Robin Williams Dead at 63 - Breaking... Update #10

Robin Williams, the stand-up comic, television actor, and acclaimed hit-making big screen actor, has died at the age of 63.  He was found in his home and apparently had been battling depression lately.

Williams was known for his comedic and dramatic turns in film - performing in films as diverse as Walt Disney's Aladdin and Mrs. Doubtfire to Awakenings and What Dreams My Come.  He received best actor Oscar nominations:  Good Morning, Vietnam, Dead Poets Society, and The Fisher King.  He won the best supporting actor Oscar for Good Will Hunting (1997).

Williams was a writer and performer on "The Richard Pryor Show" (1977).  His breakout role was as the alien "Mork" for four seasons on the ABC sitcom, "Mork & Mindy," for which he earned an Emmy nomination.

In addition to his Oscar, Williams won two Emmy Awards and several Golden Globe and Grammy Awards.

Williams is survived by a wife and three children.  Negromancer sends condolences to Mr. Williams' family and friends.  R.I.P. Robin Williams.

LINKS:

From YahooNews:  Matt Damon:  Ben and I owe everything to him (Robin Williams)...

From UPI:  PBS is broadcasting a Robin Williams tribute special.  Williams' "Mork & Mindy" costar, Pam Dawber, will guest star on that special.

From YahooNews:  Actress Mila Kunis shares advice Robin Williams gave her.

From The Washington Post via RSN:  Frenetic, Often Fearless

From YahooMovies:  Other "Genie" voice actor has a tribute to Williams.

From YahooGames:  Nintendo responds to petition to include Robin Williams tribute in Zelda game

From FOXNews:  "Mork and Mindy" star Pam Dawber, other celebs react to the news of Robin Williams' death

From Entertainment Weekly's InsideMovies:  Robin Williams: sober and battling Parkinson's, according to wife

From Today:  Michael J. Fox "stunned" to learn Robin Williams had Parkinson's

From Today:  Robin Williams was struggling with early Parkinson's, wife say.

From Variety:  Police: Robin Williams' Death Due to Hanging

From YahooFinance:  Robin Williams Set Up a 3-Part Trust Fund for His Kids Amid Money Troubles

From YahooSports:  Robin Williams was the first male Denver Broncos cheerleader

From YahooCelebrity:  The Children of Robin Williams Remember Dad

From InContention:  We might have Robin Williams to thank for Jessica Chastain.

From YahooTV:  Billy Crystal and Whoopi Goldberg give the most eloquent reaction to Robin Williams' death.

From Collider:  R.I.P. Robins Williams, Legendary Comic and Actor at 63

From Deadline:  Singular Talent Robin Williams Commits Suicide at Age 63

From EW InsideMovies:  Robin Williams Dead at 63

From The Hollywood Reporter via Yahoo: Robin Williams Died of Suspected Suicide

From Variety:  Robin Williams Found Dead in Possible Suicide

Robin Williams' Wikipedia page is here.
Robin Williams' IMDb page is here.

"The Hunger Games: Catching Fire" Leads 2014 MTV Movie Award Winners (Complete List)

by Amos Semien

The nominations for the 2014 MTV Movie Awards were revealed on Thursday, March 6, 2014. The 2014 MTV Movie Awards ceremony was held on Sunday, April 13, 2014 at 9:00 p.m. ET/PT.  The ceremony was hosted by Conan O'Brien.

The 2013 MTV Movie Awards winners:

MOVIE OF THE YEAR
• "The Hunger Games: Catching Fire"

BEST FEMALE PERFORMANCE
• Jennifer Lawrence — "The Hunger Games: Catching Fire"

BEST MALE PERFORMANCE
• Josh Hutcherson — "The Hunger Games: Catching Fire"

BREAKTHROUGH PERFORMANCE
• Will Poulter— "We're the Millers"

BEST KISS
• Emma Roberts, Jennifer Aniston and Will Poulter — "We're the Millers"

BEST FIGHT
• "The Hobbit: The Desolation of Smaug" — Orlando Bloom and Evangeline Lilly vs. Orcs

BEST COMEDIC PERFORMANCE
• Jonah Hill — "The Wolf of Wall Street"

BEST SCARED-AS-S**T PERFORMANCE
• Brad Pitt — "World War Z"

BEST ON-SCREEN DUO
• Vin Diesel and Paul Walker — "Fast & Furious 6"

BEST SHIRTLESS PERFORMANCE
• Zac Efron — "That Awkward Moment"

#WTF MOMENT
• The Lude Scene — "The Wolf of Wall Street"

BEST VILLAIN
• Mila Kunis — "Oz The Great and Powerful"

BEST ON-SCREEN TRANSFORMATION
• Jared Leto — "Dallas Buyers Club"

BEST MUSICAL MOMENT
• Backstreet Boys, Jay Baruchel, Seth Rogen and Craig Robinson Peform in Heaven — "This is the End"

BEST CAMEO PERFORMANCE
• Rihanna — "This is the End"

BEST HERO
• Henry Cavill as Clark Kent — "Man of Steel"

FAVORITE CHARACTER:
Tris from the film "Divergent" and performed by Shailene Woodley

MTV GENERATION AWARD:
Mark Wahlberg

MTV TRAILBLAZER AWARD:
Channing Tatum

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Review: Oz the (Not So) Great and (Not Really) Powerful

TRASH IN MY EYE No. 18 (of 2013) by Leroy Douresseaux


Oz the Great and Powerful (2013)
Running minutes: 130 minutes (2 hours, 10 minutes)
MPAA – PG for sequences of action and scary images, and brief mild language
DRIECTOR: Sam Raimi
WRITERS: Mitchell Kapner and David Lindsay-Abaire; from a screen story by Mitchell Kapner (based on the works of L. Frank Baum)
PRODUCER: Joe Roth
CINEMATOGRAPHER: Peter Deming
EDITOR: Bob Murawski
COMPOSER: Danny Elfman

FANTASY with elements of action, adventure, and comedy

Starring: James Franco, Mila Kunis, Rachel Weisz, Michelle Williams, Zach Braff, Bill Cobbs, Joey King, Tony Cox, Bruce Campbell, and Ted Raimi

Oz the Great and Powerful is a 2013 fantasy film from Walt Disney Pictures. Directed by Sam Raimi, this movie is based on the works of L. Frank Baum, especially Baum’s most famous book, The Wonderful Wizard of Oz, which was first published in 1900. Oz the Great and Powerful’s story takes place before the events depicted in the book, so the movie is kind of a prequel to the novel. The new movie focuses on a small-time magician who arrives in an enchanted land, where he reluctantly joins a fight to save the land from evil witches.

Oz the Great and Powerful (which I will sometimes refer to as “OGP”) is not officially connected to the 1939 film, The Wizard of Oz, which is also based on Baum’s original novel and was produced by MGM (and is now owned by Time-Warner). In terms of quality, Oz the Great and Powerful is half the movie the 1939 film is. OGP is not a bad movie; it is simply mediocre, corporate film-product that cannot hide weak characters and a poor story behind tens of millions of dollars worth of special effects.

Oz the Great and Powerful opens in 1905, where we meet Oscar “Oz” Diggs (James Franco), a small-time magician, con artist, and womanizer. His activities lead him to make a desperate escape aboard a hot air balloon. The balloon, however, is sucked into a tornado, which takes Oscar to the mysterious and strange Land of Oz. The first resident of Oz he meets is the beautiful Theodora, the Wicked Witch of the West (Mila Kunis). Theodora tells Oscar that he is the prophesized wizard who will save Oz from the wicked Glinda the Good Witch (Michelle Williams).

They travel the yellow brick road to Emerald City, the capital of Oz. There, Oscar meets Theodora’s sister, Evanora, the Wicked Witch of the East (Rachel Weisz), who sends Oscar on a mission. Joined by Finley the Flying Monkey (voice of Zach Braff) and China Girl (voice Joey King), Oscar begins a journey that takes him to Munchkinland, where he must decide whether to be great or to be a good man.

In a perfect world, Oz the Great and Powerful would be judged on its own merits, but this is not a perfect world. This is an imperfect world that is made better by a great movie first released in 1939, The Wizard of Oz. In that film, Judy Garland is still a young thing and matte paints can make you believe in dark forests and emerald cities. Thus, OGP must match up with (or perhaps against) that classic 1939 film, and OGP doesn’t win that match up.

Oz the Great and Powerful has its inventive moments, but it lacks the imagination of the 1939 film. The new film is all special effects technical wizardry, but it doesn’t have the magic, the heart, or the folksy charm of 1939 film. There are a few moments in OGP that mimic the first film’s rustic flourishes, but everything else in OGP pales before a computer-generated onslaught of elements and effects. This is not heart; this is noise.

The last half hour of Oz the Great and Powerful (before the end credits) is actually quite good, but the other 90 minutes is equal parts hits and misses. The actors and their characters are also inconsistent. Who thought James Franco was right for this part? Franco is a good actor, but half the time, I found him unconvincing as Oscar Diggs. Michelle Williams’s performance as Glinda is way too sugary, a shame as she is actually a good actor.

OGP is really an odd little movie that was super-sized and thus, made too big by corporate studio demands. Still, I think fans of all-things-Oz, young and old, will find things to like about this movie (as I have), if not fall in love with the entire movie. The last act nearly makes up for the rest of the movie, but not quite. Oz the Great and Powerful is big rather than great and overpowering rather than powerful.

5 of 10
C+

Monday, March 11, 2013

Review: The Best Thing about "Ted" is Ted

TRASH IN MY EYE No. 61 (of 2012) by Leroy Douresseaux

Ted (2012)
Running time: 106 minutes (1 hour, 46 minutes)
MPAA – R for crude and sexual content, pervasive language, and some drug use
DIRECTOR: Seth MacFarlane
WRITERS: Seth MacFarlane, Alec Sulkin, and Wellesley Wild; from a story by Seth MacFarlane
PRODUCERS: Jason Clark, John Jacobs, Seth MacFarlane, Scott Stuber, and Wellesley Wild
CINEMATOGRAPHER: Michael Barrett
EDITOR: Jeff Freeman
COMPOSER: Walter Murphy

FANTASY/COMEDY/ROMANCE

Starring: Mark Wahlberg, Mila Kunis, Seth McFarlane (voice), Joel McHale, Giovanni Ribisi, Patrick Warburton, Matt Walsh, Jessica Barth, Aedin Mincks, Bretton Manley, and Patrick Stewart (narrator) with Norah Jones, Sam J. Jones, Tom Skerritt, Ralph Garman, Alex Borstein, and Ryan Reynolds

The subject of this movie review is Ted, a 2012 comedy and fantasy film directed by Seth McFarlane, the creator of the long-running animated television series, “Family Guy” (FOX). The film stars Mark Wahlberg, Mila Kunis, and McFarlane, who gives voice to a teddy bear created using motion-capture CGI.

Ted opens in 1985 in the city of Boston where we meet a lonely boy named John Bennett who receives a teddy bear for Christmas. John names the toy “Ted,” and makes a wish that Ted could come to life. John wakes up to find Ted walking and talking.

The story later moves to 2012 where we find an adult John Bennett (Mark Wahlberg) and Ted (voice of Seth McFarlane) still living together, watching bad movies and smoking pot. John has a dead-end job, but is dating a pretty, level-headed office worker named Lori Collins (Mila Kunis). After four years of dating, Lori wants John to grow up and leave childish things behind, and that includes Ted. But breaking up is hard to do and John and Lori’s relationship is put to the test, and Ted is endangered.

The best thing about Ted is Ted, and this trash-talking, vulgar teddy bear is a delightful gift that keeps on giving delights. Motion capture CGI (or animation or whatever) has given us one of the few motion capture characters with genuine personality since Gollum in the Lord of the Rings movies.

Wahlberg and Kunis are good, but the romance of John and Lori could not sustain an entire romantic comedy on its own. Wahlberg and Kunis’ characters are at their best when they form a threesome with Ted. Wahlberg has played the tough guy in so many crime and action thrillers that it is easy to forget how good he is at playing comedy with that solidly straight face of his. Kunis is expressive as an actress who trades understated for passion instead. She makes Lori’s frustration with John’s behavior and with her boss Rex’s harassment come through loud and clear.

Ted allows Seth McFarlane, as director, co-writer, co-producer, and co-star, to let loose in ways he cannot with “Family Guy,” and McFarlane and his cohorts get away with a lot on that network television series. In Ted, McFarlane and company tweak the sacred and the profane, as well as the mundane. It is also refreshing to see a mainstream comedy take on some good old-fashioned ethnic humor. Ted is not one of those comedies that fail to deliver. It’s very funny, and that’s enough.

7 of 10
B+

Saturday, July 28, 2012

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"Family Guy Volume 9" Now Arriving on DVD

Spice up the holidays with new FAMILY GUY DVD collection available December 13

 

Bring the Griffins home this holiday season with FAMILY GUY Volume 9 DVD arriving in stores on December 13th. The three-disc DVD set features 14 episodes from the hysterical eighth and ninth seasons including the popular 150th episode, an extended version of And Then There Were Fewer and never-before-seen extras consisting of:

• ­Uncensored footage
• Deleted scenes
• ­Side-by-side animatics
• 3 Featurettes
• ­An episode of The Cleveland Show with a special introduction from Mike Henry
• Audio commentaries

 

America’s most dysfunctional family, the Griffins, return with another outrageous and hilarious, uncensored volume. Follow unconventional dad Peter Griffin (SETH MACFARLANE) as he gets up to plenty of antics with the reluctant help of his caring wife Lois (ALEX BORSTEIN), their awkward daughter Meg (MILA KUNIS), dorky son Chris (SETH GREEN), maniacal baby Stewie (MacFarlane) and Brian, the family dog who is both a ladies man and a heavy drinker.

 

FAMILY GUY Volume 9 is available on a three-disc DVD set on December 13 and is perfectly priced for the holiday gift-giving season.

 

About Twentieth Century Fox Home Entertainment
Twentieth Century Fox Home Entertainment, LLC (TCFHE) is a recognized global industry leader and a subsidiary of Twentieth Century Fox Film Corporation, a News Corporation company. Representing 75 years of innovative and award-winning filmmaking from Twentieth Century Fox, TCFHE is the worldwide marketing, sales and distribution company for all Fox film and television programming, acquisitions and original productions on DVD, Blu-ray Disc Digital Copy, Video On Demand and Digital Download. The company also releases all products globally for MGM Home Entertainment. Each year TCFHE introduces hundreds of new and newly enhanced products, which it services to retail outlets from mass merchants and warehouse clubs to specialty stores and e-commerce throughout the world.

 

Follow Twentieth Century Fox Home Entertainment on Twitter @FoxHomeEnt

 

 

Review: Portman and Aronofsky Give "Black Swan" Its Wings

TRASH IN MY EYE No. 42 (of 2011) by Leroy Douresseaux

Black Swan (2010)
Running time: 108 minutes (1 hour, 48 minutes)
MPAA – R for strong sexual content, disturbing violent images, language and some drug use
DIRECTOR: Darren Aronofsky
WRITERS: Mark Heyman, Andrés Heinz, and John McLaughlin; from a story by Andrés Heinz
PRODUCERS: Scott Franklin, Mike Medavoy, Arnold Messer, and Brian Oliver
CINEMATOGRAPHER: Matthew Libatique (D.o.P.)
EDITOR: Andrew Weisblum
COMPOSER: Clint Mansell
Academy Award winner

DRAMA/THRILLER

Starring: Natalie Portman, Mila Kunis, Vincent Cassel, Barbara Hershey, Winona Ryder, and Benjamin Millepied

Black Swan in an Oscar-winning psychological thriller directed by Darren Aronofsky. It is the story of a ballerina descending into delusion and paranoia as opening night nears and the pressure to be perfect builds. Black Swan isn’t entirely satisfying, except for the dark and gleaming magic director Darren Aronofsky and star Natalie Portman make.

Nina Sayers (Natalie Portman) is a ballerina in a prestigious New York City ballet company. Her life is completely consumed with dance, and she lives with her obsessive mother, the former ballerina Erica Sayers (Barbara Hershey), who exerts a suffocating control over her daughter. Thomas Leroy (Vincent Cassel), the artistic director of her ballet company, decides to make Swan Lake the opening production of their new ballet season. Thomas wants to replace prima ballerina, Beth MacIntyre (Winona Ryder), and needs to cast a new principal dancer. But this new lead must be able to portray both the innocent and fragile White Swan and her sensual evil twin, the Black Swan.

Nina is Thomas’ first choice to play the coveted role of the Swan Queen, but Nina has competition. A new dancer named Lily (Mila Kunis) impresses Thomas as well. Swan Lake requires a dancer who can play the White Swan with innocence and grace and also capture the guile and sensuality of the Black Swan. Nina is a perfect fit for the White Swan, but bad girl Lily is the personification of the Black Swan. The two young dancers become friends, but as opening night approaches, that friendship twists into a treacherous rivalry. Nina struggles to access the dark side within her that will allow her to depict the Black Swan with perfection, but her new reckless behavior threatens to destroy her.

Black Swan is indeed a good movie; in fact, it is sometimes riveting, but not because of the writing. The script is shallow, and the screenwriters put the onus on the viewers to accept the great leaps of faith the writers make with the development of Nina Sayers. The depictions of her delusions and paranoia often seem contrived, but the writers handle Nina better than they do the other characters.

Vincent Cassel’s Thomas Leroy is such a stereotype that you can see Cassel fighting onscreen to make his character real or tangible rather than just be a type. Barbara Hershey is more successful in making Erica Sayers a character that electrifies the story every time she appears, but Erica is really a tired stage mother type. Mila Kunis is blood sugar sex magic as Lily, but I get the feeling that the screenwriters were afraid of where this character could take the story. Lily often seems like spicy seasoning overused in some places and woefully underutilized in others.

Black Swan’s success is in Natalie Portman and in the way Darren Aronofsky uses the camera to drink in every bit of Portman’s virtuoso performance. This duo makes Black Swan wonderfully creepy, almost always managing to stop whenever the entire thing seems on the verge of turning campy. Portman is passionate when being passionate is better than being intense. Black Swan looks good under Aronofsky’s bold direction. Watching this film, I believed that I could see him with a handheld camera just outside the picture frame gliding behind Portman.

Perhaps it is Aronofsky chasing Portman that makes this movie feel so wildly melodramatic. Everything that is so attractively lurid, sensational, and bracing about Black Swan is because of this director-star pairing made in heaven.

8 of 10
A

NOTES:
2011 Academy Awards: 1 win: “Best Performance by an Actress in a Leading Role” (Natalie Portman); 1 nominations: “Best Motion Picture of the Year” (Mike Medavoy, Brian Oliver, and Scott Franklin), “Best Achievement in Cinematography” (Matthew Libatique), “Best Achievement in Directing” (Darren Aronofsky), and “Best Achievement in Editing” (Andrew Weisblum)

2011 BAFTA Awards: 1 win: “Best Actress” (Natalie Portman); 11 nominations: “Best Achievement in Special Visual Effects,” “Best Cinematography” (Matthew Libatique), “Best Costume Design” (Amy Westcott), “Best Editing” (Andrew Weisblum), “Best Film,” “Best Make Up/Hair,” “Best Production Design” (Thérèse DePrez and Tora Peterson), “Best Screenplay-Original” (Mark Heyman, Andres Heinz, and John J. McLaughlin), “Best Sound,” “Best Supporting Actress” (Barbara Hershey), and “David Lean Award for Achievement in Direction” (Darren Aronofsky)

2011 Golden Globes: 1 win “Best Performance by an Actress in a Motion Picture – Drama” (Natalie Portman); 3 nominations: “Best Director - Motion Picture” (Darren Aronofsky), “Best Motion Picture – Drama,” and “Best Performance by an Actress in a Supporting Role in a Motion Picture” (Mila Kunis)

Sunday, May 22, 2011

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Review: "The Book of Eli" is Another Denzel Winner

TRASH IN MY EYE No. 2 (of 2010) by Leroy Douresseaux

The Book of Eli (2010)
Running time: 118 minutes; MPAA – R for some brutal violence and language
DIRECTOR: Albert Hughes and Allen Hughes
WRITERS: Gary Whitta
PRODUCERS: Joel Silver, Denzel Washington, Broderick Johnson, Andrew A. Kosove, and David Valdes
CINEMATOGRAPHER: Don Burgess (D.o.P.)
EDITORS: Cindy Mollo

SCI-FI/ACTION/DRAMA

Starring: Denzel Washington, Gary Oldman, Mila Kunis, Ray Stevenson, Jennifer Beals, Evan Jones, Joe Pingue, Frances de la Tour, Michael Gambon, Tom Waits, and Malcolm McDowell

Regarding The Book of Eli, I don’t really have to say that Denzel Washington is good in this film, do I? Washington is always good, usually great – even in mediocre movies. Like the performances Washington gave in his Oscar-turn, Training Day, not to mention in films like Malcolm X and The Hurricane, the performance in The Book of Eli reflects both a meticulous craftsman and an artist. The craftsman shows in the way Washington knows the habits, the mannerisms, and the other physical details that will make the audience buy Eli as a real character. The artist is the one who turns his acting, his performance, his portrayal into a work that transfixes the viewer and transports him to another world.

So we know that Washington delivers, as always, but is The Book of Eli a good film? It’s an excellent film, and is on par with The Road Warrior as a superb post-apocalyptic science fiction film. The Book of Eli takes place in the not-too-distant future, about 30 years after some kind of nuclear war. The cities are apparently largely empty; the highways are broken, and the earth is thoroughly seared. The most noticeably absent color is green, and everything looks faded and washed out.

Across this wasteland where there is no civilization and no law, a solitary man named Eli (Denzel Washington) walks, heading west. He hopes to find a place, a city where there is a spot of civilization. There, he can deliver a mysterious book he carries. A warrior by necessity, Eli is a peaceful man, but when challenged, he uses almost supernatural speed, cunning, and fighting skill to cut his attackers down before they realize their fatal mistake in fooling with him (think Wesley Snipes’ Blade character).

In a makeshift town, Eli finds his most dangerous adversary yet, Carnegie (Gary Oldman), a self-appointed despot with a small army of thieves and gunmen. Besides Eli, Carnegie is the only one who realizes the power of Eli’s mysterious book. However, Carnegie’s stepdaughter, Solara (Mila Kunis), surprisingly becomes fascinated by Eli, and her decision to choose between Eli and Carnegie will change each man’s fate.

Besides Washington, Gary Oldman also delivers a grand performance, creating the broken down tyrant Carnegie in subtle layers, giving this film the kind of showy crackpot that every action movie needs. In Oldman’s hand, however, this loud, crazy, killer villain is always way, way more than the standard bad guy.

There are other things about The Book of Eli that capture my attention. The religious and spiritual elements are probably the secret ingredients that make this film a winning dish. Or let’s say religion is the independent voter that wins The Book of Eli the election. I think that Hollywood often forgets the complex flavors that Christian elements and themes can give science fiction films.

The other thing that just blows my mind is how good the Hughes Brothers are at directing films (and music videos). Albert and Allen Hughes have both the eye and the visual storytelling acuity in which to tell gripping, grabbing narratives in the motion picture medium. Everything that the brothers direct the camera to capture – a still moment, a scene that cuts from one place to another, a long moving shot – not only looks great, but is also mesmerizing storytelling. The truth is that these guys just don’t make movies as often as they should, and they are robbing us of their amazing talent.

The Book of Eli is the first fantastic film of 2010, which is reason enough to see it. Seeing the under-utilized Jennifer Beals and getting a Malcolm McDowell cameo are obviously delightful extras.

8 of 10
A

Monday, February 01, 2010

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