On Monday (April 28, 2014), the 2014 Cannes Film Festival (Festival de Cannes 2014) announced the names of jury members for the 2014 edition of the festival. Jane Campion, who previously won the festival’s highest honor, the Palme d’Or (the Golden Palm), is jury president.
The 2014 Cannes Film Festival runs from Wednesday, May 14, 2014 to Sunday, May 25, 2014, with the closing ceremony and awards handed out Saturday, May 24, 2014.
2014 Cannes Film Festival: THE JURY
• Jane CAMPION – President
• (Director, Screenwriter, Producer – New Zealand)
• Carole BOUQUET (Actress – France)
• Sofia COPPOLA (Director, Screenwriter, Producer – United States)
• Leila HATAMI (Actress – Iran)
• JEON Do-yeon (Actress – South Korea)
• Willem DAFOE (Actor – United States)
• Gael GARCIA BERNAL (Actor, Director, Producer – Mexico)
• JIA Zhangke (Director, Screenwriter, Producer – China)
• Nicolas Winding REFN (Director, Screenwriter, Producer – Denmark)
Jury Member biographies are provided courtesy of the festival:
Carole Bouquet, Actress (France)
After her film debut in 1977 with Luis Buñuel in That Obscure Object of Desire, Bouquet alternated between arthouse and blockbuster productions. A Bond Girl in 1981 in For Your Eyes Only, she worked with Bertrand Blier on Buffet Froid (1979) and Too Beautiful For You (1989) for which she won the César for Best Actress. She appeared in Le jour des idiots by Werner Schroeter, Michel Blanc’s Dead Tired and Embrassez qui vous voudrez, Lucie Aubrac by Claude Berri, L’Enfer by Danis Tanovic, Nordeste by Juan Diego Solanas (Festival de Cannes 2005) and Unforgivable by André Téchiné.
Sofia Coppola, Director and screenwriter (United States)
Coppola’s first feature film, The Virgin Suicides (1999) was selected for the Directors’ Fortnight at Cannes, where it met with international critical acclaim. Four years later, after several Oscar nominations for Lost in Translation, including Best Director, she walked off with the Best Screenplay award. Her third film, Marie-Antoinette was selected in Competition at Cannes in 2006. After picking up a Golden Lion in Venice for Somewhere (2010), Sofia Coppola opened Un Certain Regard with her last film The Bling Ring at the Festival de Cannes in 2013.
Leila Hatami, Actress (Iran)
Born in Tehran into a family of filmmakers, she started out acting in films directed by her father, Ali Hatami, before starring in Dariush Mehrjui’s Leila (1998) which brought her to national attention. It was Asghar Farhadi who established her on the world stage with A Separation (Golden Bear at the 2011 Berlin Festival). She picked up the Best Actress award in Karlovy Vary for her role in Ali Mosaffa’s Last Step in 2012.
Jeon Do-yeon, Actress (South Korea)
The first Korean actress to receive the Best Actress award at the Festival de Cannes for her role in Secret Sunshine by Lee Chang-dong (2007), Jeon Do-yeon started out as a television actress before turning exclusively to cinema. Her major films include I Wish I Had a Wife by Ryoo Seung, My Mother, The Mermaid by Park Jin-pyo and The Housemaid by Im Sang-soo, presented at Cannes in 2010. A massive celebrity in her country, she has just finished shooting Memories of the Sword by Park Heung-sik.
Willem Dafoe, Actor (United States)
Twice nominated for an Oscar, for Oliver Stone’s Platoon and Shadow of the Vampire, Dafoe has appeared in 80 films including Grand Budapest Hotel by Wes Anderson, Light Sleeper by Paul Schrader, The Last Temptation of Christ by Martin Scorsese, Antichrist by Lars von Trier and The English Patient by Anthony Minghella. He will soon be appearing in A Most Wanted Man by Anton Corbijn and Pasolini by Abel Ferrara. A co-founder of the Wooster Group – an experimental theatre collective – he is currently on tour with Bob Wilson’s play The Old Woman.
Gael García Bernal, Actor, director and producer (Mexico)
Bernal first came to public attention in Iñárritu’s Amorres Perros, soon followed by Y Tu Mamá También by Alfonso Cuarón. He then featured in films directed by some of the greats of international cinema, such as The Motorcycle Diaries by Walter Salles, Pedro Almodóvar’s Bad Education, The Science of Sleep by Michel Gondry, Babel by Gonzalez Iñárritu, and The Limits of Control by Jim Jarmusch. In 2005, he founded his Canana production company with Diego Luna and in 2010, after a few short films, directed his first feature film, Deficit, selected at La Semaine de la Critique at Cannes.
Nicolas Winding Refn, Director, screenwriter and producer (Denmark)
His first film, Pusher (1996), written and directed at the age of 24, immediately became a cult movie and he shot to fame throughout the world. He then directed Bleeder (1999), Fear X (2003), Pusher II & III (2004 & 2005), Bronson (2008) and Valhalla Rising (2009), all characteristic of the style that came to be dubbed "Refn-esque". In 2011, Drive was presented at the Festival de Cannes and won the Best Direction prize, awarded by the Jury presided by Robert De Niro. His last film, Only God Forgives, featured in Competition at Cannes in 2013.
Jia Zhangke, Director, screenwriter and producer (China)
After first studying art Jia Zhangke, born in 1970, attended the Beijing Film Academy in the 1990s. After the success of his first film, Xao Wu (1998), he directed Platform (Zhantai, 2000) and Unknown Pleasures (Ren xiao yao, 2002) selected for Venice and Cannes respectively. Still Life picked up the Golden Lion in Venice in 2006. He also presented 24 City at the Festival de Cannes, in Competition in 2008 and I Wish I Knew for Un Certain Regard in 2010. Last year, A Touch of Sin garnered the Best Screenplay prize awarded by the Jury presided by Steven Spielberg.
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Showing posts with label Willem Dafoe. Show all posts
Showing posts with label Willem Dafoe. Show all posts
Wednesday, April 30, 2014
Thursday, September 13, 2012
Review: "John Carter" Will Show You a Good Time
John Carter (2012)
Running time: 132 minutes (2 hours, 12 minutes)
MPAA – PG-13 for intense sequences of violence and action
DIRECTOR: Andrew Stanton
WRITERS: Andrew Stanton, Mark Andrews, and Michael Chabon (based upon the novel, A Princess of Mars, by Edgar Rice Burroughs)
PRODUCERS: Lindsey Collins, Jim Morris, and Colin Wilson
CINEMATOGRAPHER: Dan Mindel (D.o.P.)
EDITOR: Eric Zumbrunnen
COMPOSER: Michael Giacchino
FANTASY/ACTION/ADVENTURE/SCI-FI
Starring: Taylor Kitsch, Lynn Collins, Mark Strong, Ciaran Hinds, Dominic West, James Purefoy, Bryan Cranston, Daryl Sabara, and (voices) Samantha Morton, Willem Dafoe, Thomas Haden Church
The subject of this movie review is John Carter, a 2012 American science fiction and fantasy film released by Walt Disney Pictures. John Carter is the first live-action film from director Andrew Stanton, who won Oscars for directing the computer-animated films, Finding Nemo (2003) and WALL-E (2008) for Pixar.
John Carter is largely based upon the 1917 novel, A Princess of Mars, written by Edgar Rice Burroughs (the creator of Tarzan of the Apes). A Princess of Mars began life in 1912 as Under the Moons of Mars, a serial in the pulp fiction magazine, The All-Story. A Princess of Mars is the first novel in the 11-book “Barsoom series” The film focuses on a former Confederate Army officer of the American Civil War who is transported to Mars, where he meets a princess in desperate need of a savior.
It is 1868, and John Carter (Taylor Kitsch) is in the Arizona Territory where he has a dangerous encounter with the Apache. After escaping them, Carter hides in a cave. He has an extraordinary experience in which he gets transported to the planet Mars, which the inhabitants call “Barsoom.” There, he meets 15-foot tall Martians called Tharks and the human-like Red Martians. Two of the Red Martian cities, Zodanga and Helium, have been at war for a thousand years. However, the Therns, a group of mystic types, have taken Zodanga’s side.
Thern leader, Matai Shang (Mark Strong), gives Sab Than (Dominic West), the leader of Zodanga, a special weapon which will turn the tide of the war in his favor. Now, Than can force a ceasefire and use his advantage to demand that Tardos Mors (Ciaran Hinds), surrender his daughter, Dejah Thoris (Lynn Collins), to him for a marriage that will unite Zodanga and Helium. When Dejah meets John Carter, she see someone who can save her people from Than’s machinations. After the losses he suffered during the Civil War, however, is John Carter ready to help a princess of Mars?
First, let me say that as far as I can tell, not only are there no African-American actors in John Carter, but there are also no Black actors providing voices in this film. That’s consistent with Pixar films, in which there are, at best, token participation of African-American actors and other actors of color. Anyway…
John Carter is an entertaining film. It was something of a major box office disappointment, and Disney reportedly took a write-off somewhere in the neighborhood of 200 million dollars because of John Carter. Some movies deserve to be flops, but John Carter isn’t one of them. It’s one of those odd, swashbuckling, effects-laden adventure movies that come across as weird when you only see a few minutes of it in a trailer or commercial. These movies fail to meet box office expectations, but I think when people see them, they realize what harmless, even charming fun these movies are. Another example would be Prince of Persia: The Sands of Time, another pricey Disney disappointment at the box office.
A Princess of Mars and the other Barsoom novels would go on to influence science fiction writers such as Robert Heinlein and Ray Bradbury and such film’s as James Cameron’s Avatar and George Lucas’ Star Wars. However, the series is outdated and quaint, and the genre to which it belongs, interplanetary romance, is practically dead. Some readers of science fiction and fantasy and also people interested in pulp fiction and nostalgia will like the Barsoom stories. Beyond that, much of the audience for movies may ask, what’s the point of this? So much about this movie is just too old-fashioned, outdated, and weird for modern audiences.
John Carter is, from the point of production values and special visual effects, quite well made. The screenplay is as wonky as the source material, but the actors seem genuinely interested in selling their characters and this concept. The big problem with this movie is that the gadgets, tech, and other science fiction stuff – all the cool toys – are under-utilized. John Carter is more like a sword and sandal/sword and sorcery, Conan the Barbarian movie than it is a science fiction movie. Plus, there isn’t enough Mark Strong in this film; you can never have too much Mark Strong.
Anyway, movie audiences that enjoy anything science fiction and fantasy will find an entertaining oddity in John Carter. I liked it, and wouldn’t mind seeing a sequel.
6 of 10
B
Thursday, September 13, 2012
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Sunday, July 22, 2012
Review: New Talent Emerges in "The Loveless" (Happy B'day, Willem Dafoe)
The Loveless (1982)
Theatrical release: Jan. 1984 (USA)
Running time: 82 minutes (1 hour, 22 minutes)
MPAA – R
WRITERS/DIRECTORS: Kathryn Bigelow and Monty Montgomery
PRODUCERS: A. Kitman Ho and Grafton Nunes
CINEMATOGRAPHER: Doyle Smith
EDITOR: Nancy Kanter
COMPOSER: Robert Gordon
DRAMA
Starring: Willem Dafoe, Robert Gordon, Marin Kanter, J. Don Ferguson, Tina L’Hotsky, Lawrence Matarese, Danny Rosen, Phillip Kimbrough, Ken Call, and Elizabeth Gans
The subject of this movie review is The Loveless, a 1982 outlaw biker drama. The film is notable for being the actor Willem Dafoe’s debut as a lead and for also being the first feature film by Kathryn Bigelow (The Hurt Locker). According to the Internet Movie Database, The Loveless appeared in film festivals in 1982 and was released theatrically in the United States and Sweden in 1984.
Leather-clad biker, Vance (Willem Dafoe), leads a group of fellow leather-clad bikers who make a pit stop in a backwater Georgia town en route to a stock car race in Daytona, Florida. While waiting for one of their bikes to be repaired, the gang takes a measure of the town and finds it woefully wanting. On the other side of this equation, some of the townsfolk, from a distance, grudgingly admire the bikers’ freedom. There are also a few troublemakers, and one of them, Tarver (J. Don Ferguson), looks to bring this story to an explosive conclusion.
The Loveless was Willem Dafoe’s film debut, and it was also the first feature film directed by Kathryn Bigelow (who actually co-wrote and co-directed this with Monty Montgomery). Bigelow would go onto to direct such films as Near Dark, Point Break, and Strange Days (in addition to being married to James Cameron for two years). The Loveless is a stylish ode to the Marlon Brando film, The Wild One. It’s violent, a little randy, and its mood perfectly captures the essence of an isolated Deep South hamlet stuck in the past, suspicious of strangers and all things different. Incest, bigotry, prejudice, and murder, The Loveless delves into Southern Gothic while worshiping the post-World War II era biker in a languid, sensuous fashion.
The film’s pace and acting style recalls pre-method acting Hollywood films. The performances are very affected in that stage acting manner of movies of old Hollywood. Dafoe gives one his sexiest performances. Dangerous, young, and reeking of raw sex, he wouldn’t appear like this again until 2002’s Spider-Man. The Loveless isn’t great, but its raw, almost amateurish atmosphere and execution is mesmerizing.
5 of 10
B-
Thursday, April 26, 2007
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Tuesday, June 5, 2012
Disney's "John Carter" Now on DVD and Blu-ray
A Warrior On Earth Becomes a Hero On Mars
Disney's John Carter
New On Disney Blu-ray™ Combo Pack, Blu-ray 3D™, HD Digital, DVD, and On-Demand June 5th
“A Visual Marvel” ––Steven Weintraub, Collider.com
Disney brings to life an iconic hero, John Carter, in a visually stunning new world with heart-pounding action. The heroic epic adventure “John Carter” arrives on Disney Blu-ray Combo Pack, Blu-ray 3D™, HD Digital, DVD and On-Demand June 5, 2012, just in time for Father’s Day!
As a warrior lost on Earth, John Carter is magically transported to Mars, where the fate of the planet and its people ultimately rest in his hands. With surprising new powers, and epic battles, he rises to become the man he is meant to be and the hero he truly is.
From Academy Award®-winning filmmaker Andrew Stanton (Best Animated Film, WALL•E, 2008) “John Carter” is a sweeping action-adventure set on the mysterious and exotic planet of Barsoom (Mars). John Carter is a war-weary, former military captain who’s inexplicably transported to Mars and reluctantly becomes embroiled in an epic conflict. It’s a world on the brink of collapse, and Carter rediscovers his humanity when he realizes the survival of Barsoom and its people rests in his hands. Stunning special effects, great characters and villains — and complete with extraordinary bonus features — “John Carter” is a heroic and inspirational adventure that will thrill audiences beyond imagination.
This ambitious and unforgettable screen adaptation of the classic novel “A Princess of Mars” by Edgar Rice Burroughs, stars heartthrob Taylor Kitsch (“Friday Night Lights,” “X-Men Origins: Wolverine”) in the title role, Lynn Collins (“X-Men Origins: Wolverine,” “The Number 23”) as Dejah Thoris, Willem Dafoe (“The English Patient,” “Spider Man”) as Tars Tarkas, and Dominic West (“300,” “The Wire”) as Sab Than. The screenplay is written by Stanton, Mark Andrews and Michael Chabon.
“John Carter” will be available to own and for in-home viewing as follows:
4-Disc Combo Pack (3D BD + 2D BD + DVD + Digital Copy)
Includes:
Blu-ray bonus features: Disney Second Screen – Explore John Carter’s journal with this innovative in-world experience and uncover a trove of fascinating details that extend the mythology of the movie. 360 Degrees of John Carter – Experience every aspect of the filmmaking process on one of the movie’s biggest production days. Deleted Scenes with Optional Commentary by Director, Andrew Stanton Barsoom Bloopers Plus all DVD features
DVD bonus features: 100 Years In The Making – Follow the journey of Edgar Rice Burroughs’ story, from its origins as a pulp novel to its arrival onscreen. Audio Commentary with Filmmakers
*The 3D Blu-ray Disc & The Digital Copy Disc do not include bonus features on it
2-Disc Combo Pack (Blu-ray + DVD)
Includes: All Blu-ray bonus features All DVD bonus features:
1-Disc DVD
Includes: All DVD bonus features
Digital 3D High Definition Digital
Does not include bonus features
High Definition Digital
Includes: Life by the Second: The Shanzam Unit (digital premiere) Disney Second Screen Barsoom Bloopers Deleted Scenes with Optional Commentary by Director, Andrew Stanton
Standard Definition Digital
Includes: Life by the Second: The Shanzam Unit (digital premiere) Disney Second Screen Barsoom Bloopers Deleted Scenes with Optional Commentary by Director, Andrew Stanton
On-Demand
Does not include bonus features
DISC SPECIFICATIONS:
Street Date: June 5, 2012
Suggested Retail Prices:
4-Disc Combo Pack = $49.99 U.S./$56.99 Canada
2-Disc Combo Pack = $39.99 U.S./$46.99 Canada
1 Disc DVD = $29.99U.S./$35.99Canada
3D High Definition, High Definition & Standard Definition Digital = Please check with your favorite digital retailer for pricing
On-Demand =Please check with your television provider or favorite digital retailer for pricing
Feature Run Time: 132 minutes
Ratings: U.S.: PG-13 / Canada: PG (bonus material is not rated)
Presentation: Blu-ray 3D & Blu-ray: 1080p High Definition 2.40:1 / DVD: Widescreen 2.40:1
Audio/Languages: Blu-ray 3D & Blu-ray: 7.1 DTS HD-MA; French & Spanish 5.1 Dolby Digital
DVD: English, French & Spanish 5.1 Dolby Digital, English DVS 2.0 Dolby Digital
Subtitles: Blu-ray 3D & Blu-ray = English SDH, French, Spanish
DVD = English SDH, French, Spanish
Social Media:
Stay connected with the latest news and information on Disney’s JOHN CARTER “Like” the Facebook page at www.Facebook.com/JohnCarterMovie Follow us on Twitter at @JohnCarter View videos at www.YouTube.com/DisneyMovies
About The Walt Disney Studios:
For more than 85 years, The Walt Disney Studios has been the foundation on which The Walt Disney Company was built. Today, the Studio brings quality movies, music and stage plays to consumers throughout the world. Feature films are released under the following banners: Disney, including Walt Disney Animation Studios and Pixar Animation Studios; Disneynature; Marvel Studios; and Touchstone Pictures, the banner under which live-action films from DreamWorks Studios are distributed. The Disney Music Group encompasses the Walt Disney Records and Hollywood Records labels, as well as Disney Music Publishing. The Disney Theatrical Group produces and licenses live events, including Disney on Broadway, Disney On Ice and Disney Live!.
© 2012 Disney
Trademarks JOHN CARTER, JCM Design, JOHN CARTER OF MARS, BARSOOM, and PRINCESS OF MARS, owned by Edgar Rice Burroughs, Inc. and used by permission.
Disney's John Carter
New On Disney Blu-ray™ Combo Pack, Blu-ray 3D™, HD Digital, DVD, and On-Demand June 5th
“A Visual Marvel” ––Steven Weintraub, Collider.com
Disney brings to life an iconic hero, John Carter, in a visually stunning new world with heart-pounding action. The heroic epic adventure “John Carter” arrives on Disney Blu-ray Combo Pack, Blu-ray 3D™, HD Digital, DVD and On-Demand June 5, 2012, just in time for Father’s Day!
As a warrior lost on Earth, John Carter is magically transported to Mars, where the fate of the planet and its people ultimately rest in his hands. With surprising new powers, and epic battles, he rises to become the man he is meant to be and the hero he truly is.
From Academy Award®-winning filmmaker Andrew Stanton (Best Animated Film, WALL•E, 2008) “John Carter” is a sweeping action-adventure set on the mysterious and exotic planet of Barsoom (Mars). John Carter is a war-weary, former military captain who’s inexplicably transported to Mars and reluctantly becomes embroiled in an epic conflict. It’s a world on the brink of collapse, and Carter rediscovers his humanity when he realizes the survival of Barsoom and its people rests in his hands. Stunning special effects, great characters and villains — and complete with extraordinary bonus features — “John Carter” is a heroic and inspirational adventure that will thrill audiences beyond imagination.
This ambitious and unforgettable screen adaptation of the classic novel “A Princess of Mars” by Edgar Rice Burroughs, stars heartthrob Taylor Kitsch (“Friday Night Lights,” “X-Men Origins: Wolverine”) in the title role, Lynn Collins (“X-Men Origins: Wolverine,” “The Number 23”) as Dejah Thoris, Willem Dafoe (“The English Patient,” “Spider Man”) as Tars Tarkas, and Dominic West (“300,” “The Wire”) as Sab Than. The screenplay is written by Stanton, Mark Andrews and Michael Chabon.
“John Carter” will be available to own and for in-home viewing as follows:
4-Disc Combo Pack (3D BD + 2D BD + DVD + Digital Copy)
Includes:
Blu-ray bonus features: Disney Second Screen – Explore John Carter’s journal with this innovative in-world experience and uncover a trove of fascinating details that extend the mythology of the movie. 360 Degrees of John Carter – Experience every aspect of the filmmaking process on one of the movie’s biggest production days. Deleted Scenes with Optional Commentary by Director, Andrew Stanton Barsoom Bloopers Plus all DVD features
DVD bonus features: 100 Years In The Making – Follow the journey of Edgar Rice Burroughs’ story, from its origins as a pulp novel to its arrival onscreen. Audio Commentary with Filmmakers
*The 3D Blu-ray Disc & The Digital Copy Disc do not include bonus features on it
2-Disc Combo Pack (Blu-ray + DVD)
Includes: All Blu-ray bonus features All DVD bonus features:
1-Disc DVD
Includes: All DVD bonus features
Digital 3D High Definition Digital
Does not include bonus features
High Definition Digital
Includes: Life by the Second: The Shanzam Unit (digital premiere) Disney Second Screen Barsoom Bloopers Deleted Scenes with Optional Commentary by Director, Andrew Stanton
Standard Definition Digital
Includes: Life by the Second: The Shanzam Unit (digital premiere) Disney Second Screen Barsoom Bloopers Deleted Scenes with Optional Commentary by Director, Andrew Stanton
On-Demand
Does not include bonus features
DISC SPECIFICATIONS:
Street Date: June 5, 2012
Suggested Retail Prices:
4-Disc Combo Pack = $49.99 U.S./$56.99 Canada
2-Disc Combo Pack = $39.99 U.S./$46.99 Canada
1 Disc DVD = $29.99U.S./$35.99Canada
3D High Definition, High Definition & Standard Definition Digital = Please check with your favorite digital retailer for pricing
On-Demand =Please check with your television provider or favorite digital retailer for pricing
Feature Run Time: 132 minutes
Ratings: U.S.: PG-13 / Canada: PG (bonus material is not rated)
Presentation: Blu-ray 3D & Blu-ray: 1080p High Definition 2.40:1 / DVD: Widescreen 2.40:1
Audio/Languages: Blu-ray 3D & Blu-ray: 7.1 DTS HD-MA; French & Spanish 5.1 Dolby Digital
DVD: English, French & Spanish 5.1 Dolby Digital, English DVS 2.0 Dolby Digital
Subtitles: Blu-ray 3D & Blu-ray = English SDH, French, Spanish
DVD = English SDH, French, Spanish
Social Media:
Stay connected with the latest news and information on Disney’s JOHN CARTER “Like” the Facebook page at www.Facebook.com/JohnCarterMovie Follow us on Twitter at @JohnCarter View videos at www.YouTube.com/DisneyMovies
About The Walt Disney Studios:
For more than 85 years, The Walt Disney Studios has been the foundation on which The Walt Disney Company was built. Today, the Studio brings quality movies, music and stage plays to consumers throughout the world. Feature films are released under the following banners: Disney, including Walt Disney Animation Studios and Pixar Animation Studios; Disneynature; Marvel Studios; and Touchstone Pictures, the banner under which live-action films from DreamWorks Studios are distributed. The Disney Music Group encompasses the Walt Disney Records and Hollywood Records labels, as well as Disney Music Publishing. The Disney Theatrical Group produces and licenses live events, including Disney on Broadway, Disney On Ice and Disney Live!.
© 2012 Disney
Trademarks JOHN CARTER, JCM Design, JOHN CARTER OF MARS, BARSOOM, and PRINCESS OF MARS, owned by Edgar Rice Burroughs, Inc. and used by permission.
Tuesday, March 20, 2012
Review: "Inside Man" is Slick Entertainment, Nothing More (Happy B'day, Spike Lee)
Inside Man (2006)
Running time: 128 minutes (2 hours, 8 minutes)
MPAA – R for language and some violent images
DIRECTOR: Spike Lee
WRITER: Russell Gewirtz
PRODUCER: Brian Grazer
CINEMATOGRAPHER: Matthew Libatique (director of photography)
EDITOR: Barry Alexander Brown
COMPOSER: Terrence Blanchard
DRAMA/CRIME with elements of a thriller
Starring: Denzel Washington, Clive Owen, Jodie Foster, Christopher Plummer, Willem Dafoe, Chiwetel Ejiofor, Carlos Andrés Gómez, Kim Director, James Ransone, Bernard Rachelle, Peter Gerety, Victor Colicchio, and Cassandra Freeman
Inside Man is a 2006 crime drama from director Spike Lee. Lee was basically a director-for-hire of this story of a peculiar bank heist, which was originally going to be directed by Ron Howard.
Four people dressed in painters outfits march into the Manhattan Trust Bank and take 50 customers and employees hostage, and then put the bank under a surgically planned siege. Detective Keith Frazier (Denzel Washington) and Detective Bill Mitchell (Chiwetel Ejiofor) are dispatched to the seemingly airtight heist by their precinct captain, with Frazier acting as the hostage negotiator. Frazier is hopeful of resolving the situation quickly, but Dalton Russell (Clive Owen), the bank robbers’ leader, is exceedingly clever, uncannily calm, and totally in command. Not only does he manage to disorient his hostages, but he’s also managing to confuse the police and stall for time.
Meanwhile, the bank’s chairman of the board of directors (ostensibly the owner), Arthur Case (Christopher Plummer), has used his vast and considerable political connections to arrange a meeting between Madeline White (Jodie Foster), a shadowy power player, and Russell – much to the chagrin of Detective Frazier. White is vague with Frazier about what she and Russell discuss during their brief meeting, but it seems as if looting a bank full of money isn’t Russell’s only objective. Detective Frazier needs to unravel this puzzle though, because he’s running out of time to keep this standoff from turning ugly and bloody for both hostages and hostage takers. The police high command is about to unleash Emergency Services Unit (ESU) Captain John Darius (Willem Dafoe) and his tactical unit to go in and settle the situation – to kill if necessary - and Frazier still isn’t sure just who is pulling the invisible strings of this strange case.
Inside Man may be Spike Lee’s most purely enjoyable film to date, being that it is almost totally free of his usual political drama and social commentary. The film is clever and Spike expertly extracts the unexpected turns and labyrinthine twists of writer Russell Gewirtz’s script. Lee adds the big time gloss to Gewirtz’s screenplay, his first produced for the big screen (He’d previously written for the late ABC TV series “Blind Justice.”). Lee makes the plot’s crafty tricks practical for a movie aimed at a broad audience.
Gewirtz’s script is rife with good characters, but it is obviously up to the director to set the tone and the actors to create by giving flesh to the concepts. There’s a natural humor to the characters, especially in their dialogue, and Lee allows that to play out, which brings the right amount of levity to this crime drama – a nice touch since this bank heist/hostage situation really isn’t about blood, guts, and guns. Lee also makes the most of the match of wits or chess game between Clive Owen’s Dalton Russell and Denzel Washington’s Keith Frazier.
This is the fourth collaboration between Spike and Denzel, after Mo’ Better Blues, Malcolm X, and He Got Game. Lee also seems familiar with Clive Owen, as he comfortable taps into Owen’s understated air of menace – the charming rogue. Jodie Foster makes the most of her part and creates an adversary that engages the audience as much as she engages the other characters. Foster’s Madeline White is a charming reptile; like the actress, the character has a natural intelligence that is obvious the first time someone meets her, but Foster adds the twist of making Madeline the perfect trouble-shooting witch.
Still, Inside Man is a bit too clever for its own good. Gewirtz never really taps into the raw emotional power of the devastating secret at the heart of his heist story, and Lee seems more in love with the shiny bauble the plot is, with all its unexpected shifts and revelations in the narrative, than he is with the consequences of malfeasance and with genuine evil. As a police procedural and heist film, Inside Man is as crafty as its colorful cast of cunning and wily characters makes it, and that’s craftiness by the carload – enough to keep your mind fighting with the puzzle for just about all of this film. The last 20 minutes or so of Inside Man is a bit of a stumble, as the filmmakers avoid the meat of an ugly subject matter, but getting to the end was still fun to watch.
Once upon a time – not that long ago – Spike would have readily ignored the genre aspects of this story in favor of tackling the issues of bigotry, public corruption, and appalling evil this story raises. Oh, well. At least he proved that he can be a very capable director-for-hire.
6 of 10
B
Thursday, June 15, 2006
NOTES:
2007 Black Reel Awards: 1 win: “Best Director” (Spike Lee); 3 nominations: “Best Actor” (Denzel Washington), “Best Film” (Brian Grazer and Jonathan Filley), “Best Original Score” (Terence Blanchard)
2007 Image Awards: 1 win: “Outstanding Directing in a Feature Film/Television Movie - Comedy or Drama” (Spike Lee); 1 nomination: “Outstanding Actor in a Motion Picture” (Denzel Washington)
MPAA – R for language and some violent images
DIRECTOR: Spike Lee
WRITER: Russell Gewirtz
PRODUCER: Brian Grazer
CINEMATOGRAPHER: Matthew Libatique (director of photography)
EDITOR: Barry Alexander Brown
COMPOSER: Terrence Blanchard
DRAMA/CRIME with elements of a thriller
Starring: Denzel Washington, Clive Owen, Jodie Foster, Christopher Plummer, Willem Dafoe, Chiwetel Ejiofor, Carlos Andrés Gómez, Kim Director, James Ransone, Bernard Rachelle, Peter Gerety, Victor Colicchio, and Cassandra Freeman
Inside Man is a 2006 crime drama from director Spike Lee. Lee was basically a director-for-hire of this story of a peculiar bank heist, which was originally going to be directed by Ron Howard.
Four people dressed in painters outfits march into the Manhattan Trust Bank and take 50 customers and employees hostage, and then put the bank under a surgically planned siege. Detective Keith Frazier (Denzel Washington) and Detective Bill Mitchell (Chiwetel Ejiofor) are dispatched to the seemingly airtight heist by their precinct captain, with Frazier acting as the hostage negotiator. Frazier is hopeful of resolving the situation quickly, but Dalton Russell (Clive Owen), the bank robbers’ leader, is exceedingly clever, uncannily calm, and totally in command. Not only does he manage to disorient his hostages, but he’s also managing to confuse the police and stall for time.
Meanwhile, the bank’s chairman of the board of directors (ostensibly the owner), Arthur Case (Christopher Plummer), has used his vast and considerable political connections to arrange a meeting between Madeline White (Jodie Foster), a shadowy power player, and Russell – much to the chagrin of Detective Frazier. White is vague with Frazier about what she and Russell discuss during their brief meeting, but it seems as if looting a bank full of money isn’t Russell’s only objective. Detective Frazier needs to unravel this puzzle though, because he’s running out of time to keep this standoff from turning ugly and bloody for both hostages and hostage takers. The police high command is about to unleash Emergency Services Unit (ESU) Captain John Darius (Willem Dafoe) and his tactical unit to go in and settle the situation – to kill if necessary - and Frazier still isn’t sure just who is pulling the invisible strings of this strange case.
Inside Man may be Spike Lee’s most purely enjoyable film to date, being that it is almost totally free of his usual political drama and social commentary. The film is clever and Spike expertly extracts the unexpected turns and labyrinthine twists of writer Russell Gewirtz’s script. Lee adds the big time gloss to Gewirtz’s screenplay, his first produced for the big screen (He’d previously written for the late ABC TV series “Blind Justice.”). Lee makes the plot’s crafty tricks practical for a movie aimed at a broad audience.
Gewirtz’s script is rife with good characters, but it is obviously up to the director to set the tone and the actors to create by giving flesh to the concepts. There’s a natural humor to the characters, especially in their dialogue, and Lee allows that to play out, which brings the right amount of levity to this crime drama – a nice touch since this bank heist/hostage situation really isn’t about blood, guts, and guns. Lee also makes the most of the match of wits or chess game between Clive Owen’s Dalton Russell and Denzel Washington’s Keith Frazier.
This is the fourth collaboration between Spike and Denzel, after Mo’ Better Blues, Malcolm X, and He Got Game. Lee also seems familiar with Clive Owen, as he comfortable taps into Owen’s understated air of menace – the charming rogue. Jodie Foster makes the most of her part and creates an adversary that engages the audience as much as she engages the other characters. Foster’s Madeline White is a charming reptile; like the actress, the character has a natural intelligence that is obvious the first time someone meets her, but Foster adds the twist of making Madeline the perfect trouble-shooting witch.
Still, Inside Man is a bit too clever for its own good. Gewirtz never really taps into the raw emotional power of the devastating secret at the heart of his heist story, and Lee seems more in love with the shiny bauble the plot is, with all its unexpected shifts and revelations in the narrative, than he is with the consequences of malfeasance and with genuine evil. As a police procedural and heist film, Inside Man is as crafty as its colorful cast of cunning and wily characters makes it, and that’s craftiness by the carload – enough to keep your mind fighting with the puzzle for just about all of this film. The last 20 minutes or so of Inside Man is a bit of a stumble, as the filmmakers avoid the meat of an ugly subject matter, but getting to the end was still fun to watch.
Once upon a time – not that long ago – Spike would have readily ignored the genre aspects of this story in favor of tackling the issues of bigotry, public corruption, and appalling evil this story raises. Oh, well. At least he proved that he can be a very capable director-for-hire.
6 of 10
B
Thursday, June 15, 2006
NOTES:
2007 Black Reel Awards: 1 win: “Best Director” (Spike Lee); 3 nominations: “Best Actor” (Denzel Washington), “Best Film” (Brian Grazer and Jonathan Filley), “Best Original Score” (Terence Blanchard)
2007 Image Awards: 1 win: “Outstanding Directing in a Feature Film/Television Movie - Comedy or Drama” (Spike Lee); 1 nomination: “Outstanding Actor in a Motion Picture” (Denzel Washington)
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Friday, February 17, 2012
Review: "Tales from Earthsea" is Pretty
Tales from Earthsea (2006)
Gedo senki – Original Japanese title
(U.S. theatrical release: August 2010)
Running time: 116 minutes (1 hour, 56 minutes)
MPAA – PG-13 for some violent images
DIRECTOR: Goro Miyazaki
WRITERS: Goro Miyazaki and Keiko Niwa; from a concept by Hayao Miyazaki (based upon the Earthsea novels by Ursula K. Le Guin)
PRODUCERS: Toshio Suzuki and Steve Alpert and Javier Ponton
COMPOSER: Tamiya Terashima
ANIMATION STUDIO: Studio Ghibli
ANIMATION/FANTASY
Starring: (English dub voices) Timothy Dalton, Matt Levin, Blaire Restaneo, Mariska Hargitay, Willem Dafoe, Cheech Marin, Susanne Blakeslee, Terrence Stone, Liam O’Brien, and Kevin Michael Richardson
Tales from Earthsea is a 2006 Japanese animated fantasy film produced by the Studio Ghibli, best known for the animated films of director Hayao Miyazaki (Ponyo). Tales from Earthsea is directed by Miyazaki’s son, Goro Miyazaki and is based upon the first four books in the Earthsea series by author, Ursula K. Le Guin. This movie is also inspired by Hayao Miyazaki’s manga/illustrated story, The Journey of Shuna (1983).
The film is set in the world of Earthsea and focuses on Prince Arren of Enlad (Matt Levin). Enlad, like the rest of Earthsea, is troubled by drought and pestilence. After killing his father, Arren takes his father’s sword and goes on the run. He is later rescued by Sparrowhawk the Archmage (Timothy Dalton). Sparrowhawk and Arren travel to the farm of an old friend of Sparrowhawks’s, a woman named Tenar (Mariska Hargitay). There, Arren is also reunited with Therru (Blaire Restaneo), a young woman he’d recently protected from slave traders.
Therru is hostile to Arren, but he and Sparrowhawk remain on the farm, plowing and planting the fields for Tenar. However, the quartet’s agrarian lifestyle is interrupted by Lord Cob (Willem Dafoe), a sinister wizard who plans to shatter the barrier between life and death so that he can live forever. Cob needs Arren for his plans and wants revenge against Sparrowhawk.
Apparently, there was some hullabaloo and controversy around the production of Tales from Earthsea, including author Ursula K. Le Guin’s mixed feelings about how the film adapted the source material of her original novels. I like this movie, but I can understand how some would be put off by the film’s staid manner. The characters are way too laid back, and the dialogue is delivered at such an easy pace as to suggest that this film lacks conflict. In fact, Goro Miyazaki and Keiko Niwa (co-writer) have put together something that lacks dramatic punch. Tales from Earthsea is the most easy-going battle between good and evil on film that I can remember experiencing. The film’s most energetic element is Cheech Marin’s voice performance as the lackey, Hare, which is not only funny, but also scene-stealing when this movie really needs someone to steal a scene in order to save a scene.
Still, Tales from Earthsea sure is pretty. The film’s color is a symphony of shimmering reds and glowing pinks, and green is used almost entirely to suggest pastoral, verdant splendor. The film’s central theme is the need for balance, especially the balance of life and death. I think that in Tales from Earthsea, color is meant to celebrate not just life, but also living. This is unusual thematic material for an animated feature film, but Tales from Earthsea is characteristic of Studio Ghibli’s manner of doing things in animated films that are different and unique.
7 of 10
B+
Thursday, February 16, 2012
Thursday, December 29, 2011
Review: "eXistenZ" is as Crazy as Ever (Happy B'day, Jude Law)
eXistenZ (1999)
COUNTRY OF ORIGIN: Canada/UK
Running time: 97 minutes (1 hour, 37 minutes)
MPAA – R for strong sci-fi violence and gore, and for language
WRITER/DIRECTOR: David Cronenberg
PRODUCERS: David Cronenberg, Andras Hamori, and Robert Lantos
CINEMATOGRAPHER: Peter Suschitzky
EDITOR: Ronald Sanders
COMPOSER: Howard Shore
Genie Award winner
SCI-FI/CRIME/DRAMA/THRILLER
Starring: Jennifer Jason Leigh, Jude Law, Ian Holm, Willem Dafoe, Don McKellar, Callum Keith Rennie, Christopher Eccleston, Sarah Polley and Oscar Hsu
eXistenZ is a 1999 Canadian/British science fiction film from director David Cronenberg. The film is set in the near-future and involves advanced video games and organic virtual realities. When Cronenberg, a surrealist and master filmmaker, tests the bounds of imagination, he makes you wonder if there really are any boundaries to imagination, or at least to his. With a filmography full of movies that are trippy experiences, it’s hard to pick out the craziest Cronenberg picture, but I’d say eXistenZ is safe bet.
Allegra Geller (Jennifer Jason Leigh) is the world’s best game designer, and her new game, eXistenZ, is a virtual-reality masterpiece. During a demonstration or, perhaps, beta testing, of eXistenZ, a crazed fan makes a peculiar attempt on her life. Ted Pikul (Jude Law), a marketing intern at the company for whom Allegra designs games, spirits her away from the scene, but though they escape the murderous attempt on her life, this is just the beginning of a strange trip that takes them both to worlds real, unreal, and maybe real.
The usual Cronenberg themes: bodily invasion, altered states of perception, and what is real are much in evidence, but like some of his best work, eXistenZ questions what effect technology has on the human body, mind, and spirit. Cronenberg also seems to question whether humans should change their bodies and the way they live to accommodate a technology that is of only the most frivolous use – entertainment-based technology. That question permeates almost every frame of the film, and adds weight to the drama.
Many of the performances are stiff, although deliberately so, but still it’s a bit too wooden and too cold. Sometimes the acting is all a bit too affected and too smart for its own good. Jude Law and Jennifer Jason Leigh, however, give, wildly spirited and inspired performances; even their odd and taut moments have a vivacious air to them. They’re fun to watch, and the pair has a screen chemistry the just screams that this is a mismatched matched pair. For some reason it works, and they look gorgeous on the screen, making this truly odd tale fun to watch.
The best way to describe this story is too say that it deals with virtual worlds and computer generated realities like The Matrix did. eXistenZ, however, is not about cardboard philosophy, wire-fu fight scenes, and pyrotechnics and special effects as sexy eye candy. This is The Matrix for smart people.
8 of 10
A
2000 Genie Awards: 1 win: “Best Achievement in Editing” (Ronald Sanders); 2 nominations: “Best Achievement in Art Direction/Production Design” (Carol Spier and Elinor Rose Galbraith) and “Best Motion Picture” (Robert Lantos, David Cronenberg, and Andras Hamori)
Sunday, August 14, 2011
Disney's D23 Expo Starts Friday, August 19th
THE WALT DISNEY STUDIOS TAKES FANS BEHIND THE SCENES AT DISNEY’S D23 EXPO, AUGUST 19-21
Exclusively at Disney’s D23 Expo August 19-21 at the Anaheim Convention Center, Disney film fans will go behind the scenes to explore the exciting roster of projects on the horizon at The Walt Disney Studios, with a variety of panel discussions, sneak peeks and exhibits.
On Saturday, August 20, Rich Ross, chairman, The Walt Disney Studios; Sean Bailey, president, production, The Walt Disney Studios; John Lasseter, chief creative officer, Walt Disney and Pixar Animation Studios; and Kevin Feige, producer and president, Marvel Studios, will present a not-to-be-missed look at The Walt Disney Studios’ upcoming film slate, which includes Disney’s The Muppets, John Carter, Disney•Pixar’s Brave, Marvel’s The Avengers, Tim Burton’s Frankenweenie, Oz The Great and Powerful and more.
With projects from Disney, Pixar Animation Studios and Marvel Studios, this special presentation will feature never-before-seen footage and all-star appearances by Jason Segel, Kermit and Miss Piggy (Disney’s The Muppets), Taylor Kitsch, Lynn Collins and Willem Dafoe (John Carter), Kelly Macdonald and Kevin McKidd (Brave), Jennifer Garner (The Odd Life of Timothy Green), Jack McBrayer and Sarah Silverman (Wreck-It Ralph), cast members from Marvel’s The Avengers and other surprise guests.
In celebration of 25 years of moviemaking magic, five sessions will be devoted to the artistry and technical wizardry of Pixar:
* A Conversation with the Pixar Creative Team – Enjoy a rare opportunity to spend some time with the key figures responsible for Pixar’s unprecedented success, including John Lasseter (chief creative officer, Walt Disney and Pixar Animation Studios), Jim Morris (general manager, Pixar Animation Studios), Pete Docter (director, Monsters, Inc., Up), Andrew Stanton (director, Finding Nemo, WALL-E), Bob Peterson (co-director, Up), Lee Unkrich (director, Toy Story 3), Mark Andrews (director, Brave) and Dan Scanlon (director, Monsters University).
* The Characters of Monsters University – Director Dan Scanlon and Production Designer Ricky Nierva discuss how they combine hair, horns and a lot of heart to bring the wonderful Monsters University characters to life.
* Michael Giacchino’s Music of Pixar – In this musical presentation, award-winning composer Michael Giacchino explores his early influences through the creation of modern-day classic scores from Ratatouille, Up and Cars 2.
* The Art of Brave – Production Designer Steve Pilcher and Shading Art Director Tia Kratter show how they and their team put paint to canvas and fingers to computer keys to create the stunning visuals of Scotland for Disney•Pixar’s upcoming film Brave.
* Pixar Shorts – This retrospective screening of the animation studio’s legendary short films will be followed by a panel discussion with several of the filmmakers, including Ralph Eggleston (director, For the Birds), Andy Jimenez (director, One Man Band), Angus MacLane (director, BURN-E), Pete Sohn (director, Partly Cloudy), Teddy Newton (director, Day & Night), and Enrico Casarosa (director, La Luna).
Expo attendees will also have access to advance screenings of an all-new 3D version of The Lion King, presented by RealD 3D, coming to theaters and homes this fall, and the upcoming ABC holiday special Prep & Landing: Naughty vs. Nice from Walt Disney Animation Studios.
Out on the Expo floor, fans can explore the world of The Walt Disney Studios at their leisure with comprehensive exhibits, including:
* Walt Disney Studios Animation Pavilion – Experience the art, technology, culture and legacy of Walt Disney Animation Studios with filmmaker demonstrations, drawing classes, book signings, meet-and-greets and art exhibits.
* Walt Disney Studios In-Home Entertainment Pavilion – Dive into cutting-edge home entertainment technology and learn what the future holds for Disney movie fans, with sneak peeks of upcoming films in breathtaking high-definition Blu-ray 3D™ and more.
* Inside Tides: Pirates of the Caribbean Film Prop Collection – Get an up-close look at an exclusive collection of detailed set pieces, props and costumes from the billion-dollar blockbuster Pirates of the Caribbean: On Stranger Tides.
Tickets to the D23 Expo are available at http://www.d23expo.com/. Admission includes access to all experiences and entertainment at the D23 Expo, including the Disney Legends Ceremony, and can be purchased for single days or for the full three days of festivities. Admission is $47 for a one-day adult ticket and $37 for children 3-12. Three-day passes are $136 for adults and $106 for children. Members of D23: The Official Disney Fan Club will receive a discount for up to four admissions, as well as early entry to each day of the D23 Expo for themselves and their guests.
About D23 Expo 2011
The D23 Expo—The Ultimate Disney Event for Fans and Families—brings the entire world of Disney under one roof at the Anaheim Convention Center, providing guests with unprecedented access to Disney films, television and theme parks.
About D23
The name "D23" pays homage to the wonder and excitement that began in 1923 when Walt Disney opened his fledgling studio in Hollywood. D23 is the first official community for fans in Disney's 88-year history. D23 gives its members a greater connection to the entire world of Disney by placing them in the middle of the magic through its quarterly publication Disney twenty-three; a rich website at www.Disney.com/D23; a collectibles line, The Walt Disney Archives Collection; and special events for D23 Members throughout the year, highlighted by the D23 Expo in Anaheim, California, August 19-21, 2011.
Fans can join D23 at www.Disney.com/D23, select shops at Disneyland Resort and Walt Disney World Resort and www.DisneyStore.com/D23. To keep up with all the latest D23 news and events, follow us "DisneyD23" on Twitter, YouTube and Facebook.
Exclusively at Disney’s D23 Expo August 19-21 at the Anaheim Convention Center, Disney film fans will go behind the scenes to explore the exciting roster of projects on the horizon at The Walt Disney Studios, with a variety of panel discussions, sneak peeks and exhibits.
On Saturday, August 20, Rich Ross, chairman, The Walt Disney Studios; Sean Bailey, president, production, The Walt Disney Studios; John Lasseter, chief creative officer, Walt Disney and Pixar Animation Studios; and Kevin Feige, producer and president, Marvel Studios, will present a not-to-be-missed look at The Walt Disney Studios’ upcoming film slate, which includes Disney’s The Muppets, John Carter, Disney•Pixar’s Brave, Marvel’s The Avengers, Tim Burton’s Frankenweenie, Oz The Great and Powerful and more.
With projects from Disney, Pixar Animation Studios and Marvel Studios, this special presentation will feature never-before-seen footage and all-star appearances by Jason Segel, Kermit and Miss Piggy (Disney’s The Muppets), Taylor Kitsch, Lynn Collins and Willem Dafoe (John Carter), Kelly Macdonald and Kevin McKidd (Brave), Jennifer Garner (The Odd Life of Timothy Green), Jack McBrayer and Sarah Silverman (Wreck-It Ralph), cast members from Marvel’s The Avengers and other surprise guests.
In celebration of 25 years of moviemaking magic, five sessions will be devoted to the artistry and technical wizardry of Pixar:
* A Conversation with the Pixar Creative Team – Enjoy a rare opportunity to spend some time with the key figures responsible for Pixar’s unprecedented success, including John Lasseter (chief creative officer, Walt Disney and Pixar Animation Studios), Jim Morris (general manager, Pixar Animation Studios), Pete Docter (director, Monsters, Inc., Up), Andrew Stanton (director, Finding Nemo, WALL-E), Bob Peterson (co-director, Up), Lee Unkrich (director, Toy Story 3), Mark Andrews (director, Brave) and Dan Scanlon (director, Monsters University).
* The Characters of Monsters University – Director Dan Scanlon and Production Designer Ricky Nierva discuss how they combine hair, horns and a lot of heart to bring the wonderful Monsters University characters to life.
* Michael Giacchino’s Music of Pixar – In this musical presentation, award-winning composer Michael Giacchino explores his early influences through the creation of modern-day classic scores from Ratatouille, Up and Cars 2.
* The Art of Brave – Production Designer Steve Pilcher and Shading Art Director Tia Kratter show how they and their team put paint to canvas and fingers to computer keys to create the stunning visuals of Scotland for Disney•Pixar’s upcoming film Brave.
* Pixar Shorts – This retrospective screening of the animation studio’s legendary short films will be followed by a panel discussion with several of the filmmakers, including Ralph Eggleston (director, For the Birds), Andy Jimenez (director, One Man Band), Angus MacLane (director, BURN-E), Pete Sohn (director, Partly Cloudy), Teddy Newton (director, Day & Night), and Enrico Casarosa (director, La Luna).
Expo attendees will also have access to advance screenings of an all-new 3D version of The Lion King, presented by RealD 3D, coming to theaters and homes this fall, and the upcoming ABC holiday special Prep & Landing: Naughty vs. Nice from Walt Disney Animation Studios.
Out on the Expo floor, fans can explore the world of The Walt Disney Studios at their leisure with comprehensive exhibits, including:
* Walt Disney Studios Animation Pavilion – Experience the art, technology, culture and legacy of Walt Disney Animation Studios with filmmaker demonstrations, drawing classes, book signings, meet-and-greets and art exhibits.
* Walt Disney Studios In-Home Entertainment Pavilion – Dive into cutting-edge home entertainment technology and learn what the future holds for Disney movie fans, with sneak peeks of upcoming films in breathtaking high-definition Blu-ray 3D™ and more.
* Inside Tides: Pirates of the Caribbean Film Prop Collection – Get an up-close look at an exclusive collection of detailed set pieces, props and costumes from the billion-dollar blockbuster Pirates of the Caribbean: On Stranger Tides.
Tickets to the D23 Expo are available at http://www.d23expo.com/. Admission includes access to all experiences and entertainment at the D23 Expo, including the Disney Legends Ceremony, and can be purchased for single days or for the full three days of festivities. Admission is $47 for a one-day adult ticket and $37 for children 3-12. Three-day passes are $136 for adults and $106 for children. Members of D23: The Official Disney Fan Club will receive a discount for up to four admissions, as well as early entry to each day of the D23 Expo for themselves and their guests.
About D23 Expo 2011
The D23 Expo—The Ultimate Disney Event for Fans and Families—brings the entire world of Disney under one roof at the Anaheim Convention Center, providing guests with unprecedented access to Disney films, television and theme parks.
About D23
The name "D23" pays homage to the wonder and excitement that began in 1923 when Walt Disney opened his fledgling studio in Hollywood. D23 is the first official community for fans in Disney's 88-year history. D23 gives its members a greater connection to the entire world of Disney by placing them in the middle of the magic through its quarterly publication Disney twenty-three; a rich website at www.Disney.com/D23; a collectibles line, The Walt Disney Archives Collection; and special events for D23 Members throughout the year, highlighted by the D23 Expo in Anaheim, California, August 19-21, 2011.
Fans can join D23 at www.Disney.com/D23, select shops at Disneyland Resort and Walt Disney World Resort and www.DisneyStore.com/D23. To keep up with all the latest D23 news and events, follow us "DisneyD23" on Twitter, YouTube and Facebook.
Wednesday, July 13, 2011
Review: "Clear and Present Danger" is Presently Really Good (Happy B'day, Harrison Ford)
Clear and Present Danger (1994)
Running time: 141 minutes (2 hours, 21 minutes)
MPAA – PG-13 for some intense action/violence and language
DIRECTOR: Philip Noyce
WRITERS: Donald Stewart, Steven Zaillian, and John Milius
PRODUCERS: Mace Neufeld and Robert Rehme
CINEMATOGRAPHER: Donald McAlpine
EDITOR: Neil Travis
Academy Award nominee
DRAMA/ESPIONAGE/ACTION/ADVENTURE
Starring: Harrison Ford, Willem Dafoe, Anne Archer, Joaquim de Alemeida, Henry Czerny, Harris Yulin, Donald Moffat, Miguel Sandoval, Benjamin Bratt, Raymond Cruz, Thora Birch, Ann Magnuson, Greg Germann, Vondie Curtis-Hall, Belita Moreno, Ted Raimi, and James Earl Jones
Tom Clancy’s intrepid CIA agent, Jack Ryan, makes his third big screen appearance, with Harrison Ford reprising the role of Ryan, which he first played in 1992’s Patriot Games, after replacing Alec Baldwin, who played Ryan in The Hunt for Red October.
When his mentor, Admiral James Greer (James Earl Jones) becomes gravely ill, Jack Ryan (Ford) is assigned the position of acting CIA Deputy Director of Intelligence, but he meets some resistance in the form of two fellow CIA officers, Robert Ritter (Henry Czerny) and James Cutter (Harris Yulin). Ryan’s first assignment is to investigate the murder of a prominent U.S. businessman and his family. A friend of President Bennett (Donald Moffat), the murdered businessman apparently had secret ties to a Columbian drug lord, Ernesto Escobedo (Miguel Sandoval).
Unbeknownst to Ryan, Ritter and Cutter, with an unofficial, official go-ahead from President Bennett, have already dispatched a Columbian-based U.S. field operative named John Clark (Willem Dafoe) to lead a paramilitary force against the Columbian drug lords, Escobedo in particular. Ryan also finds that he must match wits with a Latin American version of himself, (Joaquim De Alemeida), who works for Escobedo. Caught in the middle of a brewing scandal and the crossfire of an illegal war, Ryan risks his career and life and jumps into the fray to uncover the thing that means the most to him – the truth.
Clear and Present Danger is the kind of espionage thriller that stands up to repeated viewings because it is also a very good drama, but the main reason the film remains popular is Harrison Ford. As he did so well from the early to the mid-90’s, Ford plays the self-righteous, heroic, sensitive macho man who fights for truth and justice (and sometimes the American way). He is a do-right man, but not just for the ladies. Here, he plays it to the hilt, grim-faced when confronted by lies and wrongful death, grim and solemn over a friend or colleague’s demise, and grimly but gamely going after the baddies.
Clear and Present Danger presents a cerebral Jack Ryan against a cast of Machiavellian bad guys, in particularly a trio of Americans willfully and recklessly waging a misguided and illegal war in the name of revenge and political expediency. Sound familiar? Although Clear and Present Danger seems at times to be a television mini-series (length and narrative structure), this timeless and timely tale, propped up by an amazing leading man (in the true sense of the term), maintains its edge and thrills.
8 of 10
A
NOTES:
1995 Academy Awards: 2 nominations: “Best Effects, Sound Effects Editing” (Bruce Stambler and John Leveque) and “Best Sound” (Donald O. Mitchell, Michael Herbick, Frank A. Montaño, and Art Rochester)
Monday, April 03, 2006
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Thursday, February 17, 2011
Studio Ghibli's "Nausicaa" and "Earthsea" Anime Due on DVD in March
On March 8th, Studio Ghibli's TALES FROM EARTHSEA (DVD only) and NAUSICAA OF THE VALLEY OF THE WIND (Blu-ray + DVD Combo Pack) will be available to bring home.
Goro Miyazaki's directorial debut, Tales from Earthsea, features exquisite hand-drawn animation and the vocal talents of Timothy Dalton, Willem Dafoe, Cheech Marin, and Mariska Hargitay. Bonus material includes a behind-the-scenes look at the studio and Studio Ghibli Trivia Challenge.
Nausicaa of Valley of the Wind launched the Academy Award-winning career of famed director Hayao Miyazaki! This stunning animated tale features the voices of Uma Thurman, Shia LeBeouf, and Patrick Stewart. Bonus features include a behind-the-scenes look into the recording booth and the birth story of Studio Ghibli.
Nausicca Film Synopsis: For the first time ever, the magic of Blu-ray™ high definition reveals the exquisite details in Hayao Miyazaki’s epic masterpiece, Nausicaä Of The Valley Of The Wind. Experience the film that launched the Academy Award–winning career (2002 for best animated feature, Spirited Away) of one of the most celebrated filmmakers in the history of animation.
After a global war, the seaside kingdom known as the Valley Of The Wind remains one of the last strongholds on Earth untouched by a poisonous jungle and the powerful insects that guard it. Led by the courageous Princess Nausicaä, the people of the Valley engage in an epic struggle to restore the bond between humanity and Earth.
Like Hayao Miyazaki’s Spirited Away and Ponyo, Nausicaä Of The Valley Of The Wind will dazzle your senses with its intricately imagined storytelling and stunning animation.
U.S. Release Date: March 8, 2011
(Direct Prebook January 11, 2011/ Distributor Prebook January 25, 2011)
Rating: US-PG; Canada-PG
Feature Run Time: Approximately 118-minutes
Release Format: Blu-ray Combo Pack (Blu-ray Disc™ + DVD)
Suggested Retail Pricing: 2-Disc Blu-ray Combo Pack (BD+DVD) = $39.99 U.S./$44.99 Canada
Exclusive Blu-ray Bonus World of Ghibli including
Features: Behind the Studio
Enter the Lands
Studio Ghibli Trivia Challenge
Original Japanese storyboards
General Blu-ray & DVD Behind the Microphone
Bonus Features: The Birth Story of Studio Ghibli
Original TV trailers
Talent/Cast: Uma Thurman (Kill Bill: Vol 1, Kill Bill: Vol 2, Pulp Fiction, Gattaca), Shia LeBeouf (Wall Street: Money Never Sleeps, Tranformers, Surf’s Up), and Patrick Stewart (Gnomeo & Juliet, Bambi II, Chicken Little)
Director: Hayao Miyazaki (Ponyo, Spirited Away, Princess Mononoke)
Producers: Michio Kondô (Nausiacaä and the Valley of the Wind)
Isao Takahata (Castle in the Sky, Nausiacaä and the Valley of the Wind)
Yasuyoshi Tokuma (Spirited Away, Pulse, Ritual)
Tales from Earthsea:
Film Synopsis: From Disney and Studio Ghibli comes the epic animated adventure Tales From Earthsea, directed by Goro Miyazaki, and featuring the voices of Timothy Dalton, Willem Dafoe, Cheech Marin, and Mariska Hargitay.
Based on the classic “Earthsea” fantasy book series by Ursula Le Guin, Tales from Earthsea is set in a mythical world filled with magic and bewitchment. Journey with Lord Archmage Sparrowhawk, a master wizard, and Arren, a troubled young prince, on a tale of redemption and self-discovery as they search for the force behind a mysterious imbalance in the land of Earthsea; crops are dwindling,dragons have reappeared, and humanity is giving way to chaos.
Featuring a timeless story and magnificent hand-drawn animation, Tales From Earthsea is must-have DVD for every film enthusiast’s collection.
U.S. Release Date: March 8, 2011
(Direct Prebook January 11, 2011/Distributor Prebook January 25, 2011)
Feature Run Time: Approximately 115-minutes
Release Format: DVD
Suggested Retail Pricing: 1-Disc DVD = $29.99 U.S./$35.99 Canada
DVD The World of Ghibli including:
Bonus Features: Behind the Studio
Enter The Lands
Studio Ghibli Trivia Challenge
Talent/Cast: Timothy Dalton (Toy Story 3, The Tourist, The Informant), Willem Dafoe (John Carter of Mars, Fantastic Mr. Fox, Spider Man), Cheech Marin (Cars, Beverly Hills Chihuahua, Spy Kids), and Mariska Hargitay (TV’s Law & Order: Special Victims Unit, Law & Order)
Director: Goro Miyazaki (directorial debut)
Producers: Toshio Suzuki (Howl’s Moving Castle, Spirited Away, Princess Mononoke)
Goro Miyazaki's directorial debut, Tales from Earthsea, features exquisite hand-drawn animation and the vocal talents of Timothy Dalton, Willem Dafoe, Cheech Marin, and Mariska Hargitay. Bonus material includes a behind-the-scenes look at the studio and Studio Ghibli Trivia Challenge.
Nausicaa of Valley of the Wind launched the Academy Award-winning career of famed director Hayao Miyazaki! This stunning animated tale features the voices of Uma Thurman, Shia LeBeouf, and Patrick Stewart. Bonus features include a behind-the-scenes look into the recording booth and the birth story of Studio Ghibli.
Nausicca Film Synopsis: For the first time ever, the magic of Blu-ray™ high definition reveals the exquisite details in Hayao Miyazaki’s epic masterpiece, Nausicaä Of The Valley Of The Wind. Experience the film that launched the Academy Award–winning career (2002 for best animated feature, Spirited Away) of one of the most celebrated filmmakers in the history of animation.
After a global war, the seaside kingdom known as the Valley Of The Wind remains one of the last strongholds on Earth untouched by a poisonous jungle and the powerful insects that guard it. Led by the courageous Princess Nausicaä, the people of the Valley engage in an epic struggle to restore the bond between humanity and Earth.
Like Hayao Miyazaki’s Spirited Away and Ponyo, Nausicaä Of The Valley Of The Wind will dazzle your senses with its intricately imagined storytelling and stunning animation.
U.S. Release Date: March 8, 2011
(Direct Prebook January 11, 2011/ Distributor Prebook January 25, 2011)
Rating: US-PG; Canada-PG
Feature Run Time: Approximately 118-minutes
Release Format: Blu-ray Combo Pack (Blu-ray Disc™ + DVD)
Suggested Retail Pricing: 2-Disc Blu-ray Combo Pack (BD+DVD) = $39.99 U.S./$44.99 Canada
Exclusive Blu-ray Bonus World of Ghibli including
Features: Behind the Studio
Enter the Lands
Studio Ghibli Trivia Challenge
Original Japanese storyboards
General Blu-ray & DVD Behind the Microphone
Bonus Features: The Birth Story of Studio Ghibli
Original TV trailers
Talent/Cast: Uma Thurman (Kill Bill: Vol 1, Kill Bill: Vol 2, Pulp Fiction, Gattaca), Shia LeBeouf (Wall Street: Money Never Sleeps, Tranformers, Surf’s Up), and Patrick Stewart (Gnomeo & Juliet, Bambi II, Chicken Little)
Director: Hayao Miyazaki (Ponyo, Spirited Away, Princess Mononoke)
Producers: Michio Kondô (Nausiacaä and the Valley of the Wind)
Isao Takahata (Castle in the Sky, Nausiacaä and the Valley of the Wind)
Yasuyoshi Tokuma (Spirited Away, Pulse, Ritual)
Tales from Earthsea:
Film Synopsis: From Disney and Studio Ghibli comes the epic animated adventure Tales From Earthsea, directed by Goro Miyazaki, and featuring the voices of Timothy Dalton, Willem Dafoe, Cheech Marin, and Mariska Hargitay.
Based on the classic “Earthsea” fantasy book series by Ursula Le Guin, Tales from Earthsea is set in a mythical world filled with magic and bewitchment. Journey with Lord Archmage Sparrowhawk, a master wizard, and Arren, a troubled young prince, on a tale of redemption and self-discovery as they search for the force behind a mysterious imbalance in the land of Earthsea; crops are dwindling,dragons have reappeared, and humanity is giving way to chaos.
Featuring a timeless story and magnificent hand-drawn animation, Tales From Earthsea is must-have DVD for every film enthusiast’s collection.
U.S. Release Date: March 8, 2011
(Direct Prebook January 11, 2011/Distributor Prebook January 25, 2011)
Feature Run Time: Approximately 115-minutes
Release Format: DVD
Suggested Retail Pricing: 1-Disc DVD = $29.99 U.S./$35.99 Canada
DVD The World of Ghibli including:
Bonus Features: Behind the Studio
Enter The Lands
Studio Ghibli Trivia Challenge
Talent/Cast: Timothy Dalton (Toy Story 3, The Tourist, The Informant), Willem Dafoe (John Carter of Mars, Fantastic Mr. Fox, Spider Man), Cheech Marin (Cars, Beverly Hills Chihuahua, Spy Kids), and Mariska Hargitay (TV’s Law & Order: Special Victims Unit, Law & Order)
Director: Goro Miyazaki (directorial debut)
Producers: Toshio Suzuki (Howl’s Moving Castle, Spirited Away, Princess Mononoke)
Friday, September 3, 2010
Review: "Once Upon a Time in Mexico" - Robert Rodriguez's "Mexico Trilogy" Stumbled to the Finish Line
TRASH IN MY EYE No. 142 (of 2003) by Leroy Douresseaux
Once Upon a Time in Mexico (2003)
Running time: 102 minutes (1 hour, 42 minutes)
MPAA – R for strong violence and for language
WRITER/DIRECTOR: Robert Rodriguez
PRODUCERS: Elizabeth Avellan, Carlos Gallardo, and Robert Rodriguez
CINEMATOGRAPHER/COMPOSER/EDITOR: Robert Rodriguez
ACTION/CRIME/DRAMA
Starring: Antonio Banderas, Salma Hayek, Johnny Depp, Mickey Rourke, Eva Mendes, Danny Trejo, Enrique Inglesias, Marco Leonardi, Cheech Marin, Ruben Blades, Gerardo Vigil, Pedro Armendariz, Jr., and Willem Dafoe
Take a Sergio Leone spaghetti western like The Good, the Bad, and the Ugly and spin it on its head; add the flavor of the Southwest and Mexico, and you just might have director Robert Rodriguez’s Once Upon a Time in Mexico, a follow up of sorts to his 1995 film Desperado, itself a remake of Rodriguez’s El Mariachi. The film is certainly unique, being a mixture of several genres, but not really being like anything else in particular. As with most Rodriguez’s work, the film is of his own unique and zesty recipe, even if the film ends up being quite messy.
Sands (Johnny Depp) maybe a rogue agent of the Central Intelligence Agency, but like a lot of things in this movie, it’s not entirely clear what he is and what he wants. He hires the legendary El Mariachi (Antonio Banderas, reprising his role from Desperado), the guitar case assassin, and his compadres to kill Mexico’s El Presidente (Pedro Armendariz). Sands, however, is into manipulating a whole slew of players including a police officer (Eva Mendes) for whom he has amorous feelings, retired FBI agent (Ruben Blades) and a drug lord (Willem Dafoe), among others. It’s an explosive plan Sands has set for detonation during Mexico’s Day of the Dead celebrations, but he just might find himself scorched by the explosion.
Once Upon a Time has a lot going on in it, and there is so much to see; the film is literally a visual feast. Its most glaring deficit, probably the most important element, is a weak story and an even weaker script. Even if you take this film at its face value, which is that the tale is more impressionistic and symbolic than literal, the narrative is too jumbled to make much sense. There’s a lot of goofiness in the hyper-violence, and the film’s action sequences have a rapid and rabid, colorful, manic, music video cool about them. The film’s color palette is so lush and delicious that the film seems practically edible. Still, when all the dazzling is done, by the end of the film, the best you can do is agree that it seems as if the good guys won.
The acting (what there is of it) is mostly good, and Depp (He’s one of those actors that the camera really loves) steals the show. He is, however, not the lead, and although this is an ensemble drama, his character, if not the most important, is played by the most intriguing cast member. Maybe, he should have been the lead and his character more than just a catalyst (the crap starter) because Banderas, as the central figure here, just doesn’t work.
Rodriguez, as usual, is a one-man gang filmmaker. A musician, he scored the film, and edited it. He shot the film himself using digital video camera technology (which filmmaker George Lucas introduced him to in 2000), and he is, of course co-producer, writer, and director. I’m impressed with his verve, but I wish there was a little more meat to Rodriguez’s film. He’s a jack-of-all-trades, but sometimes, he doesn’t seem to be very good at any one. This is one of those times when a collaborator or two would have better served the end product. Once Upon a Time in Mexico is a good idea that doesn’t come to fruition. Although on the surface it may seem otherwise, it ends up being like a lot of summer action flicks, full of sound and fury, and not, surprisingly, empty.
5 of 10
C+
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Monday, June 28, 2010
Review: "Finding Nemo" Recalls the Drama of Disney's "Bambi"
Finding Nemo (2003) – animated film
Running time: 100 minutes (1 hour, 40 minutes)
DIRECTOR: Andrew Stanton with Lee Unkrich
WRITERS: Bob Peterson, David Reynolds, and Andrew Stanton, from a story by Andrew Stanton
PRODUCER: Graham Walters
CINEMATOGRAPHERS: Sharon Calahan (director of photography) and Jeremy Lasky (director of photography)
EDITOR: David Ian Salter
COMPOSER: Thomas Newman
Academy Award winner
ANIMATION/FANTASY/ADVENTURE/COMEDY
Starring: (voices) Albert Brooks, Ellen DeGeneres, Alexander Gould, Willem Dafoe, Brad Garrett, Allison Janney, Austin Pendleton, Stephen Root, Vicki Lewis, Joe Ranft, Geoffrey Rush, Andrew Stanton, Eric Bana, and Elizabeth Perkins
Marlin (Albert Brooks), a clown fish, and his wife Coral (Elizabeth Perkins) live in an underwater suburban utopia for fish. They are about to be new parents as they await the hatching of over 400 eggs, when suddenly tragedy strikes in the form of a natural predator. After a horror that recalls the Disney classic Bambi, all that is left to Marlin is one tiny egg.
As the story moves to the future, Marlin has never really recovered from his loss. He is overprotective of his son Nemo (Alexander Gould), who was born with an underdeveloped fin (formerly known as a handicap), so he doesn’t swim well. Naturally, Nemo hates his father coddling him. One day he rebels by approaching a shipping vessel where a human captures him. Devastated, Marlin begins a desperate quest to find his only child. A blue tang fish named Dory (Ellen DeGeneres), who has short term memory loss, joins Marlin on the search for the boy. In the meantime, Nemo has found himself in the aquarium at an Aussie dentist’s office. He befriends a group of fellow captives who plot to help Nemo escape before he ends up an unfortunate gift to the dentist’s niece.
This is the fifth Walt Disney Pictures/Pixar Animation Studios co-production, and the union has produced five beautiful films. Toy Story and Toy Story 2 are two of the best animated films ever made. A Bug’s Life was a big hit, and I adore Monster’s Inc. more every time I see it. Finding Nemo ably stands with its brethren as another very fine achievement in the very short his story of computer animated feature films. I can say this without hesitation: Finding Nemo is a great animated film. I’ll save you the time reading this unless you really want to know what I have to say – rush out and see this film. It’s not perfect, and I can forgive the filmmakers the awfully syrupy fish suburbia that they created for the film’s opening scene; still, excellence must be noticed.
Directed by Andrew Stanton (co-director of A Bug’s Life) with Lee Unkrich (Monster’s Inc. and Toy Story 2) the film has the emotional resonance of the Toy Story films. Yes, it is inspired wacky fun for the kids, and they’ll laugh at lot; adults will probably laugh more than the tykes. Yes, the film has a gorgeous color palette that just dazzles the senses; it’s a colorful, visual treat on par with the great Technicolor films of yesteryear. However, the most important thing about the film is how it touches upon the relationships between people, both entertaining and connecting with the audience. You know there is something special about using animals to tell human stories. People have told these “anthropomorphic” tales since we could tell stories. It is easier for people to laugh at human foibles when we see our foolishness copied by cartoon animal-people. Animated films, cartoons, and comic art stories use this genre extremely well and through this animators and cartoonists take the craft of storytelling and make it an art.
The central story is about the protective bond between parents and their children, in this specific case, a father and his son. Marlin lost so much when he seemed about to have it all that he is way too overprotective of Nemo, essentially the only person he has left in his life. Marlin can’t deal with the fact that the older his son gets, the harder it is to micromanage the boy’s life. He can’t stop every bad thing that may happen to his child from happening. He’s also afraid of the environment in which he lives, the ocean, so he doesn’t really enjoy life. Nemo wants to be independent, but buried in the back of his mind is that he may be as physically inadequate as his father treats him. There are also many notable subplots: friends overcoming obstacles, learning to accept the differences in others instead of prejudging negative traits on them, people joining together to help a stranger in need, and of keeping hope alive.
I know that this might seem to be a bit heady for a cartoon, but this ability of a Pixar film to entertain and delight and to teach and to inspire simply continues that which is a tradition of the best Disney animated films. We’ve often considered classic Disney animation to be amongst the best films ever made (well, at least some of us), and Pixar just shows audiences that an animated film can be just as fun as the funniest comedy, that a cartoon can mimic the drama of humanity as well the best “real” movies.
9 of 10
A+
NOTES:
2004 Academy Awards: 1 win: “Best Animated Feature” (Andrew Stanton); 3 nominations: “Best Music, Original Score” (Thomas Newman), “Best Sound Editing” (Gary Rydstrom and Michael Silvers), and “Best Writing, Original Screenplay” (Andrew Stanton-screenplay/story, Bob Peterson-screenplay and David Reynolds-screenplay)
2004 BAFTA Awards: 1 nomination: “Best Screenplay – Original” (Andrew Stanton, Bob Peterson, and David Reynolds)
2004 Golden Globes: 1 nomination: “Best Motion Picture - Musical or Comedy”
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Thursday, May 20, 2010
Review: "Fantastic Mr. Fox" Actually Not Fantastic
TRASH IN MY EYE No. 35 (of 2010) by Leroy Douresseaux
Fantastic Mr. Fox (2009)
Running time: 87 minutes (1 hour, 27 minutes)
MPAA – PG for action, smoking and slang humor
DIRECTOR: Wes Anderson
WRITERS: Wes Anderson & Noah Baumbach (based upon the novel by Roald Dahl)
PRODUCERS: Allison Abbate, Wes Anderson , Jeremy Dawson, and Scott Rudin
CINEMATOGRAPHER: Tristan Oliver
EDITOR: Andrew Weisblum (supervising editor)
COMPOSER: Alexandre Desplat
Academy Award nominee
ANIMATION/FANTASY/ADVENTURE/COMEDY/CRIME
Starring: (voices) George Clooney, Meryl Streep, Jason Schwartzman, Bill Murray, Wally Wolodarsky, Eric Anderson, Michael Gambon, Willem Dafoe, Owen Wilson, Robin Hurlstone, Hugo Guinness Brian Cox, and Adrien Brody
Fantastic Mr. Fox is a 2009 stop-motion animation film from director Wes Anderson (The Royal Tenenbaums
Mr. Fox (George Clooney) is a thief. To feed his family, he steals livestock from three wealthy local farmers, and during one such mission, he is joined by his wife, Mrs. Felicity Fox (Meryl Streep). However, the couple is ensnared in a cage, but escape after Felicity reveals that she is pregnant. Years later, the couple is living an idyllic home life with their sullen son, Ash (Jason Schwartzman), and Mr. Fox’s visiting young nephew, the soft-spoken and talented Kristopherson Silverfox (Eric Chase Anderson).
After 12 years of domesticity, Mr. Fox feels his wild animal instincts coming to the fore, and this bucolic existence starts to bore him. With the help of his pal, an unassuming opossum named Kylie (Wallace Wolodarsky), Mr. Fox soon slips back into his old ways as a sneaky and highly successful thief stealing chickens, turkeys, and apple cider from the wealthy farmers, Franklin Bean (Michael Gambon), Walter Boggis (Robin Hurlstone), and Nathan Bunce (Hugo Guinness). Doing this endangers not only his beloved family, but also the whole animal community, when Bean leads a vicious, total war campaign to capture Mr. Fox. Trapped underground and without enough food to go around, will the animals band together or will they turn Mr. Fox over to the farmers?
Fantastic Mr. Fox is what happens when quirky drowns whimsical. Instead of a fanciful animal fable, what Wes Anderson gives us with this stop-motion animated film is weird and peculiar. It is sometimes entertaining, even delightful, but still weird and peculiar. The script by Anderson and Noah Baumbach tries to impart wisdom, but much of it is lost in the idiosyncratic visual vibe of this film.
There are some good voice performances, especially Wallace Wolodarsky as Kylie. Because their performances, Jason Schwartzman as Ash and Eric Chase Anderson as Kristopherson end up being the best pairing in the film – the most interesting team.
Fantastic Mr. Fox is a sometimes fun ride, although much of it seems awkward. The strange textures of the animation are a mixed bag. Fantastic Mr. Fox looks like a Tim Burton stop-motion animation picture done with tattered puppets and shabby sets. Ultimately, I find myself sitting on the fence about this film because it entertains and perplexes in equal measure.
5 of 10
B-
NOTES:
2010 Academy Awards: 2 nominations: “Best Achievement in Music Written for Motion Pictures, Original Score” (Alexandre Desplat) and “Best Animated Feature Film of the Year” (Wes Anderson)
2010 BAFTA Awards: 2 nominations: “Best Animated Film” (Wes Anderson) and “Best Music” (Alexandre Desplat)
2010 Golden Globes: 1 nomination: “Best Animated Feature Film”
Thursday, May 20, 2010
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Friday, May 14, 2010
Review: "Daybreakers" Breaks Vampire Mold... Sort of
Daybreakers (2009)
Release date: January 8, 2010
Running time: 98 minutes (1 hour, 38 minutes)
MPAA – R for strong bloody violence, language and brief nudity
DIRECTORS: Michael Spierig and Peter Spierig
WRITERS: The Spierig Brothers
PRODUCERS: Chris Brown, Bryan Furst, and Sean Furst
CINEMATOGRAPHER: Ben Nott
EDITOR: Matt Villa
HORROR/SCI-FI/ACTION
Starring: Ethan Hawke, Willem Dafoe, Claudia Karvan, Michael Dorman, Isabel Lucas, Vince Colosimo, Jay Laga’aia, Christopher Kirby, and Sam Neill
Daybreakers mixes new flavors and ingredients into the old blood that is vampire apocalypse movies. This U.S./Australian co-production has some fresh ideas and some bite to it, but ultimately, the filmmakers, The Spierig Brothers (Undead), seemed content to make another action movie, or at least focus on action.
In the film: by the year 2019, a vicious plague has transformed most of Earth’s population into vampires. With the human population down to five percent, the world is losing what is now its most precious resource – blood. Edward Dalton (Ethan Hawke) is a vampire and also a researcher for the corporation, Bromley Marks. Dalton is trying to create a blood substitute to answer the growing vampire food crisis because of the shrinking blood supply.
Dalton encounters a covert group of humans and their charismatic leader, Lionel “Elvis” Cormac (Willem Dafoe) and his right-hand woman, Audrey Bennett (Claudia Karvan). They are working on a way to turn vampires back into humans and have already made a remarkable discovery which may save the human race. However, Bromley Marks CEO, Charles Bromley (Sam Neill), has plans of his own for the future of the blood supply, and he is using Dalton’s brother, Frankie (Michael Dorman), as his thug.
As a narrative, Daybreakers comes together quite well. For what is essentially a vampire, B-movie, this film is thoughtfully shot and staged. It also has pretensions to be socially relevant and offers commentary on the current state of world affairs. Daybreakers’ vampire plague and Bromley Marks’ response to it are metaphors for corporate exploitation of human suffering and also all-consuming greed. Still, this movie often feels disjointed because the thoughtful character and social drama clash with the brutal fight scenes, fierce action scenes, and the occasional bloodshed, which comes in abrupt splatters like rude ejaculations.
Visually, that is OK for a science fiction film that emphasizes sudden violence and brutality, but the Spierig Brothers should have taken advantage of the complicated and well-conceived family dynamics they obviously took the time to create. Playing up the Dalton brothers’ relationship even more would have better served this film than some of the gunfight and vampire attack scenes.
On the other hand, a movie that is so unromantic about vampires can’t be all that bad. Plus, Daybreakers stars three actors that I have always thought have an alluring screen presence: Ethan Hawke, Willem Dafoe, and Sam Neill, and they didn’t disappoint me here. Daybreakers is fun and thoughtful; too bad it subverts its new ideas for old ideas – bloody violence piled upon more blood and violence.
5 of 10
B-
Friday, May 14, 2010
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