by Leroy Douresseaux
The Golden Raspberry Award or, as it is best known, the Razzie Award, is basically the opposite of the Academy Awards (the Oscars). This award honors the worst achievements in film in a calendar year, as determined by the paid membership of the Golden Raspberry Award Foundation.
The nominations for 33rd Annual Razzie Awards were announced on January 8, 2013, and the 33rd Annual Razzie Awards were announced Saturday, February 23, 2013, one day before the Academy Awards ceremony. This is the tradition, although the previous awards ceremony (32nd) was held on April Fool’s Day.
Twilight Saga: Breaking Dawn - Part 2 won 7 of the 10 categories at the 33rd Annual Razzie Awards. Adam Sandler continued his recent reign as a performer at the Razzie Awards, winning "Worst Actor" for That's My Boy. I am a fan of the Twilight films (though I've only read the first two books in the series), and I think the Razzie voters are just haters when it comes Twilight. In fact, I think they're haters in general. The Razzies are the mirror image of the Oscars. Why? Both focus, for the most part, on the Hollywood industry - highlighting big names to serve their own self-interests. Anyway, here are the winners/losers...
Here, are the nominees and winners of the 2013 Razzie Awards, with the winners in bold and with “WINNER” next to their name or title:
Worst Picture:
Battleship
Oogieloves in the Big Balloon Adventure
That’s My Boy!
A Thousand Words
Twilight Saga: Breaking Dawn Part 2 WINNER
Worst Actress:
Katherine Heigl, One For The Money
Milla Jovovich, Resident Evil #5: Retribution
Tyler Perry (In Drag), Madea’s Witless Protection
Kristen Stewart, Snow White and The Huntsman & Twilight Saga: Breaking Dawn Part 2 WINNER
Barbra Streisand, Guilt Trip
Worst Actor:
Nicolas Cage, Ghost Rider 2: Spirit of Vengeance & Seeking Justice
Eddie Murphy, A Thousand Words
Robert Pattinson, Twilight Saga: Breaking Dawn Part 2
Tyler Perry (Not in Drag), Alex Cross & Tyler Perry’s Good Deeds
Adam Sandler, That’s My Boy! WINNER
Worst Supporting Actress:
Jessica Biel, Playing For Keeps & Total Recall
Brooklyn Decker, Battleship &What To Expect When You’re Expecting
Ashley Green, Twilight Saga: Breaking Dawn Part 2
Jennifer Lopez, What to Expect When You’re Expecting
Rihanna, Battleship WINNER
Worst Supporting Actor:
David Hasselhoff (as “Himself”), Pirannha 3-DD
Taylor Lautner, Twilight Saga: Breaking Dawn Part 2 WINNER
Liam Neeson, Battleship & Wrath of the Titans
Nick Swardson, That’s My Boy!
Vanilla Ice (as “Himself”), That’s My Boy!
Worst Screen Couple:
Any Combination of Two Cast Members from Jersey Shore, The Three Stooges
Mackenzie Foy (as “Little Renesmee”) & Taylor Lautner, Twilight Saga: Breaking Dawn Part 2 WINNER
Robert Pattinson & Kristen Stewart, Twilight Saga: Breaking Dawn Part 2
Tyler Perry & His Drag Get-Up, Tyler Perry’s Madea’s Witless Protection
Adam Sandler and either Leighton Meester, Andy Samberg, or Susan Sarandon, That’s My Boy!
Worst Director:
Sean Anders, That’s My Boy!
Peter Berg, Battleship
Bill Condon, Twilight Saga: Breaking Dawn Part 2 WINNER
Tyler Perry, Good Deeds & Madea’s Witless Protection
John Putch, Atlas Shrugged: Part II
Worst Screen Ensemble:
The Entire Cast of Battleship
The Entire Cast of Oogieloves inThe Big Balloon Adventure
The Entire Cast of That’s My Boy!
The Entire Cast of Twilight Saga: Breaking Dawn Part 2 WINNER
The Entire Cast of Madea’s Witless Protection
Worst Screenplay:
Atlas Shrugged: Part II
Battleship
That’s My Boy! WINNER
A Thousand Words
Twilight Saga: Breaking Dawn Part 2
Worst Prequel, Remake, Rip-off or Sequel (selected by the general public via the Razzie Award website):
The Twilight Saga: Breaking Dawn – Part 2 WINNER
Ghost Rider: Spirit of Vengeance
Tyler Perry's Madea's Witness Protection
Piranha 3DD
Red Dawn
http://www.razzies.com/
Showing posts with label Adam Sandler. Show all posts
Showing posts with label Adam Sandler. Show all posts
Wednesday, February 27, 2013
Sunday, February 17, 2013
Review: "Hotel Transylvania" is the Place for Surprises
Hotel Transylvania (2012)
Running time: 91 minutes (1 hour, 31 minutes)
MPAA – PG for some rude humor, action and scary images
DIRECTOR: Genndy Tartakovsky
WRITERS: Peter Baynham and Robert Smigel; from a story by Todd Durham and Dan Hageman, and Kevin Hageman
PRODUCER: Michelle Murdocca
EDITOR: Catherine Apple
COMPOSER: Mark Mothersbaugh
Golden Globe nominee
ANIMATION/FANTASY/COMEDY/FAMILY with elements of horror
Starring: (voices) Adam Sandler, Andy Samberg, Selena Gomez, Kevin James, Fran Drescher, Steve Buscemi, Molly Shannon, David Spade, CeeLo Green, Jon Lovitz, Brian George, Lunell, Robert Smigel, Rob Riggle, Jim Wise, and Jackie Sandler
Hotel Transylvania is a 2012 3D computer-animated comedy and fantasy from Sony Pictures Animation. Distributed by Columbia Pictures, the film is directed by Genndy Tartakovsky, the creator of such Cartoon Network animated series as Dexter’s Lab and Samurai Jack. Hotel Transylvania focuses on a version of Dracula who operates a resort outside the human world and who is an overprotective father of a teen-aged daughter.
After the death of his wife, Martha, Count Dracula (Adam Sandler) builds Hotel Transylvania, a high-end resort and hotel away from the human world. It serves two purposes. First, it is a place where the monsters of the world can be safe from humans, who want to kill them. Secondly, it is a place where Dracula can keep his daughter, Mavis Dracula (Selena Gomez), safe from the kind of humans who kill monsters.
For Mavis’ 118th birthday, Dracula throws a huge party and invites some of the most famous monsters. They are Frankenstein (Kevin James) and his wife, Eunice (Fran Drescher); Wayne Werewolf and his wife, Wanda (Molly Shannon); Murray the Mummy (CeeLo Green); and Griffin the Invisible Man (David Spade), to name a few. Mavis, however, is looking for a big change in her life; she’s ready to see the world and really isn’t interested in a birthday party. Then, a 21-year-old human named Jonathan (Andy Samberg) stumbles into Hotel Transylvania and creates havoc. Dracula goes into overprotective mode, but Mavis finds herself attracted to the young man.
Although I’d heard some unfavorable things about the movie, I really liked Hotel Transylvania. It is a 3D cartoon that looks and acts like an old 2D cartoon, especially the cartoon shorts Tex Avery, whom director Genndy Tartakovsky mentioned in an interview about Hotel Transylvania. Hotel Transylvania also reminded me of the 1963 Bugs Bunny “Merrie Melodies” cartoon short, Transylvania 6-5000, which was directed by Chuck Jones (with Maurice Noble) and written by John Dunn. I can also see the influence of director Tim Burton and of Charles Addams, The New Yorker cartoonist best known for creating “The Addams Family.”
Influences aside, Hotel Transylvania is a lively, fun film. The character design by Carlos Grangel and Carter Goodrich recalls Warner Bros.’ Looney Tunes cartoons (some of which the aforementioned Tex Avery directed). The production design (by Marcelo Vignali) turns Dracula’s private hotel/resort/home into a wonderland in which no two places really resemble each other.
Like Jim Carrey, Adam Sandler is a cartoon character as much as he is an actor, so it is no surprise that Sandler gives a voice performance as Count Dracula that is both layered and dynamic and cartoonish and wacky that it seems like a live-action performance. Andy Samberg almost matches him as Jonathan, and Selena Gomez makes Mavis more than just Daddy’s girl. The rest of the main cast also deliver excellent performances, with Kevin James creating a Frankenstein unlike any other and Grammy Award-wining singer-songwriter, CeeLo Green, sparkling as Murray the Mummy, a surprisingly good character.
I have not seen all of Genndy Tartakovsky work as a director of animated television series, but what I’ve seen, I’ve found to be exceptional, even great. Still, I’m surprised with the quality of his first feature film. Hotel Transylvania leaves me wanting more.
7 of 10
A-
NOTES:
2013 Golden Globes, USA: 1 nomination: “Best Animated Film”
Tuesday, February 05, 2013
Sunday, February 10, 2013
Houston Film Critics Choose "Argo" as 2012's Best
The Houston Film Critics Society named Argo is "Best Picture of 2012" and the film's director, Ben Affleck, as the "Best Director." Once again, Prometheus received a "worse picture" notice. I think the dislike and, quite frankly, hatred has to do with it not being the Alien (1979) movie/prequel some people thought it should be.
The Houston Film Critics Society was founded in 2007. It is a not-for-profit organization of 26 print, broadcast and Internet film critics based in the Greater Metropolitan Houston area.
Houston Film Critics Society 2012 nominees and winners (in bold):
Best Picture:
"Argo" WINNER
"Beasts of the Southern Wild"
"Cloud Atlas"
"Django Unchained"
"Lincoln"
"The Master"
"Les Miserables"
"Moonrise Kingdom"
"Silver Linings Playbook"
"Zero Dark Thirty"
Best Director:
Ben Affleck, "Argo" WINNER
Quentin Tarantino, "Django Unchained"
Steven Spielberg, "Lincoln"
Tom Hooper, "Les Miserables"
Kathryn Bigelow, "Zero Dark Thirty"
Best Actor:
Daniel Day-Lewis, "Lincoln" WINNER
John Hawkes, "The Sessions"
Hugh Jackman, "Les Miserables"
Joaquin Phoenix, "The Master"
Denzel Washington, "Flight"
Best Actress:
Jennifer Lawrence, "Silver Linings Playbook" WINNER
Jessica Chastain, "Zero Dark Thirty"
Emmanuelle Riva, "Amour"
Quvenzhane Wallis, "Beasts of the Southern Wild"
Naomi Watts, "The Impossible"
Best Supporting Actor:
Tommy Lee Jones, "Lincoln" WINNER
Alan Arkin, "Argo"
Javier Bardem, "Skyfall"
Phillip Seymour Hoffman, "The Master"
Matthew McConaughey, "Magic Mike"
Best Supporting Actress:
Anne Hathaway, "Les Miserables" WINNER:
Amy Adams, "The Master"
Judi Dench, "Skyfall"
Sally Field, "Lincoln"
Helen Hunt, "The Sessions"
Best Screenplay:
"Lincoln" WINNER
"Argo"
"Looper"
"Silver Linings Playbook"
"Zero Dark Thirty"
Best Cinematography:
"Skyfall" WINNER
"Life of Pi"
"Lincoln"
"The Master"
"Les Miserables"
Best Original Score:
"Cloud Atlas" WINNER
"Beasts of the Southern Wild"
"Hitchcock"
"Life of Pi"
"Lincoln"
"The Master"
"Skyfall"
Best Foreign Language Film:
"Holy Motors" (France) WINNER
"Amour" (Austria)
"The Intouchables" (France)
"A Royal Affair" (Denmark)
"Rust and Bone" (France/Belgium)
Best Animated Film:
"Wreck-It Ralph" WINNER
"Brave"
"Frankenweenie"
"ParaNorman"
"Rise of the Guardians"
Worst Film of 2012:
"That’s My Boy" WINNER
"Anna Karenina"
"Battleship"
"Prometheus"
"The Three Stooges"
The Houston Film Critics Society was founded in 2007. It is a not-for-profit organization of 26 print, broadcast and Internet film critics based in the Greater Metropolitan Houston area.
Houston Film Critics Society 2012 nominees and winners (in bold):
Best Picture:
"Argo" WINNER
"Beasts of the Southern Wild"
"Cloud Atlas"
"Django Unchained"
"Lincoln"
"The Master"
"Les Miserables"
"Moonrise Kingdom"
"Silver Linings Playbook"
"Zero Dark Thirty"
Best Director:
Ben Affleck, "Argo" WINNER
Quentin Tarantino, "Django Unchained"
Steven Spielberg, "Lincoln"
Tom Hooper, "Les Miserables"
Kathryn Bigelow, "Zero Dark Thirty"
Best Actor:
Daniel Day-Lewis, "Lincoln" WINNER
John Hawkes, "The Sessions"
Hugh Jackman, "Les Miserables"
Joaquin Phoenix, "The Master"
Denzel Washington, "Flight"
Best Actress:
Jennifer Lawrence, "Silver Linings Playbook" WINNER
Jessica Chastain, "Zero Dark Thirty"
Emmanuelle Riva, "Amour"
Quvenzhane Wallis, "Beasts of the Southern Wild"
Naomi Watts, "The Impossible"
Best Supporting Actor:
Tommy Lee Jones, "Lincoln" WINNER
Alan Arkin, "Argo"
Javier Bardem, "Skyfall"
Phillip Seymour Hoffman, "The Master"
Matthew McConaughey, "Magic Mike"
Best Supporting Actress:
Anne Hathaway, "Les Miserables" WINNER:
Amy Adams, "The Master"
Judi Dench, "Skyfall"
Sally Field, "Lincoln"
Helen Hunt, "The Sessions"
Best Screenplay:
"Lincoln" WINNER
"Argo"
"Looper"
"Silver Linings Playbook"
"Zero Dark Thirty"
Best Cinematography:
"Skyfall" WINNER
"Life of Pi"
"Lincoln"
"The Master"
"Les Miserables"
Best Original Score:
"Cloud Atlas" WINNER
"Beasts of the Southern Wild"
"Hitchcock"
"Life of Pi"
"Lincoln"
"The Master"
"Skyfall"
Best Foreign Language Film:
"Holy Motors" (France) WINNER
"Amour" (Austria)
"The Intouchables" (France)
"A Royal Affair" (Denmark)
"Rust and Bone" (France/Belgium)
Best Animated Film:
"Wreck-It Ralph" WINNER
"Brave"
"Frankenweenie"
"ParaNorman"
"Rise of the Guardians"
Worst Film of 2012:
"That’s My Boy" WINNER
"Anna Karenina"
"Battleship"
"Prometheus"
"The Three Stooges"
Monday, December 31, 2012
Oklahoma Film Critics Name "Argo" Best Film of 2012
The Oklahoma Film Critics Circle (OFCC) is the statewide group of professional film critics. OFCC members are Oklahoma-based movie critics who write for print, broadcast and online outlets that publish or post reviews of current film releases.
OFCC 2012 Film Awards:
Top 10 Films
1. “Argo.”
2. “Zero Dark Thirty.”
3. “Moonrise Kingdom.”
4. “Django Unchained.”
5. “Silver Linings Playbook.”
6. “Beasts of the Southern Wild.”
7. “The Master.”
8. “Lincoln.”
9. “Looper.”
10. “Les Miserables.”
Best Film: “Argo.”
Best Director: Ben Affleck, “Argo.”
Best Actor: Daniel Day-Lewis, “Lincoln.”
Best Actress: Jessica Chastain, “Zero Dark Thirty.”
Best Supporting Actor: Philip Seymour Hoffman, “The Master.”
Best Supporting Actress: Anne Hathaway, “Les Miserables.”
Best Original Screenplay: Wes Anderson and Roman Coppola, “Moonrise Kingdom.”
Best Adapted Screenplay: Chris Terrio, “Argo.”
Best Animated Film: “Wreck-It Ralph.”
Best Body of Work: Joseph Gordon-Levitt (“Looper,” “The Dark Knight Rises,” “Lincoln”)
Best Documentary: “Searching for Sugar Man.”
Best First Feature: “Beasts of the Southern Wild,” Benh Zeitlin.
Best Foreign Language Film: “Amour.” (from Austria)
Best Guilty Pleasure: “21 Jump Street.”
Not-So-Obviously Worst Movie: “Prometheus.”
Obviously Worst Movie: “That’s My Boy.”
OFCC 2012 Film Awards:
Top 10 Films
1. “Argo.”
2. “Zero Dark Thirty.”
3. “Moonrise Kingdom.”
4. “Django Unchained.”
5. “Silver Linings Playbook.”
6. “Beasts of the Southern Wild.”
7. “The Master.”
8. “Lincoln.”
9. “Looper.”
10. “Les Miserables.”
Best Film: “Argo.”
Best Director: Ben Affleck, “Argo.”
Best Actor: Daniel Day-Lewis, “Lincoln.”
Best Actress: Jessica Chastain, “Zero Dark Thirty.”
Best Supporting Actor: Philip Seymour Hoffman, “The Master.”
Best Supporting Actress: Anne Hathaway, “Les Miserables.”
Best Original Screenplay: Wes Anderson and Roman Coppola, “Moonrise Kingdom.”
Best Adapted Screenplay: Chris Terrio, “Argo.”
Best Animated Film: “Wreck-It Ralph.”
Best Body of Work: Joseph Gordon-Levitt (“Looper,” “The Dark Knight Rises,” “Lincoln”)
Best Documentary: “Searching for Sugar Man.”
Best First Feature: “Beasts of the Southern Wild,” Benh Zeitlin.
Best Foreign Language Film: “Amour.” (from Austria)
Best Guilty Pleasure: “21 Jump Street.”
Not-So-Obviously Worst Movie: “Prometheus.”
Obviously Worst Movie: “That’s My Boy.”
Monday, April 2, 2012
Adam Sandler and "Jack & Jill" Dominate 2012 Razzie Awards
The Golden Raspberry Award or, as it is best known, the Razzie Award, is basically the opposite of the Academy Awards (the Oscars). This award honors the worst achievements in film in a calendar year, as determined by the paid membership of the Golden Raspberry Award Foundation.
The 32nd Annual Razzie Awards were announced Sunday, April 1, 2012, which was, of course, April Fools’ Day. For the first time in the 32 years of the Razzie Awards, one movie won every category. One actor's work took home every tropy. That movie is Jack & Jill. That actor is Adam Sandler. There is nothing else to say.
The 32nd Annual Razzie Awards winners (for 2011):
WORST PICTURE
Jack & Jill
WORST ACTOR
Adam Sandler – Jack & Jill and Just Go with It
WORST ACTRESS
Adam Sandler (As “Jill”) – Jack & Jill
WORST SUPPORTING ACTOR
Al Pacino (As “Al Pacino”) – Jack & Jill
WORST SUPPORTING ACTRESS
David Spade (As “Monica”) – Jack & Jill
WORST SCREEN ENSEMBLE
The Entire Cast of Jack & Jill
WORST DIRECTOR
Dennis Dugan – Jack & Jill and Just Go with It
WORST PREQUEL, REMAKE, RIP-OFF OR SEQUEL
Jack & Jill (Remake/Rip-Off of Ed Woods’ Glen or Glenda)
WORST SCREEN COUPLE
Adam Sandler and EITHER Katie Holmes, Al Pacino OR Adam Sandler / Jack & Jill
WORST SCREENPLAY
Jack & Jill – Screenplay by Steve Koren & Adam Sandler, Story by Ben Zook
The 32nd Annual Razzie Awards were announced Sunday, April 1, 2012, which was, of course, April Fools’ Day. For the first time in the 32 years of the Razzie Awards, one movie won every category. One actor's work took home every tropy. That movie is Jack & Jill. That actor is Adam Sandler. There is nothing else to say.
The 32nd Annual Razzie Awards winners (for 2011):
WORST PICTURE
Jack & Jill
WORST ACTOR
Adam Sandler – Jack & Jill and Just Go with It
WORST ACTRESS
Adam Sandler (As “Jill”) – Jack & Jill
WORST SUPPORTING ACTOR
Al Pacino (As “Al Pacino”) – Jack & Jill
WORST SUPPORTING ACTRESS
David Spade (As “Monica”) – Jack & Jill
WORST SCREEN ENSEMBLE
The Entire Cast of Jack & Jill
WORST DIRECTOR
Dennis Dugan – Jack & Jill and Just Go with It
WORST PREQUEL, REMAKE, RIP-OFF OR SEQUEL
Jack & Jill (Remake/Rip-Off of Ed Woods’ Glen or Glenda)
WORST SCREEN COUPLE
Adam Sandler and EITHER Katie Holmes, Al Pacino OR Adam Sandler / Jack & Jill
WORST SCREENPLAY
Jack & Jill – Screenplay by Steve Koren & Adam Sandler, Story by Ben Zook
Saturday, March 31, 2012
Adam Sandler Dominates 2012 Razzie Award Nominations
The Golden Raspberry Award or, as it is best known, the Razzie Award, is basically the opposite of the Academy Awards (the Oscars). This award honors the worst achievements in film in a calendar year, as determined by the paid membership of the Golden Raspberry Award Foundation.
The 32nd Annual Razzie Awards will be announced Sunday, April 1, 2012, which is, of course, April Fools’ Day. The big news is that Adam Sandler has more than doubled Eddie Murphy's old record of most nominations accrued by an individual in a single year. As an actor, a writer, and/or a producer on three films released in 2011 (Jack and Jill, Bucky Larson: Born to Be a Star, and Just Go with It), Sandler earned 11 nominations.
The 32nd Annual Razzie Awards nominations (for 2011):
WORST PICTURE
Bucky Larson: Born to Be a Star (Columbia Pictures / Happy Madison Productions)
Jack & Jill (Columbia Pictures / Happy Madison Productions)
New Year's Eve (Warner Bros. / New Line Cinema)
Transformers: Dark of the Moon (Paramount Pictures / Hasbro)
The Twilight Saga: Breaking Dawn Part 1 (Summit Entertainment)
WORST ACTOR
Russell Brand, Arthur
Nicolas Cage, Drive Angry 3-D, Season of the Witch and Trespass
Taylor Lautner, Abduction and The Twilight Saga: Breaking Dawn Part 1
Adam Sandler, Jack & Jill and Just Go With It
Nick Swardson, Bucky Larson: Born to Be a Star
WORST ACTRESS
Martin Lawrence, Big Mommas: Like Father, Like Son
Sarah Palin, Sarah Palin: The Undefeated
Sarah Jessica Parker, I Don't Know How She Does It and New Year's Eve
Adam Sandler, Jack & Jill
Kristen Stewart, The Twilight Saga: Breaking Dawn Part 1
WORST SUPPORTING ACTOR
Patrick Dempsey, Transformers: Dark of the Moon
James Franco, Your Highness
Ken Jeong, Big Mommas: Like Father, Like Son, The Hangover Part 2, Transformers: Dark of the Moon and Zookeeper
Al Pacino, Jack & Jill
Nick Swardson, Jack & Jill and Just Go With It
WORST SUPPORTING ACTRESS
Katie Holmes, Jack & Jill
Brandon T. Jackson, Big Mommas: Like Father, Like Son
Nicole Kidman, Just Go With It
David Spade, Jack & Jill
Rosie Huntington-Whiteley, Transformers: Dark of the Moon
WORST SCREEN ENSEMBLE
Cast of Bucky Larson: Born to Be a Star
Cast of Jack & Jill
Cast of New Year's Eve
Cast of Transformers: Dark of the Moon
Cast of The Twilight Saga: Breaking Dawn Part 1
WORST DIRECTOR
Michael Bay, Transformers: Dark of the Moon
Tom Brady, Bucky Larson: Born to Be a Star
Bill Condon, The Twilight Saga: Breaking Dawn Part 1
Dennis Dugan, Jack & Jill and Just Go With It
Garry Marshall, New Year's Eve
WORST PREQUEL, REMAKE, RIP-OFF OR SEQUEL
Arthur
Bucky Larson: Born to Be a Star (ripoff of Boogie Nights and A Star Is Born)
The Hangover Part 2 (both a sequel and a remake)
Jack & Jill (remake/ripoff of Ed Woods' Glen or Glenda)
The Twilight Saga: Breaking Dawn Part 1
WORST SCREEN COUPLE
Nicolas Cage and Anyone Sharing the Screen With Him in any of his three 2011 movies
Shia LeBeouf and Rosie Huntington-Whiteley, Transformers: Dark of the Moon
Adam Sandler and either Jennifer Aniston or Brooklyn Decker, Just Go With It
Adam Sandler and either Katie Holmes, Al Pacino or Adam Sandler, Jack & Jill
Kristen Stewart and either Taylor Lautner or Robert Pattinson, The Twilight Saga: Breaking Dawn Part 1
WORST SCREENPLAY
Bucky Larson: Born to Be a Star (written by Adam Sandler, Allen Covert and Nick Swardson)
Jack & Jill (screenplay by Steve Koren & Adam Sandler, story by Ben Zook)
New Year's Eve (written by Katherine Fugate)
Transformers: Dark of the Moon (written by Ehren Kruger)
The Twilight Saga: Breaking Dawn Part 1 (screenplay by Melissa Rosenberg)
The 32nd Annual Razzie Awards will be announced Sunday, April 1, 2012, which is, of course, April Fools’ Day. The big news is that Adam Sandler has more than doubled Eddie Murphy's old record of most nominations accrued by an individual in a single year. As an actor, a writer, and/or a producer on three films released in 2011 (Jack and Jill, Bucky Larson: Born to Be a Star, and Just Go with It), Sandler earned 11 nominations.
The 32nd Annual Razzie Awards nominations (for 2011):
WORST PICTURE
Bucky Larson: Born to Be a Star (Columbia Pictures / Happy Madison Productions)
Jack & Jill (Columbia Pictures / Happy Madison Productions)
New Year's Eve (Warner Bros. / New Line Cinema)
Transformers: Dark of the Moon (Paramount Pictures / Hasbro)
The Twilight Saga: Breaking Dawn Part 1 (Summit Entertainment)
WORST ACTOR
Russell Brand, Arthur
Nicolas Cage, Drive Angry 3-D, Season of the Witch and Trespass
Taylor Lautner, Abduction and The Twilight Saga: Breaking Dawn Part 1
Adam Sandler, Jack & Jill and Just Go With It
Nick Swardson, Bucky Larson: Born to Be a Star
WORST ACTRESS
Martin Lawrence, Big Mommas: Like Father, Like Son
Sarah Palin, Sarah Palin: The Undefeated
Sarah Jessica Parker, I Don't Know How She Does It and New Year's Eve
Adam Sandler, Jack & Jill
Kristen Stewart, The Twilight Saga: Breaking Dawn Part 1
WORST SUPPORTING ACTOR
Patrick Dempsey, Transformers: Dark of the Moon
James Franco, Your Highness
Ken Jeong, Big Mommas: Like Father, Like Son, The Hangover Part 2, Transformers: Dark of the Moon and Zookeeper
Al Pacino, Jack & Jill
Nick Swardson, Jack & Jill and Just Go With It
WORST SUPPORTING ACTRESS
Katie Holmes, Jack & Jill
Brandon T. Jackson, Big Mommas: Like Father, Like Son
Nicole Kidman, Just Go With It
David Spade, Jack & Jill
Rosie Huntington-Whiteley, Transformers: Dark of the Moon
WORST SCREEN ENSEMBLE
Cast of Bucky Larson: Born to Be a Star
Cast of Jack & Jill
Cast of New Year's Eve
Cast of Transformers: Dark of the Moon
Cast of The Twilight Saga: Breaking Dawn Part 1
WORST DIRECTOR
Michael Bay, Transformers: Dark of the Moon
Tom Brady, Bucky Larson: Born to Be a Star
Bill Condon, The Twilight Saga: Breaking Dawn Part 1
Dennis Dugan, Jack & Jill and Just Go With It
Garry Marshall, New Year's Eve
WORST PREQUEL, REMAKE, RIP-OFF OR SEQUEL
Arthur
Bucky Larson: Born to Be a Star (ripoff of Boogie Nights and A Star Is Born)
The Hangover Part 2 (both a sequel and a remake)
Jack & Jill (remake/ripoff of Ed Woods' Glen or Glenda)
The Twilight Saga: Breaking Dawn Part 1
WORST SCREEN COUPLE
Nicolas Cage and Anyone Sharing the Screen With Him in any of his three 2011 movies
Shia LeBeouf and Rosie Huntington-Whiteley, Transformers: Dark of the Moon
Adam Sandler and either Jennifer Aniston or Brooklyn Decker, Just Go With It
Adam Sandler and either Katie Holmes, Al Pacino or Adam Sandler, Jack & Jill
Kristen Stewart and either Taylor Lautner or Robert Pattinson, The Twilight Saga: Breaking Dawn Part 1
WORST SCREENPLAY
Bucky Larson: Born to Be a Star (written by Adam Sandler, Allen Covert and Nick Swardson)
Jack & Jill (screenplay by Steve Koren & Adam Sandler, story by Ben Zook)
New Year's Eve (written by Katherine Fugate)
Transformers: Dark of the Moon (written by Ehren Kruger)
The Twilight Saga: Breaking Dawn Part 1 (screenplay by Melissa Rosenberg)
Friday, February 3, 2012
Board Game, "Candy Land," to Become Adam Sandler Movie
Sweet! Adam Sandler to Play “Candy Land”
Columbia Pictures, Happy Madison and Hasbro Team Up to Bring the Classic Game to the Big Screen
CULVER CITY, Calif.--(BUSINESS WIRE)--Columbia Pictures, Happy Madison and Hasbro, Inc. (NASDAQ:HAS) are in final talks to develop Candy Land, a live action movie based on the bestselling Hasbro board game with Adam Sandler attached to star, it was jointly announced today by Doug Belgrad, President of Columbia Pictures, Hannah Minghella, President of Production for Columbia Pictures, and Brian Goldner, Hasbro President and CEO. Kevin Lima (Enchanted) is attached to direct the project for the studio with Sandler and Robert Smigel are in talks to write the screenplay.
Commenting on the announcement, Belgrad said, "Candy Land is more than just a game. It is a brand that children, parents and grandparents know and love. The world of Candy Land offers an extraordinary canvas upon which to create a fantastical, live-action family adventure film with a larger than life part for Adam. We are thrilled to partner with Hasbro and Happy Madison on this project."
“The creative talent on board for this movie is amazing and we are excited to bring alive the world of Candy Land for kids and families everywhere,” Goldner added. “Sony/Columbia has been a wonderful creative partner as we develop another of our games, Risk, for the big screen. We are looking forward to working with Sony/Columbia and Adam Sandler and his team at Happy Madison Productions on this film.”
Candy Land is one of the most beloved and best known games of all time. Created in 1949, it has been played by generations of families. In the game, players go on a magical journey through fantastical lands made of candy, sweets, and ice cream: the Peppermint Forest, the Gum Drop Mountains, and the Lollypop Woods. Along the way, players encounter such iconic characters as Princess Frostine, Lord Licorice, Mr. Mint, and King Candy.
The project will be produced by Goldner (Transformers) and Hasbro’s Senior Vice President and Managing Director of Motion Pictures, Bennett Schneir (Battleship) along with Happy Madison Productions. At Columbia, development of Candy Land will be overseen by Sam Dickerman.
About Sony Pictures Entertainment
Sony Pictures Entertainment (SPE) is a subsidiary of Sony Corporation of America, a subsidiary of Tokyo-based Sony Corporation. SPE’s global operations encompass motion picture production, acquisition and distribution; television production, acquisition and distribution; home entertainment acquisition and distribution; worldwide television networks; digital content creation and distribution; operation of studio facilities; development of new entertainment products, services and technologies; and distribution of entertainment in more than 142 countries. Sony Pictures Entertainment can be found on the World Wide Web at http://www.sonypictures.com/.
Hasbro, Inc. (NASDAQ: HAS) is a branded play company providing children and families around the world with a wide-range of immersive entertainment offerings based on the Company’s world class brand portfolio. From toys and games, to television programming, motion pictures, video games and a comprehensive licensing program, Hasbro strives to delight its customers through the strategic leveraging of well-known and beloved brands such as TRANSFORMERS, LITTLEST PET SHOP, NERF, PLAYSKOOL, MY LITTLE PONY, G.I. JOE, MAGIC: THE GATHERING and MONOPOLY. The Hub, Hasbro’s multi-platform joint venture with Discovery Communications (NASDAQ: DISCA, DISCB, DISCK) launched on October 10, 2010. The online home of The Hub is www.hubworld.com. The Hub logo and name are trademarks of Hub Television Networks, LLC. All rights reserved.
Come see how we inspire play through our brands at http://www.hasbro.com/.
Columbia Pictures, Happy Madison and Hasbro Team Up to Bring the Classic Game to the Big Screen
CULVER CITY, Calif.--(BUSINESS WIRE)--Columbia Pictures, Happy Madison and Hasbro, Inc. (NASDAQ:HAS) are in final talks to develop Candy Land, a live action movie based on the bestselling Hasbro board game with Adam Sandler attached to star, it was jointly announced today by Doug Belgrad, President of Columbia Pictures, Hannah Minghella, President of Production for Columbia Pictures, and Brian Goldner, Hasbro President and CEO. Kevin Lima (Enchanted) is attached to direct the project for the studio with Sandler and Robert Smigel are in talks to write the screenplay.
Commenting on the announcement, Belgrad said, "Candy Land is more than just a game. It is a brand that children, parents and grandparents know and love. The world of Candy Land offers an extraordinary canvas upon which to create a fantastical, live-action family adventure film with a larger than life part for Adam. We are thrilled to partner with Hasbro and Happy Madison on this project."
“The creative talent on board for this movie is amazing and we are excited to bring alive the world of Candy Land for kids and families everywhere,” Goldner added. “Sony/Columbia has been a wonderful creative partner as we develop another of our games, Risk, for the big screen. We are looking forward to working with Sony/Columbia and Adam Sandler and his team at Happy Madison Productions on this film.”
Candy Land is one of the most beloved and best known games of all time. Created in 1949, it has been played by generations of families. In the game, players go on a magical journey through fantastical lands made of candy, sweets, and ice cream: the Peppermint Forest, the Gum Drop Mountains, and the Lollypop Woods. Along the way, players encounter such iconic characters as Princess Frostine, Lord Licorice, Mr. Mint, and King Candy.
The project will be produced by Goldner (Transformers) and Hasbro’s Senior Vice President and Managing Director of Motion Pictures, Bennett Schneir (Battleship) along with Happy Madison Productions. At Columbia, development of Candy Land will be overseen by Sam Dickerman.
About Sony Pictures Entertainment
Sony Pictures Entertainment (SPE) is a subsidiary of Sony Corporation of America, a subsidiary of Tokyo-based Sony Corporation. SPE’s global operations encompass motion picture production, acquisition and distribution; television production, acquisition and distribution; home entertainment acquisition and distribution; worldwide television networks; digital content creation and distribution; operation of studio facilities; development of new entertainment products, services and technologies; and distribution of entertainment in more than 142 countries. Sony Pictures Entertainment can be found on the World Wide Web at http://www.sonypictures.com/.
Hasbro, Inc. (NASDAQ: HAS) is a branded play company providing children and families around the world with a wide-range of immersive entertainment offerings based on the Company’s world class brand portfolio. From toys and games, to television programming, motion pictures, video games and a comprehensive licensing program, Hasbro strives to delight its customers through the strategic leveraging of well-known and beloved brands such as TRANSFORMERS, LITTLEST PET SHOP, NERF, PLAYSKOOL, MY LITTLE PONY, G.I. JOE, MAGIC: THE GATHERING and MONOPOLY. The Hub, Hasbro’s multi-platform joint venture with Discovery Communications (NASDAQ: DISCA, DISCB, DISCK) launched on October 10, 2010. The online home of The Hub is www.hubworld.com. The Hub logo and name are trademarks of Hub Television Networks, LLC. All rights reserved.
Come see how we inspire play through our brands at http://www.hasbro.com/.
Tuesday, November 29, 2011
Review: Anna Faris Saves "The Hot Chick" (Happy B'day, Anna Faris)
The Hot Chick (2002)
Running time: 104 minutes (1 hour, 44 minutes)
MPAA – PG-13 for appeal for crude and sexual humor, language and drug references
DIRECTOR: Tom Brady
WRITERS: Rob Schneider and Tom Brady
PRODUCERS: Carr D'Angelo and John Schneider
CINEMATOGRAPHER: Tim Suhrstedt
EDITOR: Peck Prior
COMPOSER: John Debney
COMEDY/FANTASY/ROMANCE
Starring: Rob Schneider, Anna Faris, Matthew Lawrence, Eric Christian Olsen, Robert Davi, Rachel McAdams, Alexandra Holden, Maritza Murray, Tia Mowry, Tamara Mowry, Fay Hauser, and Jodi Long, Melora Hardin, Michael O’Keefe, and Dick Gregory with Adam Sandler
The Hot Chick is a 2002 American body-switching comedy starring Rob Schneider, Anna Faris, and Rachel McAdams. Adam Sandler served as one of the film’s executive producers and has a small role in the film for which he did not receive screen credit.
The Hot Chick seems to send you a warning from beyond the movie poster – Warning! This is really lowbrow trash! Luckily, movie is very funny, and Rob Schneider has that gift to make you look past the bad story material, the same kind of material upon which his career seems to thrive.
Jessica (Rachel McAdams) is the hot chick, the most beautiful girl in school, but also the cruelest, and she just can’t help herself when it comes to being full of herself. A pair of ancient, mystical earrings (please, don’t question it) causes her to switch bodies with Clive (Rob Schneider). So Clive’s body contains Jessica’s essence and personality, while Jessica’s body belongs to the soul of Clive, a low rent, dumb criminal.
Jessica reveals her new body to her close friend, April (Anna Faris), and, of course, April slowly comes to love Clive. Perhaps, the strangest thing is that so many come to easily accept Jessica’s predicament once it’s revealed to them. I guess it just makes for more characters to be in on the joke, more people to suffer the cruel fate of this movie’s pratfalls.
Schneider and co-writer/director Tom Brady pile the script with so many sight gags and so much gross humor, bodily functions, and sexual innuendo that there’s bound to be quite a few things to laugh at. Relentless, they don’t give the viewer enough time to focus on the holes in the plot. So what? It’s a cheap laugh. How many times do bad movies, especially this kind of cheap comedy, payoff and give make us laugh literally from its beginning to the its very ending?
Besides, I’m really in love with Anna Faris. I’d see this movie again just for her.
5 of 10
C+
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Friday, September 9, 2011
Review: "Anger Management" Overdoes It (Happy B'day, Adam Sandler)
Anger Management (2003)
Running time: 106 minutes (1 hour, 46 minutes)
MPAA – PG-13 for crude sexual content and language
DIRECTOR: Peter Segal
WRITER: David Dorfman
PRODUCERS: Barry Bernardi and Jack Giarraputo
CINEMATOGRAPHER: Donald M. McAlpine (D.o.P.)
EDITOR: Jeff Gourson
COMEDY with elements of drama
Starring: Jack Nicholson, Adam Sandler, Marisa Tomei, Luis Guzman, John Turturro with Woody Harrelson, Lynne Thigpen, John C. Reilly, and Heather Graham
First of, let me say that Anger Management is extremely funny and all the characters are very well played, from the stars to the smaller roles. I’m still surprised that this movie was able to keep its hilarious energy so long. Actually, it doesn’t naturally run out of steam. All at once, the filmmakers decide to screw up the ending.
Dave Buznick (Adam Sandler) is a under appreciated, low level secretary who is wrongly sentenced to an anger management program, after a ridiculous incident on an airplane. He has the luck of one-eyed, one-legged dog, so he only gets into more trouble after he enters the program. His counselor, Dr. Buddy Rydell (Jack Nicholson), decides to move into Dave’s apartment so that he gave give his patient 24-hour intensive therapy. The problem is Rydell, in Dave’s eyes, is more crazy and angrier than he could ever be. However, he’s forced to live with Rydell’s unorthodox and bizarre behavior, causing Dave to slowly go insane, which is the very last thing he needs because another alleged outburst of extreme rage and the judge (Lynne Thigpen) would sentence Dave to a year in state prison.
Sandler and Nicholson make an excellent comedy team, and they have such amazing, yet surprising chemistry. Jack does what he does best; he’s the wicked, little devil and conniving imp at the seat of the controls – the conductor, the master manipulator, Rasputin.
Sandler tempers the sullen and explosive character traits that he gives most of his others characters to play Dave Buznick, who is a put upon guy simmering quietly beneath his clothes and ready to have one good explosion. He makes Dave very sympathetic. The audience can feel the stings of the wrongs done to Dave and can root for him to win. I know that I certainly wanted him to just really get angry and let his tormentors have it. This is an understated performance that’s just obvious enough to work. However, Sandler does experience the occasional lapse; he plays such a second banana to Nicholson’s antics that he falls into moments when he isn’t even acting. It’s like he’s just serving up volleys for Nicholson to jump on, and he’s just an emcee. Still, Sandler and Nicholson worked together like a veteran comedy team.
There’s not much to the story, and a plot is nonexistent. Really, the writing and directing only exist to serve as staging for the two main players to exercise their shtick. It’s much the same with the supporting cast, but they make the most of their onscreen time, especially Luiz Guzman and John Turturro. Sadly, Marisa Tomei is less than a cipher, and her talent is wasted; pretty much any actress of modest attractiveness could have played her part.
Now to the end – it’s mostly a New York Yankees, New York City, NYC folk heroes love fest, and it kills this movie. In fact, the resolution of the story and the ridiculous explanation for Dr. Rydell’s behavior almost kills the story and certainly retards Nicholson’s very entertaining character and performance. There are certainly several other endings that would have made perfect sense in the context of Rydell’s antics and Buznick’s predicament. Instead, the filmmakers tie everything up in a most awful and sappy finale that truly deserves to be called a “Hollywood Ending.” Worst of all is a cameo by Rudolph “Rudy” W. Giuliani, former mayor of NYC. He is someone I wish would have been in the Twin Towers the day they fell and not made it out alive.
Girl, did I say that? Anyway, Anger Management is still very funny, at least up to the end, and worth seeing.
6 of 10
B
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Tuesday, January 4, 2011
"Grown Ups" a Stunted Buddy Comedy
TRASH IN MY EYE No. 1 (of 2011) by Leroy Douresseaux
Grown Ups (2010)
Running time: 102 minutes (1 hour, 42 minutes)
MPAA – PG-13 for crude material including suggestive references, language and some male rear nudity
DIRECTOR: Dennis Dugan
WRITERS: Adam Sandler and Fred Wolf
PRODUCERS: Jack Giarraputo and Adam Sandler
CINEMATOGRAPHER: Theo van de Sande
EDITOR: Tom Costain
COMEDY
Starring: Adam Sandler, Kevin James, Chris Rock, Rob Schneider, David Spade, Salma Hayek, Maria Bello, Maya Rudolph, Joyce Van Patten, Ebony Jo-Ann, Di Quon, Steve Buscemi, Colin Quinn, Tim Meadows, Madison Riley, Jamie Chung, and Ashley Loren
Adam Sandler’s recent summer comedy, Grown Ups, may seem like a family comedy, but it isn’t. There certainly are plenty of laughs for parents and their children, but this is an all-star, buddy-comedy aimed at Baby Boomers and Gen X’ers who are fans of Sandler and his comedian/comic actor friends: Chris Rock, Kevin James, Rob Schneider, and David Spade.
Grown Ups is the story of five childhood pals who reunite after 30 years to mourn the passing of their old basketball coach, “Buzzer” (Blake Clark). Most of them are husbands and fathers, but their families have never met. The leader of the friends is Lenny Feder (Adam Sandler), a high-powered Hollywood agent, who is married to Roxanne (Salma Hayek), a sexy fashion designer. Eric Lamonsoff (Kevin James) is a businessman married to a lovely wife, Sally (Maria Bello), who still breastfeeds their four-year-old son. Kurt McKenzie (Chris Rock) is a henpecked, stay-at-home dad whose wife, Deanne (Maya Rudolph), is the primary breadwinner. Rob Hilliard (Rob Schneider) is a thrice-divorced vegan married to a woman, Gloria (Joyce Van Patten) who is much older than him. Marcus Higgins (David Space) is merely a lazy womanizer.
Over the 4th of July weekend, these five men return to New England and gather at a lake house where they quickly reconnect. However, the great outdoors may test and/or strengthen the bonds of family and friendship in ways they never expect.
Grown Ups has cute child actors playing the children and good-looking (even sexy, especially the case of Salma Hayek) actresses playing the wives and older daughters, but this is about the quintet of Sandler, James, Rock, Schneider, and Spade. There are some good moments of family comedy, slapstick comedy, and raunchy comedy, but the focus is this modern day version of a “Rat Pack” movie. Grown Ups is aimed at the fans of the five stars, but even their fans will quickly realize that this is not their best work.
Grown Ups is an amiable comedy, but is nothing special. It is a domestic comedy with little, if anything, of substance to say about its middle-aged characters. I don’t know what to make of this film, but I suppose that because I like the stars I should be happy to get this gathering of pals. OK, I like it. Although as quality goes, Grown Ups is pretty bland and average, and the grade I give it reflects that I like these guys.
5 of 10
B-
Monday, January 03, 2011
Grown Ups (2010)
Running time: 102 minutes (1 hour, 42 minutes)
MPAA – PG-13 for crude material including suggestive references, language and some male rear nudity
DIRECTOR: Dennis Dugan
WRITERS: Adam Sandler and Fred Wolf
PRODUCERS: Jack Giarraputo and Adam Sandler
CINEMATOGRAPHER: Theo van de Sande
EDITOR: Tom Costain
COMEDY
Starring: Adam Sandler, Kevin James, Chris Rock, Rob Schneider, David Spade, Salma Hayek, Maria Bello, Maya Rudolph, Joyce Van Patten, Ebony Jo-Ann, Di Quon, Steve Buscemi, Colin Quinn, Tim Meadows, Madison Riley, Jamie Chung, and Ashley Loren
Adam Sandler’s recent summer comedy, Grown Ups, may seem like a family comedy, but it isn’t. There certainly are plenty of laughs for parents and their children, but this is an all-star, buddy-comedy aimed at Baby Boomers and Gen X’ers who are fans of Sandler and his comedian/comic actor friends: Chris Rock, Kevin James, Rob Schneider, and David Spade.
Grown Ups is the story of five childhood pals who reunite after 30 years to mourn the passing of their old basketball coach, “Buzzer” (Blake Clark). Most of them are husbands and fathers, but their families have never met. The leader of the friends is Lenny Feder (Adam Sandler), a high-powered Hollywood agent, who is married to Roxanne (Salma Hayek), a sexy fashion designer. Eric Lamonsoff (Kevin James) is a businessman married to a lovely wife, Sally (Maria Bello), who still breastfeeds their four-year-old son. Kurt McKenzie (Chris Rock) is a henpecked, stay-at-home dad whose wife, Deanne (Maya Rudolph), is the primary breadwinner. Rob Hilliard (Rob Schneider) is a thrice-divorced vegan married to a woman, Gloria (Joyce Van Patten) who is much older than him. Marcus Higgins (David Space) is merely a lazy womanizer.
Over the 4th of July weekend, these five men return to New England and gather at a lake house where they quickly reconnect. However, the great outdoors may test and/or strengthen the bonds of family and friendship in ways they never expect.
Grown Ups has cute child actors playing the children and good-looking (even sexy, especially the case of Salma Hayek) actresses playing the wives and older daughters, but this is about the quintet of Sandler, James, Rock, Schneider, and Spade. There are some good moments of family comedy, slapstick comedy, and raunchy comedy, but the focus is this modern day version of a “Rat Pack” movie. Grown Ups is aimed at the fans of the five stars, but even their fans will quickly realize that this is not their best work.
Grown Ups is an amiable comedy, but is nothing special. It is a domestic comedy with little, if anything, of substance to say about its middle-aged characters. I don’t know what to make of this film, but I suppose that because I like the stars I should be happy to get this gathering of pals. OK, I like it. Although as quality goes, Grown Ups is pretty bland and average, and the grade I give it reflects that I like these guys.
5 of 10
B-
Monday, January 03, 2011
Monday, January 3, 2011
Review: "I Now Pronounce You Chuck and Larry" Dumb and Eloquent
TRASH IN MY EYE No. 144 (of 2007) by Leroy Douresseaux
I Now Pronounce You Chuck and Larry (2007)
Running time: 110 minutes (1 hour, 50 minutes)
MPAA – PG-13 for crude sexual content throughout, nudity, language, and drug references
DIRECTOR: Dennis Dugan
WRITERS: Barry Fanaro and Alexander Payne and Jim Taylor; from a treatment by Lew Gallo
PRODUCERS: Michael Bostick, James D. Brubaker, Jack Giarraputo, Adam Sandler, and Tom Shadyac
CINEMATOGRAPHER: Dean Semler
EDITOR: Jeff Gourson
COMEDY
Starring: Adam Sandler, Kevin James, Jessica Biel, Dan Aykroyd, Ving Rhames, Steve Buscemi, Nicholas Turturro, Nick Swardson, Blake Clark, Mary Pat Gleason, Cole Morgan, Shelby Adamowsky, and Robert Smigel; also Rob Schneider and David Spade
In I Now Pronounce You Chuck and Larry, two guys’ guys pose as gay lovers in order for one of the men to make sure his children get his insurance benefits.
New York City firemen Chuck Levine (Adam Sandler) and Larry Valentine (Kevin James) are the pride of their fire station. Loyal to the core, they’ll do anything for each other, but after Larry saves Chuck’s life, Chuck is about to find out just how much owing his buddy will cost him. When widower Larry realizes that civil service red tape might keep his children, Eric (Cole Morgan) and Tori (Shelby Adamowsky), from getting his life insurance benefits, he knows that one of the ways to insure his children’s financial future is to get married.
Still deeply mourning his late wife, Larry hasn’t dated since her death or really moved on from that tragedy. A newspaper article gives him a crazy idea – domestic partnership benefits for same-sex couples, so he asks Chuck to pose as his live-in gay lover. Chuck, however, has a vigorous sex life as a heterosexual and often entertains several women at a time, and wants no part of Larry’s plan. But he owes Larry. After the friends start posing as love-struck newlyweds, nosey city bureaucrat, Clinton Fitzer (Steve Buscemi), starts to investigate the alleged relationship, so the buddies are forced to present a genuine picture of domestic bliss. After the boys hire a lawyer that specializes in their situation, Chuck falls hard for their sexy attorney, Alex McDonough (Jessica Biel), and his lust just might reveal his and Larry’s secret.
I Now Pronounce You Chuck and Larry is a somewhat badly made, broad comedy, but it sure is funny. The writers seem to have written a flimsy script that simply plays up to the numerous possibilities for comic misunderstanding this concept offers. It’s not lacking in cleverness so much as it is overly abundant in crassness and gross-out humor. That crudeness is actually personified more in Ving Rhames’ Fred G. Duncan, a sort of Mandingo as giant, threatening homo, than it is in Adam Sandler’s Chuck, who is a self-admitted “whore.” In fact, neither Sandler nor Kevin James is anywhere near doing his best work. As for Biel, her body is still a wonderland, and we get to see quite a bit of it.
Although this movie comes across as a rutting goat, where I Now Pronounce You Chuck and Larry actually beats the low expectations that many had for it is in the film’s not-too-preachy attitude about acceptance of gays and the gay lifestyle. The filmmakers and their stars, Sandler and Kevin, vigorously assault anti-gay sentiment, gay-bashing, and gay slurs wherever they find it. The film also offers generous samples of gay clubs, drag queens, and flashy dancing.
On the other hand, the film does offer several brief scenes that reveal the not-fun-side of being a gay couple. Quite frankly, it’s uncomfortable and embarrassing to watch Chuck and Larry’s friends and colleagues suddenly become quite skittish about their old friends once they discover that the duo is a gay couple. Even worse is to watch the people that Larry knows from his children’s school, sports leagues, and the Boy Scouts suddenly remove his name from participation lists. It’s almost as if he died.
How this mixture of raunch and gross can have positive messages about family and acceptance of others is a mystery. That the filmmakers made a bad movie so funny and entertaining is an even deeper mystery.
6 of 10
B
Friday, December 28, 2007
I Now Pronounce You Chuck and Larry (2007)
Running time: 110 minutes (1 hour, 50 minutes)
MPAA – PG-13 for crude sexual content throughout, nudity, language, and drug references
DIRECTOR: Dennis Dugan
WRITERS: Barry Fanaro and Alexander Payne and Jim Taylor; from a treatment by Lew Gallo
PRODUCERS: Michael Bostick, James D. Brubaker, Jack Giarraputo, Adam Sandler, and Tom Shadyac
CINEMATOGRAPHER: Dean Semler
EDITOR: Jeff Gourson
COMEDY
Starring: Adam Sandler, Kevin James, Jessica Biel, Dan Aykroyd, Ving Rhames, Steve Buscemi, Nicholas Turturro, Nick Swardson, Blake Clark, Mary Pat Gleason, Cole Morgan, Shelby Adamowsky, and Robert Smigel; also Rob Schneider and David Spade
In I Now Pronounce You Chuck and Larry, two guys’ guys pose as gay lovers in order for one of the men to make sure his children get his insurance benefits.
New York City firemen Chuck Levine (Adam Sandler) and Larry Valentine (Kevin James) are the pride of their fire station. Loyal to the core, they’ll do anything for each other, but after Larry saves Chuck’s life, Chuck is about to find out just how much owing his buddy will cost him. When widower Larry realizes that civil service red tape might keep his children, Eric (Cole Morgan) and Tori (Shelby Adamowsky), from getting his life insurance benefits, he knows that one of the ways to insure his children’s financial future is to get married.
Still deeply mourning his late wife, Larry hasn’t dated since her death or really moved on from that tragedy. A newspaper article gives him a crazy idea – domestic partnership benefits for same-sex couples, so he asks Chuck to pose as his live-in gay lover. Chuck, however, has a vigorous sex life as a heterosexual and often entertains several women at a time, and wants no part of Larry’s plan. But he owes Larry. After the friends start posing as love-struck newlyweds, nosey city bureaucrat, Clinton Fitzer (Steve Buscemi), starts to investigate the alleged relationship, so the buddies are forced to present a genuine picture of domestic bliss. After the boys hire a lawyer that specializes in their situation, Chuck falls hard for their sexy attorney, Alex McDonough (Jessica Biel), and his lust just might reveal his and Larry’s secret.
I Now Pronounce You Chuck and Larry is a somewhat badly made, broad comedy, but it sure is funny. The writers seem to have written a flimsy script that simply plays up to the numerous possibilities for comic misunderstanding this concept offers. It’s not lacking in cleverness so much as it is overly abundant in crassness and gross-out humor. That crudeness is actually personified more in Ving Rhames’ Fred G. Duncan, a sort of Mandingo as giant, threatening homo, than it is in Adam Sandler’s Chuck, who is a self-admitted “whore.” In fact, neither Sandler nor Kevin James is anywhere near doing his best work. As for Biel, her body is still a wonderland, and we get to see quite a bit of it.
Although this movie comes across as a rutting goat, where I Now Pronounce You Chuck and Larry actually beats the low expectations that many had for it is in the film’s not-too-preachy attitude about acceptance of gays and the gay lifestyle. The filmmakers and their stars, Sandler and Kevin, vigorously assault anti-gay sentiment, gay-bashing, and gay slurs wherever they find it. The film also offers generous samples of gay clubs, drag queens, and flashy dancing.
On the other hand, the film does offer several brief scenes that reveal the not-fun-side of being a gay couple. Quite frankly, it’s uncomfortable and embarrassing to watch Chuck and Larry’s friends and colleagues suddenly become quite skittish about their old friends once they discover that the duo is a gay couple. Even worse is to watch the people that Larry knows from his children’s school, sports leagues, and the Boy Scouts suddenly remove his name from participation lists. It’s almost as if he died.
How this mixture of raunch and gross can have positive messages about family and acceptance of others is a mystery. That the filmmakers made a bad movie so funny and entertaining is an even deeper mystery.
6 of 10
B
Friday, December 28, 2007
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Monday, November 8, 2010
Review: With "Click" Adam Sandler Does a Family Movie True to His Style
TRASH IN MY EYE No. 230 (of 2006) by Leroy Douresseaux
Click (2006)
Running time: 108 minutes (1 hour, 48 minutes)
MPAA – PG-13 for language, crude and sex related humor, and some drug references
DIRECTOR: Frank Coraci
WRITERS: Steve Koren and Mark O’Keefe
PRODUCERS: Adam Sandler, Jack Giarraputo, Neal H. Moritz, Steve Koren, and Mark O’Keefe
CINEMATOGRAPHER: Dean Semler, A.C.S. A.S.C.
EDITOR: Jeff Gourson
Academy Award nominee
FANTASY/COMEDY with elements of drama and sci-fi
Starring: Adam Sandler, Kate Beckinsale, Christopher Walken, Henry Winkler, David Hasselhoff, Julie Kavner, Sean Astin, Joseph Castanon, Tatum McCann, Cameron Monaghan, Jake Hoffman, and Jennifer Coolidge
Adam Sandler is a dad now, and like some actors who began their career as rowdy or raunchy stand-up comedians, Sandler is probably going to start making movies that are more family friendly and less risqué since he’s a family man. Or probably not. Sandler’s recent Summer 2006 comedy hit, Click, features one of Sandler’s perpetually adolescent characters, but this time with a dramatic twist. This is another twist on It’s a Wonderful Life, but with more salt-of-the-earth type folks.
Michael Newman (Adam Sandler) is a workaholic architect with dreams of becoming a partner at the firm for which he works. His boss, Mr. Ammer (David Hasselhoff), keeps dangling promises of advancement, but only if Michael, his go-to guy, tackles the most difficult building design projects. These high profile assignments, however, keep Michael from spending time with his wife, Donna (Kate Beckinsale), and two children: son Ben (Joseph Castanon) and daughter Samantha (Tatum McCann). At Bed, Bath & Beyond, fate has him stumble across a mysterious figure named Morty (Christopher Walken), who offers Michael a magical universal remote that allows Michael to pause events in his life or fast-forward through them.
However, Michael begins to use the device not only to get out of daily tedium like dressing, showering, or driving through heavy traffic, but he also uses them to avoid times he doesn’t really want to be bothered with family obligations such as camping trips, dinner with his parents, Ted and Trudy Newman (Henry Winkler and Julie Kavner), or (good) sex with Donna. Things take a turn for the worse and the bizarre when the remote, through self-programming, takes on a mind of its own and starts fast-forwarding through Michael’s life. Michael always said that once he made partner and got the big paycheck, he’d stop working so much and spend more time with his wife and children, and now he may not be able to enjoy his family or his life.
Upon its theatrical release, many movie reviewers and film critics called Click crass and mean-spirited, which it is. The film is rude, crude, and vulgar, but Click is also a riotous, laugh-out-loud comedy. This film is trying to make a point, but it also wants to be funny. Sandler is true to his comic roots and to his core audience – an audience that wants him to be all-funny, all the time.
Click is also a life-altering comedy, but it doesn’t require Sandler’s Michael Newman to alter his character – just the way he lives. It’s not that Michael has forgotten how important his family is (and he apparently has little or no friends), but he’s ignoring them because he’s obsessed with being rich. He thinks that once he’s wealthy and can give his family all the niceties, life will be grand, but his wife and children are happy with life as they currently have it, only wanting more of him. Normally, a movie following this message would be syrupy and dull, but Click doesn’t short us on the belly laughs.
There are good performances all around, though none are great, and Sandler looks kinda punchy and tired. The greatness in this movie is the writing, and unlike Old School, Click’s writers don’t play at being subversive and rude, only to chicken out in the end to defend some bland, pop culture version of middle class values. It defends real middle class people – good guys who don’t have to be squeaky clean. That’s why Click is a heart-warming comedy/drama about love of family, but it’s still rowdy deep in its comic soul.
7 of 10
A-
Tuesday, November 7, 2006
NOTES:
2007 Academy Awards: 1 nomination: “Best Achievement in Makeup” (Kazuhiro Tsuji and Bill Corso)
Click (2006)
Running time: 108 minutes (1 hour, 48 minutes)
MPAA – PG-13 for language, crude and sex related humor, and some drug references
DIRECTOR: Frank Coraci
WRITERS: Steve Koren and Mark O’Keefe
PRODUCERS: Adam Sandler, Jack Giarraputo, Neal H. Moritz, Steve Koren, and Mark O’Keefe
CINEMATOGRAPHER: Dean Semler, A.C.S. A.S.C.
EDITOR: Jeff Gourson
Academy Award nominee
FANTASY/COMEDY with elements of drama and sci-fi
Starring: Adam Sandler, Kate Beckinsale, Christopher Walken, Henry Winkler, David Hasselhoff, Julie Kavner, Sean Astin, Joseph Castanon, Tatum McCann, Cameron Monaghan, Jake Hoffman, and Jennifer Coolidge
Adam Sandler is a dad now, and like some actors who began their career as rowdy or raunchy stand-up comedians, Sandler is probably going to start making movies that are more family friendly and less risqué since he’s a family man. Or probably not. Sandler’s recent Summer 2006 comedy hit, Click, features one of Sandler’s perpetually adolescent characters, but this time with a dramatic twist. This is another twist on It’s a Wonderful Life, but with more salt-of-the-earth type folks.
Michael Newman (Adam Sandler) is a workaholic architect with dreams of becoming a partner at the firm for which he works. His boss, Mr. Ammer (David Hasselhoff), keeps dangling promises of advancement, but only if Michael, his go-to guy, tackles the most difficult building design projects. These high profile assignments, however, keep Michael from spending time with his wife, Donna (Kate Beckinsale), and two children: son Ben (Joseph Castanon) and daughter Samantha (Tatum McCann). At Bed, Bath & Beyond, fate has him stumble across a mysterious figure named Morty (Christopher Walken), who offers Michael a magical universal remote that allows Michael to pause events in his life or fast-forward through them.
However, Michael begins to use the device not only to get out of daily tedium like dressing, showering, or driving through heavy traffic, but he also uses them to avoid times he doesn’t really want to be bothered with family obligations such as camping trips, dinner with his parents, Ted and Trudy Newman (Henry Winkler and Julie Kavner), or (good) sex with Donna. Things take a turn for the worse and the bizarre when the remote, through self-programming, takes on a mind of its own and starts fast-forwarding through Michael’s life. Michael always said that once he made partner and got the big paycheck, he’d stop working so much and spend more time with his wife and children, and now he may not be able to enjoy his family or his life.
Upon its theatrical release, many movie reviewers and film critics called Click crass and mean-spirited, which it is. The film is rude, crude, and vulgar, but Click is also a riotous, laugh-out-loud comedy. This film is trying to make a point, but it also wants to be funny. Sandler is true to his comic roots and to his core audience – an audience that wants him to be all-funny, all the time.
Click is also a life-altering comedy, but it doesn’t require Sandler’s Michael Newman to alter his character – just the way he lives. It’s not that Michael has forgotten how important his family is (and he apparently has little or no friends), but he’s ignoring them because he’s obsessed with being rich. He thinks that once he’s wealthy and can give his family all the niceties, life will be grand, but his wife and children are happy with life as they currently have it, only wanting more of him. Normally, a movie following this message would be syrupy and dull, but Click doesn’t short us on the belly laughs.
There are good performances all around, though none are great, and Sandler looks kinda punchy and tired. The greatness in this movie is the writing, and unlike Old School, Click’s writers don’t play at being subversive and rude, only to chicken out in the end to defend some bland, pop culture version of middle class values. It defends real middle class people – good guys who don’t have to be squeaky clean. That’s why Click is a heart-warming comedy/drama about love of family, but it’s still rowdy deep in its comic soul.
7 of 10
A-
Tuesday, November 7, 2006
NOTES:
2007 Academy Awards: 1 nomination: “Best Achievement in Makeup” (Kazuhiro Tsuji and Bill Corso)
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Friday, June 25, 2010
Review: Strange "Little Nicky" was Also a Romantic Comedy
Little Nicky (2000)
Running time: 90 minutes (1 hour, 30 minutes)
MPAA – PG-13 for crude sexual humor, some drug content, language, and thematic material
DIRECTOR: Steven Brill
WRITERS: Tim Herlihy, Adam Sandler, and Steven Brill
PRODUCERS: Jack Giarraputo and Robert Simonds
CINEMATOGRAPHER: Theo van de Sande
EDITOR: Jeff Gourson
FANTASY/COMEDY/ROMANCE
Starring: Adam Sandler, Patricia Arquette, Harvey Keitel, Rhys Ifans, Tom “Tiny” Lister, Jr., Rodney Dangerfield, Allen Covert, Peter Dante, Jonathan Loughran, (voice) Robert Smigel, Reese Witherspoon, Kevin Nealon, Dana Carvey, Jon Lovitz, Carl Weathers, Quentin Tarantino, Michael McKean, Rob Schneider, John Witherspoon, Clint Howard, The Harlem Globetrotters (Orlando Antigua, Matthew Jackson, Curley “Boo” Johnson, Herbert Lang, William Stringfellow, and Lou Dunbar), George Wallace, Ellen Cleghorne, Reggie McFadden, and Philip Bolden with (uncredited) Dan Marino, Henry Winkler, and Ozzy Osbourne
Satan (Harvey Keitel) was about to give up his throne (after 10,000 years of ruling Hell) to one of his three sons: the sly Adrian (Rhys Ifans), the brutal and abusive Cassius (Tom “Tiny” Lister, Jr.) or his sweetest son, Nicky (Adam Sander). However, the King of Damnation decided to keep his throne for another ten thousand-year rule, much to the chagrin of both Adrian and Cassius, so they decide to escape to Earth and create a hell there where they can rule. Their rash behavior freezes the gates of hell, and Satan begins to disintegrate. Nicky reluctantly goes to Earth to bring his dastardly brothers back (by trapping them in a flask and returning both brothers at the same time), but he falls in love with a shy girl named Valerie (Patricia Arquette). Nicky’s love interest and his brothers’ bullying complicate his task while Adrian and Cassius turn Manhattan into a hell on Earth.
Many fans consider Little Nicky to be Adam Sandler’s worst film as a headlining star, but the film probably put off people for two reasons. First, it is a genre film that plays with magic and the supernatural, with Hell also as a major setting for the film. Secondly, it is a transition film that displays both the juvenile attitude and crude humor of Sandler’s mid to late 90’s star making turns in such films as Billy Madison, Happy Gilmore, and The Waterboy and the romance of the comedy date films like Mr. Deeds and 50 First Dates that Sandler would emphasize in the new century. The young male audience that makes up a large part of Sandler’s fan base prefers the former gross out comedy to the latter relationship films.
What also may have most turned people away is the Little Nicky’s excessive vileness, particularly in regards to religion, religious authority, and religious institutions. I found that aspect shocking, mildly offensive, and unnecessary; still, I applaud the filmmakers’ boldness in handling religion in such a fashion. That’s just one of the things that makes Little Nicky stand out from the crowded field of juvenile comedy. There’s lots of crude humor, and most of it is quite hilarious, and it’s not just visual gags because there is a frankly raw use of language that really gives this film zing. There is also a wonderful romance between the shy couple of Nicky and Valerie that works because they are such a perfectly matched, mismatched couple.
The film does go a little wrong in its second half. Nicky’s pursuit of his brothers abruptly begins to dim the film’s comedy, and more time should have been spent on the Nicky/Valerie relationship. Still, for all its rawness and crudeness, Little Nicky is a feel good film, and it accomplishes its feel good attitude with lots of movie star cameos. Even small appearances by well-known actors give a film brief bursts of energy, and Sandler fills the film with friends, especially fellow alumni of “Saturday Night Live” where Sandler starred from 1991-95.
As for Sandler’s performance, it is a bizarre part that he actually plays with a touch of sweetness and goofy charm that really sells the character. He, however, keeps his fire low to allow his wonderful supporting cast to shine, and they make Little Nicky as much theirs as it is his – an unusual film that is uncommonly funny.
7 of 10
B+
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