Review: Tom and Jerry: Back to Oz

TRASH IN MY EYE No. 6 (of 2017) by Leroy Douresseaux

Tom and Jerry: Back to Oz (2016) – straight-to-video
Running time:  81 minutes (1 hour, 21 minutes)
PRODUCERS/DIRECTORS:  Spike Brandt and Tony Cervone
WRITERS:  Spike Brandt, Paul Dini, and Sam Register
EDITOR:  Dave Courter
COMPOSER: Michael Tavera
ANIMATION STUDIO:  Digital eMation, Inc.

ANIMATION/FANTASY/ACTION/ADVENTURE and FAMILY/MUSIC

Starring:  (voices)  Grey Griffin, Jason Alexander, Amy Pemberton, Joe Alaskey, Michael Gough, Rob Paulsen, Todd Stashwick, Frances Conroy, Laraine Newman, Stephen Root, Kath Soucie, Andrea Martin, James Monroe Iglehart, Spike Brandt, and Jye Frasca

Tom and Jerry: Back to Oz is a 2016 direct-to-video animated film starring the famous cartoon cat and mouse duo, Tom and Jerry.  Produced by Warner Bros. Animation, it is a sequel to Tom and Jerry & The Wizard of Oz, a 2011 animated direct-to-video film.

Both these films take inspiration and source material from the 1939 MGM film, The Wizard of Oz, and places Tom and Jerry (who began as MGM cartoon characters) alongside Dorothy, Toto, the Wicked Witch of the West, and the rest of the characters from that beloved classic film.  Tom and Jerry: Back to Oz is also the first sequel in the Tom and Jerry direct-to-video film series.  [Back to Oz is also the final work of noted animation voice actor Joe Alaskey who died of cancer on February 3, 2016, and this film is dedicated to his memory.]

Back to Oz opens on the Gale farm.  Dorothy Gale (Grey Griffin), Auntie Em (Frances Conroy), Uncle Henry (Stephen Root), Toto, the three farm hands, and Tom and Jerry are still cleaning up the damage caused by the twister that wrecked the farm in the first film.  The Gales are on the verge of losing the farm because of a lawsuit brought by neighbor, Lucius Bibb (Jason Alexander).  Auntie Em, Uncle Henry, and the three farmhands immediately set out to find jobs that can help them get money to pay off the damages Bibb is claiming they brought on his property (a prized watermelon patch).

Dorothy is left behind because the adults consider her too young to work.  While cleaning up, Dorothy, Toto, and Tom and Jerry are attacked by flying monkeys, which had once served the Wicked Witch of West.  During the attack, Dorothy's companions from the Land of Oz:  Scarecrow (Michael J. Gough), Tin Man (Rob Paulsen), and the no-longer-cowardly Lion (Todd Stashwick) arrive to inform her that Oz is under attack again.  This time, Ruggedo the Nome King (Jason Alexander) is taking over the Emerald City, so Dorothy is once again off to see the Wonderful Wizard of Oz (Joe Alaskey) in a bid to save Oz.

Tom and Jerry: Back to Oz is not as good as its predecessor, Tom and Jerry & the Wizard of Oz.  However, a return to the Oz that was created by filmmakers, cast, and crew of MGM's 1939 The Wizard of Oz, even a cartoon version of it, is welcomed – at least by me and some others.  There are apparently a lot of us, or at least enough to create a sequel to the first Tom and Jerry Oz.

Honestly, that is the explanation for whatever success this film, Tom and Jerry: Back to Oz, has – its connection to a truly classic American film, one of the best movies of all time.  I won't be fake and deny it.  I hope Tom and Jerry go back to that Oz, again.

6 of 10
B

Friday, March 31, 2017


The text is copyright © 2017 Leroy Douresseaux. All Rights Reserved. Contact this site for reprint and syndication rights and fees.

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Review: "Pete's Dragon" Remake is a Surprisingly Good Children's Film

TRASH IN MY EYE No. 18 (of 2016) by Leroy Douresseaux

Pete's Dragon (2016)
Running time:  103 minutes (1 hour, 43 minutes)
MPAA – PG for action, peril and brief language
DIRECTOR:  David Lowery
WRITERS:  David Lowery and Toby Halbrooks (based on the screenplay by Malcolm Marmorstein)
PRODUCER:  James Whitaker
CINEMATOGRAPHER:  Bojan Bazelli (D.o.P.)
EDITOR:  Lisa Zeno Churgin
COMPOSER:  Daniel Hart

FANTASY/DRAMA/FAMILY

Starring:  Oakes Fegley, Bryce Dallas Howard, Robert Redford, Oona Laurence, Wes Bentley, Karl Urban, Isiah Whitlick, Jr., Marcus Henderson, Keagan Carr Fransch, and Steve Barr

Pete's Dragon is a 2016 fantasy drama and family movie from director David Lowery.  It is a remake of Walt Disney's 1977 live-action/animated musical film, Pete's Dragon.  The new Pete's Dragon tells the story of an orphaned boy and his best friend, a dragon, and what happens when the outside world discovers their existence.

When he was five, Pete experienced a tragedy that left him an orphan.  Lost in the forest, Pete meets a large dragon with green fur, yellow eyes, and wings on its back.  Pete names the dragon “Elliot” after a character in his favorite storybook, “Elliot Gets Lost,” and the boy and his dragon become a family.

Six years later, Pete (Oakes Fegley) spies forest ranger Grace Meachum (Bryce Dallas Howard) and is curious about her.  However, it is his encounter with a girl his age, Natalie (Oona Laurence), that brings Pete into contact with the world outside the forest where he lives with Elliot.  Soon, Pete is living among people again, and humans are hunting for Elliot, whom they know as the local legend, “the Millhaven dragon.”

I have only seen bits and pieces of the original 1977 Pete's Dragon, and I was not interested in this new film.  I even wondered why Disney needed to remake it.  Were there people really clamoring for a fresh take on a film that had probably seen its day come and gone?  I received a copy-for-review of the recent Blu-ray/DVD release of the new Pete's Dragon, obligating me to watch it.

I was surprised to find that I enjoyed it, although I think that this movie is truly a children's film.  In the last few decades, movie studios often believe that they have to make kids' movies have elements that appeal to the parents and adults that bring children to see movies aimed at the little ones.  I don't think that Pete's Dragon does that.

Pete's Dragon is a tale of child who lives in the world in his own terms.  As usual, adults cannot or will not see the magic he (Pete) lives with everyday.  It takes another child (Natalie) to truly understand the child hero's point of view.  In fact, the adult that is most successful in helping Pete, Grace, turns out to be the one most open to trying to see what the child does by listening and learning from the child.

Pete's Dragon is about the kind of magic and the kind of reality or surrealism that children accept, probably because they are willing to believe, where adults might have to suspend disbelief.  There is a lot about Pete's Dragon that stretches credulity, and that is OK.  If you believe in Pete and also in Elliot, you believe in Pete's Dragon.

This is one of those so-called “little movies,” cinematic gems that bide their time, gradually attracting new audiences one viewing at a time.  Pete's Dragon isn't perfect, but it is perfect for children and the child in adult viewers.

7 of 10
B+

Friday, December 23, 2016


The text is copyright © 2016 Leroy Douresseaux. All Rights Reserved. Contact this site for reprint and syndication rights and fees.

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Review: "Zootopia" Another Classic from the Disney Utopia

TRASH IN MY EYE No. 13 (of 2016) by Leroy Douresseaux

Zootopia (2016)
Running time:  108 minutes (1 hour, 48 minutes)
MPAA – PG for some thematic elements, rude humor and action
DIRECTORS:  Byron Howard and Rich Moore with Jared Bush
WRITERS:  Jared Bush and Phil Johnston; from a story by Byron Howard, Jared Bush, Rich Moore, Josie Trinidad , Jim Reardon, Phil Johnston, and Jennifer Lee
PRODUCER:  Clark Spencer
EDITORS:  Jeremy Milton and Fabienne Rawley
COMPOSER:  Michael Giacchino

ANIMATION/FANTASY/FAMILY with elements of comedy, crime and mystery

Starring:  (voice) Ginnifer Goodwin, Jason Bateman, Idris Elba, Jenny Slate, Nate Torrence, Bonnie Hunt, Don Lake, Tommy Chong, J.K. Simmons, Octavia Spencer, Alan Tudyk, Shakira, Tommy “Tiny” Lister, and Maurice LaMarche

Zootopia is a 2016 computer-animated fantasy film from Walt Disney Animation Studios (WDAS).  Directed by Byron Howard and Richard Moore, the film was originally released to theaters in 3D.  It is the 55th animated feature film in the “Walt Disney Animated Classics” line, with John Lasseter of Pixar being the film's executive producer.  Zootopia follows a rookie bunny cop who unites with a cynical con artist fox to uncover a dark conspiracy.

Zootopia is populated by anthropomorphic mammals (cartoon or fictional animals that walk and talk like humans).  Officer Judy Hopps (Ginnifer Goodwin) is a young female rabbit from the rural hamlet of Bunnyburrow.  Her childhood dream was to be a police officer.  She recently moved to the urban utopia of Zootopia where she just became a rookie cop with the Zootopia Police Department.

However, her boss, Chief Bobo (Idris Elba), a cape buffalo, does not believe that a bunny can be a cop; honestly, almost no one believes a little bunny rabbit can make it as a cop.  Chief Bobo assigns Officer Hopps to the traffic division where she becomes a meter maid, handing out parking tickets.  Early in her career, Judy is even tricked by Nicholas P. “Nick” Wilde (Jason Bateman), a cynical red fox who runs various cons and hustles.  Fate brings them together to solve the mystery of missing mammals, and the straight-laced Judy and street-smart Nick make a good team.  However, neither understands the true extant of the conspiracy surrounding this missing persons case.

After Disney formally purchased Pixar (in 2006), the deal essentially united the Oscar-winning computer-animation studio with Walt Disney Animation Studios (WDAS), there has been a marked improvement in the computer-animated films produced by the WDAS.  The credit for that success often goes to Pixar's John Lasseter who is Chief Creative Officer (CCO) for both units.  Under his watch, Walt Disney Feature Animation has produced such smash hits as Tangled and Wreck-It-Ralph, as well as the Oscar-winning, worldwide, monster hit, Frozen.

I keep thinking that there is nothing left that either Pixar or WDAS can do to surprise me, but Pixar blew my mind with last year's Inside Out.  Now, I am stunned by Zootopia, which is not only fantastic, but is also timely.  Zootopia is an American animated film that is aimed at the broad family audience, yet bluntly addresses issues of prejudice, discrimination, and stereotypes.  Zootopia is a film about us, the human race, but especially about the United States of America.

We are Zootopia, that shining city on the hill.  This place of dreams and of hope is filled with people who secretly harbor all manners of assumptions and prejudices about their fellow citizens.  The course of Zootopia's story and of Judy's story is to steer everyone to their better selves.  This could have been yet another animated film full of wise-cracking, eccentric talking animal characters that make the audience laugh, but the creators and filmmakers behind Zootopia wanted more.  The result truly is a film that can be called a “Walt Disney Animated Classic.”

As the lead characters, Judy and Nick, Ginnifer Goodwin and Jason Bateman give performances that certainly deserve to be called great.  Goodwin gives Judy so much color and depth, making the bunny cop a character that is bigger than than this movie; Zootopia seems to be a single chapter in the life of a fictional character with much more to say.  Bateman delivers his usual genial, smooth, and droll comedy style onto Nick, but he makes the sly red fox the wise, guiding hand that a young rookie bunny cop needs.

Thoughtful and occasionally brilliant, Zootopia cheats a little in its last act, taking the easy way out so that it can deliver a happy ending. Still, even its action-centered resolution of the conspiracy offers a delightful surprise and sticks to the story's message about the harm of prejudice and the dangers of racism and xenophobia.  Perhaps, live-action films can learn a lesson from the state-of-the-art, computer-animated Zootopia.  Movies can be smart, timely, and deliver a few messages AND also be big, entertaining event films.

9 of 10
A+

Tuesday, June 14, 2016


The text is copyright © 2016 Leroy Douresseaux. All Rights Reserved. Contact this blog for reprint and syndication rights and fees.

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Review: "Tom and Jerry: Spy Quest" is Good Jonny Quest

TRASH IN MY EYE No. 41 (of 2015) by Leroy Douresseaux

Tom and Jerry: Spy Quest (2014) – straight-to-video
Running time:  73 minutes (1 hour, 13 minutes)
PRODUCERS/DIRECTORS:  Spike Brandt and Tony Cervone
WRITERS:  James Krieg and Heath Corson; from a story by James Krieg
EDITOR:  Kyle Stafford
COMPOSER: Michael Tavera
ANIMATION STUDIO:  Yearim Productions Co., LTD

ANIMATION/FANTASY/ACTION/ADVENTURE and FAMILY

Starring:  (voices) Reese Hartwig, Arnie Pantoja, James Hong, Eric Bauza, Michael Hanks, Tia Carrere, and Tim Matheson, Joe Alaskey, Spike Brandt, Grey Griffin, Jess Harnell, Richard McGonagle, and Jonny Rees

Tom and Jerry: Spy Quest is a 2015 direct-to-video animated film starring the famous cartoon cat and mouse duo, Tom and Jerry.  Produced by Warner Bros. Animation, Spy Quest is a crossover film that teams Tom and Jerry with the characters from the mid-1960s animated series, “Jonny Quest.”

Produced by Hanna-Barbera Productions, “Jonny Quest” was an animated science fiction adventure television series that was originally broadcast on ABC in prime time.  Created and designed by Doug Wildey, the series lasted one season (1964-1965) for a total of 26 episodes.  “Jonny Quest” focused on Jonathan “Jonny” Quest, an 11-year-old boy who accompanies his genius scientist father on extraordinary adventures.

Tom and Jerry: Spy Quest opens on a beach in “sunny South Florida.”  Tom and Jerry are having a relaxing day at the beach, which means they are harassing each other.  Then, the duo encounters Jonny Quest (Reese Hartwig) and his best pal, Hadji (Arnie Pantoja), accompanied by their canine companion, Bandit, of course.  It seems that a trio of cyborg cats are trying to kidnap the trio, until Tom inadvertently saves them.

Jonny and Hadji take their new friends, Tom and Jerry, to Quest Key, the location of their home and also of Quest Labs.  Tom and Jerry are introduced to Jonny's father, Dr. Benton Quest (Eric Bauza), and Jonny's bodyguard, Race Bannon (Michael Hanks).  Why does Jonny need a bodyguard?  Dr. Quest is a world-renowned genius scientist and inventor, and bad people try to kidnap Jonny to use him as leverage to force Dr. Quest to give them his inventions.

In fact, longtime Quest family nemesis, Dr. Zin (James Hong), wants Dr. Quest's latest invention, the “Q Sphere,” a device that will solve the world's energy problems.  After Zin kidnaps Dr. Quest and Race, Tom and Jerry join Jonny, Hadji, and Bandit on a trip to “Zin Automated Battle Island,” on a rescue mission, where an evil cat army and powerful robots await them.

Tom and Jerry: Spy Quest can be described as “The Adventures of Jonny Quest” with Tom and Jerry as, at best, supporting characters, or, in actuality, guest stars.  That is not a bad thing.  James Krieg and Heath Corson have written a Jonny Quest story that recalls the classic, original 1960s series, while maintaining the general wackiness that is Tom and Jerry.

Yeah, the appearance of Jonny Quest recurring character, Jezebel Jade (Tia Carrere), seems obligatory, but the appearance of the bumbling Tom and Jerry adversaries, Tin, Pan, and Alley, balances that.  Corson and especially Krieg seem to know what made classic Hanna-Barbera animated series successful and also have a knack for reviving those elements that made them classics.

Kudos to the art direction.  Quest Key, the Quest Lab interiors, and the island location of Dr. Zin's base of operations, including its interiors, recall Hanna-Barbera's animated science fiction adventure television series of the 1960s and 1970s.

Spike Brandt and Tony Cervone, the producing and directing team behind the Tom and Jerry direct-to-DVD films, always seem to have a way to keep this series going.  Just when I think that it is time to stop, they produce an entry that leaves me awaiting the next.  And with Tom and Jerry: Spy Quest, they also made a good Jonny Quest direct-to-DVD film.

8 of 10
A

Friday, October 23, 2015


The text is copyright © 2015 Leroy Douresseaux. All Rights Reserved. Contact this site for reprint and syndication rights and fees.

Review: "Scooby-Doo! Moon Monster Madness" is Rather Tame

TRASH IN MY EYE No. 22 (of 2015) by Leroy Douresseaux (support on Patreon)

Scooby-Doo! Moon Monster Madness (2015) – Video
Running time:  72 minutes (1 hour, 12 minutes)
PRODUCER/DIRECTOR:  Paul McEvoy
WRITER:  Mark Banker
EDITOR:  Kyle Stafford
COMPOSER:  Andy Sturmer

ANIMATION/FANTASY/FAMILY and ACTION/COMEDY/MYSTERY

Starring:  (voices) Frank Welker, Matthew Lillard, Grey DeLisle, Mindy Cohn, Diedrich Bader, Eric Bauza, Jeff Bennett, Jennifer Hale, Mark Hamill, Malcolm McDowell, Kevin Michael Richardson, and Fred Tatasciore

Scooby-Doo! Moon Monster Madness is a 2015 straight-to-video, animated, comic mystery film.  It is also the 23rd animated movie in the Scooby-Doo straight-to-video series from Warner Bros. Animation, which began in 1998 with Scooby-Doo on Zombie Island.  In Moon Monster Madness, Mystery Inc. travels to an elaborate moon base where they attempt to unravel the mystery of an alien monster.

Scooby-Doo! Moon Monster Madness introduces the billionaire Sly Baron (Malcolm McDowell).  His latest venture is to make “space tourism” more readily available.  To that end, Baron and his brother, Hudson (Fred Tatasciore), create the first space cruise ship, the “Sly Star One.”  Baron has picked an elite crew to accompany him on the Sly Star One's maiden voyage:  hero astronauts: Zip Elvin (Mark Hamill) and Colt Steelcase (Jeff Bennett); rising astronaut star, Shannon Lucas (Jennifer Hale); self-proclaimed alien hunter, Ridley (Jennifer Hale); football star, Uvinious Botango a.k.a "U-Boat" (Kevin Michael Richardson); and H.A.M. (Diedrich Bader), a robot who just wants to be useful and to be liked.

Baron also creates the “Sly Me to Space” sweepstakes, a lottery that give the last 5 seats on the Sly Star One to ordinary folks.  And the winners are Fred Jones (Frank Welker), Daphne Blake (Grey DeLisle), Velma Dinkley (Mindy Cohn), Shaggy Rogers (Matthew Lillard), and Scooby-Doo (Frank Welker).  The cruise is not filled with fun, however, as rivalry, jealousy, and hero worship cause trouble.  And the space tourists soon discover an alien monster wants to ruin their trip to end their lives.

Scooby-Doo! Moon Monster Madness is somewhat inventive.  It is sometimes funny.  It references and has allusions to famous science fiction movies and films about space travel, such as 2001: A Space Odyssey (1968), Alien (1979), Aliens (1986), and The Right Stuff (1983).  The problem is that Moon Monster Madness just does not come together.  It is a little too long; has too many guest or supporting characters; and does not fully utilize many of the characters or sub-plots and themes.  Personally, I would have liked more screen time for “U-Boat” and H.A.M.

To be honest, it is also possible that I had high expectations for Moon Monster Madness coming off the previous Scooby film, Scooby-Doo! Frankencreepy, which I loved so much, to an extent that still surprises me.  Still, I will recommend Scooby-Doo! Moon Monster Madness, because... well... I always recommend Scooby-Doo movies.

5 of 10
B-

Monday, May 25, 2015


The text is copyright © 2015 Leroy Douresseaux. All Rights Reserved. Contact this site for syndication rights and fees.

Review: "Tom and Jerry: The Lost Dragon" Needs More Tom and Jerry

TRASH IN MY EYE No. 10 (of 2015) by Leroy Douresseaux

Tom and Jerry: The Lost Dragon (2014) – straight-to-video
Running time:  57 minutes
PRODUCERS/DIRECTORS:  Spike Brandt and Tony Cervone
WRITER:  Brian Swenlin
EDITOR:  Kyle Stafford
COMPOSER: Michael Tavera
ANIMATION STUDIO:  Yearim Productions Co. Ltd.

ANIMATION/FANTASY/COMEDY and FAMILY/MUSICAL

Starring:  (voices) Kelly Stables, Vicki Lewis, Jim Cummings, Laraine Newman, Gregg Ellis, Jess Harnell, Richard McGonagle, Wayne Knight, and Dee Bradley Baker

Tom and Jerry: The Lost Dragon is a 2014 direct-to-video animated film starring the famous cartoon cat and mouse duo, Tom and Jerry.  Produced by Warner Bros. Animation, The Lost Dragon finds Tom and Jerry living with a young witch, as the trio tries to protect a young dragon.

Once upon a time, Drizelda the witch (Vicki Lewis) threatened a small hamlet that is the home of a group of blue elves.  Her evil plan is stopped by the wizard, Kaldorf the Great (Jim Cummings).  Years later, Drizelda's niece, Athena (Kelly Stables), operates Athena's Home for Unwanted Animals on the edge of the hamlet.  Tom and Jerry, two of the animals living with her, find a dragon's egg that soon hatches.  Suddenly, Tom is “mama” to a baby dragon that Athena names, Puffy (Kelly Stables).  However, Drizelda is determined to steal Puffy as part of her new diabolical plan.

Tom and Jerry: The Lost Dragon blends elements of the Lord of the Rings film and of Walt Disney's Sleeping Beauty.  Sometimes, it is hard to tell where the Tolkien ends and the Disney begins.  The crocodile from Walt Disney's Peter Pan, or one that really looks like it, also appears as one of Athena's “unwanted animals.”  The Lost Dragon's animation even looks like a Disney house-style.

Beyond that, there is nothing noteworthy about Tom and Jerry: The Lost Dragon.  It has a few cute songs, and a few of the characters are mildly amusing.  The villain, Drizelda, is half-menancing, and her henchman, a trio of cats:  Tin, Pan, and Alley, steal a few scenes and provide some comic relief.

Surprisingly, for so average a Tom and Jerry cartoon, Tom and Jerry are actually pretty good in this movie.  Their antics seem natural and fluid, whereas much of this movie seems stiff.  I think Tom and Jerry: The Lost Dragon needs more Tom and Jerry.

5 of 10
C+

Tuesday, February 17, 2015


The text is copyright © 2015 Leroy Douresseaux. All Rights Reserved. Contact this site for syndication rights and fees.

Review: "Planes: Fire and Rescue" Flies Past Original

TRASH IN MY EYE No. 50 (of 2014) by Leroy Douresseaux

Planes: Fire & Rescue (2014)
Running time:  84 minutes (1 hour, 24 minutes)
Rating: MPAA – PG for action and some peril
DIRECTOR:  Bob Gannaway
WRITERS:  Jeffrey M. Howard; from a story by Jeffrey M. Howard and Bob Gannaway (based on characters created by John Lasseter, Klay Hall, and Jeffrey M. Howard)
PRODUCER:  Ferrell Barron
EDITOR:  Dan Molina
COMPOSER:  Mark Mancina

ANIMATION/ACTION/DRAMA/FAMILY with elements of comedy

Starring:  Dane Cook, Ed Harris, Julie Bowen, Curtis Armstrong, John Michael Higgins, Hal Holbrook, Wes Studi, Barry Corbin, Regina King, Fred Willard, Kevin Michael Richardson, Rene Auberjonois, Jerry Stiller, Stacy Keach, Brad Garrett, Teri Hatcher, Cedric the Entertainer, Danny Mann, John Ratzenberger, and Brent Musburger

Planes: Fire & Rescue is a 2014 computer-animated fantasy action film and drama that was produced by DisneyToon Studios.  It is a direct sequel to the 2013 film, Planes.  The Planes film series is a spinoff of Pixar's Cars film franchise.  Planes focuses on Dusty, a cropduster plane who dreams of competing in a world-famous aerial race.  In Planes: Fire & Rescue, Dusty learns that he may never race again and begins training as a firefighter to help his hometown.

As Planes: Fire & Rescue opens, Dusty Crophopper (Dane Cook) continues his successful aerial racing career that took off after he won the Wings Around the Globe Rally.  However, the high rates of speed at which Dusty flies leads to some internal damage that may end his racing career.  After an accidental fire closes the airport in his hometown of Propwash Junction, Dusty offers to undergo training to be certified as a firefighter.

He travels to Piston Peak National Park to train under Blade Ranger (Ed Harris), a veteran fire-and-rescue helicopter, and the crew he commands, the Piston Peak Air Attack.  Dusty, however, is over-anxious and his training proves to be a difficult challenge, even as a major fire strengthens and threatens the entire park.

There is no way that I expected Planes: Fire & Rescue to be a better film than Planes, which I really liked, but the sequel surpasses the original.  Why is that?   Fire & Rescue has heart; it's that simple.  Dusty Crophopper's problems:  the dilemmas he faces, his conflicts with his new colleagues, his self-doubts, his grief over a possibly lost career, and his desperation to prove himself all over again make for surprisingly gripping drama.

Yes, I said drama.  Pixar's films are strongly dramatic, even when there is a lot humor or at least a strong undercurrent of humor.  The Planes films are a spinoff of a Pixar series, but are not produced by Pixar.  They are produced by another Disney unit (DisneyToon Studios).  Still, Fire & Rescue feels kind of Pixar-ish, and that is, of course, a good thing.  This film is more of a heartwarming drama than it is a comedy for children.

Fire & Rescue is also a topnotch aerial action film.  It is still hard for me to believe that computer-animated air planes and helicopters in action could be as exciting to watch as live-action airplanes and jets, but it is true.  My interest in the story soared with each new flight scene.

Once again, the voice acting cast supporting Dane Cook is good, and that means a good film for family viewing and a good film in general.  In fact, I think that if more adults gave Planes: Fire & Rescue a chance, they would like it.

7 of 10
A-

Tuesday, November 4, 2014


The text is copyright © 2014 Leroy Douresseaux. All Rights Reserved. Contact this site for syndication rights and fees.

Review: "Planes" Flies Pretty High

TRASH IN MY EYE No. 49 (of 2014) by Leroy Douresseaux

Planes (2013)
Running time:  91 minutes (1 hour, 31 minutes)
Rating: MPAA – PG for some mild action and rude humor
DIRECTOR:  Klay Hall
WRITERS:  Jeffrey M. Howard; from a story by John Lasseter, Klay Hall, and Jeffrey M. Howard
PRODUCER:  Traci Balthazor-Lynn
EDITOR:  Jeremy Milton
COMPOSER:  Mark Mancina

ANIMATION/ADVENTURE/COMEDY/FAMILY/SPORTS

Starring:  Dane Cook, Stacy Keach, Brad Garrett, Teri Hatcher, Julia Louis-Dreyfus, Priyanka Chopra, John Cleese, Cedric the Entertainer, Carlos Alazraqui, Roger Craig Smith, Anthony Edwards, Val Kilmer, Sinbad, Gabriel Iglesias, Danny Mann, Colin Cowherd, Oliver Kalkofe, Klay Hall, John Ratzenberger, and Brent Musburger

Planes is a 2013 computer-animated fantasy adventure film and sports comedy that was produced by DisneyToon Studios.  It was originally intended to be released straight-to-video, but was instead released to movie theaters as a 3D film in August 2013.  Planes is a spinoff of Pixar's Cars film franchise and is co-written and executive-produced by John Lasseter, the director of Cars (2006) and Cars 2 (2011).  Planes focuses on a cropduster plane who dreams of competing in a world-famous aerial race.

Planes opens in the small town of Propwash Junction and introduces Dusty Crophopper (Dane Cook).  This young airplane is a cropduster, but he dreams of being an air racer and even has a racing alter-ego he calls “Strut Jetstream.”  Dusty's pal, a fuel truck named Chug (Brad Garrett), encourages Dusty's dream of flying in the airplane race, the Wings Around the Globe Rally.

However, Dusty was built to be a cropduster, not an air racer, but he is determined.  After barely qualifying for the rally, Dusty seeks the help of an elderly and reclusive Navy war plane named Skipper (Stacy Keach), who reluctantly agrees to help him.  Still, the odds are against Dusty, and so are some of his competitors.  Does he have what it takes to win?  Does Dusty truly understand the motto “Volo pro veritas” (“I fly for truth.”)?

I was kind of interested in seeing Planes when it first played in movie theaters, but I changed my mind.  However, I was able to get a Blu-ray copy for review of its sequel, Planes: Fire & Rescue, which was released to theaters in July 2014.  So I decided to see the original film, and I have to be honest, dear reader:  I really like Planes.

Planes is a formulaic animated film aimed at the family audience; meaning children watch it and the parents who take them to the movie suffer through it.  However, Planes is a well-executed and entertaining formulaic animated family film.

The characters are a mixture of familiar little-guy heroic types, ethnic stereotypes, and assorted comic caricatures.  But they're mostly all lovable, and stand-up comedian and actor, Dane Cook, who can be, at best, an acquired taste, is quite good as the voice of Dusty Crophopper.   Carlos Alazraqui is a treat as El Chupacabra, a friendly competitor of Dusty's in the Wings Around the World Rally, and Sinbad makes the most of his character, Roper, the forklift who is also a rally official.

Planes is a well-written version of the little engine that could (in this case, an airplane), and the writers are constantly putting believable obstacles in his way that the audience will want to see him overcome.  Some, like me, will find their hearts lifting as Dusty soars over those obstacles, and also over his primary antagonist and rival, Ripslinger (Roger Craig Smith), who is the kind of jerk I want to see get his comeuppance.  I enjoyed Planes enough, surprisingly so, that I'm ready for the sequel.

6 of 10
B

Sunday, November 2, 2014


The text is copyright © 2014 Leroy Douresseaux. All Rights Reserved. Contact this site for syndication rights and fees.

Review: "Sleeping Beauty" Not an Exceptional Disney Animated Feature

TRASH IN MY EYE No. 47 (of 2014) by Leroy Douresseaux

Sleeping Beauty (1959)
Running time:  75 minutes (1 hour, 15 minutes)
DIRECTOR:  Clyde Geronimi (supervising director), Les Clark, Eric Larson, and Wolfgang Reitherman,
WRITERS:  Erdman Penner (story adaptation) with additional story by Joe Rinaldi, Winston Hibler, Bill Peet, Ted Sears, Ralph Wright, and Milt Banta (based on “La Belle au bois dormant” by Charles Perrault, “The Sleeping Beauty” by Pyotr Ilyich Tchaikovsky, and “Little Briar Rose” by The Brothers Grimm)
PRODUCER:  Walt Disney
EDITORS:  Roy M. Brewer Jr. and Donald Halliday
Academy Award nominee

ANIMATION/FANTASY/FAMILY with elements of comedy   

Starring:  (voices) Mary Costa, Bill Shirley, Eleanor Audley, Verna Felton, Barbara Luddy, Barbara Jo Allen, Taylor Holmes, and Bill Thompson

Sleeping Beauty is a 1959 animated musical fantasy film from Walt Disney Productions.  It is the 16th film in the Walt Disney Animated Classics series, but it was the last animated Disney film based on a fairy tale until The Little Mermaid in 1989.

Sleeping Beauty is based on two similar fairy tales:  “La Belle au bois dormant” by Charles Perrault and “Little Briar Rose” by The Brothers Grimm.  The film also features adaptations and arrangements of musical numbers from Pyotr Ilyich Tchaikovsky's 1890 ballet, The Sleeping Beauty.  In Disney's Sleeping Beauty, three good fairies protect a princess from a malevolent fairy who placed a curse on her when she was an infant.

Sleeping Beauty opens in the 14th century in an unnamed kingdom, where King Stephan (Taylor Holmes) and the Queen (Verna Felton) have been childless for years.  Then, they welcome the birth of a daughter, Aurora, and they proclaim a holiday so that their subjects can celebrate her birth.  At that celebration, the infant Aurora is betrothed to young Prince Phillip, the son King Hubert (Bill Thompson).  Three fairies:  Flora (Verna Felton), Fauna (Barbara Luddy), and Merryweather (Barbara Jo Allen) arrive to bless the child with gifts.

However, an welcomed visitor, the evil fairy queen, Maleficent (Eleanor Audley), arrives, furious that she has been snubbed by King Stephan and Queen Leah (who is only called “the Queen” in the film).  So she places a curse on baby Aurora that will killer her on her 16th birthday.  However, the fairies are able to temper the curse, and later, they spirit the child away in order to protect her.  Sixteen years later, Aurora, now named “Briar Rose” (Mary Costa), meets a handsome young man (Bill Shirley) and falls in love with him, while unaware of the death curse hanging over her sixteenth birthday.

Sleeping Beauty is not one of Walt Disney's better animated feature films, but it features one of Disney's most memorable villains, Maleficent, a classic animated character because of her unique look.  In fact, the overall look of Sleeping Beauty is something that makes it stand out, in large measure because of the work of Disney production designer regular, Ken Anderson, and Disney artist, Eyvind Earle, who was Sleeping Beauty's color stylist and chief background designer.  Chuck Jones, the legendary Looney Tunes and Warner Bros. Pictures animation director, was a layout artist for Sleeping Beauty, but did not receive a credit in the film.  The musical score and the songs in the film are also a hallmark of this film and are also Disney musical favorites.

Another thing about Sleeping Beauty is that it is also a bit irregular as fantasy films go.  People may remember it as a fairy tale romance with its happily-ever-after ending about a Disney princess finding her prince.  However, Sleeping Beauty is also a comic fantasy with a generous amount of humor, some of it involving even Maleficent.  Sleeping Beauty is an oddity in the Disney animated feature film pantheon, but there are reasons to remember it.  Like most Disney films, those reasons are why it is shared from one generation to the next.

7 of 10
B+

Wednesday, October 29, 2014


NOTES:
1960 Academy Awards, USA:  1 nomination: “Best Music, Scoring of a Musical Picture” (George Bruns)

The text is copyright © 2014 Leroy Douresseaux. All Rights Reserved. Contact this site for syndication rights and fees.

Review: "Scooby-Doo! Frankencreepy" is One of the Best Scooby-Doo Movies Ever

TRASH IN MY EYE No. 45 (of 2014) by Leroy Douresseaux

Scooby-Doo! Frankencreepy (2014) – Video
Running time:  74 minutes (1 hour, 14 minutes)
PRODUCER/DIRECTOR:  Paul McEvoy
WRITER:  James Krieg
EDITOR:  Kyle Stafford
COMPOSER:  Andy Sturmer
ANIMATION STUDIO:  Digital eMation, Inc.

ANIMATION/FANTASY/FAMILY and ACTION/COMEDY/MYSTERY

Starring:  (voices) Frank Welker, Matthew Lillard, Grey DeLisle, Mindy Cohn, Diedrich Bader, Dee Bradley Baker, Eric Bauza, Jeff Bennett, Candi Milo, Susanne Blakeslee, Kevin Michael Richardson, Corey Burton, and Fred Tatasciore

Scooby-Doo! Frankencreepy is a 2014 straight-to-video, animated, comic mystery film.  It is also the 22nd animated movie in the Scooby-Doo straight-to-video series from Warner Bros. Animation, which began in 1998 with Scooby-Doo on Zombie Island.  In Frankencreepy, Velma discovers that she has inherited a family castle that also comes with a curse.

Early in Scooby-Doo! Frankencreepy, Velma Dinkley (Mindy Cohn) gets a call from Cuthbert Crawley (Kevin Michael Richardson), a lawyer.  It seems that she has received an inheritance from her great-great-uncle, Basil Von Dinkenstein (Corey Burton) – property and a castle in the town of Transylvania, Pennsylvania.

However, Crawley informs Velma that the castle comes with the Dinkenstein family curse, which destroys what a person loves the most.  Not long after that warning, the Ghost of the Baron (Corey Burton) makes his appearance, and something beloved by the Mystery Inc. gang is destroyed.  Never ones to ignore a mystery, Fred Jones (Frank Welker), Daphne Blake (Grey DeLisle), Shaggy Rogers (Matthew Lillard), and Scooby-Doo (Frank Welker) join Velma and travel to the strange village of Transylvania, where angry villagers and a bizarre creature await them.

Scooby-Doo! Frankencreepy is not only one of the best Scooby-Doo direct-to-DVD films; it is also one of the best Scooby-Doo cartoons ever.  The superb script by James Krieg recalls the first Scooby-Doo series, Scooby-Doo, Where Are You! (1969-1970), both in spirit and in deed.  Frankencreepy is an homage to the classic, original Scooby-Doo, but it is also a modernization that stays true to what is beloved about this franchise.  The story is also a breath of fresh air for this direct-to-DVD franchise, in that it makes the characters do unexpected things.  The mystery at the center of the film is both executed and solved in surprising fashion.

Frankencreepy has a striking visual aesthetic that also harkens back to “Scooby-Doo, Where Are You!” with an art deco twist.  The backgrounds, village, Von Dinkenstein castle, interiors, etc. recall the classic animation art of Looney Tunes masters, Chuck Jones, Maurice Noble, and Phillip DeGuard.  The animation almost seems like the cartoons of Charles Addams brought to life.  Frankencreepy is truly one of the most beautiful animated films that is not also a major feature film production.

Obviously, I am crazy about this Scooby-Doo movie.  Director Paul McEvoy keeps the story moving with an occasional offbeat moment or pace that assures that no one will think Scooby-Doo! Frankencreepy is just another Scooby-Doo cartoon.  I would like the creative team behind this movie give us at least one more Scooby-Doo movie.

9 of 10
A+

Saturday, October 4, 2014


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Review: Scooby-Doo! WrestleMania Mystery

TRASH IN MY EYE No. 24 (of 2014) by Leroy Douresseaux

Scooby-Doo! WrestleMania Mystery (2014) – Video
Running time:  84 minutes (1 hour, 24 minutes)
PRODUCER/DIRECTOR:   Brandon Vietti
WRITER:  Michael Ryan
EDITOR:  Kyle Stafford
COMPOSER:  Ryan Shore
ANIMATION STUDIO:  Digital eMation, Inc.

ANIMATION/FANTASY/FAMILY and ACTION/COMEDY/MYSTERY

Starring:  (voices) Frank Welker, Matthew Lillard, Grey DeLisle, Mindy Cohn, Charles S. Dutton, Bumper Robinson, Mary McCormack, Corey Burton, and Fred Tatasciore; from WWE: John Cena, Kane, Brodus Clay, AJ Lee, The Miz, Triple H, Michael Cole, Santino Marella, and Vince McMahon

Scooby-Doo! WrestleMania Mystery is the 21st animated movie in the Scooby-Doo straight-to-video series from Warner Bros. Animation.  This series began in 1998 with Scooby-Doo on Zombie Island.  In WrestleMania Mystery, Mystery Inc. joins WWE wrestling superstars to solve the mystery of a marauding ghost bear.  This film is also a co-production between WWE Studios and Warner Bros. Animation.

Early in Scooby-Doo! WrestleMania Mystery, Shaggy Rogers (Matthew Lillard) and Scooby-Doo (Frank Welker) win tickets to WrestleMania.  The two then cajole the rest of the Mystery Inc. gang:  Fred Jones (Frank Welker), Daphne Blake (Grey DeLisle), and Velma Dinkley (Mindy Cohn), into taking them to the event.  The entire gang boards the Mystery Machine and heads to WWE City, the site of WrestleMania.

An accident on the way gives the friends the chance to meet WWE (Worldwide Wrestling Entertainment) superstar, John Cena (John Cena).  They even meet WWE boss, Mr. McMahon (Vince McMahon), and the gang gets an invite to visit the WWE training camp.  The good times are interrupted, however, by Vicious, a ghost bear whose attacks threaten to ruin WrestleMania.  WWE stars join Mystery, Inc. to solve the case and to also protect the health and freedom of Shaggy and Scooby.

I actually did not expect much from Scooby-Doo! WrestleMania Mystery, because I am not a fan of professional wrestling.  I was when I was a child (and I was huge fan of it, then).  However, I liked this movie … a lot.  In fact, I found myself wishing for a sequel as soon as I finished watching WrestleMania Mystery.

There are a few reasons.  First, WrestleMania Mystery is one of the better recent Scooby-Doo direct-to-DVD movies, with the animation, production values, and voice acting being mostly good.  John Cena, or at least the cartoon version of him, comes across as a nice guy, the kind of fella who would make a good mystery-solving pal.  The Miz (regular name: Mike Mizanin) is funny in a small role, and I think that he’d also make a good sleuthing buddy.  WWE star, Sin Cara, is fantastic in a non-speaking role.

At 84 minutes in length, WrestleMania Mystery is more like a full-length movie than most of the Scooby-Doo movies of the last several years.  For the most part, the story does not seem padded.  Scooby-Doo! WrestleMania Mystery works.  It is genuinely good and funny, and it has a nice, action-filled last act.  I like it enough that it almost makes me want to watch some real-life WWE action … almost.

7 of 10
A-

Saturday, May 17, 2014


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Review: "Jumanji" Holds Onto its Charms (Happy B'day, Joe Johnston)

TRASH IN MY EYE No. 26 (of 2004) by Leroy Douresseaux

Jumanji (1995)
Running time:  104 minutes (1 hour, 44 minutes)
MPAA – PG for menacing fantasy action and some mild language
DIRECTOR:  Joe Johnston
WRITERS:  Jonathan Hensleigh, Greg Taylor, and Jim Strain; from a screenstory by Chris Van Allsburg, Greg Taylor, and Jim Strain (based upon the book by Chris Van Allsburg)
PRODUCERS:  Scott Kroopf and William Teitler
CINEMATOGRAPHER:  Thomas Ackerman (D.o.P.)
EDITOR:  Robert Dalva
COMPOSER:  James Horner

FANTASY/ADVENTURE/FAMILY with elements of action and comedy

Starring:  Robin Williams, Jonathan Hyde, Kirsten Dunst, Bradley Pierce, Bonnie Hunt, Bebe Neuwirth, David Alan Grier, Patricia Clarkson, Adam Hann-Byrd, and Laura Bundy

The subject of this movie review is Jumanji, a 1995 fantasy adventure and family film directed by Joe Johnston.  The film is based on the Caldecott Medal-winning children’s picture book, Jumanji, which was first published in 1981 and was written and drawn by author Chris Van Allsburg.  This was the first of three films based on Van Allsburg’s books (as of this updated review).  Jumanji the movie focus on two children who must help a strange man finish playing a magical board game.

In 1969, Alan Parrish (Adam Hann-Byrd) and his friend Sarah Whittle (Laura Bundy) find an old board game, a jungle adventure called Jumanji, in Alan’s attic.  After rolling the dice, Alan somehow unleashes some kind of magical force and is sucked into the board game.  In 1995, two other children, Judy (Kirsten Dunst) and Peter Shepherd (Bradley Pierce) find the cursed board game and play it, unwittingly releasing the man-child, Alan (Robin Williams).

However, the game Alan began 26 years ago must be finished.  Also, from the bowels of Jumanji’s magical board, comes a stampeding horde of jungle creatures and a fearsome huntsman, Hunter Van Pelt (Jonathan Hyde), who has stalked Alan for decades.  Now, Alan joins the adult Sarah (Bonnie Hunt) in a magical adventure to save the town and end the game.

Even back in 1995, the computer generated images (CGI) for the film Jumanji seemed too obviously fake.  Many of the film’s scenes required animals of various sizes (giraffes, elephants, rambunctious monkeys) to run through, run over, and destroy the streets, homes, and buildings of a small township.  Getting that many live animals to cooperate would have been a logistical nightmare and likely impossible, so CGI animals were used.  The artificial animals all have a bluish tint on their bodies, heightening the sense of unreality.  The glitch was perfect; that the animals look so artificial could be taken to imply that the animals are part of a fantastical and magical nightmare.

Otherwise, the film is a fairly well directed and well-acted comic fantasy/adventure.  Robin Williams is, of course, his usual manic self, but this time it’s the franticness of an almost-action hero, rather than that of some attention-seeking clown.  It’s a fun family picture full of inspired zaniness, with very good performances from the entirety of the supporting cast, especially from the young cast.  I’ve seen it several times.  It’s silly, and the script bounces from one scene to another, but I recommend it as an excellent adventure film for the young and young at heart.

6 of 10
B

Updated:  Tuesday, May 13, 2014


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Review: "Barnyard" Surprises (Happy B'day, Kevin James)

TRASH IN MY EYE No. 199 (of 2006) by Leroy Douresseaux

Barnyard (2006)
Running time:  84 minutes (1 hour, 24 minutes)
MPAA – PG for some mild peril and rude humor
WRITER/DIRECTOR:  Steve Oedekerk
PRODUCERS:  Pam Marsden, Steve Oedekerk, and Paul Marshal
EDITORS:  Billy Weber and Paul Calder
COMPOSER:  John Debney

ANIMATION/FANTASY/COMEDY/FAMILY

Starring:  (voices) Kevin James, Courteney Cox, Sam Elliot, Danny Glover, Wanda Sykes, Andie MacDowell, David Koechner, Jeff Garcia, Cam Clarke, Rob Paulsen, Tino Insana, Laraine Newman, John DiMaggio, and Fred Tatasciore

The subject of this movie review is Barnyard, a 2006 computer-animated comedy and family film from writer-director Steve Oedekerk and Paramount Pictures.  The film is also known as Barnyard: The Original Party Animals, and yielded a spin-off animated television series, Back to the Barnyard, in 2007.  Barnyard, which features a group of anthropomorphic animals, focuses on a carefree cow that resists the call that he be the animal in charge of a barnyard.

In a barnyard of walking and talking animals, Otis the Cow (Kevin James) is the party animal.  Otis and his friends: Pip (Jeff Garcia) the mouse, Freddy (Cam Clarke) the ferret, Peck (Rob Paulsen) the rooster, and Pig (Tino Insana) the pig are world-class pranksters out for a laugh.  Otis’ father, Ben (Sam Elliot), however, wants his son to be like him – the cow who makes sure the barnyard runs on all cylinders and the cow who protects the barnyard’s denizens from their common enemy, a pack of coyotes led by the malevolent and conniving Dag (David Koechner).

Otis, who is in a state of perpetual arrested development, is not interested, but when Ben is no longer able to lead and protect, the responsibility falls on Otis.  It’s not an easy fit, and he struggles with the tension between a sense of duty and an urge to run away.  There is, however, a pretty girl cow, Daisy (Courtney Cox) and the crafty Miles the Mule (Danny Glover) who just may give Otis the impetus to take the mantle of leadership.  He’ll need the encouragement because Dag is plotting to make a major attack on the barnyard.

With its August 4 release date, Paramount Pictures/Nickelodeon Movies’ computer animated feature, Barnyard: The Original Party Animals was the eighth computer animated feature film to debut in U.S. theatres.  Barnyard is a story about taking responsibility and honoring obligations – a staple of computer animated family fare, but other than that, Barnyard looks different from the rest of its cartoon brethren.

As far as plot and character, Barnyard is mediocre and mildly entertaining.  The animation, however, is quite good.  The characters have a rubbery texture, so they look more like cartoon characters than computer rendered characters.  The story’s setting and environments personify 3-D animation.  Watching this film, it becomes evident that it is indeed taking place in a world of space and depth rather than in the traditional “flat” world of hand drawn animation.  It’s not that any of this looks real; it just doesn’t look flat, so the action looks like actual action.  When characters move, it looks like the figures are really moving.

Barnyard is a pretty and colorful animated feature, which makes up for the average narrative and voice acting.  Only Sam Elliot as Ben, Danny Glover as Miles, and Wanda Sykes as Bessie the Cow give voice performances that come across with any richness.  This is a typical children’s animated feature, filled as it is with funny animal supporting characters that spout line after line of silliness.  Barnyard’s simple story and childish and raucous humor explains why it has long legs at the box office.  It’s actually a family movie that the family can enjoy together.  Barnyard: The Original Party Animals is unashamedly for children.  Still, there are enough risqué gags, bathroom humor, and innuendo to keep teenagers interested and adults chuckling.

5 of 10
B-

Monday, September 18, 2006

Updated:  Saturday, April 26, 2014

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Review: "Labyrinth" Gets Better with Age

TRASH IN MY EYE No. 118 (of 2005) by Leroy Douresseaux

Labyrinth (1986)
Running time:  101 minutes (1 hour, 41 minutes)
MPAA – PG
DIRECTOR:  Jim Henson
WRITERS:  Terry Jones; from a story by Dennis Lee and Jim Henson
PRODUCERS:  Eric Rattray
CINEMATOGRAPHER:  Alex Thompson, B.S.C.
EDITOR:  John Grover
COMPOSER:  Trevor Jones
SONGS:  David Bowie
BAFTA Awards nominee

FANTASY/FAMILY with elements of adventure

Starring:  Jennifer Connelly, David Bowie, Toby Froud, Shari Weiser (Hoggle costume)/Brian Henson (Hoggle voice), Rob Mills (Ludo costume)/Ron Mueck (Ludo voice), David Goelz (voice), David Shaughnessey, Frank Oz (voice), Danny John-Jules, Shelley Thompson, Christopher Malcolm, and Kevin Clash

The subject of this movie review is Labyrinth, a 1986 British-American fantasy film directed by the late Jim Henson.  The film was written by Terry Jones from a story by Henson and Dennis Lee, although various writers contributed without receiving screen credit, including George Lucas (who was also an executive producer of the film), Elaine May, and Laura Philips.  In the film, a teen girl wishes her baby brother away and is then forced to travel through the Goblin King’s Labyrinth in order to save the infant.

Four years after the groundbreaking film, The Dark Crystal, appeared in theatres, Labyrinth was released early in the summer of 1986.  It was the last film directed by famed puppeteer and creator of “The Muppets,” the late Jim Henson’s (1936-1990).  Met with a cool reception at the box office, Labyrinth has gone on to find a large audience on home video, where children who were born long after the film first played in theatres can watch and enjoy it.

Tired of babysitting on yet another weekend night, Sarah (Jennifer Connelly), a teenager with an active imagination who loves to envision herself in fantasy worlds, calls on the goblins from her favorite book, Labyrinth, to take her baby stepbrother, Toby (Toby Froud) away.  What she doesn’t know is that goblins do exist in another world, and they hear her plea.  They take Toby, and Sarah finds herself face to face with Jareth the Goblin King (David Bowie) in her home.  He tries to dissuade her from following him back to his world, but she realizes that she must rescue her brother.

Following Jareth, she discovers that the Labyrinth itself guards Goblin City, in the middle of which sits Jareth’s castle.  Sarah must navigate the twisted maze of deception, full of strange, kooky, and menacing characters if she is to save Toby before the end of 13 hours or he will become a permanent resident of Goblin City.  To save Toby and outwit Jareth, Sarah befriends some of the goblins to aid her on her quest.  Can Sarah and her friends save Toby in time?

Labyrinth doesn’t have The Dark Crystal’s production values, but the creature costumes, makeup, and effects are very good.  In fact, the Goblins (designed by Brian Froud, the father of Toby Froud) are some of the most vividly imaginative creatures to populate a fantasy film.  The performances are good, not great; David Bowie sings the songs he composed for the film, and the tunes have the feel of most music and songs composed for fantasy films of the 1980’s, which is to say they work well enough for the film, even if they’d sound funky on the radio.

The film seems to meander quite often; the filmmakers obviously have the kind of ideas that would fit an epic film, but not enough of them.  Thus, Labyrinth at times feels like a wandering film; the filmmakers are just biding time until the stage the final confrontation between Sarah and Jareth, but to get a full-length film, they had to stretch the middle.  In fact, Labyrinth, because of the quality of its filmmaking, would today be a TV movie.  Still, this is fun to watch just to see the Jim Henson Company’s fabulous puppetry in action – always a good enough reason to watch any Jim Henson production.

6 of 10
B

NOTES:
1987 BAFTA Awards:  1 nomination: “Best Special Visual Effects” (Roy Field, Brian Froud, George Gibbs, and Tony Dunsterville)

Updated:  Friday, March 21, 2014


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----------------------------------

You can buy LABYRINTH on Blu-ray at AMAZON.

Amazon wants me to inform you that the affiliate link below is a PAID AD, but I technically only get paid (eventually) if you click on the affiliate link below AND buy something(s).

Review: "The Iron Giant" is Still a Giant (Happy B'day, Jennifer Aniston)

TRASH IN MY EYE No. 223 (of 2004) by Leroy Douresseaux

The Iron Giant (1999) – animated
Running time:  86 minutes (1 hour, 26 minutes)
MPAA – PG for fantasy action and mild language
DIRECTOR:  Brad Bird
WRITERS:  Tim McCanlies; from a screen story by Brad Bird; (based upon the book The Iron Man by Ted Hughes)
PRODUCERS:  Allison Abbate and Des McAnuff
CINEMATOGRAPHER:  Steven Wilzbach
EDITOR:  Darren T. Holmes
COMPOSER:  Michael Kamen
BAFTA Award winner

ANIMATION/SCI-FI/FAMILY

Starring:  (voices) Eli Marienthal, Jennifer Aniston, Harry Connick, Jr., Vin Diesel, Christopher MacDonald, and John Mahoney with Frank Thomas and Ollie Johnston

The subject of this movie review is The Iron Giant, a 1999 animated science fiction film from director Brad Bird.  The film is based on the 1968 novel, The Iron Man, by author Ted Hughes.  The Iron Giant focuses on a boy who befriends a giant alien robot and then fights to protect that robot from the paranoid government agent who wants to destroy it.

Among the many popular animated films of 1999 (which included Disney’s Tarzan and the “South Park” feature film), one got lost in the crowd, a great family film with a message and heart.  It was The Iron Giant, a Cold War fable with a timeless message and was directed by Brad Bird, who at the time was known for his work on “The Simpsons” and is currently getting attention for directing Disney/Pixar’s The Incredibles.

Based upon a book by Ted Hughes, the film was the story of Hogarth Hughes (Eli Marienthal), a boy with a love for comics and sci-fi monster movies and who has an active imagination, and an innocent giant alien robot (Vin Diesel) the boy befriends.  Now, the robot is difficult to hide and eventually his presence earns the attention of Kent Mansley (Christopher MacDonald), a government agent who wants to destroy the robot.  Hogarth is afraid to tell his mother, Annie Hughes (Jennifer Aniston), a single parent, about his giant robot friend, but he luckily befriends an easy going beatnik artist named Dean McCoppin (Harry Connick, Jr.).  Dean runs a scrap yard, which proves to be a good source of food for the metal-eating giant, but how long can Hogarth and Dean hide the giant robot from the men who want to destroy him?

The Iron Giant’s story is very similar to that of E.T.: The Extraterrestrial, another story about a boy who befriends an innocent alien hounded by military types that want to hurt him.  The moral or message of The Iron Giant is not necessarily entirely about peace, but is more about choosing peace and defending oneself only when one is sure of his enemy instead of attacking the unknown because of paranoia, ignorance, and fear.  The film is also a heartfelt drama with many comic moments and lots of action and adventure aimed at the young-at-heart and those who still can recall child-like wonder.  The script lightly draws the characters, but gives enough of them to make the premise work.

The quality of the animation (2-D or traditional hand drawn with some CGI) is very high quality; in fact, it’s hard to tell that the “Iron Giant” is completely computer animated because the character fits in so well with the hand drawn figures.  The animation is not as fluid as the best of Disney, but this film looks as if it could have come out of the Disney animation studios that produced 101 Dalmatians or The Jungle Book.  I heartily recommend this film to animation and sci-fi fans, and I especially recommend it for family viewing.

8 of 10
A

NOTES:
2000 BAFTA Awards:  1 win: BAFTA Children's Award for “Best Feature Film” (Allison Abbate, Des McAnuff, Brad Bird, and Tim McCanlies)

Updated:  Tuesday, February 11, 2014


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Review: "A Christmas Story" is Truly Timeless

TRASH IN MY EYE No. 4 (of 2007) by Leroy Douresseaux

A Christmas Story (1983)
Running time:  93 minutes (1 hour, 33 minutes)
MPAA – PG
DIRECTOR:  Bob Clark
WRITERS:  Jean Sheperd, Leigh Brown, and Bob Clark (based upon the book In God We Trust, All Others Pay Cash)
PRODUCERS:  Bob Clark and René Dupont
CINEMATOGRAPHER:  Reginald H. Morris (D.o.P.)
EDITOR:  Stan Cole
COMPOSERS:  Paul Zaza and Carl Zittrer

COMEDY/FAMILY

Starring:  Melinda Dillon, Darren McGavin, Peter Billingsley, Ian Petrella, Scott Schwartz, R.D. Robb, Tedde Moore, Yano Anaya, Zack Ward, Jeff Gillen, and Jean Shepherd (also narrator)

The subject of this movie review is A Christmas Story, a 1983 Christmas movie from director Bob Clark.  Although it was produced by an American film studio, MGM, some of the movie was shot in Canada.  A Christmas Story won two Genie Awards (then, Canada’s equivalent of the Oscars) for its direction and screenplay and was nominated in seven other categories, including “Best Motion Picture.”  In the film, a nine-year-old boy tries to convince his parents, his teacher, and Santa that a Red Ryder B.B. gun really is an appropriate gift for him.

Writer/director Bob Clark turned humorist Jean Shepard’s nostalgic view of the Christmas season in 1940’s Indiana into a classic holiday movie, A Christmas Story.  All nine-year old Ralphie Parker (Peter Billingsley) really wants for Christmas is a Red Ryder 200-shot range model air rifle – a BB gun.

The adults in his life, even Ralphie’s parents, Mrs. Parker (Melinda Dillon) and The Old Man aka Mr. Parker (Darren McGavin), think that the Red Ryder BB Gun is not a safe toy, or as they keep telling him, “You’ll shoot your eye out!”  While waging an all-out campaign for his BB gun, Ralphie dodges bullies and deals with his little brother, Randy’s (Ian Petrella) food issues.  Even Mr. Parker has his struggles as he fights a series of never-ending battles with his neighbor’s large pack of dogs, his home’s troublesome furnace, and an endless number of blown fuses.

I’m not sure why this delightful little Christmas movie works, but it does.  The narration isn’t always good; sometimes it sounds unprofessional.  The directing is exceedingly ordinary, but that adds a certain realism to movie.  Perhaps, A Christmas Story’s success is based on how real and authentic it seems.  Although set in the early 1940’s, A Christmas Story feels timeless.  Set in a town based upon Hammond, Indiana, where co-screenwriter Jean Shepherd grew up (but filmed largely in Cleveland, Ohio), the movie looks like it could take place in “Anytown, U.S.A.”

Wonderful performances help create the ambience.  Darren McGavin, who plays The Old Man, is always a welcomed sight, and Melinda Dillon is pitch perfect as the ideal middle-American mom.  What is really surprising is how good the child actors are, especially the leads Peter Billingsley and Ian Petrella.  Maybe, it’s because the child actors in this movie are real kids who act like real kids, while child actors often seem to struggle with portraying what they actually are – children.  As Ralphie Parker, Billingsley personifies the kid who just wants one thing for Christmas so badly, knowing that he might not get it.

In the end, maybe Billingsley’s performance is what makes A Christmas Story an indispensable Christmas movie, but there’s also much more in this gem of a yuletide flick to love.

7 of 10
A-

Saturday, January 6, 2007

NOTES:
2012 National Film Preservation Board, USA:  National Film Registry

Updated:  Monday, December 23, 2013

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Review: "Monsters University" a Satisfying Second Helping

TRASH IN MY EYE No. 79 (of 2013) by Leroy Douresseaux

Monsters University (2013)
Running time:  104 minutes (1 hour, 44 minutes)
MPAA – G
DIRECTORS:  Dan Scanlon
WRITERS:  Robert Baird, Daniel Gerson, and Dan Scanlon; from a story by Robert Baird, Daniel Gerson, and Dan Scanlon
PRODUCER:  Kori Rae
EDITORS:  Greg Snyder
COMPOSER:  Randy Newman

ANIMATION/FANTASY/COMEDY/FAMILY

Starring:  (voices) Billy Crystal, John Goodman, Steve Buscemi, Helen Mirren, Peter Sohn, Joel Murray, Sean Hayes, Dave Foley, Charlie Day, Alfred Molina, Tyler Labine, Nathan Fillion, Aubrey Plaza, Julia Sweeney, Bonnie Hunt, and John Ratzenberger

Monsters University is a 2013 computer-animated comedy and fantasy film from Pixar Animation Studios.  Theatrically presented in 3D, Monsters University is Pixar’s fourteenth full-length feature film, and it is also the first prequel to one of the studio’s films.  Distributed by Walt Disney Pictures, it is a prequel to the 2001 animated film, Monsters, Inc.

Monsters University focuses on the stars of the original film, Mike and Sulley.  The movie looks at the early days of their relationship during their time in college, telling the story of how they went from rivals to friends.  Although it is not quite as good as the original, Monsters University is a warm and fuzzy and sweet and sentimental film that offers a return of one of the great comedy duos of animated films, Mike (ostensibly this movie’s lead character) and Sulley.

Monsters University introduces Michael “Mike” Wazowski (Billy Crystal), a young monster who dreams of being a “scarer,” a monster who enters the human world at night to scare children.  He enrolls at Monsters University, believing that is the best place to learn to be a great scarer.  Mike meets a large, blue furry monster named James P. “Sulley” Sullivan (John Goodman), a privileged student from a family of renowned scarers.  The two immediately dislike each other.

Sulley joins the school’s premiere fraternity, Roar Omega Roar (ROR).  Mike has to settle for Oozma Kappa (OK), a fraternity of geeks and outcasts.  An incident between Mike and Sulley puts the two on the fast track to trouble.  Mike decides that the Scare Games, a competition between Monsters University’s select fraternities and sororities, can save his and Sulley’s college careers.  First, the two rivals will have to learn to trust each other and their new Oozma Kappa friends.

Pixar is known for animated films that offer superb character drama, but Monsters University is simply a comedy with endearing characters.  I call Monsters University Pixar’s DreamWorks Animation movie.  Like many DreamWorks animated features, Monsters University is a broad comedy with several clever set pieces and sequences in which the heroes must deal with seemingly impossible-to-overcome obstacles.  Also like DreamWorks animation, Monsters University lacks the emotional resonance of Pixar’s best films, although this movie’s director and writers try.  Similar to Pixar’s Brave, Monsters University also has a weak first half-hour.

The two best things about Monsters University are the delightful supporting characters that are members of Oozma Kappa and the Scare Games.  I found those supporting players to be endearing, and the film gives just enough of them to make you feel that you didn’t get enough.  The Scare Games are exciting and have a great ending, which a subsequent plot twist kinda ruins.

When Monsters Inc. first appeared in 2001, it was novel, maybe even groundbreaking in a way.  All Monsters University can be is a welcome return of old friends, and that’s good enough.

7 of 10
B+

Saturday, November 23, 2013

The text is copyright © 2013 Leroy Douresseaux. All Rights Reserved. Contact this site for syndication rights and fees.

Review: "Looney Tunes: Back in Action" is Surprisingly Quite Good

TRASH IN MY EYE No. 166 (of 2003) by Leroy Douresseaux

Looney Tunes: Back in Action (2003)
Running time:  91 minutes (1 hour, 31 minutes)
MPAA – PG for some mild language and innuendo
DIRECTOR:  Joe Dante with Eric Goldberg (animation director)
WRITER:  Larry Doyle
PRODUCERS:  Bernie Goldmann, Joel Simon, and Paula Weinstein
CINEMATOGRAPHER:  Dean Cundey (D.o.P.)
EDITORS:  Rick W. Finney and Marshall Harvey
COMPOSER:  Jerry Goldsmith

ANIMATION/ACTION/ADVENTURE and COMEDY/FAMILY/FANTASY

Starring:  Brendan Fraser, Jenna Elfman, Steve Martin, Timothy Dalton, Heather Locklear, John Cleese, Joan Cusack, Bill Goldberg, Dan Stanton, Don Stanton, Matthew Lillard, Ron Perlman, and (voices) Joe Alaskey, Bob Bergen, Casey Kasem, Frank Welker, Billy West, with (receiving no screen credit) Peter Graves and Michael Jordan

The subject of this movie review is Looney Tunes: Back in Action, a 2003 adventure and comedy film from director Joe Dante.  Back in Action blends live-action and animation and stars Bugs Bunny, Daffy Duck and the rest of the Looney Tunes characters.  In the movie, the Looney Tunes help a down-on-his-luck security guard find his missing father and the mythical Blue Monkey diamond.

Right out of the box, let’s proclaim Looney Tunes: Back in Action a fantastically funny film, almost as good as the gold standard of films that mix live action and animation, Who Framed Roger Rabbit? and better than Space Jam.  It’s not dumb and hackneyed as some have claimed; nor is it a cynical attempt to market Time Warner trademarks and merchandise.  Just about anyone who has ever loved the Looney Tunes characters will love this film.

As simple and as silly as it is, LT:BIA’s story ends up making a very funny film.  Daffy Duck (Joe Alaskey) is having another of his many conniptions about his status as second banana to Bugs Bunny (Joe Alaskey), but this time Kate Houghton (Jenna Elfman), an eager young Warner Bros. Studio executive fires Daffy.  Daffy’s shenanigans also cost a studio lot guard, DJ Drake (Brendan Fraser), his job.

Later Daffy and DJ discover that DJ’s dad, Damien Drake (Timothy Dalton), the famous spy movie star, is actually a real life spy.  He’s been kidnapped and is being held hostage in Las Vegas.  Via a special spy signal, he asks his son to find the Blue Monkey Diamond and keep it from the evil Mr. Chairman (Steve Martin), head of the Acme Corporation, who wants to use the diamond’s mystical powers to turn everyone on the planet into monkeys.  It’s up to DJ, Kate, Bugs, and Daffy to find the jewel, rescue DJ’s dad, and save the world.

The films is technically well made, and the merger of animation and live action is easily on par, if not superior to Roger Rabbit.  Joe Dante (Gremlins), no stranger to special effects and genre films, does a fantastic job prepping his film, especially its stars, to act with characters and effects that would only be added after the principal photography was finished.  Animation director Eric Goldberg has also done some of the best helming of animated film in years.  It’s the best work this year by a director of animation after the Finding Nemo crew, which is clearly evident in the Bugs/Daffy/Elmer Fudd (Billy West) surrealistic and imaginatively designed race through the Louvre in Paris.

The cast of actors is fantastic.  Brendan Fraser is an underrated actor, movie star, and comedian.  He’s excellent with physical comedy, and by now has a knack for working in an environment where a lot of the film elements are added after he does his work.  Jenna Elfman is a pleasant surprise, and she has excellent chemistry with her costars, live and animated.

The films gets a hardy recommendation because it’s such fun.  The fact that almost all major and minor characters that have ever appeared in a Warner Bros. Looney Tunes cartoon have a part in the film makes it a must see.  There’s even a small scene that plugs 2004’s Scooby-Doo 2, and if that’s not enough for certain moviegoers, then, they are indeed in need of a laugh.  Looney Tunes: Back in Action is just what the doctor ordered.

8 of 10
A

Updated: Wednesday, November 13, 2013

The text is copyright © 2013 Leroy Douresseaux. All Rights Reserved. Contact this site for syndication rights and fees.

Review: "Tom and Jerry’s Giant Adventure" Goes to Disneyland

TRASH IN MY EYE No. 73 (of 2013) by Leroy Douresseaux

Tom and Jerry’s Giant Adventure (2013) – straight-to-video
Running time:  57 minutes
PRODUCERS/DIRECTORS:  Spike Brandt and Tony Cervone
WRITER:  Paul Dini
EDITOR:  Kyle Stafford
COMPOSER: Michael Tavera
ANIMATION STUDIO:  Yearim Productions Co. Ltd.

ANIMATION/FANTASY/COMEDY and ADVENTURE/FAMILY/MUSICAL

Starring:  (voices) Jacob Bertrand, Grey DeLisle, Garrison Keillor, Paul Reubens, Tom Wilson, Kath Soucie, Joe Alaskey, John DiMaggio, Phil LaMarr, and Richard McGonagle

Tom and Jerry’s Giant Adventure is a 2013 animated direct-to-video film starring the famous cartoon cat and mouse duo, Tom and Jerry.  Produced by Warner Bros. Animation, this film offers a Tom and Jerry spin on the fairy tale, Jack and the Beanstalk.  In Tom and Jerry’s Giant Adventure, the cat and mouse duo help a boy try to save his family’s theme park.

Once upon a time, Joe Bradley opened Storybook Town, a fairy tale-inspired theme park.  “Where dreams come true if you believe” became Bradley’s motto for the park.  He shared his dream with his wife, Violet (Grey DeLisle), and eventually with their son, Jack (Jacob Bertrand).  After Joe died, however, Storybook Town fell on hard times.

Now, Tom and Jerry are the last animals living in Storybook Town, but they are faithful servants of Jack.  The boy and his mother are desperate to save the park from the machinations of Mr. Bigley (Tom Wilson), a greedy billionaire and owner of Bigley’s Super Strip Malls.  Bigley wants to demolish Storybook Town and turn the property into a strip mall (what else?).

Jack believes some mysterious magical beans will help him save the park, but all they do is take him and Tom and Jerry to Fairyland.  There, the trio discovers that its denizens are also under the boot of a greedy bully, a giant named Mr. Ginormous (Tom Wilson).  Can Tom and Jerry stop their feuding long enough to join Jack in his bid to help the people of Fairyland and to maybe save Storybook Town?

Tom and Jerry’s Giant Adventure starts off a bit melancholy, with its themes of death, decay, and poverty.  Plus, the story’s allusions to Walt Disney and Disneyland are a little off-putting – to me, at least.  Is this an homage or sly dig?  However, once the story gains a clear sense of purpose and the heroes have a goal (or goals), the movie becomes a bright adventure that radiates with hope.

As for as the production values, the animation is on par with recent Tom and Jerry films, but the art direction is not special.  The character animation on Mr. Ginormous is the standout in this movie.

A number of Tom and Jerry’s fellow MGM animated characters make their usual appearances:  Droopy Dog (Joe Alaskey), Barney Bear (Richard McGonagle), Screwy Squirrel (Paul Reubens), Spyke and Tyke (Phil LaMarr), etc.  I must say that these are not the best versions of the characters, and they have been put to better use in other Tom and Jerry flicks.  The classic MGM sexpot character, “Red,” appears in this movie as Red Fairy (Grey DeLisle), but she is a tepid version of her red-hot self, but still manages to be a little risqué.  Radio legend and spoken word artist, Garrison Keillor, gives voice to the character, Farmer O’Dell.  I can’t say that his performance does anything particularly special for this film, but Keillor’s presence does strike an odd note.

Strangely, the thing that really appeals to me is this film’s sense of hope and perseverance.  In Tom and Jerry’s Giant Adventure, there is the sparkle of magic to go with the movie’s spark of hope.  I found myself really believing in miracles, and for me, that makes what could have been an average movie a little special.

6 of 10
B

Tuesday, October 29, 2013


The text is copyright © 2013 Leroy Douresseaux. All Rights Reserved. Contact this site for syndication rights and fees.