Review: "JURASSIC WORLD: Dominion" Ends Trilogy with its Best Film

TRASH IN MY EYE No. 50 of 2022 (No. 1862) by Leroy Douresseaux

Jurassic World: Dominion (2022)
Running time: 147 minutes (2 hours, 27 minutes)
MPA – PG-13 for intense sequences of action, some violence and language
DIRECTOR:  Colin Trevorrow
WRITERS:  Colin Trevorrow and Emily Carmichael; from a story by Colin Trevorrow and Derek Connolly (based on characters created by Michael Crichton)
PRODUCERS:  Patrick Crowley and Frank Marshall
CINEMATOGRAPHER:  John Schwartzman (D.o.P.)
EDITOR:  Mark Sanger
COMPOSER:  Michael Giacchino

SCI-FI/ACTION/ADVENTURE/THRILLER

Starring:  Chris Pratt, Bryce Dallas Howard, Laura Dern, Sam Neill, Jeff Goldblum, DeWanda Wise, Mamoudou Athie, Isabella Sermon, Campbell Scott, Justice Smith, Daniella Pineda, Omar Sy, Scott Haze, Dichen Lachman, and B.D. Wong

Jurassic World: Dominion is a 2022 science fiction and action-adventure and dinosaur film from director Colin Trevorrow.  It is the direct sequel to Jurassic World: Fallen Kingdom (2018) and the final film in a trilogy that began with the 2015 film, Jurassic World.  Dominion also ties up the story line that began with the 1993 film, Jurassic Park.  Dominion focuses on the heroes of two film trilogies as they try to stop a corporation's genetic experiments from endangering the world.

Jurassic World: Dominion opens three decades after the events depicted in Jurassic Park and four years after the cataclysmic volcanic eruption on Isla Nublar and the incidents at Lockwood Estate (as seen in Jurassic World: Fallen Kingdom).  Dinosaurs, no longer extinct, freely roam the Earth, causing ecological problems and the deaths of numerous humans – 37 in just the past year.  International corporation, Biosyn Genetics, has won the sole rights to collect dinosaurs, and it has created a dinosaur sanctuary in the Dolomite Mountains of Italy.

Meanwhile, Owen Grady (Chris Pratt) and Claire Dearing (Bryce Dallas Howard), former employees of the disastrous “Jurassic World” theme park, are still working to protect dinosaurs.  Claire works with a dinosaur protection organization and investigates illegal dinosaur breeding sites.  Owen works as a wrangler, relocating stray dinosaurs.  They live together in a remote cabin in the Sierra Nevada Mountains where they secretly raise 14-year-old Maisie Lockwood (Isabella Sermon), the granddaughter of the late Benjamin Lockwood and the granddaughter who turned out to a clone of Benjamin's late daughter, Charlotte Lockwood.  Living nearby is Blue, one of the Velociraptors (raptors) that Owen once trained at Jurassic World.  She is a mother, having given birth to a baby raptor that Owen named “Beta.”

It turns out that Lewis Dodgson (Campbell Scott), the CEO and owner of Biosyn, wants to possess both Maisie and Beta for the goldmine of information that their genes are.  Meanwhile, the original Jurassic heroes:  paleobotanist, Dr. Ellie Sattler (Laura Dern); paleontologist, Dr. Alan Grant (Sam Neill); and chaos theorist, Dr. Ian Malcolm (Jeff Goldblum), are also investigating Biosyn's dark plans.  But can they infiltrate Biosyn and avoid a hoard of hungry dinosaurs?

A few months ago, I read a review of Jurassic World: Dominion in which the reviewer said that the presence of the star trio of Jurassic Park:  Ellie, Alan, and Ian, diminished the presence of Jurassic World's star couple, Claire and Owen.  I disagree.  Actually, Chris Pratt and Bryce Dallas Howard make the most of every minute in which their characters are on screen.  In fact, I believe that the film is more about Claire and Owen than it is about Ellie, Alan, and Ian, although they are a huge part of the film's narrative.  I see the union of Jurassic Park's biggest characters and Jurassic World's biggest as the best of both worlds.  Frankly, this union should have happened in the first Jurassic World film.

In addition to the stars, Dominion sees the return of previous franchise supporting characters.  Omar Sy returns as Barry Sembene, Owen's fellow animal trainer from Jurassic World.  BD Wong's Dr. Henry Wu only appeared in the original Jurassic Park, but has appeared in all three Jurassic World films.  Dominion offers Henry a chance at redemption.  Dominion also offers two killer new characters, DeWanda Wise's Kayla Watts, a pilot who could be straight out of yesteryear's adventure serials – except Black women were not pulp fiction heroes.  Mamoudou Athie is espionage-cool as Ramsay Cole, the head of communications at Biosyn Genetics.

However, Jurassic World: Dominion is not really about stories or characters.  Yes, there is a lot going on; the movie is essentially a … park full of subplots, all around a basic (thin) plot – which is to stop Biosyn.  Dominion is really a science fiction action-adventure movie filled with action scenes.  There must be about twenty or so action set pieces:  a race to escape illegal breeders; a stop the poachers fight; run away from the giant, killer locusts; and running away from the dinosaurs in the forest, on a frozen pond, in plane, in a cave, etc.

And it all works.  The cast, director, writers, and crew of editors, sound, cameras, stunts, visual effects, assistants and everyone else.  They all come together to make a thrill machine of a movie with action scenes that keep the viewer too occupied to notice the lapses in logic and common sense.

In the first trilogy, the films that followed Jurassic Park were inferior to it.  In the Jurassic World trilogy, the final film is the best of the lot.  Bringing in so many characters from previous films is a good idea.  Putting them in a series of well-staged action scenes is another good idea.  Giving us a happy ending full of happy endings and heartwarming resolutions is an even better idea.  Jurassic World: Dominion is not a great film, but it is a very satisfying conclusion to what started back in 1993, when Jurassic Park made us believe that its dinosaurs were real.

7 of 10
B+
★★★½ out of 4 stars

Saturday, August 27, 2022


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Review: Super Sonic VFX and Humor Drive "SONIC THE HEDGEHOG 2"

TRASH IN MY EYE No. 25 of 2022 (No. 1837) by Leroy Douresseaux

Sonic the Hedgehog 2 (2022)
Running time:  122 minutes (2 hours, 2 minutes)
MPAA – PG for action, some violence, rude humor, and mild language
DIRECTOR:  Jeff Fowler
WRITERS:  Pat Casey & Josh Miller and John Whittington; based on a story by Pat Casey & Josh Miller
PRODUCERS:  Toby Ascher, Neal H. Moritz, Toru Nakahara, and Hitoshi Okuno
CINEMATOGRAPHER:  Brandon Trost (D.o.P.)
EDITOR:  Jim May
COMPOSER: Tom Holkenborg (Junkie XL)

FANTASY/FAMILY/ACTION/ADVENTURE/COMEDY

Starring:  James Marsden, Tika Sumpter, Natasha Rothwell, Adam Pally, Shemar Moore, Lee Majdoub, Tom Butler; Ben Schwartz, Colleen O'Shaughnessey, Idris Elba, and Jim Carrey

Sonic the Hedgehog 2 is a 2022 action-adventure, fantasy and comedy film directed by Jeff Fowler.  The film is based on the Japanese video game series and media franchise that was created and is owned by the Sega Corporation and which began with the 1991 Sega Genesis game, Sonic the Hedgehog.  The film is also a direct sequel to the 2020 film, Sonic the Hedgehog.  Sonic the Hedgehog 2 pits the titular character and his archenemy in a race to obtain an all-powerful jewel.

Sonic the Hedgehog 2 opens several months after the events depicted in Sonic the Hedgehog.  The mad scientist, Dr. Robotnik, also known as “Eggman” (Jim Carrey), is still trapped on the mushroom planet.  As luck would have it, his schemes to escape the planet draw the attention of Knuckles the Echidna (voice of Idris Elba), an anthropomorphic red echidna (a spiny anteater) warrior who possesses superhuman strength.

Meanwhile, Robotnik and Knuckles mutual adversary, Sonic the Hedgehog (voice of Ben Schwartz), is living in Seattle as the superhero, “Blue Justice.”  However, Sonic, an anthropomorphic blue hedgehog who can run at supersonic speeds, is not really good at being a superhero.  Tom (James Marsden) and Maddie Wachowski (Tika Sumpter) adopted Sonic as their son, and Tom, as his father, advises Sonic to remain patient for the day his power will be needed.  Then, he and Maddie leave for Hawaii for the wedding of Maddie's sister, Rachel (Natasha Rothwell).

That leaves Sonic home alone for some fun, and he is having fun until Robotnik and Knuckles arrive, with the latter immediately attacking him.  Knuckles turns out to be a formidable fighter, and he also desires to honor his extinct tribe.  To do so, he must find the legendary “Master Emerald,” an ancient relic that allows anyone who possesses it to bend reality to their will.  Knuckles not only believes that the emerald is on Earth, but also that Sonic knows its secret location.

Sonic is rescued by Miles “Tails” Prower (voice of Colleen O'Shaughnessey), an anthropomorphic, two-tailed, yellow fox who idolizes Sonic and came to warn him about Knuckles.  Tails can fly by spinning his tails like a helicopter's blades.  Now, Sonic and Tails are on a race to keep Robotnik and Knuckles from locating the Master Emerald.  But can Sonic keep his parents, Tom and Maddie, from getting involved, and is that the right thing to do?

I have not seen the first film, Sonic the Hedgehog, and I had no intentions of watching it.  So, I also had no plans on seeing Sonic the Hedgehog 2, but then, my niece asked to me to take her to the theater to see it, as she did not want to wait for it to stream on Paramount+.  Because she rarely asks me to take her to the movies and because she usually turns down my offers to take her when I'm going, I (reluctantly) agreed to see Sonic the Hedgehog 2 with her.

I must say that Sonic the Hedgehog 2 is much better than I thought it would be.  I must be honest and admit that early in the movie, I dozed off several times – because I was tired and it had already been a long day.  However, Sonic's second live-action film has many exciting scenes, and the special effects and CGI are really good.  Sonic the Hedgehog may be a kids' movie, but the visual effects (VFX) are as a good as most big event, tent pole movies made for adults.  Soon, I was into it, pretty much enthralled by the impressive VFX.

The character animation is top notch.  Sonic, Tails, and Knuckles are obviously CGI and animated characters, but the character animation gives them personality and character.  They don't look like stuffed animals with weird eyes that have come to life.  The voice acting is quite good, with Colleen O'Shaughnessey making Tails see like a real hero-worshiping boy who finally meets his idol, and Idris Elba sounds all tough guy as Knuckles.  Ben Schwartz brings Sonic to life as a fully developed film character.  Schwartz makes Sonic's doubts and dilemmas seem genuine, and Sonic's exuberance and Schwartz's voice performance shine through the narrative.  Here, Sonic is more movie star than video game character.

As for Jim Carrey, he is what he usually is as an actor:  the good, the bad, and ugly of a performer in constant over-the-top mode.  The rest of the live-action cast makes the best of their roles with James Marsden and Tika Sumpter seeming like real parents in love with their alien child.  Natasha Rothwell, as Maddie's sister, Rachel, is quite good at stealing scenes.

So after saying all that, it is obvious that I like Sonic the Hedgehog 2.  But will I see the first film...?

6 of 10
B
★★★ out of 4 stars

Friday, April 22, 2022


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Review: In "TARZAN, the Ape Man," Bo Derek Could Drive a Man Ape

TRASH IN MY EYE No. 74 of 2021 (No. 1812) by Leroy Douresseaux

Tarzan, the Ape Man (1981)
Running time:  115 minutes (1 hour, 55 minutes)
MPAA – R
DIRECTOR:  John Derek
WRITERS:  Tom Rowe and Gary Goddard (based on characters created by Edgar Rice Burroughs)
PRODUCER:  Bo Derek
CINEMATOGRAPHER:  John Derek (photographed by)
EDITOR:  James B. Ling
COMPOSER:  Perry Botkin

FANTASY/ADVENTURE

Starring:  Bo Derek, Richard Harris, Miles O'Keefe, John Phillip Law, Akushula Selayah, Maxime Philoe, Leonard Bailey, and Steve Strong

[I am working my way through the films that I first saw in a movie theater for which I have not previously written a movie review.  The first time I saw a movie in an in-door theater (as opposed to a drive-in cinema) was in 1980 – likely The Empire Strikes Back.  However, I am starting this process in the year 1981, and it turns out that there are only two movies left from that year that I saw in a theater for I which I have never written a formal review.  Tarzan, the Ape Man is one of them.]

Tarzan, the Ape Man is a 1981 fantasy-adventure film and Tarzan movie directed by John Derek.  The film is loosely based on the 1912 novel, Tarzan of the Apes, by Edgar Rice Burroughs.  Tarzan, the Ape Man is told from the point of view of Jane Parker, who meets Tarzan while on an African expedition with her estranged father.

In 1910, Jane Parker (Bo Derek) arrives in West Africa.  She is looking for passage deep into the jungle where she hopes to find her long estranged father, James Parker (Richard Harris), whom she has never met.  When she does arrive at “Parker's camp,” she discovers that James Parker is the typical “great white hunter,” loud and boastful, full of songs and stories.

James is searching for the legendary “elephants' graveyard,” which is also known as the “escarpment.”  James reluctantly allows Jane to accompany him and his photographer, Harry Holt (John Phillip Law), on the expedition.  During the journey they also hear the call of Tarzan, the mythical “white ape.”  James declares that he will kill this Tarzan and have him mounted as a trophy, but James does not realize that he is also being hunted.  Meanwhile, Jane finds herself captured by Tarzan (Miles O'Keefe), but she is as fascinated by him as she fears him.

Film critics generally panned Tarzan, the Ape Man upon its initial release to movie theaters.  Some called it “one of the worst movies ever made” or “the worst movie ever.”  It is certainly not highly considered among the decades of feature films based on the Tarzan character.  However, the late Pulitzer Prize-winning film critic, Roger Ebert, was correct when he wrote that Tarzan, the Ape Man has a certain charm or disarming charm, although it is ridiculous in many ways.

I saw it as a 15-year-old in a local theater four decades ago, and I liked it then, although I was not crazy about it.  The reason I saw the film was because of Bo Derek, and I wanted to see her have sex on screen.  That did not happen, but there was a lot of sexual playfulness, some of which I can say, as an adult, has a wrongness to it.  I did not think that at the time; I just wanted as much Bo Derek as I could get, especially nude Bo Derek.

Watching it 40 years later and for the first time since then, I can say that I appreciate Bo Derek even more.  When this film was made and screened, she was in her mid-20, and Derek in her 20s was at the height of her powers, in terms of her looks, her body, and her sexual appeal.  Then and now, some women (and men) would sell their souls to have a her lithe, sexy body and those perfectly plump breasts.  I don't think I lusted for her as a teen as much as I did this time around.  I thought I would have a heart attack when, as Jane Parker, she emerged from the water in a white gown turned see-through when it got wet.  As Booger says in Revenge of the Nerds:  We got bush!

Bo Derek's husband, the late John Derek, made four films featuring his wife:  Fantasies and Tarzan, the Ape Man, both released in 1981; Bolero, released in 1984; and Ghosts Can't Do It, released in 1989.  Other than this Tarzan film, the only other one I saw was Bolero, which was, quite frankly, terrible.

Tarzan, the Ape Man is certainly a Bo Derek film, but a few other actors manage to stand out.  Richard Harris, in some ways, saves the film by giving a mad, over-the-top performance in order to create Jane's father, James Parker.  John Phillip Law as the photographer Harry Holt is good; Law certainly makes obvious Holt's naked lust for Jane Parker.

Miles O'Keefe was not the first choice to play Tarzan in this film, but he was intended to be the stunt double for the actor that would take the role.  Well, the actor who was to play Tarzan was fired or quit the film, and I don't know his identity.  O'Keefe stepped in to play Tarzan, and at that time, his body was the perfect male equivalent of Bo Derek's.  Lean, sinewy, muscular, and possessing perfectly sculpted abs, O'Keefe was an eye-appealing Tarzan, even if he was a really odd one.

If I remember correctly, the estate of Tarzan's creator, Edgar Rice Burroughs, was not pleased with this film, which made significant changes to the source material.  For instance, Jane Parker is really Jane Porter in the books, and her father is the professor, Archimedes Q. Porter, and not James Parker, the great white hunter.  Still, I hope that Tarzan, the Ape Man is not completely forgotten.  Future generations of men and teen boys should be able to partake of the opportunity that this film gives them to appreciate what, for a time, was one of American cinema's most beautiful women.  I plan to partake of that opportunity, again...

6 of 10
B

Monday, December 27, 2021


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Review: Walt Disney's "TARZAN" is Something Old, Something New, and Sometimes Amazing

TRASH IN MY EYE No. 114 (of 2004) by Leroy Douresseaux

Tarzan (1999)

Running time:  88 minutes ( hour, 28 minutes)

MPAA – G

DIRECTORS:  Chris Buck and Kevin Lima

WRITERS:  Tab Murphy and Bob Tzudiker & Noni White; from a story by numerous writers (based upon the Edgar Rice Burroughs novel Tarzan of the Apes)

PRODUCER:  Bonnie Arnold

EDITOR:  Gregory Perler

COMPOSER:  Mark Mancina

SONGS:  Phil Collins

Academy Award winner

ANIMATION/ACTION/ADVENTURE/FAMILY

Starring:  (voices) Tony Goldwyn, Minnie Driver, Glenn Close, Brian Blessed, Lance Henriksen, Wayne Knight, Alex D. Linz, Rosie O’Donnell, and Nigel Hawthorne

The subject of this movie review is Tarzan, a 1999 animation fantasy-adventure film and musical directed by Chris Buck and Kevin Lima.  The film is based on Tarzan of the Apes, the first Tarzan novel written by Tarzan creator, Edgar Rice Burroughs.  Walt Disney’s Tarzan focuses on a man who was raised by gorillas, but who must decide where he really belongs when he discovers that he is a human.

Tarzan, Walt Disney’s animated version of Edgar Rice Burroughs’ classic character Tarzan, was one of the best films of the year 1999.  In fact, it was better than the Academy Award winner for Best Picture that year, American Beauty.  Many film fans and critics point to 1989’s The Little Mermaid as Disney’s return to the kind of high quality animation that made the studio so famous from the later 1930’s to the early 1950’s.  From 1989 to 2004 (when Disney stopped making feature length animated films for theatrical release, for the foreseeable future), Tarzan stands as a high water mark, being one of the best efforts of that second golden age of Disney animation (known as the “Disney Renaissance”).

However, the film isn’t just a great effort in animation, it’s also a great film, period.  Like classic Disney films, there is something for everyone.  The drama, humor, action, and adventure reach across generations to entertain anyone, especially if adults have open minds about opening up to the story of an animated film.

In this version of the classic tale, the gorilla Kala (Glenn Close) rescues an orphaned human after she finds its parents’ murdered bodies.  She names him Tarzan (Alex D. Linz) and takes him as her own because she is left childless after a leopard killed her infant.  Years later, the adult Tarzan (Tony Goldwyn) discovers he is human when he falls in love with Jane Porter (Minnie Driver), who comes to Tarzan’s jungle home with her father, Professor Porter (Nigel Hawthorne).  His love for Jane forces Tarzan to decide where he belongs when he has to choose between staying with his gorilla family or following Jane back to England.

Unlike many Disney animated films, Tarzan is thoroughly a boys’ action/adventure tale filled as it is with jungle chases over trees and through dense foliage and with combat fought to the death.  He is a boy’s man, having fun all day, surfing by his feet over thick and long tree branches, and he’s a whirling dervish of flips, twists, spins, leaps, dives, etc.  The film is, however, also quite poignant in its drama, particularly in the romance between Tarzan and Jane and in the relationship between Tarzan and his mother, Kala.

What would a Disney cartoon be without laughter and songs?  There is plenty of humor, some of it surprisingly provided by Rosie O’Donnell as Tarzan’s gorilla playmate, Terk (performed when she was still the “Queen of Nice.”).  The musical score is also very good, soaring and emotional.  However, it is Phil Collins’ song score that really makes the film, and Collins finally won his long sought after “Best Music, Original Song” Oscar® for a track entitled, “You’ll Be in My Heart.”

9 of 10

A+

NOTES:

2000 Academy Awards, USA:  1 win: “Best Music, Original Song” (Phil Collins for the song “You'll Be In My Heart”)

2000 Golden Globes, USA:  1 win: “Best Original Song - Motion Picture” (Phil Collins for the song “You'll Be In My Heart”)

Updated:  Saturday, August 02, 2014

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Review: "TARZAN and the Lost City" is Entertaining in Spots

TRASH IN MY EYE No. 117 (of 2006) by Leroy Douresseaux

Tarzan and the Lost City (1998)

Running time:  84 minutes (1 hour, 24 minutes)

MPAA – PG for adventure violence

DIRECTOR:  Carl Schenkel

WRITERS:  Bayard Johnson and J. Anderson Black (based upon the stories by Edgar Rice Burroughs)

PRODUCERS:  Stanley S. Canter, Dieter Geissler, and Michael Lake

CINEMATAGRAPHER:  Paul Gilpin

EDITOR:  Harry Hitner

COMPOSER:  Christopher Franke

FANTASY/ACTION/ADVENTURE

Starring:  Casper Van Dien, Jane March, Steven Waddington, Winston Ntshona, Rapulana Seiphemo, and Ian Roberts

The subject of this movie review is Tarzan and the Lost City, a 1998 fantasy and adventure film from Village Roadshow Productions and Warner Bros. Pictures.  It was the first Tarzan movie shot entirely in Africa.  The film is loosely based on the Tarzan stories that were written by the character’s creator, Edgar Rice Burroughs.  In Tarzan and the Lost City, Tarzan returns to his African homeland to save it from destruction.

John Clayton, Lord Greystoke (Casper Van Dien) is about to marry his love, Jane Porter (Jane March), in London, when he learns through a kind of psychic connection with a lion that his old African homeland is in danger.  You see, Clayton is also Tarzan, Lord of the Apes, the famous jungle king who was orphaned on the Dark Continent (Africa) as an infant and raised by apes.

Tarzan puts off his wedding, much to Jane’s chagrin, and returns to Africa to stop the pillaging and animal poaching by the explorer, Nigel Ravens (Steve Waddington).  Raven has embarked on a quest to discover the lost city of Opar, said to by the birthplace of civilization.  While Tarzan begins his gorilla war against Waddington, Jane arrives in Africa and joins Tarzan in his bid to stop Waddington from finding Opar and looting it of its secrets and treasures.

Tarzan and the Lost City was the first Tarzan movie filmed entirely in Africa, and that gives the film a sense of realism, which isn’t necessarily a good thing.  Tarzan, who first appeared in the 1912 novel Tarzan of the Apes by Edgar Rice Burroughs, is a fantasy.  He’s larger than life, and he belonged to an era when people still romanticized the mythical great white hunter and the idea that a smart white man could, just on his superior intellect and physical superiority, conquer the mysterious and unexplored jungle worlds.

That said, this is a mildly entertaining flick, a few steps above a TV movie, and Christopher Franke’s score (which recalls strains of John Williams’ Raiders of the Lost Ark music) gives this film the feel of an epic adventure.  Casper Van Dien (Starship Troopers) is a credible Tarzan, and he almost, but not quite, copies the famous yell of the most famous film Tarzan, Johnny Weissmuller.

5 of 10

C+

Original:  Saturday, May 27, 2006

Update:  Saturday, August 02, 2014

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Review: "NO TIME TO DIE," But Plenty of Time to Bore

TRASH IN MY EYE No. 60 of 2021 (No. 1798) by Leroy Douresseaux

No Time to Die (2021)
Running time:  163 minutes (2 hours, 43 minutes)
MPAA – PG-13 for sequences of violence and action, some disturbing images, brief strong language and some suggestive material
DIRECTOR:  Cary Joji Fukunaga
WRITERS:  Neal Purvis & Robert Wade and Cary Joji Fukunaga, and Phoebe Waller-Bridge; from a story by Cary Joji Fukunaga and Neal Purvis & Robert Wade (based on the characters created by Ian Fleming)
PRODUCERS:  Barbara Broccoli and Michael G. Wilson
CINEMATOGRAPHER:  Linus Sandgren (D.o.P.)
EDITORS:  Tom Smith and Elliot Graham
COMPOSER:  Hans Zimmer
SONG:  “No Time to Die,” sung by Billie Eilish; written by Billie Eilish and Finneas O'Connell

SPY/ACTION/ADVENTURE

Starring:  Daniel Craig, Rami Malek, Lea Seydoux, Lashana Lynch, Ralph Fiennes, Ben Whishaw, Naomie Harris, Rory Kinnear, Billy Magnussen, David Dencik, Dali Benssalah, and Jeffrey Wright with Christoph Waltz

No Time to Day is a 2021 spy and action-adventure film from director Cary Joji Fukunaga.  It is the 25th entry in EON Productions' James Bond film franchise, and it is also the fifth and (supposedly) final film in which actor Daniel Craig portrays Bond.  In No Time to Die, James Bond is attempting to enjoy life after having left active service when an old friend asks him to help the CIA secure a dangerous new weapon.

No Time to Die finds former M16 agent, James Bond-007 (Daniel Craig), enjoying life after leaving active service with his lover, Dr. Madeleine Swann (Lea Seydoux).  While vacationing in Matera, Italy, Spectre assassins ambush Bond, and although he survives that attempt, he believes that he has been betrayed.  Bond blames Madeleine and leaves her.

Five years later, MI6 scientist, Valdo Obruchev (David Dencik), is kidnapped from an MI6 laboratory.  Obruchev was working on a bio-weapons project, “Project Heracles,” at the behest of Gareth Mallory (Ralph Fiennes), also known as “M,” the head of MI6.  In Jamaica, Bond's friend, CIA agent Felix Leiter (Jeffrey Wright), asks Bond to help him track Obruchev, but Bond refuses.  Later, Bond encounters Nomi (Lashana Lynch), the MI6 agent who has succeeded him as the new “007.”  After discovering more about “Project Heracles” via Nomi, Bond agrees to help Leiter find Obruchev.

Bond discovers that his old nemesis, Ernst Stavro Blofeld (Christoph Waltz), the founder and head of the criminal syndicate, Spectre, is somehow involved with Obruchev.  However, the true mastermind behind Obruchev's activities is a mysterious terrorist leader (Rami Malek) on a mission of revenge and harboring plans to kill untold millions of people.

Of the previous Daniel Craig James Bond films:  Casino Royale (2006), Quantum of Solace (2008), Skyfall (2012) and Spectre (2015), the last two join No Time to Die to form some kind of Daniel Craig as James Bond life cycle.  When it comes to James Bond, I am not interested in s life story, origin tale, or death story of 007.  Craig is the first actor to play Bond who gets a swan song film.  All the other Bond actors did not get a goodbye movie; they simply left.

Although it has some good moments and some exceptional set pieces – in the form of extended action scenes – No Time to Die gets old and listless, especially after the action that takes place in Matera.  This film is also too long and too tired, especially wants the drama moves to Japan.  Even Daniel Craig, who is only 53-years-old, seems to be much older than he really his.  His body is tight, but his face is Beetlejuice.  It is as if everything about this film inadvertently says that both Craig and Bond are way past their expiration date.  In fact, both seem like spoiled milk.

No Time to Die has other problems.  Ray Fiennes, with his dour faced portrayal of “M,” only makes things seem more rundown.  Naomie Harris is utterly wasted as Eve Moneypenny.  Lashana Lynch cannot do much to save her utterly wasted and woefully underdeveloped character, Nomi, the new 007.  Jeffrey Wright seems like an out-of-gas old car as Felix Leiter.  As for Rami Malek: what could have been is so obvious in how much he gets out of so little.

On the other hand, Rory Kinnear brings some quiet energy as M's chief of staff, Bill Tanner.  As usual Ben Whishaw is top notch as “Q,” and I hope the Bond bosses bring him back in the next iteration of the franchise.  Also, Bill Magnussen provides an expected pretty boy, watermelon sugar rush as the bright-eyed CIA agent, Logan Ash.

In the final analysis, if I had to do it again, I would not go to a movie theater to see No Time to Die.  Don't get me wrong.  I am a huge James Bond fan and would see this movie anyway.  I will always find a lot to like even in Bond movies about which I have mixed feelings.  However, No Time to Die is the kind of Bond movie that I could have waited to see at home.  It is sad that Daniel Craig's tenure as James Bond did not so much end as it simply petered out.

6 of 10
B

Friday, October 8, 2021


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Movie Review: "RAYA AND THE LAST DRAGON" Has Lovable Characters

TRASH IN MY EYE No. 41 of 2021 (No. 1779) by Leroy Douresseaux

Raya and the Last Dragon (2021)
Running time:  107 minutes
MPAA – PG for some violence, action and thematic elements
DIRECTORS:  Don Hall and Carlos López Estrada with Paul Briggs and John Ripa (co-directors)
WRITERS:  Qui Nguyen and Adele Lim; from a story by Paul Briggs, Don Hall, Adele Lim, Carlos López Estrada, Kiel Murray, Qui Nguyen, John Ripa, and Dean Wellins
PRODUCERS:  Peter Del Vecho and Osnat Shurer
CINEMATOGRAPHER:  Rob Dressel
EDITORS:  Fabienne Rawley and Shannon Stein
COMPOSER:  James Newton Howard

ANIMATION/FANTASY/FAMILY/ACTION/ADVENTURE

Starring:  (voices) Kelly Marie Tran, Awkwafina, Gemma Chan, Izaac Wang, Daniel Dae Kim, Benedict Wong, Jona Xiao, Sandra Oh, Thalia Tran, Lucille Song, and Alan Tudyk

Raya and the Last Dragon is a 2021 computer-animated fantasy film from directors Don Hall and Carlos López Estrada and is produced Walt Disney Animation Studios.  It is the 59th animated feature film in the “Walt Disney Animated Classics” line.  Raya and the Last Dragon is set in a magical realm where a young princess searches for the whereabouts of the last dragon in order to save her world.

Raya and the Last Dragon opens in the realm of “Kumandra.”  Five hundred years earlier, Kumandra was ravaged by the “Druun,” a mindless plague of evil spirits that consumed life and turned everything and everyone they touched into stone.  Kumandra had been made prosperous by the presence of dragons, magical creatures who brought water, rain, and peace.  The Druun manage to petrify all the dragons, except the last one, “Sisudatu,” who used a magical gem to banish the Druun.  However, a power struggle for the “Dragon Gem” divided Kumandra's people into five tribes:  Heart, Tail, Talon, Spine, and Fang.

Five hundred years later, Chief Benja (Daniel Dae Kim) of the Heart tribe trains his daughter, Raya (Kelly Marie Tran), in the fighting skills she will need in order to become a “Guardian of the Dragon Gem,” like her father.  Benja also steadfastly believes that the five tribes can be united, so he decides to hold a feast for the leadership of all five tribes.  During the feast, Raya is betrayed in a plot to steal the Dragon Gem, but this leads to the gem being broken into five pieces during the scuffle to possess it.  The four other tribes each steals a piece of the gem, which reawakens the Druun, who promptly go on a rampage and begin turning people into stone.

For the next six years, Raya and Tuk Tuk (Alan Tudyk), Raya's best friend and trusty steed (a mix of an armadillo and a pill bug), continue their search for the resting place of Sisudatu, also known as “Sisu” (Awkwafina).  After she finds Sisu, Raya must obtain the other four pieces of the Dragon Gem so that Sisu, the last dragon, can revive Kumandra.  Joining Raya and Sisu are the boy captain, Boun (Izaac Wang); a warrior from Spine, Tong (Benedict Wong); and a toddler con artist, Little Noi (Thalia Tran), and her trio of monkey-like companions, the Ongis.  But standing in her way is an old rival, Namaari (Gemma Chan), and the land of Fang.

Honestly, Raya and the Last Dragon would be little more than a version of The Lord of the Rings based on Southeastern Asian culture, myth, and religion … if not for this Disney's film's great characters.  Every character, from Raya and her friends to her rivals and enemies, is honestly wonderful.  I couldn't get enough of them.  I think Namaari, both the child and older version, should have her own stories.  I could see her as the star of her own movie.  Little Noi and her Ongis are so cute that they make it impossible for me to really find fault with this movie.  Noi and her monkey-like companions are the kind of great supporting characters that only the magic of Disney storytelling can create.  Boun is also adorable and wholly capable of having his own stories.  Benedict Wong gives the most layered and nuanced voice performance, in a film full of exemplary voice performances, in creating Tong as a fully developed, three-dimensional character.

Kelly Marie Tran, who was a social media punching bag over her role in the Star Wars “sequel films,” does as much as Raya and the Last Dragon's great animators in making Raya a believable hero on a journey of learning and of discovery.  Tran transforms Raya into a great female hero, on par with the best live-action female action movie heroes.

Like the typical Walt Disney animated feature film, Raya the Last Dragon has gorgeous animation that moves in seemingly impossible ways, and the colors are dazzling.  The themes of trust and hope permeate this film and feel genuine.  I will say that Kumandra's basic concepts and myths feel contrived.  I expected something different and more imaginative from a film inspired by Southeast Asia.  Still, Raya and the Last Dragon is dazzling entertainment.  And like the best Walt Disney animated classics, I see it having a long, long life, entertaining generations of movie audiences.

8 of 10
A

Sunday, June 20, 2021


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Review: "Aquaman" Rides High on the High Seas

TRASH IN MY EYE No. 23 of 2021 (No. 1761) by Leroy Douresseaux

[This review was originally posted on Patreon.]

Aquaman (2018)
Running time:  143 minutes (2 hours, 23 minutes)
MPAA – PG-13 for sequences of sci-fi violence and action, and for some language
DIRECTOR:  James Wan
WRITERS:  David Leslie Johnson-McGoldrick and Will Beall; from a story by Geoff Johns, James Wan, Will Beall (based on the character created by Paul Norris and Mort Weisinger and appear ing DC Comics)
PRODUCERS:  Rob Cowan and Peter Safran
CINEMATOGRAPHER: Don Burgess    
EDITOR:  Kirk Morri
COMPOSER:  Rupert Gregson-Williams

SUPERHERO/FANTASY/SCI-FI/ACTION/ADVENTURE

Starring:  Jason Momoa, Amber Heard, Willem Dafoe, Patrick Wilson, Dolph Lundgren, Yahya Abdul-Mateen II, Ludi Lin, Temuera Morrison, Randall Park, Michael Beach, and Nicole Kidman

Aquaman is a 2018 superhero science fiction and fantasy film from director James Wan.  It is the sixth film in the DC Extended Universe (DCEU), which is comprised of films based upon DC Comics characters.  Aquaman was created by artist Paul Norris and editor Mort Weisinger and first appeared in More Fun Comics #73 (cover dated: November 1941).  Aquaman the film focuses on a half-breed who is heir to the throne of an underwater kingdom and his quest to prevent an all-out war between the worlds of the land and the seas.

Aquaman opens in 1985.  Thomas Curry (Temuera Morrison), a lighthouse keeper in Amnesty Bay, Maine, rescues Atlanna (Nicole Kidman), the queen of the underwater kingdom of Atlantis, during a storm.  They fall in love and have a son named Arthur, who has the power to communicate with sea creatures.  Eventually, however, Atlantean soldiers arrive to retrieve Atlanna, who had fled her arranged marriage in Atlantis.

The film movies to the present day, several months after the events depicted in the film, Justice League.  Arthur Curry (Jason Momoa), now also known as the “Aquaman,” attempts to live a normal life in Amnesty Bay, but his Atlantean heritage is about to intrude on his life.  Arthur has a half-brother, Orm Marius (Patrick Wilson), who is the current King of Atlantis and who is also the second son of Atlanna.  Orm is attempting to rally the undersea kingdoms to his cause.  He wants to unite and to attack the surface world for polluting the oceans.  Princess Y'Mera Xebella Challa, also known simply as Mera (Amber Heard), is betrothed to Orm, but refuses to aid him or her father, King Nerius of Xebel (Dolph Lundgren), in their plans.

Mera travels to the surface where she meets Arthur and tries to convince him to help her in stopping Orm.  She also wants Arthur to take his rightful place as King of Atlantis.  Before he does that, however, Arthur must recover a magic artifact, the lost “Sacred Trident of Atlan,” which will mark its possessor as the rightful ruler of Atlantis.  The problem is that Arthur does not want to be King of Atlantis nor anywhere else for that matter.

Watching Aquaman, I could not help but notice that many of its story points and plot elements were glaringly similar to that of Marvel Studios' Black Panther, which debuted earlier in the same year that Aquaman hit theaters, 2018.  Whereas Black Panther was edgy, philosophically in tune with Pan-Africanism, and socially relevant, Aquaman is simply a grand, old-fashioned, action-adventure fantasy film, and there is nothing wrong with that.  Aquaman is solidly entertaining.

If Aquaman must be accused of copying other films, in terms of visual concepts and world-building, Aquaman leans heavily on the Star Wars prequel films and on Tron: Legacy.  And once again, there is nothing wrong with that.  Many big-budget, tent-pole films borrow from other movies of similar to its type.  Aquaman dazzles the eyes and blows the mind.  It is such a spectacular visual effects feast for the eyes, senses, and imagination that I am surprised that it did not get any Oscar nominations in the categories of visual effects, art direction-set decoration, and costume design.  That such a visually resplendent film did not get in Oscar nominations says something about the nominating process of the Academy Awards in many areas.

I must admit that I think that this film does have a few sizable problems.  Aquaman's stiff, overly-formal, highfalutin' dialogue hampers the acting, which isn't all that good to begin with.  The character writing is also average, so it is not as if the actors have much to work with in building strong dramatic characters.  Still, I'd have to be feeling generous to say that Jason Momoa was more than average as Arthur Curry/Aquaman, although he does appear to be trying hard.  Patrick Wilson and Yahya Abdul-Mateen II overact and ham-it-up as Orm and Black Manta, respectively.  Willem Dafoe is practically a wooden idol as Vulko, and Amber Heard seems to think that she is playing Mera in a spoof of a superhero movie rather than acting in a “serious” superhero film.

I would normally give a film with such average character drama on the part of the screenplay and such awkward acting a grade of “B.”  The directing by James Wan is strong enough, however, and, once again, the film is such a visual effects orgasm that I will bump up Aquaman's final grade a little.

7 of 10
B+

Saturday, November 28, 2020


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Review: "THE PRINCESS BRIDE" Still Storming the Castle

TRASH IN MY EYE No. 21 (of 2020) by Leroy Douresseaux

[This review originally appeared on Patreon.]

The Princess Bride (1987)

Running time: 98 minutes (1 hour, 38 minutes)

MPAA – PG

DIRECTOR:  Rob Reiner

WRITER:  William Goldman (based on the book by William Goldman)

PRODUCERS:  Rob Reiner and Andrew Scheinman

CINEMATOGRAPHER:  Adrian Biddle

EDITOR:  Robert Leighton

COMPOSER:  Mark Knopfler

Academy Award nominee

FANTASY/ROMANCE/ADVENTURE/FAMILY

Starring:  Cary Elwes, Robin Wright, Mandy Patinkin, Chris Sarandon, Christopher Guest, Wallace Shawn, Andre the Giant, Fred Savage, Peter Falk, Carol Kane, and Billy Crystal

The Princess Bride is a 1987 fantasy-adventure and romantic film from director Rob Reiner.  The film is based on William Goldman's 1973 novel, The Princess Bride, for which Goldman wrote the screenplay adaptation.  2017 will mark the 30th anniversary of the film's release (October 9, 1987).  In The Princess Bride the film, a grandfather tells his grandson the story of a princess sought by two men who desire her – one a mysterious hero and the other a hateful prince.

The Princess Bride opens with a framing story in which The Grandfather (Peter Falk) reads a book, “The Princess Bride,” to The Grandson (Fred Savage), who is sick and relegated to his bed.  The story then travels from the present day of the Grandson's bedroom to the past of the Renaissance Era.  The place of arrival is a country named “Florin.”  There, we meet Buttercup (Robin Wright), a beautiful young woman, and Westley (Cary Elwes), the farmhand she loves to order around.  The truth is that Buttercup loves Westley, but one day, Westley leaves the farm to seek his fortune.

Later, Buttercup learns that Westley was on ship that was attacked by the Dread Pirate Roberts and is assumed dead.  The story moves ahead five years, and Buttercup has reluctantly agreed to marry Humperdinck (Chris Sarandon), Prince of Florin.  There are, however, conspiracies and conspirators afoot who stand in the way of that marriage.  This includes a Sicilian crime boss named Vizzini (Wallace Shawn), a giant named Fezzik (André the Giant), a Spanish master swordsman named Inigo Montoya (Mandy Patinkin), and a mysterious man in black.

Recently, IDW Publishing sent me a copy-for-review of their adult coloring book based on The Prince Bride, entitled The Princess Bride: A Storybook to Color.  I decided that I finally needed to sit down and watch The Princes Bride, start to finish, in its entirety, which I had never done.  Why had I not done that before?  I don't know.  I have always been curious about the movie, and I even owned a copy of William Goldman's novel a long time ago (which I lost before I could read it).

I can describe The Princess Bride as a multi-genre movie.  It is part medieval fantasy, part storybook romance, and part swashbuckling adventure (quietly and gently adventurous).  And the result is a damn fine movie.  I don't know what makes it work, but I think director Rob Reiner has a lot to do with that.  His directorial pace and mood suggests that he wanted this movie to be a storybook tale that found comedy in the elements of fairy tales and fantasy, but without mocking and parodying them.  Also, I think William Goldman's screenplay builds the characters using quirks and eccentricities so that he can poke fun at the players rather than at the genres that are their field of play.

The resulting film is an utterly delightful and a truly unique cinematic gem.  I don't think Reiner could get The Princess Bride made today, not without pumping it full of intense action and making extensive use of computer-generated imagery (CGI).  If made today, even the film's photography would be heavily altered and enhanced through the use of software.

The Princess Bride is essentially a “hand-made” movie, and somehow the talent involved in this film made magic.  I bet they did not realize that until they saw the finished film.  If you have not yet seen The Princess Bride, it is time for you to realize the magic, too.

9 of 10
A+

Sunday, January 22, 2017

NOTES:
1988 Academy Awards, USA:  1 nomination: “Best Music, Original Song” (Willy DeVille for the song "Storybook Love")

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Review: Live-Action "Aladdin" is Quite Lively

TRASH IN MY EYE No. 11 (of 2019) by Leroy Douresseaux

[This review was originally posted on Patreon.]

Aladdin (2019)
Running time: 128 minutes (2 hours, 8 minutes)
MPAA – PG for some action/peril
DIRECTOR:  Guy Ritchie
WRITERS:  Guy Ritchie and John August (based the 1992 film, Aladdin, written by Ron Clements, John Musker, Ted Elliott, Terry Rossio; and on the folk tale, “Aladdin,” from One Thousand and One Nights)
PRODUCERS:  Jonathan Eirich and Dan Lin
CINEMATOGRAPHER:  Alan Stewart (D.o.P)
EDITOR:  James Herbert
COMPOSER: Alan Menken

FANTASY/MUSICAL/COMEDY and ADVENTURE/FAMILY

Starring:  Will Smith, Mena Massoud, Naomi Scott, Marwan Kenzari, Navid Negahban, Nasim Pedrad, Billy Magnussen, and Numan Acar with Alan Tudyk and Frank Welker

Aladdin is a 2019 fantasy adventure film directed by Guy Ritchie and produced by Walt Disney Pictures.  The film is a live-action remake of Disney's classic animated film, Aladdin (1992), and both films are based on the folktale, “Aladdin,” from the collection, One Thousand and One Nights.  Aladdin 2019 focuses on a kindhearted street urchin and a power-hungry courtier who both vie for a magic lamp that has the power to make their deepest wishes come true.

Aladdin opens in the desert kingdom of Agrabah.  In the capital city, Aladdin (Mena Massoud), a kindhearted young street urchin, makes his living as a thief, lifting food from various stalls in the city's market, often with the help of his pet monkey, Abu.  One day, Aladdin and Abu come to the rescue of a young woman who turns out to be Princess Jasmine of Agrabah (Naomi Scott), and they befriend her although Aladdin assumes that she is someone else.

It turns out that Jasmine is not happy with her station in life.  Her father is The Sultan of Agrabah (Navid Negahban), and Jasmine hopes to one day become the new Sultan.  However, the laws of Agrabah require her, as the daughter of the Sultan, to marry a prince, regardless of her feelings for him, so that he may become the next Sultan.

Meanwhile, the Grand Vizier, Jafar (Marwan Kenzari), has grown tired of being “second best” to the Sultan.  He and his parrot, Iago (Alan Tudyk), seek a “magic lamp” that is hidden within “the Cave of Wonders,” which Jafar believes will give him the power to become the new Sultan.  However, only someone is who worthy (“the diamond in the rough”) can enter the cave, and that turns out to be Aladdin.  So can Aladdin and the mysterious Genie (Will Smith), the jinn of the magic lamp, save Agrabah from Jafar's machinations?

While watching this thoroughly enjoyable live-action film adaptation of Aladdin, I found myself surprised at how well Will Smith performed in a role the late actor Robin Williams made into an all-time famous voice performance in animated film.  The more I thought about it, the more I came to realize that the original film has worked so well via sequels, spin-offs, and other adaptations because Aladdin 1992 is simply great material.

The characters, the setting, the story, the screenplay, the musical and song score, the sets, the costumes, etc. are all top-notch material.  The original film yielded a 2010 Broadway musical the was nominated for several Tony Awards, winning one.  An animated television series, “Aladdin,” ran for three seasons beginning in 1994 and won four of the seven Daytime Emmy nominations it received.  I imagine that even high school theater/drama departments that are not well funded could produce an interesting stage production of Aladdin.  The story and song material that makes up Disney's Aladdin is so good that people would have to go out of their way to mess up an update of Aladdin.

Director Guy Ritchie and his co-screenwriter, John August, do not mess up.  Aladdin 2019 is not a great film, but it is a hugely enjoyable film.  Will Smith, Mena Massoud, and Naomi Scott give good performances, each of them proves able to “hold a tune,” with Massoud and Scott turning out to be quite good at singing.  The costumes and sets are lavish and gorgeous.  The music of Alan Menken, the late Howard Ashman, and Tim Rice – old and new – and the new contributions from the songwriting duo of Pasek & Paul are singalong, toe-tapping delights.

Aladdin 2019 is the kind of broad humor, fantasy-tinged, all-ages entertainment that Disney does so well.  Often, these movies are not high-art, nor do they advance the cinematic arts, but they are fun to watch.  For some of us, they are fun to watch over and over again.  Aladdin 2019 has its awkward moments, and certain scenes fall flat.  Overall, Aladdin 2019 still finds a way to be a delightful time at the movies.  I wish more movies – even some arty ones – would do that more often.

7 of 10
B+

Sunday, May 26, 2019


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Review: "Jurassic World: Fallen Kingdom" a Fall Off From First Film

TRASH IN MY EYE No. 3 (of 2019) by Leroy Douresseaux

[This review was originally posted on Patreon.]

Jurassic World: Fallen Kingdom (2018)
Running time: 128 minutes (2 hours, 8 minutes)
MPAA – PG-13 for intense sequences of science-fiction violence and peril 
DIRECTOR:  J.A. Bayona
WRITERS:  Colin Trevorrow and Derek Connolly (based on characters created by Michael Crichton)
PRODUCERS:  Belen Atienza, Patrick Crowley, and Frank Marshall
CINEMATOGRAPHER:  Oscar Faura (D.o.P.)
EDITOR:  Bernat Vilaplana
COMPOSER:  Michael Giacchino

SCI-FI/ACTION/ADVENTURE/THRILLER

Starring:  Chris Pratt, Bryce Dallas Howard, Rafe Spall, Justice Smith, Daniella Pineda, Ted Levin, Geraldine Chaplin, Isabella Sermon, James Cromwell, B.D. Wong, Toby Jones, and Jeff Goldblum

Jurassic World: Fallen Kingdom is a 2018 science fiction-thriller and dinosaur film from director J.A. Bayona.  It is the direct sequel to Jurassic World, the 2015 film that was a restart of the Jurassic Park film franchise, of which this film is the fifth installment.  Fallen Kingdom returns to Isla Nublar where an active volcano forces a rescue mission of the island's remaining dinosaurs, a mission that is not quite what it is supposed to be.

Jurassic World: Fallen Kingdom opens on Isla Nublar, the setting of the failed dinosaur theme parks, Jurassic Park and Jurassic World, where a secret mission takes place.  A once dormant volcano on the island has roared back to life and threatens to initiate an extinction-level event for the island's remaining dinosaurs.  Benjamin Lockwood (James Cromwell) is the former partner of John Hammond, the owner of Jurassic Park and the founder of InGen (the company that first cloned dinosaurs).  Lockwood and his aide, Eli Mills (Rafe Spall), have a plan to relocate the dinosaurs to a new island sanctuary.

Lockwood summons Claire Dearing (Bryce Dallas Howard), former Jurassic World operations manager, to reactivate the park's dinosaur tracking system.  She convinces Owen Grady (Chris Pratt), who trained the park's Velociraptors (raptor) to accompany her.  Grady is interested in rescuing the sole remaining raptor from his trainees, the pack leader, Blue.  With a former park technician, Franklin Webb (Justice Smith), and a paleo-veterinarian, Zia Rodriguez (Daniella Pineda), in tow, Dearing and Grady join mercenary leader, Ken Wheatley (Ted Levine), on a rescue mission to Isla Nublar.  As the volcano destroys the island, however, Dearing and Grady soon discover that not everything about this rescue mission as it is supposed to be.

Jurassic World: Fallen Kingdom may be described as a science fiction-adventure film, but that is what the original Jurassic Park trilogy of films were.  Jurassic World: Fallen Kingdom, like the first film, Jurassic World, is a science fiction-action film with elements of a techno-thriller.  Hanging over Fallen Kingdom are the threats of ecological disaster and environmental or biological apocalypse.  The original Jurassic Park films were about adventure, the chase, and the escape.  The Jurassic World films are about technology and conspiracy.

Beyond that, Jurassic World: Fallen Kingdom is a serviceable scary movie.  Director J.A. Bayona offers a by-the-numbers directing style that makes the work of Jurassic World's director, Colin Trevorrow (who returns as this film's co-screenwriter), seem more imaginative than it actually is.  At least in Jurassic World, Trevorrow was able to make the characters and their conflicts, struggles, and dilemmas seem interesting.

In Fallen Kingdom, Claire Dearing and Owen Grady are mostly wooden, except for a few moments.  When he has to play Grady as the ass-kicking hero and rescuer of white maidens in distress, Pratt does not seem to really put his heart into his performance.  I think a child playing with action figures could make his toys more convincing as heroes than Pratt in in this film.

Jurassic World: Fallen Kingdom is pass-the-time entertainment that you watch because it is the most convenient or most available thing available, the way a one-dollar McDonald cheeseburger has to satisfy your hunger because that is all that is available to you.  Would I watch Fallen Kingdom again once it starts making the basic cable movie channel rotations?  Sure, if Jurassic World is not playing.

5 of 10
C+

Friday, March 15, 2019


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Review: "Solo: A Star Wars Story" is Pure Classic Era

TRASH IN MY EYE No. 7 (of 2018) by Leroy Douresseaux

[This review was originally posted on Patreon.]

Solo: A Star Wars Story (2018)
Running time:  135 minutes (2 hours, 15 minutes)
MPAA – PG-13 for sequences of sci-fi action/violence
DIRECTOR:  Ron Howard
WRITERS:  Jonathan Kasdan and Lawrence Kasdan; based on the characters created by George Lucas)
PRODUCERS:  Simon Emanuel (p.g.a.) and Kathleen Kennedy (p.g.a.)
CINEMATOGRAPHER:  Bradford Young (D.o.P.)
EDITOR:  Pietro Scalia
COMPOSER:  John Powell (and adaptation)

SCI-FI/FANTASY/ACTION/ADVENTURE

Starring:  Alden Ehrenreich, Joonas Suotamo, Woody Harrelson, Emilia Clarke, Donald Glover, Thandie Newton, Paul Bettany, Clint Howard, Erin Kellyman, Anthony Daniels, and Warwick Davis and the voices of Phoebe Waller-Bridge, Jon Favreau, and Linda Hunt

Solo: A Star Wars Story is a 2018 science fiction and fantasy film from director Ron Howard.  It is the tenth live-action film in the Star Wars film franchise, and it is the second anthology or “stand-alone” film (meaning that it is not part of the “Skywalkers saga”), following 2016's Rogue One: A Star Wars Story.  The film focuses on a younger version of classic Star Wars character, Han Solo, and tells the story of how he got his start as a space pirate and smuggler.

Solo: A Star Wars Story opens on the shipbuilding world of Corellia.  There we meet a young "scrumrat" and aspiring pilot named Han (Alden Ehrenreich) and his lover, Qi'ra (Emilia Clarke), who both long to escape the clutches of the local criminal gangs and to leave the planet for new lives.  However, only Han manages to escape, and he joins the Imperial Navy of the Galactic Empire as a flight cadet.

Three years later, Han is serving as an infantryman during a battle on the planet Mimban.  There, he encounters a gang of criminals posing as Imperial officers, led by Tobias Beckett (Woody Harrelson).  Han and his new friend, Chewbacca (Joonas Suotamo), a Wookie with whom he just became acquainted, bribe their way onto Beckett's crew.  Han and Chewbacca's first heist with Beckett, however, leads him into dangerous places.  Han meets a murderous crime lord, Dryden Vos (Paul Bettany); discovers a smooth-talking and rising young smuggler, Lando Calrissian (Donald Glover); enters a new heist that could make or break his future; and reunites with a figure from his past.

Much about Solo: A Star Wars Story feels contrived and shoved in, as if the filmmakers and storytellers are trying to reveal the origins of everything Star Wars fans know about the Han Solo.  From his name to his personality, very little if anything is not covered.  Still, one can make an argument that much about the original Star Wars (1977) is contrived.

What is important is that Solo: A Star Wars Story feels like classic era Star Wars films (1977 to 1983).  Like the other anthology film, Rogue One, Solo: A Star Wars Story is infused with the spirit of adventure of the original films.  Solo is partly a Western, like the original Stars Wars.  Solo is a far-flung space opera and interstellar fantasy like the original trilogy.  Part of the reason that Solo feels so classic Star Wars is that one of the film's two screenwriters, Lawrence Kasdan, wrote two of the original trilogy films, and his son, Jonathan, is the co-screenwriter here.  Solo director Ron Howard should have directed a Star Wars film a long time ago, as far as I am concerned.  He has previously worked with Star Wars creator, George Lucas, on the fantasy film, Willow (1988).  So Howard was fated for a Star Wars film, and I am glad it is Solo.

As for the characters, Alden Ehrenreich is good as young Han Solo.  Ehrenreich tries to capture the spirit of the performance of the original Han Solo actor, Harrison Ford, but Ehrenreich plays young Han, not as a fully grown man, but as someone still evolving.  Donald Glover is excellent, superb, and great as young Lando Calrissian (who was originally played by Billy Dee Williams).  Solo is not a big enough movie for two personalities like young Han and young Lando, so Lando needs his own movie.  And new Chewbacca actor, Joonas Suotama, is good, but it is hard to mess up playing Chewbacca.

If this review makes it seem that I am much more pleased with Solo: A Star Wars Story than I am about the most recent other Star Wars film, Star Wars: The Last Jedi, I unequivocally am.  Solo is a real movie all on its own – beginning, middle, and end.  While it may not add much to the fictional mythology of the Star Wars franchise, Solo: A Star Wars Story gets it right by looking, feeling, and acting like classic Star Wars.

8 of 10
A

Friday, May 25, 2018


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Review: Tom and Jerry: Back to Oz

TRASH IN MY EYE No. 6 (of 2017) by Leroy Douresseaux

Tom and Jerry: Back to Oz (2016) – straight-to-video
Running time:  81 minutes (1 hour, 21 minutes)
PRODUCERS/DIRECTORS:  Spike Brandt and Tony Cervone
WRITERS:  Spike Brandt, Paul Dini, and Sam Register
EDITOR:  Dave Courter
COMPOSER: Michael Tavera
ANIMATION STUDIO:  Digital eMation, Inc.

ANIMATION/FANTASY/ACTION/ADVENTURE and FAMILY/MUSIC

Starring:  (voices)  Grey Griffin, Jason Alexander, Amy Pemberton, Joe Alaskey, Michael Gough, Rob Paulsen, Todd Stashwick, Frances Conroy, Laraine Newman, Stephen Root, Kath Soucie, Andrea Martin, James Monroe Iglehart, Spike Brandt, and Jye Frasca

Tom and Jerry: Back to Oz is a 2016 direct-to-video animated film starring the famous cartoon cat and mouse duo, Tom and Jerry.  Produced by Warner Bros. Animation, it is a sequel to Tom and Jerry & The Wizard of Oz, a 2011 animated direct-to-video film.

Both these films take inspiration and source material from the 1939 MGM film, The Wizard of Oz, and places Tom and Jerry (who began as MGM cartoon characters) alongside Dorothy, Toto, the Wicked Witch of the West, and the rest of the characters from that beloved classic film.  Tom and Jerry: Back to Oz is also the first sequel in the Tom and Jerry direct-to-video film series.  [Back to Oz is also the final work of noted animation voice actor Joe Alaskey who died of cancer on February 3, 2016, and this film is dedicated to his memory.]

Back to Oz opens on the Gale farm.  Dorothy Gale (Grey Griffin), Auntie Em (Frances Conroy), Uncle Henry (Stephen Root), Toto, the three farm hands, and Tom and Jerry are still cleaning up the damage caused by the twister that wrecked the farm in the first film.  The Gales are on the verge of losing the farm because of a lawsuit brought by neighbor, Lucius Bibb (Jason Alexander).  Auntie Em, Uncle Henry, and the three farmhands immediately set out to find jobs that can help them get money to pay off the damages Bibb is claiming they brought on his property (a prized watermelon patch).

Dorothy is left behind because the adults consider her too young to work.  While cleaning up, Dorothy, Toto, and Tom and Jerry are attacked by flying monkeys, which had once served the Wicked Witch of West.  During the attack, Dorothy's companions from the Land of Oz:  Scarecrow (Michael J. Gough), Tin Man (Rob Paulsen), and the no-longer-cowardly Lion (Todd Stashwick) arrive to inform her that Oz is under attack again.  This time, Ruggedo the Nome King (Jason Alexander) is taking over the Emerald City, so Dorothy is once again off to see the Wonderful Wizard of Oz (Joe Alaskey) in a bid to save Oz.

Tom and Jerry: Back to Oz is not as good as its predecessor, Tom and Jerry & the Wizard of Oz.  However, a return to the Oz that was created by filmmakers, cast, and crew of MGM's 1939 The Wizard of Oz, even a cartoon version of it, is welcomed – at least by me and some others.  There are apparently a lot of us, or at least enough to create a sequel to the first Tom and Jerry Oz.

Honestly, that is the explanation for whatever success this film, Tom and Jerry: Back to Oz, has – its connection to a truly classic American film, one of the best movies of all time.  I won't be fake and deny it.  I hope Tom and Jerry go back to that Oz, again.

6 of 10
B

Friday, March 31, 2017


The text is copyright © 2017 Leroy Douresseaux. All Rights Reserved. Contact this site for reprint and syndication rights and fees.

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Review: "Mission: Impossible - Rogue Nation" a Nation onto Itself

TRASH IN MY EYE No. 8 (of 2016) by Leroy Douresseaux

[This review was originally posted on Patreon.]

Mission: Impossible – Rogue Nation (2015)
Running time: 131 minutes (2 hours, 11 minutes)
MPAA – PG-13 for sequences of action and violence, and brief partial nudity
DIRECTOR:  Christopher McQuarrie
WRITERS:  Christopher McQuarrie; from a story by Christopher McQuarrie and Drew Pearce (based upon the television series created by Bruce Geller)
PRODUCERS: Tom Cruise, J.J. Abrams, Bryan Burk, David Ellison, and Don Granger
CINEMATOGRAPHER: Robert Elswit (D.o.P.)
EDITOR: Eddie Hamilton
COMPOSER: Joe Kraemer

ACTION/ADVENTURE/SPY/THRILLER

Starring: Tom Cruise, Jeremy Renner, Simon Pegg, Alec Baldwin, Rebecca Ferguson, Ving Rhames, Sean Harris, Simon McBurney, Jen Hultén, Hermoine Corfield, and Nigel Barber

Mission: Impossible – Rogue Nation is a 2015 action-thriller and espionage film directed by Christopher McQuarrie and starring Tom Cruise.  It is the fifth film in the Mission: Impossible film franchise, which is based on the American television series, “Mission: Impossible,” that was created by Bruce Geller and that originally aired on CBS from 1966 to 1973.

Rogue Nation finds the Impossible Mission Force (IMF) taking on their most impossible mission yet, defeating an international rogue organization that is every bit as highly skilled as IMF.  A little over three year ago, I called Mission: Impossible – Ghost Protocol the best M:I film since the first one, 1996's Mission: Impossible.  Now, I think Rogue Nation is the best since the first film.

Mission: Impossible – Rogue Nation opens in Belarus.  Agent Ethan Hunt (Tom Cruise) is on a mission with his IMF team – technical field agent, Benjamin “Benji” Dunn (Simon Pegg) and IMF agent Luther Stickell (Ving Rhames).  They have to intercept a shipment of VX nerve gas aboard an airplane before it is flown away to be sold to terrorists.

Later, CIA Director Alan Hunley (Alec Baldwin) and IMF Field Operations Director William Brandt (Jeremy Renner) testify before a U.S. Senate committee.  The IMF is currently without a secretary in charge, but Hunley believes that the Senate should not appoint new secretary.  He believes that the IMF is dangerous and destructive and that any successes its agents have are the result of luck.  Hunley wants the IMF disbanded and absorbed into the CIA.

Ethan Hunt has been trying to prove the existence of the Syndicate, an international criminal consortium.  He believes that the Syndicate is both the equal and the opposite of the IMF.  It is an anti-IMF that acts as a “rogue nation,” committing acts of terror and assassination.  Hunley believes that the Syndicate is a figment of Hunt's imagination and sends CIA agents and assets to capture Hunt.  Hunt believes that a mysterious operative, Ilsa Faust (Rebecca Ferguson), is the person who can lead him to the Syndicate and its formidable leader, the mysterious Solomon Lane (Sean Harris).

I always want to be honest with you, dear readers, even when I'm being a fanboy who really loves a movie in spite of its faults.  I absolutely love Mission: Impossible – Rogue Nation, and I think that it is a genuinely good movie.  I don't know if it is possible that any other filmmakers could do a better job than director Christopher McQuarrie and film editor Eddie Hamilton did with Rogue Nation.  Maybe James Cameron could?

I think it is preposterous that this movie is so entertaining.  The action is so bracing and invigorating.  The ebb and flow of the thrills could cause you to ask for a cigarette after seeing this movie.  Rogue Nation is a way more entertaining action movie than Jurassic World, which made three times as much money at the box office as Rogue Nation did.  I kinda have to admit that I enjoyed watching Rogue Nation more than I did watching Star Wars: The Force Awakens three nights ago.  It hurts me to write this, cause I love me some Star Wars, but...

Seriously, Tom Cruise is as glorious as ever as Ethan Hunt.  This time, however, the mix of quality supporting cast as IMF agents and as allies, adversaries, and people somewhere in the middle is just right – like a stew or soup with that almost-perfect blend of ingredients, preparation, and cooking.  Yes, Mission: Impossible – Rogue Nation is a golden gumbo of flavorful characters, settings, plot, and execution.  I plan on experiencing this cinematic dish many, many more times.

9 of 10
A+

Friday, December 25, 2015


The text is copyright © 2015 Leroy Douresseaux. All Rights Reserved. Contact this site for reprint and syndication rights and fees.

Review: "Tom and Jerry: Spy Quest" is Good Jonny Quest

TRASH IN MY EYE No. 41 (of 2015) by Leroy Douresseaux

Tom and Jerry: Spy Quest (2014) – straight-to-video
Running time:  73 minutes (1 hour, 13 minutes)
PRODUCERS/DIRECTORS:  Spike Brandt and Tony Cervone
WRITERS:  James Krieg and Heath Corson; from a story by James Krieg
EDITOR:  Kyle Stafford
COMPOSER: Michael Tavera
ANIMATION STUDIO:  Yearim Productions Co., LTD

ANIMATION/FANTASY/ACTION/ADVENTURE and FAMILY

Starring:  (voices) Reese Hartwig, Arnie Pantoja, James Hong, Eric Bauza, Michael Hanks, Tia Carrere, and Tim Matheson, Joe Alaskey, Spike Brandt, Grey Griffin, Jess Harnell, Richard McGonagle, and Jonny Rees

Tom and Jerry: Spy Quest is a 2015 direct-to-video animated film starring the famous cartoon cat and mouse duo, Tom and Jerry.  Produced by Warner Bros. Animation, Spy Quest is a crossover film that teams Tom and Jerry with the characters from the mid-1960s animated series, “Jonny Quest.”

Produced by Hanna-Barbera Productions, “Jonny Quest” was an animated science fiction adventure television series that was originally broadcast on ABC in prime time.  Created and designed by Doug Wildey, the series lasted one season (1964-1965) for a total of 26 episodes.  “Jonny Quest” focused on Jonathan “Jonny” Quest, an 11-year-old boy who accompanies his genius scientist father on extraordinary adventures.

Tom and Jerry: Spy Quest opens on a beach in “sunny South Florida.”  Tom and Jerry are having a relaxing day at the beach, which means they are harassing each other.  Then, the duo encounters Jonny Quest (Reese Hartwig) and his best pal, Hadji (Arnie Pantoja), accompanied by their canine companion, Bandit, of course.  It seems that a trio of cyborg cats are trying to kidnap the trio, until Tom inadvertently saves them.

Jonny and Hadji take their new friends, Tom and Jerry, to Quest Key, the location of their home and also of Quest Labs.  Tom and Jerry are introduced to Jonny's father, Dr. Benton Quest (Eric Bauza), and Jonny's bodyguard, Race Bannon (Michael Hanks).  Why does Jonny need a bodyguard?  Dr. Quest is a world-renowned genius scientist and inventor, and bad people try to kidnap Jonny to use him as leverage to force Dr. Quest to give them his inventions.

In fact, longtime Quest family nemesis, Dr. Zin (James Hong), wants Dr. Quest's latest invention, the “Q Sphere,” a device that will solve the world's energy problems.  After Zin kidnaps Dr. Quest and Race, Tom and Jerry join Jonny, Hadji, and Bandit on a trip to “Zin Automated Battle Island,” on a rescue mission, where an evil cat army and powerful robots await them.

Tom and Jerry: Spy Quest can be described as “The Adventures of Jonny Quest” with Tom and Jerry as, at best, supporting characters, or, in actuality, guest stars.  That is not a bad thing.  James Krieg and Heath Corson have written a Jonny Quest story that recalls the classic, original 1960s series, while maintaining the general wackiness that is Tom and Jerry.

Yeah, the appearance of Jonny Quest recurring character, Jezebel Jade (Tia Carrere), seems obligatory, but the appearance of the bumbling Tom and Jerry adversaries, Tin, Pan, and Alley, balances that.  Corson and especially Krieg seem to know what made classic Hanna-Barbera animated series successful and also have a knack for reviving those elements that made them classics.

Kudos to the art direction.  Quest Key, the Quest Lab interiors, and the island location of Dr. Zin's base of operations, including its interiors, recall Hanna-Barbera's animated science fiction adventure television series of the 1960s and 1970s.

Spike Brandt and Tony Cervone, the producing and directing team behind the Tom and Jerry direct-to-DVD films, always seem to have a way to keep this series going.  Just when I think that it is time to stop, they produce an entry that leaves me awaiting the next.  And with Tom and Jerry: Spy Quest, they also made a good Jonny Quest direct-to-DVD film.

8 of 10
A

Friday, October 23, 2015


The text is copyright © 2015 Leroy Douresseaux. All Rights Reserved. Contact this site for reprint and syndication rights and fees.