Review: Original "HOCUS POCUS" Still Casts a Friendly Spell

TRASH IN MY EYE No. 56 of 2022 (No. 1868) by Leroy Douresseaux

Hocus Pocus (1993)
Running time: 96 minutes (1 hour, 36 minutes)
MPAA – PG for some scary sequences, and for language
DIRECTOR:  Kenny Ortega
WRITERS: Mick Garris and Neil Cuthbert (from a story by Mick Garris and David Kirschner)
PRODUCERS:  Steve Haft and David Kirschner
CINEMATOGRAPHER:  Hiro Narita (D.o.P.)
EDITOR:  Peter E. Berger
COMPOSER:  John Debney

FANTASY/COMEDY/FAMILY

Starring:  Bette Midler, Sarah Jessica Parker, Kathy Najimy, Omri Katz, Thora Birch, Vinessa Shaw, Stephanie Faracy, Charles Rocket, Sean Murray, Amanda Shepherd, Larry Bagby III, Tobias Jelinek, Doug Jones, and Jason Marsden (voice) with Garry Marshall and Penny Marshall

Hocus Pocus is a 1993 fantasy, supernatural comedy, and Halloween film directed by Kenny Ortega.  The film focuses on the new boy in town who ignores local Halloween legend and lore and unwittingly awakens a trio of scheming witches who were executed 300 years earlier.

Hocus Pocus opens on October 31, 1693 (All Hallow's Eve), in Salem, Massachusetts.  A boy named Thackery Binx (Sean Murray) tries to save his little sister, Emily (Amanda Shepherd), from the schemes of Winifred “Winnie” Sanderson (Bette Midler) and her two sisters, Sarah (Sarah Jessica Parker) and Mary (Kathy Najimy), who are all witches.  Thackery fails to save Emily, whose life force is drained in order to make the witch sisters young again.  The witches curse Thackery with eternal life and transform him into a black cat.  However, the vengeful townsfolk capture the Sanderson sisters and hang them, but not before Winifred casts a curse.  According to this curse, the Sanderson sisters will be resurrected during a full moon on All Hallows' Eve if a virgin lights the “Black Flame Candle” in their cottage.  Thackery, now a black cat, decides to guard the cottage in order to keep anyone from bringing the witches back to life.

Three hundred years later, it is October 31, 1993 – Halloween.  Teenager Max Dennison (Omri Katz) is the new kid in Salem, where he has moved from Los Angeles with his sister, Dani (Thora Birch), and their mother (Stephanie Faracy) and father (Charles Rocket).  Max's parents force him to take Dani out trick-or-treating.  One of the houses they visit is the home of Allison (Vinessa Shaw), Max's classmate at Jacob Bailey High School and a beautiful teen girl upon whom he has a crush.

Looking to do something different on Halloween, Max, Allison and Dani visit the former Sanderson cottage, which became a museum before it was shut down.  There, Max, a virgin, lights the Black Flame Candle which, in turn, resurrects, Winnifred, Sarah, and Mary.  Now, the three children join the still alive Thackery the black cat (voice of James Marsden), and William “Billy” Butcherson (Doug Jones) the zombie in a bid to stop the Sanderson sisters from sucking the souls out of all the children of Salem, which would give them eternal youth and immortality.

I remember that Walt Disney did mount a somewhat strong marketing campaign for Hocus Pocus upon it original release in 1993, but the film under-performed at the theatrical box office.  [I won't describe it as a box office bomb, as some do.]  In the 1990s, I worked at a video store and our VHS copy of Hocus Pocus was frequently rented, especially during Halloween.  During the last decade and a half, Hocus Pocus has exploded in a popularity due to repeated shows on “The Disney Channel” and what is now known as “Freeform.”  That popularity resulted in the production of a recently released sequel, Hocus Pocus 2 (via the “Disney+” streaming service).  The arrival of the sequel was the impetus I needed to finally watch the original Hocus Pocus from beginning to end, which I had never done, although I had been putting it off literally for decades.

Having finally seen it, I really like it.  Honestly, despite my best attempts, I can't find anything to dislike about it.  Bette Midler, Sarah Jessica Parker, and Kathy Najimy are a riot as the Sanderson sisters, even if Midler is a little too over the top … here and there.  The sisters' costumes and the Halloween costumes worn by the townsfolk are impressive and imaginative, especially the sisters garb.  The sets and art direction are visually perfect, creating a pop Gothic mood and playful macabre sensibility that are pitch-perfect for a family-oriented Halloween film.

The child actors: Omri Katz as Max, Thora Birch as Dani, and Vinessa Shaw as Allison are quite good, and Max ably carries the film.  I do find the emphasis on Max's virginity to be a bit odd.  Billy the zombie and Thackery the black cat are pitch perfect supporting characters for this film.  Hocus Pocus is an impressive bit of directing on the part of Kenny Ortega and also smooth editing on the part of Peter E. Berger.  Hocus Pocus never stops moving; it has a brisk and appealing pace that can make the viewer lose track of time.  I certainly did.

I highly recommend Hocus Pocus for a family viewing night.  It is not a masterpiece of American cinema, but it is simply as perfect and as effective as it can be.  The critics who initially panned Hocus Pocus were sourpusses, and may still be sourpusses … dead or alive.

8 of 10
A
★★★★ out of 4 stars

Sunday, October 2, 2022


The text is copyright © 2022 Leroy Douresseaux. All Rights Reserved.  Contact this blog or site for reprint and syndication rights and fees.

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Review: "THE ADDAMS FAMILY 2" is a Truly Disappointing Sequel

TRASH IN MY EYE No. 9 of 2022 (No. 1821) by Leroy Douresseaux

The Addams Family 2 (2021)
Running time:  93 minutes (1 hour, 33 minutes)
MPAA – PG for macabre and rude humor, violence and language
DIRECTORS:  Greg Tiernan and Conrad Vernon
WRITERS:  Dan Hernandez, Benji Samit, Ben Queen, and Susanna Fogel; from a story by Dan Hernandez and Benji Samit (based on the characters created by Charles Addams)
PRODUCERS:  Gail Berman, Alison O'Brien, Danielle Sterling, and Conrad Vernon
EDITOR:  Ryan Folsey
COMPOSERS: Jeff Danna and Mychael Danna

ANIMATION/FANTASY/COMEDY/FAMILY

Starring:  (voices) Oscar Isaac, Charlize Theron, Chloe Grace Moretz, Javon “Wanna” Walton, Nick Kroll, Snoop Dogg, Bette Midler, Conrad Vernon, Bill Hader, Wallace Shawn, Brian Sommer, Cherami Leigh, and Ted Evans

The Addams Family 2 is a 2021 computer-animated supernatural comedy from directors Conrad Vernon and Greg Tiernan.  The film is a sequel to the 2019 animated film, The Addams Family.  Both films are based on the characters created by The New Yorker cartoonist, the late Charles Addams (1912-1988).  The Addams Family 2 focuses on the Addams Family as take a road trip, during which a scientist pursues Wednesday.

The Addams Family 2 opens at a school science fair.  There, Wednesday Addams (Chloe Grace Moretz) presents her experiment, in which she uses DNA from her pet squid, Socrates, on her Uncle Fester (Nick Kroll) to show how humans can be improved.  Wednesday is somewhat put off that her family:  father, Gomez Addams (Oscar Isaac); mother, Morticia (Charlize Theron); and her brother, Pugsley (Javon “Wanna” Walton) have decided to attend the science fair, which is sponsored by the Cyrus Strange Foundation.  Cyrus Strange (Bill Hader) himself appears at the fair as a 3D hologram, and he is instantly drawn to Wednesday experiment and hopes to recruit her to work for him.

Back at home, Gomez Addams worries that the children are drifting apart from him and Morticia.  He decides that a family vacation is just what is needed to keep the family together, so he declares that they are going on a road trip across the United States.  Uncle Fester, Thing (the sentient hand), and Lurch (the butler) join them on the vacation, with everyone packing into an huge, odd-looking camper.  Gomez even takes the family to Miami where he hopes Cousin Itt (Snoop Dogg) can help with the family dilemma.

There is a complication in these vacation plans, however.  Cyrus Strange is determined to have Wednesday, and sends a shady lawyer, Mr. Mustela (Wallace Shawn), and a brutish henchman, Pongo (Ted Evans) to trick Gomez and Morticia into believing that Wednesday might be Cyrus' child.  Wednesday is already having doubts about her connections to the Addams Family, so which family will she decide to choose, the Addams or Cyrus Strange?

Charles Addams' macabre cartoon characters first became “The Addams Family” in the former ABC television series, “The Addams Family” (1964-66).  I have been a fan of that series since I was a child.  As a child, I was also a fan of NBC's former Saturday morning cartoon series, “The Addams Family” (Hanna-Barbera, 1973).  That series depicts the Addams Family on a cross-country road trip, exploring the United States in their “Creepy Camper” that resembles their Victorian-style mansion home.  The Addams Family 2 is not a remake of that old cartoon series, but it does borrow a few elements from it.

The Addams Family 2019 was enough of a hit that producing a sequel probably seemed obvious to MGM, which holds the rights to produce Addams Family film and television series.  The end result is something that looks and feels like a sequel that was rushed into production.  The idea of Wednesday not being an Addams is a ridiculous plot.  I can certainly accept the notion of a precocious child wondering about her parentage and lineage.  However, if she is different from the rest of her family, it is because each member of the Addams Family is different from all others.  That is the point this film makes at end of the story, but we didn't need an entire mediocre movie to tell us that.  Raising questions about Wednesday's family is just a lame plot line.

So, it goes without saying that I did not like this film.  The Addams Family 2 ends up being the latest in a long line of pitiful Hollywood road trip movies.  I will say that the last 17 minutes of the film – before the end credits – are actually good.  It is the only time that the film has any real conflict, melodrama, or action, and what happens in these seventeen minutes is actually consequential to the both the Addams Family and a few other supporting characters.

The Addams Family 2019 is my favorite media adaptation of “The Addams Family” characters outside of the 1960s and 1970s.  It manages to be sweet, charming, heartwarming, and, of course, macabre – the way it should be.  I gave it a B+, but The Addams Family 2 bored the hell outta me until the last seventeen minutes.  I'm being generous giving it a C.

4 of 10
C

Wednesday, February 23, 2022


The text is copyright © 2022 Leroy Douresseaux. All Rights Reserved.  Contact this blog or site for reprint and syndication rights and fees.

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Review: "The Addams Family" Gives the Middle Finger to Assimilation

TRASH IN MY EYE No. 1 of 2021 (No. 1739) by Leroy Douresseaux

[This review was originally posted on Patreon.]

The Addams Family (2019)

Running time:  86 minutes (1 hour, 26 minutes)

MPAA – PG for macabre and suggestive humor, and some action.

DIRECTORS:  Greg Tiernan and Conrad Vernon

WRITERS:  Matt Lieberman; from a story by Matt Lieberman, Erica Rivinoja, and Conrad Vernon (based on the characters created by Charles Addams)

PRODUCERS:  Gail Berman, Alison O'Brien, Alex Schwartz, and Conrad Vernon

EDITORS:  Kevin Pavlovic and David Ian Salter

COMPOSERS: Jeff Danna and Mychael Danna

ANIMATION/FANTASY/COMEDY/FAMILY

Starring:  (voices) Oscar Isaac, Charlize Theron, Chloe Grace Moretz, Finn Wolfhard, Nick Kroll, Snoop Dogg, Bette Midler, Allison Janney, Martin Short, Catherine O'Hara, Tituss Burgess, Jenifer Lewis, Elsie Fisher, Conrad Vernon, and Pom Klementieff

The Addams Family is a 2019 computer-animated comedy from directors Conrad Vernon and Greg Tiernan.  The film is based on the characters created by The New Yorker cartoonist, the late Charles Addams (1912-1988).  The Addams Family the movie focuses on an eccentrically macabre family and their interactions with the denizens of a colorful, but bland suburb.

The Addams Family opens as Gomez (Oscar Isaac) and Morticia (Charlize Theron) prepare to marry in front of their eccentric, odd, and weird family members.  However, the people of the local town despise the macabre nature of the happy couple and their family, and chase them away.  Luckily, the newlywed Morticia and Gomez and their companion, Thing (sentient hand), escape to New Jersey.  There, the trio finds two things.  The first is a home in an abandoned and decaying manor-style building that was once an asylum, and the second is a butler in the hulking Lurch (Conrad Vernon).

Thirteen years later, Morticia and Gomez have two children – a precocious and mordacious, Wednesday (Chloe Grace Moretz); and an explosives-loving son, Pugsley (Finn Wolfhard).  The family is in kind of a state of crisis.  Gomez struggles as he prepares Pugsley for his upcoming “Sabre Mazurka,” a rite of passage that every male Addams family member must pass.  Morticia struggles to keep Wednesday from wanting to experience the world outside the mansion, which includes the girl's desire to go to school.

Elsewhere, reality TV host, Margaux Needler (Allison Janney), is in the middle of building a perfect planned community that she is calling, “Assimilation.”  This is supposed to be the highlight of her television series' season finale.  However, when she discovers that the Addams' dilapidated home overlooks Assimilation, Margaux is determined to give their home an extreme makeover, whether they like it or not.  Meanwhile, many members of the Addams clan are gradually arriving in order to celebrate Pulley's big day.

I have been a fan of ABC's 1960s television series, “The Addams Family” (1964-66), since I was a child.  As a child, I was also a fan of NBC's Saturday morning cartoon series, “The Addams Family” (1973).  I have mixed feelings about Orion Pictures' two 1990s live-action films, The Addams Family (1991) and Addams Family Values (1993).  As an adult, I became a huge fan of the work of Charles Addams, especially of his delightfully macabre cartoons that featured the characters that would become known as “The Addams Family.”

The latest media iteration of these characters, the computer-animated The Addams Family, borrows elements from the Addams Family media that has come before it.  Here, the illustrative and graphic design of the characters and their world recall both Addams cartoons and the 1973 TV series, although I find the way this film's Morticia and Gomez look to be a little off-putting.  Overall, however, I find the look of this film visually appealing, and I think the Addams family's relatives are an interesting lot of inventively designed characters.

One thing that I think The Addams Family 2019 has over The Addams Family 1990s film franchise is that this animated film gets it right in the way it contrasts the Addams family against the outside world.  Charles Addams' best cartoons juxtaposed his creepy characters and their playfully insidious actions with the normal human world.  Much about the 1990s films was insular and did not send the family out into the normal world.  The second film did, at least, send Wednesday and Pugsley to summer camp, which is why I think the second film is much better than the first.

By sending the Addams down the mountain to meet their neighbors in this film, the filmmakers get to play with themes and ideas of individuality, conformity, acceptance, change, and family, which makes this movie more than just another cartoon romp featuring a bunch of strange characters.  Ultimately, The Addams Family 2019 emphasizes that a family can be made up of both different people and of people who live and act differently from the rest of the family.

This film's standout voice actor/character pairs are Chloe Grace Moretz as Wednesday and Allison Janney as Margaux Needler.  Nick Kroll delivers a killer turn as Uncle Fester, and Bette Midler takes what is a small role in Grandmama Addams and makes it feel like a major part.  Jenifer Lewis, with her commanding voice and delivery, turns Great Auntie Loom into a character that steals scenes.

The Addams Family 2019 is my favorite media adaptation of “The Addams Family” characters outside of the 1960s and 1970s.  I highly recommend this film to fans of the characters.  It does take a while for the film to get going – about 20 minutes into the story, but it manages to be sweet, charming, heartwarming, and, of course, macabre – the way it should be.

7 of 10
B+

Sunday, November 8, 2020


The text is copyright © 2020 Leroy Douresseaux. All Rights Reserved.  Contact this blog or site for reprint and syndication rights and fees.

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"The Addams Family" Soundtrack to Feature New Music from Top Recording Artists

MGM’S ANIMATED COMEDY ‘THE ADDAMS FAMILY’ WILL FEATURE ORIGINAL MUSIC FROM CHRISTINA AGUILERA, MIGOS, KAROL G, ROCK MAFIA & SNOOP DOGG

The Addams Family Will Be Released in Theaters on October 11, 2019

LOS ANGELES – Metro Goldwyn Mayer (MGM) announced its upcoming animated comedy, The Addams Family, will feature original songs from global music superstars Christina Aguilera, Migos, Karol G, Rock Mafia and Snoop Dogg, among others. Based on the famous New Yorker creations of Charles Addams, the kookiest family on the block is back on the big screen with an all-star voice cast led by Oscar Isaac, Charlize Theron, Chloë Grace Moretz, Finn Wolfhard, Nick Kroll, Bette Midler, Allison Janney, Elsie Fisher and Snoop Dogg playing IT. Directed by Conrad Vernon (Shrek 2, Monsters vs. Aliens) and Greg Tiernan (Thomas & Friends, Day of the Diesels), The Addams Family will be released in theaters on October 11, 2019.

“Christina Aguilera, Migos, Karol G, Rock Mafia and Snoop Dogg are all powerhouse talents. We could not have asked for a better lineup of global superstars to help audiences embrace the weird and celebrate the absurd with two brand-new songs that perfectly compliment this fresh fun take on MGM’s beloved franchise, just in time for Halloween,” said MGM’s Motion Picture Group President, Jonathan Glickman.

The first Addams Family track to be released "My Family," is performed by Migos, Karol G, Rock Mafia and Snoop Dogg and will drop this Friday, September 13,2019. The song was written by Antonina Armato, Quavious Keyate Marshall, Carolina Giraldo, Danny Parra, Tim James, Calvin Cordozar Broadus, Jr. and Vic Mizzy and was produced by Rock Mafia. The track is being released by MGM Records and distributed by 12 Tone Music. "Haunted Heart," performed by Christina Aguilera, was written by Antonina Armato, Aguilera and Tim James and was also produced by Rock Mafia. “Haunted Heart” will be released later this month by RCA Records ahead of the film’s debut. Both songs will be available for streaming and \or download at all major music retail digital platforms.


About Metro Goldwyn Mayer
Metro Goldwyn Mayer (MGM) is a leading entertainment company focused on the production and global distribution of film and television content across all platforms. The company owns one of the world’s deepest libraries of premium film and television content as well as the premium pay television network EPIX, which is available throughout the U.S. via cable, satellite, telco and digital distributors.  In addition, MGM has investments in numerous other television channels, digital platforms and interactive ventures and is producing premium short-form content for distribution. For more information, visit www.mgm.com.

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James Earl Jones, Bette Midler Among Disney Legends Class of 2019

Eleven New Disney Legends to Be Honored During D23 Expo 2019 in Anaheim on August 23

Robert Downey Jr., Bette Midler, and Other Remarkable Talents to be Honored at a Special Award Ceremony Hosted by Disney Chairman and CEO Bob Iger

BURBANK, Calif.--(BUSINESS WIRE)--Robert Downey Jr. and Bette Midler, along with such luminaries as Wing Chao, Jon Favreau, James Earl Jones, Kenny Ortega, Barnette Ricci, Robin Roberts, Diane Sawyer, Ming-Na Wen, and Hans Zimmer, will be honored as Disney Legends during D23 Expo 2019 for their remarkable contributions to the Disney legacy. Hosted by Disney Chairman and CEO Bob Iger, the Disney Legends Awards ceremony will be held at 10 a.m. on Friday, August 23, 2013, in Hall D23 of the Anaheim Convention Center.

    “This year’s honorees have earned a place in our hearts and our history for their significant contributions in film, television, and our theme parks around the world.”

“The Disney Legends Award is the highest honor we can bestow; it’s a recognition of talent, a celebration of achievement, and an expression of profound gratitude to the remarkable men and women who have made an indelible mark on our company and our creative legacy,” said Bob Iger, Chairman and Chief Executive Officer, The Walt Disney Company. “This year’s honorees have earned a place in our hearts and our history for their significant contributions in film, television, and our theme parks around the world.”

The Disney Legends Awards program is a 32-year tradition of The Walt Disney Company, and the first Disney Legend was Fred MacMurray (The Shaggy Dog, The Absent-Minded Professor, The Happiest Millionaire), who was honored in 1987. The award ceremony is just one of the dozens of spectacular events Disney fans can enjoy during the three-day D23 Expo.

The 2019 Disney Legends Award honorees (listed alphabetically) are:

WING CHAO: For 37 years at Disney, Wing T. Chao played a vital role in designing and developing exceptional and inspirational projects, worth more than $12 billion, at Disney parks and resorts worldwide. Wing served as vice chairman of Walt Disney Parks and Resorts for Asia Pacific Development as well as executive vice president of Walt Disney Imagineering, where he oversaw master planning, architecture, and design. Wing directed development teams consisting of Disney Imagineers and many of the world’s most renowned architects and designers. He also developed and built projects, including resort hotels, parks, cruise ships, entertainment venues, water attractions, convention and exhibition centers, sports stadiums, restaurants, retail spaces, recreational complexes, office spaces, and two new-town communities, at The Walt Disney Company’s properties in California, Florida, Hawai‘i, Tokyo, Paris, Hong Kong, Shanghai, and other locations worldwide.

ROBERT DOWNEY JR.: is a two-time Academy Award® nominee and Golden Globe® winner who has appeared in more than 80 films. Considered one of the industry’s most talented and respected actors, Robert has embraced both dramatic and comedic roles, including his Disney debut in the 2006 remake of The Shaggy Dog. After numerous standout performances, Robert then went on to help launch Marvel Studios with his celebrated performance as Tony Stark as Iron Man. His role has spearheaded the iconic blockbuster franchises Iron Man and Avengers, for which he’s starred in three Iron Man films, The Incredible Hulk (2008), Captain America: Civil War (2016), and Spider-Man: Homecoming (2017); and four Avengers films, including the most recent, Avengers: Endgame (2019), which shattered box office records and became the largest-ever film debut, bringing in $1.2 billion worldwide in its opening weekend. Robert will next star in the title role in 2020’s The Voyage of Doctor Dolittle and is in pre-production on the third installment of the successful Sherlock Holmes franchise.

JON FAVREAU: started his career with appearances in film and television and has since become one of Hollywood’s most successful producers and directors. Jon’s first roles included appearances on TV shows such as Seinfeld and Friends, but his big break came with the Miramax indie film Swingers (1996), for which he wrote the screenplay, starred, and co-produced. His directing credits include Iron Man (2008), Iron Man 2 (2010), the live-action remake of The Jungle Book (2016), and this year’s reimagining of The Lion King. Jon also made appearances in several Marvel Cinematic Universe films as Tony Stark’s loyal bodyguard, Happy Hogan. As an executive producer for Marvel Studios, Jon holds credits on such films as Iron Man (2008), Iron Man 2 (2010), Iron Man 3 (2013), Marvel’s The Avengers (2012), Avengers: Age of Ultron (2015), and Avengers: Infinity War (2018). He has also voiced characters for Disney television shows and feature films, including Hercules (TV, 1999), Buzz Lightyear of Star Command (TV, 2000), G-Force (2009), Star Wars: The Clone Wars (TV, 2010–13), and Solo: A Star Wars Story (2018). Jon is writing and executive producing the live-action Star Wars series The Mandalorian for Disney+, which will premiere this November.

JAMES EARL JONES: started his acting career with television and film roles, including appearances in As the World Turns (1966) and Dr. Strangelove (1964). But the Oscar®, Emmy®, and Tony® Award-winning actor is well known for his iconic voice acting, beginning with the role of Darth Vader in Star Wars: A New Hope (1977). This villainous vocal performance was reprised in subsequent Star Wars films, including most recently in Rogue One: A Star Wars Story (2016) and TV shows like Star Wars Rebels (2014–18). His voice can also be heard in Disney Parks around the globe, including recurring vocal performances as Darth Vader for Star Tours: The Adventures Continue. Other Disney credits include ABC’s Recess in 1998 as the voice of Santa Claus, narrator for the Disneynature film Earth (2009), segment host for Fantasia/2000 (2000), and as the celebrity narrator for the Candlelight Ceremony at Disneyland. Audiences also recognize the actor’s basso profundo as that of Mufasa in The Lion King (1994), a role James Earl would return to in The Lion King 2: Simba's Pride (1998), The Lion Guard: Return of the Roar (2015), and this summer’s reimagining of The Lion King.

BETTE MIDLER: When the Disney studio set out to expand the breadth of its film production with Touchstone Pictures, it was Emmy, Grammy®, Golden Globe, and Tony winner Bette Midler who helped lead the way to box office success for the new division. She appeared in a string of hit comedies, including Down and Out in Beverly Hills (1986), Ruthless People (1986), Outrageous Fortune (1987), and Big Business (1988). Touchstone’s 1988 drama Beaches not only proved to be a smash with audiences, but it also included Bette’s platinum-selling rendition of “Wind Beneath My Wings.” Other Disney films followed, including Stella (1990) and Scenes from a Mall (1991), as well as a memorable vocal performance as the spoiled poodle Georgette in Oliver & Company (1988). Bette is well known to Disney audiences for her role as the witchy Winifred in the perennial Halloween classic Hocus Pocus (1993). She also starred in The Lottery (1989), a short film produced for the Disney-MGM Studios Theme Park (now Disney’s Hollywood Studios) in Florida for guests of the park’s Backstage Studio Tour.

KENNY ORTEGA: is a multi-award-winning director, choreographer, and producer. His first work with Disney was choreographing the TV special Disney’s Totally Minnie (1988), followed by Mickey’s 60th Birthday the same year, and he would go on to direct three episodes of Touchstone Television’s Hull High in 1990. In 1992, Kenny directed his first feature film, the beloved Disney musical Newsies, which was followed, in 1993, by the Halloween favorite Hocus Pocus. In 2006, he helmed the Disney Channel smash hit High School Musical, and the success of the first film would bring him back to direct—and choreograph—the sequels High School Musical 2 (2007) and High School Musical 3: Senior Year (2008). Kenny also produced and staged the High School Musical: The Concert tour, as well as the Miley Cyrus and Jonas Brothers Best of Both Worlds Tour. His other Disney credits include directing the 2014 short The Making of Frozen, The Cheetah Girls 2 (2006), and, most recently, the international phenomenon Descendants (2015), Descendants 2 (2017), and Descendants 3, which will be released this summer.

BARNETTE RICCI: started her career with The Walt Disney Company as a choreographer at Disneyland. In the late 1960s, Barnette created and directed Kids of the Kingdom before going on to choreograph and direct many parades, including Christmas parades, America on Parade, and the Main Street Electrical Parade. She worked on the grand openings of Walt Disney World, EPCOT Center, and Tokyo Disneyland and directed popular stage shows such as Golden Horseshoe Revue at Disneyland and the Diamond Horseshoe Revue in the Magic Kingdom at Walt Disney World Resort. Perhaps her biggest project to date is the creation of Fantasmic! Debuting at Disneyland in 1992, the production combines state-of-the-art special effects with live performers along the Rivers of America. The show continues a successful run at Disneyland, Disney’s Hollywood Studios at Walt Disney World, and now Tokyo DisneySea. Following Fantasmic!, Barnette moved to The Walt Disney Studios as the vice president/show director of Special Events. After more than 40 years with The Walt Disney Company, Barnette retired in 2013.

ROBIN ROBERTS: In 1990, Robin joined ESPN and would quickly become a frequent contributor to the network’s programming. In her 15 years at ESPN, she contributed to NFL Primetime and hosted SportsCenter and In the Game with Robin Roberts. Robin began making appearances on ABC’s Good Morning America (GMA) in 1995, and in 2005 left ESPN to join the show full-time as co-anchor. Since joining GMA, the show has won four Emmys for Outstanding Morning Program. For ABC, Robin has hosted In the Spotlight with Robin Roberts: All Access Nashville, as well as ABC’s red carpet coverage of the Academy Awards, and has created original broadcast and digital programming for the network through her production company, Rock’n Robin Productions. In 2007, Hyperion publishing released Robin’s first book, From the Heart: Seven Rules to Live By. Among Robin’s many awards are the Walter Cronkite Award for Excellence in Journalism, membership in the Broadcasting & Cable Hall of Fame, and being named one of Glamour's Women of the Year.

DIANE SAWYER: is an ABC News anchor, tackling some of the biggest issues of our time with original reporting, primetime specials, long-form interviews, and in-depth investigations. One of the most respected journalists in the world, she has traveled the globe delivering breaking news reports, and has conducted interviews with almost every major newsmaker of our time. Her primetime documentaries have won critical acclaim for shedding light on difficult and previously under-reported topics, including her reporting on the realities of poverty in America. Diane’s reporting has been recognized with numerous awards, including duPonts; Emmys; Peabodys; the grand prize of the premier Investigative Reporters and Editors Association; an IRTS Lifetime Achievement Award; and the USC Distinguished Achievement in Journalism Award. In 1997 she was inducted into the Television Academy Hall of Fame. After more than a decade in television news, Sawyer joined ABC News in February 1989 as co-anchor of Primetime. She was named co-anchor of Good Morning America in January 1999, and held the post until taking over the World News anchor chair in December 2009.

MING-NA WEN: can currently be found saving the day as Agent Melinda May, aka “The Cavalry,” on the ABC series Marvel’s Agents of S.H.I.E.L.D. Ming-Na is also known for her seven years playing Jing-Mei Chen on ER. She found success on the big screen when she appeared in the acclaimed Hollywood Pictures adaptation of Amy Tan’s The Joy Luck Club. Five years later, she would find animation immortality as the title star of the Disney classic Mulan, a role for which she would receive an Annie Award. Ming-Na returned to the role of heroic Fa Mulan in a slew of projects, including an animated sequel, video games Kingdom Hearts II and Disney Infinity, on television’s House of Mouse and Sofia the First, and in the Walt Disney Animation Studios film Ralph Breaks the Internet (2018). Ming-Na has been well known to audiences for her television projects, including her voice work in Disney Channel’s Phineas and Ferb, Disney XD’s Guardians of the Galaxy and Milo Murphy’s Law, the six-part digital short Marvel Rising: Secret Warriors, and a recurring role in ABC’s Fresh Off the Boat.

HANS ZIMMER: has scored more than 160 projects which, combined, have grossed more than $28 billion worldwide. Hans has been honored with an Academy Award®, two Golden Globes, three Grammys, an American Music Award, and a Tony Award. In addition to his long list of credits, including notable projects such as Gladiator and The Dark Knight trilogy, Hans has had a great history with The Walt Disney Company. His early work for them includes additional music for White Fang (1991) and co-writing music for Cool Runnings (1993). His groundbreaking, Academy Award-winning instrumental score for The Lion King (1994) was followed by many memorable projects, including Crimson Tide (1995), Muppet Treasure Island (1996), The Rock (1996), Pearl Harbor (2001), King Arthur (2004), and Iron Man (2008). Hans is the guiding force behind the music of the Pirates of the Caribbean franchise, serving in various composing, editing, and producing capacities for The Curse of the Black Pearl (2003), Dead Man’s Chest (2006), At World’s End (2007), and On Stranger Tides (2011). Hans composed the music for this summer’s reimagining of The Lion King.

Honorees receive a two-foot-tall bronze Disney Legends sculpture that signifies the imagination, creativity, and magic they have brought to the Company. Disney Legends Award recipients will also participate in a handprint ceremony at the end of the event, and their bronzed prints will be displayed in the Disney Legends Plaza at the Company’s Burbank headquarters.

Admission to the ceremony will be on a first-come, first-served basis and is included in the price of a ticket to D23 Expo 2019.

Including this year’s honorees, a total of 289 Disney Legends have been named. Past Disney Legends include Tim Allen, Julie Andrews, Beatrice Arthur, Howard Ashman, Annette Funicello, Whoopi Goldberg, Peter Jennings, Sir Elton John, Angela Lansbury, George Lucas, Steve Martin, Alan Menken, Hayley Mills, Fess Parker, Regis Philbin, Marty Sklar, Dick Van Dyke, Barbara Walters, Betty White, and Robin Williams. Beginning with the inaugural D23 Expo in 2009, thousands of Disney fans have been able to enjoy the Disney Legends Awards ceremony live.

Tickets for D23 Expo 2019 are available for $89 for one-day adult admission and $69 for children 3–9. Gold Members of D23: The Official Disney Fan Club can purchase tickets for $77 for a one-day adult admission and $59 for children 3–9. For more information on tickets and D23 Expo 2019, visit D23Expo.com.


About D23 Expo 2019
D23 Expo—The Ultimate Disney Fan Event—brings together all the worlds of Disney under one roof for three packed days of presentations, pavilions, experiences, concerts, sneak peeks, shopping, and more. The event provides fans with unprecedented access to Disney films, television, games, theme parks, and celebrities. For the latest D23 Expo 2019 news, visit D23expo.com. Presentations, talent, and schedule subject to change. To join the D23 Expo conversation, be sure to follow DisneyD23 on Twitter, Facebook, Instagram, and YouTube, and use the hashtag #D23Expo.

About D23
The name “D23” pays homage to the exciting journey that began in 1923 when Walt Disney opened his first studio in Hollywood. D23 is the first official club for fans in Disney’s 90-plus-year history. It gives its members a greater connection to the entire world of Disney by placing them in the middle of the magic through its quarterly publication, Disney twenty-three; a rich website at D23.com with members-only content; member-exclusive discounts; and special events for D23 Members throughout the year.

Fans can join D23 at Gold Membership ($99.99), Gold Family Membership ($129.99), and General Membership (complimentary) levels at D23.com. To keep up with all the latest D23 news and events, follow DisneyD23 on Twitter, Facebook, Instagram, and YouTube.

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Oscar-Nominated Bette Midler Announced as 2014 Oscar Performer

Bette Midler To Perform On The Oscars®

BEVERLY HILLS, CA – Two-time Oscar®-nominated actress and multiple Grammy Award®-winning singer Bette Midler will perform for the first time on the Oscars, show producers Craig Zadan and Neil Meron announced today. The Oscars, hosted by Ellen DeGeneres, will air on Sunday, March 2, live on ABC.

“We are thrilled to have Bette perform on the Oscars for the very first time,” said Zadan and Meron.  “We believe she will make our Oscar telecast an especially moving evening.”

Midler received Oscar nominations for Actress in a Leading Role for “For the Boys” and The Rose.” She has recorded 13 studio albums, the first of which, 1972’s “The Divine Miss M,” sold over a million copies and earned her a Grammy for Best New Artist. Midler has gone on to sell over 30 million albums worldwide and win two additional Grammys for the songs “The Rose” (Best Female Pop Vocal Performance) and “Wind Beneath My Wings” (Record of the Year). She has been honored with three Emmy® Awards and a special Tony Award® in 1974 for her contribution to that year’s Broadway season. Her numerous starring film roles include “The First Wives Club,” “Down and Out in Beverly Hills” and  “Ruthless People,” Last year Midler portrayed the late Hollywood agent Sue Mengers in the hit Broadway production, “I’ll Eat You Last: A Chat with Sue Mengers.”

Awards for outstanding film achievements of 2013 will be presented on Oscar Sunday, March 2, at the Dolby Theatre® at Hollywood & Highland Center® and televised live on the ABC Television Network. The Oscars, produced by Craig Zadan and Neil Meron, also will be televised live in more than 225 countries and territories worldwide.

Review: "Parental Guidance" Good for Families

TRASH IN MY EYE No. 44 (of 2013) by Leroy Douresseaux


Parental Guidance (2012)
Running time: 105 minutes (1 hour, 45 minutes)
MPAA – PG for some rude humor
DIRECTOR: Andy Fickman
WRITERS: Lisa Addario and Joe Syracuse
PRODUCERS: Peter Chernin, Dylan Clark, and Billy Crystal
CINEMATOGRAPHER: Dean Semler (D.o.P.)
EDITOR: Kent Beyda
COMPOSER: Marc Shaiman

COMEDY/FAMILY

Starring: Billy Crystal, Bette Midler, Marisa Tomei, Tom Everett Scott, Bailee Madison, Joshua Rush, Kyle Harrison Breitkopf, Rhoda Griffis, and Gedde Watanabe

Parental Guidance is a 2012 comedy and family film from director Andy Fickman. The film stars Billy Crystal and Bette Midler as grandparents who agree to look after their three grandchildren whose modern kid attitudes clash with their old-school ways.

Artie and Diane Decker (Bette Midler and Billy Crystal) live in California. Artie is the announcer for the Fresno Grizzlies, until he is fired because he is not familiar with new technology and social media. Diane thinks this is the perfect opportunity to take their daughter, Alice (Marisa Tomei), and her husband, Phil Simmons (Tom Everett Scott), up on an offer to watch their three children, while they attend a conference in Hilton Head, South Carolina.

Artie and Diane fly to Atlanta where Alice and her family live, but they have a few misgivings about the week with the children. In recent years, they have not seen their grandchildren much, and are now practically “the other grandparents.” Plus, Artie and Diane are old school, while Alice and Phil are type-A helicopter parents who micromanage their children’s’ lives and overdo it on building self-esteem.

Artie and Diane are quickly reacquainted with the grandchildren: eldest child and daughter, 12-year-old Harper (Bailee Madison); the middle child, 8-year-old Turner (Joshua Rush), who has a stutter; and 5-year-old Barker (Kyle Harrison Breitkopf), who has an imaginary friend, a kangaroo he’s named Carl. The children think their grandparents are weird, and Barker calls Artie, “Farty.” Now, Artie and Diane have a week to get to really know their only three grandchildren, but that means they’ll have to earn these youngsters’ trust and love.

Parental Guidance starts off as one of those movies created by people who criticize the way other people rear their children. People see sports leagues that give every participating child a trophy simply for participating as a sign of the apocalypse. I have to admit that I find parents that won’t tell their children “No” or “Don’t” in order not to inhibit their creativity, ridiculous. But the republic will survive parents that don’t set boundaries for their children… I hope.

The movie, however, is really about the grandparents, Artie and Diane Decker, and their relationship-building with their grandchildren. The movie follows the struggle of the old school grandparents versus the modern, excessively tolerant parents to a lesser extent. And Parental Guidance is better for it. Who wants to see a movie about two people and their daughter and son-in-law exchanging harsh, snide comments about parenting? I don’t, although I don’t know about you, dear reader.

In some ways, Parental Guidance is mediocre, which is most obvious when Crystal and Midler have to over-act and over-react to make up for flimsy character development. Andy Fickman’s direction is professional and functional, but is also colorless and sometimes uneven.

But the magic in Parental Guidance is watching two grandparents bond with their lovely grandchildren. This film is more sweet than sentimental, and there are moments when the interaction between a grandparent and child seems genuine and honest. The kick-the-can and Turner calls the Giants game scenes make this movie a winner in spite of any blemishes. Talk about a feel good movie: Parental Guidance might be a frothy take on the grandparents and grandchildren dynamic, but it is an irresistible treat.

6 of 10
B

Tuesday, June 18, 2013