Filming is Underway on Warner Bros. Pictures’ New Adventure, Based on the Classic The Jungle Book
BURBANK, Calif.--(BUSINESS WIRE)--Principal photography has begun on Warner Bros. Pictures’ new big-screen, 3D adaptation of Rudyard Kipling’s beloved classic The Jungle Book, marking the feature film directorial debut of Andy Serkis. Blending live action and performance capture, the film features an impressive roster of stars, including Oscar winners Christian Bale and Cate Blanchett and Oscar nominee Benedict Cumberbatch.
The story follows the upbringing of the human child Mowgli, raised by a wolf pack in the jungles of India. As he learns the often harsh rules of the jungle, under the tutelage of a bear named Baloo and a panther named Bagheera, Mowgli becomes accepted by the animals of the jungle as one of their own. All but one: the fearsome tiger Shere Khan. But there may be greater dangers lurking in the jungle, as Mowgli comes face to face with his human origins.
The actors performing the roles of the story’s central animal characters are: Benedict Cumberbatch (“The Imitation Game,” “The Hobbit: The Battle of the Five Armies”) as the tiger, Shere Khan; Cate Blanchett (“Blue Jasmine,” “Cinderella”) as Kaa, the snake; Christian Bale (“The Fighter,” the “Dark Knight” Trilogy) as the panther, Bagheera; Andy Serkis (“Dawn of the Planet of the Apes,” “The Lord of the Rings” Trilogy) as Baloo, the bear; Peter Mullan (“Hercules,” “War Horse”) as the leader of the wolf pack, Akela; Tom Hollander (the “Pirates of the Caribbean” movies, “Pride & Prejudice”) as the scavenging hyena, Tabaqui; Naomie Harris (“Mandela: Long Walk to Freedom,” “Skyfall”) as Nisha, the female wolf, who adopts the baby Mowgli as one of her cubs; Eddie Marsan (“Snow White and the Huntsman,” “Sherlock Holmes”) as Nisha’s mate, Vihaan; and Jack Reynor (“Transformers: Age of Extinction”) as Mowgli’s Brother Wolf. On the human side, young actor Rohan Chand (“The Hundred-Foot Journey,” “Lone Survivor”) will play the boy raised by wolves, Mowgli.
The film is being produced by Steve Kloves, who wrote seven of the blockbuster “Harry Potter” films, and Jonathan Cavendish (“Elizabeth: The Golden Age,” “Bridget Jones: The Edge of Reason”), with Nikki Penny (“Gravity”) serving as executive producer. The screenplay is by Callie Kloves, based on the stories by Kipling.
Among those collaborating with Serkis behind the scenes are production designer Gary Freeman (“Cinderella”), Oscar-winning editor Mark Sanger (“Gravity”) and Oscar-winning costume designer Alexandra Byrne (“Elizabeth: The Golden Age”).
The film is slated for release on October 6, 2017.
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Showing posts with label Andy Serkis. Show all posts
Showing posts with label Andy Serkis. Show all posts
Tuesday, March 10, 2015
Saturday, December 20, 2014
Negromancer News Bits and Bites for December 14th to 20th, 2014 - Updated #9
NEWS:
From Variety: "The Interview," Seth Rogen and James Franco's comedy about a silly assassination plot against Kim Jong-un (North Korean dictator), will not get a theatrical release. It may not get any kind of release.
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From Variety: Steve Carell's North Korea-set thriller dropped by New Regency.
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From Vulture: Frank Rich interviewed Chris Rock.
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From YahooMovies: It was 75 year ago today that the Gone with the Wind premiere was held in Atlanta. Oops, none of the black actors could attend, even eventual Oscar-winner, Hattie McDaniel.
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From Variety: FOX's Exodus: Gods and Kings was the #1 film at the box office for the weekend of Fri., Dec. 12th to 14th, 2014 with an estimated take of $24.5 million.
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From Arstechnica: Marvel reveals plot details about "Ant-Man."
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From LATimes: Sony emails about Obama. Actually, they aren't terrible.
COMICS:
From Screengonzo: News of a possible "meeting of the minds" between Marvel and Sony about Spider-Man.
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From IGN: Joss Whedon talks about a big surprise in Avengers: Age of Ultron.
STAR WARS:
From EntertainmentWeekly: Oscar-nominated screenwriter and director, Jason Reitman stages a live reading of The Empire Strikes Back, with surprise performances by Mark Hamill and Rainn Wilson.
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From EntertainmentWeekly: 10 things Andy Serkis can say about Episode 7.
MISC:
From YahooSports: Kobe Bryant passes Michael Jordan for third place on the National Basketball Association (NBA) scoring list.
Thursday, December 11, 2014
Negromancer News Bits and Bites from December 7 to 13, 2014 - Update #9
NEWS:
From GuardianUK: Did not know that Ava DuVernay and Ryan Coogler were part of this protest.
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From HitFix: Ava Duvernay talks her Golden Globe nomination.
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From the IndependentUK: Ridley Scott and "Mohammed So-and-So"
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From TheVerge: J.J. Abrams is prepping an alien invasion flick, while working on Star Wars.
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From HuffingtonPost: J.K. Rowling to release 12 new stories set in the world of Harry Potter, one per day until Christmas.
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From Variety: The winner of the December 5th to 7th, 2014 box office is The Hunger Games: Mockingjay - Part 1 with an estimated take of $21.6 million.
COMIC BOOKS:
From WSCS: Shailene Woodley would like to be in a Marvel movie.
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From TheVerge: The Sony Pictures hack has apparently revealed that Marvel Studios negotiated with Sony to get the use of Spider-Man for their next Captain America film. Sony owns the film rights to Spider-Man.
STAR WARS:
From YahooGames: Episode 7 starts to put names to faces.
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From IBTimes: Rumors about the character(s) Andy Serkis will play in Episode 7.
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From HuffingtonPost: Someone else tries to explain a "Black storm trooper" to segregationist fanboys and nerds.
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From TheVerge: A rundown of George Lucas' interview with Page Six about the new Star Wars teaser.
TRAILERS:
From 20th Century Fox: A new trailer for Kingsman: The Secret Service.
Sunday, November 30, 2014
Negromancer News Bits and Bites for the Week of November 23 to 30, 2014 - Update #11
NEWS:
From Billboard: She has an Oscar, and Jennifer Lawrence may very well have a Top 40 hit on the Billboard charts by next week. It's "The Hanging Tree" from the album featuring James Newton Howard's score for Mockingjay Part 1.
From Playlist: 5 Things to Know about Beetlejuice on its 25th anniversary.
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From Variety: Amy Berg, Nate Parker, and Matthew Cooke crowd fund for Ferguson-related doc.
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From THR: Universal releases "Jurassic World" teaser trailer.
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From Variety: The #1 movie at the box office for the weekend of Friday, November 21st to 23rd, 2014 is The Hunger Games: Mockingjay - Part 1 with an estimated take of $123 million, the biggest weekend opening of the year, thus far.
STAR WARS:
From YahooMovies: John Boyega answers haters of the "Black stormtrooper."
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From YahooTV: Apparently, Andy Serkis is the narrator or provides the voice over for the Episode 7 teaser.
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From TechCrunch and iTunes: The first trailer for "The Force Awakens."
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Star Wars News Dump:
YahooMovies: Joe Johnston, a special effect pioneer, is selling some of his Star Wars items.
YahooMovies: JJ Abrams teases Star Wars teaser.
YahooMovies: A list of theaters showing the Star Wars: The Force Awakens trailer.
From io9: Rumors about first Star Wars spin-off film.
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From FlickeringMyth: "Star Wars The Force Awakens" trailer will premiere Friday, November 28, 2017...
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From EntertainmentIE: A possible two-second clip from the first Episode 7 trailer.
TRAILERS:
From 20th Century Fox, new trailer for Unfinished Business.
Friday, August 22, 2014
Benedict Cumberbatch Among Cast added to "Jungle Book: Origins"
Benedict Cumberbatch, Cate Blanchett and Christian Bale Head the Ensemble of Warner Bros. Pictures’ 3D Adventure “Jungle Book: Origins”
Young actor Rohan Chand to star as Mowgli in the cast, also including Peter Mullan, Tom Hollander, Naomie Harris, Eddie Marsan, and Andy Serkis
BURBANK, Calif.--(BUSINESS WIRE)--Warner Bros. Pictures has assembled an impressive roster of stars for “Jungle Book: Origins,” its new big-screen, 3D adaptation of Rudyard Kipling’s classic The Jungle Book, marking the feature film directorial debut of Andy Serkis. The action adventure, which will blend motion capture and live action, will be released on October 21, 2016. The announcement was made today by Greg Silverman, President, Creative Development and Worldwide Production, and Sue Kroll, President, Worldwide Marketing and International Distribution, Warner Bros. Pictures.
The actors performing the roles of the story’s central animal characters are: Benedict Cumberbatch (“The Hobbit: The Desolation of Smaug”) as the fearsome tiger, Shere Khan; Oscar winner Cate Blanchett (“Blue Jasmine”) as the sinister snake, Kaa; Oscar winner Christian Bale (“The Fighter,” the “Dark Knight” Trilogy) as the cunning panther, Bagheera; Andy Serkis (“Dawn of the Planet of the Apes”) as the wise bear, Baloo; Peter Mullan (“Hercules”) as the leader of the wolf pack, Akela; Tom Hollander as the scavenging hyena, Tabaqui; Naomie Harris (“Mandela: Long Walk to Freedom”) as Nisha, the female wolf, who adopts the baby Mowgli as one of her cubs; Eddie Marsan (“Ray Donovan”) as Nisha’s mate, Vihaan; and Jack Reynor (“Transformers: Age of Extinction”) as Mowgli’s Brother Wolf. On the human side, young actor Rohan Chand (“The Hundred-Foot Journey,” “Bad Words”) will play the boy raised by wolves, Mowgli.
The film is being produced by Steve Kloves, who wrote seven of the blockbuster “Harry Potter” films. Jonathan Cavendish (“Elizabeth: The Golden Age,” performance capture producer “Godzilla”) is also serving as a producer. The screenplay is by Kloves’ daughter, Callie Kloves, based on the stories by Kipling.
The story follows the upbringing of the human child Mowgli, raised by a wolf pack in the jungles of India. As he learns the often harsh rules of the jungle, under the tutelage of a bear named Baloo and a panther named Bagheera, Mowgli becomes accepted by the animals of the jungle as one of their own. All but one: the fearsome tiger Shere Khan. But there may be greater dangers lurking in the jungle, as Mowgli comes face to face with his human origins.
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Young actor Rohan Chand to star as Mowgli in the cast, also including Peter Mullan, Tom Hollander, Naomie Harris, Eddie Marsan, and Andy Serkis
BURBANK, Calif.--(BUSINESS WIRE)--Warner Bros. Pictures has assembled an impressive roster of stars for “Jungle Book: Origins,” its new big-screen, 3D adaptation of Rudyard Kipling’s classic The Jungle Book, marking the feature film directorial debut of Andy Serkis. The action adventure, which will blend motion capture and live action, will be released on October 21, 2016. The announcement was made today by Greg Silverman, President, Creative Development and Worldwide Production, and Sue Kroll, President, Worldwide Marketing and International Distribution, Warner Bros. Pictures.
The actors performing the roles of the story’s central animal characters are: Benedict Cumberbatch (“The Hobbit: The Desolation of Smaug”) as the fearsome tiger, Shere Khan; Oscar winner Cate Blanchett (“Blue Jasmine”) as the sinister snake, Kaa; Oscar winner Christian Bale (“The Fighter,” the “Dark Knight” Trilogy) as the cunning panther, Bagheera; Andy Serkis (“Dawn of the Planet of the Apes”) as the wise bear, Baloo; Peter Mullan (“Hercules”) as the leader of the wolf pack, Akela; Tom Hollander as the scavenging hyena, Tabaqui; Naomie Harris (“Mandela: Long Walk to Freedom”) as Nisha, the female wolf, who adopts the baby Mowgli as one of her cubs; Eddie Marsan (“Ray Donovan”) as Nisha’s mate, Vihaan; and Jack Reynor (“Transformers: Age of Extinction”) as Mowgli’s Brother Wolf. On the human side, young actor Rohan Chand (“The Hundred-Foot Journey,” “Bad Words”) will play the boy raised by wolves, Mowgli.
The film is being produced by Steve Kloves, who wrote seven of the blockbuster “Harry Potter” films. Jonathan Cavendish (“Elizabeth: The Golden Age,” performance capture producer “Godzilla”) is also serving as a producer. The screenplay is by Kloves’ daughter, Callie Kloves, based on the stories by Kipling.
The story follows the upbringing of the human child Mowgli, raised by a wolf pack in the jungles of India. As he learns the often harsh rules of the jungle, under the tutelage of a bear named Baloo and a panther named Bagheera, Mowgli becomes accepted by the animals of the jungle as one of their own. All but one: the fearsome tiger Shere Khan. But there may be greater dangers lurking in the jungle, as Mowgli comes face to face with his human origins.
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Saturday, May 24, 2014
Review: "Topsy-Turvy" Goes Behind the Scenes (Happy B'day, Jim Broadbent)
Topsy-Turvy (1999)
COUNTRY OF ORIGIN: UK
Running time: 160 minutes (2 hours, 40 minutes)
MPAA – R for a scene of risqué nudity
WRITER/DIRECTOR: Mike Leigh
PRODUCER: Simon Channing-Williams
CINEMATOGRAPHER: Dick Pope
EDITOR: Robin Sales
Academy Award winner
COMEDY/DRAMA/MUSIC
Starring: Allan Corduner, Jim Broadbent, Lesley Manville, Wendy Nottingham, Dexter Fletcher, Sukie Smith, Roger Heathcott, Timothy Spall, Adam Searle, Martin Savage, Kate Doherty, Kenneth Hadley, Ron Cook, Eleanor David, Sam Kelly, and Andy Serkis
The subject of this movie review is Topsy-Turvy, a 1999 musical drama and comedy film from writer-director, Mike Leigh. The film is a fictional account of the relationship between Gilbert and Sullivan, following a failed opera and leading to the creation of the duo’s masterpiece, The Mikado.
Topsy-Turvy is writer/director Mike Leigh’s fictional account of the comic opera team of Gilbert & Sullivan during a particular period in their partnership. After the lukewarm critical reception of the comic opera, Princess Ida, in 1884, English composer Sir Arthur Sullivan (Allan Corduner) has grown weary of his 13-year partnership with playwright and comic librettist William Schwenck “Willie” Gilbert (Jim Broadbent) and of Gilbert’s topsy-turvy scenarios.
Sullivan embarks on a tour of Europe and when he returns he begins to work on what he calls serious musical compositions. However, the musical partners have a contract to fulfill with their producer Richard D’Oyly Carte (Ron Cook) for the Savoy Theatre (which had been built to house Gilbert & Sullivan’s operas).
After much disagreement among Sullivan, Gilbert, and Carte, Gilbert writes the scenario for The Mikado, a story inspired by Gilbert’s experiences from his visits to an exposition of Japanese culture, history, and art held in London in 1885. Topsy-Turvy (a term used to describe the kind of fictional scenarios that involved ordinary humans encountered magic and sorcery) follows the creation, development, and staging of The Mikado. Leigh’s fictional account shows Sir Arthur Sullivan working on the music and Willie Gilbert struggling with the actors to get the staging, acting, and singing just right. His attention to detail also brings him into conflict with actors over costumes and the assignment of roles.
The film should be a treat to fans of Gilbert & Sullivan, and Topsy-Turvy is an excellent look at both the creative process and all the work that goes into staging an opera, everything from conducting the music and designing the sets to staging the cast and preparing for opening night. There are a lot of very good performances in this film, but nothing from the leads (Broadbent and Corduner) stand out other than from the fact that they are the leads. Andy Serkis (Gollum and Smeagol of The Lord of the Rings trilogy) makes a nice turn as the opera’s choreographer.
Leigh gives a look at the behind-the-scenes struggles and politics of raising a staged work that is quite interesting and almost academic in its details. The film, however, does come off as a bit cool, and Leigh does too much teasing about the private lives of Gilbert & Sullivan, without revealing anything but tidbits. Still, Leigh manages to make a unique and exceptional film that shines in spite of a few flaws.
7 of 10
A-
NOTES:
2000 Academy Awards, USA: 2 wins: “Best Costume Design” (Lindy Hemming) and “Best Makeup” (Christine Blundell and Trefor Proud); 2 nominees: “Best Writing, Screenplay Written Directly for the Screen” (Mike Leigh) and “Best Art Direction-Set Decoration” (Eve Stewart-art director and John Bush-set decorator)
2000 BAFTA Awards: 1 win: “Best Make Up/Hair” (Christine Blundell); 4 nominations: “Alexander Korda Award for Best British Film” (Simon Channing Williams and Mike Leigh), “Best Screenplay – Original” (Mike Leigh), “Best Performance by an Actor in a Leading Role” (Jim Broadbent), and “Best Performance by an Actor in a Supporting Role” (Timothy Spall)
Updated: Saturday, May 24, 2014
The text is copyright © 2014 Leroy Douresseaux. All Rights Reserved. Contact this site for syndication rights and fees.
Thursday, May 1, 2014
Star Wars 7 Cast Revealed
PHOTO CREDITS: April 29th, Pinewood Studios, UK - Writer/Director/Producer J.J Abrams (top center right) at the cast read-through of Star Wars Episode VII at Pinewood Studios with (clockwise from right) Harrison Ford, Daisy Ridley, Carrie Fisher, Peter Mayhew, Producer Bryan Burk, Lucasfilm President and Producer Kathleen Kennedy, Domhnall Gleeson, Anthony Daniels, Mark Hamill, Andy Serkis, Oscar Isaac, John Boyega, Adam Driver and Writer Lawrence Kasdan. Copyright and Photo Credit: David James.
Of course, dear readers, you are already aware that Lucasfilm has announced (Tuesday, April 29, 2014) the main cast for the next Star Wars film, the as-yet-untitled Episode VII. Click on link below to see a bigger version of the above photo.
The press release:
Star Wars: Episode VII Cast Announced
April 29, 2014
The Star Wars team is thrilled to announce the cast of Star Wars: Episode VII.
Actors John Boyega, Daisy Ridley, Adam Driver, Oscar Isaac, Andy Serkis, Domhnall Gleeson, and Max von Sydow will join the original stars of the saga, Harrison Ford, Carrie Fisher, Mark Hamill, Anthony Daniels, Peter Mayhew, and Kenny Baker in the new film.
Director J.J. Abrams says, "We are so excited to finally share the cast of Star Wars: Episode VII. It is both thrilling and surreal to watch the beloved original cast and these brilliant new performers come together to bring this world to life, once again. We start shooting in a couple of weeks, and everyone is doing their best to make the fans proud."
Star Wars: Episode VII is being directed by J.J. Abrams from a screenplay by Lawrence Kasdan and Abrams. Kathleen Kennedy, J.J. Abrams, and Bryan Burk are producing, and John Williams returns as the composer. The movie opens worldwide on December 18, 2015.
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Sunday, October 27, 2013
"The Hobbit" Part 2 Has Worldwide Fan Event November 4th
Worldwide Fan Event for “The Hobbit: The Desolation of Smaug” Set for November 4, 2013
Fans Get Chance to Meet New Stars Joining the Trilogy, Catch an Exclusive First Look at Footage from “The Hobbit: The Desolation of Smaug,” and Participate in a Live Q&A with Director Peter Jackson and the Cast
BURBANK, Calif.--(BUSINESS WIRE)--Gearing up for the December 13, 2013, release of “The Hobbit: The Desolation of Smaug,” a production of New Line Cinema and Metro-Goldwyn-Mayer Pictures (MGM), fans will get a chance to meet new cast members joining the highly anticipated second film in “The Hobbit” Trilogy, including Orlando Bloom, Evangeline Lilly, Lee Pace and Luke Evans, as part of a global fan celebration to be held on Monday, November 4, at 5:00 pm EST, and simultaneous times around the world. At each of the satellite-linked cinemas in four host cities—Los Angeles, New York, London and Wellington—Jackson and members of his cast and filmmaking team will gather with fans to show exclusive footage from “The Hobbit: The Desolation of Smaug” and answer questions in front of a live audience, as well as offer a few surprises.
CNN Anchor Anderson Cooper, who serves as special host for the entire event, will be based in New York, where he will welcome Richard Armitage, the film’s Thorin Oakenshield, and Orlando Bloom, who returns to the role of Legolas from “The Lord of the Rings” Trilogy. Evangeline Lilly, who joins the cast as a new Elf warrior, Tauriel, will be based in Los Angeles. London will host new cast member Lee Pace, the film’s Elf King Thranduil; Luke Evans, who joins the cast as Bard the Bowman; and Andy Serkis, a member of Jackson’s filmmaking team and the first film’s Gollum. Peter Jackson will join the celebration from Wellington, New Zealand (where it will be Tuesday, November 5, at 11:00 am).
Each cinema will be connected by satellite, allowing audiences to participate in a simultaneous Q&A among participants in all four host locations. Additionally, in cities across the globe—including Brussels, Belgium; Hamburg, Germany; Madrid, Spain; Mexico City, Mexico; Miami, Florida, USA; Paris, France; Rome, Italy; Sydney, Australia; and Toronto, Canada—fans will be invited to gather at select cinemas to be among the first to see the extended footage debut and watch the festivities unfold live. The event will also be streamed live online so that anyone with an internet connection can join the celebration at home or at viewing parties among friends, though the online simulcast will feature an edited version of the extended footage debut.
Details on locations, timing and how to sign up for a chance to join one of the many simultaneous events can be found at the film’s official site (TheHobbit.com) and on Facebook (facebook.com/TheHobbitMovie) and Twitter (Twitter.com/TheHobbitMovie), under the global hashtag #hobbitfanevent.
From Academy Award®-winning filmmaker Peter Jackson comes “The Hobbit: The Desolation of Smaug,” the second in a trilogy of films adapting the enduringly popular masterpiece The Hobbit, by J.R.R. Tolkien. The three films tell a continuous story set in Middle-earth 60 years before “The Lord of the Rings,” which Jackson and his filmmaking team brought to the big screen in the blockbuster trilogy that culminated with the Oscar®-winning “The Lord of the Rings: The Return of the King.”
Ian McKellen returns as Gandalf the Grey, with Martin Freeman in the central role of Bilbo Baggins, and Richard Armitage as Thorin Oakenshield. The international ensemble cast is led by Benedict Cumberbatch, Evangeline Lilly, Lee Pace, Luke Evans, Ken Stott, James Nesbitt, and Orlando Bloom as Legolas. The film also stars (in alphabetical order) John Bell, Manu Bennett, Jed Brophy, Adam Brown, John Callen, Ryan Gage, Mark Hadlow, Peter Hambleton, Stephen Hunter, William Kircher, Lawrence Makoare, Sylvester McCoy, Graham McTavish, Dean O’Gorman, Mikael Persbrandt, and Aidan Turner.
The screenplay for “The Hobbit: The Desolation of Smaug” is by Fran Walsh & Philippa Boyens & Peter Jackson & Guillermo del Toro based on the novel by J.R.R. Tolkien. Jackson also produced the film, together with Carolynne Cunningham, Zane Weiner and Fran Walsh. The executive producers are Alan Horn, Toby Emmerich, Ken Kamins and Carolyn Blackwood, with Philippa Boyens and Eileen Moran serving as co-producers.
The creative behind-the-scenes team is led by director of photography Andrew Lesnie, production designer Dan Hennah, conceptual designers Alan Lee and John Howe, editor Jabez Olssen, and hair and makeup designer Peter Swords King. The costumes are designed by Bob Buck, Ann Maskrey and Richard Taylor. Taylor is also overseeing the design and production of armour, weapons, creatures and special makeup, which are once again being made by the award-winning Weta Workshop. Weta Digital is taking on the visual effects for the film, led by senior visual effects supervisor Joe Letteri. The visual effects supervisor is Eric Saindon, with David Clayton and Eric Reynolds serving as animation supervisors.
Under Jackson’s direction, “The Hobbit: The Desolation of Smaug” was shot in 3D 48 frames-per-second and will be released in High Frame Rate 3D (HFR 3D) in select theaters, other 2D and 3D formats, and IMAX®. Production took place at Jackson’s own facilities in Miramar, Wellington, and on location around New Zealand. Post production took place at Park Road Post Production in Wellington.
New Line Cinema and Metro-Goldwyn-Mayer Pictures Present a WingNut Films Production, “The Hobbit: The Desolation of Smaug.” “The Hobbit: The Desolation of Smaug” is a production of New Line Cinema and Metro-Goldwyn-Mayer Pictures (MGM), with New Line managing production. Warner Bros. Pictures is handling worldwide theatrical distribution, with select international territories as well as all international television distribution being handled by MGM.
www.thehobbit.com
Fans Get Chance to Meet New Stars Joining the Trilogy, Catch an Exclusive First Look at Footage from “The Hobbit: The Desolation of Smaug,” and Participate in a Live Q&A with Director Peter Jackson and the Cast
BURBANK, Calif.--(BUSINESS WIRE)--Gearing up for the December 13, 2013, release of “The Hobbit: The Desolation of Smaug,” a production of New Line Cinema and Metro-Goldwyn-Mayer Pictures (MGM), fans will get a chance to meet new cast members joining the highly anticipated second film in “The Hobbit” Trilogy, including Orlando Bloom, Evangeline Lilly, Lee Pace and Luke Evans, as part of a global fan celebration to be held on Monday, November 4, at 5:00 pm EST, and simultaneous times around the world. At each of the satellite-linked cinemas in four host cities—Los Angeles, New York, London and Wellington—Jackson and members of his cast and filmmaking team will gather with fans to show exclusive footage from “The Hobbit: The Desolation of Smaug” and answer questions in front of a live audience, as well as offer a few surprises.
CNN Anchor Anderson Cooper, who serves as special host for the entire event, will be based in New York, where he will welcome Richard Armitage, the film’s Thorin Oakenshield, and Orlando Bloom, who returns to the role of Legolas from “The Lord of the Rings” Trilogy. Evangeline Lilly, who joins the cast as a new Elf warrior, Tauriel, will be based in Los Angeles. London will host new cast member Lee Pace, the film’s Elf King Thranduil; Luke Evans, who joins the cast as Bard the Bowman; and Andy Serkis, a member of Jackson’s filmmaking team and the first film’s Gollum. Peter Jackson will join the celebration from Wellington, New Zealand (where it will be Tuesday, November 5, at 11:00 am).
Each cinema will be connected by satellite, allowing audiences to participate in a simultaneous Q&A among participants in all four host locations. Additionally, in cities across the globe—including Brussels, Belgium; Hamburg, Germany; Madrid, Spain; Mexico City, Mexico; Miami, Florida, USA; Paris, France; Rome, Italy; Sydney, Australia; and Toronto, Canada—fans will be invited to gather at select cinemas to be among the first to see the extended footage debut and watch the festivities unfold live. The event will also be streamed live online so that anyone with an internet connection can join the celebration at home or at viewing parties among friends, though the online simulcast will feature an edited version of the extended footage debut.
Details on locations, timing and how to sign up for a chance to join one of the many simultaneous events can be found at the film’s official site (TheHobbit.com) and on Facebook (facebook.com/TheHobbitMovie) and Twitter (Twitter.com/TheHobbitMovie), under the global hashtag #hobbitfanevent.
From Academy Award®-winning filmmaker Peter Jackson comes “The Hobbit: The Desolation of Smaug,” the second in a trilogy of films adapting the enduringly popular masterpiece The Hobbit, by J.R.R. Tolkien. The three films tell a continuous story set in Middle-earth 60 years before “The Lord of the Rings,” which Jackson and his filmmaking team brought to the big screen in the blockbuster trilogy that culminated with the Oscar®-winning “The Lord of the Rings: The Return of the King.”
Ian McKellen returns as Gandalf the Grey, with Martin Freeman in the central role of Bilbo Baggins, and Richard Armitage as Thorin Oakenshield. The international ensemble cast is led by Benedict Cumberbatch, Evangeline Lilly, Lee Pace, Luke Evans, Ken Stott, James Nesbitt, and Orlando Bloom as Legolas. The film also stars (in alphabetical order) John Bell, Manu Bennett, Jed Brophy, Adam Brown, John Callen, Ryan Gage, Mark Hadlow, Peter Hambleton, Stephen Hunter, William Kircher, Lawrence Makoare, Sylvester McCoy, Graham McTavish, Dean O’Gorman, Mikael Persbrandt, and Aidan Turner.
The screenplay for “The Hobbit: The Desolation of Smaug” is by Fran Walsh & Philippa Boyens & Peter Jackson & Guillermo del Toro based on the novel by J.R.R. Tolkien. Jackson also produced the film, together with Carolynne Cunningham, Zane Weiner and Fran Walsh. The executive producers are Alan Horn, Toby Emmerich, Ken Kamins and Carolyn Blackwood, with Philippa Boyens and Eileen Moran serving as co-producers.
The creative behind-the-scenes team is led by director of photography Andrew Lesnie, production designer Dan Hennah, conceptual designers Alan Lee and John Howe, editor Jabez Olssen, and hair and makeup designer Peter Swords King. The costumes are designed by Bob Buck, Ann Maskrey and Richard Taylor. Taylor is also overseeing the design and production of armour, weapons, creatures and special makeup, which are once again being made by the award-winning Weta Workshop. Weta Digital is taking on the visual effects for the film, led by senior visual effects supervisor Joe Letteri. The visual effects supervisor is Eric Saindon, with David Clayton and Eric Reynolds serving as animation supervisors.
Under Jackson’s direction, “The Hobbit: The Desolation of Smaug” was shot in 3D 48 frames-per-second and will be released in High Frame Rate 3D (HFR 3D) in select theaters, other 2D and 3D formats, and IMAX®. Production took place at Jackson’s own facilities in Miramar, Wellington, and on location around New Zealand. Post production took place at Park Road Post Production in Wellington.
New Line Cinema and Metro-Goldwyn-Mayer Pictures Present a WingNut Films Production, “The Hobbit: The Desolation of Smaug.” “The Hobbit: The Desolation of Smaug” is a production of New Line Cinema and Metro-Goldwyn-Mayer Pictures (MGM), with New Line managing production. Warner Bros. Pictures is handling worldwide theatrical distribution, with select international territories as well as all international television distribution being handled by MGM.
www.thehobbit.com
Thursday, May 9, 2013
"Dawn of the Planet of the Apes" Now Shooting
Dawn of the Planet of the Apes Begins Principal Photography
Andy Serkis Reprises His Celebrated Role of Heroic Ape Caesar
Jason Clarke, Gary Oldman, Toby Kebbell, Keri Russell, Kodi Smit-Mcphee Also Star
Matt Reeves Directs Newest Chapter of Beloved Franchise Now Filming on Location in New Orleans
NEW ORLEANS--(BUSINESS WIRE)--Twentieth Century Fox announced that principal photography is underway on Dawn of the Planet of the Apes. A growing nation of genetically evolved apes led by Caesar is threatened by a band of human survivors of the devastating virus unleashed a decade earlier. They reach a fragile peace, but it proves short-lived, as both sides are brought to the brink of a war that will determine who will emerge as Earth's dominant species.
Andy Serkis, celebrated for his performance in the last film, reprises his role as Caesar. Dawn of the Planet of the Apes also stars Jason Clarke (Zero Dark Thirty, Public Enemies, The Great Gatsby), Gary Oldman (The Dark Knight Rises, The Harry Potter film series), Keri Russell (The Americans, Mission Impossible III), Toby Kebbell (The Prince of Persia, Wrath of the Titans, Rock N Rolla), Kodi Smit-McPhee (Let Me In, ParaNorman), Enrique Murciano (Traffic, Black Hawk Down), Kirk Acevedo (The Thin Red Line) and Judy Greer (The Descendants, Three Kings, 13 Going on 30).
Dawn of the Planet of the Apes is directed by Matt Reeves (Cloverfield, Let Me In). The producers are Peter Chernin, Dylan Clark (Rise of the Planet of the Apes, Oblivion), Rick Jaffa & Amanda Silver (Rise of the Planet of the Apes). Tom Hammel (Rise of the Planet of the Apes) is executive producing.
Oscar®-winning visual effects house WETA Digital – employing a new generation of the cutting edge performance capture technologies developed for Rise of the Apes and Avatar – will again render photo-realistic, emotionally-engaging apes. The film’s key behind-the-scenes team includes director of photography Michael Seresin, production designer James Chinland, and VFX Supervisors Joe Letteri and Dan Lemmon, VFX producers Ryan Stafford, editor Bill Hoy and Stan Salfas, and costume designer Melissa Brunning.
Twentieth Century Fox will release Dawn of the Planet of the Apes worldwide on Memorial Day weekend, May 23, 2014. Rise of the Planet of the Apes opened theatrically during the summer of 2011, grossed nearly half a billion dollars worldwide.
About 20TH Century Fox Film
One of the world’s largest producers and distributors of motion pictures, 20th Century Fox Film produces, acquires and distributes motion pictures throughout the world. These motion pictures are produced or acquired by the following units of 20TH Century Fox Film: Twentieth Century Fox, Fox 2000 Pictures, Fox Searchlight Pictures, Fox International Productions, and Twentieth Century Fox Animation.
Andy Serkis Reprises His Celebrated Role of Heroic Ape Caesar
Jason Clarke, Gary Oldman, Toby Kebbell, Keri Russell, Kodi Smit-Mcphee Also Star
Matt Reeves Directs Newest Chapter of Beloved Franchise Now Filming on Location in New Orleans
NEW ORLEANS--(BUSINESS WIRE)--Twentieth Century Fox announced that principal photography is underway on Dawn of the Planet of the Apes. A growing nation of genetically evolved apes led by Caesar is threatened by a band of human survivors of the devastating virus unleashed a decade earlier. They reach a fragile peace, but it proves short-lived, as both sides are brought to the brink of a war that will determine who will emerge as Earth's dominant species.
Andy Serkis, celebrated for his performance in the last film, reprises his role as Caesar. Dawn of the Planet of the Apes also stars Jason Clarke (Zero Dark Thirty, Public Enemies, The Great Gatsby), Gary Oldman (The Dark Knight Rises, The Harry Potter film series), Keri Russell (The Americans, Mission Impossible III), Toby Kebbell (The Prince of Persia, Wrath of the Titans, Rock N Rolla), Kodi Smit-McPhee (Let Me In, ParaNorman), Enrique Murciano (Traffic, Black Hawk Down), Kirk Acevedo (The Thin Red Line) and Judy Greer (The Descendants, Three Kings, 13 Going on 30).
Dawn of the Planet of the Apes is directed by Matt Reeves (Cloverfield, Let Me In). The producers are Peter Chernin, Dylan Clark (Rise of the Planet of the Apes, Oblivion), Rick Jaffa & Amanda Silver (Rise of the Planet of the Apes). Tom Hammel (Rise of the Planet of the Apes) is executive producing.
Oscar®-winning visual effects house WETA Digital – employing a new generation of the cutting edge performance capture technologies developed for Rise of the Apes and Avatar – will again render photo-realistic, emotionally-engaging apes. The film’s key behind-the-scenes team includes director of photography Michael Seresin, production designer James Chinland, and VFX Supervisors Joe Letteri and Dan Lemmon, VFX producers Ryan Stafford, editor Bill Hoy and Stan Salfas, and costume designer Melissa Brunning.
Twentieth Century Fox will release Dawn of the Planet of the Apes worldwide on Memorial Day weekend, May 23, 2014. Rise of the Planet of the Apes opened theatrically during the summer of 2011, grossed nearly half a billion dollars worldwide.
About 20TH Century Fox Film
One of the world’s largest producers and distributors of motion pictures, 20th Century Fox Film produces, acquires and distributes motion pictures throughout the world. These motion pictures are produced or acquired by the following units of 20TH Century Fox Film: Twentieth Century Fox, Fox 2000 Pictures, Fox Searchlight Pictures, Fox International Productions, and Twentieth Century Fox Animation.
Wednesday, April 17, 2013
Review: "13 Going on 30" is a Pleasant Star Vehicle (Happy B'day, Jennifer Garner)
13 Going on 30 (2004)
Running time: 98 minutes (1 hour, 38 minutes)
MPAA – PG-13 for some sexual content and brief drug references
DIRECTOR: Gary Winick
WRITERS: Josh Goldsmith and Cathy Yuspa
PRODUCERS: Susan Arnold, Gina Matthews, and Donna Arkoff Roth
CINEMATOGRAPHER: Don Burgess (D.o.P.)
EDITOR: Susan Littenberg
COMPOSER: Theodore Shapiro
FANTASY/COMEDY/DRAMA/ROMANCE
Starring: Jennifer Garner, Mark Ruffalo, Judy Greer, Andy Serkis, Kathy Baker, Phil Reeves, Samuel Ball, Marcia DeBonis, Christa B. Allen, Sean Marquette, Jim Gaffigan, and Swoop Whitebear
The subject of this movie review is 13 Going on 30, a 2004 romantic comedy and fantasy film from director Gary Winick (Letters to Juliet). The film stars Jennifer Garner as a 13-year-old girl who wakes up as a 30-year-old woman.
Thirteen-year old Jenna Rink (Christa B. Allen) hates her life and hates everybody, so on her 13th birthday, she makes a wish that she was grown up. After playing a game in her closet that came to an unhappy conclusion, she falls asleep as magic dust falls on her head, and later awakens to find that she is a 30-year old, hotshot magazine editor. However, there is a lot about her life that the 30-year old Jenna (Jennifer Garner) doesn’t like. She ignores her parents, steals other people’s magazine ideas, and in one tragic instance with a co-worker’s spouse, she is “the other woman.”
Having a hard time, catching onto her adult life, she turns to the one friend she remembers, Matt Flamhaff (Mark Ruffalo), but in the 17 years since her magical 13th birthday party, she’s ignored Matt. Jenna is as cool and as popular as she wanted to be when she was a kid, and she has lots of expensive clothes and a swanky NYC Fifth Avenue apartment. She is, however, forced to realize that she’s been living the high life of which she has no idea and can’t remember, and that her and Matt went their separate ways long ago. Now, she needs him and wants to be the girl she was when 13-year old Matt (Sean Marquette) was her best friend, but can she rebuild that close relationship in the fortnight before Matt’s impending marriage?
I have not been a fan of Jennifer Garner’s work, neither her body of small film roles nor of the popular TV series, “Alias,” in which she has starred since 2001. That was until I saw 13 Going on 30. The film is a puff piece, a re-imagining of the Tom Hanks favorite, Big (1988), in which Hanks plays a boy who gets his wish (sort of) and his body is transformed to adulthood while his personality and mind remain that of a boy. Plot and concept holes fill 13 Going on 30, such as Jenna forgetting the last 17 years of her life, but pretty much remembering how to edit a magazine. Still, it’s Ms. Garner’s charm and her ability to both summon the personality of a child and to expertly portray the child dealing with adult interpersonal relationships: professional, personal, and intimate. 13 Going on 30 may be a flimsy star vehicle (the kind of soft films in which a studio places a rising star in hopes of raising his star power or testing his star potential), but it’s Jennifer Garner who makes this clunky bucket an attractive program model.
7 of 10
B+
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Sunday, December 16, 2012
Review: "The Hobbit: An Unexpected Journey" is An Unexpected Pleasure and Treasure
The Hobbit: An Unexpected Journey (2012)
Running time: 169 minutes (2 hours, 49 minutes)
MPAA – PG-13 for extended sequences of intense fantasy action violence, and frightening
DIRECTOR: Peter Jackson
WRITERS: Frances Walsh, Philippa Boyens, Peter Jackson, and Guillermo del Toro (from the novel by J.R.R. Tolkien)
PRODUCERS: Peter Jackson, Fran Walsh, Carolynne Cunningham, and Zane Weiner
CINEMATOGRAPHER: Andrew Lesnie (D.o.P.)
EDITOR: Jabez Olssen
COMPOSER: Howard Shore
FANTASY/ACTION/ADVENTURE
Starring: Martin Freeman, Ian McKellan, Richard Armitage, Elijah Wood, Hugo Weaving, Cate Blanchett, Christopher Lee, Sylvester McCoy, Graham McTavish, Ken Stott, Aidan Turner, Dean O’Gorman, Mark Hadlow, Jed Brophy, Adam Brown, John Callen, Peter Hambleton, William Kircher, James Nesbitt, Stephen Hunter, Manu Bennett, and Andy Serkis
The subject of this movie review is The Hobbit: An Unexpected Journey, a 2012 fantasy film from director Peter Jackson. The film is the first of three movies which are based on J.R.R. Tolkien’s 1937 novel, The Hobbit, or There and Back Again (better known by its abbreviated title, The Hobbit). Set sixty years before The Lord of the Rings, The Hobbit is the story of a curious Hobbit who joins a band of Dwarves on a mission to reclaim their homeland from a powerful dragon.
The Hobbit: An Unexpected Journey opens on the 111th birthday of the Hobbit, Bilbo Baggins (Ian Holm). He has decided to write down the full story of an adventure he took 60 years earlier as a memoir for his cousin and heir, Frodo Baggins (Elijah Wood). Sixty years earlier, the younger Bilbo Baggins (Martin Freeman) was a homebody Hobbit. He gets an unexpected visit from the wizard, Gandalf the Grey (Ian McKellan), who promptly tricks the Hobbit into hosting a party for a band of dwarves.
Still, Bilbo is shocked when the dwarves show up and eat every scrap of food in his home, and almost tear down the place. When Gandalf returns, he informs Bilbo that these dwarves are on a quest to return to their ancestral home, Lonely Mountain, and to reclaim it and the treasure there from the great dragon, Smaug. The Company of Dwarves numbers 13, including the leader, Thorin Oakenshield (Richard Armitage). Gandalf’s biggest surprise is that Bilbo has been recruited as the dwarves’ “burglar,” who will help them steal back their treasure. Now, this curious Hobbit is on an unexpected journey that will find him facing killer Orcs, a legion of mountain trolls, and a little fellow named Gollum (Andy Serkis), who is in possession of a mysterious ring.
I am giving The Hobbit: An Unexpected Journey a “9” out of 10 on my rating scale, which may be surprising because of my complaints about this movie, especially the big one. The Hobbit: An Unexpected Journey is too long; in fact, the first hour meanders like a drunk narrative looking for a bottle of plot. I dosed off three times, and, at one point, thought about leaving and just waiting to see the rest of the movie on DVD.
However, the movie eventually came alive, but I’m still not sure when it turned for me. I think it may be the moment when the Orcs attack Bilbo and the Company of Dwarves on a rocky plain. At a point, the movie just explodes with surprise appearances, breathtaking vistas, blood-chilling confrontations, and heart-pounding action. Things were happening so fast, yet my mind couldn’t wait for the next thing to happen.
In many ways, The Hobbit: An Unexpected Journey is like the return of an old friend, specifically The Lord of the Rings movies, although LOTR is a sequel to The Hobbit. I didn’t know what to expect before I saw the movie. I had waited so long for The Hobbit to reach the silver screen as a live-action film, yet, in a way, my expectations were so high because of I loved LOTR so much. When Gollum shows up in this movie, my expectations were satisfied. Andy Serkis and the CGI artists behind the character actually improve on their great work from the Ring trilogy films.
There are things about The Hobbit: An Unexpected Journey that I did not expect, some of them disappointing. But by the end of this movie, I so did not want the adventure end. I wanted that enough to give an imperfect movie a near-perfect score.
9 of 10
A+
Saturday, December 15, 2012
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Friday, December 14, 2012
Review: "The Return of the King" is a Crowning Achievement
The Lord of the Rings: The Return of the King (2003)
Running time: 201 minutes (3 hours, 21 minutes)
MPAA – PG-13 for intense epic battle sequences and frightening images
DIRECTOR: Peter Jackson
WRITERS: Frances Walsh, Philippa Boyens, and Peter Jackson (from the novel by J.R.R. Tolkien)
PRODUCERS: Peter Jackson, Barrie M. Osborne, and Fran Walsh
CINEMATOGRAPHER: Andrew Lesnie (D.o.P.)
EDITOR: Jamie Selkirk
COMPOSER: Howard Shore
Academy Award winner including “Best Picture”
FANTASY/ACTION/ADVENTURE
Starring: Elijah Wood, Ian McKellan, Viggo Mortensen, Sean Astin, Orlando Bloom, Liv Tyler, Hugo Weaving, Billy Boyd, Cate Blanchett, Dominic Monaghan, Miranda Otto, John Rhys-Davies, Andy Serkis, David Wenham, Paul Norell, Lawrence Makoare, and Alan Howard (voice)
The subject of this movie review is The Lord of the Rings: The Return of the King, a 2003 fantasy film from director Peter Jackson. The film is the third of three movies based on J.R.R. Tolkien’s three-novel cycle, The Lord of the Rings (1954-55), specifically the first book, The Return of the King (1955).
The Rings trilogy ends with The Lord of the Rings: The Return of the King, a magnificent epic of war, romance, honor, loyalty, and salvation. Although I view it as the least of the three films, ROTK is quite entertaining – at many moments, spectacularly so. Anyone who loved the first two pictures will certainly love this finale.
Most of the former Fellowship of the Ring: the man who would be king Aragorn (Viggo Mortensen), the elfin archer Legolas (Orlando Bloom), the wizard Gandalf (Ian McKellan), Gimli (John Rhys-Davies), and the Hobbits – Pippin (Billy Boyd) and Merry (Dominic Monaghan) gather in preparation for the final battle in the defense of Middle Earth. They join the people of Rohan to aid Gondor in a ferocious battle to save the human royal city of Minas Tirith. Meanwhile, Gollum leads the other two hobbits – Sam (Sean Astin) and the bearer of the One Ring, Frodo (Elijah Wood), to Mount Doom. The Hobbits are unaware of the treacherous path upon which Gollum leads them; he is the former owner of the One Ring and seeks to destroy the Hobbits so that he may regain possession of the Ring. As Frodo and Sam approach Mount Doom, the birth place of the Ring and the only place where it can be destroyed, the good guys gather at the Black Gates for a battle against the bad guys as the evil eye of Sauron searches for the One Ring, the object that will restore Sauron to Middle Earth.
Although ROTK is certainly a fine film, it has an air about it of being a story that’s run too long. Much of what makes The Lord of the Rings so endearing, the pageantry, the epic scope, the romantic soliloquies, the grand battles, the sweeping score, and the lead characters love for one another slowly creep towards self-parody. Thrilling speeches seem flat; fascinating fantastical creatures become comical. That maybe one reason director Peter Jackson cut the film to three hours and 20 minutes, as an earlier cut of the film had reportedly crept close to four and half hours in length.
Because the film story’s is so wonderful and engaging, I can overlook the flaws as ROTK wraps up LOTR. All aspects of the filmmaking is, for the most part, either excellent or very good: directing, acting, script, score, photography, visual effects, costume and set design. The one really great element of the film is it’s editing; that is what holds the film together even in the moments when it starts to tread the fine line between sublime and pure ridiculous.
In the end, The Lord of the Rings: The Return of the King is probably the best closing chapter of a trilogy since Return of the Jedi, and ROTK is, even with its blemishes, a technically superior effort to Jedi. It’s certainly better than The Matrix Revolutions, so I’ll be happy that The Return of the King is a tremendously satisfying conclusion and heartily recommend it.
8 of 10
A
NOTES:
2004 Academy Awards: 11 wins: “Best Picture” (Barrie M. Osborne, Peter Jackson, and Fran Walsh), “Best Art Direction-Set Decoration” (Grant Major-art director, Dan Hennah-set decorator, and Alan Lee-set decorator), “Best Costume Design” (Ngila Dickson and Richard Taylor), “Best Director” (Peter Jackson), “Best Film Editing” (Jamie Selkirk), “Best Makeup” (Richard Taylor and Peter King), “Best Music, Original Score” (Howard Shore), “Best Music, Original Song” (Fran Walsh, Howard Shore, and Annie Lennox for the song "Into the West"), “Best Sound Mixing” (Christopher Boyes, Michael Semanick, Michael Hedges, and Hammond Peek), “Best Visual Effects” (Jim Rygiel, Joe Letteri, Randall William Cook, and Alex Funke), and “Best Writing, Adapted Screenplay” (Fran Walsh, Philippa Boyens, and Peter Jackson)
2004 BAFTA Awards: 5 wins: “Best Film” (Barrie M. Osborne, Fran Walsh, and Peter Jackson), “Audience Award, “Best Achievement in Special Visual Effects” (Joe Letteri, Jim Rygiel, Randall William Cook, and Alex Funke), “Best Cinematography” (Andrew Lesnie), and “Best Screenplay – Adapted” (Fran Walsh, Philippa Boyens, and Peter Jackson); 9 nominations: “Anthony Asquith Award for Film Music” (Howard Shore), “BAFTA Children's Award Best Feature Film” (Peter Jackson, Fran Walsh, and Barrie M. Osborne), “Best Costume Design” (Ngila Dickson and Richard Taylor), “Best Editing” (Jamie Selkirk), “Best Make Up/Hair” (Richard Taylor, Peter King, and Peter Owen), “Best Performance by an Actor in a Supporting Role” (Ian McKellen), “Best Production Design” (Grant Major), “Best Sound” (Ethan Van der Ryn, Mike Hopkins, David Farmer, Christopher Boyes, Michael Hedges, Michael Semanick, and Hammond Peek) and “David Lean Award for Direction” (Peter Jackson)
2004 Golden Globes, USA: 4 wins: “Best Director - Motion Picture” (Peter Jackson), “Best Motion Picture – Drama” “Best Original Score - Motion Picture” (Howard Shore), and “Best Original Song - Motion Picture” “Howard Shore, Fran Walsh, and Annie Lennox for the song "Into the West")
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Review: "The Two Towers" is the Best of the Trilogy
The Lord of the Rings: The Two Towers (2002)
Running time: 179 minutes (2 hours, 59 minutes)
MPAA – PG-13 for epic battle sequences and scary images
DIRECTOR: Peter Jackson
WRITERS: Fran Walsh, Philippa Boyens, Stephen Sinclair, and Peter Jackson (based upon the novel by J.R.R. Tolkien)
PRODUCERS: Peter Jackson, Barrie M. Osborne, and Fran Walsh
CINEMATOGRAPHER: Andrew Lesnie (D.o.P.)
EDITOR: Michael Horton
COMPOSER: Howard Shore
Academy Award winner
FANTASY/ACTION/ADVENTURE
Starring: Elijah Wood, Ian McKellan, Liv Tyler, Viggo Mortensen, Sean Astin, Cate Blanchett, John Rhys-Davies, Bernard Hill, Christopher Lee, Billy Boyd, Dominic Monaghan, Orlando Bloom, Hugo Weaving, Miranda Otto, David Wenham, Brad Dourif, and Andy Serkis
The subject of this movie review is The Lord of the Rings: The Two Towers, a 2002 fantasy film from director Peter Jackson. The film is the second of three movies based on J.R.R. Tolkien’s three-novel cycle, The Lord of the Rings (1954-55), specifically the first book, The Two Towers (1954).
As the second installment of the Ring Trilogy, The Lord of the Rings: The Two Towers, begins, the hobbits Frodo (Elijah Wood) and his companion Sam (Sean Astin) continue alone to Mordor to destroy the One Ring, as the Fellowship (the group of heroes who were to accompany Frodo) is broken. The Uruk-hai (Orcs) have captured their fellow hobbits, Merry (Dominic Monaghan) and Pippin (Billy Boyd).
Meanwhile, the shadow of the Dark Lord Sauron spreads across the land as he hungers for the One Ring, which he once wore and that gave him great powers. Aragorn (Viggo Mortensen), the elfin archer Legolas (Orlando Bloom), and the dwarf Gimli (John Rhys-Davies) make friends with a race of humans called the Rohan. Gandalf the Grey (Ian McKellan), thought to be dead, returns as Gandalf the White. The two towers that are between Sauron’s Mordor and at the corrupt wizard Saruman’s stronghold Isengard are united in their lust for destruction.
Aragorn and his companions join the Rohan king Théoden (Bernard Hill) at the Rohan fortress Helms Deep to fend off a grand Uruk-hai army created by Saruman (Christopher Lee) to destroy mankind and Middle-earth. Frodo and Sam meet one of the Ring’s original bearers, Gollum (Andy Serkis). The creature had been stalking the hobbit pair in hopes of recapturing his “precious,” the name by which he calls the Ring, but Frodo and Sam capture Gollum and use him to lead the way to Mt. Doom, the only place where the Ring can be destroyed.
Those who liked The Lord of the Rings: The Fellowship of the Ring, the first installment, will very likely love this one as much if not more. I certainly found The Two Towers to be a superior film, which is no mean thing, as TFOTR is also a fantastic and great film. It’s an epic war story, which director Peter Jackson fills to its brim with traditional romance. In fact, it is a great romantic film, in the mold of the classic adventure films that combined intense drama or melodrama and powerful emotions.
I did find some of the special effects and computer-generated effects to be a bit weak and lame. The best SFX/CGI achievement is Gollum, who is CGI; however, Gollum actor Andy Serkis apparently acted the part out in whole – emotionally and physically. The CGI people then took his actual work and made a CGI character. Serkis also provided Gollum’s voice. Many thought Serkis was deserving of an Academy Award nomination because the CGI was “merely” copying his work, as if they simply drew over his filmed performance. Alas, Serkis did not receive a nomination.
That doesn’t matter because The Two Towers was the best film of 2002, and is arguably one of the best fantasy films ever made. Its three-hour running time goes by quickly. From TTT’s overwhelming and powerful battle scenes to the deeply, heartfelt moments between the characters, this is a film experience not to be missed, especially if you’re the kind of viewer who can understand and absorb a film of strongly fantastic elements.
10 of 10
NOTES:
2003 Academy Awards: 2 wins: “Best Sound Editing” (Ethan Van der Ryn and Mike Hopkins) and “Best Visual Effects” (Jim Rygiel, Joe Letteri, Randall William Cook, and Alex Funke); 4 nominations: “Best Art Direction-Set Decoration” (Grant Major-art director, Dan Hennah-set decorator, and Alan Lee-set decorator), “Best Film Editing” (Michael Horton), and “Best Picture” (Barrie M. Osborne, Fran Walsh, and Peter Jackson), “Best Sound” (Christopher Boyes, Michael Semanick, Michael Hedges, and Hammond Peek)
2003 BAFTA Awards: 3 wins: “Audience Award,” Best Achievement in Special Visual Effects” (Jim Rygiel, Joe Letteri, Randall William Cook, and Alex Funke), “Best Costume Design” (Ngila Dickson and Richard Taylor); 8 nominations: “Best Film” (Barrie M. Osborne, Fran Walsh, and Peter Jackson), “BAFTA Children's Award Best Feature Film” (Peter Jackson, Barrie M. Osborne, Fran Walsh), “Best Cinematography” (Andrew Lesnie), “Best Editing” (Michael Horton and Jabez Olssen), “Best Make Up/Hair” (Peter Owen, Peter King, and Richard Taylor), “Best Production Design” (Grant Major), “Best Sound” (Ethan Van der Ryn, David Farmer, Mike Hopkins, Hammond Peek, Christopher Boyes, Michael Semanick, and Michael Hedges), and “David Lean Award for Direction” (Peter Jackson)
2003 Golden Globes, USA: 2 nominations: “Best Director - Motion Picture” (Peter Jackson) and “Best Motion Picture – Drama”
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Review: "The Fellowship of the Ring" is Still a Great Start to a Trilogy
The Lord of the Rings: The Fellowship of the Ring (2001)
Running time: 178 minutes (2 hours, 58 minutes)
MPAA – PG-13 for epic battle sequences and some scary images
DIRECTOR: Peter Jackson
WRITERS: Frances Walsh, Philippa Boyens, and Peter Jackson (based upon the novel by J.R.R. Tolkien)
PRODUCERS: Peter Jackson, Barrie M. Osborne, Tim Sanders, and Fran Walsh
CINEMATOGRAPHER: Andrew Lesnie
EDITOR: John Gilbert
COMPOSER: Howard Shore
Academy Award winner
FANTASY/ADVENTURE/ACTION/DRAMA
Starring: Elijah Woods, Ian McKellen, Viggo Mortensen, Liv Tyler, Hugo Weaving, Sean Astin, Orlando Bloom, Sean Bean, Billy Boyd, Dominic Monaghan, Christopher Lee, Cate Blanchette, Sala Baker, John Rhys-Davies, Ian Holm, Craig Parker, Andy Serkis, and (voice) Alan Howard
The subject of this movie review is The Lord of the Rings: The Fellowship of the Ring, a 2001 fantasy film from director Peter Jackson. The film is the first of three movies based on J.R.R. Tolkien’s three-novel cycle, The Lord of the Rings (1954-55), specifically the first book, The Fellowship of the Ring (1954).
In the adaptation of J. R. R. Tolkein’s novel The Fellowship of the Ring, a hobbit named Frodo Baggins (Elijah Wood, The Ice Storm) inherits a ring from his famous uncle Bilbo Baggins (Ian Holm, The Sweet Hereafter). When a wizard named Gandalf (Ian McKellen, X-Men and Gods and Monsters), who is a friend of the family, discovers that the ring is in fact the One Ring of the Dark Lord Sauron, the ring must be taken to the place of its creation, the Cracks of Doom, the only place where the ring can be destroyed. That task falls upon the shoulders of Frodo.
Three fellow hobbits join Frodo on his quest, including one who becomes very close to him, Samwise “Sam” Gamgee (Sean Astin, Rudy). Before long the group becomes nine, a Fellowship to take the ring to the Cracks of Doom so that Frodo can destroy it. However, great evil besets them in the form of Gandalf’s mentor Saruman the White (the great Christopher Lee), who is now on the side of darkness, and his army of mighty Orcs, who serve the rings original dark owner, Sauron (voice of Sala Baker). Obstacles, great dangers, horribly evils, and death confront the Fellowship every step of their quest.
Directed by Peter Jackson (Heavenly Creatures, The Frighteners), The Fellowship of the Ring is the first of three films each released a year apart that will comprise the Lord of the Rings trilogy. Even within budget constraints, Jackson has always proved himself to be an inventive and imaginative director. Like a painter, his canvases are well planned and constructed, and he does not waste shots; every frame seems important to the larger work.
He previous experience in dark fantasy, horror, and the weird made him an ideal choice to direct a film version of Tolkein’s sprawling epic, and Jackson delivers a nearly three hour film that is both visceral and subdued. An epic as good as any every delivered by a Hollywood studio, it captures the imagination while keeping the viewer nearly unawares of its length.
Nearly, that is. It’s a bit of hubris on Jackson and on New Line Cinema, Lord’s studio, to assume that an audience will tolerate Fellowship’s abrupt ending simply because the story is “to be continued” next year. The beginning, middle, and end of LOTR’s story are actually three separate films, not one film. It isn’t that FOTR’s ending is bad, just presumptuous of our patience and acceptance that this movie is like a serial. We will have to wait over two years to get the entire story.
These are certainly minor complaints in light of what Jackson delivers. He has a fine cast of actors, and the characters that he took from the novel he has made into excellent cinematic characters. The work of his SFX group creates nearly flawless special effects shots. Using New Zealand as the Middle Earth location of the stories is a wonderful choice. Between special effects and creative camera work, Jackson has created a world that is itself a character. Jackson and his fellow screenwriters Frances Walsh (a frequent collaborator of Jackson’s) and Philippa Boyens have created an excellent script makes the battle of good and evil unambiguous and quite compelling. Although the characters’ desires and personalities may occasionally straddle a gray area, what is right is clearly defined from what is wrong. That’s always the case regardless of character motivations and goals; moral relativism is kicked to the curb.
While he has made it highly emotional and thoughtful at its heart, Jackson has also managed to make a war and action movie. He juggles genres like fantasy, comedy, drama, and war and weaves them into an epic. The movie, both its back-story and the main story, spans time, has multiple locations and environments, and has a wealth of characters. Visually pleasing and intellectual thoughtful, it is one of the best films in recent memories, a grand fantasy that captures the imagination on a deeper level (than say The Phantom Menace) like Crouching Tiger, Hidden Dragon. We can only hope that the two follow-ups are this good.
Go see this film.
9 of 10
A+
NOTES:
2002 Academy Awards: 4 wins: “Best Cinematography” (Andrew Lesnie), “Best Effects, Visual Effects” (Jim Rygiel, Randall William Cook, Richard Taylor, and Mark Stetson), “Best Makeup” (Peter Owen and Richard Taylor), and “Best Music, Original Score” (Howard Shore); 9 nominations: “Best Picture” (Peter Jackson, Barrie M. Osborne, and Fran Walsh), “Best Actor in a Supporting Role” (Ian McKellen), “Best Art Direction-Set Decoration” (Grant Major-art director and Dan Hennah-set decorator), “Best Costume Design” (Ngila Dickson and Richard Taylor), “Best Director” (Peter Jackson), “Best Film Editing” (John Gilbert), “Best Music, Original Song” (Enya, Nicky Ryan, Roma Ryan for the song "May It Be"), “Best Sound” (Christopher Boyes, Michael Semanick, Gethin Creagh, and Hammond Peek), “Best Writing, Screenplay Based on Material Previously Produced or Published” (Fran Walsh, Philippa Boyens, and Peter Jackson)
2002 BAFTA Awards: 5 wins: “Best Film” (Peter Jackson, Barrie M. Osborne, and Tim Sanders), “Audience Award,” “Best Achievement in Special Visual Effects” (Jim Rygiel, Richard Taylor, Alex Funke, Randall William Cook, and Mark Stetson), “Best Make Up/Hair” (Peter Owen, Peter King and Richard Taylor), “David Lean Award for Direction” (Peter Jackson); 9 nominations: “Anthony Asquith Award for Film Music” (Howard Shore), “BAFTA Children's Award Best Feature Film” (Peter Jackson, Barrie M. Osborne, Fran Walsh, and Tim Sanders), “Best Cinematography” (Andrew Lesnie), “Best Costume Design” (Ngila Dickson), “Best Editing” (John Gilbert), “Best Performance by an Actor in a Leading Role” (Ian McKellen), “Best Production Design’ (Grant Major), “Best Screenplay – Adapted” (Fran Walsh, Philippa Boyens, and Peter Jackson), “Best Sound” (David Farmer, Hammond Peek, Christopher Boyes, Gethin Creagh, Michael Semanick, Ethan Van der Ryn, and Mike Hopkins)
2002 Golden Globes, USA: 4 nominations: “Best Director - Motion Picture” (Peter Jackson), “Best Motion Picture – Drama,” “Best Original Score - Motion Picture” (Howard Shore), and “Best Original Song - Motion Picture (Enya for the song "May It Be")
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Wednesday, October 24, 2012
Andy Serkis Has Film Rights to Orwell's "Animal Farm"
The Imaginarium Studios Announces Inaugural Slate of Films
Performance Capture Studio Founded by Andy Serkis and Jonathan Cavendish Secures Rights to “The Bone Season” and “Animal Farm”
LONDON--(BUSINESS WIRE)--London-based performance capture studio The Imaginarium has secured the film rights to the highly anticipated book series, The Bone Season, by Samantha Shannon as well as the film rights to adapt George Orwell’s seminal novel Animal Farm, it was announced today by Andy Serkis and Jonathan Cavendish, founders of The Imaginarium.
“The dystopian world created by Samantha in The Bone Season series offers a fantastic setting for a truly extraordinary and thrilling narrative,” said Serkis. “We are honoured that she chose to collaborate with us in the adaptation of her work.”
“Samantha has created a compelling and unique world and a gripping story crafted to span a series of novels. The Bone Season offers the opportunity to create a dynamic franchise with global appeal,” adds Cavendish.
Scheduled for publication on August 20, 2013, by Bloomsbury, The Bone Season was acquired during the London Book Fair in a pre-emptive bid by the publisher.
“Samantha Shannon is an extraordinarily talented writer. The Bone Season is a startling combination of a unique literary voice, a fully conceived, terrifying parallel world and a narrative pace that grips like a vice,” said Alexandra Pringle, Bloomsbury editor-in-chief.
“I am thrilled to be working with The Imaginarium,” said Shannon. “Their name had me from the start: a place devoted to imagination. There is a strong, visual sensibility to my writing process and I am very excited by the creative possibilities for how The Bone Season could translate from page to screen. I am confident that all the members of the Imaginarium team are as passionate about the book as I am, and I look forward to working with them to make this project a reality.”
In addition to The Bone Season, The Imaginarium has negotiated the rights for a feature film adaptation of George Orwell’s classic tale, Animal Farm.
“Both The Bone Season and Animal Farm are perfectly suited to The Imaginarium,” said Cavendish. “With Animal Farm, we will reinvent this iconic story for a new generation, using the unique storytelling techniques offered by performance capture. The acquisition of these two projects marks an exciting time for all us at The Imaginarium.”
Serkis and Cavendish will serve as producers on The Bone Season; Serkis will direct and act in Animal Farm and produce along with Cavendish.
The Imaginarium is represented by CAA and Larry Taube, Principle LA Entertainment; publishing and films rights for The Bone Season and Ms. Shannon were handled by David Godwin Associates, UK (DGA, Ltd.).
“We are delighted to officially announce our involvement in bringing this classic yet controversial fable to life, hopefully allowing it to resonate for our times with a combination of a fresh perspective, real emotional heart, a great deal of humor and satire,” said Serkis. “By utilizing performance capture, a deeply talented and committed cast of actors will be able to explore and fully inhabit Orwell's fairy tale world where ‘some animals are more equal than others.’”
ABOUT THE IMAGINARIUM STUDIOS
Established in 2011 by actor/director Andy Serkis and producer Jonathan Cavendish, The Imaginarium harnesses the power of performance capture to fuel a new generation of storytelling in film, television and videogames. The Imaginarium’s central London studio base acts as magnet to the international film community as well as providing a development and production base for writers, filmmakers and creative visionaries from all over the world. www.theimaginariumstudios.com
ABOUT THE BONE SEASON
The Bone Season begins in 2059. Nineteen-year-old Paige Mahoney is working in the criminal underworld of London. Paige is a clairvoyant, and in this future world, clairvoyance is forbidden and Paige is committing high treason. Attacked, kidnapped, and transported to Oxford, a city that has been kept secret for two hundred years, she meets Warden, a Rephaite with dark honey skin and heavy-lidded yellow eyes. He is the single most beautiful and frightening thing she has ever laid eyes on — and he will become her keeper.
ABOUT SAMANTHA SHANNON
Born in 1991, Samantha Shannon was raised in West London, where she started her first novel at the age of fifteen. She is currently studying for a degree in English Language and Literature at St Anne’s College, Oxford. The Bone Season is the first in a projected series of seven novels.
ABOUT ANIMAL FARM
First published in 1945, George Orwell’s allegorical tale Animal Farm has been hailed by TIME magazine as one of the best 100 English-language novels (1923-2005), is currently listed at number 31 on the Modern Library List of the 20th Century’s best novels and was awarded a retrospective Hugo Award in 1996.
Performance Capture Studio Founded by Andy Serkis and Jonathan Cavendish Secures Rights to “The Bone Season” and “Animal Farm”
LONDON--(BUSINESS WIRE)--London-based performance capture studio The Imaginarium has secured the film rights to the highly anticipated book series, The Bone Season, by Samantha Shannon as well as the film rights to adapt George Orwell’s seminal novel Animal Farm, it was announced today by Andy Serkis and Jonathan Cavendish, founders of The Imaginarium.
“The dystopian world created by Samantha in The Bone Season series offers a fantastic setting for a truly extraordinary and thrilling narrative,” said Serkis. “We are honoured that she chose to collaborate with us in the adaptation of her work.”
“Samantha has created a compelling and unique world and a gripping story crafted to span a series of novels. The Bone Season offers the opportunity to create a dynamic franchise with global appeal,” adds Cavendish.
Scheduled for publication on August 20, 2013, by Bloomsbury, The Bone Season was acquired during the London Book Fair in a pre-emptive bid by the publisher.
“Samantha Shannon is an extraordinarily talented writer. The Bone Season is a startling combination of a unique literary voice, a fully conceived, terrifying parallel world and a narrative pace that grips like a vice,” said Alexandra Pringle, Bloomsbury editor-in-chief.
“I am thrilled to be working with The Imaginarium,” said Shannon. “Their name had me from the start: a place devoted to imagination. There is a strong, visual sensibility to my writing process and I am very excited by the creative possibilities for how The Bone Season could translate from page to screen. I am confident that all the members of the Imaginarium team are as passionate about the book as I am, and I look forward to working with them to make this project a reality.”
In addition to The Bone Season, The Imaginarium has negotiated the rights for a feature film adaptation of George Orwell’s classic tale, Animal Farm.
“Both The Bone Season and Animal Farm are perfectly suited to The Imaginarium,” said Cavendish. “With Animal Farm, we will reinvent this iconic story for a new generation, using the unique storytelling techniques offered by performance capture. The acquisition of these two projects marks an exciting time for all us at The Imaginarium.”
Serkis and Cavendish will serve as producers on The Bone Season; Serkis will direct and act in Animal Farm and produce along with Cavendish.
The Imaginarium is represented by CAA and Larry Taube, Principle LA Entertainment; publishing and films rights for The Bone Season and Ms. Shannon were handled by David Godwin Associates, UK (DGA, Ltd.).
“We are delighted to officially announce our involvement in bringing this classic yet controversial fable to life, hopefully allowing it to resonate for our times with a combination of a fresh perspective, real emotional heart, a great deal of humor and satire,” said Serkis. “By utilizing performance capture, a deeply talented and committed cast of actors will be able to explore and fully inhabit Orwell's fairy tale world where ‘some animals are more equal than others.’”
ABOUT THE IMAGINARIUM STUDIOS
Established in 2011 by actor/director Andy Serkis and producer Jonathan Cavendish, The Imaginarium harnesses the power of performance capture to fuel a new generation of storytelling in film, television and videogames. The Imaginarium’s central London studio base acts as magnet to the international film community as well as providing a development and production base for writers, filmmakers and creative visionaries from all over the world. www.theimaginariumstudios.com
ABOUT THE BONE SEASON
The Bone Season begins in 2059. Nineteen-year-old Paige Mahoney is working in the criminal underworld of London. Paige is a clairvoyant, and in this future world, clairvoyance is forbidden and Paige is committing high treason. Attacked, kidnapped, and transported to Oxford, a city that has been kept secret for two hundred years, she meets Warden, a Rephaite with dark honey skin and heavy-lidded yellow eyes. He is the single most beautiful and frightening thing she has ever laid eyes on — and he will become her keeper.
ABOUT SAMANTHA SHANNON
Born in 1991, Samantha Shannon was raised in West London, where she started her first novel at the age of fifteen. She is currently studying for a degree in English Language and Literature at St Anne’s College, Oxford. The Bone Season is the first in a projected series of seven novels.
ABOUT ANIMAL FARM
First published in 1945, George Orwell’s allegorical tale Animal Farm has been hailed by TIME magazine as one of the best 100 English-language novels (1923-2005), is currently listed at number 31 on the Modern Library List of the 20th Century’s best novels and was awarded a retrospective Hugo Award in 1996.
Friday, July 13, 2012
Warner Bros. Brings "The Hobbit" to Comic-Con International 2012
Warner Bros. Pictures Showcases Films, Filmmakers and Stars at Comic-Con
“The Hobbit: An Unexpected Journey,” “Man of Steel” and “Pacific Rim” are among the titles highlighted.
BURBANK, Calif.--(BUSINESS WIRE)--Warner Bros. Pictures will once again have a major presence at this year’s Comic-Con International in San Diego, including appearances by fan-favorite stars and filmmakers from some of the Studio’s most anticipated films. Comic-Con attendees will also be treated to never-before-seen footage, including some that will be shown nowhere else. Talent from the films will also be on hand to answer questions, sign autographs, and more.
On Saturday, July 14th, in Hall H, beginning at 2:30 p.m., Warner Bros. Pictures will showcase a number of the releases upcoming from the Studio and its partners at Legendary Pictures, New Line Cinema and Metro-Goldwyn-Mayer. The special star-studded presentation also holds some surprises for the 6,500-plus fans in the convention’s largest presentation space.
The program highlights include a film that has already generated huge buzz: “The Hobbit: An Unexpected Journey,” directed by Peter Jackson, the Oscar®-winning filmmaker of the blockbuster “Lord of the Rings” trilogy. Jackson, who just wrapped production in New Zealand, is embarking on his own journey halfway around the world to greet fans, who are already counting down to the December 14th opening of “The Hobbit: An Unexpected Journey.”
Joining Jackson on the stage will be Oscar®-winning screenwriter Philippa Boyens, along with several of the film’s stars, including Martin Freeman, who portrays the title character, Bilbo Baggins; Richard Armitage, who plays the fierce leader of the Dwarves, Thorin Oakenshield; the legendary Sir Ian McKellen, who returns as Gandalf; and fan favorite Andy Serkis, the extraordinary talent who is truly behind the character of Gollum. Attendees will also be invited to ask questions about the making of this epic adventure.
The presentation also includes the DC Comics superhero who, inarguably, started it all. Superman will be back on the big screen next Summer in the much-anticipated action adventure “Man of Steel.” Filmmaker Zack Snyder, the director behind “300” and “Watchmen,” will be at Comic-Con and will take questions from the audience about the making of “Man of Steel,” which opens on June 14, 2013.
Guillermo del Toro, the acclaimed writer/director of such films as “Pan’s Labyrinth” and the “Hellboy” films, will also be on hand with a preview of his science fiction action adventure, “Pacific Rim,” opening on July 12, 2013. The film’s stars Charlie Hunnam, Rinko Kikuchi, Charlie Day and Ron Perlman will join the director on stage for the presentation, which includes never-before-seen footage cut together exclusively for Comic-Con. Fans will also have an opportunity to engage in a Q & A with del Toro and his cast.
On the main convention floor, the Studio has created a must-see, 3,600-plus square-foot booth that demands repeated visits to capture it all. Located at Space #4545, the Warner Bros. booth is the place to be for autograph signings, photo ops and more, with stars and creators from some of the Studio’s upcoming feature films, as well as hit TV shows, interactive titles, award-winning animated properties and new Blu-ray™ & DVD releases.
The booth will showcase static displays of the “Man of Steel” Superman costume, and Batman’s amazing two-wheeled Bat-Pod, which was introduced in the 2008 record-breaking blockbuster “The Dark Knight” and is featured again in this Summer’s most anticipated film, “The Dark Knight Rises.”
The multi-leveled Warner Bros. booth also features a dedicated area for “The Hobbit: An Unexpected Journey,” featuring column and wall mountings of lenticular imagery from the film, as well as a scroll depicting the story. Images from that film, as well as other upcoming Warner Bros. projects, including “The Dark Knight Rises,” will be displayed on virtually every surface of the booth, drawing the eye from floor to ceiling.
While the Warner Bros. booth will have something to see at every minute of every day of the convention, on Saturday, July 14th, it will be the place to be to meet and greet some of the stars and filmmakers from several of the Studio’s upcoming features. Some of the autograph signing opportunities include “The Hobbit: An Unexpected Journey” stars Martin Freeman, Richard Armitage and Andy Serkis, from 11:15 a.m. to 12 noon; from “Pacific Rim,” stars Charlie Hunnam, Rinko Kikuchi, Charlie Day and Ron Perlman, and director Guillermo del Toro, from 3:55 to 4:55 p.m.; and “Man of Steel” director Zack Snyder from 5:00 to 5:30 p.m. (Please note that times are approximate. Check your schedule and other announcements for updates.)
About “The Hobbit: An Unexpected Journey” – Opening on December 14, 2012:
From Academy Award®-winning filmmaker Peter Jackson comes The Hobbit: An Unexpected Journey, a production of New Line Cinema and Metro-Goldwyn-Mayer (MGM). The film follows title character Bilbo Baggins, who is swept into an epic quest to reclaim the lost Dwarf Kingdom of Erebor, which was long ago conquered by the dragon Smaug. Approached out of the blue by the wizard Gandalf the Grey, Bilbo finds himself joining a company of thirteen dwarves led by the legendary warrior Thorin Oakenshield. Their journey will take them into the Wild; through treacherous lands swarming with Goblins and Orcs, deadly Wargs and Giant Spiders, Shapeshifters and Sorcerers. Although their goal lies to the East and the wastelands of the Lonely Mountain, first they must escape the goblin tunnels, where Bilbo meets the creature that will change his life forever…Gollum. Here, alone with Gollum, on the shores of an underground lake, the unassuming Bilbo Baggins not only discovers depths of guile and courage that surprise even him, he also gains possession of Gollum’s “precious” ring that holds unexpected and useful qualities… A simple, gold ring that is tied to the fate of all Middle-earth in ways Bilbo cannot begin to know. The screenplay for “The Hobbit: An Unexpected Journey” is by Fran Walsh & Philippa Boyens & Peter Jackson & Guillermo del Toro, based on The Hobbit, by J.R.R. Tolkien. Jackson is also producing the film, together with Carolynne Cunningham, Zane Weiner and Fran Walsh. The executive producers are Alan Horn, Toby Emmerich, Ken Kamins and Carolyn Blackwood.
About “Man of Steel” – Opening on June 14, 2013:
Next summer, “Man of Steel” is coming to the big screen, presented by Warner Bros. Pictures, in association with Legendary Pictures. Directed by Zack Snyder, the film is produced by Charles Roven, Christopher Nolan, Emma Thomas and Deborah Snyder, with Thomas Tull, Lloyd Phillips and Jon Peters serving as executive producers. The screenplay was written by David S. Goyer from a story by Goyer & Nolan, based upon Superman characters created by Jerry Siegel & Joe Shuster and published by DC Comics. “Man of Steel” stars Henry Cavill, Amy Adams, Michael Shannon, Kevin Costner, Diane Lane, Laurence Fishburne, Antje Traue, Ayelet Zurer, Christopher Meloni and Russell Crowe.
About “Pacific Rim” – Opening on July 12, 2013:
From acclaimed filmmaker Guillermo del Toro comes Warner Bros. Pictures’ and Legendary Pictures’ sci-fi action adventure “Pacific Rim.” When legions of monstrous creatures, known as Kaiju, started rising from the sea, a war began that would take millions of lives and consume humanity's resources for years on end. To combat the giant Kaiju, a special type of weapon was devised: massive robots, called Jaegers, which are controlled simultaneously by two pilots whose minds are locked in a neural bridge. But even the Jaegers are proving nearly defenseless in the face of the relentless Kaiju. On the verge of defeat, the forces defending mankind have no choice but to turn to two unlikely heroes—a washed up former pilot and an untested trainee who are teamed to drive a legendary but seemingly obsolete Jaeger from the past. Together, they stand as mankind's last hope against the mounting apocalypse. “Pacific Rim” stars Charlie Hunnam, Rinko Kikuchi, Idris Elba, Ron Perlman, and Charlie Day. “Pacific Rim” was written by Travis Beacham. Thomas Tull, Jon Jashni and Mary Parent are producing, with Callum Greene serving as executive producer.
“The Hobbit: An Unexpected Journey,” “Man of Steel” and “Pacific Rim” are among the titles highlighted.
BURBANK, Calif.--(BUSINESS WIRE)--Warner Bros. Pictures will once again have a major presence at this year’s Comic-Con International in San Diego, including appearances by fan-favorite stars and filmmakers from some of the Studio’s most anticipated films. Comic-Con attendees will also be treated to never-before-seen footage, including some that will be shown nowhere else. Talent from the films will also be on hand to answer questions, sign autographs, and more.
On Saturday, July 14th, in Hall H, beginning at 2:30 p.m., Warner Bros. Pictures will showcase a number of the releases upcoming from the Studio and its partners at Legendary Pictures, New Line Cinema and Metro-Goldwyn-Mayer. The special star-studded presentation also holds some surprises for the 6,500-plus fans in the convention’s largest presentation space.
The program highlights include a film that has already generated huge buzz: “The Hobbit: An Unexpected Journey,” directed by Peter Jackson, the Oscar®-winning filmmaker of the blockbuster “Lord of the Rings” trilogy. Jackson, who just wrapped production in New Zealand, is embarking on his own journey halfway around the world to greet fans, who are already counting down to the December 14th opening of “The Hobbit: An Unexpected Journey.”
Joining Jackson on the stage will be Oscar®-winning screenwriter Philippa Boyens, along with several of the film’s stars, including Martin Freeman, who portrays the title character, Bilbo Baggins; Richard Armitage, who plays the fierce leader of the Dwarves, Thorin Oakenshield; the legendary Sir Ian McKellen, who returns as Gandalf; and fan favorite Andy Serkis, the extraordinary talent who is truly behind the character of Gollum. Attendees will also be invited to ask questions about the making of this epic adventure.
The presentation also includes the DC Comics superhero who, inarguably, started it all. Superman will be back on the big screen next Summer in the much-anticipated action adventure “Man of Steel.” Filmmaker Zack Snyder, the director behind “300” and “Watchmen,” will be at Comic-Con and will take questions from the audience about the making of “Man of Steel,” which opens on June 14, 2013.
Guillermo del Toro, the acclaimed writer/director of such films as “Pan’s Labyrinth” and the “Hellboy” films, will also be on hand with a preview of his science fiction action adventure, “Pacific Rim,” opening on July 12, 2013. The film’s stars Charlie Hunnam, Rinko Kikuchi, Charlie Day and Ron Perlman will join the director on stage for the presentation, which includes never-before-seen footage cut together exclusively for Comic-Con. Fans will also have an opportunity to engage in a Q & A with del Toro and his cast.
On the main convention floor, the Studio has created a must-see, 3,600-plus square-foot booth that demands repeated visits to capture it all. Located at Space #4545, the Warner Bros. booth is the place to be for autograph signings, photo ops and more, with stars and creators from some of the Studio’s upcoming feature films, as well as hit TV shows, interactive titles, award-winning animated properties and new Blu-ray™ & DVD releases.
The booth will showcase static displays of the “Man of Steel” Superman costume, and Batman’s amazing two-wheeled Bat-Pod, which was introduced in the 2008 record-breaking blockbuster “The Dark Knight” and is featured again in this Summer’s most anticipated film, “The Dark Knight Rises.”
The multi-leveled Warner Bros. booth also features a dedicated area for “The Hobbit: An Unexpected Journey,” featuring column and wall mountings of lenticular imagery from the film, as well as a scroll depicting the story. Images from that film, as well as other upcoming Warner Bros. projects, including “The Dark Knight Rises,” will be displayed on virtually every surface of the booth, drawing the eye from floor to ceiling.
While the Warner Bros. booth will have something to see at every minute of every day of the convention, on Saturday, July 14th, it will be the place to be to meet and greet some of the stars and filmmakers from several of the Studio’s upcoming features. Some of the autograph signing opportunities include “The Hobbit: An Unexpected Journey” stars Martin Freeman, Richard Armitage and Andy Serkis, from 11:15 a.m. to 12 noon; from “Pacific Rim,” stars Charlie Hunnam, Rinko Kikuchi, Charlie Day and Ron Perlman, and director Guillermo del Toro, from 3:55 to 4:55 p.m.; and “Man of Steel” director Zack Snyder from 5:00 to 5:30 p.m. (Please note that times are approximate. Check your schedule and other announcements for updates.)
About “The Hobbit: An Unexpected Journey” – Opening on December 14, 2012:
From Academy Award®-winning filmmaker Peter Jackson comes The Hobbit: An Unexpected Journey, a production of New Line Cinema and Metro-Goldwyn-Mayer (MGM). The film follows title character Bilbo Baggins, who is swept into an epic quest to reclaim the lost Dwarf Kingdom of Erebor, which was long ago conquered by the dragon Smaug. Approached out of the blue by the wizard Gandalf the Grey, Bilbo finds himself joining a company of thirteen dwarves led by the legendary warrior Thorin Oakenshield. Their journey will take them into the Wild; through treacherous lands swarming with Goblins and Orcs, deadly Wargs and Giant Spiders, Shapeshifters and Sorcerers. Although their goal lies to the East and the wastelands of the Lonely Mountain, first they must escape the goblin tunnels, where Bilbo meets the creature that will change his life forever…Gollum. Here, alone with Gollum, on the shores of an underground lake, the unassuming Bilbo Baggins not only discovers depths of guile and courage that surprise even him, he also gains possession of Gollum’s “precious” ring that holds unexpected and useful qualities… A simple, gold ring that is tied to the fate of all Middle-earth in ways Bilbo cannot begin to know. The screenplay for “The Hobbit: An Unexpected Journey” is by Fran Walsh & Philippa Boyens & Peter Jackson & Guillermo del Toro, based on The Hobbit, by J.R.R. Tolkien. Jackson is also producing the film, together with Carolynne Cunningham, Zane Weiner and Fran Walsh. The executive producers are Alan Horn, Toby Emmerich, Ken Kamins and Carolyn Blackwood.
About “Man of Steel” – Opening on June 14, 2013:
Next summer, “Man of Steel” is coming to the big screen, presented by Warner Bros. Pictures, in association with Legendary Pictures. Directed by Zack Snyder, the film is produced by Charles Roven, Christopher Nolan, Emma Thomas and Deborah Snyder, with Thomas Tull, Lloyd Phillips and Jon Peters serving as executive producers. The screenplay was written by David S. Goyer from a story by Goyer & Nolan, based upon Superman characters created by Jerry Siegel & Joe Shuster and published by DC Comics. “Man of Steel” stars Henry Cavill, Amy Adams, Michael Shannon, Kevin Costner, Diane Lane, Laurence Fishburne, Antje Traue, Ayelet Zurer, Christopher Meloni and Russell Crowe.
About “Pacific Rim” – Opening on July 12, 2013:
From acclaimed filmmaker Guillermo del Toro comes Warner Bros. Pictures’ and Legendary Pictures’ sci-fi action adventure “Pacific Rim.” When legions of monstrous creatures, known as Kaiju, started rising from the sea, a war began that would take millions of lives and consume humanity's resources for years on end. To combat the giant Kaiju, a special type of weapon was devised: massive robots, called Jaegers, which are controlled simultaneously by two pilots whose minds are locked in a neural bridge. But even the Jaegers are proving nearly defenseless in the face of the relentless Kaiju. On the verge of defeat, the forces defending mankind have no choice but to turn to two unlikely heroes—a washed up former pilot and an untested trainee who are teamed to drive a legendary but seemingly obsolete Jaeger from the past. Together, they stand as mankind's last hope against the mounting apocalypse. “Pacific Rim” stars Charlie Hunnam, Rinko Kikuchi, Idris Elba, Ron Perlman, and Charlie Day. “Pacific Rim” was written by Travis Beacham. Thomas Tull, Jon Jashni and Mary Parent are producing, with Callum Greene serving as executive producer.
Friday, May 18, 2012
"Rise of the Planet of the Apes" Shockingly Good
TRASH IN MY EYE No. 38 (of 2012) by Leroy Douresseaux
Rise of the Planet of the Apes (2011)
Running time: 105 minutes (1 hour, 45 minutes)
MPAA – PG-13 for intense and frightening sequences of action and violence
DIRECTOR: Rupert Wyatt
WRITERS: Rick Jaffa and Amanda Silver (based upon the novel, La planète des singes, by Pierre Boulle)
PRODUCER: Peter Chernin, Dylan Clark, Rick Jaffa, and Amanda Silver
CINEMATOGRAPHER: Andrew Lesnie (D.o.P.)
EDITOR: Conrad Buff and Mark Goldblatt
COMPOSER: Patrick Doyle
SCI-FI/ACTION/DRAMA/THRILLER
Starring: James Franco, Andy Serkis, Freida Pinto, David Oyelowo, John Lithgow, Brian Cox, Tom Felton, Tyler Labine, Jamie Harris, and David Hewlett
Apparently, 20th Century Fox is going to produce a new Planet of the Apes film series. The first film, Planet of the Apes, appeared in 1968 and was based upon the 1963 French science fiction novel, La planète des singes, by Pierre Boulle. The 1968 film spawned four sequels, beginning with Beneath the Planet of the Apes in 1970 and ending with Battle for the Planet of the Apes in 1973. Tim Burton directed a remake of the original film that was released in 2001, and although that film was successful, no sequels were made from it.
Instead, 20th Century Fox decided to reboot the franchise. Rise of the Planet of the Apes, a 2011 science fiction drama film, is reportedly intended to act as the origin story for a new series. Rise of the Planet of the Apes focuses on a hyper-intelligent chimpanzee who leads his fellow apes on a revolutionary path that introduces them to freedom and to intelligence that they have never known.
Rise of the Planet of the Apes is set in modern-day San Francisco, which is also the location of biotechnology company, Gen-Sys. There, Dr. William “Will” Rodman (James Franco) is working on a cure for Alzheimer’s disease, which is personal to him because his father, Charles Rodman (John Lithgow), has the disease. Will is testing his new gene therapy, ALZ-112, on chimpanzees, which seems to make them smarter.
One of them, a female, gives birth to a male chimp; to keep the baby from being destroyed, Will takes him home, where his father, who lives with him, names the baby, Caesar. Caesar’s intelligence grows by leaps and bounds, which eventually gets him into trouble. As Caesar (Andy Serkis) watches how the world treats him and his fellow apes, he plots a revolution that threatens the status quo.
Rise of the Planet of the Apes is a monkey movie! Seriously, this film is about the apes. The human characters sometimes come across as place holders for the apes, while the story takes a brief detour in human territory before going back to the characters it really loves – the apes. That is not to say that the human characters are not interesting, or that the actors do not give good performances. As usual, James Franco seems effortlessly good, and Freida Pinto is excellent as Will girlfriend and the film’s moral center and voice of warning, Caroline Aranha. David Oyelowo surprisingly steals scenes as Will’s greedy boss, Steven Jacobs. Also, I was surprised with how powerful John Lithgow is in the small role of Will’s father, Charles. You can’t help but feel sorry for Charles because Lithgow’s depiction of him suffering the ravages of Alzheimer’s disease has an uncanny ring of authenticity.
Rise of the Planet of the Apes is one of the great slave rebellion movies, and that is because of the film’s visual effects, which creates credible oppressed characters. CGI characters: characters created, rendered, and animated using computer software, often don’t hold up to intense scrutiny. The longer you look at them, the less they seem authentic and the more phony they look. The CGI apes here don’t have that problem because there aren’t a lot of times in this movie when I thought that the apes looked counterfeit or just plain fake (although there are a few).
Here, the apes are created using performance capture, which involves filming actors in special suits and then, taking that performance and building the CGI character on or over the performance. The technology of performance capture has evolved to the point that in Rise of the Planet of the Apes the apes show a wide range of emotions. The depth of character has delicacy rather than the gaudiness seemingly inherent in CGI characters in many live-action movies.
To that end, Andy Serkis, who provides the performance capture performance for Caesar, is overdue for some kind of special Oscar trophy. Caesar carries the movie as if he were a flesh and blood, acclaimed, veteran actor. He has that “It,” the x-factor that stars have. I happily followed Caesar through trials and tribulations and fought with him in the epic battle that girds the last act. Rise of the Planet of the Apes is a fantastic film because its star is an ape with star appeal. You’ll laugh and cry with Caesar; you’ll cheer him on.
9 of 10
A+
NOTES:
2012 Academy Awards: 1 nomination: “Best Achievement in Visual Effects” (Joe Letteri, Dan Lemmon, R. Christopher White, and Daniel Barrett)
2012 BAFTA Awards: 1 nomination: “Best Special Visual Effects” (Joe Letteri, Daniel Barrett, Dan Lemmon, and R. Christopher White)
Monday, May 14, 2012
Rise of the Planet of the Apes (2011)
Running time: 105 minutes (1 hour, 45 minutes)
MPAA – PG-13 for intense and frightening sequences of action and violence
DIRECTOR: Rupert Wyatt
WRITERS: Rick Jaffa and Amanda Silver (based upon the novel, La planète des singes, by Pierre Boulle)
PRODUCER: Peter Chernin, Dylan Clark, Rick Jaffa, and Amanda Silver
CINEMATOGRAPHER: Andrew Lesnie (D.o.P.)
EDITOR: Conrad Buff and Mark Goldblatt
COMPOSER: Patrick Doyle
SCI-FI/ACTION/DRAMA/THRILLER
Starring: James Franco, Andy Serkis, Freida Pinto, David Oyelowo, John Lithgow, Brian Cox, Tom Felton, Tyler Labine, Jamie Harris, and David Hewlett
Apparently, 20th Century Fox is going to produce a new Planet of the Apes film series. The first film, Planet of the Apes, appeared in 1968 and was based upon the 1963 French science fiction novel, La planète des singes, by Pierre Boulle. The 1968 film spawned four sequels, beginning with Beneath the Planet of the Apes in 1970 and ending with Battle for the Planet of the Apes in 1973. Tim Burton directed a remake of the original film that was released in 2001, and although that film was successful, no sequels were made from it.
Instead, 20th Century Fox decided to reboot the franchise. Rise of the Planet of the Apes, a 2011 science fiction drama film, is reportedly intended to act as the origin story for a new series. Rise of the Planet of the Apes focuses on a hyper-intelligent chimpanzee who leads his fellow apes on a revolutionary path that introduces them to freedom and to intelligence that they have never known.
Rise of the Planet of the Apes is set in modern-day San Francisco, which is also the location of biotechnology company, Gen-Sys. There, Dr. William “Will” Rodman (James Franco) is working on a cure for Alzheimer’s disease, which is personal to him because his father, Charles Rodman (John Lithgow), has the disease. Will is testing his new gene therapy, ALZ-112, on chimpanzees, which seems to make them smarter.
One of them, a female, gives birth to a male chimp; to keep the baby from being destroyed, Will takes him home, where his father, who lives with him, names the baby, Caesar. Caesar’s intelligence grows by leaps and bounds, which eventually gets him into trouble. As Caesar (Andy Serkis) watches how the world treats him and his fellow apes, he plots a revolution that threatens the status quo.
Rise of the Planet of the Apes is a monkey movie! Seriously, this film is about the apes. The human characters sometimes come across as place holders for the apes, while the story takes a brief detour in human territory before going back to the characters it really loves – the apes. That is not to say that the human characters are not interesting, or that the actors do not give good performances. As usual, James Franco seems effortlessly good, and Freida Pinto is excellent as Will girlfriend and the film’s moral center and voice of warning, Caroline Aranha. David Oyelowo surprisingly steals scenes as Will’s greedy boss, Steven Jacobs. Also, I was surprised with how powerful John Lithgow is in the small role of Will’s father, Charles. You can’t help but feel sorry for Charles because Lithgow’s depiction of him suffering the ravages of Alzheimer’s disease has an uncanny ring of authenticity.
Rise of the Planet of the Apes is one of the great slave rebellion movies, and that is because of the film’s visual effects, which creates credible oppressed characters. CGI characters: characters created, rendered, and animated using computer software, often don’t hold up to intense scrutiny. The longer you look at them, the less they seem authentic and the more phony they look. The CGI apes here don’t have that problem because there aren’t a lot of times in this movie when I thought that the apes looked counterfeit or just plain fake (although there are a few).
Here, the apes are created using performance capture, which involves filming actors in special suits and then, taking that performance and building the CGI character on or over the performance. The technology of performance capture has evolved to the point that in Rise of the Planet of the Apes the apes show a wide range of emotions. The depth of character has delicacy rather than the gaudiness seemingly inherent in CGI characters in many live-action movies.
To that end, Andy Serkis, who provides the performance capture performance for Caesar, is overdue for some kind of special Oscar trophy. Caesar carries the movie as if he were a flesh and blood, acclaimed, veteran actor. He has that “It,” the x-factor that stars have. I happily followed Caesar through trials and tribulations and fought with him in the epic battle that girds the last act. Rise of the Planet of the Apes is a fantastic film because its star is an ape with star appeal. You’ll laugh and cry with Caesar; you’ll cheer him on.
9 of 10
A+
NOTES:
2012 Academy Awards: 1 nomination: “Best Achievement in Visual Effects” (Joe Letteri, Dan Lemmon, R. Christopher White, and Daniel Barrett)
2012 BAFTA Awards: 1 nomination: “Best Special Visual Effects” (Joe Letteri, Daniel Barrett, Dan Lemmon, and R. Christopher White)
Monday, May 14, 2012
Friday, April 27, 2012
Review: "Flushed Away" was the Best Animated Film of 2006
Flushed Away (2006)
COUNTRY OF ORIGIN: UK (with USA)
Running time: 90 minutes; MPAA – PG for crude humor and some language
DIRECTORS: David Bowers and Sam Fell
WRITERS: Dick Clement and Ian La Frenais, Chris Lloyd and Joe Keenan, and Will Davies; from a story by Sam Fell, Peter Lord and Dick Clement and Ian La Frenais
PRODUCERS: Peter Lord, David Sproxton, and Cecil Kramer
CINEMATOGRAPHER: Brad Blackbourn and Frank Passingham
EDITOR: John Venzon and Eric Dapkewicz
BAFTA nominee
ANIMATION/COMEDY/ACTION
Starring: (voices) Hugh Jackman, Kate Winslet, Ian McKellen, Andy Serkis, Bill Nighy, Shane Richie, and Jean Reno
The computer-animated feature film, Flushed Away, is the star child of two of the most successful animation studios of the last decade: DreamWorks Animation (Shrek) and Aardman Features (Wallace and Gromit: The Curse of the Were-Rabbit). DreamWorks creates state-of-the-art computer animation. Aardman films are usually done with stop-motion animation, and their characters and sets are made of Plasticene (modeling clay) – called “claymation.” Now, the two studios have created a film with a story and characters that are as inventive as the technical and artistic process that created it.
The story begins in London – specifically the Kensington Gardens house where Roddy St. James (Hugh Jackman) lives the pampered life of a pet mouse. Roddy gets an unwanted guest in the form of a rowdy sewer rat named Sid (Shane Richie), after he comes spewing out of the sink. Roddy tries to get rid of Sid by tricking him into taking a whirlpool bath in the toilet, but Sid pushes Roddy in and Roddy gets flushed away.
After a rough trip, Roddy discovers a metropolis in the sewers beneath London, made by industrious rodents out of discarded items. Roddy meets the spunky and resourceful Rita (Kate Winslet), captain of her own boat, the Jammy Dodger. Rita, however, is in the middle of a long-running feud with a local crime lord, the villainous Toad (Ian McKellen, superb as a villain prone to fits of melodrama and theatrics). Toad despises all rodents and has hatched a diabolical plot to destroy all of them during halftime of the World Cup. Roddy and Rita are determined to stop him, but to do that, they have to battle Toad’s henchrats Spike (Andy Serkis) and Whitey (Bill Nighy), as well as Toad’s cousin, Le Frog (Jean Reno), every step of the way.
There are animated films in which the composition in terms of what the viewer sees on screen is prettier – Pixar productions come to mind, but when it comes to pure comedy, I would be hard pressed to find a more successful 3D animated film than Flushed Away. Visually, Flushed Away is true to the signature style of Aardman, as seen in the Wallace and Gromit films and in Chicken Run, but I would be remiss in this review if I emphasized the technical side. Flushed Away is a funny film, a superb achievement in comedy as good as live action.
The strong screenwriting emphasizes wacky, scatological humor and funny characters. The humor isn’t too crude for children; actually, it’s the kind of humor that frequently shows up in children’s entertainment: jokes and sight gags about bodily functions, taking a blow to the loins, and other light innuendo. This is a broad kind of humor, seemingly lowbrow but familiar to all regardless of age. Simply brilliant, the comedy writing is wry yet boisterous and both subtle and blunt. A blend of parody and slapstick, Flushed Away satirizes melodramatic, Hollywood action thrillers, and it still has time to be part romantic comedy.
It’s not as if any one group of people should get credit for Flushed Away being such a fine flick. However, if the voice performers weren’t so good, the excellent work of the directors, writers, animators, and computer guys would have been… flushed away. The vocal performances take this film to the next two levels by bringing the characters to life in such a way that they become more than just kiddie cartoons. Truthfully, Hugh Jackman, Kate Winslet, and Ian McKellan, and Jean Reno are international movie stars and superb actors, and their supporting cast – Andy Serkis, Bill Nighy, and Shane Richie – are fine character actors. Indeed, Serkis’ comically inept little brute, Spike, and Nighy’s Zen heavy, Whitey, are so funny and well done that the duo deserves its own flick. In the end, the actors give us the same great work they would in a live action movie, and that is the main reason why Flushed Away may be the year’s best animated feature film.
9 of 10
A+
Sunday, November 12, 2006
NOTES:
2007 BAFTA Awards: 1 nomination: “Best Animated Feature Film” (David Bowers and Sam Fell)
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