound) and also collected two GRAMMY® nominations (for Best Score and Chad Kroeger’s song “Hero”). Spider-Man 2 (2004) won the Academy Award® for Best Visual Effects (with two more nominations for Best Sound and Sound Editing) and two BAFTA nominations (for VFX and sound), among dozens of other honors.

Most recently, Raimi is known for directing Oz the Great and the Powerful, starring James Franco, Mila Kunis, Michelle Williams, and Rachel Weisz. A prequel to one of Hollywood’s most beloved stories, the film grossed just under $500 million dollars globally and reinvigorated the world’s love for the L. Frank Baum series.

Apart from creating one of Hollywood’s landmark film series, Raimi’s eclectic resume includes the gothic thriller The Gift, starring Cate Blanchett, Hilary Swank, Keanu Reeves, Greg Kinnear and Giovanni Ribisi; the acclaimed suspense thriller A Simple Plan, which starred Bill Paxton, Billy Bob Thornton and Bridget Fonda (for which Thornton earned an Academy Award® nomination for Best Supporting Actor and Scott B. Smith landed a nomination for Best Adapted Screenplay); his baseball homage, For Love of the Game, with Kevin Costner and Kelly Preston; the western The Quick and the Dead, starring Leonardo DiCaprio, Sharon Stone, Russell Crowe and Gene Hackman; and the supernatural thriller, Drag Me to Hell, with Alison Lohman and Justin Long.

Raimi began his career in his native Michigan after directing his own Super 8 movies as a teenager. He left his studies at Michigan State University to form Renaissance Pictures with future producer Rob Tapert and their longtime friend, actor Bruce Campbell, with whom he made his very first film, Within the Woods, a short horror film they used to raise money to make a feature. That resulting horror classic, The Evil Dead (1982), financed and produced with investments from local business people and doctors, became a hit at the 1982 Cannes Film Festival and spawned a sequel, Evil Dead 2: Dead By Dawn (1987), which, like the original, showcased Raimi’s inventive, imaginative direction and offbeat humor.

Raimi next turned to the fantasy genre, writing and directing the comic book-inspired Darkman (1990), starring Liam Neeson and Frances McDormand, then followed with 1993’s Army of Darkness, a comic sword and sorcery fantasy starring Bruce Campbell.

The mid-’90s also found Raimi producing two telefilms (with friend and partner Tapert) that would become the genesis of a pair of highly popular syndicated series—“Hercules: The Legendary Journeys” (on which he served as executive producer during the program’s four-year run) and the successful companion series, “Xena: Warrior Princess” which aired from 1995-2001. His television work also includes executive producing the CBS series “American Gothic” and the STARZ graphic sword and sandals series, “Spartacus.”

Raimi’s work has also been a favorite on the film festival circuit, with the filmmaker winning a Best Director honor for Darkman at the 1990 Sitges-Catalonian Festival in Spain; the Critics Award for Army of Darkness at the 1992 Fantasporto Festival in Portugal; the Golden Raven, also for Army of Darkness, at the 1992 Brussels International Festival; and a Grand Prize nomination for the same title at the Avoriaz Fantastic Film Festival in France. Raimi has also won the Saturn Award twice (Spider-Man 2 and Drag Me to Hell) from the Academy of Science Fiction, Horror and Fantasy.

Rob Tapert Bio
Rob Tapert is the longstanding producing partner of acclaimed director Sam Raimi. Tapert and Raimi have been working together since they met at Michigan State University where they formed the Society for Creative Film Making. After producing the horror cult classic The Evil Dead, Tapert continued to collaborate with Raimi on Evil Dead II: Dead by Dawn, Darkman and Army of Darkness.

Tapert went on to serve as executive producer on the action features Hard Target and Timecop, starring Jean-Claude Van Damme. He also executive produced the long running worldwide sensation TV series “Hercules: The Legendary Journeys” and “Xena: Warrior Princess.”

Following success in television he returned to features to executive produce Raimi’s suspense thriller The Gift, starring Cate Blanchett and Keanu Reeves and the action western The Quick and the Dead, starring Leonardo DiCaprio, Sharon Stone and Gene Hackman.

In 2002, Tapert and Raimi formed Ghost House Pictures with Mandate Pictures. Ghost House was conceived to produce feature films that would deliver great scares and offer horror fans a thrill ride experience. Tapert has since produced a string of #1 box office hits that started with The Grudge, which grossed $187 million world wide, and continued with Boogeyman, The Messengers, 30 Days of Night, The Possession and Evil Dead. In 2009, Tapert produced Raimi's first directorial effort under Ghost House: the critically acclaimed Drag Me To Hell. Tapert recently produced “Spartacus” for STARZ. He’s currently producing the remake of Poltergeist for MGM and Fox 2000.

Bruce Campbell Bio
In 1979 with his Detroit friends, Sam Raimi and Rob Tapert, Campbell raised $350,000 for a low-budget film, The Evil Dead, in which he starred and co-executive produced. Completed piecemeal over four years, the film first gained notoriety in England where it became the best-selling video of 1983, beating out The Shining. After its appearance at Cannes, where Stephen King dubbed it “the most ferociously original horror film of the year,” New Line Cinema stepped forward to release The Evil Dead in the U.S. After co-producing Crimewave, a cross-genre comedy written by Sam Raimi, Ethan and Joel Coen, Campbell moved to Los Angeles and quickly gained a foothold producing or starring in genre films such as the Maniac Cop series, Lunatics: A Love Story, Moontrap and Mindwarp, a post-apocalyptic Jeremiah Johnson, during which he met his wife-to-be, filmmaker, Ida Gearon.

Campbell then rejoined his Detroit colleagues to star and co-produce the second and third films in the The Evil Dead trilogy, completing 12 years of work on the cult favorite. This rough-and-tumble background was a plus as Campbell made his foray into television, first starring in the highly touted Fox series “The Adventures Of Brisco County Jr.,” then as a recurring guest-star on the hit show “Lois and Clark: The New Adventures of Superman.”

With these under his belt, Campbell easily made the transition to director, helming numerous episodes and recurring as the “King of Thieves” in the #1 syndicated “Hercules: The Legendary Journeys” and its follow-up phenomenon, “Xena: Warrior Princess.”

Bruce has since expanded his range on television, with appearances in Disney's TV movies “Gold Rush,” and their update of “The Love Bug.” He teamed up with Fox again for the hit TV film “Tornado!” and starred in NBC's top-rated “In The Line of Duty: Blaze of Glory.” Following decidedly dramatic turns on the acclaimed series “Homicide: Life on the Street” and “The X-Files,” he enjoyed a recurring role on Showtime’s edgy TV industry comedy, “Beggars and Choosers.”

At the invitation of ABC, Campbell ventured into the world of sitcoms with a recurring role on ABC's Emmy-nominated “Ellen,” participating in one of the three touted “out” episodes.

But Campbell didn't abandon his film roots. During that time, he had featured roles in the blockbuster Congo, John Carpenter's Escape From LA, and the award-winning independent crime drama, Running Time. He followed these up with roles in Paramount's romantic comedy, Serving Sara, Jim Carrey's The Majestic, and all three of Sam Raimi's blockbuster Spider-Man movies.

After a return to episodic television in the swashbuckling series “Jack of All Trades,” Campbell took the title role in MGM's cult sleeper Bubba Ho-tep. His directorial debut, “Man with the Screaming Brain” premiered on the Sci Fi Channel, and Dark Horse Comics published the comic adaptation.

Campbell has since made the leap into other forms of entertainment, and is enjoying his role as an author with back-to-back New York Times bestsellers: a memoir entitled If Chins Could Kill: Confessions of a B Movie Actor, and his first novel, Make Love the Bruce Campbell Way.

In the multi-media industry, Campbell provided voices on cutting edge video games for Activision, THQ and Nova Logic - and he also enjoyed voicing characters for Disney’s animated TV series Tarzan and the Warner Brothers feature The Ant Bully. He also voiced the character of Mayor Shelbourne in the animated hit film Cloudy With a Chance of Meatballs. In 2011, Campbell voiced the role of Rod Torque Redline in Cars 2, the sequel to the smash Disney animated feature.

Most recently, Campbell directed and starred as himself in My Name is Bruce, a spoof of his B-movie career, then re-teamed with Disney for their fun-filled hit, Sky High.

In 2013, Bruce Co-Produced the hit remake of Evil Dead, joined his filmmaking pal Sam Raimi on Oz, The Great and Powerful, and completed an impressive seven-year run on spy show Burn Notice, USA’s #1 show on cable.

Campbell continues to share his acting and filmmaking experiences by lecturing at universities, including Northwestern, Carnegie Mellon and Stanford.

He currently resides with his wife, Ida Gearon, in Oregon.

About Starz
Starz (NASDAQ: STRZA, STRZB) is a leading integrated global media and entertainment company with operating units that provide premium subscription video programming on domestic U.S. pay television channels (Starz Networks), global content distribution (Starz Distribution) and animated television and movie production (Starz Animation), www.starz.com.

Starz Networks is a leading provider of premium subscription video programming through the flagship STARZ® and ENCORE® pay TV networks which showcase premium original programming and movies to U.S. multichannel video distributors, including cable operators, satellite television providers, and telecommunications companies. As of September 30, 2014, STARZ and ENCORE serve a combined 56.2 million subscribers, including 22.5 million at STARZ, and 33.7 million at ENCORE, making them the largest pair of premium flagship channels in the U.S. STARZ® and ENCORE®, along with Starz Networks’ third network MOVIEPLEX®, air more than 1,000 movies monthly across 17 linear networks, complemented by On Demand and authenticated online offerings through STARZ PLAY, ENCORE PLAY, and MOVIEPLEX PLAY. Starz Distribution develops, produces and acquires entertainment content, distributing it to consumers globally on DVD, digital formats and traditional television. Starz Distribution’s home video, digital media and worldwide distribution business units distribute original programming content produced by Starz, as well as entertainment content for itself and third parties. Starz Animation produces animated TV and movie content for studios, networks, distributors and audiences worldwide.

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Wednesday, July 30, 2014

Negromancer News Bits and Bites: San Diego Comic-Con International 2014 Edition Update #20

I will be posting links to pages with breaking news, announcements, activities, etc from Comic-Con International 2014 on this page from today, Tuesday, July 22, 2014 to sometimes next week or as long as there is relevant news:

The Comic Book Resources (CBR) Comic-Con page is here.

The IMDb Comic-Con page is here.

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From DeadlineGuillermo del Toro talked about his gothic romance, "Crimson Peak" and asked fans to help him get "Hellboy 3" and "At the Mountains of Madness" made.

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From Deadline:  There is a planned "Django Unchained-Zorro" crossover comic book, Tarantino told fans at a Comic-Con panel.

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From Previewsworld:  Actor Orlando Jones talks to the website of Diamond Distributors (of comics and related merchandise) about his career, which includes a voice acting gig on the "Black Dynamite" animated series on Adult Swim.

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From Variety via YahooEvangeline Lilly and Corey Stoll join "Ant-Man." Stoll will apparently play the villain, Yellowjacket.

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From Hitfix via Yahoo:  A detailed description of the "Avengers 2" footage shown during the Comic-Con panel, including the appearance of Ultron and Iron Man's "Hulkbuster" armor.

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From HuffingtonPost:  "Avengers 2" footage at Comic-Con.

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From BusinessInsider:  For as long as it is online, here is "Batman Vs. Superman" online teaser trailer.

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From the AP via Yahoo:  Sexual harassment at Comic-Con.

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From CBR:  IDW Entertainment and BOOM! Studios is producing a comic book that will bring the Star Trek and Planet of the Apes franchises together.

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From CBRSam Raimi teases that he is writing a television series version of his classic horror film, Evil Dead.  Other than naming his collaborators, which include Bruce Campbell, Raimi said nothing else about the series.

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From HitfixPaul Rudd on Edgar Wright's "Ant-Man" exit.

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From TheComicsReporter:  Your 2014 Will Eisner Award winner.

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From HitFixDaniel Radcliffe makes Comic-Con debut.

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From Deadline via Yahoo:  Three actors exit "Ant-Man."

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From Variety:  New image of Ben Affleck as Batman.

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From VarietyChris Nolan and Matthew McConaughey surprise fans at Comic-Con and talk about "Interstellar."

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From Facebook:  Clive Barker art exhibition at SDCC.

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From CBR:  "Avengers: Age of Ultron" posters.

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From CBR:  "The Walking Dead" panel.

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From CBR:  Concept art for Marvel's Ant-Man revealed.

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From TheWrap via Yahoo:  Ben Affleck's Bat-suit - well, at least the cape and cowl - for "Batman vs. Superman: Dawn of Justice" revealed.

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From CBRDavid and Meredith Finch become the creative team on Wonder Woman with issue #36.  CBR provides a first look at David's art for the series.

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From DeadlineWarren Ellis joins Gale Anne Hurd, the executive producer of "The Walking Dead," on an unnamed television series.

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From CBR:  Big changes for Spawn in the next year and a half.

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From CBRImage Expo Keynote announces plenty of new series including new comics from Warren Ellis, Rick Remender, Jeff Lemire, and many more.

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From CBRCameron Stewart talks about working on the Fight Club comic book.  Yes, there will be a sequel to the novel, Fight Club, which was adapted into a film in 1999.  But it will be a 10-issue comic book series published by Dark Horse Comics.  The novel's author, Chuck Palahniuk will write the series and Cameron Stewart will draw.  "Fight Club 2" is due April 2015.


Wednesday, October 23, 2013

Review: "Boogeyman" Didn't Have to Be a Disappointment (Happy B'day, Sam Raimi)

TRASH IN MY EYE No. 21 (of 2005) by Leroy Douresseaux

Boogeyman (2005)
Running time:  86 minutes (1 hour, 26 minutes)
MPAA – PG-13 for intense sequences of horror and terror/violence, and some partial nudity
DIRECTOR:  Stephen Kay
WRITERS:  Eric Kripke, Juliet Snowden and Stiles White; from a story by Eric Kripke
PRODUCERS:  Daniel Carrillo, Hans Jurgen Pohland, Sam Raimi and Rob Tapert
CINEMATOGRAPHER:  Bobby Bukowski
EDITOR:  John Axelrad
COMPOSER:  Joseph LoDuca

HORROR/MYSTERY/THRILLER

Starring:  Barry Watson, Emily Deschanel, Skye McCole Bartusiak, Lucy Lawless, Tory Mussett, Robyn Malcolm, Charles Mesure, Philip Gordon, and Andrew Glover

The subject of this movie review is Boogeyman, a 2005 horror film from director Stephen T. Kay.  A take on the classic fear of a “monster in the closet,” this film focuses on a young man who is still haunted by a childhood terror that has affected his life.

Boogeyman was co-produced by Sam Raimi (director of The Evil Dead and three Spider-Man films), and also yielded two direct-to-DVD sequels. Actor Barry Watson, who was one of the stars of the long-running television series, “7th Heaven,” plays the lead character in Boogeyman.

A young man named Tim Jensen (Barry Watson) is traumatized by events he believes happened in his childhood bedroom.  His memories tell him that as an eight-year old boy he saw the boogeyman (Andrew Glover) come out of his closet and steal his father (Charles Mesure) away from him.  Now years later, after his mother’s (Lucy Lawless) funeral, he returns to his family home to face his fears that may be either a monstrous entity stealing away those he loves or the figment of his sick mind.

Boogeyman is lightweight entertainment, but sometimes it’s a gooseflesh raising, edge-of-your-seat, horror movie, even the cheesy bits, of which there are many.  Quick cuts from one shot to another, bumps in the night, slamming doors, knocking from behind locked doors, closets, and walls, lots of night scenes, and day scenes that look like night scenes are on the menu for this film.  There is even a shot of the footsteps of an unknown person who may be the (gasp) boogeyman, but still horror movie buffs, even the most difficult to please, will find a few moments of genuine fears and thrills.

However, Boogeyman tries to be mystery story about a child abductor, a psychological horror film, a monster movie, a family melodrama, etc.  It finally adds up to a scary movie that abruptly runs out of gas after trying on the rags of just about every horror sub-genre.  It’ll leave you asking what happened.  The screenwriters and director are too coy and too cute by a mile, so the result of their creative efforts is a film barely worth a rental.

3 of 10
D+

Updated:  Wednesday, October 23, 2013

The text is copyright © 2013 Leroy Douresseaux. All Rights Reserved. Contact this site for syndication rights and fees.

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Tuesday, August 6, 2013

Review: New "Evil Dead" Just Another Scary Movie

TRASH IN MY EYE No. 52 (of 2013) by Leroy Douresseaux

Evil Dead (2013)
Running time:  91 minutes (1 hour, 31 minutes)
MPAA – R for strong bloody violence and gore, some sexual content and language
DIRECTOR:  Fede Alvarez
WRITERS:  Fede Alvarez and Rodo Sayagues (based on the motion picture, The Evil Dead, written by Sam Raimi)
PRODUCERS: Sam Raimi, Robert G. Tapert, and Bruce Campbell
CINEMATOGRAPHER:  Aaron Morton
EDITOR: Bryan Shaw
COMPOSER:  Roque Baños

HORROR

Starring:  Jane Levy, Shiloh Fernandez, Lou Taylor Pucci, Jessica Lucas, Elizabeth Blackmore, and Randal Wilson with Bruce Campbell

Evil Dead is a 2013 horror movie.  A loose remake of Sam Raimi’s 1981 movie, The Evil Dead, this is the fourth film in the Evil Dead movie franchise, serving partly as a continuation of the series and partly as a reboot of the franchise.  The new Evil Dead focuses on five friends in a remote cabin where they fight off an evil presence that is determined to possess them all.

Mia Allen (Jane Levy) has a severe drug addiction.  Her best friends, Olivia (Jessica Lucas) and Eric (Lou Taylor Pucci), have arranged a getaway to an old remote cabin in the woods that apparently belongs to Mia’s family.  There, they hope that Mia can be forced to get clean or “detox.”  An important member of this intervention is Mia’s estranged brother, David (Shiloh Fernandez), who brings his girlfriend, Natalie (Elizabeth Blackmore), with him.

The five young people arrive at the cabin to find that someone has previously broken into it.  While searching the cabin, they find the remains of a bizarre ritual and also a strange old book.  This book, which is entitled the “Naturom Demonto” (Book of the Dead), leads them to unwittingly summon up demons hiding in the woods surrounding the cabin.

Evil Dead is just a remake – plain and simple.  It is not an exceptional horror film, except for the fact that there is no CGI used in creating the effects (as the director claims).  The Evil Dead was a comic horror film that was shocking, horrifying, comical, and defiantly original.  Evil Dead, the new thang, replaces the comical aspects and trades for family history – both melodramatic and dysfunctional.  I did find myself wishing that Mia could beat her demons and that her brother could reconcile with her, but as the movie went along, I cared less and less.

Director Fede Alvarez and his co-screenwriter Rodo Sayagues offer bloody violence and gore aplenty.  No matter how much of that they offer, however, this movie comes from the same old horror movie wheelhouse that has been the birth canal for many of the horror flicks going back a decade.  Evil Dead is merely torture porn reconfigured as self-torture porn.  It is sometimes shocking, thrilling, scary, and creepy.  However, I think the only people who will find this movie to be a bold, fresh thing are those who never saw the original, The Evil Dead.

5 of 10
B-

Sunday, August 04, 2013


Monday, March 11, 2013

Review: Oz the (Not So) Great and (Not Really) Powerful

TRASH IN MY EYE No. 18 (of 2013) by Leroy Douresseaux


Oz the Great and Powerful (2013)
Running minutes: 130 minutes (2 hours, 10 minutes)
MPAA – PG for sequences of action and scary images, and brief mild language
DRIECTOR: Sam Raimi
WRITERS: Mitchell Kapner and David Lindsay-Abaire; from a screen story by Mitchell Kapner (based on the works of L. Frank Baum)
PRODUCER: Joe Roth
CINEMATOGRAPHER: Peter Deming
EDITOR: Bob Murawski
COMPOSER: Danny Elfman

FANTASY with elements of action, adventure, and comedy

Starring: James Franco, Mila Kunis, Rachel Weisz, Michelle Williams, Zach Braff, Bill Cobbs, Joey King, Tony Cox, Bruce Campbell, and Ted Raimi

Oz the Great and Powerful is a 2013 fantasy film from Walt Disney Pictures. Directed by Sam Raimi, this movie is based on the works of L. Frank Baum, especially Baum’s most famous book, The Wonderful Wizard of Oz, which was first published in 1900. Oz the Great and Powerful’s story takes place before the events depicted in the book, so the movie is kind of a prequel to the novel. The new movie focuses on a small-time magician who arrives in an enchanted land, where he reluctantly joins a fight to save the land from evil witches.

Oz the Great and Powerful (which I will sometimes refer to as “OGP”) is not officially connected to the 1939 film, The Wizard of Oz, which is also based on Baum’s original novel and was produced by MGM (and is now owned by Time-Warner). In terms of quality, Oz the Great and Powerful is half the movie the 1939 film is. OGP is not a bad movie; it is simply mediocre, corporate film-product that cannot hide weak characters and a poor story behind tens of millions of dollars worth of special effects.

Oz the Great and Powerful opens in 1905, where we meet Oscar “Oz” Diggs (James Franco), a small-time magician, con artist, and womanizer. His activities lead him to make a desperate escape aboard a hot air balloon. The balloon, however, is sucked into a tornado, which takes Oscar to the mysterious and strange Land of Oz. The first resident of Oz he meets is the beautiful Theodora, the Wicked Witch of the West (Mila Kunis). Theodora tells Oscar that he is the prophesized wizard who will save Oz from the wicked Glinda the Good Witch (Michelle Williams).

They travel the yellow brick road to Emerald City, the capital of Oz. There, Oscar meets Theodora’s sister, Evanora, the Wicked Witch of the East (Rachel Weisz), who sends Oscar on a mission. Joined by Finley the Flying Monkey (voice of Zach Braff) and China Girl (voice Joey King), Oscar begins a journey that takes him to Munchkinland, where he must decide whether to be great or to be a good man.

In a perfect world, Oz the Great and Powerful would be judged on its own merits, but this is not a perfect world. This is an imperfect world that is made better by a great movie first released in 1939, The Wizard of Oz. In that film, Judy Garland is still a young thing and matte paints can make you believe in dark forests and emerald cities. Thus, OGP must match up with (or perhaps against) that classic 1939 film, and OGP doesn’t win that match up.

Oz the Great and Powerful has its inventive moments, but it lacks the imagination of the 1939 film. The new film is all special effects technical wizardry, but it doesn’t have the magic, the heart, or the folksy charm of 1939 film. There are a few moments in OGP that mimic the first film’s rustic flourishes, but everything else in OGP pales before a computer-generated onslaught of elements and effects. This is not heart; this is noise.

The last half hour of Oz the Great and Powerful (before the end credits) is actually quite good, but the other 90 minutes is equal parts hits and misses. The actors and their characters are also inconsistent. Who thought James Franco was right for this part? Franco is a good actor, but half the time, I found him unconvincing as Oscar Diggs. Michelle Williams’s performance as Glinda is way too sugary, a shame as she is actually a good actor.

OGP is really an odd little movie that was super-sized and thus, made too big by corporate studio demands. Still, I think fans of all-things-Oz, young and old, will find things to like about this movie (as I have), if not fall in love with the entire movie. The last act nearly makes up for the rest of the movie, but not quite. Oz the Great and Powerful is big rather than great and overpowering rather than powerful.

5 of 10
C+

Monday, March 11, 2013

Tuesday, October 23, 2012

Review: "Army of Darkness" Never Loses its Charm (Happy B'day Sam Raimi)

TRASH IN MY EYE No. 128 (of 2005) by Leroy Douresseaux

Army of Darkness (1993)
Running time: 87 minutes (1 hour, 27 minutes)
MPAA – R
DIRECTOR: Sam Raimi
WRITERS: Ivan Raimi and Sam Raimi
PRODUCER: Robert Tapert
CINEMATOGRAPHER: Bill Pope
EDITOR: Bob Murawski
COMPOSER: Joseph LoDuca

FANTASY/HORROR/COMEDY/ACTION/ADVENTURE

Starring: Bruce Campbell, Embeth Davidtz, Marcus Gilbert, Ian Abercrombie, Richard Grove, Timothy Patrick Quill, Bridget Fonda, and Ted Raimi

The subject of this movie review is Army of Darkness, a 1992 comic horror film from director Sam Raimi. The film, which was released in the United States in February 1993, is the third and final film in The Evil Dead trilogy.

Bruce Campbell reprised the role of Ash, the demon-besieged hero he portrayed in director Sam Raimi’s Evil Dead series, in the 1993 film, Army of Darkness, Raimi’s (kind of) sequel to Evil Dead 2. This time Ash is the head store clerk in the housewares department at S-Mart. As the film opens, Ash narrates the back story of how he and his girlfriend were vacationing in a secluded cabin when all hell (literally) breaks loose. Eventually, demonic time warp sucks Ash and his ’73 Oldsmobile into a vortex that transports them to Dark Ages England, and here the fun begins. To go back to his own time, Ash has to find the Necronomicon (Book of the Dead), an ancient tome bound in human flesh and inked in blood, but Ash doesn’t properly recite an important incantation that goes with the book. This error awakens legions of undead beasts and an army of skeletons, and led by Ash’s diabolical twin, Evil Ash, this army of darkness marches against a small castle and its inhabitants, and only Ash can save them. Will he?

Raimi’s Army of Darkness is a delightful and hilarious sword-and-sorcery mini-epic – a kind of lighted hearted and much smaller version of The Lord of the Rings film trilogy released eight years before LOTR saw the light of day. Bruce Campbell’s Ash is a charming rogue brought together by Campbell’s occasionally hammy acting and his exuberant love of being of in movies; the man never disappoints because he buys into the film fantasy as much as actors way more talented than him.

Sam Raimi was obviously a talent with a knack for filmmaking, as seen in his early low-budget films. Although the Spider-Man film franchise would make him an A-list director, Army of Darkness showed that Raimi loved making movies and always made the best of what he had. I doubt any director other than Raimi (even Spielberg) could, in 1993, make an army of stop-motion skeletons look funny and cool rather than be an embarrassment on the screen, but this was Raimi passing on his joy of making fun fantasy movies to the audience.

For all its hokiness and in spite of its old-fashioned special effects, Army of Darkness is a very good film. Its cheesy looks belie a joyful heart, and I wished more genre filmmakers would deliver movies made by the “seat of their pants” that look like this. Army of Darkness is Saturday matinee gold – pure and simple.

7 of 10
B+

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Sunday, October 23, 2011

Review: "The Evil Dead" Still Givin' Head to Horror Fans (Happy B'day, Sam Raimi)

TRASH IN MY EYE No. 125 (of 2005) by Leroy Douresseaux

The Evil Dead (1981)
OPENING DATE: January 1, 1983
Running time: 85 minutes (1 hour, 25 minutes)
MPAA – NC-17 for substantial graphic horror violence and gore (1994 theatrical release)
WRITER/DIRECTOR: Sam Raimi
PRODUCER: Robert G. Tapert
CINEMATOGRAPHER: Tim Philo
EDITOR: Edna Ruth Paul

HORROR with elements of comedy

Starring: Bruce Campbell, Ellen Sandweiss, Hal Delrich, Betsy Baker, and Sarah York

Ash (Bruce Campbell) and his four friends are college students on vacation, and their destination is a cabin (an actual abandoned cabin that director Sam Raimi reportedly later burned to the ground) remotely located in the Tennessee woods. What they don’t know is that those very same woods are full of slumbering demonic spirits that are ever-present and ever listening. They lie in wait for the recitation of an ancient incantation that will allow them to possess the living. The student quintet finds a reel-to-reel recording of that same incantation in the cabin’s cellar, and they unwittingly play the recording. One by one, Ash’s four friends succumb to these merciless spirits, leaving him alone in a struggle to save his body from possession and becoming one of the evil dead.

Long before they produced the “Hercules” and “Xena: Warrior Princess” TV shows, Sam Raimi wrote and directed and Robert Tapert produced one of the most shockingly original horror films of the last quarter of 20th century, The Evil Dead. If horror movies can be funny, then no truly scary movie was as funny as The Evil Dead. The film’s primary influences were obvious (writer H.P. Lovecraft and filmmaker George A. Romero), but Raimi’s script created a bastard child of Lovecraft and Romero that wouldn’t submit to being properly reared. It’s insane. It’s gory. It’s frickin’ hilarious.

Using the few resources he had, Raimi combined stop-motion photography, homemade gory effects, and cheap, but frightening monster makeup. Perhaps the element the best served The Evil Dead was the Raimi’s penchant for using an active camera. He mounted a camera on a 2x4, and he and actor Bruce Campbell would each hold an end and run headlong through the set. This created Raimi’s signature visual clue that evil moving running through the woods. The camera also tilts, spins, dips, swerves, flips over, and generally does whatever it takes to create the sense that demonic forces are constantly moving and creeping around – always in attack mode.

The performances are great, in particularly Bruce Campbell’s combination of half-madness and half over-acting. However, his cohorts (and the many stand-ins actors or “shemps” as they were called, who played the possessed students in the second half of the film) attack their roles as demonic zombies with relish – all in all creating some of the scariest film creeps in horror movie history. No one can be a true fan of horror films without having seen The Evil Dead, regardless if in the end he or she didn’t like it. The film is simply a viewing requirement for scary flick fans.

8 of 10
A

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Thursday, October 6, 2011

"30 Days of Night" Almost Gets it Right

TRASH IN MY EYE No. 135 (of 2007) by Leroy Douresseaux


30 Days of Night (2007)
Running time: 113 minutes (1 hour, 53 minutes)
MPAA – R for strong horror violence and language
DIRECTOR: David Slade
WRITERS: Steve Niles, Stuart Beattie, and Brian Nelson (based on the comic by Steve Niles and Ben Templesmith)
PRODUCERS: Sam Raimi and Robert G. Tapert
CINEMATOGRAPHER: Jo Willems (D.o.P.)
EDITOR: Art Jones

HORROR/THRILLER with elements of mystery

Starring: Josh Hartnett, Melissa George, Danny Huston, Ben Foster, Mark Boone Junior, Mark Rendall, Manu Bennett, Megan Franich, and Joel Tobeck

Barrow, Alaska is the northernmost town in the United States and is isolated, about 80 miles from the next nearest town. At one point during winter, the sun does not appear for 30 days and nights. This year, when the darkness falls, a stranger (Ben Foster) arrives in Barrow. Unknown to the residents of this isolated village, the stranger is the harbinger of a legendary evil hungry to feed on them. Barrow’s youthful sheriff, Eben Oleson (Josh Hartnett), and his estranged wife, Stella Oleson (Melissa George), lead a small band of survivors against the marauding killers and their terrifying leader, Marlow (Danny Huston). Their only hope is to hide and survive the 30 days of night.

Part of the selling of 30 Days of Night was to tell potential audiences that the film would be some kind of new vision of vampires, but the truth is that this movie is like an imaginative retelling of the 80’s vampire flick, Near Dark. Director David Slade (Hard Candy) creates a proficient, atmospheric horror film, recalling the claustrophobic dread of John Carpenter’s The Thing, and composer Brian Reitzell’s unnerving score also adds a deeply ominous mood over the movie. However, the storytelling ultimately takes a backseat to the clever premise, and the movie suffers for it.

Midway through, the film comes frayed at the ends. The cool idea – to set a vampire tale in a place where night last for 30 days – can’t save a movie where the narrative is a collection of scenes and plot points rather than an actual story. There’s not so much as a beginning, middle, and end as there is a series of vampire attacks. Also, the characters are merely fodder – meat for the beasts, and they’re played by a dreary, chilly cast, although Josh Hartnett and Melissa George stand out for reasons that will be obvious. Who are the people of Barrow? What do they like, and what are their goals? What makes them want to live in an extremely remote place like Barrow, where it’s actually dangerous to live? Those questions are never posed because the filmmakers are obsessed with the blood and guts of horror to the neglect of anything about good storytelling.

30 Days of Night will ultimately be remembered as a good idea that became a misfire in the hands of filmmakers so blinded by the surface shine that they wouldn’t dig deep. Yes, it does have its inspired moments and can entertain, but what could have been a special horror flick ends up being yet another flashy display of horror movie blood and excessive violence.

5 of 10
B-

Monday, November 05, 2007

Friday, August 26, 2011

Review: "Drag Me to Hell" is Gross-Out Fun

TRASH IN MY EYE No. 5 (of 2009) by Leroy Douresseaux

Drag Me to Hell (2009)
Running time: 99 minutes (1 hour, 39 minutes)
MPAA – PG-13 for sequences of horror violence, terror, disturbing images, and language
DIRECTOR: Sam Raimi
WRITERS: Ivan Raimi and Sam Raimi
PRODUCERS: Grant Curtis and Sam Raimi
CINEMATOGRAPHER: Peter Deming
EDITOR: Bill Murawski

HORROR with elements of comedy and thriller

Starring: Alison Lohman, Justin Long, Lorna Raver, Dileep Rao, David Paymer, Adriana Barraza, Chelci Ross, Molly Cheek, and Reggie Lee

The Sam Raimi who directed The Evil Dead films has returned to his demonic spirits-gone-wild roots with the new film, Drag Me to Hell. Before he directed the Spider-Man films, Raimi unleashed ghoulish, comic horror movies that featured, among other things, preposterous scenes of mutilation and slapstick dismemberment, in flicks like Evil Dead II (1987) and Army of Darkness (1992). Drag Me to Hell is essentially from the same family as those scary movies. It’s like EC Comics on crack with a steroid chaser – and rated PG-13!

This film focuses on the soft-hearted Christine Brown (Alison Lohman), an ambitious L.A. loan officer for WilshirePacific Bank. Christine also has a charming boyfriend, Clay Dalton (Justin Long), who has recently become a philosophy professor, but all is not well. The winsome girl with a dazed look in her eyes is tired of being life’s punching bag. She knows that Clay’s mother doesn’t like her (although they’ve never met), and at work, a cheesy co-worker, Stu Rubin (Reggie Lee), is scheming to snatch a promotion from her. When the mysterious, one-eyed Mrs. Ganush (Lorna Raver) shows up at the bank and begs Christine for an extension on her home loan, Christine decides not to follow her instincts and give the old woman a break. Instead, Christine denies the extension in order to impress her boss, Mr. Jacks (David Paymer), and, in turn, get an edge in the battle for the promotion.

Christine’s fateful choice shames Mrs. Ganush and essentially dispossesses Ganush of her home. In retaliation, Ganush, a rotten-toothed old gypsy woman, places the powerful curse of the Black Lamia on Christine, which transforms the young woman’s life into a living hell. Almost immediately, the evil spirit starts to haunt and torment Christine, and her plight is misunderstood by her skeptical boyfriend. Christine seeks the aid of a seer, Rham Jas (Dileep Rao), in hopes that he can tell her what’s happening. What Christine learns is that after three days of tormenting her, the Lamia will drag her soul to hell to burn for eternity.

Perhaps, it is Allison Lohman loveable, huggable, girl-next-door quality that makes it easier for the viewer to sympathize with her and even want to take on her troubles. Maybe it’s Raimi’s ability to scare the hell out of his audience with cartoonish, ghoulish nightmares – or maybe both. Whatever the reasons are, Drag Me to Hell gets in your head. Raimi does that by creating a hellish carnival atmosphere: the kind where the ticket salesman is a hideous, curse-spewing crone; where the fun house is a level of hell; and where the cotton candy maker is a jack-in-the-box full of wormy devils. The film is also very old school; Raimi often creates the sense of creeping dread by using atmospherics like shifty shadows and sound effects. This film even features a favorite Raimi trademark – a demonic possession

Drag Me to Hell is also filled with wonderfully deranged sequences. The first physical altercation between Christine and Mrs. Ganush is film’s best confrontation, and it involves nothing but hands, feet, and teeth – nothing supernatural until the end of it. In fact, Mrs. Ganush is a great character, conceived to be a physically aggressive granny who is as delightfully vindictive as she is demonic and ghoulish.

You’ll laugh. You’ll scream. You may even laugh at your own gullibility, but Sam Raimi has returned to the wretched roots of his filmmaking – bugf*ck crazy horror movies. Drag Me to Hell isn’t perfect; there’s too much of a focus on Alison Lohman’s Christine to the detriment of the other quality characters (like Justin Long’s Clay and Dileep Rao’s Rham Jas, for instance). Still, its mixture of blood-curdling terror, gross-out horror, and inspired lunacy make Drag Me to Hell one of the most entertaining horror flicks in years.

7 of 10
A-

Sunday, June 21, 2009

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Thursday, July 22, 2010

Sam Raimi Adapting "Earp" Comic Book to Film

SAM RAIMI TO DIRECT RADICAL’S EARP

Radical Publishing is proud to announce that director Sam Raimi (Spider-Man, Evil Dead) has signed on to produce and direct the film adaptation of EARP: SAINTS FOR SINNERS, based on Radical Publishing’s miniseries created by Matt Cirulnick and David Manpearl and written by Matt Cirulnick and M. Zachary Sherman. EARP: SAINTS FOR SINNERS will be produced by Mandeville Films partners David Hoberman and Todd Lieberman for DreamWorks with Matt Cirulnick attached to write the screenplay. Radical’s President and Publisher, Barry Levine, and Raimi’s partner at Star Road Entertainment, Josh Donen, will also produce with Radical Studios’ Executive Vice President Jesse Berger, Cirulnick and Manpearl signed on as Executive Producers.

In a world where the American economy has all but collapsed to the levels of the Great Depression, infamous bandits roam the country and the law is as corrupt as the criminals its sworn to stop. Yet one lawman remains a steadfast moral compass for the people: WYATT EARP. Earp has collared more most-wanted men than anyone in history – but after a violent assignment claims the life of his brother, Wyatt sets out to forge a simple life in the only boomtown left: Las Vegas. With gorgeous women and free-flowing money on endless tap, Sin City attracts more people than a modern gold rush. Though Earp no longer wears a U.S. Marshall’s badge, his past is about to catch up to him. With nearly everything to lose, Earp will have to beat the odds stacked against him in order to bring old-fashioned justice to Sin City.

“This is amazing news going into San Diego Comic-Con,” states Levine. “Both Cirulnick and Manpearl have created an exciting setting of Las Vegas in the near future to reinvent the Wyatt Earp legend that will excite fans around the world.”

EARP: SAINTS FOR SINNERS #0 is currently available to purchase for the premiere price of $1.00. A deluxe-sized issue #1 will go on sale in late 2010. Keep checking www.radicalpublishing.com for updates.

Cirulnick will unveil artwork and story details at Radical's creators panel at Comic-Con on Thursday, July 22nd at 2:00 P.M. in room 32AB.

Radical Publishing will also be having a special EARP signing at San Diego Comic-Con booth #3725 on Thursday, July 22nd starting at 5:00 P.M.

Fans are encouraged to visit the Radical Publishing website www.radicalpublishing.com to check out special webisodes and for more information.


About Radical Publishing
Radical Publishing is founded by Barry Levine (producer for Hercules, Caliber, Freedom Formula, Shrapnel, Abattoir, Oblivion, The Last Days of American Crime, Legends, Damaged, Earp: Saints for Sinners and executive producer for the in-development Rex Mundi movie for Warner Bros., written by Jim Uhls and starring Johnny Depp) and entrepreneur Jesse Berger (executive producer for Hercules, Caliber, Freedom Formula, Shrapnel, Abattoir, Oblivion, The Last Days of American Crime, Legends, Damaged and Earp: Saints for Sinners).

For their quality and excellence in 2008, Radical Publishing was granted the Gem Award for “Best New Publisher of the Year” from Diamond Comic Distributors. Radical brings the best writing, storytelling, and fully painted cover and interior art to the global comic book market, from prominent international talents such as Yoshitaka Amano, Keith Arem, Rain Beredo, Marc Bernardin, John Bolton, Darren Lynn Bousman, Ron L. Brinkerhoff, Bing Cansino, Matt Cirulnick, Tomm Coker, Clayton Crain, Lorenzo di Bonaventura, Flint Dille, Marko Djurdjevic, Ian Edginton, Warren Ellis, James Farr, Adam Freeman, E. Max Frye, Antoine Fuqua, Justin Gray, Paul Gulacy, David Hine, Taka Ichise, Joseph Kosinski, Clint Langley, Adam Lawson, David Lapham, Richard Lee, Rob Levin, David Liss, Alex Maleev, Leonardo Manco, David Manpearl, Stephan Martinière, Francesco "Matt" Mattina, Peter Milligan, Steve Moore, Arvid Nelson, Wayne Nichols, Steve Niles, Jimmy Palmiotti, Nick Percival, Troy Peteri, Vincent Proce, Steve Pugh, Patrick Reilly, Rick Remender, Terry Rossio, Luis Royo, Nick Sagan, Kirsi Salonen, Sam Sarkar, Stjepan Sejic, M. Zachary Sherman, Bill Sienkiewicz, Wesley Snipes, Jim Steranko, Arthur Suydam, Patrick Tatopoulos, J.P. Targete, Greg Tocchini, Andree Wallin, Rich Wilkes, Dave Wilkins, Concept Art House, Haberlin Studios, Meduzarts Digital Environment Studio, Weta Workshop, Zombie Studios, and many more.

Currently, Radical Publishing has production deals with Spyglass Entertainment and Peter Berg’s Film 44 for Hercules, with Johnny Depp's Infinitum Nihil for Caliber, New Regency and Bryan Singer’s Bad Hat Harry Productions for Freedom Formula, Ron Howard and Brian Grazer’s Imagine Entertainment for Legends as well as Dreamworks, Sam Raimi’s Star Road Entertainment and Mandeville Films for Earp: Saints for Sinners. .