Jackie Robinson Movie, "42" Begins Shooting in May; Stars Harrison Ford

Warner Bros. Pictures and Legendary Pictures Put “42” on Deck for April 12, 2013

Harrison Ford and Chadwick Boseman star in the Jackie Robinson story under the direction of Brian Helgeland

BURBANK, Calif.--(BUSINESS WIRE)--Warner Bros. Pictures and Legendary Pictures are teaming up with director Brian Helgeland for “42,” the story of baseball great Jackie Robinson. Slated for release on April 12, 2013, the film will open in time to commemorate the 66th anniversary of Jackie Robinson Day—April 15, the date of his first game as a Brooklyn Dodger—and on the heels of the opening of the 2013 Major League Baseball season. The announcement was made today by Dan Fellman, President, Domestic Distribution, Warner Bros. Pictures.

“42” will star Academy Award® nominee Harrison Ford (“What Lies Beneath,” “Air Force One,” “Witness”) as the innovative Dodger’s general manager Branch Rickey, the MLB executive who first signed Robinson to the minors and then helped to bring him up to the show, and Chadwick Boseman (“The Express”) as Robinson, the heroic African American who was the first man to break the color line in the big leagues. The film also stars Nicole Beharie (“Shame”) as Rachel Isum, who would become Robinson’s wife, as well as Christopher Meloni (upcoming “Man of Steel”) and T.R. Knight (TV’s “Grey’s Anatomy”).

“42” is set to start production on May 14 in Birmingham, Alabama, with additional locations to include Macon and Atlanta, Georgia, and Chattanooga Tennessee, where the production will mount much of the film’s baseball action at Engel Stadium, double for Brooklyn’s Ebbets Field.

Academy Award® winner Helgeland (“L.A. Confidential”) will direct from his own screenplay. Thomas Tull will produce, with Dick Cook, Jon Jashni, and Jason Clark executive producing. Oscar® nominee Don Burgess (“Forrest Gump”) is the director of photography, Richard Hoover (HBO’s “Temple Grandin”) is production designer, and Caroline Harris (“A Knight’s Tale”) is the costume designer.

Review: "The Honeymooners" is Sweet and Charming (Happy B'day, Cedric the Entertainer)

TRASH IN MY EYE No. 93 (of 2005) by Leroy Douresseaux

The Honeymooners (2005)
Running time: 90 minutes (1 hour, 30 minutes)
MPAA – PG-13 for some innuendo and rude humor
DIRECTOR: John Schultz
WRITERS: Danny Jacobson and David Sheffield & Barry W. Blaustein and Don Rhymer (based on characters from the CBS television series)
PRODUCERS: David T. Friendly, Marc Turtletaub, Eric C. Rhone, and Julie Durk
CINEMATOGRAPHER: Shawn Maurer
EDITOR: John Pace

COMEDY

Starring: Cedric the Entertainer, Mike Epps, Gabrielle Union, Regina Hall, Eric Stoltz, John Leguizamo, Jon Polito, Carol Woods, Ajay Naidu, and Alice Drummond

The subject of this movie review is The Honeymooners. This 2005 family comedy takes the classic television series, The Honeymooners, and transforms the characters into African-Americans, while also setting the story in the 21st Century.

Ralph Kramden (Cedric the Entertainer) is a dreamer. By day, he is a New York city bus driver. During his off-hours, he is an inventor, an entrepreneur, and an innovator who is always one get-rich-quick scheme away from instant wealth, and he has a closet full of failed products to prove it. Most of the time, Ralph’s best friend and upstairs neighbor, Ed Norton (Mike Epps), is along for the ride. Ralph’s wife, Alice (Gabrielle Union), has been putting up with it for years, but now she has had enough. Alice has her sights on a practical dream, the American dream; she and Ed’s wife, Trixie (Regina Hall), want to buy a duplex fixer-upper house that the two couples could share and build into their dream home. However, Ralph’s latest half-baked project turns out to be really half-baked, and he spent his and Alice’s savings on it. Now, he needs Ed’s help on another big money plan if he’s going to replenish their savings before Alice leaves him.

Other than the character names, a few domestic and job facts, and the title, the film The Honeymooners bares little resemblance to the CBS television series of the 1950’s that many consider classic TV and an important program in television history. The four lead characters that were white in the original are now black, which should set some tongues to wagging. All that doesn’t, in the end, matter when it comes to the issue at hand, and that’s the current film. Is The Honeymooners a good film, and how good is it?

The Honeymooners, like a lot of Hollywood film product for so many years now, is cursed with a limp script and an unimaginative director. The concept: Ralph’s latest get-rich-quick plan backfires and not only costs him money, but might cost him his marriage, was a stable of the original TV program. Apparently that concept worked great for a half-hour TV show (about 22 minutes of actual show and the rest commercials), but stretched to a 90 minute feature-length film, it doesn’t fly… or at least not long enough. The director moves The Honeymooners at a plodding pace, almost as if he were following the recipe to make bland-tasting baked goods. The script contains not a sparkle of wit or imagination, and the romance and love between husband and wife are woefully hollow notes.

The weak film structure forces the burden to entertain the audience upon the backs of the cast. Cedric the Entertainer and Mike Epps are up to the challenge; in fact, they add a lot of their own construction work to this shell of a film and make it worth seeing. A lot of the humor in Cedric’s comedic style comes from his expressive face and watching how he reacts in certain situations and to particular incidents. Epps is the perfect sidekick, a combination clown and straight man, he can do the silly stuff, or he can be the guy who balances the hijinks of the class clown. Sadly, the talented Gabrielle Union and Regina Hall (who adds meat to the comic routine she used in the Scary Movie franchise) have to fight for what little screen time they have. The limp script spends so much time anally fixated on Ralph’s next-great idea that it ignores half of what made the Ralph Kramden/Ed Norton act work – the wives.

John Leguizamo also does an edgy and hilarious turn as a jack-of-all-scams dog trainer that should remind a lot of people not only how funny this fine comedian is, but what a good actor he is. Cedric, Epps, and Leguizamo make a dynamic comic trio. Ultimately, the cast is funny enough and surprisingly charming enough on the strength of performances to make The Honeymooners worth watching, even though it’s not worth a trip to the theatre.

5 of 10
B-

---------------

Review: Yes, "Pink Flamingos" is Culturally Significant (Happy B'day, John Waters)

TRASH IN MY EYE No. 154 (of 2006) by Leroy Douresseaux

John Water’s Pink Flamingos (1972)
Running time: 93 minutes (1 hour, 33 minutes)
MPAA – NC-17 for a wide range of perversions in explicit detail (re-rating for 1997 re-release)
PRODUCER/WRITER/DIRECTOR: John Waters
EDITOR/CINEMATOGRAPHER: John Waters

COMEDY/CRIME

Starring: Divine, David Lochary, Mary Vivian Pearce, Mink Stole, Danny Mills, Edith Massey, Channing Wilroy, Cookie Mueller, Paul Swift, Susan Walsh, and Linda Olgierson

Pink Flamingos is a 1972 black comedy and exploitation film from director John Waters. Controversial upon its initial release, because of its depiction of perverse acts, Pink Flamingos went on to become a cult film because of its notoriety. The film follows a notorious female criminal and underground figure who resists attempts to both humiliate her and to steal her tabloid reputation.

Divine (Divine) lives on the outskirts of Baltimore in a trailer with her degenerate son, Crackers (Danny Mills), her dim-bulb mother, Edie (Edith Massey), and her “traveling companion,” Cotton (Mary Vivian Pearce). She lives under the pseudonym Babs Johnson, and in local outsider community and to its news press is known as the “Filthiest Person Alive.” However, local couple, Connie (Mink Stole) and Raymond Marble (David Lochary), also vies for that title. The vile Marble clan launches an unbridled assault on Babs Johnson’s reputation and on her home. But Babs and her family fight back in a small war that breaks just about every taboo in the book: incest, drug trafficking, bestiality, castration, murder, cannibalism, etc.

It seems impossible that (regardless of what other films he has directed in the past or may direct in the future) John Waters will be best remembered for any film other than Pink Flamingos. Cheaply made with a cast of amateur actors and locals from the Baltimore area (from where Waters originates), this is the kind of film that would normally merit a review of “no stars” or a grade of “F,” simply because it isn’t like a “normal” film (at least not one from Hollywood). However, Pink Flamingos may be the ultimate low budget trash movie, the ultimate camp experience, and a supreme ode to bad taste. Fun, vile, and also disgusting to the point that many people might turn off the TV early in the film (or walk out the theatre), Pink Flamingos is an object – a piece of art by someone who wants to put his thumb in the eye of American values. It doesn’t matter if its working class, middle class, church-going, God-fearing, or baseball-mom-and-apple pie American values, John Water made Pink Flamingos an assault on decency.

New Line Cinema, the film company that distributed the movie in 1972, released a trailer for Pink Flamingos that did not include scenes from the film, so in that vein, I won’t give away more about the movie. I will say that no serious fan of movies can go without seeing it.

8 of 10
A

Tuesday, July 18, 2006

------------------

Amazon wants me to inform you that the affiliate link below is a PAID AD, but I technically only get paid (eventually) if you click on the affiliate link below AND buy something(s).

Kevin Hart Shameless in Shameless "Soul Plane"

TRASH IN MY EYE No. 85 (of 2004) by Leroy Douresseaux


Soul Plane (2004)
Running time: 86 minutes (1 hour, 26 minutes)
MPAA – R for strong sexual content, language and some drug use
DIRECTOR: Jessy Terrero
WRITERS: Bo Zenga and Chuck Wilson
PRODUCERS: David Scott Rubin and Jessy Terrero
CINEMATOGRAPHER: Jonathan Sela
EDITOR: Michael R. Miller
COMPOSERS: Christopher Lennertz and RZA

COMEDY

Starring: Tom Arnold, Kevin Hart, Method Man, Snoop Dogg, K.D. Aubert, Godfrey, Brian Hooks, D.L. Hughley, Arielle Kebbel, Mo’Nique, Ryan Pinkston, Missi Pyle, Sofia Vergara, Gary Anthony Williams, Karl Malone, Li’l John, and John Witherspoon

The subject of this movie review is Soul Plane, a 2004 jiggaboo comedy. Kevin Hart stars as a young man who starts his own Black-centric airline, and the story focuses on the maiden voyage of the sole plane in his non-existent fleet.

That white writers (usually from upper middle class backgrounds) wrote sketch comedy making fun of black culture used to piss me off. Why the hell couldn’t Hollywood just hire black writers, I rhetorically asked, to write about blacks since white film and TV executives felt that only whites could write about whites. Well, if the best that black writers and filmmakers can do is Soul Plane, never let a nigga touch another sheet of paper.

When Nashawn Wade (Kevin Hart) wins a $100 million settlement for negligence from an airline, he decides to start his own airline: NWA. Lest you confuse yourself, this NWA is not that N.W.A.; for the sake of this movie the acronym stands for “Nashawn Wade Airline.” In flight meals can be anything from Cristal and filet mignon to Colt .45 and Popeye’s fried chicken. The airline’s one plane is purple and rolls on dubs, and the stewardesses are big booty ho’s in Daisy Dukes. When his cousin (badly played by rapper Method Man) hires an ex-con (Snoop Dogg) to fly the plane, you know there’s going to be trouble and hilarity ensues.

Soul Plane is a poorly made collection of stereotypes, blaxtiploitation, riffs on hip hop culture, deplorable acting, and feeble musical tracks. Except for a few moments, the film is painfully unfunny. In fact, 9.5 of every ten minutes of this film is not funny, although the few good scenes are both shocking, painfully embarrassing, and outrageously hilarious – kind of like Scary Movie 3, but with way fewer yucks. Frankly, it’s more saddening than bad.

The cast is either extraordinarily untalented or just misused. Kevin Hart is a Sambo version of Chris Tucker, and his performance is like a frantic and desperate crackhead trying to be funny. Mo’Nique isn’t in the movie enough, and Tom Arnold (practically the lone salvation of this film) may have his name at the front of the credits, but this is (quite unfortunately) not his film.

1 of 10
D-

Animated "Wonder Woman" Thunders

TRASH IN MY EYE No. 30 (of 2012) by Leroy Douresseaux

Wonder Woman (2009) – straight-to-video
Running minutes: 74 minutes (1 hour, 14 minutes)
MPAA – PG-13 for violence throughout and some suggestive material
DIRECTOR: Lauren Montgomery
WRITERS: Michael Jelenic; from a story by Michael Jelenic and Gail Simone (based on characters created by William M. Marston)
PRODUCER: Bruce W. Timm
EDITOR: Rob Desales
COMPOSER: Christopher Drake
ANIMATION STUDIO: Moi Animation Studio

ANIMATION/SUPERHERO/SCI-FI/ACTION with elements of drama

Starring: (voices) Keri Russell, Nathan Fillion, Alfred Molina, Rosario Dawson, Virginia Madsen, Vicki Lewis, Marg Helgenberger, Oliver Platt, and Skye Arens

Wonder Woman is a 2009 direct-to-video superhero animated film from Warner Bros. Animation. Starring DC Comics character, Wonder Woman, this is also the fourth feature in the DC Universe Animated Original Movies line. The movie pits the most famous comic book super-heroine, Wonder Woman, against Ares, and is loosely based upon the stories by acclaimed comic book writer/artist, George Perez.

Wonder Woman begins during an epic battle between the proud and fierce race of warrior women, the Amazons, and the forces of Ares (Alfred Molina), the Greek god of war. After Amazon Queen Hippolyta (Virginia Madsen) defeats Ares, the gods force a peace. The Amazons are granted an island, Themyscira, where they can be eternally youthful and isolated from men, but Ares will also be imprisoned on the island.

Over a 1000 years later, United States Air Force pilot, Colonel Steve Trevor (Nathan Fillion) crashes on Themyscira. Modern man’s trespass of the island also leads to events that enable the imprisoned Ares to escape with the help of an Amazon who betrays her sisters. Princess Diana (Keri Russell), daughter of Hippolyta, wins the right to return Trevor to his world and to also recapture Ares. However, Ares plans to not only regain his former powers, but also to bring total war to Earth. Will Princess Diana triumph and become Wonder Woman?

First, I must say that I am surprised at the amount of violence in Wonder Woman, and I’m not just talking about standard science fiction and fantasy violence. Although it is not explicitly depicted, murder and killing are prominent in the film from beginning to end. That doesn’t offend me, but does surprise me, and I thought that I should mention it.

Anyway, this is a terrific movie, and although I have many films to go in the series, I think this is the best of the DC Universe Animated Original Movies I’ve seen. The animation is good, but even better is the action. Wonder Woman’s action set pieces are like having the Lord of the Rings films and the 2007 hit, 300, turned into animation for our viewing pleasure, and it’s pleasurable, indeed. The writing is solid, especially the character development, which emphasizes the relationship between Diana and Steve and also allows both characters to go on a journey of growth.

The voice acting is good; you know that voice acting is good when you see the animated character and voice actor as one. I know that not all DC Universe Animated Original Movies are going to be as good as Wonder Woman. How could they since Wonder Woman is so good.

9 of 10
A+

Wednesday, February 01, 2012

Review: "Ghost Protocol" the Best "Mission: Impossible" Since First M:I Film

TRASH IN MY EYE No. 29 (of 2012) by Leroy Douresseaux

Mission: Impossible – Ghost Protocol (2011)
Running time: 133 minutes (2 hours, 13 minutes)
MPAA – PG-13 for scenes of intense action and violence
DIRECTOR: Brad Bird
WRITERS: Josh Appelbaum and André Nemec (based upon the television series created by Bruce Geller)
PRODUCERS: Tom Cruise, J.J. Abrams, and Bryan Burk
CINEMATOGRAPHER: Robert Elswit (D.o.P.)
EDITORS: Paul Hirsch
COMPOSER: Michael Giacchino

ACTION/ADVENTURE/SPY/THRILLER

Starring: Tom Cruise, Paula Patton, Simon Pegg, Jeremy Renner, Michael Nyqvist, Vladimir Mashkov, Samuli Edelmann, Ivan Shvedoff, Anil Kapoor, Léa Seydoux, Josh Holloway, Pavel Kriz, Miraj Grbic, and Ilia Volok, with Ving Rhames, Michelle Monaghan, and Tom Wilkinson

Mission: Impossible – Ghost Protocol is a 2011 action thriller and espionage film directed by Brad Bird and starring Tom Cruise. It is the fourth film in the Mission: Impossible film franchise, which is based on the U.S. television series, Mission: Impossible, created by Bruce Geller and aired on CBS from 1966 to 1973 (and revived on ABC from 1988-90).

Ghost Protocol finds the Impossible Mission Force (IMF) accused of a terrorist act and its agents forced to go rogue to clear the organization’s name. Stylish, humorous, and fast-paced, Ghost Protocol is the best Mission: Impossible movie since the 1996 original.

Super spy/secret agent and IMF team leader, Ethan Hunt (Tom Cruise) is locked in a Moscow prison. IMF sends agents from another team, Jane Carter (Paula Patton) and Benji Dunn (Simon Pegg), to extract him. Hunt is then assigned to lead Carter and Dunn on a mission to infiltrate the Moscow Kremlin archives in order to learn the identity of Cobalt, a terrorist determined to start worldwide nuclear war. When the Kremlin is bombed, however, IMF is blamed, and the Russians call the attack an undeclared act of war.

The President of the United States activates “Ghost Protocol,” which effectively disavows IMF and disbands it. The IMF Secretary (Tom Wilkinson) allows Hunt and his team to escape government custody so that they can track down Cobalt. The Secretary’s chief analyst, William Brandt (Jeremy Renner), who doesn’t seem to fit with the team, joins the mission. Without the vast resources of IMF, Ethan Hunt and his team are on their own as they try to stop Cobalt and restore IMF.

Simply put, Mission: Impossible – Ghost Protocol is a terrific thriller. The filmmakers filled it with giant, action set pieces, which grabbed my attention and turned me into a pliant zombie. Despite the fact that many of these action scenes are just plain ludicrous, they are entertaining and thrilling. I used the rewind button to watch some of them a few more times. Perhaps, this movie thrives on the magic of Brad Bird, the Oscar-winning genius behind such Pixar Animation classics as The Incredibles and Ratatouille. Ghost Protocol certainly isn’t anywhere near reality, but Bird will not only make you suspend disbelief, but also hang it high just so that you can really enjoy this flick without thinking about all the ways it doesn’t make sense.

The cast is good, and Paula Patton, Simon Pegg, and Jeremy Renner’s characters have more to do than the supporting characters in the earlier Mission: Impossible films. Still, as ever, this is a Tom Cruise movie, so the big scenes, especially the fantastical action set pieces focus on Cruise’s Ethan Hunt. Cruise’s Mission: Impossible movies are not like the TV series, which was an ensemble espionage drama. If you find Ethan Hunt as annoying as other characters Cruise has played, you may not like this or like it as much as I do.

But I can’t complain. For 15 years, Cruise has delivered the crackerjack action movie that I expected each time I sat down to watch a Mission: Impossible installment. Cruise’s high-wire act over the Burj Khalifa building in Dubai is just one of the improbable parts that make Mission: Impossible – Ghost Protocol a thrilling thriller.

8 of 10
A

Thursday, April 19, 2012

----------------------------

Amazon wants me to inform you that the affiliate link below is a PAID AD, but I technically only get paid (eventually) if you click on the affiliate link below AND buy something(s).

Televsion Pioneer Dick Clark Dies at 82

Dick Clark, who was best known for hosting the long-running, classical musical variety show, "American Bandstand" and "Dick Clark's New Year's Rockin' Eve," died yesterday, Wednesday, April 18, 2012, in Los Angeles, reportedly after suffering a massive heart attack.  He was 82 years old.  This IMDb news item has the details about Clark's life (such as that he had one older brother who was killed during World War II).

My mother was a huge fan of Bandstand when she was a teenager.  Before her family had a TV set at home, she would go to her cousin's house to watch.  She told me that she would be stomping through the living room, as she danced to the music.  As I child, I made a point to watch the show every Saturday morning.  I remember seeing Prince, who made his television debut on Bandstand.

Thanks for the memories and rest in peace, Mr. Clark.