Negromancer News Bits and Bites from June 12th to 18th, 2022 - Update #16

by Leroy Douresseaux a.k.a. "I Reads You"

You can support Leroy via Paypal or on Patreon:

ENTERTAINMENT AND CULTURE NEWS:

SPORTS - From YahooSports:  The Golden State Warriors are the 2022 NBA World Champions.  They beat the Boston Celtics 103-90 in Game 6 of the 2021-22 NBA Finals Championship Series to win the best-of-seven series 4 games to 2. This is the Warriors fourth title in eight years.

EMMYS - From Deadline:  Chris Rock and Dwayne Johnson have been approached about hosting this year's Primetime Emmy Awards ceremony on NBC this Sept. 1st, although neither is expected to accept the offer.

NETFLIX - From Deadline:  Melissa McCarthy and Amy Schumer are among the stars appearing in Jerry Seinfeld's Netflix comedy film, "Unfrosted: The Pop-Tart Story."

ANIMATION - From Deadline:  Brian Cox, Gaia Wise, and Miranda Otto have joined the voice cast of New Line Cinema and Warner Bros. Animation's "The Lord of the Rings: The War of Rohirrim."

MOVIES - From Deadline:   "Man on Fire" costars Denzel Washington and Dakota Fanning will reunited on Sony's "The Equalizer 3," which is due September 2023.

TELEVISION - From Deadline:  Malcolm-Jamal Warner, Wendell Pierce, and Karen LeBlanc will star in an episode of Fox's anthology crime drama, "Accused," which focuses on defendants on trial.

From Deadline:  The syndicated talk show, "The Wendy Williams Show," will officially end Fri., June 17th, with its final original episode after a 13 year run.  Williams will not be present for the final episode.  In the fall, it will be replaced by a syndicated talk show hosted by Sherri Shepherd.

TONY AWARDS - From Variety:  Here is complete list of winners at the 2022 / 75th Tony Awards, held Sun., April 12, 2022.  "A Strange Loop" wins "Best Musical" and "The Lehman Trilogy" wins "Best Play."

From Variety:  Singer-actress Jennifer Hudson has become the 17th "EGOT" recipient.  That is a person who has won an Emmy, Grammy, Oscar, and Tony Award. Hudson won her Tony last night for producing "A Strange Loop."

BOX OFFICE - From BoxOfficePro:  The winner of the 6/10 to 6/12/2022 weekend box office is "Jurassic World: Dominion" with an estimated take of 143.3 million dollars.

DISNEY - From Variety:  Chris Evans, star of Disney/Pixar's "Lightyear," talks about the intimidation of voicing a character made famous by the voice of actor, Tim Allen.

OBITS:

From YahooEntertainment:  Actor Philip Baker Hall has died at the age of 90, Sunday, June 12, 2022.  Hall was in his late 30s when his prolific film and TV career began with the film "Cowards."  He played numerous character roles on TV series and in television films.  He may be best remembered for his role as the hard-nosed library detective, Lt. Joe Bookman, on Season 3 Episode 5, "The Library," on NBC's former sitcom, "Seinfeld," in which he was hunting down a book that Jerry Seinfeld had borrowed in 1971 and never returned.  Hall was also known for his lead role in Paul Thomas Anderson's 1996 film, "Hard Eight," and for his supporting role in Anderson's 1997 film, "Boogie Nights."

From THR:  Film and television costume designer, May Routh, has died at the age of 87, June 1, 2022.  Routh began as a fashion illustrator for such magazines and "Elle" and "Vogue" before she began working in film and television.  She is best known for her work on such films as "The Man Who Fell to Earth" (1976) and "Being There" (1979).  Routh also received Emmy nominations for her work on the TV films, "Lucy & Desi: Before the Laughter" (CBS, 1991) and "Andersonville" (TNT, 1996).

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UVALDE, TEXAS MASS SHOOTING:

From YahooAP:  An 18-year-old gunman slaughtered 19 children and two teachers on Tues., May 24th, 2022 in Uvalde, Texas.  All 21 victims were in the same 4th grade classroom at Robb Elementary.

From Jacobin:  "The Uvalde Massacre has exposed the lies that once justified police militarization" by Branko Marcetic

From Truthout:  We don’t need more evidence that police can’t be trusted.

From Truthout:   44 percent of GOP voters view mass shootings as part of living in “Free Society”

From ABCNews:  Arnulfo Reyes, a teacher who survived the school massacre in Uvalde, Texas, calls the local police "cowards" because of slow response to an active shooter at his school, Robb Elementary.  All of 11 students in his class were killed.

From DallasNews:  Joe Garcia, the husband of Irma Garcia, one of the two teachers killed at Robb Elementary in Uvalde, Texas, has died of a heart attack two days after the murder of his wife.  They had been married for 24 years and had been high school sweethearts.

From Axios:  Texas gubernatorial candidate, Beto O'Rourke, interrupted Texas Gov. Greg Abbott's gaslighting press conference on the Uvalde elementary school mass shooting.

From USAToday:  Beto O'Rourke's outburst at Gov. Greg Abbott's Uvalde news conference shows the spine Democrats need.

From BostonGlobe:  Steve Kerr, head coach of the NBA's Golden State Warriors, asks "When are we going to do something?"

From NBCNews:  A Robb Elementary teacher describes "the longest 35 minutes of my life" and the terror she now feels.

From NBCNews:  The Uvalde school district had an extensive safety plan, but 19 children were killed at Robb Elementary anyway.  Even security plans that appear to be up to the latest research-based standards may have gaps and fall short of preventing the worst-case scenario, experts said.

From MSN:  Angeli Rose Gomez, the mother who was handcuffed outside Robb Elementary in Uvalde, Texas, was able to get inside the school and rescue her two children.

From YahooNews:   Daniel Defense, the maker of the rifles used by the Uvalde massacre killer, has used "incendiary ads" in the past, including one in which a toddler holds one of its rifles.

From TheIntercept:  The police aren't obligated to protect anyone NOT in their custody, as the Supreme Court has ruled twice.

From RollingStone:  Right wing lies about the Second Amendment and why they tell them are killing America's childrne.

From Vice:  The law enforcement personnel in Texas that arrived at Robb Elementary in Uvalde, Texas on Tues., May 24th did the opposite of what their own training documentary videos show.

From Vox:  Uvalde police keep changing their story.

From TheDailyBeast:  The families in Uvalde, Texas who lost loved one in the Robb Elementary massacre say that the cops there are "Nothing more than cowards" and that they need to pay for doing nothing while a gunman rampaged through the school last Tues, May 24th.

From TheNewYorker:  Thoughts and prayers, Uvalde, Texas. This is the America that Republicans and the right wing have being thinking about and praying for all these decades.

From ABC:  Sources say that Uvalde police and school district no longer cooperating with Texas probe of shooting of the May 24th massacre of 19 children and two teachers at Robb Elementary in Uvalde, Texas.

From GuardianUK:  Canada plans to freeze all handgun ownership.

From RSNWashPost:  Is it time to show the true horror of mass shooting - in pictures?

From MSN:  Angeli Gomez, the Uvalde mother who rescued her two children from the Robb Elementary shooting massacre, says that a police officer threatened to arrest her if she did not stop telling her story.

From RSNTheAtlantic:  The Uvalde police chose dishonor. Where was there courage?

From RSNWashPost:  Brenda Bell:  I hid from the Texas Tower sniper (Charles Joseph Whitman) in 1966. His successors have found us all.

From RSNTheIntercept:  "AR-15s Were Made to Explode Human Bodies. In Uvalde, the Bodies Belonged to Children" by Murtaza Hussain

From RSNNPR:  The tragic history of police responding too late to active shooters.

From VICE:  There is likely bodycam footage of the school shooting in Uvalde, TX, but the public may never see it.

BLM-BUFFALO:

From ABCNews:  A 18-year-old white MAN shot 13 people, killing 10 at a Buffalo, New York Tops Friendly Markets supermarket on Saturday, May 14, 2021.

From RSNAP:  The white male suspect in the Buffalo Tops Supermarket shooting, Payton Gendron, was charged with federal hate crimes on Wed., June 15th and could face the death penalty if convicted.

From Truthout:  The racist attack in Buffalo at the Tops Friendly supermarket was crafted to terrorize us.  We can fight back, and here’s how we fight back.

From WGRZ:  Who are the victims of the Buffalo Tops Friendly Markets grocery store shooting. This comes from local station WGRZ Channel 2 and includes video and some victim photos.

From BuffaloNews:  One of the 10 Black murder victims of the Buffalo massacre was Katherine "Kat" Massey.  She was a leader in her community and civil rights activist and advocate for education.

From NewYorkPost:  One of the 10 Black murder victims of the Buffalo massacre was Andre Mackniel. He was at TOPS Supermaket to pick up a birthday cake for his son.

From Truthout:  The racist attack in Buffalo, NY at the Tops supermarket was crafted to terrorize us, so here is how we fight back.

From CNN:  What is known about the 18-year-old MAN, Payton Gendron.

From NPR:  198 mass shooting this year ... so far.

From Truthout:  White supremacist massacre of 10 people in Buffalo, NY shows that the “Alt-Right” ideology leads to murder.

From RollingStone:  Buffalo rampage killing is "Straight Up Racially Motivated Hate Crime."

From InformedComment:  Rene Binet, the originator the "great replacement" was a French Nazi, and he saw all American as "Negroes," an "impure mestizo 'race'."

From WashPost:  Only 22 people saw the live-stream of a white terrorist kill Black shoppers at the Buffalo Tops Friendly Markets supermarket, but millions have seen it since...

From GuardianUK:  Buffalo Tops Friendly Markets shooter may have been motivated by "eco-fascism," a focus on overpopulation and environmental degradation.

From RSN:  "What Lessons Have We Learned From the Buffalo Shooting?" by Kareem Abdul-Jabbar.

From Truthout:  “Innocent” White People Are Also Complicit in the Anti-Black Murders in Buffalo by George Yancy.

From Truthout:  "Black Lives Matter" cofounder discovered that Alicia Garza has learned that her name is mentioned in the Buffalo Tops supermarket killer's manifesto.

From GuardianUK:   Cornell West says, "Trump isn't out there with a gun, but he's enabled this war against Black people.

From Slate:  From the Tulsa Race Massacre to the Buffalo Tops Friendly Markets shootings: the legacy of anti-Black violence.

From Truthout:  After mass shootings, Republicans shield white supremacists from scrutiny

From MSN:  Angeli Gomez, the Uvalde mom who rescued her children from the school shooting at Robb Elementary, says that local police have threatened to have her arrested if she does not stop telling her story.

UKRAINE:

From TheDailyBeast:  Russian soldiers allegedly raped and killed a 1-year-old Ukrainian boy and have reportedly raped or sexually abused children as young as 9 months old.

HATE WATCH:

From NPR:  31 members of the white nationalist Patriot Front arrested near a "Pride Month" event in Coeur d'Alene, Idaho.  They are believed to have been planning to riot held at a local before moving on to rioting downtown.  They were not the only haters trying to sour the "Pride in the Park" event, which included families with children.

From SpokesmanReview:  The Kootenai County Sheriff’s Office released the names and photos of all 31 "Patriot Front" members who are suspects in a planned riot at the "Pride Month" event in Coeur d'Alene, Idaho.

Negromancer News Bits and Bites from October 24th to 31st, 2021 - Update #25

by Leroy Douresseaux a.k.a. "I Reads You"

You can support Leroy via Paypal or on Patreon:

ENTERTAINMENT AND CULTURE NEWS:

BOX OFFICE - From BoxOfficePro:  The winner of the 10/29 to 10/31/2021 weekend box office is "Dune" with an estimated take of 15.53 million dollars.

MOVIES - From io9:  Daisy Ridley of Star Wars fame ("Rey Skywalker") returns to science fiction with the upcoming film, "Mind Fall."

TELEVISION - From THR:  Former First Lady Michelle Obama will appear on an episode of the ABC sitcom, "black-ish," on this its eighth and final season.

CELEBRITY - From TheBigIssue:  The veteran actor, Brian Cox, has a biography, "Putting the Rabbit in the Hat," and he has a lot to say about major stars with whom he has worked.

MOVIES - From Variety:  The sequel or second part of the recently released "Dune" has been greenlit by its production company, Legendary Entertainment.

BOX OFFICE - From BoxOfficePro:   The winner of the 10/22 to 10/24/2021 weekend box office is "Dune" with an estimated take of 40.1 million dollars?

From Negromancer:  Here is my review of "Dune" 2021.

From THR:  Wes Anderson’s "The French Dispatch" posted the top opening theater average of the pandemic era.  The Searchlight Pictures movie grossed $1.3 million from 52 cinemas in 14 U.S. markets, or $25,000 per location. 

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MUSIC/POLITICS - From Jacobin:  In an interview with "Jacobin," Michael Stipe, the former lead singer of the band, R.E.M., and film producer, explains why he supported Bernie Sanders.

MOVIES - From THR:   In March 1993, Brandon Lee, son of martial arts legend Bruce Lee, was fatally wounded by a prop gun while filming "The Crow."  He was 28.  In the wake of an accidental shooting death on the set of the Western, "Rust," Brandon's sister, Shannon, and members of her family support banning real guns from Hollywood sets.

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"RUST" ACCIDENTAL SHOOTING DEATH:

From Deadline:  This link will take you to Deadline's Halyna Hutchins page, which articles related to everything about her shooting death on the set of the Western film, "Rust."

From THR:   Hannah Gutierrez-Reed, the armorer on the film, "Rust," released a statement through her lawyers.  She says she had “no idea where the live rounds came from” that were recovered by the Santa Fe County Sheriff's during the investigation of the accidental on-set shooting death of Halyna Hutchins.

From Jacobin:  An opinion piece says that cinematographer Halyna Hutchins' death on the set of the film, "Rust," was not a freak accident, but was about Alec Baldwin and his fellow producers' cost-cutting decisions.  Baldwin accidentally fired the gun that killed Hutchins.

From Deadline:   Two of executive producers on "Rust," Allen Cheney and Emily Salveson, disavow responsibility for the film's troubled production.

From THR:   Iconic "Ghostbusters" actor Ernie Hudson is reeling from the news of the death of Halyna Hutchins, like the rest of Hollywood. Hudson also appeared in the film, "The Crow," the film in which its star, Brandon Lee, was killed because of an on-set accidental shooting.  He also agrees with the call to ban real guns from movie sets.

From THR:  The Sheriff of Sante Fe County says that his office has recovered three guns and 500 rounds of ammunition from the set of the movie "Rust" where cinematographer Halyna Hutchins was killed.

From Deadline:  Regarding criminal charges in the death of Halyna Hutchins on the set of the film "Rust," District Attorney Mary Carmack-Altweis, "all options are on the table - no one has been ruled out."

From THR:  Does Hollywood Need Guns? Will new regulations lead to an overreactions to a tragedy.

From Deadline:   "Rust" producers have opened an internal investigation into the fatal shooting on the set of the Western film.  They have hired outside lawyers to conduct interviews with the film's production crew.

From Deadline:  "Rust's" AD (assistant director), Dave Halls, has come under scrutiny in the wake of the on-set shooting death of the film's cinematographer, Halyna Hutchins.

From Deadline:  The affidavit of Sante Fe Sheriff's Department Detective Joel Cano has been made public. It can be read at "Deadline."  The affidavit was for a search warrant from the property were the Western, "Rust," was being filmed.

From THR:  The production company behind "Rust" has shut the film down until the police investigation into the fatal, on-set shooting of cinematographer Halyna Hutchins is through.  The Sante Fe County Sheriff's Office has also revealed a timeline of the shooting.

From Deadline:  The Santa Fe Sheriff’s Department confirmed Thursday night that Alec Baldwin “discharged” a prop gun on the New Mexico set of the movie, "Rust."  As a result, one crew member, director of photography Halyna Hutchins, was killed and director Joel Souza was injured and remains in a local hospital - his condition unknown.

From THR:  "Rust" director, Joel Souza, who was wounded in the accidental on-set shooting, says that he is "gutted" by the death of his cinematographer on the film, Halyna Hutchins.

From Deadline:  The fatal shooting on the set of "Rust" may have been "recorded" according to detective for Santa Fe Sheriff's Department.

From Deadline:  The production company behind the film, "Rust," will launch an internal safety review after the fatal accident that killed Halyna Hutchins; possible prior gun incidents; and a camera crew walkout.

From CNN:   Crew member yelled "cold gun" as he handed Alec Baldwin prop weapon, court document shows.

From Variety:  Actor Alec Baldwin releases statement on the death of Halyna Hutchins: "There are no words to convey my shock and sadness."

From Variety:  The prop gun that killed “Rust” cinematographer Halyna Hutchins and wounded director Joel Souza on during an on-set accident on Thursday contained a “live single round,” according to an email sent by IATSE Local 44 to its membership.

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OBITS:

From Deadline:  The Canadian-born American comedian, actor, and satirist, Mort Sahl, has died at the age of 84, Tuesday, October 26, 2021.  Sahl's acerbic comedy and social commentary paved the way for comedians like Lenny Bruce, Richard Pryor, and George Carlin.  Sahl hosted the first Grammy Awards ceremony in 1959 and also co-hosted the 1959 Academy Awards.  His 1958 album, "Mort Sahl at Sunset" is considered the first stand-up comedy album.

From THR:   Actor James Michael Tyler has died at the age of 59, Sunday, October 24, 2021.  He was best known for his recurring role on NBC's "Friends," where he played "Gunther," the barista at the coffee shop, "Central Perk," a role he played for about 150 episodes.

From THR:  Hollywood storyboard artist, David Negron, Sr., has died at the age of 85, Tuesday, October 12, 2021.  Negron was also a film illustrator and conceptual painter.  Negron did conceptual work on "Raiders of the Lost Art" (1981), "Blade Runner" (1982), and "Jurassic Park" (1993).  He produced storyboards for such films as "Masters of the Universe" (1986), "Ghost" (1990), and "Evolution" (2001).

Review: I Can't Help But Love "Her"

TRASH IN MY EYE No. 40 (of 2014) by Leroy Douresseaux

Her (2013)
Running time:  126 minutes (2 hours, 6 minutes)
MPAA – R for language, sexual content and brief graphic nudity
WRITER/DIRECTOR:  Spike Jonze
PRODUCERS:  Megan Ellison, Spike Jonze, and Vincent Landay
CINEMATOGRAPHER:  Hoyte Van Hoytema (D.o.P.)
EDITORS:  Jeff Buchanan and Eric Zumbrunnen
COMPOSER:  Will Butler and Owen Pallett
MUSIC:  Arcade Fire
Academy Award winner

SCI-FI/DRAMA/ROMANCE

Starring:  Joaquin Phoenix, Scarlett Johansson (voice), Amy Adams, Rooney Mara, Chris Pratt, Matt Letscher, Olivia Wilde, Gracie Prewitt, Laura Kai Chen, and Brian Cox (voice)

Her is a 2013 romantic drama and science fiction film from writer-director Spike Jonze.  The film focus on a lonely writer who develops an unlikely relationship with the new operating system he bought for his computer and hand-held device.

Her is set in an indeterminate near-future and focuses on Theodore Twombly (Joaquin Phoenix), a lonely, introverted man.  Theodore works for BeautifulHandwrittenLetters.com, a business that writes heartfelt, intimate, and deeply personal letters for people who cannot write such letters.  Theodore is struggling with an impending divorce from his wife, Catherine Klausen (Rooney Mara), who was his childhood sweetheart.

To help get his life in order, Theodore buys a new operating system (OS) from Element Software.  This OS is an artificially intelligent operating system that is designed to adapt and evolve.  Taking on the persona of a human female, the OS names itself “Samantha” (Scarlett Johansson).  [Of note: actress Samantha Morton originally provided the voice of the OS, before Jonze replaced her, with her consent.]  Her ability to learn and to grow psychologically fascinates Theodore.  Samantha and Theodore bond over discussions about love and life, and Samantha is constantly available and is designed to meet his every need.  She is always curious about Theodore and is interested in him and his life; she is supportive and does not make demands... at least for a while.  Theodore is in love with her, but, as she changes, can Theodore sustain this relationship?

Her is one of the best movies of 2013, and, after watching it, I can certainly see why some thought it was the best picture of 2013.  I think what Her does best is to evoke feelings in the viewer; it is as if director Spike Jonze wants viewers to feel his movie.  I did.

There is a lot that goes into making a special movie, and several people made this movie one of the best.  In Her,  Joaquin Phoenix does not give one of his best or most adventurous performances, but his subtle and nuanced take on a puppy-love struck, lonely man is endearing.  He carries this picture, as well as the viewers' expectations, so his performance is so good that even if it isn't his best, it is still better than most by other actors.

The film's score by Will Butler and Owen Pallett is oddly compelling and queerly futuristic without feeling too far-flung.  The score was apparently performed by the Grammy-winning band, Arcade Fire, of which Butler is a member.  Hoyte Van Hoytema's gorgeous cinematography is curiously in sync with the score, and it also seems like it belongs to another day.  In fact, the art direction and set decoration helps to maintain that almost futuristic, edge-of-tomorrow vibe.

The foundation of Her is Spike Jonze's screenplay, which earned him an Academy Award.  It is deeply romantic, heartfelt, and sentimental; it is like a romance novel without melodrama and schmaltz.  The writing is thoughtful and provocative, one of the best examples of a screenplay that takes on science fiction without being taken over by sci-fi genre trappings.

I often wonder if science fiction is still relevant; some of it seemed clueless about the lives that many people lived in the late 20th century.  I don't know how much science fiction can address pertinent issues in the early 21st century, but I know one science fiction film that did.  I think that by plot, by the issues it tackles, and by what it depicts, Her is relevant now and will be in the future.  With Her, Spike Jonze does not do science fiction prediction.  Instead, he addresses the unchanging aspects of humanity as it grapples with a changing world and evolving environment.  What a way to bring new life to the love story.

9 of 10
A+

Wednesday, September 3, 2014


NOTES:
 2014 Academy Awards, USA:  1 win: “Best Writing, Original Screenplay” (Spike Jonze); 4 nominations: “Best Motion Picture of the Year (Megan Ellison, Spike Jonze, and Vincent Landay), “Best Achievement in Music Written for Motion Pictures, Original Score” (Will Butler and Owen Pallett), “Best Achievement in Music Written for Motion Pictures, Original Song” (Karen O-music and lyrics and Spike Jonze-lyrics for "The Moon Song"), and “Best Achievement in Production Design) “K.K. Barrett-production design and Gene Serdena-set decoration)

2014 Golden Globes, USA:  1 win “Best Screenplay - Motion Picture” (Spike Jonze); 2 nominations: “Best Motion Picture - Comedy or Musical” and “Best Performance by an Actor in a Motion Picture - Musical or Comedy” (Joaquin Phoenix)

The text is copyright © 2014 Leroy Douresseaux. All Rights Reserved. Contact this site for syndication rights and fees.

Review: "Super Troopers" Can Be Funny (Happy B'day, Jay Chandrasekhar)

TRASH IN MY EYE No. 36 (of 2002) by Leroy Douresseaux

Super Troopers (2001)
Running time:  100 minutes (1 hour, 40 minutes)
MPAA – R for language, sexual content and drug use
DIRECTOR:  Jay Chandrasekhar
WRITERS:  Broken Lizard (Jay Chandrasekhar, Kevin Heffernan, Steve Lemme, Paul Soter, and Erik Stolhanske)
PRODUCER:  Richard Perello
CINEMATOGRAPHER:  Joaquín Baca-Asay
EDITORS:  Jumbulingam (Jay Chandrasekhar), Jacob Craycroft, and Kevin Heffernan
COMPOSERS:  38 Special

COMEDY

Starring:  Jay Chandrasekhar, Kevin Heffernan, Steve Lemme, Paul Soter, Erik Stolhanske, Marisa Coughlan, Brian Cox, Daniel van Bargen, Michael Weaver, Dan Fey, Jim Gaffigan, and Lynda Carter

The subject of this movie review is Super Troopers, a 2001 comedy starring the comedy troupe, Broken Lizard, and directed by member, Jay Chandrasekhar.  The film focuses on five Vermont state troopers, who are pranksters and screws ups, trying to outperform an overachieving local police department.  Although Super Troopers was shown at the 2001 Sundance Film Festival, it did not receive a national U.S. theatrical release (by Fox Searchlight Pictures) until 2002.

Movie reviewers often take the easy road or the high-minded road when they opine on what we film lovers call the guilty pleasure – the bad movie that is “really (seriously, now) entertaining.”  So a movie often has to be taken for what it is, and what it is may not amount to very much.  Perhaps the filmmakers were expressing themselves in the only way they knew.  They were being themselves or being true to their game.  Or maybe speaking in their own voices and not in someone else’s voice, and they made a movie just to have a silly time.

This is Super Troopers, and for the sake of the usual argument, this is a poorly constructed movie.  It’s way too long, has a poor story, a predictable plot and premise, a boring setting, and is set in an indeterminate time, etc.

The plot, in which the appealing underdogs must overcome the overachieving jerks in order to save their low rent livelihoods, is the stiff upon which this cast hangs their act, and the act is the show.

Broken Lizard is a New York and Los Angeles based comedy troop made up of this movie’s director and his co-writers.  The movie is merely a vehicle for their uproarious act.  I’ve never seen them onstage, but, based upon this funny (no, really) film, I’m anxious to taste them.  They are difficult to categorize.  They aren’t slackers, because they lack the phony Gen X cool, and they aren’t thugs, ruffians, and lowlifes.  Goofy and dumb doesn’t quite fit.

They’re like regulars guys, and their extreme antics are their means to wile away the extreme boredom, continued dullness, and constant pain-in-the-ass throb of life.  Their sexual antics are loud without being raunchy.  Their act is harmful, but like “Beavis and Butthead” and “Bart Simpson,” they are mostly harmful to themselves.  Broken Lizard comes across as regular guys having a way too wild time.

When you watch Super Troopers, you can forget about what a movie is supposed to be like and what’s supposed to be in a movie, you just have a great time laughing at these clowns.

Yeah, maybe the show does go on a bit too long, as if Broken Lizard is not aware that as funny as they are, they can wear out their welcome, but that doesn’t take away from the fun, not by much.

6 of 10
B

Updated:  Wednesday, April 09, 2014

The text is copyright © 2014 Leroy Douresseaux. All Rights Reserved. Contact this site for syndication rights and fees.

Review: Spike Lee's "25th Hour" Focuses on Mood (Remembering Philip Seymour Hoffman)

TRASH IN MY EYE No. 116 (of 2006) by Leroy Douresseaux

25th Hour (2002)
Running time:  135 minutes (2 hours, 15 minutes)
MPAA – R for strong language and some violence
DIRECTOR:  Spike Lee
WRITER:  David Benioff (based upon his novel, The 25th Hour)
PRODUCERS:  Spike Lee and Jon Kilik and Julia Chasman and Tobey Maguire
CINEMATOGRAPHER:  Rodrigo Prieto
EDITOR:  Barry Alexander Brown
COMPOSER:  Terrence Blanchard
Golden Globe nominee

DRAMA

Starring:  Edward Norton, Philip Seymour Hoffman, Barry Pepper, Rosario Dawson, Anna Paquin, Brian Cox, Tony Siragusa, Tony Devon, and Isaiah Whitlock, Jr.

The subject of this movie review is 25th Hour, a 2002 drama from director, Spike Lee.  The film is based on The 25th Hour, a 2001 novel by David Benioff, who also wrote the screenplay for this film.  25th Hour the movie focuses on a convicted New York City drug dealer who reevaluates his life in the last 24 hours of freedom he has before he begins serving a seven-year jail term.

Montgomery “Monty” Brogan (Edward Norton) is just a day away from entering prison on a seven-year stint for dealing heroin.  He spends the last 24 hours of his freedom with his two best friends – his childhood buddies, Frank (Barry Pepper), a Wall Street bond trader; and Jakob (Philip Seymour Hoffman), a high school English teacher; and his girlfriend, Naturelle (Rosario Dawson).  They plan to party the night away at their New York City haunts as they ruminate on the their pasts and futures and on 9/11.  Monty also touches base with his widower father, Frank (Brian Cox), who has trouble dealing with what has happened to his only child.

Spike Lee’s 25th Hour isn’t so much about plot and story as it is about emotions and moods.  The story is certainly compelling – a man trying to find some closure the last day of is freedom (especially when one considers that Monty Brogan really doesn’t look like he’s going to do well in prison).  However, Lee emphasizes the raw feelings and powerful emotions, as well as the thoughts that press and weigh on the mind of a condemned man.  It makes for some riveting scenes, such as the one in which Monty asks Frank to help him get the right look for prison (by beating him up).  There is an equally poignant, heart-rending, and ultimately beautiful monologue in which Monty’s dad, Frank, offers him a vision for a better tomorrow.  Combine that with the 9/11 references, and this is a New York film that is familiar to us all.

There are good performances all around, making the most of Lee’s stunning succession of potent moods.  No really stands out, because all the leads: Norton, Hoffman, Pepper, Dawson and Cox get at least a few chances to show their dramatic chops in an earthy way that tests their intellects as actors.  The film does dry up in a few places, but its closing sequence will remind viewers of how well a film can capture the human story.

8 of 10
A

NOTES:
2003 Golden Globes, USA:  1 nomination: Best Original Score - Motion Picture (Terrence Blanchard)

2003 Black Reel Awards:  3 nominations: “Theatrical - Best Supporting Actress” (Rosario Dawson), “Theatrical - Best Director” (Spike Lee), “Best Film” (Spike Lee, Tobey Maguire, Jon Kilik, and Julia Chasman)

Saturday, May 27, 2006

Updated:  Monday, February 03, 2014

The text is copyright © 2014 Leroy Douresseaux. All Rights Reserved. Contact this site for syndication rights and fees.

Review: "Red 2" Not Quite as Fresh as "Red"

TRASH IN MY EYE No. 84 (of 2013) by Leroy Douresseaux

Red 2 (2013)
Running time:  116 minutes (1 hour, 56 minutes)
MPAA – PG-13 for pervasive action and violence including frenetic gunplay, and for some language and drug material
DIRECTOR:  Dean Parisot
WRITERS:  Jon Hoeber and Erich Hoeber (based on characters created by Warren Ellis and Cully Hamner)
PRODUCERS:  Lorenzo di Bonaventura and Mark Vahradian
CINEMATOGRAPHER:  Enrique Chediak (D.o.P.)
EDITOR:  Don Zimmerman
COMPOSER:  Alan Silvestri

ACTION/COMEDY with elements of drama and romance

Starring:  Bruce Willis, Mary-Louise Parker, John Malkovich, Helen Mirren, Anthony Hopkins, Byung-hun Lee, Catherine Zeta-Jones, Neal McDonough, David Thewlis, Tim Pigott-Smith, and Brian Cox

Red 2 is a 2013 action comedy from director Dean Parisot.  The film is a sequel to the 2010 film, Red.  Red 2 is inspired by Red, the comic book miniseries by Warren Ellis and Cully Hammer that was the basis for the first film.  Red 2 stars Bruce Willis as a retired CIA agent who joins his unique friends to find a long-missing nuclear weapon.

As Red 2 begins, retired CIA operative, Frank Moses (Bruce Willis), is enjoying domestic bliss with his girlfriend, Sarah Ross (Mary-Louise Parker).  His old friend and former operative, Marvin Boggs (John Malkovich), warns Frank that people are still after them.  In fact, a group of government agents approach Frank, claiming that they must interrogate him because he is R.E.D. (retired, extremely dangerous).

After Jack Horton (Neal McDonough), another government agent, tries to kill him, Marvin tells Frank that they are being tracked because of their knowledge of an old secret operation called, “Project Nightshade.”  Reluctantly, Frank reunites his unlikely team of elite operatives to solve the mystery of Nightshade, but he discovers that Sarah insists on being part of the team and she also wants her own gun.

Red 2 is fun to watch, but it lacks the sparkle that Red had as something new and different.  Red 2 is best when it focuses on the trio of Frank, Sarah, and Marvin.  Victoria Winslow (Helen Mirren) returns, but the character seems tacked on, at least until the last act when she really becomes useful.  The new characters are a mixed bag.  They have their good moments, but most of the time they come across as nothing more than as an excuse to cast movie stars in flashy small roles.  No-name actors could have done as good if not better than Anthony Hopkins and Catherine Zeta-Jones did in vacuous supporting roles.  I bet creating the character, Han Cho Bai, and casting Byung-hun Lee was nothing more than an attempt by this film’s producers to pander to the audience in the expanding East Asian market for American films.

Another thing that hampers this new film is all that globe-trotting the character do.  Red offered a jaunt across the landscape of American secret agent men and women.  Red 2 bops around Europe like a clumsy comic take on a Jason Bourne movie.

That said, I got a kick out of every scene that focused on the team of Frank, Sarah, and Marvin.  I give Red 2 a grade of “B” because of this threesome.  A “Red 3” would do well to focus on what I call the “Red trio.”

6 of 10
B

Tuesday, December 31, 2013


The text is copyright © 2013 Leroy Douresseaux. All Rights Reserved. Contact this site for syndication rights and fees.

Review: "Match Point" Goes for the Fatal Attraction (Happy B'day, Woody Allen)

TRASH IN MY EYE No. 92 (of 2006) by Leroy Douresseaux


Match Point (2005)
Running time: 124 minutes (2 hours, 4 minutes)
MPAA – R for some sexuality
WRITER/DIRECTOR: Woody Allen
PRODUCERS: Letty Aronson, Lucy Darwin, and Gareth Wiley
CINEMATOGRAPHER: Remi Adefarasin
EDITOR: Alisa Lepselter
Academy Award nominee

DRAMA with elements of romance and thriller

Starring: Jonathan Rhys-Meyers, Scarlett Johansson, Emily Mortimer, Matthew Goode, Brian Cox, Penelope Wilton, and Colin Salmon

The subject of this review is Match Point, a 2005 dramatic thriller from director Woody Allen. The film was originally to be set in the Hamptons, but the setting was changed to London because the financing for the film came from sources based in the United Kingdom. Match Point follows a former tennis pro and his volatile relationship with a femme fatale.

Chris Wilton (Jonathan Rhys-Meyers), a tennis pro who recently left the professional ranks, takes a job as a tennis instructor at a high society social club near London. There, he meets and strikes up a friendship with Tom Hewett (Matthew Goode), the only son of a wealthy family from the British upper crust. Chris also meets Tom’s fiancé, Nola Rice (Scarlett Johansson), this movie’s femme fatale (so to speak) and an American actress struggling with her career in London. Chris also attracts the eye of Tom’s sister, Chloe (Emily Mortimer), who is immediately attracted to Chris. Chloe practically throws herself at Chris, but it has benefits. Tom and Chloe’s father, Alec Hewett (Brian Cox), a very wealthy and highly connected businessman, takes an immediate liking to Chris. Before long, Alec’s connections have landed Chris a cushy business job, and Chris social climbs his way to improved social status and finances, especially for a man who grew up a poor Irish boy. Chris marries Chloe. However, Chris is infatuated with Nola, and they have an affair that lasts even after Tom’s dumps her, and Nola is a very demanding woman. She wants Chris to leave Chloe for her, and Chris begins to wonder if violence is the only way out of his predicament.

Woody Allen earned his fourteenth Oscar nomination for screenwriting (more than anyone else and all of them “Written Directly for the Screen”) with his only film shot entirely in Great Britain, Match Point. Match Point, also his longest film, is almost the typical Woody Allen film except that this is a straight drama with no comedic elements (one of the few times he’s done that and the first time since the late 1980’s). As per usual, there is a philandering husband and a mistress, but the mistress Nola’s rage has an edge to it that a comic narrative would temper. There are class differences among the characters, except the disparity here between the pair of Chris and Nola and the Hewett’s is a chasm. There is an unhappy marriage, except in this film the husband is totally to blame and an idiot. Chloe is great to Chris, and she and her family throw wealth and privilege at him that could have easily gone to someone who was already in Chloe’s social set. Finally, Allen, as always, discusses philosophy in his movie, but in the case of Match Point’s drama, the philosophy isn’t meandering. Chris’ belief that luck is more important than hard work, as important as he believe hard work indeed is, defines this film. There’s no mock comic philosophizing here as there sometimes is in an Allen movie.

The acting is good, but not great. I’ve come to accept that Scarlett Johansson is beautiful (though not “classically” beautiful), and that while she looks good on the screen, she doesn’t have major acting chops. Her best acting is done with her face and not with her voice, in particularly delivering dialogue. She also has zero chemistry with Jonathan Rhys-Meyers in this flick, and their passion has a hollow ring – an almost fatal flaw in the film. Match Point, however, is predicated on some of Woody Allen’s strengths: intimate character drama and constructive dialogue that moves the narrative and reveals character and motivation.

For Woody Allen fans, this is a rare treat – a Woody drama. For everyone else, Match Point is Fatal Attraction with a bit more brains and less glossy exploitation, but it’s still full of tawdry fun.

7 of 10
A-

NOTES:
2006 Academy Awards: 1 nomination: “Best Writing, Original Screenplay” (Woody Allen)

2006 Golden Globes, USA: 4 nominations: “Best Motion Picture – Drama,” “Best Director - Motion Picture” (Woody Allen), “Best Performance by an Actress in a Supporting Role in a Motion Picture” (Scarlett Johansson), “Best Screenplay - Motion Picture” (Woody Allen)

Thursday, May 4, 2006

Review: Fine Actors Kick "Coriolanus" Up a Notch

TRASH IN MY EYE No. 51 (of 2012) by Leroy Douresseaux

Coriolanus (2011)
COUNTRY OF ORIGIN: U.K.
Running time: 123 minutes (2 hours, 3 minutes)
MPAA – R for some bloody violence
DIRECTOR: Ralph Fiennes
WRITER: John Logan (based on the play Coriolanus by William Shakespeare)
PRODUCERS: Ralph Fiennes, John Logan, Gabrielle Tana, Julia Taylor-Stanley, and Colin Vaines
CINEMATOGRAPHER: Barry Ackroyd
EDITOR: Nicolas Gaster
COMPOSER: Ilan Eshkeri
BAFTA nominee

DRAMA/WAR

Starring: Ralph Fiennes, Gerard Butler, Brian Cox, Vanessa Redgrave, Jessica Chastain, John Cani, Paul Jesson, James Nesbitt, Dragan Micanovic, and Harry Fenn

The subject of this movie review is Coriolanus, a 2011 military drama starring Ralph Fiennes and Gerard Butler. The film is based on William Shakespeare’s tragedy, Coriolanus, which was based on the story of a legendary Roman general. The film is Fiennes’ directorial debut and is the story of a banished Roman hero who joins Rome’s enemy to take his revenge on the city.

Coriolanus is set in “a place calling itself Rome” (but the movie was filmed in Serbia). General Caius Martius (Ralph Fiennes) leads the forces of Rome to victory against Volsces and the leader of its forces, Tullus Aufidius (Gerard Butler). Martius should be the hero of Rome, beloved by all, but the citizens of Rome are hungry. He may be a great soldier, but Martius despises the people for whom he supposedly fights. Martius is elected as a consul to the Roman Senate, but his inflexible self-belief and extreme views present an opportunity for his enemies. Before long, Martius finds that some of his friends have turned to enemies, but some of his enemies may become his friends.

Throughout my schooling, teachers told me that Shakespeare’s work was timeless, and Coriolanus certainly has contemporary parallels. Caius Martius’ story is a familiar one. He is the proud warrior who saves the state, but who is despised by the citizenry and politicians. The politicians wish to exploit him and have little or no use for him otherwise. Those politicians also loath that he fought when they did not – either because they could not or chose not to.

As a director, Fiennes makes smart choices, including having the accomplished John Logan as his screenwriter. He also surrounds himself with a strong supporting cast; Brian Cox as Menenius and Venessa Redgrave as Volumnia (Martius’ mother) are just plain great. Fiennes’ inexperience as a director, however, shows in some scenes, especially those that make up the first hour of the film. This first half of Coriolanus drifts and the use of Shakespeare’s dialogue seems out of place in the film’s modern Eastern European setting.

The second half of the film is strong and passionate, and that’s where Fiennes’ talents show. He knows great performances and first-rate acting, and he gets that from his cast. Fiennes lets Gerard Butler do what he does best – smolder. Coriolanus is not the best film adaptation of Shakespeare, but the good acting and the subject matter make it one worth watching in these times.

6 of 10
B

NOTES:
2012 BAFTA Awards: 1 nomination: “Outstanding Debut by a British Writer, Director or Producer” (Ralph Fiennes-director)

Wednesday, June 20, 2012

----------------------------

"Rise of the Planet of the Apes" Shockingly Good

Oh

TRASH IN MY EYE No. 38 (of 2012) by Leroy Douresseaux


Rise of the Planet of the Apes (2011)
Running time: 105 minutes (1 hour, 45 minutes)
MPAA – PG-13 for intense and frightening sequences of action and violence
DIRECTOR: Rupert Wyatt
WRITERS: Rick Jaffa and Amanda Silver (based upon the novel, La planète des singes, by Pierre Boulle)
PRODUCER: Peter Chernin, Dylan Clark, Rick Jaffa, and Amanda Silver
CINEMATOGRAPHER: Andrew Lesnie (D.o.P.)
EDITOR: Conrad Buff and Mark Goldblatt
COMPOSER: Patrick Doyle

SCI-FI/ACTION/DRAMA/THRILLER

Starring: James Franco, Andy Serkis, Freida Pinto, David Oyelowo, John Lithgow, Brian Cox, Tom Felton, Tyler Labine, Jamie Harris, and David Hewlett

Apparently, 20th Century Fox is going to produce a new Planet of the Apes film series. The first film, Planet of the Apes, appeared in 1968 and was based upon the 1963 French science fiction novel, La planète des singes, by Pierre Boulle. The 1968 film spawned four sequels, beginning with Beneath the Planet of the Apes in 1970 and ending with Battle for the Planet of the Apes in 1973. Tim Burton directed a remake of the original film that was released in 2001, and although that film was successful, no sequels were made from it.

Instead, 20th Century Fox decided to reboot the franchise. Rise of the Planet of the Apes, a 2011 science fiction drama film, is reportedly intended to act as the origin story for a new series. Rise of the Planet of the Apes focuses on a hyper-intelligent chimpanzee who leads his fellow apes on a revolutionary path that introduces them to freedom and to intelligence that they have never known.

Rise of the Planet of the Apes is set in modern-day San Francisco, which is also the location of biotechnology company, Gen-Sys. There, Dr. William “Will” Rodman (James Franco) is working on a cure for Alzheimer’s disease, which is personal to him because his father, Charles Rodman (John Lithgow), has the disease. Will is testing his new gene therapy, ALZ-112, on chimpanzees, which seems to make them smarter.

One of them, a female, gives birth to a male chimp; to keep the baby from being destroyed, Will takes him home, where his father, who lives with him, names the baby, Caesar. Caesar’s intelligence grows by leaps and bounds, which eventually gets him into trouble. As Caesar (Andy Serkis) watches how the world treats him and his fellow apes, he plots a revolution that threatens the status quo.

Rise of the Planet of the Apes is a monkey movie! Seriously, this film is about the apes. The human characters sometimes come across as place holders for the apes, while the story takes a brief detour in human territory before going back to the characters it really loves – the apes. That is not to say that the human characters are not interesting, or that the actors do not give good performances. As usual, James Franco seems effortlessly good, and Freida Pinto is excellent as Will girlfriend and the film’s moral center and voice of warning, Caroline Aranha. David Oyelowo surprisingly steals scenes as Will’s greedy boss, Steven Jacobs. Also, I was surprised with how powerful John Lithgow is in the small role of Will’s father, Charles. You can’t help but feel sorry for Charles because Lithgow’s depiction of him suffering the ravages of Alzheimer’s disease has an uncanny ring of authenticity.

Rise of the Planet of the Apes is one of the great slave rebellion movies, and that is because of the film’s visual effects, which creates credible oppressed characters. CGI characters: characters created, rendered, and animated using computer software, often don’t hold up to intense scrutiny. The longer you look at them, the less they seem authentic and the more phony they look. The CGI apes here don’t have that problem because there aren’t a lot of times in this movie when I thought that the apes looked counterfeit or just plain fake (although there are a few).

Here, the apes are created using performance capture, which involves filming actors in special suits and then, taking that performance and building the CGI character on or over the performance. The technology of performance capture has evolved to the point that in Rise of the Planet of the Apes the apes show a wide range of emotions. The depth of character has delicacy rather than the gaudiness seemingly inherent in CGI characters in many live-action movies.

To that end, Andy Serkis, who provides the performance capture performance for Caesar, is overdue for some kind of special Oscar trophy. Caesar carries the movie as if he were a flesh and blood, acclaimed, veteran actor. He has that “It,” the x-factor that stars have. I happily followed Caesar through trials and tribulations and fought with him in the epic battle that girds the last act. Rise of the Planet of the Apes is a fantastic film because its star is an ape with star appeal. You’ll laugh and cry with Caesar; you’ll cheer him on.

9 of 10
A+

NOTES:
2012 Academy Awards: 1 nomination: “Best Achievement in Visual Effects” (Joe Letteri, Dan Lemmon, R. Christopher White, and Daniel Barrett)

2012 BAFTA Awards: 1 nomination: “Best Special Visual Effects” (Joe Letteri, Daniel Barrett, Dan Lemmon, and R. Christopher White)

Monday, May 14, 2012

"The Campaign" with Will Ferrell Ready for August 2012 Release

Will Ferrell and Zach Galifianakis Wrap Production on Jay Roach Comedy “The Campaign”

Film Opens Nationwide this Summer

BURBANK, Calif.--(BUSINESS WIRE)--Filming has concluded on “The Campaign,” starring Will Ferrell and Zach Galifianakis as competing candidates in a no-holds-barred race for Congress. The new comedy from “Meet the Parents” director Jay Roach is scheduled to open in theaters on August 10, 2012.

The film also stars Jason Sudeikis, Dylan McDermott and Katherine LaNasa, with John Lithgow, Dan Aykroyd and Brian Cox.

In “The Campaign,” when long-term congressman Cam Brady (Ferrell) commits a major public gaffe before an upcoming election, a pair of ultra-wealthy CEOs plot to put up a rival candidate and gain influence over their North Carolina district. Their man: naïve Marty Huggins (Galifianakis), director of the local Tourism Center. At first, Marty appears to be the unlikeliest possible choice but, with the help of his new benefactors’ support, a cutthroat campaign manager and his family’s political connections, he soon becomes a contender who gives the charismatic Cam plenty to worry about. As election day closes in, the two are locked in a dead heat, with insults quickly escalating to injury until all they care about is burying each other, in this mud-slinging, back-stabbing, home-wrecking battle that takes today’s political circus to its logical next level. Because even when you think campaign ethics have hit rock bottom, there’s room to dig a whole lot deeper.

Directed by Jay Roach and written by Chris Henchy & Shawn Harwell, the film is produced by Will Ferrell, Adam McKay, Jay Roach and Zach Galifianakis. Amy Sayres, Jon Poll and Chris Henchy serve as executive producers.

The creative filmmaking team includes director of photography Jim Denault (Emmy nominee for HBO’s “Carnivàle”); production designer Michael Corenblith (Oscar® nominee for “How the Grinch Stole Christmas” and “Apollo 13”); editors Craig Alpert (“Knocked Up,” “Borat”) and Jon Poll (“Meet the Fockers”); and costume designer Daniel Orlandi (“The Blind Side”).

“The Campaign” was filmed in and around New Orleans, beginning in October of 2011. Set for an August 10, 2012 release, it will be distributed by Warner Bros. Pictures, a Warner Bros. Entertainment Company.

"Rise of the Planet of the Apes" Arrives on DVD in December

Bring Caesar Home on Blu-Ray - RISE OF THE PLANET OF THE APES

Evolution Becomes Revolution in the Critically-Acclaimed Over $432 Million Worldwide Box Office Smash Arriving Globally on Blu-ray, DVD and Digital Download in December

LOS ANGELES--(BUSINESS WIRE)--A single act of both compassion and arrogance leads to a battle unlike any other when RISE OF THE PLANET OF THE APES makes its worldwide debut on Blu-ray, DVD and digital download on December 13th in North America and starting December 7th Internationally. From the Oscar-winning® visual effects team that brought to life the worlds of Avatar and Lord of the Rings comes revolutionary new ground - a CGI ape that delivers a dramatic performance of unprecedented emotion and intelligence, and epic battles on which rest the upended destinies of man and primate.

James Franco (127 Hours) stars as Will Rodman, a neuroscientist living in San Francisco trying to develop a cure for Alzheimer’s disease by testing on chimpanzees, giving them a human level of intelligence. After a test subject’s baby, Caesar, is orphaned, Will decides to raise him at home on his own with his Alzheimer-stricken father (John Lithgow; “Dexter”). What begins simply as a continuation of his experiment quickly turns into a problem for Will, as Caesar is taken away from him and forced to live in a primate facility. As Caesar’s intelligence continues to grow, he begins to stake his claim as the leader of his new primate counterparts, which will ultimately lead to the RISE OF THE PLANET OF THE APES.

Directed by Rupert Wyatt (The Escapist), this special effects blockbuster features fantastic supporting performances from Freida Pinto (Slumdog Millionaire), Brian Cox (Red), Tom Felton (Harry Potter films) and Andy Serkis (The Lord of the Rings Trilogy) in a ground-breaking performance. The RISE OF THE PLANET OF THE APES Blu-ray is loaded with bonus material including deleted scenes, making-of featurettes commentaries and more.

RISE OF THE PLANET OF THE APES Blu-ray + Digital Copy (North America)
Feature Film
Deleted Scenes
Alpha Gets Shot
Will’s Meeting with Lab Assistants
Will Discovers Caesar Has Solved Puzzles
Caesar Plays with Bicycle
Caesar Questions His Identity
Caesar Bites Off Neighbor’s Finger
Will Ignores the Risks of an Airborne Mutated Virus
Rodney Gives Caesar a Cookie
Rocket Gets Hosed by Dodge
Caesar Destroys the Lab and Koba’s Attempted Revenge on Jacobs
Caesar Pushes Helicopter
Koba with Shotgun
Pre-vis for The Future
Capturing Caesar – Script to Screen
Studying the Genius of Andy Serkis
Multi-Angle: Rocket Cookie Scene
A New Generation of Apes
Breaking Motion Capture Boundaries
Breaking New Sound Barriers: The Music and Sound Design of Rise of the Planet of the Apes
Ape Facts
Chimpanzee
Gorilla
Orangutan
Audio Commentary by Director Rupert Wyatt
Audio Commentary by Writers Rick Jaffa and Amanda Silver
Character Concept Art Gallery
Three Theatrical Trailers

Exact product configurations will vary by individual territories


Twentieth Century Fox Home Entertainment
Twentieth Century Fox Home Entertainment, LLC (TCFHE) is a recognized global industry leader and a subsidiary of Twentieth Century Fox Film Corporation, a News Corporation company. Representing 75 years of innovative and award-winning filmmaking from Twentieth Century Fox, TCFHE is the worldwide marketing, sales and distribution company for all Fox film and television programming, acquisitions and original productions on DVD, Blu-ray Disc Digital Copy, Video On Demand and Digital Download. The company also releases all products globally for MGM Home Entertainment. Each year TCFHE introduces hundreds of new and newly enhanced products, which it services to retail outlets from mass merchants and warehouse clubs to specialty stores and e-commerce throughout the world.

"Red" is Riotous, Entertaining and Damn-good

TRASH IN MY EYE No. 100 (of 2010) by Leroy Douresseaux

Red (2010)
Running time: 111 minutes (1 hour, 51 minutes)
MPAA – R for intense sequences of action violence and brief strong language
DIRECTOR: Robert Schwentke
WRITERS: Jon Hoeber and Erich Hoeber (based upon the graphic novel by Warren Ellis and Cully Hamner)
PRODUCERS: Lorenzo di Bonaventura and Mark Vahradian
CINEMATOGRAPHER: Florian Ballhaus
EDITOR: Thom Noble

ACTION/COMEDY with elements of drama and romance

Starring: Bruce Willis, Morgan Freeman, Mary-Louise Parker, John Malkovich, Helen Mirren, Karl Urban, Brian Cox, Richard Dreyfuss, Rebecca Pidgeon, Julian McMahon, Jacqueline Fleming, James Remar, and Ernest Borgnine

Bruce Willis is one of the world’s biggest movie stars of the last quarter century. Perhaps, that status makes people forget that not only is Willis a great action movie star, but he is also a fine actor, also comfortable with character drama and comedy. At least, I think so. In his recent, Fall-released action comedy, Red (based upon the comic book miniseries of the same name by Warren Ellis and Cully Hammer), Willis shows all his sides – subtle drama, deadpan humor, and action flick stud.

Red focuses on Frank Moses (Bruce Willis), a former black-ops CIA agent living a quite, idyllic life of retirement in the suburbs. When he feels lonely, he chats with Sarah Ross (Mary-Louise Parker), a customer service agent at the office that sends out Frank’s pension checks. When an assassin squad comes gunning for him, however, Frank is forced to go on the run, with Sarah in tow. Frank is RED – retired, extremely dangerous, and someone powerful wants him dead. Frank needs answers.

To survive, Frank tracks down members of his old black-ops squad. There is his old mentor, Joe Matheson (Morgan Freeman), living in a retirement home in New Orleans, someone who can give Frank information. Marvin Boggs (John Malkovich) is a paranoid conspiracy theorist, who can give him more information. Victoria (Helen Mirren), a wetwork agent (assassin), can give comfort and aid. Then, there is William Cooper (Karl Urban), who is the CIA agent assigned to hunt and kill Frank. Cooper is kind of like a younger version of Frank, and he won’t let anything stop him.

Red is one of those films that can be described as “a non-stop thrill ride,” which it is for the most part. The car chases, shootouts, fights, and other action scenes are quite good, and often funny, not because they are parody, but because the action always manages to embody the absurdity of this story.

The characters are okay, but the actors are the ones that make them better. Performers like Morgan Freeman, Helen Mirren, and John Malkovich are so good that they can both give life to flat characters and play up the comic aspects of a scene or situation with ease. They make the often-extremely violent Red seem witty and effervescent. Yes, even Bruce Willis has done this kind of character (the killer) in other movies (like The Whole Nine Yards), but here, he is cool like a movie star should be. This is the kind of movie that needs a movie star lead, and Willis provides that.

Red is not perfect. Sometimes, it doesn’t know if it wants to be extremely dangerous or extremely funny, but action comedies like this: more snarky than smart and filled with comic violence that actually looks like real action movie violence, don’t come around often enough. Red is probably the best action comedy of the year.

7 of 10
B+

Monday, December 06, 2010

Wes Craven Brings Terror to the Sky in "Red Eye"

TRASH IN MY EYE No. 134 (of 2005) by Leroy Douresseaux

Red Eye (2005)
Running time: 85 minutes (1 hour, 25 minutes)
MPAA – PG-13 for some intense sequences of violence, and language
DIRECTOR: Wes Craven
WRITER: Carl Ellsworth, from a story by Dan Foos and Carl Ellsworth
PRODUCERS: Chris Bender and Marianne Maddalena
CINEMATOGRAPHER: Robert Yeoman
EDITORS: Patrick Lussier and Stuart Levy

THRILLER

Starring: Rachel McAdams, Cillian Murphy, Brian Cox, Jayma Mays, and Jack Scalia

Wes Craven wants you to know that his new film, Red Eye, is not a horror film. I even saw him on a cable entertainment talk show where he emphatically stated that Red Eye was not a horror flick.

In the film, Lisa Reisert (Rachel McAdams), who hates to fly, has to take a plane, Fresh Air Flight 1019, from Texas (where she attended her grandmother’s funeral) back to Miami. Upon boarding her plane, Lisa is shocked to find that she’s seated next to Jackson Ripner (Cillian Murphy), a seemingly charming man with whom she earlier shared a drink. Once the plane is in the air, Jackson drops his flirtatious and charming façade and reveals to Lisa why he’s really on board the same plane with her. Jackson needs Lisa to use her pull as the desk manager of the popular Miami hotel, the Lux Atlantic, to move the Deputy Secretary of Homeland Security, Charles Keefe (Jack Scalia), to a room in the Lux where it will be easier to assassinate him (and his family). If Lisa doesn’t cooperate, Jackson’s comrade is waiting in car parked by her father’s home, waiting to kill dear old dad, Joe Reisert (Brian Cox). Trapped at 30,000 feet in air in the confines of the airplane and unable to summon help without endangering her father, Lisa has to figure away to thwart the ruthless Jackson, who never lets her out of his sight for very long.

While not a horror film, Red Eye is just more proof that Wes Craven knows how to give people chills and thrills. Red Eye is a nifty thriller that’s part Hitchcock (the first half) and part slasher film (the second half as Jackson pursues Lisa). The film is especially taut and tense during the plane sequences; those who don’t like flying will especially feel the shivers on the back on their necks and running down their spines. The wonderful camera work by Robert Yeoman (who has photographed all of Wes Anderson’s films) and Craven’s direction ably creates a sense of panic, doom, and claustrophobia. While Red Eye wears its B-movie credentials on its proverbial sleeves, Craven executes a premise into a suspense film that simply works – making a by-the-book plot a highly engaging cat-and-mouse drama – if only the story stayed on the plane.

Earlier in Summer 2005, Steven Spielberg turned sci-fi B-movie tropes into a grisly disaster film of high pedigree with War of the Worlds. Craven falls just short of making his own thriller into a rare breed suspense flick, and he shares the blame with the script. Neither he nor his screenwriter, Carl Ellsworth, do anything novel to keep Red Eye’s last act from becoming a video fare crime thriller. Red Eye is by no means a failure; it just fails at being great although the first half of the movie had the movie on the path to excellence. Ellsworth (who wrote Red Eye’s original story with former college classmate Dan Foos) was reportedly the only screenwriter to work on Red Eye’s script, a rarity in Hollywood, but in this case, perhaps it would have been best if at least one more writer put in his two cents worth.

Red Eye’s lightening pace can’t quite hide the ugly truth that the script turns what is an engaging adversary, Jackson Ripner, into nothing more than just another killer who in the film’s closing act overestimates himself. Cillian Murphy, sure to be a good character actor for some time to come, chews up the scenery as long as Jackson is on the airplane. When Red Eye’s script turns the story from a button-pushing psychological thriller into a killer-on-the-loose cheapie in the second half, Cillian Murphy’s Jackson looses his wicked charm and becomes a tiresome (and not too bright) ordinary home-invading assailant. It doesn’t help that the co-star Rachel McAdams is just another pretty face, and her acting, which has won her a prestigious Genie Award in her native country of Canada, delivers a functional performance here. In Red Eye, she lacks the tasty menace that made her such a sweet adversary for Lindsay Lohan in Mean Girls. Here, she’s just another spunky white girl running from a bad man with a knife – no better or worse than all the other white chicks who have run from monsters and killers for Craven since he first started making scary movies over three decades ago.

In the end, Red Eye works much more often than not. An edge-of-your-seat thriller with enough wit to make you laugh out loud, it’s a guaranteed winner for people who actually want to go to the theatre to see a movie, and it’ll also be a winning choice for those who are always looking for something good to rent from the video store.

6 of 10
B

Monday, August 22, 2005

Zodiac Refuses to Be Ordinary Serial Killer Flick

TRASH IN MY EYE No. 110 (of 2007) by Leroy Douresseaux

Zodiac (2007)
Running time: 158 minutes (2 hours, 38 minutes)
MPAA - R for some strong killings, language, drug material, and brief sexual images
DIRECTOR: David Fincher
WRITER: James Vanderbilt (based upon the book by Robert Graysmith)
PRODUCERS: Mike Medavoy, Arnold W. Messer, Bradley J. Fischer, James Vanderbilt, and Ceán Chaffin
CINEMATOGRAPHER: Harris Savides, A.S.C.
EDITOR: Angus Wall

DRAMA/CRIME/MYSTERY/THRILLER

Starring: Jake Gyllenhaal, Mark Ruffalo, Robert Downey, Jr., Anthony Edwards, Brian Cox, Elias Koteas, Donal Logue, John Carroll Lynch, and Dermot Mulroney, Chloe Sevigny, Philip Baker Hall, Charles Fleischer, and Clea DuVall

In the 1960’s and 70’s, a serial killer terrified the San Francisco Bay Area and taunted police with his ciphers and letters. As the cryptic killer, sometimes clad in an executioner’s hood, stalked the streets and the countryside, investigators from four jurisdictions search for the murderer. Zodiac, the recent film from director David Fincher (Se7en), is a chilling recount of the murders. The film is based on the actual case files of one of the most infamous unsolved killing sprees in U.S. history, and its characters are also based on real people.

Shy editorial cartoonist Robert Graysmith (Jake Gyllenhaal) has taken an interest in the new case his cynical colleague, the San Francisco Chronicle's star crime reporter, Paul Avery (Robert Downey, Jr.) is investigating. A murderer who calls himself, Zodiac, is hunting humans, and he sends letters to the press, including the Chronicle, and the police investigating the homicides. Homicide Inspector Dave Toschi (Mark Ruffalo) and his partner Inspector William Armstrong (Anthony Edwards) are feeling the pressure to discover who Zodiac is, especially with Avery often getting in the way of their investigation.

The case becomes an obsession for these four men as an endless trail of clues builds some careers and destroys others. As the years pass and they haven’t solved the case, Toschi finds himself dealing with too much department politics and too many false leads, and Armstrong grows weary of being away from his young family. Avery is drinking and drugging his career away. Meanwhile, Graysmith has quietly amassed piles of information on the Zodiac case. He thinks he may be able to solve the case, but will it cost him his family and his life?

Zodiac is a character drama dressed as a Film-Noir mystery/thriller. Although both director and writer (James Vanderbilt) are fascinated by the mystery of Zodiac’s identity, they seem more fascinated that the case would so alter the lives of the men who became obsessed with unscrambling the case’s codes and secrets. To that end, David Fincher gets some high quality performances from his cast, especially Jake Gyllenhaal, Mark Ruffalo, and Robert Downey, Jr.

Although seemingly relegated to the background early in the story, Gyllenhaal’s Robert Graysmith (The real Graysmith wrote two books on the Zodiac killer, including the one upon which this film is based.) gradually comes to the forefront. Quietly and subtly, Graysmith is the one who maneuvers the film’s central theme – that obsession can take over a man’s life and then redefine him, which is to say make him something else and thereby destroy him. It’s a soft performance by Gyllenhaal that nevertheless drives Zodiac, and Fincher has the good sense to accept that, especially as his films tend to feature intense and charismatic characters. Gyllenhaal’s Graysmith is much more approachable than the other characters, and the one to which the audience will attach itself to in order to navigate the story.

With so many high expectations for Zodiac, it is no surprise that Fincher didn’t meet some of them, but few directors could make so beautiful a neo-noir crime film that is as equally beautiful as a character drama. From Mark Ruffalo’s frustrated cop who refuses to let frustration beat him to Downey’s slick reporter – the charming rogue who burns so brightly that he burns out too soon – Fincher uses nuanced performances to build Zodiac. The performances remind us that sometimes the murder victim isn’t the only victim of the crime.

8 of 10
A

Monday, July 30, 2007

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Review: Brad Pitt Shakes Money-Maker in "Troy"

TRASH IN MY EYE No. 84 (of 2004) by Leroy Douresseaux

Troy (2004)
Running time: 163 minutes (2 hours, 43 minutes)
MPAA – R for graphic violence and some sexuality/nudity
DIRECTOR: Wolfgang Petersen
WRITER: David Benioff (inspired by Homer’s The Iliad)
PRODUCERS: Diana Rathbun, Colin Wilson, and Wolfgang Petersen
CINEMATOGRAPHER: Roger Pratt, B.S.C.
EDITOR: Peter Honess, A.C.E.
Academy Award nominee

ACTION/DRAMA/HISTORICAL/WAR with elements of adventure and romance

Starring: Brad Pitt, Eric Bana, Orlando Bloom, Diane Kruger, Brian Cox, Sean Bean, Brendan Gleeson, Peter O’Toole, and Garrett Hedlund

Paris of Troy (Orlando Bloom) steals Helen (Diane Kruger), the wife of the Spartan King, Menelaus (Brendan Gleeson). Agamemnon (Brian Cox), Menelaus’ brother and the king who united the varied Greek kingdoms, suddenly has a reason to invade Troy. Paris’ brother, Hector (Eric Bana) stands ready to defend his kingdom, but that means he may have to face the greatest warrior the world will ever known, Achilles (Brad Pitt). This old tale gets a retelling in Warner Bros.’ Troy.

Anyone who is familiar with the legend of Troy from Homer’s epic poem, The Iliad (or Virgil’s The Aeneid) or countless retellings, documentaries, history lessons, etc. will already know how this film ends. But trust Hollywood to make just enough changes to surprise or, at least, infuriate purists. In my case, I was deeply troubled by a number of issues (especially the absence of the manipulations of the quarrelling Greek gods’ who played a large role in the literary story of Troy), but it wasn’t enough to keep me from enjoying this movie.

Director Wolfgang Petersen’s Troy is an epic war story that is equal parts costume drama and big budget, Hollywood historical epic. It’s goofy, but serious enough to past muster. The dialogue is wooden and stiff, and the speeches will sometimes make you cringe. However, there are enough times when the characters speak with equal measure of weight and pomposity and clarity to sell the story. And at the end of the day, this movie is just fun to watch.

Like those historical epics of the 1950’s and 60’s, Troy has some secret allure to it. For some reason, these crazy dramas, with their high fallutin’ faux Shakesperean-lite speeches, are entertaining. Of course, there are always the battles, and Petersen (another very talented film director who has an impressive filmography of entertaining macho movies) stages the slugfests and bloodshed with brilliance. Granted, I’ve seen the massing of large fleets and armies on the big screen before Troy, but Petersen also smartly focuses on individual, man on man fight scenes, especially those with Achilles.

Regardless of what one might think, there’s no way you cannot not treat yourself to the sight of Brad Pitt throwing it down Greek thug style. I loved his fight scenes, and while he may not be the world’s greatest actor, he may be one of the most sincere. He looks great on screen, and the camera loves him. Pitt throws himself into the role of Achilles with such relish that I can’t help but be awed by him. And no matter what others might say, he more than holds his own in a really nice scene he has with Peter O’Toole. Yes, he may not be the greatest actor, but he’s one of the great movies stars, and he’s a better actor than for which he’s given credit. For him alone, I recommend Troy.

7 of 10
B+

NOTE:
2005 Academy Awards: 1 nomination: “Best Achievement in Costume Design” (Bob Ringwood)

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