Michael Bay’s “Transformers: Age of Extinction” Strides into Hong Kong for the City’s Historic First World Premiere of a Hollywood Blockbuster on June 19, 2014
HOLLYWOOD--(BUSINESS WIRE)--Paramount Pictures’ world premiere of Michael Bay's highly-anticipated film, “TRANSFORMERS: AGE OF EXTINCTION,” will have its world premiere in Hong Kong at the Cultural Centre on Thursday, June 19th. The event will mark the biggest and first-ever global premiere of a Hollywood blockbuster staged in Hong Kong.
“We are very excited to be hosting the film’s world premiere in Hong Kong where we were welcomed with great enthusiasm during production”
Bay and his star-studded cast, including Mark Wahlberg, Stanley Tucci, Kelsey Grammer, Nicola Peltz, Jack Reynor, Li Bingbing, Han Geng and the band IMAGINE DRAGONS, will be in town to walk the red carpet. Fans from around the world can soon vie for places at this glamorous event bordering the magnificent Victoria Harbour. The red carpet event for “TRANSFORMERS: AGE OF EXTINCTION” will begin at 4:30 p.m. (HKST) for spectators to cheer on the filmmakers, cast and crew to help celebrate the film’s first ever showing anywhere in the world. This latest installment in the TRANSFORMERS franchise has set yet another bar for cinematic innovation.
The premiere in Hong Kong is exciting not only for the local community, but also for fans and members of the press from all the over the world who are expected to flock to the city to witness and cover the activities. The premiere will also feature a 21-foot tall Optimus Prime robot that has never been displayed anywhere, which fans are not to miss!
“We are very excited to be hosting the film’s world premiere in Hong Kong where we were welcomed with great enthusiasm during production,” said director Michael Bay. “It's the perfect location to unveil the film ahead of its worldwide opening later this month. I hope the people of Hong Kong and China enjoy how we've showcased much of the region's unique and iconic scenery in the movie.”
Celebrating this movie milestone, the Grammy Award-winning band IMAGINE DRAGONS, who wrote the original song “BATTLE CRY” for “TRANSFORMERS: AGE OF EXTINCTION,” will perform live on the rooftop of Harbour City following the film’s screening, with the world-renowned Victoria Harbour as the backdrop, on June 19th at 9:45 p.m. (HKST).
The red carpet session and the IMAGINE DRAGONS live performance will also be streamed on Yahoo (http://yhoo.it/1qTRu1G) in 24 markets, allowing fans across the globe to share in these first-ever moments held in Hong Kong.
“TRANSFORMERS: AGE OF EXTINCTION” is the fourth film in director Michael Bay’s global blockbuster franchise. Produced By Don Murphy & Tom DeSanto, Lorenzo Di Bonaventura and Ian Bryce. Based on Hasbro’s Transformers™ Action Figures. Written By Ehren Kruger. Directed By Michael Bay.
“TRANSFORMERS: AGE OF EXTINCTION” is produced by Paramount Pictures, with production assistance in mainland China by 1905 (Beijing) Network Technology Co., Ltd., China Movie Channel and Jiaflix Enterprises.
The film will release on Thursday, June 26th, 2014 in Hong Kong and on Friday, June 27th, 2014 in the U.S.
About Paramount Pictures Corporation
Paramount Pictures Corporation (PPC), a global producer and distributor of filmed entertainment, is a unit of Viacom (NASDAQ: VIAB, VIA), a leading content company with prominent and respected film, television and digital entertainment brands. Paramount controls a collection of some of the most powerful brands in filmed entertainment, including Paramount Pictures, Paramount Animation, Paramount Vantage, Paramount Classics, Insurge Pictures, MTV Films, and Nickelodeon Movies. PPC operations also include Paramount Home Media Distribution, Paramount Pictures International, Paramount Licensing Inc., and Paramount Studio Group.
Tuesday, June 17, 2014
Warner Bros. to Co-Fiance and Co-Produce 3D Chinese Fantasy Adventure Film
Village Roadshow Pictures Asia and Warner Bros. Pictures Board Chinese 3D Fantasy Adventure ZHONG KUI: SNOW GIRL AND THE DARK CRYSTAL, Set for February 19, 2015 Release
SHANGHAI, China--(BUSINESS WIRE)--Village Roadshow Pictures Asia and Warner Bros. Pictures have signed on as co-financiers and co-producers of Desen International Media’s Chinese 3D fantasy adventure Zhong Kui: Snow Girl and the Dark Crystal, set for release in China on February 19, 2015, which is the first day of the 2015 Chinese New Year holiday. The two companies will have a significant participation in the film’s global revenues, including those earned in Mainland China and, in addition, Village Roadshow Pictures Asia will have distribution rights in Singapore, Australia and New Zealand, and Warner Bros. Pictures will handle distribution in Taiwan, Hong Kong, Malaysia and Vietnam. Beijing Enlight Pictures has also joined the project as a co-financier and Mainland China co-distributor. Other Chinese co-financiers include actor Chen Kun’s production company K. Pictures and Shenzhen-based Wu’s Entertainment.
“Zhong Kui: Snow Girl and the Dark Crystal is an action-packed fantasy adventure, with dramatic twists and turns and a compelling love story at its core”
Directed by Zhao Tianyu (The Law of Attraction, Deadly Delicious), Zhong Kui: Snow Girl and the Dark Crystal stars Chen Kun (The Painted Skin, The Painted Skin 2, Bends), Li Bingbing (Transformers 4, Detective Dee), Winston Chao (Eat Drink Man Woman, The Wedding Banquet), Yang Zishan (So Young), Bao Bei-er (So Young) and Jike Junyi (Outcast). An Xiao Fen (Ip Man 2, Tiny Times, Tiny Times 2) and Oscar-winning cinematographer Peter Pau (Crouching Tiger, Hidden Dragon, The Forbidden Kingdom) are producing.
Shot in scenic locations in Mainland China, Zhong Kui: Snow Girl and the Dark Crystal depicts the story of Chinese legendary anti-hero Zhong Kui, a young man endowed with mysterious powers who is forced into a battle among the realms of Heaven, Earth and Hell in the course of his attempt to save his countrymen and the woman he loves. The film promises to be a visual feast, with producer Pau also serving as cinematographer and visual effects supervisor, as well as working with 3D stereographer Vincent E Toto (Dredd). Award-winning effects studio Weta Workshop is providing character and set design, while Korean VFX house Macrograph (Journey to the West: Conquering the Demons) will produce the visual effects. In addition to being one of the first Chinese films to be filmed in 3D, Zhong Kui: Snow Girl and the Dark Crystal is also one of the first to use full performance capture. Other behind-the-scenes talent includes action choreographer Jacky Yeung, production designer Kenneth Mak, costume designer Shirley Chan and editor David Wu.
“Zhong Kui: Snow Girl and the Dark Crystal is an action-packed fantasy adventure, with dramatic twists and turns and a compelling love story at its core,” said producer An Xiaofen. “With an incredible team of international talent both on screen and behind the camera, we’re confident that Zhong Kui: Snow Girl and the Dark Crystal will become a modern classic of Chinese cinema. We’re thrilled that Village Roadshow Pictures Asia and Warner Bros. Pictures have joined with us and our partner Enlight Films to help realize our creative vision and bring this film to audiences throughout the region and beyond.”
About Desen International Media
Founded in 2006 by renowned Chinese producer An Xiao Fen, Desen International Media is a leading filmed entertainment company in China. With a focus on the creation and commercial exploitation of quality film content, Desen has produced and distributed a wide range of motion pictures including Tiny Times, Tiny Times 2, Full Circle, Lee’s Adventure, Ip Man 2 and 14 Blades.
SHANGHAI, China--(BUSINESS WIRE)--Village Roadshow Pictures Asia and Warner Bros. Pictures have signed on as co-financiers and co-producers of Desen International Media’s Chinese 3D fantasy adventure Zhong Kui: Snow Girl and the Dark Crystal, set for release in China on February 19, 2015, which is the first day of the 2015 Chinese New Year holiday. The two companies will have a significant participation in the film’s global revenues, including those earned in Mainland China and, in addition, Village Roadshow Pictures Asia will have distribution rights in Singapore, Australia and New Zealand, and Warner Bros. Pictures will handle distribution in Taiwan, Hong Kong, Malaysia and Vietnam. Beijing Enlight Pictures has also joined the project as a co-financier and Mainland China co-distributor. Other Chinese co-financiers include actor Chen Kun’s production company K. Pictures and Shenzhen-based Wu’s Entertainment.
“Zhong Kui: Snow Girl and the Dark Crystal is an action-packed fantasy adventure, with dramatic twists and turns and a compelling love story at its core”
Directed by Zhao Tianyu (The Law of Attraction, Deadly Delicious), Zhong Kui: Snow Girl and the Dark Crystal stars Chen Kun (The Painted Skin, The Painted Skin 2, Bends), Li Bingbing (Transformers 4, Detective Dee), Winston Chao (Eat Drink Man Woman, The Wedding Banquet), Yang Zishan (So Young), Bao Bei-er (So Young) and Jike Junyi (Outcast). An Xiao Fen (Ip Man 2, Tiny Times, Tiny Times 2) and Oscar-winning cinematographer Peter Pau (Crouching Tiger, Hidden Dragon, The Forbidden Kingdom) are producing.
Shot in scenic locations in Mainland China, Zhong Kui: Snow Girl and the Dark Crystal depicts the story of Chinese legendary anti-hero Zhong Kui, a young man endowed with mysterious powers who is forced into a battle among the realms of Heaven, Earth and Hell in the course of his attempt to save his countrymen and the woman he loves. The film promises to be a visual feast, with producer Pau also serving as cinematographer and visual effects supervisor, as well as working with 3D stereographer Vincent E Toto (Dredd). Award-winning effects studio Weta Workshop is providing character and set design, while Korean VFX house Macrograph (Journey to the West: Conquering the Demons) will produce the visual effects. In addition to being one of the first Chinese films to be filmed in 3D, Zhong Kui: Snow Girl and the Dark Crystal is also one of the first to use full performance capture. Other behind-the-scenes talent includes action choreographer Jacky Yeung, production designer Kenneth Mak, costume designer Shirley Chan and editor David Wu.
“Zhong Kui: Snow Girl and the Dark Crystal is an action-packed fantasy adventure, with dramatic twists and turns and a compelling love story at its core,” said producer An Xiaofen. “With an incredible team of international talent both on screen and behind the camera, we’re confident that Zhong Kui: Snow Girl and the Dark Crystal will become a modern classic of Chinese cinema. We’re thrilled that Village Roadshow Pictures Asia and Warner Bros. Pictures have joined with us and our partner Enlight Films to help realize our creative vision and bring this film to audiences throughout the region and beyond.”
About Desen International Media
Founded in 2006 by renowned Chinese producer An Xiao Fen, Desen International Media is a leading filmed entertainment company in China. With a focus on the creation and commercial exploitation of quality film content, Desen has produced and distributed a wide range of motion pictures including Tiny Times, Tiny Times 2, Full Circle, Lee’s Adventure, Ip Man 2 and 14 Blades.
Sunday, June 15, 2014
A Negromancer Father's Day 2014
Negromancer wants to wish a Happy Father's Day to all who qualify. That would be the fathers, grandfathers, great-grandfathers (and other greats), uncles, cousins, big brothers, stepfathers, surrogate dads, coaches, and others who act as stand-in father figures. That also includes all the women out there doin' the darn thing as a male role model and/or provider. Have a great day!
Saturday, June 14, 2014
Negromancer New Bits and Bites: June 8 to June 14, 2014 Update #6
OBIT:
From the New York Times and Variety: The Academy Award-nominated actress Ruby Dee died on Wednesday, June 11, 2014. She earned her lone Oscar nomination in 2008 for her turn as the feisty mother in American Gangster. She won an Emmy Award in 1991 for her role in the "Hallmark Hall of Fame" television movie, Decoration Day.
Dee is also best known her role as "Ruth Younger" in A Raisin in the Sun, both onstage, beginning in 1959, and in the 1961 film adaptation. Dee often worked with her late husband, Ossie Davis, who died in 2005. My heart is breaking, but I know Davis and Dee are together again. Negromancer sends condolences to her family and friends.
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MOVIE NEWS:
From Hitfix: Jason Momao, of the 2011 Conan the Barbarian remake and of "Game of Thrones" will apparently be playing Aquaman in "Batman Vs. Superman: Dawn of Justice."
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From The Hollywood Reporter: The Millennium Falcon apparently broke Han Solo.
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From Shadow and Act: A talk with Supremacy director, Deon Taylor.
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From Entertainment Weekly: Vincent D'Onofrio will play the villain "Wilson Fisk" in Marvel TV's 13-episode series, "Daredevil," that it is producing for Netflix. Daredevil is one of four series that Marvel is producing for Netflix. It is also producing a spinoff of "Marvel's Agents of SHIELD," entitled, Agent Carter, which will appear on ABC.
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From Shadow and Act: Wanna be an extra in Don Cheadle's Miles Davis biopic?
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From Variety: Denzel Washington and director Antoine Fuqua are in early talks to team up for MGM's planned remake of The Magnificent Seven (which starred Steve McQueen and Yul Brenner). Washington and Fuqua first teamed on 2001's Training Day, for which Washington won a best actor Oscar. Their current team-up, The Equalizer (a remake of the 1980s TV series) is due this September.
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From Moviehole: Guillermo del Toro is working on a script for a sequel to Pacific Rim with Zak Penn.
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From BuzzFeed: Hugh Jackman has shaved his head to play Blackbeard in Pan. The photo is on Jackman's Instagram account.
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Care about the 2014 / 68th annual Tony Awards? Playbill has this article with a list of the winners, which also includes the nominees.
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"Tracy Morgan Crash" driver turned himself in and posted bail . Walmart is profoundly sorry.
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The Fault in Our Stars has the edge over Tom Cruise at the June 6-8, 2014 box office.
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Marvel officially announced that Peyton Reed (Bring It On, The Break-Up, Yes Man) will direct 2015's Ant-Man movie. Edgar Wright had been attached to the project since 2006, but recently walked away apparently due to creative differences with Marvel. Marvel's statement from its website:
When Marvel's "Ant-Man" hits theaters July 17, 2015, director Peyton Reed will help shepherd the hero into the Marvel Cinematic Universe with a cast led by Paul Rudd and Michael Douglas, with writer Adam McKay contributing to the film's script.
Armed with the astonishing ability to shrink in scale but increase in strength, con-man Scott Lang (Rudd) must embrace his inner-hero and help his mentor, Dr. Hank Pym (Douglas), protect the secret behind his spectacular Ant-Man suit from a new generation of towering threats. Against seemingly insurmountable obstacles, Pym and Lang must plan and pull off a heist that will save the world.
The Hollywood Reporter has more on the announcement, including news that Adam McKay (the Anchorman movies) will polish the script.
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How Seth Rogen makes movies from The Wrap.
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COMIC BOOKS:
From Newsarama: Frank Miller, the man who created and worked on such highly influential and/or memorable comic books as Batman: The Dark Knight Returns, Daredevil, and Sin City (to name a few), would like to work on Captain America. Please, make it happen Marvel.
MISCELLANEOUS:
From HuffPost Science: Girth matters... apparently more than size/length.
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Apparently Dwayne Johnson wants you to follow the diet and fitness routine he used to become buff for the upcoming Hercules.
2015 Grammy Award Rule Changes Include Allowing Sampling in All Songwriting Categories
Samples to Be Allowed in All GRAMMY® Award Songwriting Categories, Including Song of the Year
New Rule is Among Many Updates as The Recording Academy® Approves Continuing Evolution of GRAMMY Awards® Categories and Process at Spring Trustees Meeting, with Changes Affecting Pop, Dance/Electronic, Gospel, American Roots Music, and Classical Fields
Total Number of Categories to be Recognized at 57th Annual GRAMMY Awards on Feb. 8, 2015, is 83
SANTA MONICA, Calif.--(BUSINESS WIRE)--As part of its recent annual spring Board of Trustees meeting, The Recording Academy®'s Trustees approved a number of changes to the GRAMMY Awards® process, including: allowing samples or interpolations of previously written songs in all songwriting categories, including Song Of The Year; establishing a new category for Best American Roots Performance in the American Roots Music Field; changing the name of the Dance/Electronica Field and album category to Dance/Electronic Music Field and Best Dance/Electronic Album; restructuring the categories of the Gospel/Contemporary Christian Music Field; renaming Best Pop Instrumental Album as Best Contemporary Instrumental Album, establishing a new Contemporary Instrumental Music Field, and moving Best Traditional Pop Album into the Pop Field; changing Best Classical Vocal Solo (album or tracks) to Best Classical Solo Vocal Album (albums only); and renaming and remaking the Best Instrumental Arrangement and Best Instrumental Arrangement Accompanying Vocals categories as Best Arrangement, Instrumental Or A Cappella and Best Arrangement, Instruments And Vocals, respectively, such that vocal arrangers/arrangements are eligible to compete. In addition, a more official guideline has been established for the Alternative Music Field.
The total number of GRAMMY® categories that will be recognized at the 57th Annual GRAMMY Awards on Feb. 8, 2015, is 83. For updates and breaking news, please visit The Recording Academy's social networks on Twitter, Facebook, and Instagram.
“The Academy's Board of Trustees continues to demonstrate its passionate commitment to keeping The Recording Academy a relevant and responsive organization in our dynamic music community”
"The Academy's Board of Trustees continues to demonstrate its passionate commitment to keeping The Recording Academy a relevant and responsive organization in our dynamic music community," said Neil Portnow, President/CEO of The Recording Academy. "This year's changes to our Awards process are thoughtful, inclusive, and reflective of the current musical landscape, and we look forward to implementing them for the upcoming 57th Annual GRAMMY Awards."
Awards
To ensure the GRAMMY Awards process remains fluid and responsive, The Academy's Trustees have approved the following changes recommended by the Awards & Nominations (A&N) Committee:
*Samples or interpolations of previously written songs are now allowed in all songwriting categories: Song Of The Year, Best Rock Song, Best R&B Song, Best Country Song, Best Gospel Song, Best Contemporary Christian Music Song, Best American Roots Song, and Best Song Written For Visual Media. Previously, samples or interpolations were allowed in only one songwriting category: Best Rap Song, in recognition of the unique craft of writing rap songs.
*Best American Roots Performance has been added to the American Roots Music Field. An artist's award, it will encompass all of the subgenres of the Field (Americana, bluegrass, blues, folk, regional roots music), and recognizes singles/tracks only as well as solo artists/duos/groups/collaborations. This puts the Field in line with the Pop, Rock, Rap, R&B, Country, and Gospel/Contemporary Christian Music Fields, all of which have performance categories.
*The name of the Dance/Electronica Field and Best Dance/Electronica Album category now change to Dance/Electronic Field and Best Dance/Electronic Album. The committees for this Field agreed that the title for this genre has evolved, and updating it more accurately represents the industry nomenclature of today.
*The categories of the Gospel/Contemporary Christian Music Field have been restructured as follows:
Previous Category Structure
Best Gospel/Contemporary Christian Music Performance
Best Gospel Song
Best Contemporary Christian Music Song
Best Gospel Album
Best Contemporary Christian Music Album
New Category Structure
Best Gospel Performance/Song
Best Contemporary Christian Music Performance/Song
Best Gospel Album
Best Contemporary Christian Music Album
Best Roots Gospel Album
The same number of categories remains in the Field (five), and now both the artist(s) and songwriter(s) of new material will be honored in the Best Gospel Performance/Song and Best Contemporary Christian Music Performance/Song categories. Changes to the Field were made in the interest of clarifying the criteria, representing the current culture and creative DNA of the gospel and Contemporary Christian Music communities, and better reflecting the diversity and authenticity of today's gospel music industry, including:
*Best Pop Instrumental Album has been renamed Best Contemporary Instrumental Album, a new Contemporary Instrumental Music Field has been established, and Best Traditional Pop Album now moves into the Pop Field. This new Field and category name will allow a broader umbrella for instrumental music than the former Best Pop Instrumental Album category and creates a more appropriate home and award for excellence in instrumental performance. In reviewing recent submissions, nominations and wins in this category, most projects are better categorized as "contemporary" music than "pop" music. Categorizing this award in a separate Field puts the emphasis on instrumental music, which provides for better representation of this particular craft, and allows for a more broadly defined category that can encompass all contemporary instrumental music without deference to a particular genre.
Changing the name of the Best Pop Instrumental Album category to Best Contemporary Instrumental Album and moving it out of the Pop Field into its own Field results in only three awards in Pop. Adding the Best Traditional Pop Album category to the Pop Field (and removing the standalone Traditional Pop Field) helps to maintain parity among the mainstream Fields.
*Best Classical Vocal Solo (album or tracks) now becomes Best Classical Solo Vocal Album (albums only). The Best Classical Vocal Solo category began in 1958 as an album category. When it was changed to accept tracks, the category also became a vocal solo category, removing collaborative recognition for essential musicians performing classical music. Orchestras, conductors, pianists, and chamber groups are equal and essential partners in the performance of classical vocal music. The history of this category has shown that with only a few, rare exceptions, the nominees in this category have been predominantly albums. In cases where albums contain mixed musical forms, these albums will now be eligible in the Best Classical Compendium category.
*Best Instrumental Arrangement and Best Instrumental Arrangement Accompanying Vocals have been renamed Best Arrangement, Instrumental Or A Cappella and Best Arrangement, Instruments And Vocals, respectively, so that vocal arrangers/arrangements may now compete as well. Singles or tracks only are eligible in both categories. (Exception: If an album is one complete work [composition] it is eligible.)
*A more formal, official guideline for the Alternative Music Field has been established. The new guideline states that the Best Alternative Music Album category is intended for recordings that take as a starting point any existing musical genre or combination of genres, and expand and redefine the boundaries of those genres. Though there may be considerable overlap with the Alternative radio format, this category is not intended to mirror it.
Previously, this category was intended for recordings of a nontraditional form that exist (at least initially) outside of the mainstream music consciousness. Its avant-garde approach may utilize new technology or new production techniques and contain elements of rock, pop, dance, folk or even classical music styles.
Though the difference between the two may not appear to be particularly dramatic or significant, the new definition is more inclusive and foregoes references to any other particular genre, as well as clarifies the category's relationship to the radio format.
Click here to view the infographic regarding the GRAMMY Awards process.
The Trustees of The Recording Academy, along with Academy senior staff, Chapter Regional Directors, Executive Directors, and Chapter Presidents, met May 20 – 23 at the semiannual series of meetings with agendas designed to strategically chart the course of The Academy and its affiliate corporations.
Established in 1957, The Recording Academy is an organization of musicians, songwriters, producers, engineers and recording professionals that is dedicated to improving the cultural condition and quality of life for music and its makers. Internationally known for the GRAMMY Awards — the preeminent peer-recognized award for musical excellence and the most credible brand in music — The Recording Academy is responsible for groundbreaking professional development, cultural enrichment, advocacy, education and human services programs. The Academy continues to focus on its mission of recognizing musical excellence, advocating for the well-being of music makers and ensuring music remains an indelible part of our culture. For more information about The Academy, please visit www.grammy.com. For breaking news and exclusive content, follow @TheGRAMMYs on Twitter, like "The GRAMMYs" on Facebook, and join The GRAMMYs' social communities on Foursquare, GetGlue, Google +, Instagram, Pinterest, Tumblr, and YouTube.
New Rule is Among Many Updates as The Recording Academy® Approves Continuing Evolution of GRAMMY Awards® Categories and Process at Spring Trustees Meeting, with Changes Affecting Pop, Dance/Electronic, Gospel, American Roots Music, and Classical Fields
Total Number of Categories to be Recognized at 57th Annual GRAMMY Awards on Feb. 8, 2015, is 83
SANTA MONICA, Calif.--(BUSINESS WIRE)--As part of its recent annual spring Board of Trustees meeting, The Recording Academy®'s Trustees approved a number of changes to the GRAMMY Awards® process, including: allowing samples or interpolations of previously written songs in all songwriting categories, including Song Of The Year; establishing a new category for Best American Roots Performance in the American Roots Music Field; changing the name of the Dance/Electronica Field and album category to Dance/Electronic Music Field and Best Dance/Electronic Album; restructuring the categories of the Gospel/Contemporary Christian Music Field; renaming Best Pop Instrumental Album as Best Contemporary Instrumental Album, establishing a new Contemporary Instrumental Music Field, and moving Best Traditional Pop Album into the Pop Field; changing Best Classical Vocal Solo (album or tracks) to Best Classical Solo Vocal Album (albums only); and renaming and remaking the Best Instrumental Arrangement and Best Instrumental Arrangement Accompanying Vocals categories as Best Arrangement, Instrumental Or A Cappella and Best Arrangement, Instruments And Vocals, respectively, such that vocal arrangers/arrangements are eligible to compete. In addition, a more official guideline has been established for the Alternative Music Field.
The total number of GRAMMY® categories that will be recognized at the 57th Annual GRAMMY Awards on Feb. 8, 2015, is 83. For updates and breaking news, please visit The Recording Academy's social networks on Twitter, Facebook, and Instagram.
“The Academy's Board of Trustees continues to demonstrate its passionate commitment to keeping The Recording Academy a relevant and responsive organization in our dynamic music community”
"The Academy's Board of Trustees continues to demonstrate its passionate commitment to keeping The Recording Academy a relevant and responsive organization in our dynamic music community," said Neil Portnow, President/CEO of The Recording Academy. "This year's changes to our Awards process are thoughtful, inclusive, and reflective of the current musical landscape, and we look forward to implementing them for the upcoming 57th Annual GRAMMY Awards."
Awards
To ensure the GRAMMY Awards process remains fluid and responsive, The Academy's Trustees have approved the following changes recommended by the Awards & Nominations (A&N) Committee:
*Samples or interpolations of previously written songs are now allowed in all songwriting categories: Song Of The Year, Best Rock Song, Best R&B Song, Best Country Song, Best Gospel Song, Best Contemporary Christian Music Song, Best American Roots Song, and Best Song Written For Visual Media. Previously, samples or interpolations were allowed in only one songwriting category: Best Rap Song, in recognition of the unique craft of writing rap songs.
*Best American Roots Performance has been added to the American Roots Music Field. An artist's award, it will encompass all of the subgenres of the Field (Americana, bluegrass, blues, folk, regional roots music), and recognizes singles/tracks only as well as solo artists/duos/groups/collaborations. This puts the Field in line with the Pop, Rock, Rap, R&B, Country, and Gospel/Contemporary Christian Music Fields, all of which have performance categories.
*The name of the Dance/Electronica Field and Best Dance/Electronica Album category now change to Dance/Electronic Field and Best Dance/Electronic Album. The committees for this Field agreed that the title for this genre has evolved, and updating it more accurately represents the industry nomenclature of today.
*The categories of the Gospel/Contemporary Christian Music Field have been restructured as follows:
Previous Category Structure
Best Gospel/Contemporary Christian Music Performance
Best Gospel Song
Best Contemporary Christian Music Song
Best Gospel Album
Best Contemporary Christian Music Album
New Category Structure
Best Gospel Performance/Song
Best Contemporary Christian Music Performance/Song
Best Gospel Album
Best Contemporary Christian Music Album
Best Roots Gospel Album
The same number of categories remains in the Field (five), and now both the artist(s) and songwriter(s) of new material will be honored in the Best Gospel Performance/Song and Best Contemporary Christian Music Performance/Song categories. Changes to the Field were made in the interest of clarifying the criteria, representing the current culture and creative DNA of the gospel and Contemporary Christian Music communities, and better reflecting the diversity and authenticity of today's gospel music industry, including:
- Place the growing and increasingly popular rap and hip-hop music into the contemporary category where the industry and fans feel it belongs
- Provide a category for traditional Southern gospel and other "roots" gospel albums as both a protector of the heritage of this music and an acknowledgement of the growing interest and support of these genres
- Recognize the critical contribution of both songwriters and performers by combining songwriters and artists into the Best Gospel Performance/Song and Best Contemporary Christian Music Performance/Song categories
- Appropriately integrate artists, songwriters, albums and songs along creative and aesthetic lines.
*Best Pop Instrumental Album has been renamed Best Contemporary Instrumental Album, a new Contemporary Instrumental Music Field has been established, and Best Traditional Pop Album now moves into the Pop Field. This new Field and category name will allow a broader umbrella for instrumental music than the former Best Pop Instrumental Album category and creates a more appropriate home and award for excellence in instrumental performance. In reviewing recent submissions, nominations and wins in this category, most projects are better categorized as "contemporary" music than "pop" music. Categorizing this award in a separate Field puts the emphasis on instrumental music, which provides for better representation of this particular craft, and allows for a more broadly defined category that can encompass all contemporary instrumental music without deference to a particular genre.
Changing the name of the Best Pop Instrumental Album category to Best Contemporary Instrumental Album and moving it out of the Pop Field into its own Field results in only three awards in Pop. Adding the Best Traditional Pop Album category to the Pop Field (and removing the standalone Traditional Pop Field) helps to maintain parity among the mainstream Fields.
*Best Classical Vocal Solo (album or tracks) now becomes Best Classical Solo Vocal Album (albums only). The Best Classical Vocal Solo category began in 1958 as an album category. When it was changed to accept tracks, the category also became a vocal solo category, removing collaborative recognition for essential musicians performing classical music. Orchestras, conductors, pianists, and chamber groups are equal and essential partners in the performance of classical vocal music. The history of this category has shown that with only a few, rare exceptions, the nominees in this category have been predominantly albums. In cases where albums contain mixed musical forms, these albums will now be eligible in the Best Classical Compendium category.
*Best Instrumental Arrangement and Best Instrumental Arrangement Accompanying Vocals have been renamed Best Arrangement, Instrumental Or A Cappella and Best Arrangement, Instruments And Vocals, respectively, so that vocal arrangers/arrangements may now compete as well. Singles or tracks only are eligible in both categories. (Exception: If an album is one complete work [composition] it is eligible.)
*A more formal, official guideline for the Alternative Music Field has been established. The new guideline states that the Best Alternative Music Album category is intended for recordings that take as a starting point any existing musical genre or combination of genres, and expand and redefine the boundaries of those genres. Though there may be considerable overlap with the Alternative radio format, this category is not intended to mirror it.
Previously, this category was intended for recordings of a nontraditional form that exist (at least initially) outside of the mainstream music consciousness. Its avant-garde approach may utilize new technology or new production techniques and contain elements of rock, pop, dance, folk or even classical music styles.
Though the difference between the two may not appear to be particularly dramatic or significant, the new definition is more inclusive and foregoes references to any other particular genre, as well as clarifies the category's relationship to the radio format.
Click here to view the infographic regarding the GRAMMY Awards process.
The Trustees of The Recording Academy, along with Academy senior staff, Chapter Regional Directors, Executive Directors, and Chapter Presidents, met May 20 – 23 at the semiannual series of meetings with agendas designed to strategically chart the course of The Academy and its affiliate corporations.
Established in 1957, The Recording Academy is an organization of musicians, songwriters, producers, engineers and recording professionals that is dedicated to improving the cultural condition and quality of life for music and its makers. Internationally known for the GRAMMY Awards — the preeminent peer-recognized award for musical excellence and the most credible brand in music — The Recording Academy is responsible for groundbreaking professional development, cultural enrichment, advocacy, education and human services programs. The Academy continues to focus on its mission of recognizing musical excellence, advocating for the well-being of music makers and ensuring music remains an indelible part of our culture. For more information about The Academy, please visit www.grammy.com. For breaking news and exclusive content, follow @TheGRAMMYs on Twitter, like "The GRAMMYs" on Facebook, and join The GRAMMYs' social communities on Foursquare, GetGlue, Google +, Instagram, Pinterest, Tumblr, and YouTube.
Friday, June 13, 2014
New Broadcast Networks, "Escape" and "Grit," Sign Deal with Warner Bros.
Escape & Grit Announce First Programming Agreement, Acquire Rights To 135 Motion Pictures From Warner Bros. Domestic Television Distribution
ATLANTA, June 10, 2014 /PRNewswire/ -- The country's first-ever female-centric and male-centric over-the-air broadcast television networks -- Escape (For Women) and Grit (For Men) -- have acquired the television rights to 135 demo-targeted motion pictures in a multi-year licensing agreement with Warner Bros. Domestic Television Distribution (WBDTD), it was announced today.
Katz Broadcasting, a new company established by Bounce TV founder/COO and former Turner Broadcasting executive Jonathan Katz, will own and operate the ESCAPE and GRIT broadcast television networks launching this summer. Katz will serve as President and CEO while continuing as COO of Bounce TV.
Escape will target women 25-54 with a brand of programming anchored in stories of crime and mystery. Warner Bros. drama and thriller titles earmarked for Escape include: The contemporary classic Body Heat starring Kathleen Turner; Demi Moore in Disclosure; the Nicole Kidman thrillers Dead Calm and Malice; Kathy Bates creating Misery for James Caan, based on the Stephen King story; Bates in another King tale, Dolores Claiborne with Jennifer Jason Leigh; Copycat starring Sigourney Weaver; Blink with Madeline Stowe and Cate Blanchett as Charlotte Gray; John Grisham's Presumed Innocent; Michelle Pfeiffer in Tequila Sunrise; Star 80 and more.
Action-oriented Grit will reach men 25-54 and be built around the classic male hero archetype with a focus on western, war and action theatrical motion pictures. Among the stars and titles headed to Grit in the WBDTD agreement: Clint Eastwood - As Dirty Harry in Sudden Impact, leading the charge in Kelly's Heroes and also Bronco Billy; Arnold Schwarzenegger in Eraser; Sylvester Stallone in Cobra, Demolition Man and Victory; Jackie Chan starring in Rumble in the Bronx and Jackie Chan's First Strike; Steven Seagal (Hard to Kill, Fire Down Below, On Deadly Ground and Out of Reach); Denzel Washington (Fallen) and more.
Grit also lands such westerns as the John Wayne classics Cahill, U.S. Marshall, Chisum and The Cowboys; Young Guns and Young Guns 2; The Assassination of Jessie James by the Coward Robert Ford starring Brad Pitt and such war and military movies as Stanley Kubrick's Full Metal Jacket, Memphis Belle and Purple Hearts.
Univision Television Group, which owns and/or operates television stations in major U.S. markets, will carry both Escape and Grit on stations representing more than 35% of U.S. television households, including in New York, Los Angeles, Chicago, Dallas, Houston and Miami. More distribution will be announced shortly.
The two new networks are part of Katz Broadcasting, a new company established by former Turner Broadcasting executive Jonathan Katz.
ATLANTA, June 10, 2014 /PRNewswire/ -- The country's first-ever female-centric and male-centric over-the-air broadcast television networks -- Escape (For Women) and Grit (For Men) -- have acquired the television rights to 135 demo-targeted motion pictures in a multi-year licensing agreement with Warner Bros. Domestic Television Distribution (WBDTD), it was announced today.
Katz Broadcasting, a new company established by Bounce TV founder/COO and former Turner Broadcasting executive Jonathan Katz, will own and operate the ESCAPE and GRIT broadcast television networks launching this summer. Katz will serve as President and CEO while continuing as COO of Bounce TV.
Escape will target women 25-54 with a brand of programming anchored in stories of crime and mystery. Warner Bros. drama and thriller titles earmarked for Escape include: The contemporary classic Body Heat starring Kathleen Turner; Demi Moore in Disclosure; the Nicole Kidman thrillers Dead Calm and Malice; Kathy Bates creating Misery for James Caan, based on the Stephen King story; Bates in another King tale, Dolores Claiborne with Jennifer Jason Leigh; Copycat starring Sigourney Weaver; Blink with Madeline Stowe and Cate Blanchett as Charlotte Gray; John Grisham's Presumed Innocent; Michelle Pfeiffer in Tequila Sunrise; Star 80 and more.
Action-oriented Grit will reach men 25-54 and be built around the classic male hero archetype with a focus on western, war and action theatrical motion pictures. Among the stars and titles headed to Grit in the WBDTD agreement: Clint Eastwood - As Dirty Harry in Sudden Impact, leading the charge in Kelly's Heroes and also Bronco Billy; Arnold Schwarzenegger in Eraser; Sylvester Stallone in Cobra, Demolition Man and Victory; Jackie Chan starring in Rumble in the Bronx and Jackie Chan's First Strike; Steven Seagal (Hard to Kill, Fire Down Below, On Deadly Ground and Out of Reach); Denzel Washington (Fallen) and more.
Grit also lands such westerns as the John Wayne classics Cahill, U.S. Marshall, Chisum and The Cowboys; Young Guns and Young Guns 2; The Assassination of Jessie James by the Coward Robert Ford starring Brad Pitt and such war and military movies as Stanley Kubrick's Full Metal Jacket, Memphis Belle and Purple Hearts.
Univision Television Group, which owns and/or operates television stations in major U.S. markets, will carry both Escape and Grit on stations representing more than 35% of U.S. television households, including in New York, Los Angeles, Chicago, Dallas, Houston and Miami. More distribution will be announced shortly.
The two new networks are part of Katz Broadcasting, a new company established by former Turner Broadcasting executive Jonathan Katz.
Review: "Not Another Teen Movie" is Wacky (Happy B'day, Chris Evans)
Not Another Teen Movie (2001)
Running time: 89 minutes (1 hour, 29 minutes)
MPAA – R for strong crude sexual content and humor, language, and some drug content
DIRECTOR: Joel Gallen
WRITERS: Michael G. Bende, Adam Jay Epstein, and Andrew Jacobson and Phil Beauman and Buddy Johnson
PRODUCER: Neal H. Moritz
CINEMATOGRAPHER: Reynaldo Villalobos (D.o.P.)
EDITOR: Steve Welch
COMPOSER: Theodore Shapiro
COMEDY
Starring: Chyler Leigh, Chris Evans, Jamie Pressly, Eric Christian Olsen, Mia Kirshner, Deon Richmond, Eric Jungmann, Ron Lester, Cody McMains, Sam Huntington, Joanna Garcia, Lacey Chabert, Samm Levine, Cerina Vincent, Beverly Polcyn, Ed Lauter, Paul Gleason, Mr. T, Molly Ringwald, Samaire Armstrong, Nectar Rose, and Randy Quaid with Nick Bakay, Melissa Joan Hart, and Sean Patrick Thomas
The subject of this movie review is Not Another Teen Movie, a 2001 comedy and parody film. Not Another Teen Movie is a send-up and spoof of the teen movies that came before it, especially those that appeared in the two decades proceeding Not Another Teen Movie’s release.
When a group of screenwriters is trying to write a movie script that parodies two decades of teen movies, the script could end up packed to the gills from too many film references, and that’s what happens to Not Another Teen Movie. This flick is a parody of teen movies going back to John Hughes’s Pretty in Pink (1986), but it especially focuses its satirical eye on the wave of the teen films that were released in the second half of the 1990’s.
That was a time when teenagers had so much disposable income because of a booming economy, and the entertainment, food, and apparel industries did everything they could to offer as many product choices as possible to these affluent and relatively affluent teenagers; there certainly was no shortage of films geared towards these youngsters.
In fact the high school that is central to the plot of Not Another Teen Movie, John Hughes High School, is named after filmmaker John Hughes, who came to prominence in the 1980’s with such popular teen flicks as Sixteen Candles and The Breakfast Club (1985). Not Another Teen Movie is a tale of high school melodrama and sexual shenanigans. Jake Wyler (Chris Evans, who is also currently playing “Johnny Storm” in Fantastic Four), handsome senior, but disgraced former starting quarterback, takes a bet that he can turn a homely, nerdy girl into the prom queen.
His choice for the girl to transform is Janey Briggs (Chyler Leigh), a dirty poor, white trash girl, who (of course) is extraordinarily beautiful once she’s cleaned up, takes of her glasses, and loosens her hair out of a long ponytail. They gradually fall for one another; now, Jake and Janey must travel from their inauspicious beginnings and go through 20 years of accumulated teen movie refuse in order to get to their teen movie happy ending.
Not Another Teen Movie parodies or references several John Hughes films and such teen classics as Fast Times at Ridgemont High (1982), The Goonies (1985), Can’t Hardly Wait (1998), She’s All That (1999), Varsity Blues (1999), plus Clueless, Never Been Kissed, Road Trip, and Ten Things I Hate About You. Like 2003’s Scary Movie 3 (and the entire Scary Movie franchise, for that matter), Not Another Teen Movie is full of hilarious scenes sprinkled generously over a piss-poor plot and a dead screenplay. Luckily some of the scenes are either super funny or so totally out of left field that they could blow minds: Chris Evans’ Jake Wyler singing Aerosmith’s “Janie’s Got a Gun;” Deon Richmond’s Malik, the token black guy running into Sean Patrick Thomas’ unnamed black guy at a party where Malik is supposed to be the only black guy there; and the prom night musical number that is actually sung by the cast.
Moviegoers who have seen at least one teen movie (whether they were a teen at the time or not) going back to Fast Times at Ridgemont High in 1982 will find something they recognize from that sub-genre of films that chronicle the wacky misadventures of high school students. That makes Not Another Teen Movie a must-see in spite of its flaws.
5 of 10
C+
Updated: Friday, June 13, 2014
The text is copyright © 2014 Leroy Douresseaux. All Rights Reserved. Contact this site for syndication rights and fees.
Thursday, June 12, 2014
"RANMA ½ Limited Edition Blu-ray Box Set, Volume 2" Coming Soon
VIZ MEDIA RELEASES RANMA ½ ANIME SERIES VOLUME 2 LIMITED EDITION BLU-RAY BOX SET
Don’t Miss The Legendary Martial Arts Comedy In Stunning High Definition In A 3-Disc Set Filled With Special Bonus Features And Extras; Standard Edition DVD Set Also Available
VIZ Media, LLC (VIZ Media), the largest distributor and licensor of anime and manga in North America, delivers the next installment of the celebrated return of the classic RANMA ½ anime series in new, digitally restored, High Definition Limited Edition Blu-ray and Standard Edition DVD Box Sets with the release of Volume 2 – covering Episodes 24-46 – on June 24th.
VIZ Media is releasing the revered gender-bending martial arts action comedy, based on the popular manga series created by Rumiko Takahashi, in its original Japanese series order across seven Limited Edition Blu-ray and DVD Box Sets. Each contains a wealth of special bonus features and other extras that fans will not want to miss. RANMA ½ is rated TV-14.
The RANMA ½ Limited Edition Blu-ray Box Set, Volume 2 carries an MSRP of $54.97 U.S. / $66.15 CAN. The set features 23 episodes on 3 discs, presented for the first time ever in full 1080p High Definition resolution with the series’ original, un-cropped 4:3 aspect ratio. The Standard Edition DVD set is available with an MSRP of $44.82 U.S. / $43.24 CAN.
Guaranteed to become a highlight of any anime fan’s media collection, the Limited Edition Blu-ray Box Set comes packaged in a premium chipboard box with gold foil stamping that is beautifully illustrated by Rumiko Takahashi and also includes a 32-page booklet, complete episode guide, and a collectable full-color RANMA ½ art card. Special bonus features available exclusively on the Blu-ray edition include, ’We love Ranma’ Part 2 – Favorite Scenes,’ the continuation of an ongoing series of insightful interviews tracing the legacy and impact of the groundbreaking anime show.
The RANMA ½ Standard Edition DVD set features 23 episodes presented in HD with the original, un-cropped 4:3 aspect ratio, and bonus features that include clean openings and endings and trailers.
Dialogue options for both DVD and Blu-ray formats include original Japanese with accurate English subtitles or dubbed English audio, along with a secondary subtitle track for signs and songs.
The latest RANMA ½ box set continues the zany adventures of Ranma Saotome, the boy who turns into a girl with a splash of water and always has his hands full fending off enthusiastic admirers! One of the most enthusiastic is Shampoo, the powerful Amazon from China who wants to kill the girl Ranma and marry the boy Ranma! And when she falls into a cursed spring and turns into a cat, the claws come out! But Shampoo has a suitor of her own, Mousse, who shows up one day and challenges Ranma to a battle over…Ranma’s fiancée, Akane? Then, Ranma’s dad, Genma, and Akane’s dad, Soun, studied under the same master, Happosai, who happens to be a bit of a perv. Surely there could be no connection between his sudden appearance and the disappearance of some neighborhood ladies’ undies!
RANMA ½ manga creator Rumiko Takahashi is one of Japan’s most prolific and respected manga artists and is the creator of several long running series including MAISON IKKOKU, RANMA ½, and INUYASHA – all published in North America by VIZ Media. The spotlight on her prolific career began in 1978 when she won an honorable mention in Shogakukan's annual New Comic Artist Contest for Those Selfish Aliens. Later that same year, her boy-meets-alien comedy series, Urusei Yatsura, was serialized in Weekly Shonen Sunday. This phenomenally successful manga series was adapted into anime format and also spawned a TV series and half a dozen theatrical-release movies, all incredibly popular. Takahashi followed up the success of her debut series with one blockbuster hit after another— MAISON IKKOKU ran from 1980 to 1987, RANMA ½ from 1987 to 1996, and INUYASHA from 1996 to 2008. Other notable works include MERMAID SAGA, RUMIC THEATER, ONE-POUND GOSPEL, and RIN-NE (all also published in North America by VIZ Media).
For more information on RANMA ½ and other Rumiko Takahashi titles published by VIZ Media, please visit www.VIZ.com.
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Wednesday, June 11, 2014
Review: Director Peyton Reed Brought It with "Bring It On"
Bring It On (2000)
Running time: 98 minutes (1 hour, 38 minutes)
MPAA – PG-13 for sex-related material and language
DIRECTOR: Peyton Reed
WRITER: Jessica Bendinger
PRODUCERS: Marc Abraham and Thomas A. Bliss
CINEMATOGRAPHER: Shawn Maurer
EDITOR: Larry Bock
COMPOSER: Christophe Beck
Black Reel Awards winner
COMEDY
Starring: Kirsten Dunst, Eliza Dushku, Jesse Bradford, Gabrielle Union, Clare Kramer, Tsianina Joelson, Rini Bell, Nathan West, Shamari Fears, Natina Reed, Brandi Williams, Lindsay Sloane, Holmes Osborne, Sherry Hursey, and Cody McMains
The subject of this movie review is Bring It On, a 2000 high school sports comedy from director Peyton Reed. The film spawned four direct-to-DVD sequels and a stage musical. Bring It On (the original film) focuses on a head cheerleader who makes a shocking discovery just before the upcoming cheerleading championship tournament: the previous captain of her high school’s cheerleading squad stole their best cheer routines from an inner-city school.
All-American girl Torrance Shipman (Kirsten Dunst) sees her dream finally come true. She is now the head cheerleader of the Rancho Carne Toros, at her high school in suburban San Diego. The Toros have won The Nationals of the high school cheerleading championship the last five years, and Torrance is not about to let anything – her parents, her little brother, her grades, or her college future – get in the way of a sixth consecutive title.
The big shocker comes when Torrance learns that her predecessor was stealing the routines that earned the Toros their reputation from an inner-city high school hip-hop cheerleading squad, the Clovers of East Compton. And the Clovers and their captain, Isis (Gabrielle Union), are looking to get even with the Toros at the 2000 Nationals. Now, Torrance and her Toros are going to have to learn all-new routines, all while dealing with the trials and tribulations of high school life.
Bring It On was a hit with ‘tweens, teens, and 20-somethings back in 2000. Although it’s competently directed and the writing doesn’t do much in the character department, the Machiavellian-lite, cutthroat world of competitive youth events, in this case, the world of competitive cheerleading, provides this movie’s fireworks. It’s fun to watch the catfights, preening dumb jocks, and every kid with a smart aleck attitude.
The cheerleading performances, from the practices to the championship, are rousing enough to make you stand up and cheer. The acting isn’t all that great, and the script doesn’t give the black cheerleaders enough room to show that there is actually character behind their sass. Kirsten Dunst’s performance is serviceable for this flick, and Eliza Dushku’s hot babe, Missy Pantone, makes what started out as a dull Disney-like teen movie into a real movie the moment she struts on stage.
6 of 10
B
Tuesday, May 23, 2006
Updated: Wednesday, June 11, 2014
NOTES:
2001 Black Reel Awards: 1 win: “Theatrical - Best Supporting Actress” (Gabrielle Union)
The text is copyright © 2014 Leroy Douresseaux. All Rights Reserved. Contact this site for syndication rights and fees.
Tuesday, June 10, 2014
Neil deGrasse Tyson Launches Speaking Tour in 2015
Announcing Dr. Neil deGrasse Tyson U.S. Speaking Tour
Best-Selling Author and Host of COSMOS to Appear in LA, D.C., Chicago and More Tickets On Sale June 13
CHICAGO--(BUSINESS WIRE)--Innovation Arts & Entertainment is proud to announce that Dr. Neil deGrasse Tyson, the Host of Cosmos: A Spacetime Odyssey, Best Selling Author, and the Director of the Hayden Planetarium, will be appearing on a six-city U.S. speaking tour. The tour will be produced by Innovation Arts and Entertainment. Renowned astrophysicist Neil deGrasse Tyson has guided the Ship of the Imagination to transport viewers to the nucleus of an atom, and the farthest reaches of the universe as he explores humanity’s quest for understanding. The tour begins January 26, 2015 in Madison, WI, with dates also confirmed at Los Angeles’ Pantages Theatre and Chicago’s Auditorium Theatre, among others.
Tickets are on sale Friday, June 13 and available at www.NeildeGrasseTysonLive.com.
Each family-friendly event features an engaging multi-media presentation bringing the expanses of modern science direct to audience members, and engages them in a Q&A that rivals the presentation itself. In the past, he’s been asked a myriad of questions about everything from television appearances and space elevators to parenting advice. He often takes questions from children since he is fascinated with young ones who are interested in science.
The New York City native is host of StarTalk Radio and FOX’s Cosmos: A Spacetime Odyssey (season finale airs June 8); he is a New York Times bestselling author of 10 books and is also a frequent guest on The Daily Show and The Colbert Report. President Bush appointed Tyson in 2001 and 2004 to serve on commissions studying the future of the U.S. aerospace industry and the implementation of the U.S. space exploration policy, respectively. Tyson is also the recipient of 18 honorary doctorates and the NASA Distinguished Public Service Medal, the highest award given by NASA to non-government citizens.
For more information and tickets, visit www.NeildeGrasseTysonLive.com
A confirmed list of tour dates follows:
City - Date - Venue
Madison, WI - Monday, January 26 - Overture Center
Chicago, IL - Tuesday, January 27 - Auditorium Theatre
Denver, CO - Friday, January 30 - Temple Hoyne Buell
Los Angeles, CA - Monday, February 09 - Pantages Theatre
San Francisco, CA - Tuesday, February 10 - Orpheum Theatre
Washington D.C. - Thursday, February 26 - DAR Constitution Hall
More dates and cities will be announced in the coming weeks.
Innovation Arts & Entertainment (IAE) is a boutique producer of unique live entertainment experiences featuring intelligent, articulate, and engaging artists and authors. IAE is proud to be currently producing the United States book tour for Former Secretary of State Hillary Rodham Clinton. Current and past tours featured David Sedaris, Anthony Bourdain, Garrison Keillor, & William Shatner to audiences across North America.
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Best-Selling Author and Host of COSMOS to Appear in LA, D.C., Chicago and More Tickets On Sale June 13
CHICAGO--(BUSINESS WIRE)--Innovation Arts & Entertainment is proud to announce that Dr. Neil deGrasse Tyson, the Host of Cosmos: A Spacetime Odyssey, Best Selling Author, and the Director of the Hayden Planetarium, will be appearing on a six-city U.S. speaking tour. The tour will be produced by Innovation Arts and Entertainment. Renowned astrophysicist Neil deGrasse Tyson has guided the Ship of the Imagination to transport viewers to the nucleus of an atom, and the farthest reaches of the universe as he explores humanity’s quest for understanding. The tour begins January 26, 2015 in Madison, WI, with dates also confirmed at Los Angeles’ Pantages Theatre and Chicago’s Auditorium Theatre, among others.
Tickets are on sale Friday, June 13 and available at www.NeildeGrasseTysonLive.com.
Each family-friendly event features an engaging multi-media presentation bringing the expanses of modern science direct to audience members, and engages them in a Q&A that rivals the presentation itself. In the past, he’s been asked a myriad of questions about everything from television appearances and space elevators to parenting advice. He often takes questions from children since he is fascinated with young ones who are interested in science.
The New York City native is host of StarTalk Radio and FOX’s Cosmos: A Spacetime Odyssey (season finale airs June 8); he is a New York Times bestselling author of 10 books and is also a frequent guest on The Daily Show and The Colbert Report. President Bush appointed Tyson in 2001 and 2004 to serve on commissions studying the future of the U.S. aerospace industry and the implementation of the U.S. space exploration policy, respectively. Tyson is also the recipient of 18 honorary doctorates and the NASA Distinguished Public Service Medal, the highest award given by NASA to non-government citizens.
For more information and tickets, visit www.NeildeGrasseTysonLive.com
A confirmed list of tour dates follows:
City - Date - Venue
Madison, WI - Monday, January 26 - Overture Center
Chicago, IL - Tuesday, January 27 - Auditorium Theatre
Denver, CO - Friday, January 30 - Temple Hoyne Buell
Los Angeles, CA - Monday, February 09 - Pantages Theatre
San Francisco, CA - Tuesday, February 10 - Orpheum Theatre
Washington D.C. - Thursday, February 26 - DAR Constitution Hall
More dates and cities will be announced in the coming weeks.
Innovation Arts & Entertainment (IAE) is a boutique producer of unique live entertainment experiences featuring intelligent, articulate, and engaging artists and authors. IAE is proud to be currently producing the United States book tour for Former Secretary of State Hillary Rodham Clinton. Current and past tours featured David Sedaris, Anthony Bourdain, Garrison Keillor, & William Shatner to audiences across North America.
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2014 Japan Film Festival of San Francisco Kicks Off July 19th, 2014
2014 JAPAN FILM FESTIVAL OF SAN FRANCISCO LAUNCHES JULY 19th TO OFFER SPECIAL BAY AREA PREMIERES OF THE BEST IN NEW JAPANESE CINEMA
Week-Long Film Festival Launches At NEW PEOPLE Cinema In Conjunction With 2014 J-POP SUMMIT And Offers Exciting First-Run Titles, Special Guests Of Honor And Other Unique Content; Advance Tickets On Sale Now
The 2014 Japan Film Festival of San Francisco, the only fully-dedicated annual Japanese film celebration for the S.F. Bay Area, returns for its second consecutive year and kicks off during the 2014 J-POP SUMMIT Festival. Set to open on Saturday, July 19th and running thru Sunday, July 27th, the Japan Film Festival of San Francisco (JFFSF) will showcase a variety of unique programs, many as first-run U.S. premieres.
The 2014 JFFSF takes place at the NEW PEOPLE Cinema, located inside the NEW PEOPLE J-POP entertainment complex at 1746 Post St., San Francisco, CA 94115. Tickets are $15.00 for most films, unless otherwise noted. Film summaries, trailers, screening times and advance tickets are available at: www.JFFSF.org.
The Japan Film Festival of San Francisco is presented in conjunction with the 2014 J-POP Summit, taking place Saturday July 19th and Sunday July 20th across the city’s historic Japantown district to celebrate the phenomenon of Japanese pop culture with a colorful array of live bands and artists, film premieres, edgy fashion shows, a J-pop dance and singing contest, celebrity appearances and more. Full details are available at www.J-POP.com.
Special film screenings taking place during J-POP SUMMIT include J-POP Splash! 2014, a FREE cinema event presented by the Consulate General of Japan in San Francisco featuring a colorful feast of music videos by some of the hottest J-Pop artists! Also set to screen at the NEW PEOPLE Cinema during J-POP SUMMIT will be Tokyo Short Shorts: A New Generation of 5 Short Films, as well as Count Five To Dream of You and Kotodama: Spiritual Curse, which both star members of the smash hit teen idol pop group Tokyo Girls’ Style, who will perform at J-POP SUMMIT and also host a special audience Q&A following the film screenings.
For the 2014 Japan Film Festival of San Francisco, exclusive live-action programs representing a vivid cross-section of the best in new Japanese cinema will have their exclusive U.S. and/or San Francisco premiere at NEW PEOPLE Cinema. The JFFSF will complement this press release next week with a subsequent announcement detailing an exciting slate of anime feature films also set to receive their U.S. and/or San Francisco premieres.
Special JFFSF Screenings During 2014 J-POP SUMMIT Festival:
COUNT FIVE TO DREAM OF YOU – U.S. PREMIERE!!!
Saturday, July 19th, 12:00pm - Featuring Special Appearance by Tokyo Girls’ Style!
Thursday, July 24th, 7:00pm
This year's alluring Guest of Honor, Tokyo Girls’ Style, make their big screen debut taking on the leading parts of this film that takes place at an all-girl private high school where the planning for the beauty pageant is in full swing. The short-lived and unforgettable moments of adolescence that is colored by adoration, impatience and impulses, is brought to life by each student played by the members of Tokyo Girls’ Style.
KOTODAMA: SPIRITUAL CURSE – U.S. PREMIERE!!!
Sunday, July 20th, 12:00pm - Featuring Special Appearance by Tokyo Girls’ Style!
Tuesday, July 22th, 9:15pm
Starring the members from Tokyo Girls’ Style, the story revolves around a high school where students start to gossip about the tragic deaths of former students from a gas accident inside of a mysteriously blocked classroom. Since then, a series of bizarre phenomenon begin to occur. Meanwhile, Hitomi and her friends sneak into an abandoned school for a video shoot without knowing that they are stepping into the underworld.
J-POP SPLASH! 2014
Saturday, July 19th, 2:15pm
Come check out the special FREE event, J-POP Splash! 2014, a flood of music videos presented by the Consulate General of Japan in San Francisco, featuring the hottest J-Pop artists! Enjoy the latest musical acts topping the Japanese pop, rock, and modern charts on the big screen including Kyary Pamyu Pamyu, World Order, Sekai no Owari, Mr. Children, Rip Slyme, and many more! Don't miss special guest DAICHI's live performance as the opening act!
TOKYO SHORT SHORTS; A NEW GENERATION OF 5 SHORT FILMS – S.F. PREMIERE!!!
Saturday, July 19th, 4:00pm;
Discover the latest big screen talent through a unique collection of five short films taking place in Tokyo and other parts of Japan directed by a new generation of filmmakers. From parallel stories of love unfolding around the world's tallest tower, Tokyo Skytree, to a surreal comedy of a careless death god that pays a visit in the middle of surgery, these shorts are colorful and they warmly applaud life's new beginnings and comebacks.
Additional Japan Film Festival of San Francisco Live-Action Screenings:
ASK THIS OF RIKYU – S.F. PREMIERE!!!
Saturday, July 19th, 6:00pm - Featuring Special Appearance by Director Mitsutoshi Tanaka!
Based on the award-winning novel, "Rikyu Ni Tazuneyo," by Kenichi Yamamoto, the film begins with the final days of Rikyu, the tea master with the most profound influence on chanoyu, the Japanese "Way of Tea" tradition, who was ordered to commit ritual suicide by the chancellor Hideyoshi Toyotomi. Who was Rikyu - who inspired fear in the most powerful man of his time?
BON LIN – U.S. PREMIERE!!!
Friday, July 25th, 7:00pm
Director Keiichi Kobayashi's second feature film is a surprisingly pleasant and refreshing road movie about a young couple in Akihabara, the world-renowned holy ground for Otaku culture and anime fandom. Natsuko, a.k.a. BON, an eccentric Boys' Love (BL) and online game nerd girl, heads to Tokyo along with LIN, her longtime game-playmate, in order to save her best friend MIYU, who seems to be suffering from an abusive boyfriend she lives with.
CROWS EXPLODE – U.S. PREMIERE!!!
Thursday, July 24th, 9:00pm; Sunday, July 27th 12:00pm
Based on the popular "school of punk" manga by Hiroshi Takahashi, Crows: EXPLODE boldly ignites the gang wars in the delinquent schoolyards of Japan. The deadly road battle quietly begins when lone wolf Kazeo Kaburagi transfers to the notorious Suzuran High School. He quickly establishes himself as a fearless fighter, though he has no interest in the power struggle that encircles him.
KANZABURO THE MOVIE – S.F. PREMIERE!!!
Sunday, July 27th, 4:50pm
This rare documentary features Nakamura Kanzaburō XVIII, a popular Kabuki actor who died of cancer at the age of 57 in 2012. With nearly 7,000 hours of footage that captured his life journey, the film takes us through his enthusiastic life as one of the greatest Kabuki Actors of our time, and his personal side as a father of two sons succeeding his path as descendants of the family with a long history in Kabuki tradition.
PECOROSS’ MOTHER AND HER DAYS – S.F. PREMIERE!!!
Saturday, July 26th, 2:10pm
Based on the autobiographical comic by Yuuichi Okano, this heart-warming comedy depicts a middle-aged comic artist Pecoross's humorous daily life with his hapless mother, Mitsue, who has dementia that began soon after her husband passed away 10 years before. Directed by Azuma Morisaki, the oldest active filmmaker in Japan at the age of 85, the film was critically acclaimed as one of the best movies of 2013 in Japan.
SILVER SPOON – S.F. PREMIERE!!!
Tuesday, July 22rd, 7:00pm
Based on the bestselling manga by Hiroshi Arakawa, Silver Spoon centers around an isolated agricultural high school in Hokkaido at the northern end of Japan. Kengo is a freshman with an inferiority complex due to his failure to meet his fathers' expectation. He finds himself to be a misfit among eager students from farmers’ families, but he gradually discovers his own perspective on life through farming and friendship.
A STORY OF YONOSUKE – S.F. PREMIERE!!!
Saturday, July 26th, 7:00pm
A Story of Yonosuke is a beautiful endearing film that reminds us of the incredible impact one person can have on the lives of others. Yonosuke, an 18-year old university freshman just moving to Tokyo, attracts people with his loving character. Set in the 80’s, the story is connected to the modern day by four friends of Yonosuke. Each have lost contact with him somehow, but are pleasantly reminded of their time together.
A TALE OF SAMURAI COOKING: A TRUE LOVE STORY – S.F. PREMIERE!!!
Friday, July 25th, 9:00pm; Sunday, July 27th, 2:20pm
A once-divorced woman named O-haru remarries into the Funaki family, generations of trusted samurai chefs that serve the lord of the Kaga Domain. Her husband Yasunobu is the young heir of the family, however, his cooking skills and passion aren’t up to par. With the full support of her new mother-in-law, O-haru takes it upon herself to help Yasunobu find his way to become a great chef and maintain pride of his family tradition.
WHY DON’T YOU PLAY IN HELL? – S.F. PREMIERE!!!
Sunday, July 20th, 6:00pm
Why Don't You Play In Hell? is among Sono’s best work as his trademark outrageous-style is infused with his affection for 35mm and Japanese cinema. The Fuck Bombers are an eager group of wannabe filmmakers whose dream of making movies comes crashing down. Circumstances have brought them to this fateful moment where they’ll be able to film Why Don't You Play In Hell?
NEW PEOPLE Cinema is a 143-seat cinema located in the underground floor of NEW PEOPLE in San Francisco. Equipped with a cutting-edge HD digital projection and THX®-certified sound system, NEW PEOPLE Cinema is home for local film festivals and entertaining events. www.newpeoplecinema.com
About JAPAN FILM FESTIVAL OF SAN FRANCISCO
Launched in 2013, Japan Film Festival of San Francisco is the first and only fully-dedicated Japanese film event for the SF Bay Area, will feature a colorful mix of narratives, anime and documentary film premieres and exclusive screenings with special guest appearance at the NEW PEOPLE Cinema in SF Japantown from July 19 (Sat) through 27 (Sun), 2014. More details and ticket information available at www.jffsf.org
About J-POP SUMMIT Festival
Launched in 2009, J-POP SUMMIT Festival is an annual street fair held in San Francisco, CA that celebrates Japanese popular culture. By introducing the latest in Japanese music, film, art, fashion, gaming, anime, food, as well as niche subcultures, the festival has become a prominent platform to showcase the latest pop trends and creative innovations from Japan.
The 5th annual J-POP SUMMIT held in July 2013 welcomed more than 80,000 attendees, making it one of the largest Japanese festivals in the United States. In addition to the original Festival held in Japantown, new attractions include the J-POP LIVE AT UNION SQUARE concert in downtown San Francisco, the Bay Area’s premier dedicated Japan Film Festival of San Francisco, and sake-tasting and fine foods events at the POP GOURMET Food Festival, which have each further enriched the experience. Additional information about J-POP SUMMIT Festival is available at: J-POP.com.
Monday, June 9, 2014
"Edge of Tomorrow" #1 at the Worldwide Box Office
Doug Liman’s Critically Acclaimed Sci-fi Thriller, Starring Tom Cruise and Emily Blunt, Takes in $111.1 Million For the Weekend
BURBANK, Calif.--(BUSINESS WIRE)--Warner Bros. Pictures’ and Village Roadshow Pictures’ “Edge of Tomorrow” grossed $111.1 million, making it the weekend’s #1 film internationally and worldwide. The announcement was made today by Dan Fellman, President of Domestic Distribution, and Veronika Kwan Vandenberg, President of International Distribution, Warner Bros. Pictures.
Internationally, the film has been in limited release for 12 days, including Wednesday openings, and debuted in an additional 36 countries over the weekend, earning an impressive $82 million, including outstanding returns in Russia with $8.6 million, China with $25 million, and Korea at $16.6 million. The international cumulative gross now stands at $111 million. On the domestic side, in its first three days of release, “Edge of Tomorrow” has grossed $29.1 million, bringing the worldwide total to $140.1 million and counting.
In making the announcement, Fellman stated, “‘Edge of Tomorrow’ has received terrific critical acclaim, which has been echoed by audiences who have responded to the film and the fantastic performances of Tom Cruise and Emily Blunt. Word-of-mouth is extremely strong, which should continue to drive moviegoers to the theatre, either for the first time or to enjoy the film again.”
Kwan Vandenberg stated, “‘Edge of Tomorrow’ has risen above the crowded summer marketplace and continues to gain momentum, from our massive opening in Korea to the incredible results we’ve seen in Russia and China. We congratulate Doug Liman, Tom Cruise, Emily Blunt and the remarkable filmmakers, cast and crew on reaching this terrific benchmark.”
Oscar® nominee Tom Cruise and Emily Blunt star in Warner Bros. Pictures’ and Village Roadshow Pictures’ sci-fi thriller “Edge of Tomorrow,” under the direction of Doug Liman.
The epic action of “Edge of Tomorrow” unfolds in a near future in which an alien race has hit the Earth in an unrelenting assault, unbeatable by any military unit in the world.
Major William Cage (Cruise) is an officer who has never seen a day of combat when he is unceremoniously dropped into what amounts to a suicide mission. Killed within minutes, Cage now finds himself inexplicably thrown into a time loop—forcing him to live out the same brutal combat over and over, fighting and dying again…and again.
But with each battle, Cage becomes able to engage the adversaries with increasing skill, alongside Special Forces warrior Rita Vrataski (Blunt). And, as Cage and Rita take the fight to the aliens, each repeated encounter gets them one step closer to defeating the enemy.
The international cast also includes Bill Paxton, Brendan Gleeson, Noah Taylor, Kick Gurry, Dragomir Mrsic, Charlotte Riley, Jonas Armstrong, Franz Drameh, Masayoshi Haneda and Tony Way.
Liman directed “Edge of Tomorrow” from a screenplay by Christopher McQuarrie and Jez Butterworth & John-Henry Butterworth, based on the novel entitled All You Need is Kill by Hiroshi Sakurazaka. Erwin Stoff produced, along with Tom Lassally, Jeffrey Silver, Gregory Jacobs and Jason Hoffs. The executive producers are Doug Liman, David Bartis, Joby Harold, Hidemi Fukuhara and Bruce Berman, with Tim Lewis and Kim Winther serving as co-producers.
Warner Bros. Pictures presents, in association with Village Roadshow Pictures, a 3 Arts Production, in association with Viz Productions, a Doug Liman Film, “Edge of Tomorrow.” The film is distributed in 2D and 3D in select theatres and IMAX by Warner Bros. Pictures, a Warner Bros. Entertainment Company, and in select territories by Village Roadshow. www.edgeoftomorrowmovie.com
This movie has been rated PG-13 for intense sequences of sci-fi action and violence, language and brief suggestive material.
Sunday, June 8, 2014
The Motion Picture Academy Celebrates "Arab Cinema Classics"
The Academy Presents Top Arab Films From Dubai International Film Festival's “100 Greatest” List
LOS ANGELES, CA – The Academy of Motion Picture Arts and Sciences, in partnership with the Dubai International Film Festival (DIFF), will present “Arab Cinema Classics,” a two-day screening series of the best in Arab film on Friday, June 13, and Saturday, June 21, at the Bing Theater in Los Angeles.
With input from nearly 500 prominent film critics, writers, novelists, academics and other arts professionals, DIFF in 2013 compiled a tally of the 100 greatest Arab films of all time. The Academy will screen three selections from DIFF’s Top 10:
“The Night of Counting the Years” (“Al-Mummia,” 1970)
Friday, June 13, at 7:30 p.m.
Director Shadi Abdel Salam’s film is based on the true story of the Horabat tribe’s 1881 plundering of pharaohs’ tombs in the ancient city of Thebes. Long unavailable for exhibition, the film was restored in 2009 by Martin Scorsese’s World Cinema Foundation.
“Cairo Station” (“Bab el Hadid,” 1958)
Friday, June 13, at 9:20 p.m.
Directed by the internationally renowned Egyptian auteur Youssef Chahine, the film takes place at Cairo’s main railroad station, commonly referred to as the Iron Gate, and offers a tense portrait of life at the margins of Egyptian society.
“West Beirut” (“West Beyrouth,” 1998)
Saturday, June 21, at 7:30 p.m.
With special guest writer/director Ziad Doueiri
This directorial debut of Ziad Doueiri is set in the tumultuous spring of 1975, as the Lebanese Civil War unfolds. Following the lives of two teenagers from the Muslim section of Beirut, the film blends the personal and the historical into a vibrant coming-of-age drama.
The screening series is part of the Academy’s International Outreach initiative, which brings together Academy members representing a range of cinematic crafts with filmmakers and film lovers from around the world.
“The vibrancy of Arab cinema today owes much to the rich legacy and proud history of Arab filmmaking,” said Sid Ganis, chair of the International Outreach Committee. “The Academy is pleased to embrace some of the region’s most influential films and artists through this Los Angeles presentation.”
Tickets for each evening of Arab Cinema Classics is $5 general admission and $3 for Academy members, LACMA Film Club members and students with a valid ID. Tickets may be purchased starting June 3 online at www.oscars.org. The Bing Theater is located at 5905 Wilshire Boulevard on the Los Angeles County Museum of Art campus. For more information, call (310) 247-3600 or visit www.oscars.org.
ABOUT DIFF
The Dubai International Film Festival (DIFF) is the leading film festival in the region. Since its inception in 2004, the festival has served as an influential platform for Arab filmmakers and talent at an international level, by spearheading the cinema movement in the region. The 11th edition of DIFF will take place from December 10 – 17, 2014. For more and updated information about DIFF, please visit www.diff.ae.
LOS ANGELES, CA – The Academy of Motion Picture Arts and Sciences, in partnership with the Dubai International Film Festival (DIFF), will present “Arab Cinema Classics,” a two-day screening series of the best in Arab film on Friday, June 13, and Saturday, June 21, at the Bing Theater in Los Angeles.
With input from nearly 500 prominent film critics, writers, novelists, academics and other arts professionals, DIFF in 2013 compiled a tally of the 100 greatest Arab films of all time. The Academy will screen three selections from DIFF’s Top 10:
“The Night of Counting the Years” (“Al-Mummia,” 1970)
Friday, June 13, at 7:30 p.m.
Director Shadi Abdel Salam’s film is based on the true story of the Horabat tribe’s 1881 plundering of pharaohs’ tombs in the ancient city of Thebes. Long unavailable for exhibition, the film was restored in 2009 by Martin Scorsese’s World Cinema Foundation.
“Cairo Station” (“Bab el Hadid,” 1958)
Friday, June 13, at 9:20 p.m.
Directed by the internationally renowned Egyptian auteur Youssef Chahine, the film takes place at Cairo’s main railroad station, commonly referred to as the Iron Gate, and offers a tense portrait of life at the margins of Egyptian society.
“West Beirut” (“West Beyrouth,” 1998)
Saturday, June 21, at 7:30 p.m.
With special guest writer/director Ziad Doueiri
This directorial debut of Ziad Doueiri is set in the tumultuous spring of 1975, as the Lebanese Civil War unfolds. Following the lives of two teenagers from the Muslim section of Beirut, the film blends the personal and the historical into a vibrant coming-of-age drama.
The screening series is part of the Academy’s International Outreach initiative, which brings together Academy members representing a range of cinematic crafts with filmmakers and film lovers from around the world.
“The vibrancy of Arab cinema today owes much to the rich legacy and proud history of Arab filmmaking,” said Sid Ganis, chair of the International Outreach Committee. “The Academy is pleased to embrace some of the region’s most influential films and artists through this Los Angeles presentation.”
Tickets for each evening of Arab Cinema Classics is $5 general admission and $3 for Academy members, LACMA Film Club members and students with a valid ID. Tickets may be purchased starting June 3 online at www.oscars.org. The Bing Theater is located at 5905 Wilshire Boulevard on the Los Angeles County Museum of Art campus. For more information, call (310) 247-3600 or visit www.oscars.org.
ABOUT DIFF
The Dubai International Film Festival (DIFF) is the leading film festival in the region. Since its inception in 2004, the festival has served as an influential platform for Arab filmmakers and talent at an international level, by spearheading the cinema movement in the region. The 11th edition of DIFF will take place from December 10 – 17, 2014. For more and updated information about DIFF, please visit www.diff.ae.
Saturday, June 7, 2014
Review "Excalibur" is Epic, Unforgettable (Happy B'day, Liam Neeson)
Excalibur (1981)
Running time: 140 minutes (2 hours, 20 minutes)
MPAA – R
DIRECTOR/PRODUCER: John Boorman
WRITERS: Rospo Pallenberg and John Boorman; from an adaptation by Rospo Pallenberg of Le Morte d’Arthur by Thomas Malory
CINEMATOGRAPHER: Alex Thomson
EDITOR: John Merritt with Donn Cambern (no screen credit)
COMPOSER: Trevor Jones
Academy Award nominee
DRAMA/FANTASY/WAR
Starring: Nigel Terry, Helen Mirren, Nicholas Clay, Cherie Lunghi, Paul Geoffrey, Nicol Williamson, Robert Addie, Gabriel Byrne, Keith Buckley, Katrine Boorman, Liam Neeson, Corin Redgrave, Niall O’Brien, Patrick Stewart, and Clive Swift
The subject of this movie review is Excalibur, a 1981 drama and fantasy film from producer-director John Boorman. The film is mostly based on Le Morte d’Arthur, the 15th century Arthurian romance written by Thomas Malory. Excalibur focuses on Merlin the magician, King Arthur, and Morgana Le Fey. It depicts how Arthur unites a land, creates the Round Table, and builds Camelot, while forces conspire to destroy it all.
John Boorman’s Excalibur is the acclaimed director’s lushly filmed take on the Arthurian legend as adapted from Sir Thomas Malory’s Le Morte d’Arthur. Early in the film, we see Arthur’s illicit conception when his father, King Uther Pendragon (Gabriel Byrne), use magical trickery to seduce, Igrayne (Katrine Boorman), another man’s wife, and impregnates her with the child that would become Arthur. Later, Merlin (Nicol Williamson) claims the infant Arthur as the price Uther must pay Merlin for providing the magical disguise Arthur used to seduce Igrayne.
Later, young Arthur (Nigel Terry) pulls the sword of kings, Excalibur, from a stone, which makes him King Arthur. The film tells the story of the rise of Arthur’s kingdom and the righteous birth of The Knights of the Round Table. Then, things go bad when Arthur’s wife, Guenevere (Cherie Lunghi), takes Arthur’s best, bravest, and most favored knight, Lancelot (Nicholas Clay), as her lover. Arthur’s sister, Morgana (Helen Mirren), a crafty sorceress, connives until the balance of power shifts from Merlin to her. The film concludes with Arthur’s final battle, this against his son, Mordred (Robert Addie), whom Arthur fathered with Morgana.
Boorman, his screenwriting partner Rospo Pallenberg, cinematographer Alex Thomson (who earned an Oscar nomination for his work here), composer Trevor Jones, and costume designer Bob Ringwood (who earned a BAFTA Award nomination for his work in this film) came together to create an exquisite rendition of the tale of King Arthur and Camelot. The film is full of Christian symbolism, in particularly dealing with Christianity supplanting the old gods and necromancy in favor of men. There is also a lot of sexual subtext, much of it is surprisingly gay; there is lots of man love and admiration of the virility, honor, bravery, and skill of men. Men really admire and love great men in this story, and women, for the most part, are trouble in this film.
Boorman wanted to emphasize the story over the characters in his take on the Arthurian myth, and he uses the stunning visuals to evoke feelings, but to also get the viewer to think about the things for which the stories of King Arthur and his kingdom stand. However, the actors really don’t surrender and play the role of puppets. They play up to the symbolism and imagery. They don’t treat their roles as figurative, but as interpreters of the things that this myth teaches us about the better parts of human nature – humility, charity, bravery, and sacrifice, and an understanding to forgive the trespasses our friends, loved ones, countrymen, and fellow humans make against us and we against them.
In Excalibur, John Boorman composes his scenes and photographic shots as if each were a giant painting, a series of representational works meant to tell a powerful tale about universal ideals. There is something grand in Excalibur, and in spite of its faults: some poor dialogue, the tendency for the film to suddenly take big leaps forward in the narrative time, and Boorman’s assumption that we should be familiar with these characters and their motivations, it succeeds.
8 of 10
A
Monday, May 23, 2005
Updated: Saturday, June 07, 2014
NOTES:
1982 Academy Awards, USA: 1 nomination: “Best Cinematography” (Alex Thomson)
1982 BAFTA Awards: 1 nomination: “Best Costume Design” (Bob Ringwood)
1981 Cannes Film Festival: 1 win: “Best Artistic Contribution (John Boorman) and 1 nomination: “Palme d'Or” (John Boorman)
The text is copyright © 2014 Leroy Douresseaux. All Rights Reserved. Contact this site for syndication rights and fees.
Negromancer News Bits and Bites for June 1 to June 7, 2014 UPDATED #2
News and Miscellaneous:
TMZ has a suite of photos from the Abu Dhabi set of Star Wars: Episode VII. Huffington Post posted all of them in one article, including the following
----------------------------
The Business Insider at Yahoo has a nice article on the children of Jack Kirby and their attempt to get the Supreme Court to here their copyright case against Marvel/Disney.
---------------------------
Variety has news that Will Smith will star in a drama about the NFL's concussion problem. Ridley Scott is one of the film's producer. Peter Landesman will write and direct.
----------------------------
Jared Leto as Doctor Strange a/k/a Stephen Strange in Marvel's Dr. Strange movie? Sinister director Scott Derrickson to direct? Go to Collider. What happened to Johnny Depp as Strange?
----------------------------
"12 Years a Slave" came out in America and that sucked up all the guilt about black people that was available. They were so exhausted feeling guilty about slavery that I don't think there was much left over to be nice about our film. So our film didn't do as well as we'd hoped, which was a bit heartbreaking.
Yes, Mandela: Long Walk to Freedom, William Nicholson, actually said that. [From Hitfix]
----------------------------
How did James Cameron write three sequels to Avatar simultaneously? Find out at this Slash Film article.
----------------------------
Slash Film also has an exclusive article on Jurassic World. It concerns plot leaks about the film, the latest installment of the Jurassic Park franchise.
Obits:
Ann B. Davis, the actress who played the housekeeper, Alice, on the television series, "The Brady Bunch," died on Sunday, June 1, 2014 at the age of 88. In the 1950s, Davis won two supporting actress Emmys for her role on "The Bob Cumming Show."
TMZ has a suite of photos from the Abu Dhabi set of Star Wars: Episode VII. Huffington Post posted all of them in one article, including the following
----------------------------
The Business Insider at Yahoo has a nice article on the children of Jack Kirby and their attempt to get the Supreme Court to here their copyright case against Marvel/Disney.
---------------------------
Variety has news that Will Smith will star in a drama about the NFL's concussion problem. Ridley Scott is one of the film's producer. Peter Landesman will write and direct.
----------------------------
Jared Leto as Doctor Strange a/k/a Stephen Strange in Marvel's Dr. Strange movie? Sinister director Scott Derrickson to direct? Go to Collider. What happened to Johnny Depp as Strange?
----------------------------
"12 Years a Slave" came out in America and that sucked up all the guilt about black people that was available. They were so exhausted feeling guilty about slavery that I don't think there was much left over to be nice about our film. So our film didn't do as well as we'd hoped, which was a bit heartbreaking.
Yes, Mandela: Long Walk to Freedom, William Nicholson, actually said that. [From Hitfix]
----------------------------
How did James Cameron write three sequels to Avatar simultaneously? Find out at this Slash Film article.
----------------------------
Slash Film also has an exclusive article on Jurassic World. It concerns plot leaks about the film, the latest installment of the Jurassic Park franchise.
Obits:
Ann B. Davis, the actress who played the housekeeper, Alice, on the television series, "The Brady Bunch," died on Sunday, June 1, 2014 at the age of 88. In the 1950s, Davis won two supporting actress Emmys for her role on "The Bob Cumming Show."
Friday, June 6, 2014
Review: "47 Ronin" Lacks Magic
47 Ronin (2013)
Running time: 119 minutes (1 hour, 59 minutes)
MPAA – PG-13 for intense sequences of violence and action, some disturbing images, and thematic elements
DIRECTOR: Carl Rinsch
WRITERS: Chris Morgan and Hossein Amini; from a screen story by Chris Morgan and Walter Hamada
PRODUCERS: Pamela Abdy, Eric McLeod, and Scott Stuber
CINEMATOGRAPHER: John Mathieson
EDITOR: Stuart Baird
COMPOSER: Ilan Eshkeri
HISTORICAL/MARTIAL ARTS/DRAMA/FANTASY
Starring: Keanu Reeves, Hiroyuki Sanada, Ko Shibasaki, Tadanobu Asano, Rinko Kikuchi, Min Tanaka, Jin Akanishi, Masayoshi Haneda, Hiroshi Sogabe, Takato Yonemoto, Shu Nakajima, and Cary-Hiroyuki Tagawa
47 Ronin is a 2013 samurai action movie and historical fantasy. The film is a fantasy-based, fictional account of the legendary “forty-seven Ronin” and an incident in which they were involved that took place in the early 1700s in Japan.
47 Ronin tells the story through Kai (Keanu Reeves), a half-Japanese, half-English outcast. He lives in the domain of Ako, which is ruled by the benevolent daimyo (lord), Takumi no Kami Asano Naganori (Min Tanaka). Lord Asano found Kai, when he was a child, lost in the forest. Despite being scorned by most people in Ako, including Asano’s samurai, Kai finds deep kinship with Asano’s daughter, Mika (Ko Shibasaki), who loves the half-breed.
Asano is tasked with hosting the Shogun Tokugawa Tsunayoshi (Cary-Hiroyuki Tagawa). Lord Kira Yoshinaka (Tadanobu Asano) is also invited, but Kira wants Ako to be merged with his domain, Nagato. Joined by a conniving Witch (Rinko Kikuchi), Kira masterminds a series of events that ruins Asano. The Shogun orders Asano to die with honor though seppuku (ritual suicide).
Lord Asano’s samurai are cast out and become Ronin (samurai without a master). Oishi (Hiroyuki Sanada), the leader of Asano’s men, finds Kai, whom he once despised, and together they plot revenge against Lord Kira. The duo gathers Asano’s former samurai, and soon there are 47 Ronin on a mission to kill Kira. But the ruthless daimyo is more crafty and cunning than these Ronin imagine.
47 Ronin was not exactly a box office bomb, but it reportedly was a money-loser for Universal Pictures. I think Universal Pictures spent around $175 million on a movie that does not know what it wants to be. 47 Ronin looks like an American version of an epic samurai period drama (a “jidaigeki”). At the same time, the film is filled with fantasy and supernatural elements such as yokai (creatures of Japanese folklore) and magic.
I think that at one point, Universal wanted to make 47 Ronin a kind of epic fantasy franchise like the Lord of the Rings films. What the movie studio ended up with was a samurai movie with supernatural elements awkwardly tacked onto it.
47 Ronin is not a bad movie, nor is it a particularly good movie. There are characters, scenes, and sections of the plot that I really enjoyed and even found riveting. One actor I really liked was Hiroyuki Sanada who played Oishi, Lord Asano’s chief counselor. This is really Oishi’s movie; Sanada gives a nice performance filled with delicacy and grace. Keanu Reeves is Keanu Reeves – intense presence, but wooden delivery of dialogue. So I can recommend 47 Ronin to people who like samurai films, knowing that viewers may have a mixed reaction towards it.
5 of 10
B-
Thursday, June 05, 2014
The text is copyright © 2014 Leroy Douresseaux. All Rights Reserved. Contact this site for syndication rights and fees.
"Edge of Tomorrow" Earns Big in Early International Openings
“Edge of Tomorrow” Rises Early in International Openings
BURBANK, Calif.--(BUSINESS WIRE)--Warner Bros. Pictures’ and Village Roadshow Pictures’ “Edge of Tomorrow,” starring Oscar® nominee Tom Cruise and Emily Blunt and directed by Doug Liman, has earned an outstanding $33 million at the box office in early international openings ahead of its June 6 worldwide debut. The announcement was made today by Veronika Kwan Vandenberg, President of International Distribution, Warner Bros. Pictures.
“The sensational results on Wednesday, coupled with the film’s excellent playability in territories where it debuted last weekend, give us great momentum as we launch in 36 additional countries this weekend, including such major markets as Russia, Australia, Mexico and China.”
“Edge of Tomorrow” had a spectacular opening in Korea, with an estimated KRW 3.9b ($3.8m) on 681 screens, including sneak preview showings. Its Wednesday debut marked the biggest opening of all time for Warner Bros. Pictures in Korea, as well as the fourth biggest opening industry-wide, for that market. The film also opened yesterday at #1 in Denmark and Norway, as well as France, where it was #1 in both admissions and box office even amid strong competition from U.S. product and a popular local comedy.
Kwan Vandenberg said, “The sensational results on Wednesday, coupled with the film’s excellent playability in territories where it debuted last weekend, give us great momentum as we launch in 36 additional countries this weekend, including such major markets as Russia, Australia, Mexico and China.”
The early box office results come on the heels of the film’s groundbreaking worldwide event when, for the first time ever, three fan premieres were held in three different cities—London, Paris and New York—in just one day, “resetting” the red carpet as Tom Cruise and Emily Blunt raced the clock to make each event before time ran out.
Sue Kroll, Warner Bros. Pictures President, Worldwide Marketing and International Distribution, noted, “Tom is a huge star globally and has been a phenomenal partner as we’ve introduced this exciting and original adventure to audiences everywhere. The film has been enthusiastically embraced by critics and consumers alike. Tom has gone above and beyond to support the film, traveling all over the world to share it with fans, and these incredible efforts have made a tremendous impact as we gear up to release ‘Edge of Tomorrow’ worldwide.”
Oscar® nominee Tom Cruise and Emily Blunt star in Warner Bros. Pictures’ and Village Roadshow Pictures’ sci-fi thriller “Edge of Tomorrow,” under the direction of Doug Liman.
The epic action of “Edge of Tomorrow” unfolds in a near future in which an alien race has hit the Earth in an unrelenting assault, unbeatable by any military unit in the world.
Major William Cage (Cruise) is an officer who has never seen a day of combat when he is unceremoniously dropped into what amounts to a suicide mission. Killed within minutes, Cage now finds himself inexplicably thrown into a time loop—forcing him to live out the same brutal combat over and over, fighting and dying again…and again.
But with each battle, Cage becomes able to engage the adversaries with increasing skill, alongside Special Forces warrior Rita Vrataski (Blunt). And, as Cage and Rita take the fight to the aliens, each repeated encounter gets them one step closer to defeating the enemy.
The international cast also includes Bill Paxton, Brendan Gleeson, Noah Taylor, Kick Gurry, Dragomir Mrsic, Charlotte Riley, Jonas Armstrong, Franz Drameh, Masayoshi Haneda and Tony Way.
Liman directed “Edge of Tomorrow” from a screenplay by Christopher McQuarrie and Jez Butterworth & John-Henry Butterworth, based on the novel entitled All You Need is Kill by Hiroshi Sakurazaka. Erwin Stoff produced, along with Tom Lassally, Jeffrey Silver, Gregory Jacobs and Jason Hoffs. The executive producers are Doug Liman, David Bartis, Joby Harold, Hidemi Fukuhara and Bruce Berman, with Tim Lewis and Kim Winther serving as co-producers.
Warner Bros. Pictures presents, in association with Village Roadshow Pictures, a 3 Arts Production, in association with Viz Productions, a Doug Liman Film, “Edge of Tomorrow.” The film is distributed in 2D and 3D in select theatres and IMAX by Warner Bros. Pictures, a Warner Bros. Entertainment Company, and in select territories by Village Roadshow. www.edgeoftomorrowmovie.com
This movie has been rated PG-13 for intense sequences of sci-fi action and violence, language and brief suggestive material.
--------------------
BURBANK, Calif.--(BUSINESS WIRE)--Warner Bros. Pictures’ and Village Roadshow Pictures’ “Edge of Tomorrow,” starring Oscar® nominee Tom Cruise and Emily Blunt and directed by Doug Liman, has earned an outstanding $33 million at the box office in early international openings ahead of its June 6 worldwide debut. The announcement was made today by Veronika Kwan Vandenberg, President of International Distribution, Warner Bros. Pictures.
“The sensational results on Wednesday, coupled with the film’s excellent playability in territories where it debuted last weekend, give us great momentum as we launch in 36 additional countries this weekend, including such major markets as Russia, Australia, Mexico and China.”
“Edge of Tomorrow” had a spectacular opening in Korea, with an estimated KRW 3.9b ($3.8m) on 681 screens, including sneak preview showings. Its Wednesday debut marked the biggest opening of all time for Warner Bros. Pictures in Korea, as well as the fourth biggest opening industry-wide, for that market. The film also opened yesterday at #1 in Denmark and Norway, as well as France, where it was #1 in both admissions and box office even amid strong competition from U.S. product and a popular local comedy.
Kwan Vandenberg said, “The sensational results on Wednesday, coupled with the film’s excellent playability in territories where it debuted last weekend, give us great momentum as we launch in 36 additional countries this weekend, including such major markets as Russia, Australia, Mexico and China.”
The early box office results come on the heels of the film’s groundbreaking worldwide event when, for the first time ever, three fan premieres were held in three different cities—London, Paris and New York—in just one day, “resetting” the red carpet as Tom Cruise and Emily Blunt raced the clock to make each event before time ran out.
Sue Kroll, Warner Bros. Pictures President, Worldwide Marketing and International Distribution, noted, “Tom is a huge star globally and has been a phenomenal partner as we’ve introduced this exciting and original adventure to audiences everywhere. The film has been enthusiastically embraced by critics and consumers alike. Tom has gone above and beyond to support the film, traveling all over the world to share it with fans, and these incredible efforts have made a tremendous impact as we gear up to release ‘Edge of Tomorrow’ worldwide.”
Oscar® nominee Tom Cruise and Emily Blunt star in Warner Bros. Pictures’ and Village Roadshow Pictures’ sci-fi thriller “Edge of Tomorrow,” under the direction of Doug Liman.
The epic action of “Edge of Tomorrow” unfolds in a near future in which an alien race has hit the Earth in an unrelenting assault, unbeatable by any military unit in the world.
Major William Cage (Cruise) is an officer who has never seen a day of combat when he is unceremoniously dropped into what amounts to a suicide mission. Killed within minutes, Cage now finds himself inexplicably thrown into a time loop—forcing him to live out the same brutal combat over and over, fighting and dying again…and again.
But with each battle, Cage becomes able to engage the adversaries with increasing skill, alongside Special Forces warrior Rita Vrataski (Blunt). And, as Cage and Rita take the fight to the aliens, each repeated encounter gets them one step closer to defeating the enemy.
The international cast also includes Bill Paxton, Brendan Gleeson, Noah Taylor, Kick Gurry, Dragomir Mrsic, Charlotte Riley, Jonas Armstrong, Franz Drameh, Masayoshi Haneda and Tony Way.
Liman directed “Edge of Tomorrow” from a screenplay by Christopher McQuarrie and Jez Butterworth & John-Henry Butterworth, based on the novel entitled All You Need is Kill by Hiroshi Sakurazaka. Erwin Stoff produced, along with Tom Lassally, Jeffrey Silver, Gregory Jacobs and Jason Hoffs. The executive producers are Doug Liman, David Bartis, Joby Harold, Hidemi Fukuhara and Bruce Berman, with Tim Lewis and Kim Winther serving as co-producers.
Warner Bros. Pictures presents, in association with Village Roadshow Pictures, a 3 Arts Production, in association with Viz Productions, a Doug Liman Film, “Edge of Tomorrow.” The film is distributed in 2D and 3D in select theatres and IMAX by Warner Bros. Pictures, a Warner Bros. Entertainment Company, and in select territories by Village Roadshow. www.edgeoftomorrowmovie.com
This movie has been rated PG-13 for intense sequences of sci-fi action and violence, language and brief suggestive material.
--------------------
Thursday, June 5, 2014
"Mad Men" Creator Matthew Weiner to Be Honored at 2014 Austin Film Festival
Matthew Weiner to Receive “Outstanding Television Writer” Award at 2014 Austin Film Festival & Screenwriters Conference
“The Writers Festival” announces Panelists for 21st Anniversary, featuring Neil LaBute, Terry George, Cary Fukunaga, William Broyles, Whit Stillman, Michelle Ashford, and more
AFF Screenplay and Film Competitions to include jurors hailing from AMC, The Black List, The Weinstein Company, Oscilloscope, and FilmBuff
AUSTIN, Texas--(BUSINESS WIRE)--Austin Film Festival (AFF), the premier film festival that recognizes the writers’ and filmmakers’ impact on film and television is thrilled to announce accomplished creator, Executive Producer, writer, and director of Mad Men, Matthew Weiner, as the 2014 recipient of the “Outstanding Television Writer” Award. In addition to his television credits, Weiner has written and directed the feature film, Are You Here, which stars Owen Wilson, Zach Galifianakis and Amy Poehler. The film will open in theaters on Friday, August 22.
Weiner has been nominated for a total of 11 Emmys for Outstanding Writing for a Drama Series. He won the award for the series pilot, as well as for the Second Season episode, “Meditations in an Emergency”, with Kater Gordon, and for the Third Season episode, “Shut the Door. Have a Seat.” with Erin Levy. Most recently, Weiner won the WGA Award for Best Episodic for the Season Five episode, “The Other Woman,” with Semi Chellas.
Austin Film Festival annually recognizes an Outstanding Television Writer for their contribution to the culture of television. Previous recipients include Vince Gilligan, David Simon, Chris Carter, David Milch, Mike Judge, David Chase, and Mitch Hurwitz.
Weiner joins Distinguished Screenwriter honoree, Jim Sheridan, along with a strong roundup of Panelists confirmed to speak at the 21st annual Austin Film Festival & Screenwriters Conference such as Neil LaBute (writer/director The Shape of Things), Terry George (writer/director Hotel Rwanda), Whit Stillman (writer/director Metropolitan), Richard Kelly (writer/director Donnie Darko), Emma Tillinger Koskoff (President of Production at Sikelia Productions), Cary Fukunaga (director True Detective), screenwriters behind American Hustle, The Fault in Their Stars, Saving Mr. Banks, and the creators of Fargo, Masters of Sex, Halt and Catch Fire, TURN, and Better Call Saul.
Additional Conference participants include select jurors from AFF’s Film and Screenplay Competitions. Jurors include representatives from AMC, The Weinstein Company, FilmBuff, Sundance Institute, Oscilloscope, The Black List, P.O.V., and Frank Darabont’s production company, Darkwoods Productions.
For a list of confirmed 2014 Panelists, visit www.austinfilmfestval.com. Austin Film Festival and Conference takes place October 23rd through 30th, 2014. Badges and Passes are available for purchase online 24 hours a day at www.austinfilmfestival.com or at 1-800-310-FEST from 10am to 6pm CST.
ABOUT AUSTIN FILM FESTIVAL:
Austin Film Festival is a non-profit organization dedicated to furthering the art, craft, and business of filmmakers and screenwriters and is funded and supported in part by a grant from the Texas Commission on the Arts, City of Austin Economic Growth & Redevelopment Services Office/Cultural Arts Division believing an investment in the Arts is an investment in Austin’s future.
“The Writers Festival” announces Panelists for 21st Anniversary, featuring Neil LaBute, Terry George, Cary Fukunaga, William Broyles, Whit Stillman, Michelle Ashford, and more
AFF Screenplay and Film Competitions to include jurors hailing from AMC, The Black List, The Weinstein Company, Oscilloscope, and FilmBuff
AUSTIN, Texas--(BUSINESS WIRE)--Austin Film Festival (AFF), the premier film festival that recognizes the writers’ and filmmakers’ impact on film and television is thrilled to announce accomplished creator, Executive Producer, writer, and director of Mad Men, Matthew Weiner, as the 2014 recipient of the “Outstanding Television Writer” Award. In addition to his television credits, Weiner has written and directed the feature film, Are You Here, which stars Owen Wilson, Zach Galifianakis and Amy Poehler. The film will open in theaters on Friday, August 22.
Weiner has been nominated for a total of 11 Emmys for Outstanding Writing for a Drama Series. He won the award for the series pilot, as well as for the Second Season episode, “Meditations in an Emergency”, with Kater Gordon, and for the Third Season episode, “Shut the Door. Have a Seat.” with Erin Levy. Most recently, Weiner won the WGA Award for Best Episodic for the Season Five episode, “The Other Woman,” with Semi Chellas.
Austin Film Festival annually recognizes an Outstanding Television Writer for their contribution to the culture of television. Previous recipients include Vince Gilligan, David Simon, Chris Carter, David Milch, Mike Judge, David Chase, and Mitch Hurwitz.
Weiner joins Distinguished Screenwriter honoree, Jim Sheridan, along with a strong roundup of Panelists confirmed to speak at the 21st annual Austin Film Festival & Screenwriters Conference such as Neil LaBute (writer/director The Shape of Things), Terry George (writer/director Hotel Rwanda), Whit Stillman (writer/director Metropolitan), Richard Kelly (writer/director Donnie Darko), Emma Tillinger Koskoff (President of Production at Sikelia Productions), Cary Fukunaga (director True Detective), screenwriters behind American Hustle, The Fault in Their Stars, Saving Mr. Banks, and the creators of Fargo, Masters of Sex, Halt and Catch Fire, TURN, and Better Call Saul.
Additional Conference participants include select jurors from AFF’s Film and Screenplay Competitions. Jurors include representatives from AMC, The Weinstein Company, FilmBuff, Sundance Institute, Oscilloscope, The Black List, P.O.V., and Frank Darabont’s production company, Darkwoods Productions.
For a list of confirmed 2014 Panelists, visit www.austinfilmfestval.com. Austin Film Festival and Conference takes place October 23rd through 30th, 2014. Badges and Passes are available for purchase online 24 hours a day at www.austinfilmfestival.com or at 1-800-310-FEST from 10am to 6pm CST.
ABOUT AUSTIN FILM FESTIVAL:
Austin Film Festival is a non-profit organization dedicated to furthering the art, craft, and business of filmmakers and screenwriters and is funded and supported in part by a grant from the Texas Commission on the Arts, City of Austin Economic Growth & Redevelopment Services Office/Cultural Arts Division believing an investment in the Arts is an investment in Austin’s future.
Josh Trank, Director of "Chronicle," to Helm Star Wars Stand-Alone Movie
Josh Trank To Direct Stand-Alone Star Wars Film
June 04, 2014 - In addition to the episodes of a new Star Wars trilogy, Lucasfilm and Disney continue development of multiple stand-alone movies that will offer new stories beyond the core Saga. The newest director to come on board is Josh Trank.
"We're thrilled to welcome Josh into the family," says Lucasfilm president Kathleen Kennedy. "He is such an incredible talent and has a great imagination and sense of innovation. That makes him perfectly suited to Star Wars, and for this new slate of movies that reach beyond the core characters and storylines of Episodes I through IX."
Trank states, "The magic of the Star Wars Universe defined my entire childhood. The opportunity to expand on that experience for future generations is the most incredible dream of all time."
Trank captured imaginations worldwide with his critically lauded directorial debut Chronicle, a fresh and engaging take on the superhero genre. Trank is currently at work on The Fantastic Four for 20th Century Fox.
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