Review: "Thor: Ragnarok" Strikes an Odd, Pleasant Note

TRASH IN MY EYE No. 7 (of 2020) by Leroy Douresseaux

[This movie review was originally posted on Patreon.]

Thor: Ragnarok (2017)
Running time:  130 minutes (2 hours, 10 minutes)
MPAA – PG-13 for intense sequences of sci-fi violence and action, and brief suggestive material
DIRECTOR:  Taika Waititi
WRITERS: Eric Pearson and Christopher L. Yost and Craig Kyle (based on the comic book and characters created by Stan Lee, Larry Lieber, and Jack Kirby)
PRODUCERS:  Kevin Feige p.g.a
CINEMATOGRAPHER:  Javier Aguirresarobe, ASC (D.o.P.)
EDITORS:  Zene Baker and Joel Negron
COMPOSER:  Mark Mothersbaugh
NAACP Image Award winner

SUPERHERO/FANTASY/ACTION/DRAMA

Starring:  Chris Hemsworth, Tom Hiddleston, Cate Blanchett, Anthony Hopkins, Idris Elba, Jeff Goldblum, Tessa Thompson, Karl Urban, Mark Ruffalo, Benedict Cumberbatch, Taika Waititi (voice), and Clancy Brown (voice) with Stan Lee

Thor: Ragnarok is a 2017 superhero movie from Marvel Studios, directed by Taika Waititi.  It is the third film in Marvel's Thor film series, following Thor (2011) and Thor: The Dark World (2013).  Thor is a Marvel Comics character that first appeared in the comic book, Journey into Mystery #83 (cover dated: August 1962).  Created by artist Jack Kirby and writers (and siblings) Stan Lee and Larry Leiber, Thor is based on the Norse mythological deity of the same name.  Thor: Ragnarok finds the Norse god of thunder a slave on an alien world while his home of Asgard is controlled by the goddess of death.

Thor: Ragnarok opens two years after the battle of Sokovia (as seen in Avengers: Age of Ultron).  Thor (Chris Hemsworth) is imprisoned by the fire demon, Surtur (voice of Clancy Brown), who reveals that Thor's father, Odin (Anthony Hopkins), is no longer on the realm of Asgard.  Surtur explains that he himself will destroy the realm by uniting his crown with the “Eternal Flame” that burns in Odin's vault, thus initiating the prophesied end-times, “Ragnarök.”  Thor frees himself and defeats Surtur, and he takes Surtur's crown, believing that he has prevented Ragnarök.

The threats to Asgard have not ended.  Thor's estranged brother, Loki (Tom Hiddleston), is posing as Odin, but Thor and Loki eventually find Odin in Norway.  Odin explains to his sons that he is dying and that his death will free his firstborn child, Hela (Cate Blanchett), from a prison where he sealed her long ago.  When Hela is freed, Ragnarök is imminent.  But before Thor can stop Hela and save Asgard, he must escape from his own imprisonment, the garbage planet, Sakaar, where he is an enslaved gladiator.  And Thor's greatest opponent turns out to be an old friend.

Thor: Ragnarok plays out as one would expect.  Thor saves the day with a lot of help from friends old and new and from adversaries-turned-allies old and new.  What makes this film different and so very endearing is the work of director Taika Waititi, the New Zealand-born director whose films (such as 2014's What We Do in the Shadows) are known for the both the originality of execution and their offbeat sensibilities.  That that originality and sensibility show in Thor: Ragnarok's color palette, its costume designs, sets and art direction.  Some critics and fans have claimed that all Marvel Studios' films look alike, which is certainly not true.  In fact, no superhero movie looks like Thor: Ragnarok, and Mark Mothersbaugh's fantastic, glorious, ear-candy musical score is the finishing touch that makes Thor: Ragnarok stand out from any pack.

Waititi and his cast make the most of Eric Pearson and Christopher L. Yost and Craig Kyle's screenplay.  The pace and acting is lively, wry, spry, and witty, and, in fact, Thor: Ragnarok is, to date, the film that makes the best use of Chris Hemsworth's droll sense of humor.  The film is a bit soft in the middle, but its unique visual appearance keeps the film from going dry.

Some time ago, I read that Marvel Studios had been trying to find the right balance of superhero fantasy, action, and humor in the Thor films, but believed that they had not quite done so in the first two films.  The third time is the charm.  Thor: Ragnarok is the best film in the Thor series, and it is the kind of superhero film that will appeal to movie audiences that don't normally watch superhero movies.

8 of 10
A

Friday, February 21, 2020


NOTES:
2018 Black Reel Awards:  1 nomination: “Outstanding Supporting Actress, Motion Picture” (Tessa Thompson)

2018 Image Awards (NAACP):  1 winner: “Outstanding Supporting Actor in a Motion Picture” (Idris Elba); 1 nomination: “Outstanding Supporting Actress in a Motion Picture” (Tessa Thompson)


The text is copyright © 2020 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for syndication rights and fees.


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Negromancer News Bits and Bites from August 6th to 12th, 2017 - Update #36

Support Leroy on Patreon.

CULTURE - From TheDailyBeast:  James Alex Fields Jr. identified as the driver who barreled his car into a crowd during protests at Charlottesville, Virginia.

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COMICS-FILM - From TheWrap:  "Silver and Black," the Spider-Man universe film from Sony is due Feb. 8, 2019.  The film will feature Spider-Man characters, Black Cat and Silver Sable.  Gina Prince-Bythewood is directing.

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CULTURE - From GuardianUK:  On Friday night (8/11th), White Nationalists and white racist begin siege of Charlottesville, Virginia.

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COMICS-FILM - From Newsarama:  "Hellboy" creator Mike Mignola says film reboot (which is no longer being called "Hellboy: Rise of the Blood Queen") is closer to his personal vision for the character.

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COMICS-FILM - From WeGotThisCovered:  Substantial changes will be made to "Justice League," as an early cut of the film is reportedly "unwatchable."  The film is due for release November 17th, 2017.

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MOVIES - From YahooMovies:  The real-life "Annabelle" doll is a simple Raggedy Ann doll.

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TELEVISION - From TheWrap:  NBC is trying to reboot classic TV sitcom, "The Munsters," again.  Remember "Mockingbird Lane?"

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BLM - From RSN:  Spike Lee says he fully supports beleaguered NFL quarterback Colin Kaepernick.

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ANIMATION - From YahooNews:  The "Deadpool" animated television series being developed by Donald Glover and his brother Stephen will have a tone different from the live-action film series starring Ryan Reynolds.

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SPORTS - From YahooSports:  The NBA has announced its five Christmas Day 2017 games, including a rematch of this year's championship series between the Cleveland Cavaliers and the world champions Golden State Warriors.

COMICS-FILM - From THR:  Ryan Reynolds shares a first look at Josh Brolin as "Cable" in "Deadpool 2."

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MOVIES - From THR:  Author William Gibson's seminal cyberpunk novel, Neuromancer (1984) may finally be making it to the big screen through "Deadpool" director, Tim Miller.

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DISNEY - From CBR:  Disney has announced that it is starting its own streaming service in 2019.  Thus, it will be pulling its films and television series from Netflix.  Marvel Studios original series (such as "Daredevil" and "Luke Cage") will remain with Netflix.

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COMIC-FILM - From TheWrap:  Riz Ahmed of "Rogue One" in early talks to join Tom Hardy in Sony's "Venom."

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TELEVISION - From Variety:  Louis C.K. says that he may not do another season of his Emmy-winning FX series, "Louie."

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COMICS-BOOKS - From EW:  Seven things you need to know about African-American/Latino Spider-Man, Miles Morales, according to Jason Reynolds, the author of the YA novel, "Miles Morales: Spider-Man.

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STAR WARS - From YahooMovies:  Set photos from "The Last Jedi" offer fresh clues.

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COMICS-FILM - From YahooMovies:  Kate Beckinsale explains why she once said "No" to a Wonder Woman film.

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TELEVISION - From THR:  Maya Rudolph is going to star in Fox's live musical version of "A Christmas Story."

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MOVIES - From THR:  Selena Gomez joins Elle Fanning in Woody Allen's next film.

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TELEVISION - From BleedingCool:  In the new FOX/Marvel X-Men, TV series, "The Gifted," the X-Men are apparently"no more."

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MOVIES - From BleedingCool:  Milla Jovovich may the the "Blood Queen" in "Hellboy: Rise of the Blood Queen."

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TELEVISION - From TVLine:  Peter Krause is joining Angela Bassett in the 9-1-1 drama for FOX produced by Ryan Murphy ("Glee," "American Horror Story").

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TELEVISION - From TheWrap:  David Letterman will have a short run talk show (of sorts) on Netflix.

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MOVIES - From Variety:  Milo Gibson, son of Mel Gibson, will appear in the WWII drama, "Hurricane."  Milo made his feature film debut in his father's hit 2016 WWII film, "Hacksaw Ridge."

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DISNEY - From THR:  Alfre Woodard has joined Disney's live-action remake of "The Lion King," which is being directed by Jon Favreau.

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TELEVISION - From ShadowandAct:  Filiming begins on Mario Van Peebles' supernatural drama for Syfy, "Superstition."

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TELEVISION - CinemaBlend:  Karl Urban in talks to take the lead in a "Judge Dredd" TV series.  Urban starred in the 2012 film, "Dredd," which disappointed at the box office, but later became a home video and cult hit.

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TELEVISION - From TVovermind:  X-Files Season 11 begins production.

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CELEBRITY- From THR:  Chris Pratt ("Guardians of the Galaxy") and Anna Faris ("Scary Movie," "Mom") have announced that they are separating after eight years of marriage.

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BOX OFFICE - From BoxOfficeMojo:  The winner of the 8/4 to 8/6/2017 weekend box office is "The Dark Tower" with an estimated take of $19.5 million.

From Deadline:  China leads international box office.

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COMICS-FILM - From THR:  James Gunn is writing "Guardians of the Galaxy Vol. 3" and helping Marvel Studios honcho Kevin Feige make plans for Marvel's cosmic properties.

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POLITICS - From Truthout:  Will Altering the 13th Amendment Bring Liberation to the Incarcerated 2.3 Million?

OBIT:

From People:  Country music legend, singer, songwriter, musician, and Grammy-winning recording artist, Glen Campbell has died at the age of 81, Tuesday, August 8, 2017.  Before he solo career blew up in the mid to late 1960s, Campbell was a much in-demand session musician who played on the recordings of legends like Nat King Cole, Frank Sinatra, and Elvis Presley, to name a few.

From Variety:  The man in the monster suit, Haruo Nakajima, has died at the age of 88.  He wore the Godzilla suit in every "Godzilla" film from the original film to "Godzilla vs. Gigan" (1972).

From SportsIllustrated:  Former Major League Baseball manager and player, Don Baylor, has died at the age of 68, Monday, August 7, 2017.  He was the 1979 American League MVP, and he won a World Series title with the 1987 Minnesota Twins.  He was also the first manager of the Colorado Rockies.

From SportsIllustrated:  Former Major League Baseball player Darren Daulton died at the age of 55, Sunday, August 6, 2017.  He has been fighting brain cancer for 4 years.  He was best known as a catcher for the Philadelphia Phillies.  He was on the 1993 National League pennant winning Phillies that lost the 1993 World Series to the Toronto Blue Jays.  In his final year of his career, Daulton was on the 1997 Florida Marlins that won the World Series.

Review: "Pete's Dragon" Remake is a Surprisingly Good Children's Film

TRASH IN MY EYE No. 18 (of 2016) by Leroy Douresseaux

Pete's Dragon (2016)
Running time:  103 minutes (1 hour, 43 minutes)
MPAA – PG for action, peril and brief language
DIRECTOR:  David Lowery
WRITERS:  David Lowery and Toby Halbrooks (based on the screenplay by Malcolm Marmorstein)
PRODUCER:  James Whitaker
CINEMATOGRAPHER:  Bojan Bazelli (D.o.P.)
EDITOR:  Lisa Zeno Churgin
COMPOSER:  Daniel Hart

FANTASY/DRAMA/FAMILY

Starring:  Oakes Fegley, Bryce Dallas Howard, Robert Redford, Oona Laurence, Wes Bentley, Karl Urban, Isiah Whitlick, Jr., Marcus Henderson, Keagan Carr Fransch, and Steve Barr

Pete's Dragon is a 2016 fantasy drama and family movie from director David Lowery.  It is a remake of Walt Disney's 1977 live-action/animated musical film, Pete's Dragon.  The new Pete's Dragon tells the story of an orphaned boy and his best friend, a dragon, and what happens when the outside world discovers their existence.

When he was five, Pete experienced a tragedy that left him an orphan.  Lost in the forest, Pete meets a large dragon with green fur, yellow eyes, and wings on its back.  Pete names the dragon “Elliot” after a character in his favorite storybook, “Elliot Gets Lost,” and the boy and his dragon become a family.

Six years later, Pete (Oakes Fegley) spies forest ranger Grace Meachum (Bryce Dallas Howard) and is curious about her.  However, it is his encounter with a girl his age, Natalie (Oona Laurence), that brings Pete into contact with the world outside the forest where he lives with Elliot.  Soon, Pete is living among people again, and humans are hunting for Elliot, whom they know as the local legend, “the Millhaven dragon.”

I have only seen bits and pieces of the original 1977 Pete's Dragon, and I was not interested in this new film.  I even wondered why Disney needed to remake it.  Were there people really clamoring for a fresh take on a film that had probably seen its day come and gone?  I received a copy-for-review of the recent Blu-ray/DVD release of the new Pete's Dragon, obligating me to watch it.

I was surprised to find that I enjoyed it, although I think that this movie is truly a children's film.  In the last few decades, movie studios often believe that they have to make kids' movies have elements that appeal to the parents and adults that bring children to see movies aimed at the little ones.  I don't think that Pete's Dragon does that.

Pete's Dragon is a tale of child who lives in the world in his own terms.  As usual, adults cannot or will not see the magic he (Pete) lives with everyday.  It takes another child (Natalie) to truly understand the child hero's point of view.  In fact, the adult that is most successful in helping Pete, Grace, turns out to be the one most open to trying to see what the child does by listening and learning from the child.

Pete's Dragon is about the kind of magic and the kind of reality or surrealism that children accept, probably because they are willing to believe, where adults might have to suspend disbelief.  There is a lot about Pete's Dragon that stretches credulity, and that is OK.  If you believe in Pete and also in Elliot, you believe in Pete's Dragon.

This is one of those so-called “little movies,” cinematic gems that bide their time, gradually attracting new audiences one viewing at a time.  Pete's Dragon isn't perfect, but it is perfect for children and the child in adult viewers.

7 of 10
B+

Friday, December 23, 2016


The text is copyright © 2016 Leroy Douresseaux. All Rights Reserved. Contact this site for reprint and syndication rights and fees.

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Star Trek Beyond "Bones" Character Poster

"Star Trek" Beams Aboard Florida Supercon 2016

Star Trek 50th Anniversary Celebration set for Florida Supercon on Miami Beach

Ft. Lauderdale, Florida — Hailing all frequencies! On July 1- 4, 2016, Star Trek cast members will unite at the Miami Beach Convention Center in celebration of the series’ 50th anniversary. This assembly of one of the most visionary entertainment franchises in history will be held at Florida Supercon 2016, the biggest comic con in South Florida. This is largest gathering of Star Trek celebrities South Florida has ever seen.

The guest list is a voyage through time, spanning from the original 1966 series to the most recent film Star Trek Beyond, which will debut this July. Supercon has set its phasers to stun with an all star lineup that includes William Shatner (Captain Kirk), Karl Urban (Dr. Leonard "Bones" McCoy), Walter Koenig (Pavel Chekov), Michael Dorn (Worf), René Auberjonois (Odo), Denise Crosby (Tasha Yar), Robert Picardo (The Doctor), Robert Duncan McNeil (Tom Paris), and David Warner who has played a variety of characters within the franchise.

Convention attendees will have the opportunity to meet and be photographed with the stars as well as attend Star Trek events, parties, and panels.

“The first convention I went to in South Florida was a Star Trek convention featuring Walter Koenig, that I attended when I was 13,” Florida Supercon Founder Mike Broder said. “Star Trek has been an inspiration for so many people, and I look forward to a day when people can beam their way into Supercon.”


ABOUT SUPERCON:
This will be the 11th year of Florida Supercon, the LARGEST Comic Con in Miami. Supercon takes place JULY 1-4, 2016 at The Miami Beach Convention Center! Celebrities from Star Trek, Star Wars, Doctor Who, Game of Thrones, Harry Potter, and Lord of the Rings will all be in attendance, alongside artists and writers of Spider-Man, Superman, Batman, The Avengers, and more.

Find the best in Comic Books, Anime, Animation, Video Games, Fantasy, Sci-Fi and Pop Culture in South Florida. The convention is four days of fun, featuring celebrity guests, comic book creators, voice actors, industry guests, cosplayers, artists, writers, panels, Q&A’s, films & shorts, costume & cosplay contests, vendors, parties, anime, workshops, video gaming & more!

For ticket information visit: www.floridasupercon.com

FLORIDA SUPERCON JULY 1-4, 2016
THE MIAMI BEACH CONVENTION CENTER
1901 Convention Center Dr. • Miami Beach, FL 33139 • 305.673.7311
SUPERCON PHONE: 954.399.1330 info@superconventions.com

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"Star Trek Beyond" Will be Released in IMAX Theatres July 2016

"STAR TREK BEYOND" FROM PARAMOUNT PICTURES, SKYDANCE AND BAD ROBOT WILL BE RELEASED IN IMAX® THEATRES GLOBALLY BEGINNING JULY 22, 2016

HOLLYWOOD, CA – Paramount Pictures, Skydance, Bad Robot, and IMAX Corporation today announced that "STAR TREK BEYOND," the third film in the blockbuster franchise, will be digitally re-mastered into the immersive IMAX® format and released in IMAX® theaters worldwide beginning July 22, 2016.

"STAR TREK BEYOND" is directed by Justin Lin and reunites Jon Cho, Simon Pegg, Chris Pine, Zachary Quinto, Zoë Saldana, Karl Urban and Anton Yelchin. Idris Elba, Sofia Boutella, Lydia Wilson and Joe Taslim are joining the cast. Based upon "Star Trek" created by Gene Roddenberry, the film’s writers are Roberto Orci & John D. Payne & Patrick Mckay; and Douglas Jung & Simon Pegg. The film is produced by J.J. Abrams and Roberto Orci, and Justin Lin through his Perfect Storm Entertainment. The executive producers are Jeffrey Chernov, David Ellison, Dana Goldberg and Lindsey Weber.

"IMAX provides a one-of-a-kind movie going experience to audiences all over the world," said Lin. "I am excited to bring the newest journey into the 'STAR TREK' universe to its screens."

"'STAR TREK' is an iconic franchise and IMAX is delighted to once again be a part of its world and to partner for the third time with Paramount Pictures, Skydance and Bad Robot on 'STAR TREK BEYOND,’" said Greg Foster, Senior Executive Vice President, IMAX Corp. and CEO of IMAX Entertainment. "This space epic is exactly the type of event film that our exhibitor partners and fans around the world eagerly anticipate, particularly as it is so ideally suited to the IMAX format."

The "STAR TREK" franchise has earned more than $850 million since the release of J.J. Abram’s "STAR TREK" in 2009.

The IMAX® release of "STAR TREK BEYOND" will be digitally re-mastered into the image and sound quality of The IMAX Experience® with proprietary IMAX DMR® (Digital Re-mastering) technology. The crystal-clear images, coupled with IMAX's customized theatre geometry and powerful digital audio, create a unique environment that will make audiences feel as if they are in the movie.


About Paramount Pictures Corporation
Paramount Pictures Corporation (PPC), a global producer and distributor of filmed entertainment, is a unit of Viacom (NASDAQ: VIAB, VIA), a leading content company with prominent and respected film, television and digital entertainment brands. Paramount controls a collection of some of the most powerful brands in filmed entertainment, including Paramount Pictures, Paramount Animation, Paramount Television, Paramount Vantage, Paramount Classics, Insurge Pictures, MTV Films, and Nickelodeon Movies. PPC operations also include Paramount Home Media Distribution, Paramount Pictures International, Paramount Licensing Inc., and Paramount Studio Group.

About Skydance Media
Skydance is a diversified media company founded by David Ellison in 2010 to create elevated, event-level entertainment for global audiences. The Company brings to life stories of immersive worlds across platforms, including feature film, television, gaming and digital. Among Skydance Media’s commercially and critically successful feature films are Mission: Impossible – Rogue Nation, Terminator Genisys, World War Z, Jack Reacher, G.I. Joe: Retaliation, Mission: Impossible – Ghost Protocol, Star Trek Into Darkness and True Grit. Its 2015 feature films, Mission: Impossible – Rogue Nation and Terminator Genisys, together grossed over $1 billion at the worldwide box office. Skydance’s future feature film slate includes Star Trek Beyond, Jack Reacher: Never Go Back and Geostorm. The Company’s current television series are the Emmy-nominated Grace and Frankie on Netflix and the Emmy-winning Manhattan on WGN America.

About Bad Robot
Bad Robot was formed by filmmaker J.J. Abrams in 2001. The company has produced television series such as ALIAS, LOST, FRINGE, PERSON OF INTEREST, feature films such as CLOVERFIELD, STAR TREK, SUPER 8, MISSION: IMPOSSIBLE – GHOST PROTOCOL, STAR TREK INTO DARKNESS,  MISSION: IMPOSSIBLE – ROGUE NATION, the upcoming STAR WARS: THE FORCE AWAKENS, STAR TREK: BEYOND, and interactive content including the mobile app ACTION MOVIE FX. Bad Robot’s first foray into publishing, S., a novel conceived by Abrams and written by Doug Dorst, was a New York Times Best Seller. Bad Robot is based in Los Angeles and can be followed at twitter.com/bad_robot.

About IMAX Corporation
IMAX Corporation (NYSE:IMAX), an innovator in entertainment technology, combines proprietary software, architecture and equipment to create experiences that take you beyond the edge of your seat to a world you've never imagined. Top filmmakers and studios are utilizing IMAX theatres to connect with audiences in extraordinary ways, and, as such, IMAX's network is among the most important and successful theatrical distribution platforms for major event films around the globe.

IMAX is headquartered in New York, Toronto and Los Angeles, with offices in London, Tokyo, Shanghai and Beijing. As of September 30, 2015, there were 1,008 IMAX theatres (887 commercial multiplexes, 19 commercial destinations and 102 institutions) in 66 countries. On Oct. 8, 2015, shares of IMAX China, a subsidiary of IMAX Corp., began trading on the Hong Kong Stock Exchange under the stock code "HK.1970."

IMAX®, IMAX® 3D, IMAX DMR®, Experience It In IMAX®, An IMAX 3D Experience®, The IMAX Experience® and IMAX Is Believing® are trademarks of IMAX Corporation. More information about the Company can be found at www.imax.com. You may also connect with IMAX on Facebook (www.facebook.com/imax), Twitter (www.twitter.com/imax) and YouTube (www.youtube.com/imaxmovies).

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"Star Trek Beyond" Cast Announce a Chance to Win a Walk-on Role

STAR TREK BEYOND CAST UNITES TO BRING AUDIENCES THE ULTIMATE FAN EXPERIENCE: A CHANCE TO APPEAR IN THE UPCOMING FILM
Cast Members Announce “STAR TREK: TO BOLDLY GO” Campaign Benefitting the Cast’s Choice of Nine Global Causes

Beginning Today, Fans Can Visit Omaze.com/StarTrek to Enter for a Chance to Win!

View Cast Launch Video: https://www.youtube.com/watch?v=s-COeaGn5x0

HOLLYWOOD, CA – In an unprecedented event, the cast of the Star Trek film franchise has created a unique philanthropic initiative in partnership with Omaze. The Star Trek: To Boldly Go campaign will support the cast’s personal selection of nine global causes, which will each receive equal portions of the funds raised when fans enter for a chance to win a walk-on role in director Justin Lin’s Star Trek Beyond, the third film in the blockbuster franchise, released on July 8, 2016. The campaign runs from 12:01 a.m. PST on July 14th until 11:59 p.m. PST September 1st.

To coincide with the campaign’s launch, cast members John Cho, Simon Pegg, Chris Pine, Zachary Quinto, Zoë Saldana, Karl Urban, Anton Yelchin and Idris Elba recorded a special video message on the iconic Starship Enterprise bridge set. The video, released today, kicked off production and features the cast inviting fans to make franchise history as the first fans to ever win a walk-on role in a Star Trek movie. For each $10 contribution made through the Omaze fundraising platform, eligible participants will be automatically entered for a chance to win this once-in-a-lifetime experience.

Check out the launch video here: https://www.youtube.com/watch?v=s-COeaGn5x0

The Star Trek: To Boldly Go Grand Prize winner and a guest will:

• Fly to Vancouver and stay in a 4-star hotel
• Go behind the scenes of Star Trek Beyond, hang with the cast, and experience the filming of the movie
• Be transformed by hair, makeup and costume teams into a Star Trek character and filmed for a scene in Star Trek Beyond

In addition to the Grand Prize Winner, six additional winners will be randomly selected throughout the campaign to form the honorary “Star Trek: To Boldly Go” crew. Star Trek: To Boldly Go is the first Omaze campaign to have winners every week.

The Star Trek: To Boldly Go Crew will:

• Visit the closed set and meet the cast of Star Trek Beyond
• Be among the first to see scenes from the latest film
• Travel to Vancouver

“Omaze is excited to bring this truly once-in-a-lifetime experience to Star Trek fans around the world,” said Ryan Cummins, Co-Founder and Co-CEO. “We are proud to give fans the chance to live out their dream experience while simultaneously helping nine great causes. By allowing anyone to enter for just $10, we are seeing the power our community has in making an impact around the world.”

By donating directly to Omaze.com/StarTrek, fans will be supporting these nine global causes:

1. Brave Beginnings, an organization dedicated to ensuring that ventilators and life-saving neonatal equipment are always available to newborns in critical need. Nominated by Zoë Saldana.
2. Camp Sunshine, a place where children with life-threatening illnesses and their families can regroup, reenergize, and restore hope for the future. Nominated by Anton Yelchin.
3. Direct Relief International, one of the premiere disaster relief organizations that operates world­wide. Nominated by Zachary Quinto.
4. Heaven Homes, an organization helping establish children's homes and centers, while providing secure, safe and loving environments where children can be nurtured to realize their full potential. Nominated by Idris Elba.
5. KidsCan, an organization that provides food, clothing and healthcare to disadvantaged youth in New Zealand. Nominated by Karl Urban.
6. Koreatown Youth & Community Center, an organization serving the evolving needs of the Korean American population in the greater Los Angeles area as well as the multiethnic Koreatown community. Nominated by John Cho.
7. Make-A-Wish, whose remarkable work is making wishes come true every day for children suffering from life­threatening illnesses. Nominated by Chris Pine.
8. Time is Precious, an organization helping to create a more comfortable and relaxed atmosphere for children, which in return helps assist with their treatment and recovery. Nominated by Simon Pegg.
9. St. Jude Children’s Research Hospital, an organization that is leading the way in advancing cures for childhood cancer and other life-threatening diseases. Nominated by Susan Nimoy in honor of Leonard Nimoy.

In addition, fans who donate set amounts larger than $10 can receive special limited edition Star Trek rewards including t-shirts, posters, a cast-autographed red shirt, an advanced private screening of Star Trek Beyond, and a replica Captain’s chair.

Visit Omaze.com/StarTrek to learn more about this new initiative. “Live long and prosper.”


ABOUT OMAZE
Founded by writer/filmmakers and friends from college, Matt Pohlson and Ryan Cummins, Omaze is an online social good platform that gives anyone the chance to win once-in-a-lifetime experiences that also support social missions. Omaze offers its community of donors transformative experiences, remarkable causes and compelling content. For more information, please visit www.omaze.com.

ABOUT PARAMOUNT PICTURES CORPORATION
Paramount Pictures Corporation (PPC), a global producer and distributor of filmed entertainment, is a unit of Viacom (NASDAQ: VIAB, VIA), a leading content company with prominent and respected film, television and digital entertainment brands. Paramount controls a collection of some of the most powerful brands in filmed entertainment, including Paramount Pictures, Paramount Animation, Paramount Television, Paramount Vantage, Paramount Classics, Insurge Pictures, MTV Films, and Nickelodeon Movies. PPC operations also include Paramount Home Media Distribution, Paramount Pictures International, Paramount Licensing Inc., and Paramount Studio Group.

Star Trek: To Boldly Go Restrictions and Limitations
No purchase necessary to enter or win.  Void where prohibited.  Must be at least eighteen (18) years of age or the age of majority in your domicile, to enter and a resident of Argentina, Austria, Canada, Cyprus, Estonia, France, Germany, Greece, Hungary, India, Ireland, Japan, Latvia, Lithuania, Mexico, Netherlands, Philippines, Portugal, Romania, Russia, Slovakia, Slovenia, Spain, Sweden, USA, or the UK, and not a resident of Belgium, Italy, Malta, Singapore, or Thailand.  Residents of Australia, Brazil, China and the Republic of Korea are not prohibited from participating, but local rules and laws may restrict or prohibit the award of certain prizes or impose additional restrictions on participation.

Rewards are separate from sweepstakes prizes.  Rewards are limited in quantity. Odds of winning depend on number of entries. For free entry: (i) send post card to Sponsor at P.O. Box 866, 9942 Culver Blvd, Culver City, CA, USA 90232 by applicable mail date; or (ii) visitwww.Omaze.com/StarTrek.  Entrants may receive additional entries via Facebook.  Maximum number of entries: 1,000,000 per Entrant.  Travel and accommodations are at Sponsor’s discretion and subject to availability and change.  Winner and Guest may be required to pass a background screening or security check, to receive the prize and/or reward. Visa conditions may apply. All taxes are Winner’s responsibility. Not sponsored, endorsed or administered by, or associated with Facebook®.  Residents of certain territories may be required to successfully complete a trivia question to qualify.  For full entry requirements, details, limitations and restrictions see Official rules at www.Omaze.com/StarTrek. Sole Sponsor: Omaze, Inc., P.O. Box 866, 9942 Culver Blvd, Culver City, CA, USA 90232.

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Review: "Riddick" Goes Back to Basics

TRASH IN MY EYE No. 8 (of 2014) by Leroy Douresseaux

Riddick (2013)
Running time:  119 minutes (1 hour, 59 minutes)
MPAA – R for strong violence, language and some sexual content/nudity
DIRECTOR:  David Twohy
WRITER:  David Twohy (based upon characters created by Jim Wheat and Ken Wheat)
PRODUCERS:  Vin Diesel and Ted Field
CINEMATOGRAPHER:  David Eggby
EDITOR:  Tracy Adams
COMPOSER:  Graeme Revell

SCI-FI/ACTION/THRILLER

Starring:  Vin Diesel, Jordi Molla, Matt Nable, Katee Sackhoff, Dave Bautista, Bokeem Woodbine, Raoul Trujillo, Conrad Pla, Danny Blanco Hall, Noah Danby, Neil Napier, Nolan Gerard Funk, Andreas Apergis, Keri Lynn Hilson, and Karl Urban

Riddick is a 2013 British-American science fiction and action-thriller film from writer-director David Twohy.  Starring Vin Diesel in the title role, this film is a sequel to the 2004 science fiction film, The Chronicles of Riddick, and is also the third feature film in The Chronicles of Riddick film franchise that began with 2000’s Pitch Black.  In the new film, Riddick finds himself left for dead on a desolate planet and facing off against two bands of mercenaries and the planet’s predatory inhabitants.

Riddick takes place five years after the events of the movie, The Chronicles of Riddick.  The universe’s most dangerous man, Richard B. Riddick (Vin Diesel), awakens on an unnamed, sun-scorched planet and finds himself severely injured.  He realizes that he must go “back to zero” and awaken the savage inside himself.  Eventually, Riddick discovers that although he has survived the planet’s harsh environment and native predators, he must still find a way off this world.

Riddick activates an emergency beacon at an abandoned mercenary station.  Two ships promptly answer the beacon.  The first carries a band of grungy mercenaries led by the violent and erratic, Santana (Jordi Molla).  The second group of mercenaries is more professional and better equipped, but they are led by Boss John (Matt Nable), a man who has a connection to Riddick’s past.  As the two groups fight to see which will capture Riddick, they are unaware of something that may be more dangerous than Riddick.

Riddick isn’t by any means a great movie, but, just like The Chronicles of Riddick, it is a rather entertaining movie.  Riddick is very much the work of talented artists, craftsman, and photographers and CGI artists.  Their best work is revealed in the long-distance views of the planet’s sun-scorched landscapes and turbulent sky.

However, director David Twohy and his star, Vin Diesel, don’t leave everything up to the techs and artisans.  They go back to the basics, delivering a tense, brooding thriller that borrows heavily from the first film, Pitch Black, which is basically a template for this new movie.  Riddick recaptures the stripped-down, indie-style science fiction that was the first film, while jettisoning the opulent sci-fi mode of the second film.  If you like Pitch Black, you may like Riddick.

I wish the screenplay developed the characters better than it does.  The Boss John subplot is wasted.  There is potential for real conflict between Riddick, John, and the other mercs, but the other characters are mostly cannon fodder or are simply in the film to make Riddick look like such a stallion among nags.

Say what you will about his acting (and there may be little to say), Diesel, as a movie star, is a steed and a charger and a stallion, and his personality is a large object, large enough to cast a shadow over his co-stars.  That can keep other characters from showing their best side.  But what the hell – Riddick is back, and that’s more than good enough for me.

7 of 10
B+

Monday, February 17, 2014


The text is copyright © 2014 Leroy Douresseaux. All Rights Reserved. Contact this site for syndication rights and fees.

Review: "Star Trek Into Darkness" a Spectacular Trip

TRASH IN MY EYE No. 64 (of 2013) by Leroy Douresseaux

Star Trek Into Darkness (2013)
Running time:  127 minutes (2 hours, 7 minutes)
MPAA – PG-13 for sci-fi action and violence and brief sexual content
DIRECTOR:  J.J. Abrams
WRITERS:  Roberto Orci, Alex Kurtzman, and Damon Lindelof (based upon the television “Star Trek” created by Gene Roddenberry)
PRODUCERS:  J.J. Abrams, Bryan Burk, Roberto Orci, Alex Kurtzman, and Damon Lindelof
CINEMATOGRAPHER:  Dan Mindel (D.o.P.)
EDITORS:  Maryann Brandon and Mary Jo Markey
COMPOSER:  Michael Giacchino

SCI-FI/ACTION/THRILLER with elements of drama and comedy

Starring:  Chris Pine, Zachary Quinto, Zoe Saldana, Karl Urban, Simon Pegg, John Cho, Anton Yelchin, Benedict Cumberbatch, Peter Weller, Alice Eve, Noel Clarke, Nazneen Contractor, and Bruce Greenwood with Leonard Nimoy

Star Trek Into Darkness is a 2013 science fiction and action film from director J.J. Abrams.  This movie is the 12th film in the Star Trek film franchise, which is a continuation of “Star Trek,” the beloved 1960s television series.  Star Trek Into Darkness (also known as “STID”) is the follow up to the 2009 film, Star Trek, which was a reboot of the franchise by J.J. Abrams and writers Roberto Orci and Alex Kurtzman.  STID pits the crew of the Enterprise against an unstoppable and mysterious force of terror from within their own organization.

The 2009 film was stunningly clever and wildly imaginative, and a jittery, sexy, and fresh take on a venerable science fiction classic.  STID is not necessarily fresh (or not as fresh its predecessor), but it is a crazy, sexy blast.

Star Trek Into Darkness opens in the year 2259.  Captain James T. “Jim” Kirk (Chris Pine) still commands the starship, the USS Enterprise.  Kirk’s top officers and the most trusted members of his crew are Commander Spock (Zachary Quinto), Lieutenant Nyota Uhura (Zoe Saldana), Lt. Commander Dr. Leonard “Bones” McCoy (Karl Urban), Lt. Commander Montgomery “Scotty” Scott (Simon Pegg), Lt. Hikaru Sulu (John Cho), and Ensign Pavel Chekov (Anton Yelchin).  Together, they are in the midst of another wild adventure.

Early in the film, Capt. Kirk pulls a stunt that gets him into trouble with Starfleet.  He gets a chance at redemption after Commander John Harrison (Benedict Cumberbatch) launches a series of terrorist attacks against the Federation (United Federation of Planets).  At the behest of Fleet Admiral Alexander Marcus (Peter Weller), commander-in-chief of Starfleet, Kirk leads the Enterprise on a mission against Harrison.  To capture this fugitive, however, the Enterprise must travel to Kronos, the home world of the Klingons, an alien race that is practically in a state of war with the Federation.

Star Trek Into Darkness is epic; it’s like three or four mini-movies put together to form one big, massive, sci-fi extravaganza.  It is a rousing adventure, a riveting action-adventure in space, and a swashbuckling, seafaring adventure set on the tumultuous oceans of the starry space-ways.

The film largely focuses on Kirk and Spock, and thematically, the story revolves around their personality traits, quirks, and flaws.  Revenge is also a theme, best personified by the “John Harrison” character, although I am conflicted about Benedict Cumberbatch’s casting and performance as Harrison.  Physically, Cumberbatch is miscast because he is too pasty-faced and looks more like a sneering kid than a monster/terrorist.  His athletic build looks pudgy even in a sleek bodysuit.  Cumberbatch vacillates between being too posh or too pissed off; it makes the character occasionally comical.  Cumberbatch is STID’s big misstep that luckily does not become a fatal flaw.

On the other hand, Simon Pegg is superb as Scotty.  He provides spot-on, dead-on humor in the film, and Pegg maximizes his impact upon each scene in which Scotty participates.  Pegg is STID’s best foot forward.

I understand that some hardcore Star Trek fans (Trekkies or Trekkers) were upset about at least not exited by STID.  I am not a hardcore fan, but I love me some Star Trek – the original television series, especially.  Star Trek Into Darkness feels like Star Trek to me.  J.J. Abrams’ two Star Trek films are the breathtaking, mind-blowing adventures that earlier Star Trek television series and films could not be – mainly for budgetary and technical reasons.

Thus, the Star Trek movies of J.J. Abrams and writer Roberto Orci, Alex Kurtzman, and Damon Lindelof, in some ways, do not look like their Star Trek predecessors.  But the spirit of Star Trek is there, even behind all that shiny computer-generated, special visual effects.  I unreservedly endorse that you, dear readers, follow Star Trek Into Darkness into a grand time at the movies.  This film is not without its flaws, but somehow, STID’s imperfections make it seem all the more beautiful to me.

9 of 10
A+

Thursday, September 19, 2013


The text is copyright © 2013 Leroy Douresseaux. All Rights Reserved. Contact this site for syndication rights and fees.

Review: "The Chronicles of Riddick" is Epic

TRASH IN MY EYE No. 95 (of 2004) by Leroy Douresseaux

The Chronicles of Riddick (2004)
Running time:  119 minutes (1 hour, 59 minutes)
MPAA – PG-13 for intense sequences of violent action and some language
DIRECTOR:  David Twohy
WRITER:  David Twohy (based upon characters created by Jim Wheat and Ken Wheat)
PRODUCERS:  Vin Diesel and Scott Kroopf
CINEMATOGRAPHER:  Hugh Johnson (D.o.P.)
EDITORS:  Martin Hunter and Dennis Virkler
COMPOSER:  Graeme Revell

SCI-FI/ACTION/ADVENTURE/FANTASY

Starring:  Vin Diesel, Colm Feore, Thandie Newton, Judi Dench, Karl Urban, Alexa Davalos, Linus Roache, Yorick van Wageningen, Nick Chinlund, and Keith David

The subject of this movie review is The Chronicles of Riddick, a 2004 science fiction and action-adventure film from writer-director David Twohy.  Starring Vin Diesel in the title role, this film is a sequel to the 2000 science fiction thriller, Pitch Black.

Five years after the incidents in the movie Pitch Black, the dark hero Riddick (Vin Diesel) is a hunted man, but mercenaries aren’t just hunting Riddick to send him back to prison.  A fellow survivor of Pitch Black, Imam (Keith David), seeks Riddick because the Imam’s home world needs Riddick’s kind of evil to fight evil.  In The Chronicles of Riddick, the title character takes on the world conquering Necromongers and their vicious, quasi-supernatural leader, the Lord Marshal (Colm Feore).  Apparently, the Lord Marshal and Riddick have a mutual past.  Riddick learns that his people were known as the Furians, and a prophecy said that the Lord Marshal would die at the hands of a Furian.  Thirty years after the Lord Marshal’s pogrom against the Furians, the most contrary and stubborn of them all, Riddick, comes looking for payback.

The Chronicles of Riddick isn’t by any means a great movie, but it’s rather a very entertaining macho movie.  Despite the sci-fi trappings, the film and its title character are basically throwbacks to the kind of action movies and muscular heroes that stomped the shit out silver screen bad guys in films like the Rambo, Die Hard, and Terminator franchises.  Visually, the production design is as dark as The Empire Strikes Back and The Crow, so TCOR is very much the work of talented artists, craftsman, and photographers and CGI artists.

Beyond that, director David Twohy has put together a fun film full of explosions and (relatively) gore free wrestling matches.  TCOR may look like a video game, but it’s futuristic fisticuffs in which the dark champion speaks with the force of muscular body and wins by guile and savvy.  Vin Diesel may not be a solid actor, but he’s game to throw testosterone around a movie set, and the lead doesn’t need to be a great actor when a fine stage actor like Colm Feore (he was the bad guy Andre Linoge in the TV mini-series Stephen King’s “Storm of the Century”) plays the villain.

I had a good (if not great) time, and when it comes down to it, The Chronicles of Riddick is a slugfest man’s movie for the guy who’ll watch any half decent action movie.  And this one is a lot better than half decent.  Some ladies might get a kick out of it, too.

7 of 10
B+

NOTES:
2005 Razzie Awards:  1 nomination: “Worst Actor” (Vin Diesel)

Updated:  Wednesday, August 14, 2013

Read the Pitch Black review and The Chronicles of Riddick: Dark Fury review.

The text is copyright © 2013 Leroy Douresseaux. All Rights Reserved. Contact this site for syndication rights and fees.

Review: "Dredd" is Dredd-fully Great

TRASH IN MY EYE No. 10 (of 2013) by Leroy Douresseaux


Dredd (2012)
Running time: 95 minutes (1 hour, 35 minutes)
MPAA – R for strong bloody violence, language, drug use and some sexual content
DIRECTOR: Pete Travis
WRITERS: Alex Garland (based on characters created by John Wagner and Carlos Ezquerra)
PRODUCERS: Alex Garland, Andrew Macdonald, and Allon Reich
CINEMATOGRAPHER: Anthony Dod Mantle
EDITOR: Mark Eckersley
COMPOSER: Paul Leonard-Morgan

SCI-FI/ACTION

Starring: Karl Urban, Olivia Thirlby, Lena Heady, Wood Harris, Rakie Ayola, Warrick Grier, Langley Kirkwood, Edwin Perry, Karl Thaning, Michele Levin, Domhnall Gleeson, Daniel Hadebe, Francis Chouler, and Nicole Bailey

Dredd is a 2012 British-South African science fiction film. Originally released in 3D, this film is based on the comic strip Judge Dredd, which appears in the British science fiction comics anthology, 2000 AD. The title character, Judge Dredd, first appeared in 2000 AD #2 (March 5, 1977) and was created by writer John Wagner (who is a consulting producer on this film) and artist Carlos Ezquerra. Dredd the movie finds the title character teamed with a trainee as he tries to take down a powerful drug gang.

In the future, Earth is an irradiated wasteland. Most humans reside in one of the huge Mega-Cities. Mega-City One is a violent metropolis where 800 million people reside and where 17,000 crimes are reported daily. There, the justice system is maintained by the Hall of Justice and its corps of Judges, who are judge, jury, and executioner – basically police officers with instant field judiciary powers. Currently, Mega-City One is dealing with a new addictive drug, the reality-altering “Slo-Mo,” which slows the user’s perception of time down to one percent.

Early in the film, Judge Dredd (Karl Urban) is tasked by the Chief Judge (Rakie Ayola) with evaluating a new recruit for Judge, Cassandra Anderson (Olivia Thirlby). She is a powerful psychic, but has failed the aptitude tests to be a judge. Dredd and Anderson are sent to Peach Trees to investigate a triple homicide. Peach Trees is a mega-block, a 200-story slum tower block of apartments. After arresting a thug named Kay (Wood Harris), Dredd and Anderson run afoul of his boss, Madeline Madrigal aka “Ma-Ma” (Lena Heady), a powerful, female drug kingpin and gang boss. Now, Dredd and Anderson have to fight their way out of Peach Trees, with no back-up coming to help them.

The first adaptation of Judge Dredd to comics, the 1995 film, Judge Dredd, was really a Sylvester Stallone movie. With its realistic, visceral look, Dredd is truer to the Dredd comics. It is a futuristic cop movie that looks like a modern day crime and gangster flick. The science fiction visual elements, such as the city’s massive tower blocks, are blended into the South African locales where this film was shot. Thus, Dredd looks as if it takes place in real city rather than in some urban landscape created entirely with the use of computer imagery.

Simply and honestly, I love this movie. I think that it is a more-than reasonable adaptation of a comics series that is hard to adapt because of the uniqueness of the comics. Dredd lacks the satire of the Judge Dredd comics, but the film has plenty of gallows humor. Rather than being over the top with the ultra-violence, the film delivers the bloodshed in intervals that are like lovely layers of lasagna. So the amount of carnage always seems just right, but leaves you wanting more, because it actually seems like you never get enough – at least to me.

This well-timed mayhem looks quite good, thanks the high-quality of Dredd’s film editing, which is some of the year’s best and which is an example of the film’s excellent production and technical values. Another instance: Paul Leonard-Morgan’s musical score is certainly a delicious bag of ear-candy, accentuating the film’s drama, giving the character bits the same power as the action violence and gun battles.

The film has many good performances. Lena Heady is a subtle beast as Ma-Ma; I wish the character was onscreen more. Wood Harris makes his character, Kay, matter. Olivia Thirlby takes a part that could have been a middling sidekick and makes the character up to the challenge that being next to Dredd poses.

Speaking of Dredd, Karl Urban gives one of the best performances ever in a movie based on a comic book. His deadpan delivery of the intractable Dredd actually has color and depth. Perhaps Dredd does not change from the beginning to the end of the film, but, in Urban’s hands, Dredd gains something, somewhere in him. Because of the helmets that the Judges wear, the audience does not see Dredd’s head or the top half of his face. We only see from the bottom of Dredd’s nose and to his neck. So Urban turns Dredd’s perpetual frown and stiff chin into supporting characters. Urban’s imitation-Clint Eastwood voice tops it off, allowing for the creation of a mesmerizing Judge Dredd.

Why was Dredd a box office disappointment? I wish I knew what kept the film’s box office low. It is exceptionally good, and credit for this should also go to the film’s writer/co-producer, Alex Garland. Hopefully, at least Urban and Garland, can return to make another film like Dredd, one of 2012’s very best films; at least, I think so.

9 of 10
A+

Friday, February 01, 2013

"Star Trek Into Darkness" Plot Revealed?

The plot for the upcoming "Star Trek Into Darkness" has been kept secret.  Monday night, Paramount Pictures snuck a plot synopsis for the sequel to its 2009 hit, Star Trek, onto its media site.  It is only four paragraphs long and it is still vague, but it's better than nothing.  Actor Benedict Cumberbatch signed on to play a villain, but there have been no details on his character.  For your reading enjoyment:

In Summer 2013, pioneering director J.J. Abrams will deliver an explosive action thriller that takes "Star Trek Into Darkness."

When the crew of the Enterprise is called back home, they find an unstoppable force of terror from within their own organization has detonated the fleet and everything it stands for, leaving our world in a state of crisis.

With a personal score to settle, Captain Kirk leads a manhunt to a war-zone world to capture a one man weapon of mass destruction.

As our heroes are propelled into an epic chess game of life and death, love will be challenged, friendships will be torn apart, and sacrifices must be made for the only family Kirk has left: his crew.

That's it.  "Star Trek Into Darkness" stars Chris Pine, Zachary Quinto, Zoe Saldana, Simon Pegg, Karl Urban, Anton Yelchin, John Cho and Benedict Cumberbatch and is due in theaters on May 17, 2013.

"Dredd 3D" Has New YouTube Trailer

Dredd The Movie in 3D from LionsGate Films arrives in theaters this fall, and the studio just released a new trailer/video:

http://www.youtube.com/watch?v=OvVWZkvUfwo or http://youtu.be/OvVWZkvUfwo

Filmed in 3D with stunning slow-motion photography sequences, the film returns the celebrated character to the dark, visceral incarnation from John Wagner and Carlos Ezquerra's revered comic strip. Dredd 3D was written by 28 Days Later's Alex Garland and directed by Pete Travis, starring: Karl Urban (Star Trek) and Olivia Thirlby (Juno). This futuristic neo-noir action film sneak screened at Comic-Con this year where it was a big hit and was well received by critics. Dredd 3D will release in theaters on September 21, 2012.

Synopsis:
DREDD 3D - The future America is an irradiated waste land. On its East Coast, running from Boston to Washington DC, lies Mega City One - a vast, violent metropolis where criminals rule the chaotic streets. The only force of order lies with the urban cops called "Judges" who possess the combined powers of judge, jury and instant executioner. Known and feared throughout the city, Dredd is the ultimate Judge, challenged with ridding the city of its latest scourge - a dangerous drug epidemic that has users of "Slo-Mo" experiencing reality at a fraction of its normal speed.

During a routine day on the job, Dredd is assigned to train and evaluate Cassandra Anderson, a rookie with powerful psychic abilities thanks to a genetic mutation. A heinous crime calls them to a neighborhood where fellow Judges rarely dare to venture - a 200 story vertical slum controlled by prostitute turned drug lord Ma-Ma and her ruthless clan. When they capture one of the clan's inner circle, Ma-Ma overtakes the compound's control center and wages a dirty, vicious war against the Judges that proves she will stop at nothing to protect her empire. With the body count climbing and no way out, Dredd and Anderson must confront the odds and engage in the relentless battle for their survival.

http://www.dreddthemovie.com/

J.J. Abrams' "Star Trek" Sequel Now in Production

J.J. ABRAMS BEGINS PRODUCTION ON THE NEXT “STAR TREK” MOVIE

Paramount Pictures and Skydance Productions Will Release the Anticipated Sequel on May 17, 2013

Paramount Pictures announced today that principal photography has commenced in Los Angeles, CA on the sequel to Star Trek from director J.J. Abrams. The film will be released on May 17, 2013 in 3D. The 2009 re-launch of the “Star Trek” franchise by Abrams was met with critical acclaim and a worldwide gross of over $385 million at the box office.

Paramount Pictures and Skydance Productions present a Bad Robot Production of a J.J. Abrams Film. Returning to their posts on the Enterprise are John Cho, Bruce Greenwood, Simon Pegg, Chris Pine, Zachary Quinto, Zoë Saldana, Karl Urban, and Anton Yelchin. They are joined by new cast members Benedict Cumberbatch, Alice Eve and Peter Weller.

Based upon “Star Trek” created by Gene Roddenberry, the film is produced by J.J. Abrams, Bryan Burk, Damon Lindelof, Alex Kurtzman and Roberto Orci. The script was written by Alex Kurtzman & Robert Orci & Damon Lindelof.

Jeffrey Chernov, David Ellison, Dana Goldberg and Paul Schwake are the executive producers. The director of photography is Dan Mindel, ASC, BSC. The production designer is Scott Chambliss. The film is edited by Maryann Brandon, A.C.E. and Mary Jo Markey, A.C.E. The costume designer is Michael Kaplan. The music is by Michael Giacchino.


ABOUT Paramount PICTURES CORPORATION
Paramount Pictures Corporation (PPC), a global producer and distributor of filmed entertainment, is a unit of Viacom (NYSE: VIA, VIA.B), a leading content company with prominent and respected film, television and digital entertainment brands. The company's labels include Paramount Pictures, Paramount Vantage, Paramount Classics, MTV Films, and Nickelodeon Movies. PPC operations also include Paramount Digital Entertainment, Paramount Famous Productions, Paramount Home Entertainment, Paramount Pictures International, Paramount Licensing Inc., Paramount Studio Group, and Worldwide Television Distribution.

ABOUT SKYDANCE PRODUCTIONS
Skydance Productions has a strategic partnership with Paramount Pictures which allows it to co-finance and produce several films per year with the studio. The first film to be co-produced under the partnership was the Coen Brothers’ “True Grit,” which was nominated for 10 Academy Awards© and has earned $250 million worldwide. Most recently, Skydance productions released the Paramount feature “Mission: Impossible-Ghost Protocol,” starring Tom Cruise, which has made over $460 million worldwide and growing. Upcoming films include “G.I. Joe 2: Retaliation,” starring Bruce Willis, Channing Tatum and Dwayne Johnson, set for release on June 29, 2012; “My Mother’s Curse,” starring Barbra Streisand and Seth Rogen, slated for release on November 2, 2012; “World War Z,” directed by Marc Forster and starring Brad Pitt, Matthew Fox and David Morse, set for release on December 21, 2012; “One Shot,” based on the best-selling novels by Lee Child, directed by Christopher McQuarrie and starring Tom Cruise, currently in production; the Untitled Star Trek Sequel, starring Zoe Saldana, Zachary Quinto and Chris Pine; and the Untitled Jack Ryan Project starring Chris Pine, to be directed by Jack Bender (“Lost”) and produced by Lorenzo Di Bonaventura and Mace Neufeld. Additionally, Skydance is producing, along with Alex Kurtzman and Roberto Orci, “Without Remorse,” written by Shawn Ryan.

ABOUT BAD ROBOT
Bad Robot was formed by filmmaker J.J. Abrams in 2001. The company has produced television series such as ALIAS, LOST, FRINGE, and PERSON OF INTEREST, and feature films such as CLOVERFIELD, STAR TREK, SUPER 8 and MISSION: IMPOSSIBLE GHOST PROTOCOL. Bad Robot is based in Los Angeles.

Review: "Priest" Wants to Be a Cowboy

TRASH IN MY EYE No. 74 (of 2011) by Leroy Douresseaux

Priest (2011)
Running time: 87 minutes (1 hour, 27 minutes)
MPAA – PG-13 for intense sequences of violence and action, disturbing images and brief strong language
DIRECTOR: Scott Stewart
WRITER: Cory Goodman (based on the graphic novel series Priest by Min-Woo Hyung)
PRODUCERS: Michael De Luca, Joshua Donen, and Mitchell Peck
CINEMATOGRAPHER: Don Burgess
EDITORS: Lisa Zeno Churgin and Rebecca Weigold
COMPOSER: Christopher Young
ANIMATION STUDIO: Viking Animation Studios

SCI-FI/FANTASY/HORROR/ACTION

Starring: Paul Bettany, Karl Urban, Cam Gigandet, Maggie Q, Lily Collins, Christopher Plummer, Brad Dourif, Stephen Moyer, Madchen Amick, and Alan Dale

Priest is a 2011 post-apocalyptic, vampire action movie. The film is based on the Korean comic book, Priest, by Min-Woo Hyung, which was published in the U.S. by American manga and graphic novel publisher, TOKYOPOP. The film follows a vampire-killing priest who disobeys orders to track down his niece and the vampire that kidnapped her.

Priest takes place on a world where for centuries, humans and vampires (who are bestial and don’t have eyes) have been at war. The Church (similar to the Roman Catholic Church) created an elite group of warriors called “Priests” who are blessed with special powers that allowed them to slay vampires. Humans won the war, killing most of the vampires and placing the rest in reservations. The Church built giant walled cities to protect mankind and to better control people.

The movie opens in Cathedral City and focuses on the character known only as Priest (Paul Bettany), and like other Priests, he has lived as an outcast since the end of the war. Hicks (Cam Gigandet), the sheriff of the nearby small town of Augustine, arrives to tell the Priest that his brother’s family was attacked by a pack of vampires and that Priest’s niece, Lucy Pace (Lily Collins), has been kidnapped by the vampires. Black Hat (Karl Urban), a mysterious vampire leader with a connection to Priest, now has Lucy. Disobeying the Church’s demand for him to stay in Cathedral City, Priest sets out into the Wastelands with Hicks, Lucy’s boyfriend, to recover her. Along the way, they are joined by a talented warrior, Priestess (Maggie Q), who helps them uncover a shocking vampire plot.

Although it may not be as obvious as Cowboys and Aliens, Priest is basically a post-apocalyptic, science fiction Western film. The Priests are something like sheriff’s deputies, with Paul Bettany’s Priest being a renegade Western gunslinger as hero. Of course, Karl Urban’s Black Hat is the villain in a black hat. Sadly, the film does not really do much with the very talented Karl Urban, who has terrific screen chops. By the end of this movie, I couldn’t help but think that Urban was vastly under-utilized.

In fact, Priest is a concept with a lot of good ideas, and the film under-utilizes most of them. Priest’s version of the vampire is wickedly good and the environment in which they live is cool, creepy, and scary, but this film never seems to do enough with that. Luckily, the story does make good use of Hicks, the Priestess, and even Lucy.

Priest does make great use of its lead character, Priest, and of the film’s lead actor, Paul Bettany. Priest is the strong, silent type – part Wesley Snipes’ Blade and part Clint Eastwood’s the Man with no Name. Bettany is a talented actor with movie star looks and skills, and he also has a great speaking voice. Director Scott Stewart, who worked with Bettany on the recent horror movie, Legion, recognizes this and makes great use of his star. Bettany makes the journey through Priest’s kooky world of gruesome vampires and creepy Church officials an entertaining road trip. Priest could have been a B-movie hot mess; instead, Stewart and Bettany make it hot stuff.

5 of 10
B-

Saturday, August 27, 2011

-------------------------

"Red" is Riotous, Entertaining and Damn-good

TRASH IN MY EYE No. 100 (of 2010) by Leroy Douresseaux

Red (2010)
Running time: 111 minutes (1 hour, 51 minutes)
MPAA – R for intense sequences of action violence and brief strong language
DIRECTOR: Robert Schwentke
WRITERS: Jon Hoeber and Erich Hoeber (based upon the graphic novel by Warren Ellis and Cully Hamner)
PRODUCERS: Lorenzo di Bonaventura and Mark Vahradian
CINEMATOGRAPHER: Florian Ballhaus
EDITOR: Thom Noble

ACTION/COMEDY with elements of drama and romance

Starring: Bruce Willis, Morgan Freeman, Mary-Louise Parker, John Malkovich, Helen Mirren, Karl Urban, Brian Cox, Richard Dreyfuss, Rebecca Pidgeon, Julian McMahon, Jacqueline Fleming, James Remar, and Ernest Borgnine

Bruce Willis is one of the world’s biggest movie stars of the last quarter century. Perhaps, that status makes people forget that not only is Willis a great action movie star, but he is also a fine actor, also comfortable with character drama and comedy. At least, I think so. In his recent, Fall-released action comedy, Red (based upon the comic book miniseries of the same name by Warren Ellis and Cully Hammer), Willis shows all his sides – subtle drama, deadpan humor, and action flick stud.

Red focuses on Frank Moses (Bruce Willis), a former black-ops CIA agent living a quite, idyllic life of retirement in the suburbs. When he feels lonely, he chats with Sarah Ross (Mary-Louise Parker), a customer service agent at the office that sends out Frank’s pension checks. When an assassin squad comes gunning for him, however, Frank is forced to go on the run, with Sarah in tow. Frank is RED – retired, extremely dangerous, and someone powerful wants him dead. Frank needs answers.

To survive, Frank tracks down members of his old black-ops squad. There is his old mentor, Joe Matheson (Morgan Freeman), living in a retirement home in New Orleans, someone who can give Frank information. Marvin Boggs (John Malkovich) is a paranoid conspiracy theorist, who can give him more information. Victoria (Helen Mirren), a wetwork agent (assassin), can give comfort and aid. Then, there is William Cooper (Karl Urban), who is the CIA agent assigned to hunt and kill Frank. Cooper is kind of like a younger version of Frank, and he won’t let anything stop him.

Red is one of those films that can be described as “a non-stop thrill ride,” which it is for the most part. The car chases, shootouts, fights, and other action scenes are quite good, and often funny, not because they are parody, but because the action always manages to embody the absurdity of this story.

The characters are okay, but the actors are the ones that make them better. Performers like Morgan Freeman, Helen Mirren, and John Malkovich are so good that they can both give life to flat characters and play up the comic aspects of a scene or situation with ease. They make the often-extremely violent Red seem witty and effervescent. Yes, even Bruce Willis has done this kind of character (the killer) in other movies (like The Whole Nine Yards), but here, he is cool like a movie star should be. This is the kind of movie that needs a movie star lead, and Willis provides that.

Red is not perfect. Sometimes, it doesn’t know if it wants to be extremely dangerous or extremely funny, but action comedies like this: more snarky than smart and filled with comic violence that actually looks like real action movie violence, don’t come around often enough. Red is probably the best action comedy of the year.

7 of 10
B+

Monday, December 06, 2010

"Doom" is Promise Doomed

TRASH IN MY EYE No. 161 (of 2005) by Leroy Douresseaux


Doom (2005)
Running time: 100 minutes (1 hour, 40 minutes)
MPAA – R for strong violence/gore and language
DIRECTOR: Andrzej Bartkowiak
WRITERS: David Callaham and Wesley Strick; from a story by David Callaham
PRODUCERS: John Wells and Lorenzo di Bonaventura
CINEMATOGRAPHER: Tony Pierce-Roberts
EDITORS: Derek Brechin, Peter Dansie, Chris Lloyd, and Toby Lloyd
Razzie Award nominee

SCI-FI/HORROR/ACTION

Starring: Dwayne “The Rock” Johnson, Karl Urban, Rosamund Pike, DeObia Oparei, Ben James, Razaaq Adoti, Richard Brake, Al Weaver, Dexter Fletcher, and Brian Steele

When something goes horrible wrong at the Olduvai Research Station on Mars, causing a Level 5 quarantine, the Rapid Response Tactical Squad, hardened Marines heavily armed with enough firepower to neutralize any kind of enemy (or so they think), head for the red planet. Arriving on Mars via the Ark portal (kind of like a stargate from the film Stargate and the TV series), the Marines, led by Gunnery Sergeant Asher “Sarge” Mahonin (Dwayne “The Rock” Johnson), seal off the portal and find the research facility in a state of panic.

The most important scientists that they came to rescue are dead and the one that is still alive, Samantha Grimm (Rosamund Pike), is actually the twin sibling of one of Sarge’s marines, John “Reaper” Grimm (Karl Urban), and Samantha claims not to know what happened to her colleagues. When Sarge and the RRTS begin trekking through the research installation’s countless halls and rooms, they find nightmarish creatures of unknown origin around almost every wall and corner.

Doom is the latest videogame translated to the movie screen, and in this action horror flick, macho clods with little acting talent or ability run around with big guns shooting at big ugly monsters. The film is like a low-rent version of Aliens, with its Space Marines battling the aliens, or Predator, with a covert action team fighting an alien monster in the jungles of Central America. Doom, however, isn’t nearly as entertaining as either of these movies, nor is the quality of the filmmaking in the same league. Doom isn’t even as good as the Resident Evil franchise.

Still, Doom is mildly entertaining, although it is incredible lame – yes, it is so badly made that it is physically handicapped. The writing is atrocious and the acting isn’t worth the effort of coming up with mean, clever things to say. The directing captures that horror movie atmosphere of the boogeyman around the corner. In fact, the monster reveals are quiet good; these creature jump out of the shadows with the flair of the best cinematic ghouls. Some of the attackers are even straight out of a George Romero movie, although I can’t understand why zombies and the living dead were so popular with game developers in the 1990’s.

I guess the film is enjoyable for what it is. Overlook the fact that this film is garbage, and you might enjoy this as a throwaway rental if you’re a guy, but don’t expect your lady friend to sit through this with you – even if she says she really loves you. This is a dog of a movie, not a “good” bad movie, but a “bad” bad movie. Doom is an FPS game, or first person shooter game, and the movie is meant to appeal to the 13-year old boy (or the 13-year old in the adult man) who would love to have a big gun. He can blast away at monsters that in turn explode in gory bursts when the bullets hit, and, of course, he won’t notice that the movie, like the FPS game, is short on story so it can be long on violence.

4 of 10
C

NOTE:
2006 Razzie Awards: “Worst Actor” (Dwayne Johnson)

Review: Cool "STAR TREK" Reboot is All About Breathless Adventure

TRASH IN MY EYE No. 15 (of 2009) by Leroy Douresseaux

Star Trek (2009)
Running time: 127 minutes (2 hours, 7 minutes)
MPAA – PG-13 for sci-fi action and violence and brief sexual content
DIRECTOR: J.J. Abrams
WRITERS: Roberto Orci & Alex Kurtzman (based upon the television “Star Trek” created by Gene Roddenberry)
PRODUCERS: J.J. Abrams and Daniel Lindelof
CINEMATOGRAPHER: Dan Mindel (D.o.P.)
EDITOR: Maryann Brandon and Mary Jo Markey
Academy Award winner

SCI-FI/ACTION/THRILLER with elements of drama and comedy

Starring: Chris Pine, Zachary Quinto, Leonard Nimoy, Eric Bana, Bruce Greenwood, Karl Urban, Zoë Saldana, Simon Pegg, John Cho, Anton Yelchin, Ben Cross, Winona Ryder, and Tyler Perry

The new film, Star Trek, may be the 11th film in the movie franchise launched from the much-beloved 1960s television series, but it’s not just some sequel. Under the guiding hand of director J.J. Abrams and writers, Roberto Orci & Alex Kurtzman, this stunningly clever and wildly imaginative reboot is a fresh take on a venerable science fiction classic.

This sexy and new Star Trek is not a replacement for anything that has come before it. This is more than a facelift, tummy tuck, breast enhancement, etc. meant to make an old lady (or man) look as shiny and as new as all the other new fangled sci-fi franchises with whom Star Trek now shares the pop cultural landscape. This Star Trek is something new made from familiar ingredients, and it’s a damn good movie to boot!

Star Trek 2009 takes the audience back to the early days when future Captain James T. Kirk was a hot-rodding, delinquent. Actor Chris Pine plays Kirk with all of a young actor’s bravado, presenting Kirk as a tow-headed, rebel without a cause, but smarter than his actions indicate. Although the pre-captain Kirk acts like a loser, Pine’s performance makes sure that the audience marks Kirk as exceptional, even among the big brains at Starfleet Academy.

There’s no fun in having a cocksure Kirk without a Spock. In the hands of actor Zachary Quinto, Spock – all shiny bangs and elfin ears – is the control freak as proper gentleman, but beware the volcanic temper and impulsive streak that bubbles underneath. Not only is Spock smarter than everyone else (and lets them know it), he ain’t afraid to get his swerve on with the ladies!

Refusing to merely slink in the background as eye candy is this enchanting new Uhura, whom the gorgeous Zoë Saldana plays as super smart, super sexy, and super don’t-put-up-with-bullshit. This lovely lady ain’t too grand to show her soft and caring side with the man in her life, but she’ll go toe-to-toe with impulsive Starfleet officers. In this era of Oprah Winfrey, Condoleeza Rice, Beyoncé Knowles, and Michelle Obama, it’s great to see such a strong, complicated woman of color like Saldana’s Uhura in pop culture, especially science fiction.

Star Trek’s plot revolves around a time-traveling, revenge-seeking, shaven-headed Romulan named Nero. Played with a kind of wrathful quietude by the exquisite Eric Bana, Nero is a Star Trek villain worthy of Khan and the Borg Queen. Piloting a giant, squid-octopus-like, planetoid drill, Nero is the Everyman turned murderous thug, and every time Nero unleashes his killing machine, this movie exudes the kind of special effects grandeur previous Star Treks never had. On the maiden voyage of the U.S.S. Enterprise (all shiny and Macintosh-ed), this new, but elite crew must rescue its Captain Christopher Pike (Bruce Greenwood) from Nero’s clutches and stop the Romulan from destroying Earth. Oh, and the original Spock (Leonard Nimoy) plays an integral part in the story.

Everything about this new Star Trek is bright, sparkly, and cutting edge; it’s as if the film is constantly generating new visual effects every few seconds just to dazzle your eyes and blow your mind. The battle scenes remind me of the ones on the Sci-Fi Channel’s recent Battlestar Galactica series (itself a re-imagination of an old sci-fi franchise). Sometimes, this film even feels a little like a Star Wars movie (of which J.J. Abrams is fan). Even Simon Pegg’s hyperkinetic take on chief engineer Scotty is a joy to behold. Yes, this new Star Trek delivers the good. It’s not like most popcorn movies – practically gone from your mind within a few hours of leaving the theatre. Watching this Star Trek left me with good feelings, and it made me believe that Star Trek is once again ready to keep going boldly into the future.

9 of 10
A+

Monday, May 18, 2009

NOTES:
2010 Academy Awards: 1 win: “Oscar Best Achievement in Makeup” (Barney Burman, Mindy Hall, and Joel Harlow); 3 nominations: “Best Achievement in Sound” (Anna Behlmer, Andy Nelson, and Peter J. Devlin), “Best Achievement in Sound Editing” (Mark P. Stoeckinger and Alan Rankin), and “Best Achievement in Visual Effects” (Roger Guyett, Russell Earl, Paul Kavanagh, and Burt Dalton)

2010 BAFTA Awards: 2 nominations: “Best Sound” (Peter J. Devlin, Andy Nelson, Anna Behlmer, Mark P. Stoeckinger, and Ben Burtt) and “Best Special Visual Effects” (Roger Guyett, Russell Earl, Paul Kavanagh, and Burt Dalton)

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Review: "The Bourne Supremacy" Was the First Greengrass-Damon Joint

TRASH IN MY EYE No. 131 (of 2004) by Leroy Douresseaux

The Bourne Supremacy (2004)
Running time: 108 minutes (1 hour, 48 minutes)
MPAA – PG-13 for violence and intense action, and for brief language
DIRECTOR: Paul Greengrass
WRITER: Tony Gilroy (based upon the book by Robert Ludlum)
PRODUCERS: Patrick Crowley and Frank Marshall
CINEMATOGRAPHER: Oliver Wood
EDITORS: Richard Pearson and Christopher Rouse

ACTION/DRAMA/MYSTERY/THRILLER

Starring: Matt Damon, Franka Potente, Brian Cox, Julia Stiles, Karl Urban, Gabriel Mann, Joan Allen, Marton Csokas, and Tom Gallop

Jason Bourne (Matt Damon) has been hiding in India with the love of his life Marie (Franka Potente) since the incidents of the film The Bourne Identity. However, the ghosts and remnants of one of his long-forgotten missions come back to haunt him, and tragedy strikes. So Jason takes the war back to the Americans who are hunting him for two murders they believe he committed during a botched CIA operation in Berlin, Germany. Once again, Jason has to take up his former life as a highly trained super assassin to survive and find out who is framing him.

The Bourne Supremacy is not quite as good as The Bourne Identity, but it’s the probably going to be the best adult-oriented action thriller for mature minds to come along in for a while. Paul Greengrass’ direction in Supremacy is as good as Doug Liman’s in The Bourne Identity, but Liman worked with a better script. The screenplay for Supremacy is high on action, but light on drama and character. The characters are good enough for the standard action thriller. The Bourne Supremacy needed more, and here, they’re mostly checker pieces moved around a board. That wasn’t the case in the first film. Supremacy has lots of actions, excellent suspense, and thrills that run the razor’s edge, but the drama and character interplay is watery. Every time, two characters are about to develop a good conflict or relationship, the film abruptly leaves for some highflying, though quite thrilling, action.

Matt Damon really makes this film. He’s a good actor and has a wonderful and endearing screen persona, and has an engaging personality – even when he’s popping caps in someone. He’s adept at playing the victim and the victimizer – the hunted and the hunter. He sells you on Bourne’s perils, but makes you anticipate that Bourne will survive anything and find his way out of any trap. It’s the modern day black ops stud as Indiana Jones. If you liked the first film or movies like Ronin (1998), you’ll be down with this.

7 of 10
A-

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