Review: "SING" is Animated by Pop Music Hits

TRASH IN MY EYE No. 20 of 2022 (No. 1832) by Leroy Douresseaux

Sing (2016)
Running time:  108 minutes (1 hour, 48 minutes)
MPAA – PG for some rude humor and mild peril
DIRECTOR:  Garth Jennings with Christophe Lourdelet
WRITER:  Garth Jennings
PRODUCERS:  Janet Healy and Chris Meledandri
EDITOR:  Gregory Perler
COMPOSER:  Joby Talbot

ANIMATION/FANTASY/MUSICAL AND FAMILY/COMEDY

Starring:  Matthew McConaughey, Reese Witherspoon, Seth MacFarlane, Scarlett Johansson, John C. Reilly, Taron Egerton, Tori Kelly, Jennifer Saunders, Garth Jennings, Peter Serafinowicz, Nick Kroll, Leslie Jones, Rhea Perlman, Beck Bennett, Jay Pharoah, Nick Offerman, Laraine Newman, Wes Anderson, and Jennifer Hudson

Sing is a 2016 computer-animated, jukebox musical comedy film written and directed by Garth Jennings and produced by Illumination Entertainment.  The film focuses on a struggling theater owner who holds a singing competition to save his theater.

Sing is set in a city (Calatonia) inhabited by anthropomorphic (humanoid) animals.  The film introduces Buster Moon (Matthew McConaughey), a koala who owns the “Moon Theater.”  The theater is struggling, and Judith (Rhea Perlman), a brown llama who represents Buster's bank, is threatening the theater with foreclosure.  In a bid to get people interested in the theater, Buster decides to hold a singing competition with a prize of $1,000 going to the winner.  However, Buster's secretary, Miss Crawly (Garth Jennings), an elderly iguana, accidentally creates a typo that adds two extra zeros to the prize money.  The misprinted fliers for the competition, which declare a $100,000 prize, are also accidentally blown all over the city.

Soon, animals are lined up in front of the theater for the competition's open audition, but Buster only chooses a select few to participate in the singing competition.  There is Rosita (Reese Witherspoon), a housewife and mother of 25 piglets.  She is paired with another pig, Gunter (Nick Kroll), an exuberant performer who wants to dance as much as he sings.  Ash (Scarlett Johansson) is a punk-rock porcupine and singer who is trying to find her voice as a songwriter.

Johnny (Taron Egerton) is a singer and teenage gorilla, but he is also reluctantly part of his father, Big Daddy's (Peter Serafinowicz) gang of thieves.  Mike (Seth MacFarlane) is a white mouse who is a street musician and singer of swing music.  Meena (Tori Kelly), a teenage elephant, could be a contestant, but she has terrible stage fright.  Can Buster and his friend, Eddie Noodleman (John C. Reilly), a sheep, bring everyone together and save the theater before financial doom sinks them all?

The Hollywood film industry, sometimes called a “dream factory,” has consistently been pedaling fantasies in which plucky underdogs overcome obstacles in order to achieve something positive, which provides the audience with a happy ending.  Some films pile trials and tribulations, errors, failures, and misfortune upon the hero and supporting characters so much so that it often strains credulity.  The idea seems to be that the more the underdog has to overcome, the greater the pay off for the audience when the underdog wins in the end.

That is Sing in the proverbial movie nutshell.  I found it rather tiresome.  Poor old Buster Moon suffers so much failure, most of it brought upon him by his own actions, that it made Buster less sympathetic to me.  Buster is a plucky theater owner.  He is also such a con artist that it is hard to imagine him as much more than a loser, which is what most people would call him.  It did not help that I found Matthew McConaughey all wrong as the voice of Buster.

For me, there are a couple of things that enhance Sing.  First is Seth MacFarlane, who is best known for the Fox Network's long-running, prime time animated television sitcom, “Family Guy.”  Initially, I did not recognize his voice as Mike the white mouse, but when I did, it made sense to me.  MacFarlane is a genius at voice acting in both live-action and animated productions.  He can sing the heck out of big band and swing music standards, and as Mike, he steals most of the scenes in which the character appears.  Seth certainly makes a case for a Mike solo movie.

Second, I also initially did not realize that Scarlett Johansson was the voice of Ash, the punk-rock porcupine.  Johansson gives a voice performance full of texture, emotion, and personality, and when Ash sings, Johansson kills it.  [Johannson has released one solo album and an album recorded with Pete Yorn].  I spent most of movie wanting for her to be back on screen.  I'm one vote for an Ash movie.

Finally, the third thing that saves this film is the last 20 minutes.  Most of Sing's characters are caricatures and character types, as pleasant as they may be.  However, all the characters (except Buster) shine in the film's riveting, song-filled final 20 minutes.  This rousing songfest even offers a thrilling jail break and a crazy car chase.  I avoided Sing for years, and I am not really interested in singing competitions, in general.  I only really watched it because I am going to watch and review its recent sequel, Sing 2.  However, MacFarlane, Johansson, and the show-stopping finale made me glad I watched Sing.  I like animated movies – even the ones that are not Pixar-great.

6 of 10
B

Saturday, April 2, 2022


NOTES:
2017 Golden Globes, USA:  2 nominations: “Best Original Song - Motion Picture” (Ryan Tedder, Stevie Wonder, and Francis and the Lights for the song, “Faith”) and “Best Motion Picture – Animated”


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Review: "THE ADDAMS FAMILY 2" is a Truly Disappointing Sequel

TRASH IN MY EYE No. 9 of 2022 (No. 1821) by Leroy Douresseaux

The Addams Family 2 (2021)
Running time:  93 minutes (1 hour, 33 minutes)
MPAA – PG for macabre and rude humor, violence and language
DIRECTORS:  Greg Tiernan and Conrad Vernon
WRITERS:  Dan Hernandez, Benji Samit, Ben Queen, and Susanna Fogel; from a story by Dan Hernandez and Benji Samit (based on the characters created by Charles Addams)
PRODUCERS:  Gail Berman, Alison O'Brien, Danielle Sterling, and Conrad Vernon
EDITOR:  Ryan Folsey
COMPOSERS: Jeff Danna and Mychael Danna

ANIMATION/FANTASY/COMEDY/FAMILY

Starring:  (voices) Oscar Isaac, Charlize Theron, Chloe Grace Moretz, Javon “Wanna” Walton, Nick Kroll, Snoop Dogg, Bette Midler, Conrad Vernon, Bill Hader, Wallace Shawn, Brian Sommer, Cherami Leigh, and Ted Evans

The Addams Family 2 is a 2021 computer-animated supernatural comedy from directors Conrad Vernon and Greg Tiernan.  The film is a sequel to the 2019 animated film, The Addams Family.  Both films are based on the characters created by The New Yorker cartoonist, the late Charles Addams (1912-1988).  The Addams Family 2 focuses on the Addams Family as take a road trip, during which a scientist pursues Wednesday.

The Addams Family 2 opens at a school science fair.  There, Wednesday Addams (Chloe Grace Moretz) presents her experiment, in which she uses DNA from her pet squid, Socrates, on her Uncle Fester (Nick Kroll) to show how humans can be improved.  Wednesday is somewhat put off that her family:  father, Gomez Addams (Oscar Isaac); mother, Morticia (Charlize Theron); and her brother, Pugsley (Javon “Wanna” Walton) have decided to attend the science fair, which is sponsored by the Cyrus Strange Foundation.  Cyrus Strange (Bill Hader) himself appears at the fair as a 3D hologram, and he is instantly drawn to Wednesday experiment and hopes to recruit her to work for him.

Back at home, Gomez Addams worries that the children are drifting apart from him and Morticia.  He decides that a family vacation is just what is needed to keep the family together, so he declares that they are going on a road trip across the United States.  Uncle Fester, Thing (the sentient hand), and Lurch (the butler) join them on the vacation, with everyone packing into an huge, odd-looking camper.  Gomez even takes the family to Miami where he hopes Cousin Itt (Snoop Dogg) can help with the family dilemma.

There is a complication in these vacation plans, however.  Cyrus Strange is determined to have Wednesday, and sends a shady lawyer, Mr. Mustela (Wallace Shawn), and a brutish henchman, Pongo (Ted Evans) to trick Gomez and Morticia into believing that Wednesday might be Cyrus' child.  Wednesday is already having doubts about her connections to the Addams Family, so which family will she decide to choose, the Addams or Cyrus Strange?

Charles Addams' macabre cartoon characters first became “The Addams Family” in the former ABC television series, “The Addams Family” (1964-66).  I have been a fan of that series since I was a child.  As a child, I was also a fan of NBC's former Saturday morning cartoon series, “The Addams Family” (Hanna-Barbera, 1973).  That series depicts the Addams Family on a cross-country road trip, exploring the United States in their “Creepy Camper” that resembles their Victorian-style mansion home.  The Addams Family 2 is not a remake of that old cartoon series, but it does borrow a few elements from it.

The Addams Family 2019 was enough of a hit that producing a sequel probably seemed obvious to MGM, which holds the rights to produce Addams Family film and television series.  The end result is something that looks and feels like a sequel that was rushed into production.  The idea of Wednesday not being an Addams is a ridiculous plot.  I can certainly accept the notion of a precocious child wondering about her parentage and lineage.  However, if she is different from the rest of her family, it is because each member of the Addams Family is different from all others.  That is the point this film makes at end of the story, but we didn't need an entire mediocre movie to tell us that.  Raising questions about Wednesday's family is just a lame plot line.

So, it goes without saying that I did not like this film.  The Addams Family 2 ends up being the latest in a long line of pitiful Hollywood road trip movies.  I will say that the last 17 minutes of the film – before the end credits – are actually good.  It is the only time that the film has any real conflict, melodrama, or action, and what happens in these seventeen minutes is actually consequential to the both the Addams Family and a few other supporting characters.

The Addams Family 2019 is my favorite media adaptation of “The Addams Family” characters outside of the 1960s and 1970s.  It manages to be sweet, charming, heartwarming, and, of course, macabre – the way it should be.  I gave it a B+, but The Addams Family 2 bored the hell outta me until the last seventeen minutes.  I'm being generous giving it a C.

4 of 10
C

Wednesday, February 23, 2022


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Review: Walt Disney's "TARZAN" is Something Old, Something New, and Sometimes Amazing

TRASH IN MY EYE No. 114 (of 2004) by Leroy Douresseaux

Tarzan (1999)

Running time:  88 minutes ( hour, 28 minutes)

MPAA – G

DIRECTORS:  Chris Buck and Kevin Lima

WRITERS:  Tab Murphy and Bob Tzudiker & Noni White; from a story by numerous writers (based upon the Edgar Rice Burroughs novel Tarzan of the Apes)

PRODUCER:  Bonnie Arnold

EDITOR:  Gregory Perler

COMPOSER:  Mark Mancina

SONGS:  Phil Collins

Academy Award winner

ANIMATION/ACTION/ADVENTURE/FAMILY

Starring:  (voices) Tony Goldwyn, Minnie Driver, Glenn Close, Brian Blessed, Lance Henriksen, Wayne Knight, Alex D. Linz, Rosie O’Donnell, and Nigel Hawthorne

The subject of this movie review is Tarzan, a 1999 animation fantasy-adventure film and musical directed by Chris Buck and Kevin Lima.  The film is based on Tarzan of the Apes, the first Tarzan novel written by Tarzan creator, Edgar Rice Burroughs.  Walt Disney’s Tarzan focuses on a man who was raised by gorillas, but who must decide where he really belongs when he discovers that he is a human.

Tarzan, Walt Disney’s animated version of Edgar Rice Burroughs’ classic character Tarzan, was one of the best films of the year 1999.  In fact, it was better than the Academy Award winner for Best Picture that year, American Beauty.  Many film fans and critics point to 1989’s The Little Mermaid as Disney’s return to the kind of high quality animation that made the studio so famous from the later 1930’s to the early 1950’s.  From 1989 to 2004 (when Disney stopped making feature length animated films for theatrical release, for the foreseeable future), Tarzan stands as a high water mark, being one of the best efforts of that second golden age of Disney animation (known as the “Disney Renaissance”).

However, the film isn’t just a great effort in animation, it’s also a great film, period.  Like classic Disney films, there is something for everyone.  The drama, humor, action, and adventure reach across generations to entertain anyone, especially if adults have open minds about opening up to the story of an animated film.

In this version of the classic tale, the gorilla Kala (Glenn Close) rescues an orphaned human after she finds its parents’ murdered bodies.  She names him Tarzan (Alex D. Linz) and takes him as her own because she is left childless after a leopard killed her infant.  Years later, the adult Tarzan (Tony Goldwyn) discovers he is human when he falls in love with Jane Porter (Minnie Driver), who comes to Tarzan’s jungle home with her father, Professor Porter (Nigel Hawthorne).  His love for Jane forces Tarzan to decide where he belongs when he has to choose between staying with his gorilla family or following Jane back to England.

Unlike many Disney animated films, Tarzan is thoroughly a boys’ action/adventure tale filled as it is with jungle chases over trees and through dense foliage and with combat fought to the death.  He is a boy’s man, having fun all day, surfing by his feet over thick and long tree branches, and he’s a whirling dervish of flips, twists, spins, leaps, dives, etc.  The film is, however, also quite poignant in its drama, particularly in the romance between Tarzan and Jane and in the relationship between Tarzan and his mother, Kala.

What would a Disney cartoon be without laughter and songs?  There is plenty of humor, some of it surprisingly provided by Rosie O’Donnell as Tarzan’s gorilla playmate, Terk (performed when she was still the “Queen of Nice.”).  The musical score is also very good, soaring and emotional.  However, it is Phil Collins’ song score that really makes the film, and Collins finally won his long sought after “Best Music, Original Song” Oscar® for a track entitled, “You’ll Be in My Heart.”

9 of 10

A+

NOTES:

2000 Academy Awards, USA:  1 win: “Best Music, Original Song” (Phil Collins for the song “You'll Be In My Heart”)

2000 Golden Globes, USA:  1 win: “Best Original Song - Motion Picture” (Phil Collins for the song “You'll Be In My Heart”)

Updated:  Saturday, August 02, 2014

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Movie Review: "RAYA AND THE LAST DRAGON" Has Lovable Characters

TRASH IN MY EYE No. 41 of 2021 (No. 1779) by Leroy Douresseaux

Raya and the Last Dragon (2021)
Running time:  107 minutes
MPAA – PG for some violence, action and thematic elements
DIRECTORS:  Don Hall and Carlos López Estrada with Paul Briggs and John Ripa (co-directors)
WRITERS:  Qui Nguyen and Adele Lim; from a story by Paul Briggs, Don Hall, Adele Lim, Carlos López Estrada, Kiel Murray, Qui Nguyen, John Ripa, and Dean Wellins
PRODUCERS:  Peter Del Vecho and Osnat Shurer
CINEMATOGRAPHER:  Rob Dressel
EDITORS:  Fabienne Rawley and Shannon Stein
COMPOSER:  James Newton Howard

ANIMATION/FANTASY/FAMILY/ACTION/ADVENTURE

Starring:  (voices) Kelly Marie Tran, Awkwafina, Gemma Chan, Izaac Wang, Daniel Dae Kim, Benedict Wong, Jona Xiao, Sandra Oh, Thalia Tran, Lucille Song, and Alan Tudyk

Raya and the Last Dragon is a 2021 computer-animated fantasy film from directors Don Hall and Carlos López Estrada and is produced Walt Disney Animation Studios.  It is the 59th animated feature film in the “Walt Disney Animated Classics” line.  Raya and the Last Dragon is set in a magical realm where a young princess searches for the whereabouts of the last dragon in order to save her world.

Raya and the Last Dragon opens in the realm of “Kumandra.”  Five hundred years earlier, Kumandra was ravaged by the “Druun,” a mindless plague of evil spirits that consumed life and turned everything and everyone they touched into stone.  Kumandra had been made prosperous by the presence of dragons, magical creatures who brought water, rain, and peace.  The Druun manage to petrify all the dragons, except the last one, “Sisudatu,” who used a magical gem to banish the Druun.  However, a power struggle for the “Dragon Gem” divided Kumandra's people into five tribes:  Heart, Tail, Talon, Spine, and Fang.

Five hundred years later, Chief Benja (Daniel Dae Kim) of the Heart tribe trains his daughter, Raya (Kelly Marie Tran), in the fighting skills she will need in order to become a “Guardian of the Dragon Gem,” like her father.  Benja also steadfastly believes that the five tribes can be united, so he decides to hold a feast for the leadership of all five tribes.  During the feast, Raya is betrayed in a plot to steal the Dragon Gem, but this leads to the gem being broken into five pieces during the scuffle to possess it.  The four other tribes each steals a piece of the gem, which reawakens the Druun, who promptly go on a rampage and begin turning people into stone.

For the next six years, Raya and Tuk Tuk (Alan Tudyk), Raya's best friend and trusty steed (a mix of an armadillo and a pill bug), continue their search for the resting place of Sisudatu, also known as “Sisu” (Awkwafina).  After she finds Sisu, Raya must obtain the other four pieces of the Dragon Gem so that Sisu, the last dragon, can revive Kumandra.  Joining Raya and Sisu are the boy captain, Boun (Izaac Wang); a warrior from Spine, Tong (Benedict Wong); and a toddler con artist, Little Noi (Thalia Tran), and her trio of monkey-like companions, the Ongis.  But standing in her way is an old rival, Namaari (Gemma Chan), and the land of Fang.

Honestly, Raya and the Last Dragon would be little more than a version of The Lord of the Rings based on Southeastern Asian culture, myth, and religion … if not for this Disney's film's great characters.  Every character, from Raya and her friends to her rivals and enemies, is honestly wonderful.  I couldn't get enough of them.  I think Namaari, both the child and older version, should have her own stories.  I could see her as the star of her own movie.  Little Noi and her Ongis are so cute that they make it impossible for me to really find fault with this movie.  Noi and her monkey-like companions are the kind of great supporting characters that only the magic of Disney storytelling can create.  Boun is also adorable and wholly capable of having his own stories.  Benedict Wong gives the most layered and nuanced voice performance, in a film full of exemplary voice performances, in creating Tong as a fully developed, three-dimensional character.

Kelly Marie Tran, who was a social media punching bag over her role in the Star Wars “sequel films,” does as much as Raya and the Last Dragon's great animators in making Raya a believable hero on a journey of learning and of discovery.  Tran transforms Raya into a great female hero, on par with the best live-action female action movie heroes.

Like the typical Walt Disney animated feature film, Raya the Last Dragon has gorgeous animation that moves in seemingly impossible ways, and the colors are dazzling.  The themes of trust and hope permeate this film and feel genuine.  I will say that Kumandra's basic concepts and myths feel contrived.  I expected something different and more imaginative from a film inspired by Southeast Asia.  Still, Raya and the Last Dragon is dazzling entertainment.  And like the best Walt Disney animated classics, I see it having a long, long life, entertaining generations of movie audiences.

8 of 10
A

Sunday, June 20, 2021


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#28DaysofBlack Review: "A WRINKLE IN TIME" is Wonderfully Weird

 

[I imagine that The Walt Disney Company had to make “A Wrinkle in Time” an accounting write-off.  The film under-performed at the box office, which is a shame.  It is one of the most original science fiction and fantasy films of the 21st century.  I also honestly believe that this film is such a unique vision because it was directed by an African-American woman, Ava DuVernay.]

TRASH IN MY EYE No. 18 of 2021 (No. 1756) by Leroy Douresseaux

A Wrinkle in Time (2018)
Running time:  109 minutes (1 hour, 49 minutes)
MPAA – PG for thematic elements and some peril
DIRECTOR:  Ava DuVernay
WRITERS:  Jennifer Lee and Jeff Stockwell (based on the novel by Madeleine L'Engle)
PRODUCERS:  Catherine Hand and Jim Whitaker
CINEMATOGRAPHER:  Tobias Schliessler (D.o.P.)
EDITOR:  Spencer Averick
COMPOSER:  Ramin Djawadi

SCI-FI/FANTASY/ADVENTURE/FAMILY/DRAMA

Starring:  Storm Reid, Oprah Winfrey, Reese Witherspoon, Mindy Kaling, Levi Miller, Deric McCabe, Chris Pine, Gugu Mbatha-Raw, Zach Galifianakis, Michael Pena, Andre Holland, Rowan Blanchard, and David Oyelowo

A Wrinkle in Time is a 2018 science fiction and fantasy-adventure film directed by Ava DuVernay.  The film is based on Madeleine L'Engle's 1962, A Wrinkle in Time, the first book in her “Time Quintet” series.  A Wrinkle in Time the movie follows a young girl, her brother, and a school friend as they set off on a quest across the universe to find the girl's missing father.

A Wrinkle in Time introduces 13-year-old Meg Murry (Storm Reid).  She continues to struggle to adjust at school four years after the disappearance of her father, Alex Murry (Chris Pine), a renowned astrophysicist.  Meg and her gifted younger brother, Charles Wallace (Deric McCabe), have also been in trouble with their school's Principal Jenkins (Andre Holland).  Even their mother, Dr. Kate Murry (Gugu Mbatah-Raw), struggles in the wake of the disappearance of her husband.  However, Meg has made a new friend, her classmate, Calvin O'Keefe (Levi Miller).

Then, the Murrys and Calvin start to get unusual visitors.  They call themselves “the Misses.”  They are Mrs. Which (Oprah Winfrey), Mrs. Whatsit (Reese Witherspoon), and Mrs. Who (Mindy Kaling), a trio of astral beings who claim that the “tesseract,” a method of space travel that Alex Murry was studying, is real.  These astral travelers reveal that they have come to help find Alex, who has transported himself across the universe.  They need Meg, Charles Wallace, and Calvin's help, and they need them to be “warriors.”  However, Meg doubts her own abilities and really doesn't like herself all that much, and that will make her vulnerable to the powerful enemy that awaits them, “The IT.”

The cinematography by Tobias A. Schliessler, the costume design by Paco Delgado, and the production design by Naomi Shohan come together to create one of the most visually beautiful science fiction films that I have seen in a decade.  The film editing by Spencer Averick and the gorgeous score by Ramin Djawadi make that beauty move and feel vibrant, creating a film like no other.

Beyond the high production values, director Ava DuVernay has fashioned a big-hearted film that is one of the most ambitious science fiction and fantasy films in recent memory.  I have never read Madeleine L'Engle's now legendary novel, so I assume that screenwriters Jennifer Lee and Jeff Stockwell (and any other writers that contributed to the final product) condensed the character drama in order to focus on Meg Murry.  However, DuVernay and the writers, through Meg, tell a story in which love and imagination and determination and fortitude can send humans on a voyage that traverses not only our galaxy, but also the universe.

Young actress Storm Reid as Meg Murry is poignant and engaging as the young hero who must learn to both love and accept herself and to believe in herself.  Her teen (or 'tween) struggles seem honest and genuine.  In a movie full of offbeat performances of odd characters, Reid makes Meg seem solid and the driving force of this narrative.

Young Deric McCabe seems supernaturally self-assured as Charles Lawrence Murry, making the young brother an important counterpart to Meg.  Levi Miller is a pleasant addition as Calvin O'Keefe whose main role is to believe in Meg even when she doesn't believe in herself, but the story also gives Calvin his own poignant journey.

I get why adults, especially film critics, had mixed feelings about the film.  I think young viewers will get it, and this film adaptation of A Wrinkle in Time is important because Ava DuVernay, once again, reinvents what a black female can be on screen in a Hollywood film.  A Wrinkle in Time may be a fantasy film dressed in the many multi-colored robes of science fiction, but this film introduces new kinds of warriors in service of the universe.  And one of those new colors is a young black girl, and that makes A Wrinkle in Time an exceptional film for this time.

9 of 10
A+

Monday, February 22, 2021


2019  Black Reel Awards”  3 nominations: “Outstanding Cinematography” (Tobias A. Schliessler), “Outstanding Costume Design” (Paco Delgado), and “Outstanding Production Design” (Naomi Shohan)


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Review: "Scooby-Doo! and the Gourmet Ghost" is a Happy Meal

TRASH IN MY EYE No. 3 of 2021 (No. 1741) by Leroy Douresseaux

Scooby-Doo! and the Gourmet Ghost (2018) – Video
Running time:  77 minutes (1 hour, 17 minutes)
DIRECTOR:  Doug Murphy
WRITER: Tim Sheridan (based on the Hanna-Barbera characters)
EDITOR:  Scott Fuselier
COMPOSERS:  Matthew Janszen and Jake Monaco
ANIMATION STUDIO: Digital eMation, Inc.

ANIMATION/FANTASY/FAMILY and ACTION/COMEDY/MYSTERY

Starring:  (voices) Frank Welker, Matthew Lillard, Grey Griffin, Kate Micucci, Jim Cummings, Bobby Flay, Giada De Laurentiis, Marcus Samuelsson, Maya Haile, David Kaye, Salli Saffioti, Dana Snyder, Jason Spisak, and Audrey Wasilewski

Scooby-Doo! and the Gourmet Ghost is a 2018 straight-to-video, animated, comic mystery film.  It is also the 31st animated movie in the Scooby-Doo straight-to-video series from Warner Bros. Animation, which began in 1998 with Scooby-Doo on Zombie Island.  In Scooby-Doo! and the Gourmet Ghost, Mystery Inc. meet celebrity chefs and a relentless Revolutionary War-era ghost.

Scooby-Doo! and the Gourmet Ghost opens in Newport Cove, Rhode Island, the year 1780.  Local chef and Revolutionary War hero, Chef Edward DuFlay (David Kaye), delights his neighbors with a gift, but later, disappears not long after he returns to his home and place of work, the Rocky Harbor Inn.  The last thing the townsfolk here is Chef DuFlay yelling “the Red Ghost, the Red Ghost!”

Moving to the present, we find Mystery Inc.: Fred Jones (Frank Welker), Daphne Blake (Grey Griffin), Velma Dinkley (Kate Micucci), Shaggy Rogers (Matthew Lillard), and Scooby-Doo (Frank Welker) arriving at the Rocky Harbor Inn, where Fred's uncle, Bobby Flay (Bobby Flay), has invited them to stay.  Actually, Fred is surprised to learn that Uncle Bobby is a celebrity chef.

Inside the inn, Bobby informs the gang that he has remodeled Rocky Harbor Inn and has changed its name to Rocky Harbor Culinary Institute.  It is a state-of-the-art kitchen fantasy camp designed to make cooking easy and fun.  It has a high-tech kitchen where “Rocky” (Grey Griffin), an interactive computer program, keeps the kitchen humming.

The gang also meet other famous resort attendees.  The first is celebrity chef, Giada De Laurentiis (Giada De Laurentiis) and her cat, Bella.  Then, they meet fellow celebrity chef, Marcus Samuelsson (Marcus Samuelsson), and his super-model wife, Maya Haile (Maya Haile), both of whom have previously had a run-in with Shaggy.

But all is not fun and games and eating great food.  The legendary “Red Ghost” is still haunting Rocky Harbor Inn, and apparently wants to destroy it.  And there seems to be some unpleasantness tied to the memory of Fred and Bobby Flay's ancestor, Chef Edward DuFlay.  Can Mystery Inc. solve this latest supernatural mystery before Bobby Flay loses everything he has worked so hard to create with Rocky Harbor Culinary Institute?

Scooby-Doo! and the Gourmet Ghost is one of the best Scooby-Doo! direct-to-DVD animated films that I have seen since I started watching the series on a regular bases a little over a decade ago.  I think the reason that I like it so much is that real-life celebrity chefs and television personalities, Bobby Flay, Giada De Laurentiis, Marcus Samuelsson, and Maya Haile (all playing themselves), bring some fresh ingredients to this series.

Writer Tim Sheridan also offers a buffet of fresh and tasty subplots that brings out the flavor of the main plot (solving the mystery of the Red Ghost).  The animation is especially good, and the directing and editing create a fast-paced, but thoughtful film, full of both engaging mystery and zany action.  I highly recommend Scooby-Doo! and the Gourmet Ghost to fans of the series and to fans of Scooby-Doo!

8 of 10
A

Monday, January 18, 2021


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Review: "The Addams Family" Gives the Middle Finger to Assimilation

TRASH IN MY EYE No. 1 of 2021 (No. 1739) by Leroy Douresseaux

[This review was originally posted on Patreon.]

The Addams Family (2019)

Running time:  86 minutes (1 hour, 26 minutes)

MPAA – PG for macabre and suggestive humor, and some action.

DIRECTORS:  Greg Tiernan and Conrad Vernon

WRITERS:  Matt Lieberman; from a story by Matt Lieberman, Erica Rivinoja, and Conrad Vernon (based on the characters created by Charles Addams)

PRODUCERS:  Gail Berman, Alison O'Brien, Alex Schwartz, and Conrad Vernon

EDITORS:  Kevin Pavlovic and David Ian Salter

COMPOSERS: Jeff Danna and Mychael Danna

ANIMATION/FANTASY/COMEDY/FAMILY

Starring:  (voices) Oscar Isaac, Charlize Theron, Chloe Grace Moretz, Finn Wolfhard, Nick Kroll, Snoop Dogg, Bette Midler, Allison Janney, Martin Short, Catherine O'Hara, Tituss Burgess, Jenifer Lewis, Elsie Fisher, Conrad Vernon, and Pom Klementieff

The Addams Family is a 2019 computer-animated comedy from directors Conrad Vernon and Greg Tiernan.  The film is based on the characters created by The New Yorker cartoonist, the late Charles Addams (1912-1988).  The Addams Family the movie focuses on an eccentrically macabre family and their interactions with the denizens of a colorful, but bland suburb.

The Addams Family opens as Gomez (Oscar Isaac) and Morticia (Charlize Theron) prepare to marry in front of their eccentric, odd, and weird family members.  However, the people of the local town despise the macabre nature of the happy couple and their family, and chase them away.  Luckily, the newlywed Morticia and Gomez and their companion, Thing (sentient hand), escape to New Jersey.  There, the trio finds two things.  The first is a home in an abandoned and decaying manor-style building that was once an asylum, and the second is a butler in the hulking Lurch (Conrad Vernon).

Thirteen years later, Morticia and Gomez have two children – a precocious and mordacious, Wednesday (Chloe Grace Moretz); and an explosives-loving son, Pugsley (Finn Wolfhard).  The family is in kind of a state of crisis.  Gomez struggles as he prepares Pugsley for his upcoming “Sabre Mazurka,” a rite of passage that every male Addams family member must pass.  Morticia struggles to keep Wednesday from wanting to experience the world outside the mansion, which includes the girl's desire to go to school.

Elsewhere, reality TV host, Margaux Needler (Allison Janney), is in the middle of building a perfect planned community that she is calling, “Assimilation.”  This is supposed to be the highlight of her television series' season finale.  However, when she discovers that the Addams' dilapidated home overlooks Assimilation, Margaux is determined to give their home an extreme makeover, whether they like it or not.  Meanwhile, many members of the Addams clan are gradually arriving in order to celebrate Pulley's big day.

I have been a fan of ABC's 1960s television series, “The Addams Family” (1964-66), since I was a child.  As a child, I was also a fan of NBC's Saturday morning cartoon series, “The Addams Family” (1973).  I have mixed feelings about Orion Pictures' two 1990s live-action films, The Addams Family (1991) and Addams Family Values (1993).  As an adult, I became a huge fan of the work of Charles Addams, especially of his delightfully macabre cartoons that featured the characters that would become known as “The Addams Family.”

The latest media iteration of these characters, the computer-animated The Addams Family, borrows elements from the Addams Family media that has come before it.  Here, the illustrative and graphic design of the characters and their world recall both Addams cartoons and the 1973 TV series, although I find the way this film's Morticia and Gomez look to be a little off-putting.  Overall, however, I find the look of this film visually appealing, and I think the Addams family's relatives are an interesting lot of inventively designed characters.

One thing that I think The Addams Family 2019 has over The Addams Family 1990s film franchise is that this animated film gets it right in the way it contrasts the Addams family against the outside world.  Charles Addams' best cartoons juxtaposed his creepy characters and their playfully insidious actions with the normal human world.  Much about the 1990s films was insular and did not send the family out into the normal world.  The second film did, at least, send Wednesday and Pugsley to summer camp, which is why I think the second film is much better than the first.

By sending the Addams down the mountain to meet their neighbors in this film, the filmmakers get to play with themes and ideas of individuality, conformity, acceptance, change, and family, which makes this movie more than just another cartoon romp featuring a bunch of strange characters.  Ultimately, The Addams Family 2019 emphasizes that a family can be made up of both different people and of people who live and act differently from the rest of the family.

This film's standout voice actor/character pairs are Chloe Grace Moretz as Wednesday and Allison Janney as Margaux Needler.  Nick Kroll delivers a killer turn as Uncle Fester, and Bette Midler takes what is a small role in Grandmama Addams and makes it feel like a major part.  Jenifer Lewis, with her commanding voice and delivery, turns Great Auntie Loom into a character that steals scenes.

The Addams Family 2019 is my favorite media adaptation of “The Addams Family” characters outside of the 1960s and 1970s.  I highly recommend this film to fans of the characters.  It does take a while for the film to get going – about 20 minutes into the story, but it manages to be sweet, charming, heartwarming, and, of course, macabre – the way it should be.

7 of 10
B+

Sunday, November 8, 2020


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Review: "THE PRINCESS BRIDE" Still Storming the Castle

TRASH IN MY EYE No. 21 (of 2020) by Leroy Douresseaux

[This review originally appeared on Patreon.]

The Princess Bride (1987)

Running time: 98 minutes (1 hour, 38 minutes)

MPAA – PG

DIRECTOR:  Rob Reiner

WRITER:  William Goldman (based on the book by William Goldman)

PRODUCERS:  Rob Reiner and Andrew Scheinman

CINEMATOGRAPHER:  Adrian Biddle

EDITOR:  Robert Leighton

COMPOSER:  Mark Knopfler

Academy Award nominee

FANTASY/ROMANCE/ADVENTURE/FAMILY

Starring:  Cary Elwes, Robin Wright, Mandy Patinkin, Chris Sarandon, Christopher Guest, Wallace Shawn, Andre the Giant, Fred Savage, Peter Falk, Carol Kane, and Billy Crystal

The Princess Bride is a 1987 fantasy-adventure and romantic film from director Rob Reiner.  The film is based on William Goldman's 1973 novel, The Princess Bride, for which Goldman wrote the screenplay adaptation.  2017 will mark the 30th anniversary of the film's release (October 9, 1987).  In The Princess Bride the film, a grandfather tells his grandson the story of a princess sought by two men who desire her – one a mysterious hero and the other a hateful prince.

The Princess Bride opens with a framing story in which The Grandfather (Peter Falk) reads a book, “The Princess Bride,” to The Grandson (Fred Savage), who is sick and relegated to his bed.  The story then travels from the present day of the Grandson's bedroom to the past of the Renaissance Era.  The place of arrival is a country named “Florin.”  There, we meet Buttercup (Robin Wright), a beautiful young woman, and Westley (Cary Elwes), the farmhand she loves to order around.  The truth is that Buttercup loves Westley, but one day, Westley leaves the farm to seek his fortune.

Later, Buttercup learns that Westley was on ship that was attacked by the Dread Pirate Roberts and is assumed dead.  The story moves ahead five years, and Buttercup has reluctantly agreed to marry Humperdinck (Chris Sarandon), Prince of Florin.  There are, however, conspiracies and conspirators afoot who stand in the way of that marriage.  This includes a Sicilian crime boss named Vizzini (Wallace Shawn), a giant named Fezzik (André the Giant), a Spanish master swordsman named Inigo Montoya (Mandy Patinkin), and a mysterious man in black.

Recently, IDW Publishing sent me a copy-for-review of their adult coloring book based on The Prince Bride, entitled The Princess Bride: A Storybook to Color.  I decided that I finally needed to sit down and watch The Princes Bride, start to finish, in its entirety, which I had never done.  Why had I not done that before?  I don't know.  I have always been curious about the movie, and I even owned a copy of William Goldman's novel a long time ago (which I lost before I could read it).

I can describe The Princess Bride as a multi-genre movie.  It is part medieval fantasy, part storybook romance, and part swashbuckling adventure (quietly and gently adventurous).  And the result is a damn fine movie.  I don't know what makes it work, but I think director Rob Reiner has a lot to do with that.  His directorial pace and mood suggests that he wanted this movie to be a storybook tale that found comedy in the elements of fairy tales and fantasy, but without mocking and parodying them.  Also, I think William Goldman's screenplay builds the characters using quirks and eccentricities so that he can poke fun at the players rather than at the genres that are their field of play.

The resulting film is an utterly delightful and a truly unique cinematic gem.  I don't think Reiner could get The Princess Bride made today, not without pumping it full of intense action and making extensive use of computer-generated imagery (CGI).  If made today, even the film's photography would be heavily altered and enhanced through the use of software.

The Princess Bride is essentially a “hand-made” movie, and somehow the talent involved in this film made magic.  I bet they did not realize that until they saw the finished film.  If you have not yet seen The Princess Bride, it is time for you to realize the magic, too.

9 of 10
A+

Sunday, January 22, 2017

NOTES:
1988 Academy Awards, USA:  1 nomination: “Best Music, Original Song” (Willy DeVille for the song "Storybook Love")

The text is copyright © 2017 Leroy Douresseaux. All Rights Reserved. Contact this site for reprint and syndication rights and fees.

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Review: " The Lion King" Still Rules the Pride Lands

TRASH IN MY EYE No. 14 (of 2019) by Leroy Douresseaux

[This review was originally posted on Patreon.]

The Lion King (2019)
Running time: 118 minutes (1 hour, 58 minutes)
MPAA – PG for sequences of violence and peril, and some thematic elements
DIRECTOR: Jon Favreau
WRITER: Jeff Nathanson (based on the 1994 story written by Brenda Chapman and characters created by Irene Mecchi, Jonathan Roberts, and Linda Woolverton)
PRODUCERS: Jon Favreau, Karen Gilchrist, and Jeffrey Silver
EDITORS: Adam Gerstel and Mark Livolsi
COMPOSER: Hans Zimmer
SONGS: Elton John and Tim Rice and Beyoncé

FANTASY/DRAMA/FAMILY with elements of comedy

Starring:  (voices) Donald Glover, Beyoncé, Chiwetel Ejiofor, James Earl Jones, John Oliver, John Kani, Alfre Woodard, JD McCary, Shahadi Wright Joseph, Keegan Michael-Key, Eric André, Florence Kasumba, Seth Rogen, Billy Eichner, Amy Sedaris, Chance Bennett (Chance the Rapper), Phil LeMarr, J. Lee, and Josh McCrary

The Lion King is a 2019 musical, fantasy-drama film directed by Jon Favreau and released by Walt Disney Pictures.  It is a live-action remake of the 1994, Oscar-winning, animated film, The Lion King.  The Lion King 2019 focuses on a young lion prince who flees his kingdom after the death of his father, which he blames on himself.

The Lion King opens in the Pride Lands of Africa.  From his perch on Pride Rock, King Mufasa (James Earl Jones) leads a pride of lions and rules over the animal kingdom.  As the story begins, Queen Sarabi (Alfre Woodard) has given birth to a cub, Simba, who will one day succeed his father as king.  Simba (JD McCary) is a playful cub and enjoys romping with his best friend and future love interest, a lioness named Nala (Shahadi Wright Joseph).  Simba, however, is also a willful cub, so Mufasa must guide and prepare Simba for the day when he will rule.

Meanwhile, Mufasa’s younger brother, Scar (Chiwetel Ejiofor), lurks in the shadows, bitter that he is not king, and he plots with a pack of hyenas to murder Mufasa.  After tragedy strikes, Simba leaves the Pride Lands, intending never to return.  Years later, an adult Simba (Donald Glover) lives in exile, and his constant companions are a meerkat, Timon (Billy Eichner), and a warthog, Pumbaa (Seth Rogen).  However, Simba’s past returns in the form of an old friend,  Now, Simba must learn the true meaning of responsibility and bravery as he is forced to make important decisions about both his future and that of the Pride Lands.

The Lion King works better as an animated feature film than it does as a live-action film.  Still, The Lion King the live-action film is quite entertaining.  I think that many of Walt Disney's classic animated films need a retelling every two or three generations, and it was time for The Lion King to be retold for a new generation or two.  [No, I have never seen The Lion King the musical that was first staged in 1997 and won the Tony Award for “Best Musical.”]

The Lion King 2019 may be an inferior (but not especially inferior) work to The Lion King 1994, but director Jon Favreau and his visual effects collaborators present a visual spectacular.  When the story lags, which it does a few times, the bounding animals and the Pride Lands, with its seemingly infinite variety of environments, will grab your wandering imagination and pull you back into the story.

The animals, which, I am assuming, are mostly computer-generated and rendered, are dazzling in their photo-realism.  I find Scar to be the most impressive, looking not to lean, not to dirty, but clearly a bit raggedy, which goes great with his conniving ways and with his feelings of bitterness and envy.

The voice performances are good.  JD McCary and Shahadi Wright Joseph, who voice the young Simba and Nala respectively, are exceptionally good.  If The Lion King 2019 has star performers, they are McCary and Ms. Joseph; they give this film the energy it needs to carry it to the rousing finale.  These young performers assure that The Lion King 2019 keeps the heart of its story – learning the meaning of being responsible, accountable, and brave.

7 of 10
B+

Sunday, July 21, 2019


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Review: Live-Action "Aladdin" is Quite Lively

TRASH IN MY EYE No. 11 (of 2019) by Leroy Douresseaux

[This review was originally posted on Patreon.]

Aladdin (2019)
Running time: 128 minutes (2 hours, 8 minutes)
MPAA – PG for some action/peril
DIRECTOR:  Guy Ritchie
WRITERS:  Guy Ritchie and John August (based the 1992 film, Aladdin, written by Ron Clements, John Musker, Ted Elliott, Terry Rossio; and on the folk tale, “Aladdin,” from One Thousand and One Nights)
PRODUCERS:  Jonathan Eirich and Dan Lin
CINEMATOGRAPHER:  Alan Stewart (D.o.P)
EDITOR:  James Herbert
COMPOSER: Alan Menken

FANTASY/MUSICAL/COMEDY and ADVENTURE/FAMILY

Starring:  Will Smith, Mena Massoud, Naomi Scott, Marwan Kenzari, Navid Negahban, Nasim Pedrad, Billy Magnussen, and Numan Acar with Alan Tudyk and Frank Welker

Aladdin is a 2019 fantasy adventure film directed by Guy Ritchie and produced by Walt Disney Pictures.  The film is a live-action remake of Disney's classic animated film, Aladdin (1992), and both films are based on the folktale, “Aladdin,” from the collection, One Thousand and One Nights.  Aladdin 2019 focuses on a kindhearted street urchin and a power-hungry courtier who both vie for a magic lamp that has the power to make their deepest wishes come true.

Aladdin opens in the desert kingdom of Agrabah.  In the capital city, Aladdin (Mena Massoud), a kindhearted young street urchin, makes his living as a thief, lifting food from various stalls in the city's market, often with the help of his pet monkey, Abu.  One day, Aladdin and Abu come to the rescue of a young woman who turns out to be Princess Jasmine of Agrabah (Naomi Scott), and they befriend her although Aladdin assumes that she is someone else.

It turns out that Jasmine is not happy with her station in life.  Her father is The Sultan of Agrabah (Navid Negahban), and Jasmine hopes to one day become the new Sultan.  However, the laws of Agrabah require her, as the daughter of the Sultan, to marry a prince, regardless of her feelings for him, so that he may become the next Sultan.

Meanwhile, the Grand Vizier, Jafar (Marwan Kenzari), has grown tired of being “second best” to the Sultan.  He and his parrot, Iago (Alan Tudyk), seek a “magic lamp” that is hidden within “the Cave of Wonders,” which Jafar believes will give him the power to become the new Sultan.  However, only someone is who worthy (“the diamond in the rough”) can enter the cave, and that turns out to be Aladdin.  So can Aladdin and the mysterious Genie (Will Smith), the jinn of the magic lamp, save Agrabah from Jafar's machinations?

While watching this thoroughly enjoyable live-action film adaptation of Aladdin, I found myself surprised at how well Will Smith performed in a role the late actor Robin Williams made into an all-time famous voice performance in animated film.  The more I thought about it, the more I came to realize that the original film has worked so well via sequels, spin-offs, and other adaptations because Aladdin 1992 is simply great material.

The characters, the setting, the story, the screenplay, the musical and song score, the sets, the costumes, etc. are all top-notch material.  The original film yielded a 2010 Broadway musical the was nominated for several Tony Awards, winning one.  An animated television series, “Aladdin,” ran for three seasons beginning in 1994 and won four of the seven Daytime Emmy nominations it received.  I imagine that even high school theater/drama departments that are not well funded could produce an interesting stage production of Aladdin.  The story and song material that makes up Disney's Aladdin is so good that people would have to go out of their way to mess up an update of Aladdin.

Director Guy Ritchie and his co-screenwriter, John August, do not mess up.  Aladdin 2019 is not a great film, but it is a hugely enjoyable film.  Will Smith, Mena Massoud, and Naomi Scott give good performances, each of them proves able to “hold a tune,” with Massoud and Scott turning out to be quite good at singing.  The costumes and sets are lavish and gorgeous.  The music of Alan Menken, the late Howard Ashman, and Tim Rice – old and new – and the new contributions from the songwriting duo of Pasek & Paul are singalong, toe-tapping delights.

Aladdin 2019 is the kind of broad humor, fantasy-tinged, all-ages entertainment that Disney does so well.  Often, these movies are not high-art, nor do they advance the cinematic arts, but they are fun to watch.  For some of us, they are fun to watch over and over again.  Aladdin 2019 has its awkward moments, and certain scenes fall flat.  Overall, Aladdin 2019 still finds a way to be a delightful time at the movies.  I wish more movies – even some arty ones – would do that more often.

7 of 10
B+

Sunday, May 26, 2019


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Review: Scooby-Doo! Shaggy's Showdown

TRASH IN MY EYE No. 8 (of 2019) by Leroy Douresseaux

Scooby-Doo! Shaggy's Showdown (2017) – Video
Running time:  79 minutes (1 hour 19 minutes)
DIRECTOR:  Matt Peters
WRITERS: Candie Kelty Langdale and Doug Landale
EDITORS:  Steve Donmyer and Craig Paulsen
COMPOSERS:  Kristopher Carter, Michael McCuistion, and Lolita Ritmanis
SONGS: Joshua Funk
ANIMATION STUDIO: Digital eMation, Inc.

ANIMATION/FANTASY/FAMILY and ACTION/COMEDY/MYSTERY

Starring:  (voices) Frank Welker, Matthew Lillard, Grey DeLisle, Kate Micucci, Carlos Alazraqui, Max Charles, Gary Cole, Jessica DiCicco, Tania Gunadi, Eric Ladin, Nolan North, Stephen Tobolowsky, Lauren Tom, Melissa Villaseñor, Kari Wahlgren, and Gary Anthony Williams with John Schwab (no screen credit)

Scooby-Doo! Shaggy's Showdown is a 2017 straight-to-video, animated, comic mystery film.  It is also the 28th animated movie in the Scooby-Doo straight-to-video series from Warner Bros. Animation, which began in 1998 with Scooby-Doo on Zombie Island.  In Shaggy's Showdown, Mystery Inc. attempts to solve the mystery of a ghost that is rampaging through a small wild west town and a dude ranch.

Scooby-Doo! Shaggy's Showdown finds Mystery Inc.:  Fred Jones (Frank Welker), Daphne Blake (Grey DeLisle), Velma Dinkley (Kate Micucci), Norville “Shaggy” Rogers (Matthew Lillard), and the Great Dane, Scooby-Doo (Frank Welker), visiting the wild west town of Sorghum City.  They are surprised to find that the people there scream and run away when they encounter Shaggy.  The gang's next stop is “Crazy Q Ranch,” a dude ranch owned and operated by Shaggy's “third cousin, twice removed,” Tawny Rogers (Melissa Villaseñor).

A long-lost cousin, Tawny invited Shaggy to her ranch so they the cousins could reconnect, but the reunion is being ruined by the ghost of a notorious outlaw, Dapper Jack Rogers (John Schwab).  The ghost bears a striking resemblance to Shaggy, who, like Tawny, is a descendant of Dapper Jack.  The ghost has been terrorizing Sorghum City and also the Crazy Q Ranch, and if the ghost continues its haunting, Tawny will be forced to sell the ranch.  Now, Shaggy, Scooby, Fred, Daphne, and Velma have a new ghostly mystery to solve.

Scooby-Doo! Shaggy's Showdown is the third consecutive Scooby-Doo animated film I have seen that I really like.  I think that one thing that makes this one appealing to me is the dude ranch element.  I have been a fan of films set on dude ranches, and I have enjoyed TV series in which the characters visit a dude ranch for a particular episode.  Combine a dude ranch with my love of the Scooby-Doo and Mystery Inc., and that is entertainment I cannot resist.

So take my recommendation with a grain of salt off the table at a dude ranch when I tell you that Shaggy's Showdown is one of the best recent Scooby-Doo movies.  I like the animation, especially the color, and there are some good subplots:  Shaggy riding a horse, Scooby's ability to “talk” to farm animals, and a child overcoming his fear of horses all make this particular straight-to-video Scooby-Doo film exceptional.

Seriously, Scooby-Doo! Shaggy's Showdown is a nice change of pace for the series.  A quasi-Western comedy, it means that the Scoody-Doo DVD animated movies can show a bit of freshness now and then.

8 of 10
A

Wednesday, August 28, 2019


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Review: "Incredibles 2" Surpasses the Original

TRASH IN MY EYE No. 10 (of 2018) by Leroy Douresseaux

[This review was originally posted on Patreon.]

Incredibles 2 (2018)
Running time: 118 minutes (1 hour, 58 minutes)
MPAA – PG for action sequences and some brief mild language
WRITER/DIRECTOR: Brad Bird
PRODUCERS: John Walker and Nicole Paradis Grindle
CINEMATOGRAPHER: Mahyar Abousaeedi (D.o.P.)
EDITOR: Stephen Schaffer
COMPOSER: Michael Giacchino

ANIMATION/SUPERHERO/COMEDY/FAMILY

Starring: (voices) Craig T. Nelson, Holly Hunter, Sarah Vowell, Huck Milner, Samuel L. Jackson, Catherine Keener, Eli Fucile, Bob Odenkirk, Phil LeMarr, Isabella Rossellini, Sophia Bush, John Ratzenberger, Adam Rodriguez, and Brad Bird

Incredibles 2 is a 2018 3D computer-animated film and superhero movie written and directed by Brad Bird.  Produced by Pixar Animation Studios for Walt Disney Pictures, Incredibles 2 is the direct sequel to Pixar's Oscar-winning, animated film, The Incredibles (2004).  Incredibles 2 finds the super-powered Parr family trying to balance normal life and having powers in a world where superhero activities are illegal, even as the world faces a dangerous new techno-villain.

Three months following Syndrome's defeat (as seen in The Incredibles), the Parr family continues to operate as superheroes.  Husband and father, Bob Parr, a.k.a. Mr. Incredible (Craig T. Nelson) and wife and mother, Helen, a.k.a. Elastigirl (Holly Hunter) have been superheroes for a long time, even before being a superhero was outlawed.  Now, they are joined their daughter, Violet (Sarah Vowell), and their son, Dashiell, a.k.a. “Dash” (Huck Milner), who both have powers.  Even baby son, Jack-Jack Parr, tags along on adventures.  The Parrs are the superhero team, The Incredibles.

However, The Incredibles family friend and fellow superhero, Lucius Best/Frozone (Samuel L. Jackson), are unsuccessful in preventing the villain, Underminer, from robbing Metroville Bank.  The Incredibles and Frozone's battle with this villain causes massive damage to the city.  In the wake of this disaster, the “Super Relocation” program that allowed the Parrs to be superheroes is ended, and they are being forced to permanently live as ordinary citizens.

Frozone later informs Bob and Helen that Winston Deavor (Bob Odenkirk), a superhero fan and telecommunications tycoon, and his sister, Evelyn (Catherine Keener), an inventor, have a plan to make superheroes legal again.  That plan includes using their company, DEVTECH, to spearhead a public relations plan that will free superheroes.  But a mysterious new villain, “The Screenslaver,” may wreck everyone's plans.

I liked the original film, The Incredibles, but I did not really warm to it.  Of course, as a fan of superhero comic books, I was happy to finally get an animated superhero film from a major Hollywood studio (Pixar) that obviously had the kind of production budget that usually went to prestige, big tent, Hollywood live-action films.  I loved the characters, but I did not like that The Incredibles mostly focused on Mr. Incredible.

First, let me say this, writer-director Brad Bird's story for this sequel has shockingly predictable outcomes for its main plot and for some of the subplots.  While watching this film, it was painfully obvious to me what the central conspiracy was, even if I was unsure if the Incredibles were facing a single primary adversary or several until midway through the film.  But I don't give a crap about predictability.  I finally got the Incredibles film that I wanted fourteen years ago.

In Incredibles 2, Brad Bird takes the potential of all the Parr family, not just Bob Parr/Mr. Incredible, but he also takes the potential of Helen and the Parr children and shows how great a character each one can be or is.  Incredibles 2 is really about the Incredibles – all of them, and I am happy.  There is a bonus, Bird takes the story shackles off Frozone and allows the character to be not just a superhero, but a major superhero.  And with more screen time, Samuel L. Jackson shines like sunlight reflecting off a snow-covered peak in his voice performance as Frozone.

Holly Hunter, an exceptional actress, stretches out as Bird expands Elastigirl's role.  She is good and brings dramatic heft to this film.  Craig T. Nelson brings more to Bob Parr, and this time, he shockingly gives pathos to Mr. Incredible/Bob Parr, as he excavates the male ego in this father/husband/hero.  Plus, the advertisements and trailers for Incredibles 2 are not lying; baby Jack-Jack is a non-stop scene-stealer and a heart-stealer.

You would say “d'uh” if I expounded on the technical virtuosity and wizardry of Incredibles 2.  Pixar always seems to be raising its own bar in showing what computer software and hardware can do in creating animated films filled with complex movement, action, drama, and environments and spaces.  So I will focus on what I think is the best thing about Incredibles 2.  I finally got a movie about all the incredible characters in this franchise.

9 out of 10
A+

Saturday, June 16, 2018


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Review: "Fantastic Beasts and Where to Find Them" is Beastly Good

TRASH IN MY EYE No. 24 (of 2017) by Leroy Douresseaux

[This review was originally posted on Patreon.]

Fantastic Beasts and Where to Find Them (2016)
Running time:  133 minutes (2 hours, 13 minutes)
MPAA – PG-13 for some fantasy action violence
DIRECTOR:  David Yates
WRITER:  J.K. Rowling
PRODUCERS:  David Heyman, Steve Kloves, J.K. Rowling, and Lionel Wigram
CINEMATOGRAPHER:  Philippe Rousselot (D.o.P.)
EDITOR:  Mark Day
COMPOSER:  James Newton Howard
Academy Award winner

FANTASY/DRAMA/FAMILY

Starring:  Eddie Redmayne, Katherine Waterston, Colin Farrell, Dan Fogler, Alison Sudol, Samantha Morton, Dan Fogler, Ezra Miller, Faith Wood-Blagrove, Jenn Murray, Carmen Ejogo, Jon Voight, Josh Cowdery, Ronan Rafferty, Ron Perlman, Zoe Kravitz, and Johnny Depp

Fantastic Beasts and Where to Find Them is a 2016 fantasy film directed by David Yates.  This film is a continuation of the Harry Potter film series, and it is co-produced and written by J. K. Rowling, the author of the Harry Potter books.  Fantastic Beasts and Where to Find Them (or simply Fantastic Beasts) is inspired by Rowling's 2001 book of the same name.  Set in J. K. Rowling's Wizarding World 70 years before Harry Potter's story, Fantastic Beasts follows the adventures of a British wizard after he arrives in New York City and clashes with its secret community of witches and wizards.

In 1926, British wizard and "magizoologist" Newt Scamander (Eddie Redmayne) stops in New York City on his way to Arizona.  Scamander also carries with him a magical suitcase full of fantastic beasts, and one of them, a “Niffler,” escapes into the city.  During his quest to recapture the Niffler, Scamander meets a “No-Maj” (does not have magical powers) named Jacob Kowalski (Dan Fogler), after they unwittingly swap suitcases.

This confusion brings Scamander into contact and conflict with Porpentina “Tina” Goldstein (Katherine Waterston), a demoted auror (hunter of dark wizards), who belongs to the Magical Congress of the United States of America (MACUSA).  Scamander also meets Tina's sister, Queenie (Alison Sudol), a flapper who has amazing powers of memory.  Now, the four of them are caught in a conspiracy involving one or more escaped beasts, with one of them being very dangerous.  Scamander has been searching for this creature, and to find it and protect it may cost him his life.

I did not expect much from Fantastic Beasts and Where to Find Them.  It is not that I thought that it was a bad movie, but I guess I was comparing it unfavorably to the Harry Potter films – without having seen it...  However, I find that Fantastic Beasts compares quite favorably to the Potter films; in fact, Fantastic Beasts is a film set in the Wizarding World for us grown-ups.

Fantastic Beasts is an adult urban fantasy which presents a perilous world of magic where secrets must be kept, even unto penalty of death.  War between the world of wizards and witches and the world of the No-Maj slash humans without magical powers seems like a genuine threat in this narrative.  [In the Potter films, humans without magical powers are referred to as “muggles.”]

There is something on the line for the character; they have something to lose, and perhaps, some could lose everything, including their lives.  So the audience buys into this story.  Fantastic Beasts is not some mere, spin-off, sequel/prequel, event movie.  It is all in the writing of of J.K. Rowling's script; she makes the story matters, and once again, director David Yates understands the most important elements of Rowling's writing.  The bonds of family and friendship; the motivations of characters; the conflict central and peripheral; and good versus evil, and Yates and Rowling deliver strongly on these.

Fantastic Beasts also separates itself from the Potter films with a cast of characters that is far more eccentric than the characters Potter delivered (and there were oddballs in that lot).  Oscar-winning actor Eddie Redmayne manages to make a introverted, strange little man into a strong lead and resilient lead character that the audience will follow, even when Redmayne makes it obvious that Scamander does not want anyone following him.

Katherine Waterston makes Tina worthy of her own film.  In her feature film debut, Alison Sudol is pitch perfect as Queenie, and Dan Fogler surprises as Jacob.  In fact, all of the cast is good – from Colin Farrell's perplexing Percival Graves to Ezra Miller's troubled Credence Barebone.  Fantastic Beasts delivers complex and engaging characters.

Yes, Fantastic Beasts and Where to Find Them delivers and proves that the Wizarding World of Harry Potter is a universe that can exist beyond Harry.  Fantastic Beasts is a thoroughly enjoyable movie; it is so likable that I cannot really find fault with it.  I don't know if every Potter fan will like this movie, but for some of us, Fantastic Beasts and Where to Find Them is our part of the Wizarding World.

9 of 10
A+


NOTES:
2017 Academy Awards, USA:  1 win: “Best Achievement in Costume Design” (Colleen Atwood); 1 nominations: “Best Achievement in Production Design” (Stuart Craig-production design and Anna Pinnock-set decoration

2017 BAFTA Awards 2017:  1 win: “Best Production Design” (Stuart Craig and Anna Pinnock); 4 nominations: “Outstanding British Film of the Year” (David Yates, J.K. Rowling, David Heyman, Steve Kloves, and Lionel Wigram), “Best Costume Design” (Colleen Atwood), “Best Sound” (Niv Adiri, Glenn Freemantle, Simon Hayes, Andy Nelson, and Ian Tapp), “Best Achievement in Special Visual Effects” (Tim Burke, Pablo Grillo, Christian Manz, and David Watkins)


The text is copyright © 2017 Leroy Douresseaux. All Rights Reserved. Contact this blog for reprint and syndication rights and fees.

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Review: Disney's "The Jungle Book" is Animation That Sounds Cool

TRASH IN MY EYE No. 22 (of 2017) by Leroy Douresseaux

The Jungle Book (1967)
Running time:  78 minutes
MPAA – G
DIRECTOR:  Wolfgang Reitherman
WRITERS:  Larry Clemmons, Ralph Wright, Ken Anderson, and Vance Gerry (inspired the “Mowgli” stories written by Rudyard Kipling)
PRODUCER: Walt Disney
EDITORS:  Tom Acosta and Norman Carlisle
COMPOSER:  George Bruns
SONGS:  Terry Gilkyson; Richard M. Sherman and Robert B. Sherman
Academy Award nominee

ANIMATION/FANTASY/FAMILY

Starring:  Phil Harris, Sebastian Cabot, Bruce Reitherman, George Sanders, Sterling Holloway, Louis Prima, J. Pat O'Malley, Verna Felton, Clint Howard, and Ben Wright

The Jungle Book is a 1967 animated, musical fantasy film produced by Walt Disney Productions and directed by Wolfgang Reitherman.  It is inspired by Rudyard Kipling's “Mowgli” stories found in his 1894 collection of stories, The Jungle Book, from which this movie also takes its name.  The Jungle Book is the 19th Disney animated feature film and is also the last film to be produced by Walt Disney, who died during its production (1966).  Disney's The Jungle Book focuses on a talking panther and bear who try to convince a human boy that he must leave the jungle before an evil tiger kills him.

The Jungle Book opens in the deep jungles of India.  Bagheera the black panther (Sebastian Cabot) finds a human male baby in a basket in the deep and gives him to a mother wolf who just had cubs.  She raises the boy along with her own cubs.  Ten years later, the human boy is Mowgli (Bruce Reitherman, the director's son), a feral child who lives among the wolves as if he were one of them.

However, the wolf tribes learn that Shere Khan (George Sanders), a man-eating Bengal tiger, has returned to the jungle, and that the human-hating tiger wants to kill Mowgli.  Baheera volunteers to take Mowgli to the “Man-Village,” a nearby human settlement, but Mowgli is determined to stay in the jungle.  Mowgli finds a sympathetic animal in Baloo the sloth bear (Phil Harris).  The laid-back, fun-loving bear decides to raise Mowgli himself, but will Baloo and Mowgli do the right thing before Shere Khan strikes?

I love the beautiful background art for The Jungle Book, even the foliage in the foreground that is animated is nice.  The characters that most entertain me are Baloo and Shere Khan; I think I am becoming a bigger fan of the late George Sanders, who gives voice to Shere Khan, every time I see him in a movie, even if I have seen that movie previously.

Beyond that, I am not particularly impressed, amused, or entertained by The Jungle Book the way I am by Disney films I consider exceptional (Bambi, Peter Pan, and Pinocchio to name a few).  I have to admit that having seen it for the first time (as far as I can remember) I can understand why some consider it a “beloved Disney classic.”  It is simply a Disney classic that I like, but don't love.

6 of 10
B

Friday, November 10, 2017

1968 Academy Awards, USA:  1 nomination: “Best Music, Original Song” (Terry Gilkyson for the song "The Bare Necessities")


The text is copyright © 2017 Leroy Douresseaux. All Rights Reserved. Contact this blog for reprint and syndication rights and fees.

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Review: "Scooby-Doo! and WWE: Curse of the Speed Demon" a Cool Cartoon

TRASH IN MY EYE No. 12 (of 2017) by Leroy Douresseaux

Scooby-Doo! and WWE: Curse of the Speed Demon (2016) – Video
Running time:  100 minutes (1 hour, 40 minutes)
DIRECTORS:   Tim Divar, Brandon Vietti
WRITERS:  Ernie Altbacker; from a story by Matt Wayne
PRODUCER: Brandon Vietti
EDITORS:  Keef Bartkus and Philip Malamuth
COMPOSER:  Ryan Shore
ANIMATION STUDIO:  Digital eMation, Inc.

ANIMATION/FANTASY/FAMILY and ACTION/COMEDY/MYSTERY

Starring:  (voices) Frank Welker, Matthew Lillard, Grey Griffin, Kate Micucci, Steven J. Blum, Eric Bauza, and Phil Morris; from WWE: The Undertaker, Kofi Kingston, Diego, Fernando, El Torito, Goldust, Stardust, The Miz, Stephanie McMahon, Triple H, Paige, Dusty Rhodes, Lana, Rusev, Michael Cole, and Vince McMahon

Scooby-Doo! and WWE: Curse of the Speed Demon is a 2016 straight-to-video animated comedy mystery.  It is the 27th animated movie in the Scooby-Doo straight-to-video series from Warner Bros. Animation.  This series began in 1998 with Scooby-Doo on Zombie Island.  In Curse of the Speed Demon, Mystery Inc. is hired to solve the mystery of a phantom racer plaguing a WWE road race.  This film is also a co-production between WWE Studios and Warner Bros. Animation.

Scooby-Doo! and WWE: Curse of the Speed Demon begins some time after Mystery Inc. helped the WWE (Worldwide Wrestling Entertainment) superstars solve the mystery of the “ghost bear” (known as “Vicious”).  Shaggy Rogers (Matthew Lillard) and Scooby-Doo (Frank Welker) are operating a food truck at WWE's latest venture, a road race called “WWW's Muscle Moro X Off Road Challenge.”

The race's participants are WWE superstars like The Undertaker and Dusty Rhodes, Stephanie McMahon and Triple H, to name a few.  During a preliminary round of the race, a demon racer known as “Inferno,” disrupts the race, injuring Rhodes.  Needing a new partner, The Undertaker takes on Shaggy (a.k.a. “Skinny Man”) and Scooby-Doo (a.k.a. “Dead Meat”).  The trio becomes “Team Taker” and races in “The Scoobinator.”

Meanwhile, WWE boss, Mr. McMahon, hires the rest of Mystery Inc. gang:  Fred Jones (Frank Welker), Daphne Blake (Grey Griffin), and Velma Dinkley (Kate Micucci), to solve the mystery of Inferno.  However, the young mystery-solvers suspect that Inferno is actually a WWE superstar!

I have failed you, dear readers.  I cannot explain why I like Scooby-Doo! and WWE: Curse of the Speed Demon.  It is not a great movie, but I find quite entertaining.  What are some of the things that I like.

I am not a fan of WWE, but I found these cartoon versions of select WWE superstars likable, especially The Undertaker.  The cartoon Stephanie McMahon seems personable.  I found myself attracted to “Team Taker” and their racing vehicles.  All the elements that make up monster/villain Inferno make him a good bad guy.

Of course, when it comes down to it, I am a lifelong fan of Scooby-Doo and the rest of the Mystery Inc. gang.  I don't really want to go to long without seeing them, and yes, I have come across some poor Scooby-Doo direct-to-DVD films.  Scooby-Doo! and WWE: Curse of the Speed Demon is not one of them.

7 of 10
B+

Monday, June 5, 2017

The text is copyright © 2017 Leroy Douresseaux. All Rights Reserved. Contact this site for syndication rights and fees.

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