NEGROMANCER 2.0: Sequels

Showing posts with label Sequels. Show all posts

Friday, July 14, 2023

Review: "MISSION: IMPOSSIBLE - Dead Reckoning Part One" Embraces the Impossible

TRASH IN MY EYE No. 32 of 2023 (No. 1921) by Leroy Douresseaux

Mission: Impossible – Dead Reckoning Part One (2023)

Running time: 163 minutes (2 hours, 43 minutes)

MPAA – PG-13 intense sequences of violence and action, some language and suggestive material

DIRECTOR: Christopher McQuarrie

WRITERS: Christopher McQuarrie and Erik Jendresen (based upon the television series created by Bruce Geller)

PRODUCERS: Tom Cruise and Christopher McQuarrie

CINEMATOGRAPHER: Fraser Taggart (D.o.P.)

EDITOR: Eddie Hamilton

COMPOSER: Loren Balfe

ACTION/ADVENTURE/SPY/THRILLER

Starring: Tom Cruise, Hayley Atwell, Ving Rhames, Simon Pegg, Rebecca Ferguson, Vanessa Kirby, Esai Morales, Pom Klementieff, Shea Whigham, Greg Tarzan Davis, Frederick Schmidt, Maria Garriga, Cary Elwes, and Henry Czerny

Mission: Impossible – Dead Reckoning Part One is a 2023 action-thriller and espionage film directed by Christopher McQuarrie and starring Tom Cruise. It is the seventh film in the Mission: Impossible film series, which is based on the American television series, “Mission: Impossible” (CBS, 1966-73), that was created by Bruce Geller. In Dead Reckoning Part One, Ethan Hunt and his IMF team race to obtain half of a key that is connected to something that could be a doomsday device.

Mission: Impossible – Dead Reckoning Part One opens in the Bering Sea. Beneath the surface, an advanced Russian submarine, the “Sevastopol,” prepares to test a new AI (artificial intelligence) system. But disaster strikes.

Later, Eugene Kittridge (Henry Czerny), the director of the IMF (Impossible Mission Force), offers IMF agent Ethan Hunt (Tom Cruise) a new mission. Should he accept, Hunt must retrieve half of a mysterious cruciform key. It is currently in the possession of his ally, the former British agent, Ilsa Faust (Rebecca Ferguson), who also has had a 50-million-dollar bounty placed on her.

Next, Hunt and his team – Benji Dunn (Simon Pegg) and Luther Stickwell (Ving Rhames) – must trace the current holder of the second half of that cruciform key to a buyer. However, the mission is complicated by the intercession of new players: Grace (Hayley Atwell), a professional thief; Alanna Mitsopolis (Vanessa Kirby), a black-market arms dealers also known as the “White Widow;” and Paris (Pom Klementieff), a French assassin. The most shocking new player is Paris' boss, Gabriel (Esai Morales), a powerful terrorist with an intimate connection to Ethan Hunt's past. Ethan and his IMF team clash with these new people in a struggle for a key that is connected to something that could rule the world or destroy it, The Entity.

I divide the six Mission: Impossible movies into two trilogies. Mission: Impossible (1996), Mission: Impossible 2 (2000), and Mission: Impossible III (2006) make up the first trilogy. Mission: Impossible – Ghost Protocol (2011), Mission: Impossible – Rogue Nation (2015), and Mission: Impossible – Fallout (2018) form the second trilogy.

Mission: Impossible – Dead Reckoning Part One is something new. It was originally meant to be the first part of a two-part send off for Ethan Hunt, but that has apparently changed. Still, Dead Reckoning Part One feels like the beginning of the end. It's as if Ethan is facing his ultimate test, a mission in which most of the potential resolutions can make things worse for the U.S. and the rest of the world. Honestly, this feels like a mission in which Ethan should not survive.

That aside, should you choose to accept this mission, dear readers, Mission: Impossible – Dead Reckoning Part One is a non-stop thrill machine full of heart-pounding races, car chases, standoffs, and Tom Cruise running more than he ever has. I balked at the runtime of two hours and forty-three minutes, but the film doesn't feel that long. It's always moving and grooving to a electrifying pace. The plot is a bit thin, and even that thinness manages to be a bit convoluted, but Dead Reckoning Part One moves too much to allow you to think about any inconsistencies. Why think about plot when the action and thrills are so mesmerizing and exhilarating? I had seen several video clips of Ethan Hunt's motorcycle cliff dive, which is the super-big stunt in Dead Reckoning Part One, but seeing the entire thing on the big, silver screen still made me nervous. That's the peak power of the extravagant action movie treats that this film offers.

Dead Reckoning Part One has beautiful cinematography and a hypnotic, pounding film score, and killer production values. Everyone is dressed so nicely, and all the sets put the art in art direction. The cast is amazing, and I couldn't get enough of Pom Klementieff's Paris. But the stars here are true movie star, Tom Cruise, and director Christopher McQuarrie. They wanted to give people a reason to come back to movie theaters, and they have. Mission: Impossible – Dead Reckoning Part One is the kind of high-quality and breath-taking entertainment that demands to be seen in a darkened movie theater with a bunch of other people as equally thrilled as you or I are.

8 of 10

★★★★ out of 4 stars

Friday, July 15, 2023

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Tuesday, July 11, 2023

Review: "MISSION: IMPOSSIBLE 2" is Still on Fire

TRASH IN MY EYE No. 31 of 2023 (No. 1920) by Leroy Douresseaux

Mission: Impossible 2 (2000)

Running time: 123 minutes (2 hours, 3 minutes)

MPAA – PG-13 for intense sequences of violent action and some sensuality

DIRECTOR: John Woo

WRITERS: Robert Towne; from a story by Ronald D. Moore and Brannon Barga (based upon the television series created by Bruce Geller)

PRODUCERS: Tom Cruise and Paula Wagner

CINEMATOGRAPHER: Jeffrey L. Kimball (D.o.P.)

EDITORS: Steven Kemper and Christian Wagner

COMPOSER: Hans Zimmer

ACTION/ADVENTURE/SPY/THRILLER

Starring: Tom Cruise, Dougray Scott, Thandie Newton, Richard Roxburgh, John Polson, Brendan Gleeson, Rade Serbedzija, William Mapother, Dominic Purcell, Nicholas Bell, Kee Chan, Antonio Vargas, and Ving Rhames with Anthony Hopkins

Mission: Impossible 2 is a 2000 action-thriller and espionage film directed by John Woo and starring Tom Cruise. It is a sequel to the 1996 film, Mission: Impossible, and is based on the American television series, “Mission: Impossible” (CBS, 1966-73), that was created by Bruce Geller. In Mission: Impossible 2 (also known as M:I-2), Ethan Hunt battles a rogue fellow agent in a bid to obtain a genetically modified virus.

Mission: Impossible 2 opens in a lab at Australia's Biocyte Pharmaceuticals. There, Dr. Vladimir Nekhorvich (Rade Serbedzija), a bio-genetics scientist, sends a message to his old friend, “Dimitri,” which is the cover name for Impossible Mission Force (IMF) agent Ethan Hunt (Tom Cruise). Nekhorvich's employer, Biocyte Pharmaceuticals, has forced him to create a biological weapon, which he calls “Chimera,” and a cure for it, which he names “Bellerophon.” Biocyte's CEO, John C. McCloy (Brendan Gleeson), plans to profit from Bellerophon as cure for Chimera after the virus is released into the unsuspecting world.

Nekhorvich injects himself with Chimera and carries Bellerophon with him and heads to the U.S., where he hopes to meet “Dimitri.” However, he is intercepted by IMF agent Sean Ambrose (Dougray Scott), who is, in some ways, Ethan Hunt's equal and opposite. Ambrose and his men steal Bellerophon and begin their hunt to obtain Chimera, not knowing that it was inside Nekhorvich.

IMF Mission Commander Swanbeck (Anthony Hopkins) orders Hunt to lead his team – computer hacker, IMF agent Luther Stickwell (Ving Rhames), and helicopter pilot, William “Billy” Baird (John Polson), on a mission to get Chimera before Ambrose does. Swanbeck also orders Hunt to add to his team a professional thief named Nyah Nordoff-Hall (Thandie Newton), who was, until recently, Ambrose's girlfriend. Can Ethan trust Nyah, or has he gotten to close to her? And is Ambrose more than a match for Ethan?

That's just my personal thing. M:I-2 is its own thing. Directed by Hong Kong auteur, John Woo, the film features the hallmarks of Woo's directorial style, including his “bullet ballet” action sequences, stylized imagery, slow motion action and character drama scenes, Mexican standoffs, and fight sequences that recall the Chinese martial arts sub-genres “wuxia” and “wire-fu.” However, the film doesn't really kick into high gear with some of Woo's best flourishes until its second half.

The first half of the film focuses on Ethan Hunt's obsession with Nyah Nordoff-Hall, which mirrors Sean Ambrose's obsession with her. This “love triangle” allows Woo and his screenwriters to build tension between Hunt and Ambrose that explodes with jealousy and rage and eventually leads to a fight to the death. M:I-2 may be the film in this franchise in which Tom Cruise's Ethan Hunt shares the most screen time with other characters, especially Newton's Nyah and Scott's Ambrose.

Anyway, the film really begins to rumble in the second half. The last half-hour or so is a masterpiece of directing, film editing, cinematography, and stunt coordinators and stuntmen. My high rating is mainly because of this exhilarating last act, which makes me want to see this movie again.

Tom Cruise was in his late 30s when Mission: Impossible 2 began filming, yet he looks much younger onscreen, about a decade or so (at least to me). His long hair, that boyish grin, his immature and petulant anger and jealousy would be largely gone 19 months later when his trippy drama, Vanilla Sky (2001), arrived in December 2001. So for me, Mission: Impossible 2 is a good-bye to the Mission: Impossible film franchise's beginnings. The series would rapidly begin to morph with the third entry, and boyish Tom Cruise would finally give way to adult Tom Cruise. At least, I now remember why I loved this film so much 23 years ago, and now, I want to see it again.

8 of 10

★★★★ out of 4 stars

Tuesday, July 11, 2023

NOTES:

2001 Image Awards (NAACP): 2 nominations: “Outstanding Supporting Actor in a Motion Picture” (Ving Rhames) and “Outstanding Supporting Actress in a Motion Picture” (Thandie Newton)

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Friday, June 30, 2023

Review: "INDIANA JONES and the Dial of Destiny" is a Wonderful Final Adventure

TRASH IN MY EYE No. 29 of 2023 (No. 1918) by Leroy Douresseaux

Indiana Jones and the Dial of Destiny (1989)

Running time: 154 minutes (2 hours, 34 minutes)

MPA – PG-13 for sequences of violence and action, language and smoking

DIRECTOR: James Mangold

WRITERS: Jez Butterworth & John-Henry Butterworth and David Koepp & James Mangold (based on characters created by George Lucas and Philip Kaufman)

PRODUCERS: Kathleen Kennedy, Frank Marshall, and Simon Emanuel

CINEMATOGRAPHER: Phedon Papamichael (D.o.P.)

EDITORS: Andrew Buckland, Michael McCusker, and Dick Westervelt

COMPOSER: John Williams

ADVENTURE/ACTION/FANTASY

Starring: Harrison Ford, Phoebe Waller-Bridge, Mads Mikkelsen, Antonino Banderas, Shaunette Renée Wilson, Thomas Kretschmann, Toby Jones, Boyd Holbrook, Olivier Richters, Ethann Isidore, Nasser Memarzia, Karen Allen, and John Rhys-Davies,

Indiana Jones and the Dial of Destiny is a 2023 action-adventure film directed by James Mangold. It is the fifth entry in the “Indiana Jones” film franchise that began with the 1981 film, Raiders of the Lost Ark. Dial of Destiny finds Indiana Jones racing to retrieve a legendary artifact from a Nazi who wants change the course of history.

Indiana Jones and the Dial of Destiny opens in 1944, deep inside Europe during the Allied liberation of World War II. Dr. Henry “Indiana” Jones, Jr. (Harrison Ford) and his colleague and fellow archaeologist, Basil Shaw (Toby Jones), are both captured by Nazis while attempting to retrieve “the Lance of Longinus.” This relic is also known as the “Spear of Destiny,” the lance that is alleged to have pierced the side of Jesus Christ. Adolf Hitler believes it can save him and his dying Third Reich.

However, Nazi scientist Jürgen Voller (Mads Mikkelsen) believes that he has found part of the relic that can save the Nazis, the “Antikythera”or “Archimedes's Dial,” a device created by the ancient Greek mathematician, Archimedes, Voller believes that if he can make the device whole it is capable of locating fissures in time. As usual, Indiana Jones foils the Nazis.

A quarter-century later, in August 1969, Jones is retiring from his position as a professor and instructor at Hunter College. He is approached by Helena “Wombat” Shaw (Phoebe Waller-Bridge), Jones' goddaughter and Basil Shaw's daughter. She has come looking for the Dial, but she isn't the only one. A Nazi ghost from Indiana Jones' past also wants to retrieve the Dial and to find its missing half. Can Indiana Jones, now an old man, find the will for one more adventure to save the world from Nazi machinations? Can he really trust his own goddaughter's motivations?

In preparation for Indiana Jones and the Dial of Destiny, I recently watched Indiana Jones and the Last Crusade in its entirety for the first time in over two decades. I have seen the first film, Raiders of the Lost Ark, countless times, and I re-watched its follow-up, Indiana Jones and the Temple of Doom (1984), in November of last year (2022). I have watched the fourth film in the series, Indiana Jones and the Kingdom of the Crystal Skull (2008), many times since its release.

I am happy to report that Indiana Jones and the Dial of Destiny is the best Indiana Jones since Temple of Doom. It is a bit long and drags in the middle, but when it is time to deliver the old-fashioned Indiana Jones thrills, this film brings it with renewed freshness. The two street chases, one in New York and one in Tangier, Morocco, kept me on the edge of my seat. Indiana Jones on a horse tearing through the streets and subways of NYC is every bit as good as it could be.

Dial of Destiny is also blessed by Phoebe Waller-Bridge as Helena Shaw. The script presents a very well conceived and executed character, and Bridge turns her into a character that can match Indiana Jones step for step. Hers is not the only high-quality supporting character, but this film could not work without Waller-Bridge playing Shaw the way she does.

The best Indiana Jones villains are the Nazis, and Mads Mikkelsen as Voller and Boyd Holbrook as Klaber, Voller's crazy and homicidal lackey, gives us Nazis worthy of not only being punched, but also of being killed. It's good to see that the Indiana Jones franchise makes Nazis plainly and clearly evil. There isn't any “good people on both sides here” double talk in this movie.

No, Steven Spielberg and George Lucas do not return for Dial of Destiny, being listed in the credits as “executive producers.” James Mangold has replaced Spielberg as director, and he does a much better job with this film than I expected. Lucas has co-written the story for the previous films doesn't for this one, but the spirit of adventure and mystery he first imagined decades ago is strong in Dial of Destiny.

I understand that some viewers may be put off by the age of Dial of Destiny's star and title character. I like that Dial of Destiny does not hesitate to grapple with Indiana Jones' age and about the grief and regret that have become a big part of his life. It is nice to see returning supporting characters, Sallah (John Rhys-Davies) and Marion Ravenwood (Karen Allen), although it is a bit off-putting not seeing them so much older. Still, Indiana Jones and the Dial of Destiny, with its themes of time and tide, of change, of new eras, of aging, of a hero in the sunset of his life, offers a perfect good-bye to a beloved hero. It says that there is still a story to tell, but the story we followed for so long … well, that's over.

7 of 10

A-

★★★½ out of 4 stars

Friday, June 30, 2023

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Thursday, June 29, 2023

Review: "INDIANA JONES and the Kingdom of the Crystal Skull" is a Nice Coda

TRASH IN MY EYE No. 27 (of 2008) by Leroy Douresseaux

Indiana Jones and the Kingdom of the Crystal Skull (2008)

Running time: 126 minutes (2 hours, 6 minutes)

MPAA – PG-13 for adventure violence and scary images

DIRECTOR: Steven Spielberg

WRITERS: David Koepp; from a story by George Lucas and Jeff Nathanson

PRODUCER: Frank Marshall

CINEMATOGRAPHER: Janusz Kaminski (D.o.P.)

EDITOR: Michael Kahn, A.C.E.

COMPOSER: John Williams

ACTION/ADVENTURE

Starring: Harrison Ford, Cate Blanchett, Karen Allen, Ray Winstone, John Hurt, Jim Broadbent, and Shia LaBeouf

There is that old saying, “you can’t go home again,” but you can. It is simply that the present does not have the cherished golden glow of cherished memories of an idealized past. With that in mind, in 2008, we saw the return of Indiana Jones to the big screen for the first time in 19 years.

Indiana Jones and the Kingdom of the Crystal Skull is an action-adventure film from director Steven Spielberg. It is the fourth entry in the “Indiana Jones” film franchise that began with the 1981 film, Raiders of the Lost Ark (1981). Kingdom of the Crystal Skull finds Indiana Jones fighting a Soviet plot to uncover the secret behind mysterious artifacts known as the “Crystal Skulls.”

Indiana Jones and the Kingdom of the Crystal Skull begins in the desert Southwest in 1957 at the height of the Cold War. There, Dr. Henry “Indiana” Jones, Jr. (Harrison Ford) and his sidekick, George “Mac” McHale (Ray Winstone), encounter the icy cold Soviet beauty, Irina Spalko (Cate Blanchett), and her elite military unit on a remote airfield. The Soviets want something from Indy, but in the end, he barely escapes the nefarious Soviets.

Afterwards, Indy returns to Marshall College, where he is known as “Professor Jones,” and finds that things have gone from bad to worse. The government is suspicious of Indy’s recent activities and forced Jones’ close friend and dean of the college, Dean Charles Stanforth (Jim Broadbent), to fire him. On his way out of town, Indy meets the rebellious young biker, Mutt Williams (Shia LaBeouf), who asks Indy for his help in a deeply personal mission. If he helps Mutt, Indy could very well make one of the most spectacular archaeological finds in history – the Crystal Skull of Akator, a legendary object of fascination and superstition.

As Indy and Mutt comb the most remote corners of Peru, Spalko and the Soviet agents are also hot on the trail of the Crystal Skull, which they believe can help the Soviets dominate the world, if they can unlock its secrets. Peru, however, is not only the home of the Crystal Skull, it is also the place where Indiana Jones makes a surprise reunion and learns an even more shocking secret, as he and his friends desperately battle to protect the powerful Crystal Skull.

Indiana Jones and the Kingdom of the Crystal Skull lacks the old school, B-movie serial charm of the original Raiders of the Lost Ark. It doesn’t have the gleefully and deliberately gruesome spirit of Indiana Jones and the Temple of Doom (1984), nor the comic charm of Indiana Jones and the Last Crusade (1989).

What Indiana Jones and the Kingdom of the Crystal Skull does have is entertainment value by the truckload. This pleasing popcorn movie has a mix of action, adventure, and nostalgia that turns it into the perfect summer romp for an afternoon at the movie theater.

Why keep pretending!? Karen Allen, as the original Indiana Jones heroine, Marion Ravenwood, is back, and that makes this somewhat inferior Indiana Jones sequel even more enjoyable. Throw in another secret, and Kingdom of the Crystal Skull is a must-see for Indy fans. Obviously many fans had questions and concerns coming into this new film. Chief among them would be the use of CGI. Between the time that The Last Crusade appeared and now, CGI has, for the most part, replaced practical and physical special effects in mainstream Hollywood films.

No, the use of CGI (which the filmmakers claimed was only used on 30% of the film) to create lush jungles, impossible fight scenes (like the sword duel between Mutt and Irina, most of it on top of moving vehicles), and exotic locales doesn’t ruin Kingdom of the Crystal Skull, although this flick lacks the grit and tough guy spirit of the other films. But let’s face it; Harrison Ford is no longer a spring chicken, so this film needs CGI slickness to give the action a manic video game feel to it. Kingdom of the Crystal Skull is a modern action movie, and all the quiet, dramatic moments are used to merely prepare us for the next death-defying chase, whereas they existed for themselves in the early films. Still, the modern touches work.

Set in 1957, the film drops many 1950’s cultural and pop culture tropes: Elvin Presley, B-movie sci-fi, aliens, Communism, bikers, etc. The fear of being turned into the other or being forced into a like or hive mind is prevalent, as is Steven Spielberg’s familiar motif that knowledge only robs reality of its sense of wonder (OK…). However, the age of their star Harrison Ford required the driving force behind Indiana Jones, Spielberg and George Lucas, to accept that it’s sometimes okay to grow up.

That’s why Indiana Jones and the Kingdom of the Crystal Skull is ultimately less a sequel than it is a coda or epilogue to Harrison Ford as Indiana Jones, which is likely the reason that Karen Allen/Marion Ravenwood, the most beloved woman in Indy’s life, is back. It’s time to grow up and movie on, and what a silly and fun send off this is. Flaws and all, Kingdom of the Crystal Skull is a good old American summer movie blockbuster. As the credits rolled on the film’s happy finale, I realized that Indy and I were going our separate ways, but with wonderful memories as parting gifts.

6 of 10

★★★ out of 4 stars

NOTES:

2009 BAFTA Awards: 1 nomination: “Best Special Visual Effects” (Pablo Helman, Marshall Richard Krasserm and Steve Rawlins)

Sunday, May 25, 2008

Edited: Saturday, November 5, 2022

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Wednesday, June 28, 2023

Review: "INDIANA JONES and the Last Crusade" Stills Feels Like a True Ending

TRASH IN MY EYE No. 28 of 2023 (No. 1917) by Leroy Douresseaux

Indiana Jones and the Last Crusade (1989)

Running time: 127 minutes (2 hours, 7 minutes)

MPAA – PG-13

DIRECTOR: Steven Spielberg

WRITERS: Jeffrey Boam; from a story by George Lucas and Menno Meyjes (based on characters created by George Lucas and Philip Kaufman)

PRODUCER: Robert Watts

CINEMATOGRAPHER: Douglas Slocombe (D.o.P.)

EDITOR: Michael Kahn, A.C.E.

COMPOSER: John Williams

Academy Award winner

ADVENTURE/ACTION/FANTASY

Starring: Harrison Ford, Sean Connery, Alison Doody, Denholm Elliot, John Rhys-Davies, Julian Glover, River Phoenix, Michael Byrne, Kevork Malikyan, Robert Eddison, Richard Young, and Michael Sheard

Indiana Jones and the Last Crusade is a 1989 action-adventure film from director Steven Spielberg. It is the third entry in the “Indiana Jones” film franchise that began with the 1981 film, Raiders of the Lost Ark (1981). The Last Crusade finds Indiana Jones searching for his father, who along with the Nazis, are search for the Holy Grail.

Indiana Jones and the Last Crusade opens in Utah, 1912. It is there that teenage Henry Jones, Jr. (River Phoenix) has his first experiences with raiders of an archaeological site.

Over a quarter-century later, in 1938, Dr. Henry “Indiana” Jones, Jr. (Harrison Ford) recovers the treasure he lost as a teenager. Jones returns to teaching (apparently at Barnett College in Fairfield, New York) when one of the college's wealthy patrons approaches him about a special mission. Walter Donovan (Julian Glover) wants Jones to help him locate the Holy Grail.

Jones informs him that his father, Professor Henry Jones, Sr. (Sean Connery), is the expert on the Holy Grail and the one whom Donovan should seek. Donovan shocks Jones by informing him that he had hired his father to find the Grail, but the senior Jones has disappeared. Jones and his colleague, Marcus Brody (Denholm Elliot), race to Venice, his father's last known location. Waiting for them is Dr. Elsa Schneider (Alison Doody), who was working with the elder Jones in Venice as he sought to find more clues about the Grail's location.

Before long, Indiana Jones and Henry Jones Sr. are racing for their lives, staying one step ahead of the Nazis, who also want the Grail, and the Brotherhood of the Cruciform Sword, who want to protect it. Reunited with his old friend, Sallah (John Rhys-Davies), the Jones boys get closer to the Holy Grail, but the secret of the Grail is that it offers both eternal life and total destruction.

In preparation for the upcoming fifth film in the series, Indiana Jones and the Dial of Destiny, I decided to see the one Indiana Jones film that I have not watched in its entirety since the 1990s, Indiana Jones and the Last Crusade. I have seen the first film, Raiders of the Lost Ark, countless times, and I rewatched its follow-up, Indiana Jones and the Temple of Doom (1984), in November of last year (2022). I have watched the fourth film in the series, Indiana Jones and the Kingdom of the Crystal Skull (2008), many times since its release.

I have long considered Indiana Jones and the Last Crusade the true end of the Indiana Jones film series because it was the third film in the original trilogy and because it felt like the end of something. The Kingdom of the Crystal Skull felt like a “coda,” in the sense that it was both an addition to the three-film series that ran from 1981 to 1989 and a final piece added to the ending of The Last Crusade's tale of family and friends out for one last adventure.

Seeing The Last Crusade in its entirety for the first time in decades, I still feel like I'm watching the end of trilogy. If there was going to be another film after it, that ceased to be when River Phoenix, the actor who played teen Henry Jones, Jr. in this film, died in 1993 at the age of 23. Actor Denholm Elliot, who played Marcus Brody in the original film and in The Last Crusade, died at the age of 70, a year earlier in 1992. Henry Jones Sr., actor Sean Connery, only recently died (2020) at the age of 90. So, you see, dear readers, because of the passing of a number of cast members, more and more, I associate Indiana Jones and the Last Crusade with endings.

The Last Crusade is my least favorite film of the original trilogy. I know that some audiences prefer it to the darker Temple of Doom, and apparently, director Steven Spielberg made The Last Crusade the way he did to offer a lighter film in response to the criticism of the Temple of Doom's violence and exotic mysticism. However, I find Temple of Doom to be wildly inventive, darkly imaginative, and a roller coaster ride. If Raiders of the Lost Ark is an original, in a way, Temple of Doom still seems determined to be something very different from its predecessor.

Honestly, I find The Last Crusade to be only mildly entertaining until the film's last 45 minutes. Then, it explodes and really finds itself with lots of Nazi-punching and killing and also with a spine-tingling jaunt to the Holy Grail. Besides, Indiana Jones is always at his best when he's beating Nazis. Honestly, I think it is important that audiences who have not seen the original films watch them all before moving on to the new film. By the time they get to the end of Indiana Jones and the Last Crusade, many newbies may finally understand what Indiana Jones meant to American cinema once upon a time, and why, over four decades after the release of the first film, there is a new one.

7 of 10

B+

★★★½ out of 4 stars

Wednesday, June 28, 2023

You can purchase the "INDIANA JONES 4-Movie Collection" Blu-ray or DVD here at AMAZON.

NOTES:

1990 Academy Awards, USA: 1 win: “Best Effects, Sound Effects Editing” (Ben Burtt and Richard Hymns); 2 nominations: “Best Sound” (Ben Burtt, Gary Summers, Shawn Murphy, and Tony Dawe), and “Best Music, Original Score” (John Williams)

1990 BAFTA Awards: 3 nominations: “Best Actor in a Supporting Role” (Sean Connery), “Best Sound” (Richard Hymns, Tony Dawe, Ben Burtt, Gary Summers, and Shawn Murphy), and “Best Special Effects” (George Gibbs, Michael J. McAlister, Mark Sullivan, and John Ellis)

1990 Golden Globes, USA: 1 nomination: “Best Performance by an Actor in a Supporting Role in a Motion Picture” (Sean Connery)

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Friday, June 9, 2023

Review: "TRANSFORMERS: Rise of the Beasts" is the Best Transformers Movie That I'VE Seen

TRASH IN MY EYE No. 24 of 2023 (No. 1913) by Leroy Douresseaux

Transformers: Rise of the Beasts (2023)

Running time: 127 minutes (2 hours, 7 minutes)

MPA – PG-13 for intense sequences of sci-fi action and violence, and language

DIRECTOR: Steven Caple, Jr.

WRITERS: Joby Harold, Darnell Metayer, Josh Peters, Erich Hoeber, and Jon Hoeber; from a story by Joby Harold (based on Hasbro’s Transformers Action Figures)

PRODUCERS: Don Murphy, Tom DeSanto, Lorenzo di Bonaventura, Michael Bay, Duncan Henderson, and Mark Vahradian

CINEMATOGRAPHER: Enrique Chediak

EDITORS: William Goldenberg and Joel Negron

COMPOSER: Jongnic Bontemps

SCI-FI/ACTION

Starring: Anthony Ramos, Dominique Fishback, Luna Lauren Velez, Dean Scott Vazquez, Tobe Nwigwe, and Sarah Stiles; (voices) Peter Cullen, Pete Davidson, Ron Perlman, Peter Dinklage, Liza Koshy, Michelle Yeoh, Cristo Fernandez, Michaela Jae Rodriguez, John DiMaggio,Tongayi Chirisa, David Sobolov, and Colman Domingo

Transformers: Rise of the Beasts is a 2023 science fiction action film. It is based on Hasbro's Transformers toy line, and it is the seventh movie in the Transformers live-action film series. The film serves a standalone sequel to the sixth film, Bumblebee (2018), and also as a prequel to the first film in the series, Transformers (2007). Set during the 1990s, Rise of the Beasts sees a new faction of Transformers join the Autobots as allies in a battle to save Earth from a planet-eating threat.

Transformers: Rise of the Beasts opens thousands of years in the past. There, the planet-eating dark god, Unicron (voice of Colman Domingo), devours a planet inhabited by the Transformers known as the “Maximals.” Unicron had sent his servant, Scourge (voice of Peter Dinklage), and the Terrorcons to steal the Maximals' greatest piece of technology, “the Transwarp Key,” which can open portals through space and time. Optimus Primal (voice of Ron Perlman) and the Maximals: Airazon (voice of Michelle Yeoh), Cheetor (voice of Tongayi Chirisa) and Rhinox (voice of David Sobolov), escape to Earth with the Transwarp Key.

Moving forward to Brooklyn, 1994: the story introduces two humans that are about to get caught up in the Transformers' drama. The first is Noah Diaz (Anthony Ramos), an ex-military electronics expert who struggles to find a job to support his family, his mother, Breanna Diaz (Luna Lauren Velez), and his younger brother, Kris (Dean Scott Vazquez), who suffers from sickle cell.

The second is Elena Wallace (Dominique Fishback). She is an intern at a museum and an artifact researcher who doesn't get the credit for how her knowledge benefits the museum. She has discovered that an artifact which her museum recently obtained has what turns to be a Maximal symbol on it. Soon, Noah and Elena will find themselves in the company of the Autobots: Optimus Prime (voice of Peter Cullen), Mirage (Pete Davidson), and Arcee (voice of Liza Koshy) and caught in a battle to protect the Transwarp Key from falling into the clutches of Scourge in service of Unicron.

Transformers: Rise of the Beasts is the best Transformers movie that I have seen, although I have only seen three of the previous six. I liked the first film, Transformers, and its sequel, Transformers: Revenge of the Fallen (2009), but after the second sequel, Transformers: Dark of the Moon (2011), I'd had enough. I didn't bother with Transformers: Age of Extinction (2014), and I tried to watch Transformers: The Last Knight (2017) on television and found it unwatchable. I have never gotten around to watching the first prequel film, Bumblebee (2018), although I had planned on doing it.

There are several things that make Rise of the Beasts stand out from the earlier films. First, there is some genuine human drama. Noah's dedication to his family, especially his little brother, Kris, resonates, and Noah's determination to help his family financially makes his decisions seem logical. Honestly, I really identified with Elena, whose boss, Jillian (Sarah Stiles), keeps taking credit for her work, a situation I have dealt with on and off for four decades (!). I give the filmmakers a lot of credit for choosing non-white actors as the leads, and the screenwriters even more credit for being willing to depict the slights, micro-aggressions, and job discrimination that talented people of color put up with from mediocre white people.

Also, Rise of the Beasts has excellent visual special effects and eye-popping computer-generated imagery. The transformational process the robots go through still looks really cool and sometimes mind-bending. The robot fight scenes rival and probably surpass anything audiences would find in Star Wars movies. This time, however, it means something and isn't just one long slog of creatures of metal slamming into each other. There is a real sense of peril for both human and Autobots. They might die or be destroyed, and the Earth might be devoured. Plus, Unicron is a deliciously evil villain who is equally god and monster. I hope he returns in future movies because as much as he scared me, he also fascinated me.

Director Steven Caple, Jr. has delivered a Transformers movie that is both visually busy and also dramatically hefty with genuine melodrama. Yes, the third act is a bit tedious, but... I'm shocked to say this. I heartily recommend Transformers: Rise of the Beasts.

[Transformers: Rise of the Beasts has an extra scene that appears just after the credits begin and also a mid-credits scene.]

7 of 10

A-

★★★½ out of 4 stars

Friday, June 9, 2023

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Friday, May 19, 2023

Review: "FAST X" is Too Fast, Too Furious For One Movie

TRASH IN MY EYE No. 22 of 2023 (No. 1911) by Leroy Douresseaux

Fast X (2023)

Running time: 141 minutes (2 hours, 21 minutes)

MPA – PG-13 for intense sequences of violence and action, language and some suggestive material

DIRECTOR: Louis Leterrier

WRITERS: Justin Lin and Dan Mazeau; from a story by Justin Lin & Dan Mazeau and Zach Dean (based on the characters created by Gary Scott Thompson)

PRODUCERS: Vin Diesel, Neal H. Moritz, Justin Lin, Jeffrey Kirschenbaum, and Samantha Vincent

CINEMATOGRAPHER: Stephen F. Windon (D.o.P.)

EDITORS: Dylan Highsmith and Kelly Matsumoto

COMPOSER: Brian Tyler

ACTION/CRIME/DRAMA

Starring: Vin Diesel, Michelle Rodriguez, Tyrese Gibson, Chris “Ludacris” Bridges, Nathalie Emmanuel, Sung Kang, Leo Abelo Perry, Jason Statham, Jordana Brewster, Charlize Theron, Jon Cena, Brie Larson, Scot Eastwood, Alan Ritchson, Daniela Melchior, Pete Davidson, Joaquim de Almeida, Rita Moreno, Dwayne Johnson, Gal Gadot, and Helen Mirren

Fast X is a 2023 action movie that is directed by Louis Leterrier and is produced by Universal Pictures. It is the tenth installment in the Fast & Furious movie franchise (now also called the “Fast Saga”). A direct sequel to 2021's F9, Fast X finds Dom Toretto and his family targeted by the vengeful son of a drug kingpin they defeated over a decade ago.

Fast X begins in 2011 in Rio de Janeiro and recounts events, some of which were depicted in Fast Five (2011). That time, professional criminals, Dominic “Dom” Toretto (Vin Diesel) and Brian O'Connor, led their crew/family in a heist against drug lord, Hernan Reyes (Joaquim de Almeida). It is revealed that Reyes' son, Dante Reyes (Jason Momoa), failed in his bid to stop the heist.

In present day Los Angeles, Dom is living a quiet life with his wife, Letitia “Letty” Ortiz (Michelle Rodriguez), and his son, Brian “Little B” Marcos (Leo Abelo Perry). Dom holds a family reunion that gathers the current incarnation of his crew-family: Roman Pearce (Tyrese Gibson), Tej Parker (Chris “Ludacris” Bridges), Han Lue (Sung Kang), and Ramsey (Nathalie Emmanuel), as well as Dom's grandmother, Abuelita Torreto (Rita Moreno).

Roman, Tej, Han, and Ramsey are about to embark on a mission in Rome, Italy – with Roman leading – for Little Nobody (Scott Eastwood), the current head of “the Agency.” However, what Dom and his family will discover is an elaborate trap laid for them by Dante Reyes, returned after over a decade and looking to avenge himself and his late father, Hernan. Dante promise to kill Dom, but not before he makes him suffer by targeting his family and everyone connected to them or who helped them. Now, a ragtag friends, enemies, and frenemies must gather together to stop Dante, who is always one step ahead of Dom and his family. And Dante is enjoying every minute of the chaos and violence he causes.

When the first film, The Fast and the Furious, arrived in movie theaters in June of 2001, I ignored it, although I recognized the film's two stars, Vin Diesel and Paul Walker (1973-2013). However, a few years later, I wanted to see 2 Fast 2 Furious (2003) because it was directed by the late John Singleton (1968-2019) and because I was a fan of actor Tyrese and rapper/actor Chris “Ludacris” Bridges. Three years later, I was in a local theater to see The Fast and the Furious: Tokyo Drift (2006), but I called it quits after that, refusing to see Fast & Furious (2009). I eventually did see it because I wanted to see the fifth film in the series.

That would be 2011's Fast Five. I found it hugely entertaining, and it was the film that made me a consistent fan of the “Fast & Furious” film series. I think that Fast Five was the first film in the series in which the action was more fantasy or fantastic than realistic. Beginning with Dom and company's adventures in Rio, the series became some hybrid of science fiction-action, quasi-superhero fantasy, and James Bond-type super spy adventure. After Fast Five, the series was never the same.

I won't say that Fast X epitomizes that any more than the previous four films: Fast & Furious 6 (2013), Furious 7 (2015), The Fate of the Furious (2017), and F9 (2021). There may be more crashes and collisions of automobiles, military vehicles, aircraft, etc, but it is all familiar, solidly entertaining, but familiar. Fast X does seem to have the highest body count of any of the films, which I did find off-putting. The characters shoot to kill and injury as if they are players in a video game and not characters in a narrative film.

Jason Momoa and Charlize Theron really give stand out performances in the film. Momoa's Dante Reyes seems to be the first series villain that can really destroy Dominic Toretto, and Theron's Cipher is simply, majorly cool.

Fast X is also surprisingly funny, with more wit and humor than I think the series has delivered since 2 Fast 2 Furious. The action is non-stop, but it is also apparently too big for a single film, as you will discover when you watch it, dear readers. Fast X isn't a great work of cinema, but it is a superb entry in this crazy series.

[Fast X has one mid-credit scene.]

7 of 10

B+

★★★½ out of 4 stars

Friday, May 19, 2023

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Friday, May 5, 2023

Review: James Gunn Delivers a Series Best in the Great "GUARDIANS OF THE GALAXY VOL. 3"

TRASH IN MY EYE No. 20 of 2023 (No. 1909) by Leroy Douresseaux

Guardians of the Galaxy Vol. 3 (2023)

Running time: 150 minutes (2 hours, 30 minutes)

MPAA – PG-13 for intense sequences of violence and action, strong language, suggestive/drug references and thematic elements

DIRECTOR: James Gunn

WRITERS: James Gunn (based on the Marvel Comics characters)

PRODUCER: Kevin Feige

CINEMATOGRAPHER: Henry Braham (D.o.P.)

EDITORS: Fred Raskin and Greg D'Auria

COMPOSER: John Murphy

SCI-FI/FANTASY and ACTION/ADVENTURE/COMEDY

Starring: Chris Pratt, Zoe Saldana, Dave Bautista, Karen Gillan, Pom Klementieff, Chukwudi Iwuji, Sean Gunn, Will Poulter, Nico Santos, Miriam Shor, Elizabeth Debicki, Sylvester Stallone, Nathan Fillion, Michael Rooker, Gregg Henry, and the voices of Linda Cardellini, Seth Green, Maria Bakalova, Bradley Cooper, and Vin Diesel

Guardians of the Galaxy Vol. 3 is a 2023 science fiction, comedy, and action-adventure film written and directed by James Gunn and produced by Marvel Studios. It is the third film in Marvel's Guardians of the Galaxy film series, following 2014's Guardians of the Galaxy and 2017's Guardians of the Galaxy Vol. 2. It is also the 32nd film in the Marvel Cinematic Universe (MCU). Vol. 3 finds the Guardians fighting to save one of their members from his creator, a mission that may destroy the Guardians whether they are successful or not.

Guardians of the Galaxy Vol. 3 opens on Knowhere, the strange space station where the Guardians of the Galaxy have established their headquarters. Their leader, Peter Quill/Star-Lord (Chris Pratt), mourns the loss of his girlfriend, Gamora (Zoe Saldana). The alien warlord, Thanos, killed Gamora (as seen in Avengers: Infinity War), but an alternate universe version of her appeared (as seen in Avengers: Endgame). This new Gamora does not love Peter, and she associates with The Ravagers, which was once essentially Peter's surrogate family.

The group has bigger troubles ahead. The Guardians are being targeted by the “Sovereign” empress Ayesha (Elizabeth Debicki), someone with a grudge against them (as seen in Vol. 2). She sends her son, Adam Warlock (Will Poulter), to attack the Guardians, and he grievously wounds Rocket (voice of Bradley Cooper). To save Rocket, Peter and his fellow Guardians: Drax the Destroyer (Dave Bautista), Groot (voice of Vin Diesel), Mantis (Pom Klementieff), Nebula (Karen Gillan), and a reluctant Gamora, must confront The High Evolutionary (Chukwudi Iwuji), the Counter-Earth scientist who created Rocket.

The original Guardians of the Galaxy was one of the surprise hits of 2014, if not the surprise hit of the year. Vol. 2 was a fun sci-fi-action movie and a surprisingly thoughtful character melodrama. Guardians of the Galaxy Vol. 3 does everything the first two films did well and amplifies that. Vol. 3 is the series' funniest film, and I found myself laughing throughout it. That still surprises me because this movie has some pretty dark moments, especially concerning The High Evolutionary, who is superbly played with volcanic intensity and unremitting cruelty by the most excellent Chuckwudi Iwuji.

Guardians of the Galaxy Vol. 3 is one of Marvel Studios' best films in years. I think it works for three reasons. First, the film's production values and special effects are impressive. The CGI-created environments, backdrops, sets (interiors and exteriors), space-ways, worlds, etc. are so dazzling in scope, color, and imagination that they surpass the impressive work of the first two films, especially the second film. The entire entire “Orgoscope” sequence is an eye-popping collection of inventiveness. Even the menagerie of people, creatures, and robots exceeds the first two film, probably combined.

The acting is quite good, and that makes me want to engage the characters even more. Chris Pratt gives his best tern as Peter Quill/Star-Lord – drama, pathos, big emotions, and the sarcasm and quips are still here – but with edginess. This is the first time that I really hoped that Star-Lord would be a long term MCU character. It is so shocking that Zoe Saldana can convince me that she is a different Gamora. Karen Gillan as Nebula and Pom Klementieff as Mantis do superb work with the character arcs that the story gives them. As Drax the Destroyer, Dave Bautista makes the character seem not extraneous for the first time. Vin Diesel and Bradley Cooper as always are winning in their voice roles as Groot and Rocket, respectively, with Diesel bringing some extra to Groot this time.

The third reason Guardians of the Galaxy Vol. 3 is so damn good is writer-director James Gunn. This is Gunn at the peak of his powers. Honestly, I liked Vol. 2 so much that I didn't think he could top himself, but he does with this third film. I did find Vol. 3 a little dry and too dark in the beginning, but once it grabbed me, it would not let go.

This film has a heart – a center that is about the struggle to help a friend or family member no matter how bad his or her troubles might be or even if he or she resists and rejects the help. In Vol. 3, Gunn makes all the characters unique individuals with wants, needs, goals, conflicts, and melodrama. However, the best thing that Gunn does is accept that even the most intense relationships change, so he lets some of the characters move on. The result is a last act for the ages and a closing sequence that recalls the beginning of the original film and leaves the viewer with the warmest feelings.

Guardians of the Galaxy Vol. 3 opens in the U.S. today, May 5, 2023. That is 15 years and a few days after the release of the first MCU film, Iron Man (2008). Vol. 3 exemplifies something that I just realize runs throughout Marvel Studios' film. In almost all of them, a dominant theme is the formation of surrogate families. Friends, enemies, heroes, and sometimes even the villains come together in a unit that is more than just a group of friends; they are family. In Guardians of the Galaxy Vol. 3, James Gunn gives us the end of one version of the family as it evolves into something larger. What makes Guardians of the Galaxy Vol. 3 an amazing film is that it is as heartwarming as it is exciting and thrilling. Yes, there are big, mesmerizing action set pieces, but by the end, I really believe that these guys love one another. I could watch it forever.

9 of 10

A+

★★★★+ out of 4 stars

Friday, May 5, 2023

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Sunday, April 16, 2023

Review: "PUSS IN BOOTS: The Last Wish" is a Delightful Surprise

TRASH IN MY EYE No. 17 of 2023 (No. 1906) by Leroy Douresseaux

Puss in Boots: The Last Wish (2022)

Running time: 102 minutes (1 hour, 42 minutes)

MPA – PG for action/violence, rude humor/language, and some scary moments

DIRECTOR: Joel Crawford with Januel Mercado

WRITERS: Paul Fisher and Tommy Swerdlow; from a story by Tom Wheeler and Tommy Swerdlow

PRODUCER: Mark Swift

EDITOR: James Ryan

COMPOSER: Heitor Pereira

Academy Award nominee

ANIMATION/FANTASY/ADVENTURE/COMEDY

Starring: (voices) Antonio Banderas, Salma Hayek, Harvey Guillén, Florence Pugh, Olivia Coleman, Ray Winstone, Samson Kayo, John Mulaney, Wagner Moura, Da'Vine Joy Randolph, Kevin McCann, Anthony Mendez, and Bernardo De Paula

Puss in Boots: The Last Wish is a 2022 computer-animated fantasy-adventure film directed by Joel Crawford and produced by DreamWorks Animation. The film is a sequel to Puss in Boots (2011) and is also the sixth installment in the Shrek film franchise. The Last Wish focuses on Puss in Boots' epic journey to gain the wish that will restore the eight of his nine lives that he has lost.

Puss in Boots: The Last Wish opens in the town of Del Mar. There, the renowned hero and outlaw, Puss in Boots (Antionio Banderas), hosts a party and later, saves the town from a giant. After being injured during his battle with a giant, Puss sees a local doctor (Anthony Mendez) who informs him that he has used eight of his nine lives. [I'm assuming that you, dear readers, are familiar with the superstitious belief that cats have nine lives]. The doctor urges Puss to retire from adventuring before he loses his ninth and final life.

Puss refuses to retire, but then, he has an unfortunate encounter with a menacing, bounty-hunting. Known as Wolf (Wagner Moura), he is garbed in a black robe and hood and wields twin sickles, and he is so fearsome that Puss has to flee. While on the run, Puss learns of the magical “Wishing Star,” which can grant a single wish to someone bearing the map to its location. Puss begins his journey to the Star's location, the “Dark Forest.” Joining him on his journey is Kitty Softpaws (Salma Hayek), the savvy Tuxedo cat he apparently betrayed, and also a small dog that Puss and Kitty call “Perrito” (Harvey Guillén). But they aren't the only ones looking for the Wishing Star.

I was happy to hear about Puss in Boots: The Last Wish. When I first saw the original, Puss in Boots, I was surprised that I enjoyed it as much as I did.

Puss in Boots: The Last Wish is like its fellow DreamWorks Animation 2022 stablemate, The Bad Guys. Both films take inspiration for their production design from Sony Pictures Animation's 2018, Oscar-winning film, Spider-Man: Into the Spider-Verse, which mixes both a 3D and a 2D aesthetic in its design. I think The Last Wish looks closer to Into the Spider-Verse than The Bad Guys does, but neither film electrifies the screen the way the Spider-Man film did.

Like its predecessor, The Last Wish has a lead character who is part Zorro and part Valentino. Puss in Boots is a charming rogue, the kind of character that can drive a swashbuckling adventure film to success. However, The Last Wish requires a character to not only undergo a character arc, but also to evolve. To that end, Antonio Banderas gives a performance with more humor and pathos than most actors give in live-action roles. By the time The Last Wish ends, Banderas has me wishing real hard for a third film in this series.

As Kitty Softpaws, Salma Hayek makes the most of her moments. The character doesn't get the space to roam dramatically that Puss does, but Hayek makes Kitty seem like a character that could carry her own movie. Actor Harvey Guillén keeps Perrito the dog perfectly cute for this film, because he is just the kind of character that can quickly go from lovable to annoying.

The rest of the characters in Puss in Boots: The Last Wish come across as extraneous. The “Three Bears Crime Family,” which includes Goldilocks (Florence Pugh), Mama Bear (Olivia Colman), Papa Bear (Ray Winstone), and Baby Bear (Samson Kayo), and also the crime lord, “Big” Jack Horner (John Mulaney), don't feel so important to the story that they could not be replaced with other famous fairy tale characters. They aren't bad characters, but they seem to exist in The Last Wish for no other reason than to be part of this film's big action set pieces. But Wagner Moura is awesome as the magnificent “Wolf.” The film could have used more of him and less of the other “criminals.”

Still, Antonio Banderas once again makes Puss in Boots an animated character worthy of headlining his own films. Hopefully, Puss in Boots: The Last Wish is not the last Puss in Boots film.

7 of 10

A-

★★★½ out of 4 stars

Sunday, April 16, 2023

NOTES:

2023 Academy Awards, USA: 1nomination: “Best Animated Feature Film” (Joel Crawford and Mark Swift)

2023 BAFTA Awards: 1 nomination: “Best Animated Feature Film” (Joel Crawford and Mark Swift)

2023 Golden Globes, USA: 1 nomination: “Best Motion Picture – Animated”

2023 Image Awards (NAACP): 1 nomination: “Outstanding Animated Motion Picture”

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Monday, March 20, 2023

Review: SHAZAM! Fury of the Gods" is Fun for the Entire Shazamily

TRASH IN MY EYE No. 14 of 2023 (No. 1903) by Leroy Douresseaux

Shazam! Fury of the Gods (2023)

Running time: 130 minutes (2 hours, 10 minutes)

MPA – PG-13 for sequences of action and violence, and language

DIRECTOR: David F. Sandberg

WRITERS: Henry Gayden and Chris Morgan (based on the DC Comics characters)

PRODUCER: Peter Safran

CINEMATOGRAPHER: Gyula Pados

EDITOR: Michel Aller

COMPOSER: Christophe Beck

SUPERHERO/FANTASY/ACTION/COMEDY

Starring: Zachary Levi, Asher Angel, Jack Dylan Glazer, Adam Brody, Ross Butler, D.J Cotrona, Grace Caroline Currey, Meagan Good, Rachel Zegler, Helen Mirren, Lucy Liu, Marta Milans, Cooper Andrews, Faithe Herman, Ian Chen, Jovan Armand, and Djimon Hounsou with Gal Gadot

Shazam! Fury of the Gods is a 2023 superhero and fantasy film from director David F. Sandberg. The film is based on the DC Comics character now called “Shazam.” Shazam! Fury of the Gods is a direct sequel to the 2019 film, Shazam! and is also the 12th installment in “DC Extended Universe” (DCEU). Fury of the Gods continues the story of the teenage foster kid who becomes a superhero by uttering one magic word, “SHAZAM!”

Shazam! Fury of the Gods opens in Philadelphia two years after the events depicted in the first film. Billy Batson (Asher Angel) can still transform into an adult hero, the champion who bears the name “Shazam” (Zachary Levi). Billy will turn 18-year-old in a few months, which he believes means that he will loose his foster parents, Rosa (Marta Milans) and Victor Vásquez (Cooper Andrews).

Billy shared the power he got from “The Wizard” (Djimon Hounsou) with his five foster siblings. He calls them the “Shazamily.” His foster brother, Freddie Freeman (Jack Dylan Glazer), is an adult superhero who calls himself “Captain Everything” (Adam Brody). His older foster sister, Mary Bromfield (Grace Caroline Currey) is trying to be an adult while also being a superhero. The other foster kid/adult hero pairs are Eugene Choi (Ian Chen and Ross Butler), Pedro Peña (Jovan Armand and D.J. Cotrona), Darla Dudley (Faithe Herman and Meagan Good). Billy/Shazam is desperate to keep his “Shazamily” together, but they are having a rough time being superheroes. After doing a less than stellar job saving civilians from a collapsing bridge, Shazam and company discover that the local media refers to them as the “Philly Fiascoes.”

Bigger troubles are ahead, however. “The Daughters of Atlas” have imprisoned The Wizard, and they want to regain the powers he stole from the gods, including their father, the Titan Atlas, and gave to his new champions – Billy and his Shazamily. Can they survive the attack of the daughters: Hespera (Helen Mirren), Kalypso (Lucy Liu), and the reluctant Anthea (Rachel Zegler), and save the world from destruction and from the fury of the gods?

In the first Shazam! film, the drama was driven by Billy Batson's internal conflict. It was built around the tension between the foster family Bill could have and did not want and the biological family he wanted but could no longer have (if he ever really had it to begin with). In Shazam! Fury of the Gods, Billy/Shazam fears losing the foster family that he eventually embraced, and with such a theme, he must inevitably learn that one should not hold onto things too tightly – even loved ones. The Daughters of Atlas must learn the same, concerning the things to which they cling too tightly. Billy/Shazam's dilemmas don't resonate this time around the way they did in the original film, and, at times, Billy and Shazam's obsession with holding onto the family seems forced. But at least this film has the requisite drama.

Shazam! Fury of the Gods, like Shazam!, is a very entertaining film that is part energetic superhero movie, part charming comedy, and part heartwarming family film. The superhero action is not as intense as that found in most superhero films, although Fury of the Gods' action is more intense than in the original. Some of the villains' murderous intentions seem really murderous.

Except for the increase in intensity, everything about Fury of the Gods is a little down from the first film. It is not as poignant, not quite as funny, and it seems too long, although it is a littler shorter than the original film. Still, fans of Shazam! will likely enjoy Shazam! Fury of the Gods. It even has a nice cameo appearance by another DC Comics superhero, and that cameo makes me wish that we could get more Shazam! Films. It would be fun to see Billy Batson and Shazam team up with other DC heroes and pitted against DC villains. It is likely, however, that Shazam! Fury of the Gods is the final half of a truly unique pair of superhero movies.

6 of 10

★★★ out of 4 stars

Monday, March 20, 2023

NOTES:

Shazam! Fury of the Gods has one extra scene in the middle of the credits and one at the end of the credits.

The DC Comics character, Shazam, was the first comic book character to have the name “Captain Marvel.” A boy named Billy Batson became Captain Marvel by uttering the word, “Shazam!” Captain Marvel was created by comic book artist C. C. Beck and writer Bill Parker. He first appeared in Whiz Comics #2 (cover-dated: February 1940) which was published by Fawcett Comics. A legal dispute caused Fawcett to stop publishing Captain Marvel comic books in 1953. DC Comics revived the character in 1972, but by then, Marvel Comics owned the trademark to the name “Captain Marvel.” Thus, the original Captain Marvel is now called Shazam.

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Saturday, March 4, 2023

Review: "CREED III" Lets Loose with Fists of Fury

TRASH IN MY EYE No. 11 of 2023 (No. 1900) by Leroy Douresseaux

Creed III (2023)

Running time: 116 minutes (1 hour, 56 minutes)

MPA – PG-13 for intense sports action, violence and some strong language

DIRECTOR: Michael B. Jordan

WRITERS: Keenan Coogler and Zach Baylin; from a story Ryan Coogler, Keenan Coogler, and Zach Baylin

PRODUCERS: William Chartoff, Ryan Coogler, Michael B. Jordan, Jonathan Glickman, Elizabeth Raposo, Charles Winkler, David Winkler, and Irwin Winker

CINEMATOGRAPHER: Kramer Morgenthau (D.o.P.)

EDITORS: Jessica Baclesse and Tyler Nelson

COMPOSER: Joseph Shirley

DRAMA/SPORTS

Starring: Michael B. Jordan, Tessa Thompson, Jonathan Majors, Wood Harris, Phylicia Rashad, Mila Davis-Kent, Jose Benavidez, Selenis Leyva, Florian Munteanu, Thaddeus James Mixson, Jr., Spence Moore II, Tony Bellew, Jacob “Stitch” Duran, Yahya McClain, and Stephen A. Smith

Creed III is a 2023 boxing drama and sports movie directed by Michael B. Jordan. It is the ninth entry in the Rocky film series, which began with the 1976 film, Rocky. Creed III is also a sequel to 2018's Creed II. In Creed III, Adonis Creed has retired on top of the boxing game, but a childhood friend who was once a boxing prodigy returns bringing trouble with him.

Creed III finds champion boxer, Adonis “Donnie” Creed (Michael B. Jordan), defending his unified heavyweight boxing championship of the world (including the WBC titles) against an old rival. Then, he retires to the life of a boxing promoter and manager via Delphi Boxing Academy in Los Angeles with its owner, Tony “Little Duke” Evers (Wood Harris). His wife, music producer Bianca Taylor (Tessa Thompson), has a thriving career, and they have a bright, inquisitive, and hearing-impaired daughter, Amara (Mila Davis-Kent). Life is good, but...

Mary Anne (Phylicia Rashad), the wife of Donnie's late father, Apollo Creed, adopted Donnie, and he must now deal with her failing health. Also, Donnie has been teaching Amara to fight, and that causes a clash with Bianca after an incident at Amara's school.

The most shocking turn of events is the return of Damian “Dame” Anderson (Jonathan Majors). Once upon a time, Dame was an 18-year-old, “Golden Gloves-winning,” boxing prodigy (Spence Moore II). He was also 15-year-old Donnie's (Thaddeus James Mixson, Jr.) best friend. However, a terrible incident separated them, and now, a reunion has become a dangerous face-off.

I did not think that I would enjoy Creed III as much as I enjoyed Creed (2015) and Creed II, but I did. I will say, however, that Creed III is not quite as good as the earlier films. The main reason is that the screenplay, written by Keenan Coogler and Zach Baylin with contributions for producer Ryan Coogler, is full of fanciful nonsense that would not happen in the real world of boxing. Much of what happens in the planning and managing of fights seems illogical. Still, the film's fight scenes are quite intense and even crazy, especially the fighting between Donnie and Dame.

Creed III, however, does not run on logic; it runs on emotions and passions. The film's themes revolve around time and loss, and, to a lesser extent, love and longing. Time does not heal all wounds, and the loss of opportunity can be devastating – as the film sees it. Under the guidance of first time director, Michael B. Jordan, who is obviously also the film's star, the characters are direct – sometimes stunningly so – to each other about their feelings. So can there be healing?

In that mode of raw emotions, Jordan, Tessa Thompson, and Wood Harris give strong performances. Phylicia Rashad offers a poignant painful turn as Mary Anne, and Mila Davis-Kent steals scenes as young Amara Creed. Jonathan Majors, currently a blazing hot movie star, presents Dame Anderson as crazy, but not too crazy, and as bull-in-the-china-shop who hides two decades of hurt behind his destructiveness and brutality.

Creed III”s maelstrom of emotions and feelings fascinated and got me past the plot holes. For all the bitterness, wall-pounding, regret, and hurt that this film presents, it is about making amends. I am impressed by Michael B. Jordan's directorial debut, and I think that fans of the previous films will really enjoy Creed III.

7 of 10

B+

★★★½ out of 4 stars

Saturday, March 4, 2023

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Thursday, March 2, 2023

Review: "CREED II" Stands Strongly on Its Own

TRASH IN MY EYE No. 10 of 2023 (No. 1899) by Leroy Douresseaux

Creed II (2018)

Running time: 130 minutes (2 hours, 10 minutes)

MPAA – PG-13 for sports action violence, language, and a scene of sensuality

DIRECTOR: Steven Caple, Jr.

WRITERS: Juel Taylor and Sylvester Stallone; based on a story by Sascha Penn and Cheo Hodari Coker (based on characters created by Sylvester Stallone and Ryan Coogler)

PRODUCERS: William Chartoff, Sylvester Stallone, Kevin King-Templeton, Charles Winkler, David Winkler, and Irwin Winker

CINEMATOGRAPHER: Kramer Morgenthau (D.o.P.)

EDITORS: Dana E. Glauberman, Saira Haider, and Paul Harb

COMPOSER: Ludwig Goransson

DRAMA/SPORTS

Starring: Michael B. Jordan, Sylvester Stallone, Tessa Thompson, Phylicia Rashad, Dolph Lundgren, Florian Munteanu, Russell Hornsby, Wood Harris, Milo Ventimiglia, Robbie Johns, Brigitte Nielsen, Andre Ward, Tony Bellew, Jacob “Stitch” Duran, Max Kellerman, Jim Lampley, Roy Jones, Jr., Michael Buffer, and Scott Van Pelt

Creed II is a 2018 boxing drama and sports movies directed by Steven Caple, Jr. It is the eighth entry in the Rocky film series, which began with the 1976 film, Rocky. Creed II is also a sequel to 2015's Creed, which was a spin-off of the Rocky series. In Creed II, newly crowned heavyweight champion, Adonis Creed, faces off against a boxer who is the son of the man who killed his father in the boxing ring.

Creed II opens three years after the events depicted in Creed. Boxer Adonis “Donnie” Creed (Michael B. Jordan) finally defeats his rival, Danny “Stuntman” Wheeler (Andre Ward), to win the heavyweight championship of the world. By his side is his trainer, Rocky Balboa (Sylvester Stallone), the rival-turned-friend of his late father, Apollo Creed. Creed's widow, Mary Anne (Phylicia Rashad), who adopted Donnie as her son, is proud of him and his accomplishments. His girlfriend, singer-songwriter Bianca Taylor (Tessa Thompson), also accepts his proposal of marriage

On the other side of the world, however, ghosts from his and Rocky's pasts stir. In Kyiv, Ukraine lives Ivan Drago (Dolph Lundgren), the former Soviet Union boxer who killed Apollo Creed during a bout in 1985. After losing to Rocky in a subsequent boxing match, Ivan moved to Ukraine in exile. Seeking an opportunity for redemption and a chance to regain glory, Ivan has been training his son, Viktor Drago (Florian Munteanu), to be a professional boxer. Using training methods that are practically torture, Ivan has turned Viktor into a monster of a boxer who can and has broken his opponents' bodies.

Assisted by American boxing promoter, Buddy Marcelle (Russell Hornsby), Ivan is determined to get Viktor a match against Donnie. For Donnie, it is a chance to settle his late father's affairs, but Rocky wants no part of such a match. Can Donnie's body take the punishment fighting Viktor will inflict? Donnie must also answer this question: why is he really a fighter?

As I said in my review of Creed, I have never watched the movie, Rocky, or any of its sequels in their entirety. I doubt that I have ever watched enough of them to amount to an entire film. I don't like boxing movies, but after watching these Creed films, I am thinking about diving into the Rocky series.

I thought director Ryan Coogler delivered some powerful work in the first Creed, and I think director Steven Caple, Jr. delivers an equally powerful film in Creed II. Although Creed II's story is directly connected to 1985's Rocky IV, it is not as reliant on the Rocky franchise the way Creed, with its multiple intimate connections, was.

Like Coogler did in the first film, Caple gives Sylvester Stallone the space he needs to give one of his best performances as Rocky Balboa in decades. Stallone, who also co-wrote Creed II's screenplay, actually evolves the character of Rocky, showing more about his character and life.

Caple also gets an excellent performance from Michael B. Jordan. Jordan makes Adonis Creed seem genuine; all his hopes and dreams and the things that make him proud or angry resonate strongly in Creed II. I dare say that Jordan is Adonis Creed the way great actors have seemingly made themselves into their characters (for instance, Harrison Ford as Han Solo and as Henry “Indiana” Jones). Simply put, Jordan makes Donnie real.

Tessa Thompson as Bianca Taylor is good, but the character seems as if she is becoming a younger version of Phylicia Rashad's Mary Anne, and Rashad already does the mothering in this film quite well. Dolph Lundgren is nice as Ivan Drago, delivering a layered performance as a fully developed character. I must say, however, that Florian Munteanu is magnificent as Viktor Drago. Viktor does not have many lines, but Munteanu tells the character's story and reveals his personality with his expressive eyes and emotive facial expressions. Viktor Drago needs his own movie.

I did not think that I would like Creed II so much, but I love it. I think its depictions of boxing matches are more intense than those in Creed (shout-out to Creed II's editors: Dana E. Glauberman, Saira Haider, and Paul Harb). The finale between Donnie and Viktor is the cherry on top of Creed II, a movie that can go toe-to-toe with the other boxing movies that I have deigned to watch.

8 of 10

★★★★ out of 4 stars

Thursday, March 2, 2023

NOTES:

2019 Black Reel Awards: 2 nominations: “Outstanding Actor” (Michael B. Jordan) and “Outstanding Score” (Ludwig Göransson)

2019 Image Awards (NAACP): 1 nomination: “Outstanding Actor in a Motion Picture” (Michael B. Jordan)

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