Showing posts with label Warner Home Video. Show all posts
Showing posts with label Warner Home Video. Show all posts

Wednesday, August 28, 2019

Review: Scooby-Doo! Shaggy's Showdown

TRASH IN MY EYE No. 8 (of 2019) by Leroy Douresseaux

Scooby-Doo! Shaggy's Showdown (2017) – Video
Running time:  79 minutes (1 hour 19 minutes)
DIRECTOR:  Matt Peters
WRITERS: Candie Kelty Langdale and Doug Landale
EDITORS:  Steve Donmyer and Craig Paulsen
COMPOSERS:  Kristopher Carter, Michael McCuistion, and Lolita Ritmanis
SONGS: Joshua Funk
ANIMATION STUDIO: Digital eMation, Inc.

ANIMATION/FANTASY/FAMILY and ACTION/COMEDY/MYSTERY

Starring:  (voices) Frank Welker, Matthew Lillard, Grey DeLisle, Kate Micucci, Carlos Alazraqui, Max Charles, Gary Cole, Jessica DiCicco, Tania Gunadi, Eric Ladin, Nolan North, Stephen Tobolowsky, Lauren Tom, Melissa VillaseƱor, Kari Wahlgren, and Gary Anthony Williams with John Schwab (no screen credit)

Scooby-Doo! Shaggy's Showdown is a 2017 straight-to-video, animated, comic mystery film.  It is also the 28th animated movie in the Scooby-Doo straight-to-video series from Warner Bros. Animation, which began in 1998 with Scooby-Doo on Zombie Island.  In Shaggy's Showdown, Mystery Inc. attempts to solve the mystery of a ghost that is rampaging through a small wild west town and a dude ranch.

Scooby-Doo! Shaggy's Showdown finds Mystery Inc.Fred Jones (Frank Welker), Daphne Blake (Grey DeLisle), Velma Dinkley (Kate Micucci), Norville “Shaggy” Rogers (Matthew Lillard), and the Great Dane, Scooby-Doo (Frank Welker), visiting the wild west town of Sorghum City.  They are surprised to find that the people there scream and run away when they encounter Shaggy.  The gang's next stop is “Crazy Q Ranch,” a dude ranch owned and operated by Shaggy's “third cousin, twice removed,” Tawny Rogers (Melissa VillaseƱor).

A long-lost cousin, Tawny invited Shaggy to her ranch so they the cousins could reconnect, but the reunion is being ruined by the ghost of a notorious outlaw, Dapper Jack Rogers (John Schwab).  The ghost bears a striking resemblance to Shaggy, who, like Tawny, is a descendant of Dapper Jack.  The ghost has been terrorizing Sorghum City and also the Crazy Q Ranch, and if the ghost continues its haunting, Tawny will be forced to sell the ranch.  Now, Shaggy, Scooby, Fred, Daphne, and Velma have a new ghostly mystery to solve.

Scooby-Doo! Shaggy's Showdown is the third consecutive Scooby-Doo animated film I have seen that I really like.  I think that one thing that makes this one appealing to me is the dude ranch element.  I have been a fan of films set on dude ranches, and I have enjoyed TV series in which the characters visit a dude ranch for a particular episode.  Combine a dude ranch with my love of the Scooby-Doo and Mystery Inc., and that is entertainment I cannot resist.

So take my recommendation with a grain of salt off the table at a dude ranch when I tell you that Shaggy's Showdown is one of the best recent Scooby-Doo movies.  I like the animation, especially the color, and there are some good subplots:  Shaggy riding a horse, Scooby's ability to “talk” to farm animals, and a child overcoming his fear of horses all make this particular straight-to-video Scooby-Doo film exceptional.

Seriously, Scooby-Doo! Shaggy's Showdown is a nice change of pace for the series.  A quasi-Western comedy, it means that the Scoody-Doo DVD animated movies can show a bit of freshness now and then.

8 of 10
A

Wednesday, August 28, 2019


The text is copyright © 2019 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

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Thursday, April 18, 2019

"Batman: The Complete Animated Series" Leads 2019 Home Media Awards

Winners of the 2019 Home Media Awards Announced by ‘Media Play News’

CARLSBAD, Calif.--(BUSINESS WIRE)--Warner Bros. Home Entertainment’s Batman: The Complete Animated Series — Deluxe Limited Edition earned the top prize in the ninth annual Home Media Awards, which honor the best home video releases of 2018, taking "Title of the Year" and "TV on Disc of the Year." It also won "Best Complete TV Series Set."

    ‘Batman: The Animated Series’ Blu-ray takes top honors in 2019 Home Media Awards from Media Play News

Blu-ray Disc of the Year went to Warner Bros. Home Entertainment’s 2001: A Space Odyssey — 50th Anniversary 4K Ultra HD Blu-ray. It also won for Best Restoration.

Walt Disney Studios Home Entertainment/Marvel Studios won Best Theatrical Disc for Avengers: Infinity War, which also won for Best Superhero Disc.

Warner Bros.’ The Death of Superman was voted Best Direct-to-Video Movie, while Best Catalog Title honors went to Shout! Factory’s Creepshow: Collector’s Edition.

De Niro & De Palma: The Early Films, released by MVD Entertainment Group/Arrow Video, won Best Movie Collection.

Paramount Home Media Distribution scored a triple win with Mission: Impossible — Fallout, which won Best 4K Ultra HD Blu-ray, Best Digital Presentation of a Movie and Best Action Disc.

Best Digital Presentation of a TV Show went to HBO Home Entertainment’s Barry: Season 1. HBO also won Best TV Movie or Miniseries honors for Sharp Objects.

Winners were chosen by a panel of judges in conjunction with an online consumer vote for eligible titles submitted for consideration by studios and distributors.

The Home Media Awards presented by Media Play News is the most comprehensive awards program covering the home entertainment industry, with dozens of categories honoring the top releases by format, genre and technical achievement. Categories include Best Theatrical Title on Disc, Best Bonus Materials, Best 4K UHD Blu-ray, Best Box Art and more.

For a complete list of winners, visit www.MediaPlayNews.com/home-media-award-winners-2019


About Media Play News:
Media Play News, available at MediaPlayNews.com, is the voice of the $20 billion home entertainment industry, covering all aspects of personal entertainment from the moment it leaves the movie or TV screen and is readied for viewing in the home, in the car, or on a computer, tablet or smartphone. Media Play News also informs readers through daily e-mail newsletters and a monthly print magazine, and is available on social media as @MediaPlayNews on Twitter, Facebook and Instagram.

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Thursday, October 18, 2018

Review: "Justice League Dark" Surprises

TRASH IN MY EYE No. 8 (of 2018) by Leroy Douresseaux

Justice League Dark (2017)
Running time:  75 minutes (1 hour, 15 minutes)
MPAA – R for some disturbing violence
DIRECTOR:  Jay Oliva
WRITERS:  Ernie Altbacker; from a story by Ernie Altbacker and J.M. DeMatteis
EDITOR:  Christopher D. Lozinsk
COMPOSER:  Robert J. Kral
ANIMATION STUDIO:  DR Movie

ANIMATION/SUPERHERO/ACTION/FANTASY

Starring:  (voices) Matt Ryan, Jason O'Mara, Camilla Luddington, Nicholas Turturro, Ray Chase, Roger Cross,  Alfred Molina, Enrico Colantoni, Jeremy Davies, Rosario Dawson, Jerry O'Connell, Colleen O'Shaughnessey, and Fred Tatasciore

Justice League Dark is a 2017 straight-to-video animated superhero film from Warner Bros. Animation.  It is the 27th film in Warner's line of “DC Universe Animated Original Movies.”  This film features a supernatural-leaning version of DC Comics' Justice League.  Called “Justice League Dark,” this team was introduced in the 2011 comic book created by writer Peter Milligan and artist Mikel Janin.  Justice League Dark the film focuses on a group of beings with supernatural powers that join together to fight against supernatural villains.

Justice League Dark opens with a series of violent murders in the cities of Metropolis, Gotham, and Washington, D.C.  These murders are committed by people who believe that they are being attacked by demonic creatures, or so they say after being stopped by members of the Justice League.  The truth is that they are hallucinating, and these hallucinations cause them to see the people around them, including their family and friends, as demonic creatures.

The Justice League, which includes such as heroes as Superman (Jerry O'Connell), Wonder Woman (Rosario Dawson), and Green Lantern (Roger Cross), conclude that magic is behind these visions of demonic creatures, but Batman (Jason O'Mara) is skeptical.  However, an encounter with Deadman/Boston Brand at Wayne Manor, convinces Batman to join Deadman and Zatanna (Camilla Luddington), the powerful magician, to find Zatanna's ex-boyfriend, John Constantine (Matt Ryan).

A con man, Constantine is a powerful exorcist and magic user and is also the custodian of the “House of Mystery.”  Constantine may be the key to finding the source behind the demonic visions.  Joined by Jason Blood (Ray Chase) and Etrigan the Demon (Ray Chase), this odd group forms a dark version of the Justice League in order to battle a centuries-old sorcery named Destiny (Alfred Molina).

In Justice League Dark, several characters fling explosive magical energy blasts about.  There are several battles that look like mini versions of the epic battle between Albus Dumbledore and Lord Voldemort in the film, Harry Potter and the Order of the Phoenix (2007).  My experience with such DC Comics characters as Constantine and Zatanna is different from what this film offers, which is that they are not wielders of combat magic, but maybe they have on occasions that I missed.

Still, this is an entertaining movie.  Although I found myself wanting to dislike it, it is strangely entertaining, surprising me that I enjoyed it a lot.  Perhaps, Justice League Dark is capable of casting a spell.  It is weird and has an eclectic cast and some nice plot twists.  There is no need to say any more.  Fans of the DC Animated Movie Universe will want to see this.

7 of 10
B+

Thursday, October 18, 2018


The text is copyright © 2018 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

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Wednesday, October 11, 2017

Review: "BATMAN: The Killing Joke" is Just Fucking Terrible

TRASH IN MY EYE No. 18 (of  2017) by Leroy Douresseaux

Batman: The Killing Joke (2016)
Running time:  76 minutes
Rated MPAA – PG-13 for some bloody images and disturbing content
DIRECTOR:  Sam Liu
WRITERS:  Brian Azzarello (based on the graphic novel by Alan Moore and Brian Bolland and the characters created by Bob Kane with Bill Finger)
EDITOR:  Christopher D. Lozinsk
COMPOSERS:  Kristopher Carter, Michael McCuistion, and Lolita Ritmanis
ANIMATION STUDIO:  The Answer Studio

ANIMATION/SUPERHERO/ACTION/FANTASY

Starring:  (voices) Kevin Conroy, Mark Hamill, Tara Strong, Ray Wise, John DiMaggio, Robin Atkins Downes, Brian George, and Maury Sterling

Batman: The Killing Joke is a 2016 animated superhero film from Warner Bros. Animation.  It is the 26th film in Warner's line of DC Universe original animated movies.  Unlike many of those films, which are released straight-to-video, Batman: The Killing Joke did get a one-week theatrical release before being released on DVD and Blu-ray.  Bruce Timm is an executive producer on this film.

The film focuses on select characters featured in the world of DC Comics' world of Batman.  This movie is based on the 1988 comic book, Batman: The Killing Joke, written by Alan Moore and drawn by Brian Bolland.  In Batman: The Killing Joke the movie, Batman hunts for The Joker, after he kidnaps Commissioner Gordon and attacks his daughter, who is also the superhero, Batgirl.  Batman: The Killing Joke is the first Batman animated film to be rated R by the MPAA.

In the world of Batman: The Killing Joke, Barbara Gordon/Batgirl (Tara Strong) is the crime-fighting partner of Batman (Kevin Conroy).  They usually work well together, but of late, the two have disagreed on how to deal with Parry Francesco a.k.a. “Paris Franz” (Maury Sterling), the nephew of crime boss, Carlos Francesco (John DiMaggio).  Paris is currently trying to take over his uncle's criminal empire, and he is obsessed with Batgirl.  The fallout from the respective actions of Batman, Batgirl, and Paris lead to the dissolution of the Batman-Batgirl team.

Batman's arch-nemesis, The Joker (Mark Hamill), has escaped prison, and this time he is determined to prove a point to Batman.  Joker launches a brutal assault at Barbara Gordon's home against Barbara and her father, Gotham City Police Department Commissioner James “Jim” Gordon (Ray Wise).  The secret to The Joker's madness lies somewhere in his past, before he became the “Clown Prince of Crime.”  Yes, it's an origin story.

I have seen some Batman films that were gigantic misfires (Christopher Nolan's The Dark Knight Rises), the result being a movie that was more disappointing than bad (which it also was).  I have seen a Batman movie that was a comical blunder (1997's Batman and Robin).  Batman: The Killing Joke is a truly awful and terrible movie.  It is an insult to good Batman storytelling.  The screenplay is written by a critically acclaimed, award-winning, and bestselling comic book writer, Brian Azzarello, who proves that when his work is bad, it makes for dreadful entertainment, which is the case with Batman: The Killing Joke the movie.  [By the way, Batman: The Killing Joke the comic book is way overrated.]

The fact that this movie features Batman and Batgirl having sex on a rooftop is all you need to know about this abomination of a movie.  The only good thing about this movie is that it reunited Kevin Conroy, the voice of Batman, and Mark Hamill (of Star Wars fame) as the voice of The Joker.  Conroy and Hamill are near-legends for playing the characters on the beloved “Batman: The Animated Series,” a Batman animated TV series that began airing in 1992.

However, Batman: The Killing Joke is so bad that if you want Conroy and Hamill, find episodes of cartoon instead of watching this.

1 of 10
D-

Sunday, October 8, 2017


The text is copyright © 2017 Leroy Douresseaux. All Rights Reserved. Contact this site for reprint and syndication rights and fees.

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Saturday, July 1, 2017

Batman and Harley Quinn" Animated Film in Theatres for One Night Only


The Dark Knight is Back for a One-Night Cinematic Event With the All-New Animated DC Universe Original Movie ‘Batman and Harley Quinn’ on August 14

Warner Bros. & DC Entertainment Team With Fathom Events to Present Nationwide Theatrical Screening, Including a First Look at Harley Quinn Featurette

DENVER--(BUSINESS WIRE)--Following successful big screen presentations of “Batman: The Killing Joke” and “Batman: Return of the Caped Crusaders” in 2016, Warner Bros. Studios, DC Entertainment and Fathom Events are proud to announce a special, one-night cinema event for the latest DC Universe Original Movie, “Batman and Harley Quinn,” on August 14, 2017 in movie theaters nationwide.

    .@FathomEvents News: The Dark Knight is back on the big screen with 'Batman and Harley Quinn' in cinemas Aug 14 Only

One night prior to the Digital release and 15 days in advance of its arrival on Blu-ray™ and DVD, “Batman and Harley Quinn” will screen Monday, August 14, 2017 at 7:30 p.m. local time. In addition to seeing the film, audiences at the one-night screening will be the first to experience an exclusive featurette spotlighting the film’s star character, Harley Quinn.

Tickets for “Batman and Harley Quinn” can be purchased beginning Friday, June 30, 2017 online by visiting www.FathomEvents.com or at participating theater box offices. Fans throughout the U.S. will be able to enjoy the event in select movie theaters through Fathom’s Digital Broadcast Network (DBN). A complete list of theater locations will be available June 30 on the Fathom Events website (theaters and participants are subject to change).

Produced by Warner Bros. Animation from an original story spawned by animation icon Bruce Timm, “Batman and Harley Quinn” finds Poison Ivy and Jason Woodrue (a.k.a. The Floronic Man) embarking on an ecological quest to save the planet – and, unfortunately, eliminate most of humankind along the way. To save humanity, Batman and Nightwing are forced to enlist Harley Quinn to catch Poison Ivy, Harley’s BFF and frequent partner-in-crime. Batman’s patience is put to the test by the unpredictable and untrustworthy Harley, as the reluctant companions face twists and turns during their bumpy road trip. The result is a thrill ride of action, adventure and comedy no Batman fan has seen before.

“Fans of DC Universe Original Movies are a devoted legion, and never was that so evident than with the enthusiastic embracing of our ‘Batman: The Killing Joke’ Fathom Events presentation,” said Mary Ellen Thomas, Warner Bros. Home Entertainment Vice President, Family and Animation Marketing. “Audiences nationwide turned the screenings into true interactive experiences, and we believe ‘Batman and Harley Quinn’ will inspire a similar night of celebration.”

The film boasts a stellar voice cast topped by The Big Bang Theory star Melissa Rauch in her first turn as the irrepressible Harley Quinn. The fan favorite voices of Batman: The Animated Series – Kevin Conroy as Batman, Loren Lester as Nightwing – take the protagonist leads, while Paget Brewster (Criminal Minds) and Kevin Michael Richardson (The Cleveland Show) provide the voices of the villainous duo of Poison Ivy & Jason Woodrue, respectively.

Sam Liu (Batman: The Killing Joke) directed the film from an original story by Bruce Timm (Batman: The Dark Knight Returns) with a teleplay written by Timm & Jim Krieg (Justice League: The Flashpoint Paradox). Co-Producer is Alan Burnett (The Batman). Executive Producers are Sam Register and Bruce Timm. Benjamin Melniker and Michael Uslan are Executive Producers.

“Seeing ‘Batman and Harley Quinn’ on the big screen and among fellow fans is truly the best way to experience it,” Fathom Events VP of Studio Relations Tom Lucas said. “There’s only one opportunity to do this and it’s on August 14. On that night, we’re expecting audiences to pack theater auditoriums just like they did for ‘Batman: The Killing Joke.’”


About Fathom Events
Fathom Events is recognized as the leading domestic distributor of event cinema with participating affiliate theaters in all 100 of the top Designated Market Areas®, and ranks as one of the largest overall distributors of content to movie theaters. Owned by AMC Entertainment Inc. (NYSE: AMC), Cinemark Holdings, Inc. (NYSE: CNK) and Regal Entertainment Group (NYSE: RGC) (known collectively as AC JV, LLC), Fathom Events offers a variety of one-of-a-kind entertainment events such as live, high-definition performances of the Metropolitan Opera, dance and theatre productions like the Bolshoi Ballet and National Theatre Live, sporting events like “Canelo Ɓlvarez vs. Julio CĆ©sar ChĆ”vez, Jr.,” concerts with artists like Michael BublĆ©, Rush and Mƶtley CrĆ¼e, the yearlong TCM Big Screen Classics film series, inspirational events such as To Joey With Love and Facing Darkness, and anime titles such as Princess Mononoke and Spirited Away. Fathom Events takes audiences behind the scenes and offers unique extras including audience Q&As, backstage footage and interviews with cast and crew, creating the ultimate VIP experience. Fathom Events’ live digital broadcast network (“DBN”) is the largest cinema broadcast network in North America, bringing live and pre-recorded events to 897 locations and 1,387 screens in 181 DMAs. For more information, visit www.fathomevents.com.

About Warner Bros. Home Entertainment, Inc.
Warner Bros. Home Entertainment (WBHE) brings together Warner Bros. Entertainment's home video, digital distribution and interactive entertainment businesses in order to maximize current and next-generation distribution scenarios. An industry leader since its inception, WBHE oversees the global distribution of content through packaged goods (Blu-ray Disc™ and DVD) and digital media in the form of electronic sell-through and video-on-demand via cable, satellite, online and mobile channels, and is a significant developer and publisher for console and online video game titles worldwide. WBHE distributes its product through third party retail partners and licensees.

About DC Entertainment
DC Entertainment, home to iconic brands DC (Superman, Batman, Green Lantern, Wonder Woman, The Flash, etc.), Vertigo (Sandman, Fables, etc.) and MAD, is the creative division charged with strategically integrating across Warner Bros. and Time Warner. DC Entertainment works in concert with many key Warner Bros. divisions to unleash its stories and characters across all media, including but not limited to film, television, consumer products, home entertainment, and interactive games. Publishing thousands of comic books, graphic novels and magazines each year, DC Entertainment is one of the largest English-language publishers of comics in the world.

BATMAN and all related characters and elements are trademarks of and ©DC Comics. (s17)

About Warner Bros. Animation
Warner Bros. Animation (WBA) is one of the leading producers of animation in the entertainment industry, producing and developing projects for multiple platforms, both domestically and internationally. WBA’s TV series include Justice League Action, Teen Titans Go! and the upcoming DC Super Hero Girls and Unikitty! for Cartoon Network; Be Cool Scooby-Doo!, Bunnicula, Dorothy and the Wizard of Oz, The Tom and Jerry Show, New Looney Tunes and Wacky Races for Boomerang; Mike Tyson Mysteries for Adult Swim; Right Now Kapow for Disney XD; Green Eggs and Ham for Netflix; and Young Justice: Outsiders for the upcoming DC-branded digital service. As home to the iconic animated characters from the DC Comics, Hanna-Barbera, MGM and Looney Tunes libraries, WBA also produces highly successful animated films — including the DC Universe Animated Original Movies — for DVD, Blu-ray® and digital media. One of the most-honored animation studios in history, WBA has won six Academy Awards®, 35 Emmy® Awards, the George Foster Peabody Award, an Environmental Media Award, a Parents’ Choice Award, the HUMANITAS Prize, two Prism Awards and 20 Annie Awards (honoring excellence in animation).

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Friday, June 16, 2017

Review: "Scooby-Doo! and WWE: Curse of the Speed Demon" a Cool Cartoon

TRASH IN MY EYE No. 12 (of 2017) by Leroy Douresseaux

Scooby-Doo! and WWE: Curse of the Speed Demon (2016) – Video
Running time:  100 minutes (1 hour, 40 minutes)
DIRECTORS:   Tim Divar, Brandon Vietti
WRITERS:  Ernie Altbacker; from a story by Matt Wayne
PRODUCER: Brandon Vietti
EDITORS:  Keef Bartkus and Philip Malamuth
COMPOSER:  Ryan Shore
ANIMATION STUDIO:  Digital eMation, Inc.

ANIMATION/FANTASY/FAMILY and ACTION/COMEDY/MYSTERY

Starring:  (voices) Frank Welker, Matthew Lillard, Grey Griffin, Kate Micucci, Steven J. Blum, Eric Bauza, and Phil Morris; from WWE: The Undertaker, Kofi Kingston, Diego, Fernando, El Torito, Goldust, Stardust, The Miz, Stephanie McMahon, Triple H, Paige, Dusty Rhodes, Lana, Rusev, Michael Cole, and Vince McMahon

Scooby-Doo! and WWE: Curse of the Speed Demon is a 2016 straight-to-video animated comedy mystery.  It is the 27th animated movie in the Scooby-Doo straight-to-video series from Warner Bros. Animation.  This series began in 1998 with Scooby-Doo on Zombie Island.  In Curse of the Speed Demon, Mystery Inc. is hired to solve the mystery of a phantom racer plaguing a WWE road race.  This film is also a co-production between WWE Studios and Warner Bros. Animation.

Scooby-Doo! and WWE: Curse of the Speed Demon begins some time after Mystery Inc. helped the WWE (Worldwide Wrestling Entertainment) superstars solve the mystery of the “ghost bear” (known as “Vicious”).  Shaggy Rogers (Matthew Lillard) and Scooby-Doo (Frank Welker) are operating a food truck at WWE's latest venture, a road race called “WWW's Muscle Moro X Off Road Challenge.”

The race's participants are WWE superstars like The Undertaker and Dusty Rhodes, Stephanie McMahon and Triple H, to name a few.  During a preliminary round of the race, a demon racer known as “Inferno,” disrupts the race, injuring Rhodes.  Needing a new partner, The Undertaker takes on Shaggy (a.k.a. “Skinny Man”) and Scooby-Doo (a.k.a. “Dead Meat”).  The trio becomes “Team Taker” and races in “The Scoobinator.”

Meanwhile, WWE boss, Mr. McMahon, hires the rest of Mystery Inc. gang:  Fred Jones (Frank Welker), Daphne Blake (Grey Griffin), and Velma Dinkley (Kate Micucci), to solve the mystery of Inferno.  However, the young mystery-solvers suspect that Inferno is actually a WWE superstar!

I have failed you, dear readers.  I cannot explain why I like Scooby-Doo! and WWE: Curse of the Speed Demon.  It is not a great movie, but I find quite entertaining.  What are some of the things that I like.

I am not a fan of WWE, but I found these cartoon versions of select WWE superstars likable, especially The Undertaker.  The cartoon Stephanie McMahon seems personable.  I found myself attracted to “Team Taker” and their racing vehicles.  All the elements that make up monster/villain Inferno make him a good bad guy.

Of course, when it comes down to it, I am a lifelong fan of Scooby-Doo and the rest of the Mystery Inc. gang.  I don't really want to go to long without seeing them, and yes, I have come across some poor Scooby-Doo direct-to-DVD films.  Scooby-Doo! and WWE: Curse of the Speed Demon is not one of them.

7 of 10
B+

Monday, June 5, 2017

The text is copyright © 2017 Leroy Douresseaux. All Rights Reserved. Contact this site for syndication rights and fees.

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Saturday, April 1, 2017

Review: Tom and Jerry: Back to Oz

TRASH IN MY EYE No. 6 (of 2017) by Leroy Douresseaux

Tom and Jerry: Back to Oz (2016) – straight-to-video
Running time:  81 minutes (1 hour, 21 minutes)
PRODUCERS/DIRECTORS:  Spike Brandt and Tony Cervone
WRITERS:  Spike Brandt, Paul Dini, and Sam Register
EDITOR:  Dave Courter
COMPOSER: Michael Tavera
ANIMATION STUDIO:  Digital eMation, Inc.

ANIMATION/FANTASY/ACTION/ADVENTURE and FAMILY/MUSIC

Starring:  (voices)  Grey Griffin, Jason Alexander, Amy Pemberton, Joe Alaskey, Michael Gough, Rob Paulsen, Todd Stashwick, Frances Conroy, Laraine Newman, Stephen Root, Kath Soucie, Andrea Martin, James Monroe Iglehart, Spike Brandt, and Jye Frasca

Tom and Jerry: Back to Oz is a 2016 direct-to-video animated film starring the famous cartoon cat and mouse duo, Tom and Jerry.  Produced by Warner Bros. Animation, it is a sequel to Tom and Jerry & The Wizard of Oz, a 2011 animated direct-to-video film.

Both these films take inspiration and source material from the 1939 MGM film, The Wizard of Oz, and places Tom and Jerry (who began as MGM cartoon characters) alongside Dorothy, Toto, the Wicked Witch of the West, and the rest of the characters from that beloved classic film.  Tom and Jerry: Back to Oz is also the first sequel in the Tom and Jerry direct-to-video film series.  [Back to Oz is also the final work of noted animation voice actor Joe Alaskey who died of cancer on February 3, 2016, and this film is dedicated to his memory.]

Back to Oz opens on the Gale farmDorothy Gale (Grey Griffin), Auntie Em (Frances Conroy), Uncle Henry (Stephen Root), Toto, the three farm hands, and Tom and Jerry are still cleaning up the damage caused by the twister that wrecked the farm in the first film.  The Gales are on the verge of losing the farm because of a lawsuit brought by neighbor, Lucius Bibb (Jason Alexander).  Auntie Em, Uncle Henry, and the three farmhands immediately set out to find jobs that can help them get money to pay off the damages Bibb is claiming they brought on his property (a prized watermelon patch).

Dorothy is left behind because the adults consider her too young to work.  While cleaning up, Dorothy, Toto, and Tom and Jerry are attacked by flying monkeys, which had once served the Wicked Witch of West.  During the attack, Dorothy's companions from the Land of OzScarecrow (Michael J. Gough), Tin Man (Rob Paulsen), and the no-longer-cowardly Lion (Todd Stashwick) arrive to inform her that Oz is under attack again.  This time, Ruggedo the Nome King (Jason Alexander) is taking over the Emerald City, so Dorothy is once again off to see the Wonderful Wizard of Oz (Joe Alaskey) in a bid to save Oz.

Tom and Jerry: Back to Oz is not as good as its predecessor, Tom and Jerry & the Wizard of Oz.  However, a return to the Oz that was created by filmmakers, cast, and crew of MGM's 1939 The Wizard of Oz, even a cartoon version of it, is welcomed – at least by me and some others.  There are apparently a lot of us, or at least enough to create a sequel to the first Tom and Jerry Oz.

Honestly, that is the explanation for whatever success this film, Tom and Jerry: Back to Oz, has – its connection to a truly classic American film, one of the best movies of all time.  I won't be fake and deny it.  I hope Tom and Jerry go back to that Oz, again.

6 of 10
B

Friday, March 31, 2017


The text is copyright © 2017 Leroy Douresseaux. All Rights Reserved. Contact this site for reprint and syndication rights and fees.

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Monday, December 5, 2016

Review: "Justice League vs Teen Titans" Focuses on the Titans

TRASH IN MY EYE No. 16 (of 2016) by Leroy Douresseaux

Justice League vs. Teen Titans (2016) – Video
Running time:  78 minutes (1 hour, 18 minutes)
MPAA – PG-13 for violence throughout and some suggestive content
DIRECTOR:  Sam Liu
WRITERS:  Bryan Q. Miller and Alan Burnett (based on the characters created Gardner Fox and Bob Haney & Bruno Premiani)
PRODUCER:  James Tucker
EDITOR:  Christopher D. Lozinsk
COMPOSER:  Frederik Wiedmann
ANIMATION STUDIO:  Moi Animation

ANIMATION/SUPERHERO/ACTION/FANTASY

Starring:  (voices) Rosario Dawson, Jason O'Mara, Stuart Allan, Shemar Moore, Jake T. Austin, Taissa Farmiga, Brandon Soo Hoo, Kari Wahlgren, Jerry O'Connell, Christopher Gorham, Sean Maher, Jon Bernthal, and Terrence T.C. Carson

Justice League vs. Teen Titans is a 2016 straight-to-video, animated superhero film from Warner Bros. Animation.  It is the 25th film in Warner's line of DC Universe original animated movies.  The film focuses on select characters featured in the world of DC Comics' Justice League and Teen Titans comic book franchises.

Justice League vs. Teen Titans opens with the Justice League:  Superman (Jerry O'Connell), Batman (Jason O'Mara), Wonder Woman (Rosario Dawson), Cyborg (Shemar Moore), and Flash (Christopher Gorham) battling the Legion of Doom.  Batman's son, Damien Wayne (Stuart Allan), who is the newest Robin, participates in the fight, but disobeys his father's orders to get civilians to safety.

Batman asks his first Robin, Dick Grayson, who is currently known as Nightwing (Sean Maher), to convince Starfire (Kari Wahlgren), the leader of the Teen Titans, to accept Damien into the Titans.  The hope is that being with the Titans will help Damien to learn teamwork, but the youngster's lack of respect for others will make that difficult.  Meanwhile, the Titan known as Raven (Taissa Farmiga) is secretly struggling to keep her father, Trigon (Jon Bernthal), a monstrous and powerful demon, from coming to Earth and destroying it.

Justice League vs. Teen Titans is surprisingly enjoyable.  I thought that I might like it because it features Teen Titans characters and a famous Titan story line that I liked as a young comic book reader.  I have to admit that I also find the Justice League's line-up for this film to be a good one that works as a fighting unit.  The characters also play off one another in a way that makes for good character drama, conflict, and personal relationships.

Justice League vs. Teen Titans is not great, but it is quite good.  I would not mind seeing a sequel.

7 of 10
B+

Sunday, December 4, 2016


The text is copyright © 2016 Leroy Douresseaux. All Rights Reserved. Contact this site for reprint and syndication rights and fees.

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Sunday, October 23, 2016

$107.5 Per Share; AT&T to Buy Time Warner


AT&T to Acquire Time Warner
  •     New company with complementary strengths to lead the next wave of innovation in converging media and communications industry
  •         Combination unlike any other — the world’s best premium content with the networks to deliver it to every screen, however customers want it
  •         The future of video is mobile and the future of mobile is video
  •         Time Warner is a global leader in creating premium content, has the largest film/TV studio in world and an unrivaled library of entertainment
  •         AT&T has unmatched direct-to-customer distribution across TV, mobile and broadband in the U.S., mobile in Mexico and TV in Latin America.
  •     Combined company positioned to create new customer choices — from content creation and distribution to a mobile-first experience that’s personal and social
  •         Goal is to give customers unmatched choice, quality, value and experiences that will define the future of media and communications
  •         Customer insights across TV, mobile and broadband will allow new company to: offer more relevant and valuable addressable advertising; innovate with ad-supported content models; better inform content creation; and make OTT and TV Everywhere products smarter and more personalized
  •     Acquisition provides significant financial benefits
  •         Accretive to AT&T in the first year after close on adjusted EPS & free cash flow per share basis
  •         Improves AT&T’s dividend coverage
  •         Improves AT&T’s revenue and earnings growth profile
  •         Diversifies AT&T’s revenue mix and lowers capital intensity
  •         Committed to strong balance sheet and maintaining investment-grade credit metrics
  •     Delivers significant benefits for customers
  •         Stronger competitive alternative to cable & other video providers
  •         Provides better value, more choices, enhanced customer experience for over-the-top and mobile viewing
  •         More innovation with ad-supported models that shift more cost of content creation from customers to advertisers

DALLAS & NEW YORK--(BUSINESS WIRE)--AT&T Inc. (NYSE:T) and Time Warner Inc. (NYSE:TWX) today announced they have entered into a definitive agreement under which AT&T will acquire Time Warner in a stock-and-cash transaction valued at $107.50 per share. The agreement has been approved unanimously by the boards of directors of both companies.

    “It’s a great fit, and it creates immediate and long-term value for our shareholders.”

The deal combines Time Warner's vast library of content and ability to create new premium content that connects with audiences around the world, with AT&T's extensive customer relationships, world’s largest pay TV subscriber base and leading scale in TV, mobile and broadband distribution.

“This is a perfect match of two companies with complementary strengths who can bring a fresh approach to how the media and communications industry works for customers, content creators, distributors and advertisers,” said Randall Stephenson, AT&T chairman and CEO. “Premium content always wins. It has been true on the big screen, the TV screen and now it’s proving true on the mobile screen. We’ll have the world’s best premium content with the networks to deliver it to every screen. A big customer pain point is paying for content once but not being able to access it on any device, anywhere. Our goal is to solve that. We intend to give customers unmatched choice, quality, value and experiences that will define the future of media and communications.

“With great content, you can build truly differentiated video services, whether it’s traditional TV, OTT or mobile. Our TV, mobile and broadband distribution and direct customer relationships provide unique insights from which we can offer addressable advertising and better tailor content,” Stephenson said. “It’s an integrated approach and we believe it’s the model that wins over time.

“Time Warner’s leadership, creative talent and content are second to none. Combine that with 100 million plus customers who subscribe to our TV, mobile and broadband services – and you have something really special,” said Stephenson. “It’s a great fit, and it creates immediate and long-term value for our shareholders.”

Time Warner Chairman and CEO Jeff Bewkes said, “This is a great day for Time Warner and its shareholders. Combining with AT&T dramatically accelerates our ability to deliver our great brands and premium content to consumers on a multiplatform basis and to capitalize on the tremendous opportunities created by the growing demand for video content. That’s been one of our most important strategic priorities and we’re already making great progress — both in partnership with our distributors, and on our own by connecting directly with consumers. Joining forces with AT&T will allow us to innovate even more quickly and create more value for consumers along with all our distribution and marketing partners, and allow us to build on a track record of creative and financial excellence that is second to none in our industry. In fact, when we announce our 3Q earnings, we will report revenue and operating income growth at each of our divisions, as well as double-digit earnings growth.

Bewkes continued, “This is a natural fit between two companies with great legacies of innovation that have shaped the modern media and communications landscape, and my senior management team and I are looking forward to working closely with Randall and our new colleagues as we begin to capture the tremendous opportunities this creates to make our content even more powerful, engaging and valuable for global audiences.”

Time Warner is a global leader in media and entertainment with a great portfolio of content creation and aggregation, and iconic brands across video programming and TV/film production. Each of Time Warner’s three divisions is an industry leader: Turner consists of U.S. and international basic cable networks, including TNT, TBS, CNN and Cartoon Network/Adult Swim, and has sports right that include the National Basketball Association, NCAA Men’s Championship Basketball Tournament, and Major League Baseball; HBO, which consists of domestic premium pay television and streaming services (HBO Now, HBO Go) featuring such original series as Game of Thrones, VEEP, and Silicon Valley, as well as international premium & basic pay television and streaming services; and Warner Bros. Entertainment, which consists of television, feature film, home video and videogame production and distribution. Film franchises include Harry Potter, DC Entertainment, and LEGO; TV series produced include The Big Bang Theory, The Voice, and Gotham. Time Warner also has invested in over-the-top and digital media properties such as Bleacher Report, Hulu and Machinima.

Customer Benefits
The new company will deliver what customers want — enhanced access to premium content on all their devices, new choices for mobile and streaming video services and a stronger competitive alternative to cable TV companies.

With a mobile network that covers more than 315 million people in the United States, the combined company will strive to become the first U.S. mobile provider to compete nationwide with cable companies in the provision of bundled mobile broadband and video. It will disrupt the traditional entertainment model and push the boundaries on mobile content availability for the benefit of customers. And it will deliver more innovation with new forms of original content built for mobile and social, which builds on Time Warner’s HBO Now and the upcoming launch of AT&T’s OTT offering DIRECTV NOW.

Owning content will help AT&T innovate on new advertising options, which, combined with subscriptions, will help pay for the cost of content creation. This two-sided business model — advertising- and subscription-based — gives customers the largest amount of premium content at the best value.

Summary Terms of Transaction
Time Warner shareholders will receive $107.50 per share under the terms of the merger, comprised of $53.75 per share in cash and $53.75 per share in AT&T stock. The stock portion will be subject to a collar such that Time Warner shareholders will receive 1.437 AT&T shares if AT&T’s average stock price is below $37.411 at closing and 1.3 AT&T shares if AT&T’s average stock price is above $41.349 at closing.

This purchase price implies a total equity value of $85.4 billion and a total transaction value of $108.7 billion, including Time Warner’s net debt. Post-transaction, Time Warner shareholders will own between 14.4% and 15.7% of AT&T shares on a fully-diluted basis based on the number of AT&T shares outstanding today.

The cash portion of the purchase price will be financed with new debt and cash on AT&T’s balance sheet. AT&T has an 18-month commitment for an unsecured bridge term facility for $40 billion.

Transaction Will Result in Significant Financial Benefits
AT&T expects the deal to be accretive in the first year after close on both an adjusted EPS and free cash flow per share basis.

AT&T expects $1 billion in annual run rate cost synergies within 3 years of the deal closing. The expected cost synergies are primarily driven by corporate and procurement expenditures. In addition, over time, AT&T expects to achieve incremental revenue opportunities that neither company could obtain on a standalone basis.

Given the structure of this transaction, which includes AT&T stock consideration as part of the deal, AT&T expects to continue to maintain a strong balance sheet following the transaction close and is committed to maintaining strong investment-grade credit metrics.

By the end of the first year after close, AT&T expects net debt to adjusted EBITDA to be in the 2.5x range.

Additionally, AT&T expects the deal to improve its dividend coverage and enhance its revenue and earnings growth profile.

Time Warner provides AT&T with significant diversification benefits:
    Diversified revenue mix — Time Warner will represent about 15% of the combined company’s revenues, offering diversification from content and from outside the United States, including Latin America, where Time Warner owns a majority stake in HBO Latin America, an OTT service available in 24 countries, and AT&T is the leading pay TV distributor.
    Lower capital intensity — Time Warner’s business requires little in capital expenditures, which helps balance the higher capital intensity of AT&T’s existing business.
    Regulation — Time Warner’s business is lightly regulated compared to much of AT&T’s existing operations.

The merger is subject to approval by Time Warner Inc. shareholders and review by the U.S. Department of Justice. AT&T and Time Warner are currently determining which FCC licenses, if any, will be transferred to AT&T in connection with the transaction. To the extent that one or more licenses are to be transferred, those transfers are subject to FCC review. The transaction is expected to close before year-end 2017.

Conference Call/Webcast
On Monday, October 24, 2016 at 8:30 am ET, AT&T and Time Warner will host a webcast presentation to discuss the transaction and AT&T’s 3Q earnings. Links to the webcast and accompanying documents will be available on both AT&T’s and Time Warner’s Investor Relations websites. AT&T has cancelled its previously scheduled call to discuss earnings, which had been set for Tuesday, October 25, 2016.


About AT&T
AT&T Inc. (NYSE:T) helps millions around the globe connect with leading entertainment, mobile, high-speed Internet and voice services. We’re the world’s largest provider of pay TV. We have TV customers in the U.S. and 11 Latin American countries. We offer the best global coverage of any U.S. mobile provider*. And we help businesses worldwide serve their customers better with our mobility and highly secure cloud solutions.

About Time Warner Inc.
Time Warner Inc. (NYSE:TWX) is a global leader in media and entertainment with a great portfolio of content creation and aggregation, and iconic brands across video programming and TV/film production. Each of Time Warner’s three divisions is an industry leader: Turner consists of U.S. and international basic cable networks, including TNT, TBS, CNN and Cartoon Network/Adult Swim, and has sports right that include the National Basketball Association, NCAA Men’s Championship Basketball Tournament, and Major League Baseball; HBO, which consists of domestic premium pay television and streaming services (HBO Now, HBO Go) featuring such original series as Game of Thrones, VEEP, and Silicon Valley, as well as international premium & basic pay television and streaming services; and Warner Bros. Entertainment, which consists of television, feature film, home video and videogame production and distribution. Film franchises include Harry Potter, DC Entertainment, and LEGO; TV series produced include The Big Bang Theory, The Voice, and Gotham. Time Warner also has invested in over-the-top and digital media properties such as Bleacher Report, Hulu and Machinima.

Cautionary Language Concerning Forward-Looking Statements
Information set forth in this communication, including financial estimates and statements as to the expected timing, completion and effects of the proposed merger between AT&T and Time Warner, constitute forward-looking statements within the meaning of the safe harbor provisions of the Private Securities Litigation Reform Act of 1995. These estimates and statements are subject to risks and uncertainties, and actual results might differ materially. Such estimates and statements include, but are not limited to, statements about the benefits of the merger, including future financial and operating results, the combined company’s plans, objectives, expectations and intentions, and other statements that are not historical facts. Such statements are based upon the current beliefs and expectations of the management of AT&T and Time Warner and are subject to significant risks and uncertainties outside of our control.

Among the risks and uncertainties that could cause actual results to differ from those described in the forward-looking statements are the following: (1) the occurrence of any event, change or other circumstances that could give rise to the termination of the merger agreement, (2) the risk that TIME WARNER stockholders may not adopt the merger agreement, (3) the risk that the necessary regulatory approvals may not be obtained or may be obtained subject to conditions that are not anticipated, (4) risks that any of the closing conditions to the proposed merger may not be satisfied in a timely manner, (5) risks related to disruption of management time from ongoing business operations due to the proposed merger, (6) failure to realize the benefits expected from the proposed merger and (7) the effect of the announcement of the proposed merger on the ability of TIME WARNER and AT&T to retain customers and retain and hire key personnel and maintain relationships with their suppliers, and on their operating results and businesses generally. Discussions of additional risks and uncertainties are contained in AT&T’s and TIME WARNER’s filings with the Securities and Exchange Commission. Neither AT&T nor TIME WARNER is under any obligation, and each expressly disclaim any obligation, to update, alter, or otherwise revise any forward-looking statements, whether written or oral, that may be made from time to time, whether as a result of new information, future events, or otherwise. Persons reading this announcement are cautioned not to place undue reliance on these forward-looking statements which speak only as of the date hereof.

Additional Information and Where to Find It
This communication does not constitute an offer to sell or the solicitation of an offer to buy any securities or a solicitation of any vote or approval. This communication may be deemed to be solicitation material in respect of the proposed merger between AT&T and TIME WARNER. In connection with the proposed merger, AT&T intends to file a registration statement on Form S-4, containing a proxy statement/prospectus with the Securities and Exchange Commission (“SEC”). STOCKHOLDERS OF TIME WARNER ARE URGED TO READ ALL RELEVANT DOCUMENTS FILED WITH THE SEC, INCLUDING THE PROXY STATEMENT/PROSPECTUS, BECAUSE THEY WILL CONTAIN IMPORTANT INFORMATION ABOUT THE PROPOSED MERGER. Investors and security holders will be able to obtain copies of the proxy statement/prospectus as well as other filings containing information about AT&T and TIME WARNER, without charge, at the SEC’s website, http://www.sec.gov. Copies of documents filed with the SEC by AT&T will be made available free of charge on AT&T’s Investor Relations Website. Copies of documents filed with the SEC by TIME WARNER will be made available free of charge on TIME WARNER’s Investor Relations Website.

Participants in Solicitation
AT&T and its directors and executive officers, and TIME WARNER and its directors and executive officers, may be deemed to be participants in the solicitation of proxies from the holders of TIME WARNER common stock in respect to the proposed merger. Information about the directors and executive officers of AT&T is set forth in the proxy statement for AT&T’s 2016 Annual Meeting of Stockholders, which was filed with the SEC on March 11, 2016. Information about the directors and executive officers of TIME WARNER is set forth in the proxy statement for TIME WARNER’s 2016 Annual Meeting of Stockholders, which was filed with the SEC on May 19, 2016. Investors may obtain additional information regarding the interest of such participants by reading the proxy statement/prospectus regarding the proposed merger when it becomes available.

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Wednesday, September 14, 2016

Animated "Batman: Return of the Caped Crusaders" Gets One-Time Theatrical Release

Following Record-Breaking ‘Batman: The Killing Joke’ Event, ‘Batman: Return of the Caped Crusaders’ Set for Exclusive One-Time Cinematic Event October 10, 2016

Fathom Events, Warner Bros. and DC Entertainment Spotlight Adam West, Burt Ward and Julie Newmar Voicing Classic Roles

DENVER--(BUSINESS WIRE)--Travel back to the 1960s as Batman and Robin spring into action when Gotham City is threatened by a quartet of Batman’s most fiendish foes. Audiences will have the opportunity to join all the animated excitement as it unfolds on the big screen for one special day. Fathom Events is once again partnering with Warner Bros. and DC Entertainment to bring “Batman: Return of the Caped Crusaders” to movie theaters for three exclusive showings on Monday, October 10, 2016 at 2:00 p.m., 7:30 p.m. and 10:00 p.m. local time, before it comes to EST on October 11, 2016 and Blu-ray™ on November 1, 2016.

    “Working with Warner Bros. on ‘Batman: The Killing Joke’ was a great experience and we knew it was something we wanted to duplicate”

Bringing these iconic characters to animated life are Adam West (Batman), Burt Ward (Robin) and Julie Newmar (Catwoman). In the new film, Penguin, The Joker, Riddler and Catwoman have combined their wicked talents to hatch a plot so nefarious that the Dynamic Duo will need to go to outer space (and back) to foil their arch enemies and restore order in Gotham City.

In addition to the film, audiences will view an exclusive pre-screening introduction, and a post-screening preview of “Those Dastardly Desperados,” a featurette that explores how these fiends became more than just antagonists in a Batman story – they became icons of American pop culture.

Tickets for “Batman: Return of the Caped Crusaders” can be purchased online by visiting www.FathomEvents.com or at participating theater box offices. Fans throughout the U.S. will be able to enjoy the event in more than 700 select movie theaters. For a complete list of theater locations visit the Fathom Events website (theaters and participants are subject to change).

“Working with Warner Bros. on ‘Batman: The Killing Joke’ was a great experience and we knew it was something we wanted to duplicate,” Fathom Events Vice President of Studio Relations Tom Lucas said. “With ‘Batman: Return of the Caped Crusaders’ we get to give our audiences another extremely exciting event experience driven by the return of three nostalgic pop culture names to their most memorable roles.”

“Fans have voiced a strong desire to see DC-centric animated films on the big screen for years, and ‘Batman: Return of the Caped Crusaders’ offers another opportunity to entertain our audience with a highly-anticipated cinema event,” said Mary Ellen Thomas, Warner Bros. Home Entertainment Vice President, Family & Animation Marketing. “Warner Bros. Home Entertainment is proud to launch our newly branded ‘DC Classics Collection’ films with a Fathom Events presentation.”


About Fathom Events
Fathom Events is recognized as the leading domestic distributor of event cinema, and ranks as one of the largest overall distributors of content to movie theaters. Owned by AMC Entertainment Inc. (NYSE: AMC), Cinemark Holdings, Inc. (NYSE: CNK) and Regal Entertainment Group (NYSE: RGC) (known collectively as AC JV, LLC), Fathom Events offers a variety of one-of-a-kind entertainment events that include live, high-definition performances of the Metropolitan Opera, dance and theatre productions such as the Bolshoi Ballet and National Theatre Live’s Hamlet, sporting events like FS1 Presents USA v Mexico, concerts with Roger Waters and One Direction, the TCM Presents classic film series and faith-based events such as The Drop Box and Four Blood Moons. Fathom Events takes audiences behind the scenes and offers unique extras including audience Q&As, backstage footage and interviews with cast and crew, creating the ultimate VIP experience. Fathom Events’ live digital broadcast network (“DBN”) is the largest cinema broadcast network in North America, bringing live and pre-recorded events to 887 locations and 1,354 screens in 181 Designated Market Areas® (including all of the top 50). For more information, visit www.fathomevents.com.

About Warner Bros. Home Entertainment, Inc.
Warner Bros. Home Entertainment (WBHE) brings together Warner Bros. Entertainment's home video, digital distribution and interactive entertainment businesses in order to maximize current and next-generation distribution scenarios. An industry leader since its inception, WBHE oversees the global distribution of content through packaged goods (Blu-ray Disc™ and DVD) and digital media in the form of electronic sell-through and video-on-demand via cable, satellite, online and mobile channels, and is a significant developer and publisher for console and online video game titles worldwide. WBHE distributes its product through third party retail partners and licensees.

Batman and all related characters and elements are trademarks of and © DC. (s16)

About DC Entertainment
DC Entertainment, home to iconic brands DC (Superman, Batman, Green Lantern, Wonder Woman, The Flash, etc.), Vertigo (Sandman, Fables, etc.) and MAD, is the creative division charged with strategically integrating across Warner Bros. and Time Warner. DC Entertainment works in concert with many key Warner Bros. divisions to unleash its stories and characters across all media, including but not limited to film, television, consumer products, home entertainment, and interactive games. Publishing thousands of comic books, graphic novels and magazines each year, DC Entertainment is one of the largest English-language publishers of comics in the world.

About Warner Bros. Animation
Warner Bros. Animation (WBA) is one of the leading producers of animation in the entertainment industry, producing and developing projects for multiple platforms, both domestically and internationally. WBA’s TV series include Be Cool Scooby-Doo!, Bunnicula, Justice League Action, Teen Titans Go!, The Tom and Jerry Show, Wabbit – A Looney Tunes Production for Cartoon Network, Mike Tyson Mysteries for Adult Swim, Right Now Kapow for Disney XD and the forthcoming Green Eggs and Ham for Netflix. As the home of the iconic animated characters from the DC Comics, Hanna-Barbera, MGM and Looney Tunes libraries, WBA also produces highly successful animated films — including the DC Universe Animated Original Movies — for DVD. One of the most-honored animation studios in history, WBA has won six Academy Awards®, 35 Emmy® Awards, the George Foster Peabody Award, an Environmental Media Award, a Parents’ Choice Award, the HUMANITAS Prize, two Prism Awards and 20 Annie Awards (honoring excellence in animation).

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Thursday, June 9, 2016

Fathom Events to Give "Batman: The Killing Joke" a Limited Theatrical Release


Highly Anticipated ‘Batman: The Killing Joke’ Coming to Select Movie Theaters July 25 Only, Starring ‘Batman: The Animated Series’ Actors Kevin Conroy and Mark Hamill

Fathom Events, Warner Bros. Home Entertainment, Warner Bros. Animation and DC Entertainment Bring Acclaimed Graphic Novel to Life

DENVER--(BUSINESS WIRE)--The dark journey into insanity begins as “Batman: The Killing Joke” gets the big-screen treatment for one night on Monday, July 25, 2016 at 7:30 p.m. and 10:00 p.m. local time. Fathom Events, in partnership with Warner Bros., is teaming up with Warner Bros. Home Entertainment, Warner Bros. Animation and DC Entertainment to bring the acclaimed graphic novel-turned-film to select cinemas nationwide.

“Batman: The Killing Joke” reunites the foundation of “Batman: The Animated Series” with Bruce Timm returning as executive producer, and actors Kevin Conroy and Mark Hamill reprising their seminal roles as Batman and The Joker, respectively. In addition to the animated feature, audience members will get to experience a special introduction from Mark Hamill plus a never-before-seen documentary about how Hamill was cast in this project and what the role means to him as an actor and a fan. The event will conclude with a special behind-the-scenes look at how the Joker’s memorable, yet disturbing song and dance number was recreated for this feature.

    .@FathomEvents News: See Graphic Novel Batman #TheKillingJoke Come to Life on the Big Screen for One Night

Tickets for “Batman: The Killing Joke” can be purchased online beginning Friday, June 17, 2016 by visiting www.FathomEvents.com or at participating theater box offices. Fans throughout the U.S. will be able to enjoy the event in select movie theaters through Fathom’s Digital Broadcast Network. For a complete list of theater locations visit the Fathom Events website (theaters and participants are subject to change).

Based on the acclaimed DC graphic novel of the same name, Batman: The Killing Joke takes a journey into the dark psyche of the Clown Prince of Crime – from his humble beginnings as a struggling comedian to his fateful encounter with Batman that changes both of their lives forever. Years later, and now escaped from Arkham Asylum, The Joker devises a plan to prove that one bad day can make anyone as insane as he is – setting his sights on Commissioner Gordon. It’s up to the Dark Knight to put a stop to The Joker’s latest scheme and save one of Gotham City’s finest. Following a gripping prologue introducing Barbara Gordon’s heroic adventures alongside Batman as Batgirl, Batman: The Killing Joke stays true to the authentic tale that has held fans’ imaginations for nearly three decades – spotlighting the birth of a Super-Villain, the fortitude of a Super Hero and the punchline that will leave you speechless.

In addition to Conroy and Hamill, the feature also stars the voices of Tara Strong (Teen Titans; Batman: Arkham games) as Barbara Gordon and Ray Wise (Twin Peaks, RoboCop) as Commissioner Gordon. Sam Register and Bruce Timm are executive producers. Benjamin Melniker and Michael Uslan (The Dark Knight films, Batman v Superman: Dawn of Justice) are executive producers. Alan Burnett serves as co-producer.

“Fathom Events is thrilled to be able to bring ‘Batman: The Killing Joke’ to movie theaters across the country so fans can see it on the big screen,” Fathom Events Vice President of Studio Relations Tom Lucas said. “Warner Bros. Home Entertainment, Warner Bros. Animation and DC Entertainment have created an amazing production based on a beloved graphic novel, and we’re honored to be a part of this release.”

“Fans have been clamoring for a theatrical release of the popular DC Universe Original Movies, and the highly anticipated ‘Batman: The Killing Joke’ presented a perfect opportunity to work with Fathom Events to bring the fans’ wishes to fruition for this special, limited release,” said Mary Ellen Thomas, Warner Bros. Home Entertainment Vice President, Family & Animation Marketing.


About Fathom Events
Fathom Events is the event cinema distribution arm of AMC Entertainment Inc. (NYSE: AMC), Cinemark Holdings, Inc. (NYSE: CNK) and Regal Entertainment Group (NYSE: RGC) (known collectively as AC JV, LLC), the three largest movie theater circuits in the U.S., and is recognized as the leading distributor of alternative content. It offers a variety of one-of-a-kind entertainment events in movie theaters nationwide that include live, high-definition performances of the Metropolitan Opera, dance and theatre productions such as the Bolshoi Ballet and National Theatre Live’s Hamlet, sporting events like FS1 Presents USA v Mexico, concerts with Roger Waters and One Direction, the TCM Presents classic film series and faith-based events such as The Drop Box and Four Blood Moons. Fathom Events also takes audiences behind the scenes and offers unique extras including audience Q&As, backstage footage and interviews with cast and crew, creating the ultimate VIP experience. In addition, Fathom Events’ live digital broadcast network (“DBN”) is the largest cinema broadcast network in North America, bringing live and pre-recorded events to 885 locations and 1,348 screens in 181 Designated Market Areas® (including all of the top 50). For more information, visit www.fathomevents.com.

About Warner Bros. Home Entertainment, Inc.:
Warner Bros. Home Entertainment (WBHE) brings together Warner Bros. Entertainment's home video, digital distribution and interactive entertainment businesses in order to maximize current and next-generation distribution scenarios. An industry leader since its inception, WBHE oversees the global distribution of content through packaged goods (Blu-ray Disc™ and DVD) and digital media in the form of electronic sell-through and video-on-demand via cable, satellite, online and mobile channels, and is a significant developer and publisher for console and online video game titles worldwide. WBHE distributes its product through third party retail partners and licensees.

Batman and all related characters and elements are trademarks of and ©DCComics. (s16)

About DC Entertainment
DC Entertainment, home to iconic brands DC (Superman, Batman, Green Lantern, Wonder Woman, The Flash, etc.), Vertigo (Sandman, Fables, etc.) and MAD, is the creative division charged with strategically integrating across Warner Bros. and Time Warner. DC Entertainment works in concert with many key Warner Bros. divisions to unleash its stories and characters across all media, including but not limited to film, television, consumer products, home entertainment, and interactive games. Publishing thousands of comic books, graphic novels and magazines each year, DC Entertainment is one of the largest English-language publishers of comics in the world.

About Warner Bros. Animation
Warner Bros. Animation (WBA) is one of the leading producers of animation in the entertainment industry, producing and developing projects for multiple platforms, both domestically and internationally. WBA’s TV series include Be Cool Scooby-Doo!, Bunnicula, Justice League Action, Teen Titans Go!, The Tom and Jerry Show, Wabbit – A Looney Tunes Production for Cartoon Network, Mike Tyson Mysteries for Adult Swim and the forthcoming Green Eggs and Ham for Netflix. As the home of the iconic animated characters from the DC Comics, Hanna-Barbera, MGM and Looney Tunes libraries, WBA also produces highly successful animated films — including the DC Universe Animated Original Movies — for DVD. One of the most-honored animation studios in history, WBA has won six Academy Awards®, 35 Emmy® Awards, the George Foster Peabody Award, an Environmental Media Award, a Parents’ Choice Award, the HUMANITAS Prize, two Prism Awards and 20 Annie Awards (honoring excellence in animation).

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Friday, May 27, 2016

Review: "Batman: Bad Blood" Has Bad-Ass Fight Scenes

TRASH IN MY EYE No. 12 (of 2016) by Leroy Douresseaux

Batman: Bad Blood (2016) – Video
Running time:  73 minutes (1 hour, 13 minutes)
Rated MPAA – PG-13 for violence throughout and some suggestive content
DIRECTOR:  Jay Oliva
WRITERS:  J.M. DeMatteis (based on the characters created by Bob Kane and Bill Finger)
PRODUCER:  James Tucker
EDITOR:  Christopher D. Lozinsk
COMPOSER:  Frederik Wiedmann
ANIMATION STUDIO:  The Answerstudio

ANIMATION/SUPERHERO/ACTION/FANTASY

Starring:  (voices) Jason O'Mara, Yvonne Strahovski, Stuart Allan, Sean Maher, Morena Baccarin, Steve Blum, Gaius Charles, John DiMaggio, Robin Atkin Downes, James Garret, Ernie Hudson, Vanessa Marshall, Jason Spisak, Travis Willingham, Christie Lakin,Matthew Mercer, Kari Walgren, Geoff Pierson, and Bruce Thomas

Batman: Bad Blood is a 2016 straight-to-video, animated superhero film from Warner Bros. Animation.  It is the 24th film in Warner's line of DC Universe original animated movies.  The film focuses on characters featured in the world of DC Comics' Dark Knight Detective, the Batman.

A sequel to 2015's Batman vs. Robin, Bad Blood finds members of Batman's family, as well as heroes inspired by him, searching for Batman after he goes missing.  This “Bat Family” however, begins to suspect that their “father” is connected to a new crime wave.

Early in Batman: Bad Blood, a new hero calling herself Batwoman (Yvonne Strahovski) battles a group of costumed supervillains:  Electrocutioner, Firefly, Killer Moth, and Tusk, in a Gotham City warehouse-type facility.  Batman (Jason O'Mara) arrives to join the fray, but the apparent leader of the criminals, a man called the Heretic (Travis Willingham), manages to donate explosives in the facility.  Although Batwoman escapes, she does not believe that Batman did.

After several weeks, Batman's disappearance has not gone unnoticed, and crime surges in Gotham City.  Meanwhile, Alfred Pennyworth (James Garret), the faithful butler of Bruce Wayne (Batman's alter-ego, of course), is trying to cover for the missing Wayne.  Alfred sends out a distress signal to the first Robin, Dick Grayson (Sean Maher), the hero now known as Nightwing.  Bruce's son, Damien Wayne (Stuart Allan), the current Robin, also returns home.

Together, Dick and Damien become the new Batman and Robin, and with the help of Batwoman and her alter-ego, Katherine Kane, begin to defend Gotham while searching for Batman.  The truth of Batman's disappearance, however, is far darker and closer to them than the Bat-allies realize.  They will need the help of a new Batman-inspired hero, Batwing (Gaius Charles), to save the day.

Batman: Bad Blood is not the best Batman straight-to-video animated film, nor is it the worst.  The first act, and the last 20 minutes of the film are excellent, so I would say that Bad Blood is on the better side of the Batman animated movies.

I also have to say that the fight scenes are probably the best that I have ever seen in an animated superhero movie.  The individual fisticuffs between pairs of adversaries are comparable to the fighting in live-action martial arts movies.  The aerial battles between characters with the power of flight (because of the costumes and super-suits they wear) are impressive, even dazzling in some places.  The action set pieces, in general, are quite good, especially the one involving that unique Wayne Tech conference building which occurs in the last acts of this movie.

I think the middle of Batman: Bad Blood sometimes comes across as padding, and a little of it does a little to advance the narrative.  Still, it is a good film, but I will say that it is time to move on from the subject matter and plot lines that have dominated the three most recent Batman animated movies, Son of Batman, Batman vs. Robin, and now Batman: Bad Blood.

7 of 10
B+

Saturday, May 21, 2016


The text is copyright © 2016 Leroy Douresseaux. All Rights Reserved. Contact this site for reprint and syndication rights and fees.

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Monday, November 9, 2015

Review: "Justice League: Gods and Monsters" Recalls "Justice League" Roots

TRASH IN MY EYE No. 43 (of 2015) by Leroy Douresseaux

Justice League: Gods and Monsters (2015) – Video
Running time:  76 minutes (1 hour, 16 minutes)
MPAA – PG-13 for violence throughout and suggestive content including nudity
DIRECTOR:  Sam Liu
WRITERS:  Alan Burnett; from a story by Bruce W. Timm and Alan Burnett
PRODUCER: Alan Burnett
EDITOR:  Christopher D. Lozinsk
COMPOSER:  Frederik Wiedmann
ANIMATION STUDIO:  Moi Animation

ANIMATION/SUPERHERO/ACTION/FANTASY

Starring:  (voices) Benjamin Bratt, Michael C. Hall, Tamara Taylor, Paget Brewster, C. Thomas Howell, Jason Isaacs, Dee Bradley Baker, Grey Griffin, Penny Johnson Jerald, Tahmoh Penikett, Bruce Thomas, Carl Lumbly, Taylor Parks, Richard Chamberlain, Yuri Lowenthal, and Andrea Romano

Justice League: Gods and Monsters is a 2015 straight-to-video animated superhero film from Warner Bros. Animation.  It is the 23rd film in Warner's line of DC Universe original animated movies.  The film focuses on an alternate version of DC Comics' ultimate superhero team, the Justice League.  This film also marks the return of fan-favorite writer-producer, Bruce Timm, to DC Universe films.

Justice League: Gods and Monsters is set in an alternate universe and features a different version of DC Comics's “Trinity” – Superman, Wonder Woman, and Batman.  This different version of Superman is Hernan Guerra (Benjamin Bratt), not Clark Kent.  Superman's origin is still the planet, Krypton, but his biological father is General Zod (Bruce Thomas), not Jor-El.  On Earth, baby Kal-El is found and raised by a family of honorable and hardworking Mexican migrant farmers (instead of the Kansas farming couple, Ma and Pa Kent).  The troubles Hernan experienced living as an undocumented immigrant in the United States with his parents has made Superman short-tempered and withdrawn from humanity.

This alternate version of Wonder Woman is not Diana Prince from Paradise Island.  She is Bekka (Tamara Taylor), a New God, living in exile from Apokolips on EarthBatman is not Bruce Wayne.  He is Dr. Kirk Langstrom (Michael C. Hall), a scientist transformed by experimentation into a vampire-like man who feeds on criminals to satisfy his thirst for blood, which eats away at his humanity.  In Gods and Monsters, this Justice League operate outside the law, which makes it easy for them to be framed for the murders of several prominent scientists.

As Justice League: Gods and Monsters, the Justice League acts as the brutal force that maintains order on Earth.  The League has very little accountability and maintains a wary alliance with the United States government and with President Amanda Waller (Penny Johnson Jerald).  However, the circumstances surrounding the deaths of three prominent scientists seem to point to Superman, Wonder Woman, and Batman as the murderers.  Now, authorities plan to use, “Project Fair Play,” the pet project of these murdered scientists, to hold the Justice League accountable for murders that they did not commit.  So who did?

Viewers that are familiar with the characters, comic books, and mythologies of DC Comics will find Justice League: Gods and Monsters a delight.  The better your grasp on what has been changed and how it has been changed, the more entertaining this film will be.  Still, the themes of justice and unity preside over the story.  The heroes, dark as they are, still undergo a journey to their better selves, striving to embrace their better natures.  Different though they may be, they are still superheroes.  They are still the Justice League.

In terms of the animation, character design, and art direction, Justice League: Gods and Monsters looks like the dearly DC Universe animated films.  In terms of action and drama, Gods and Monsters is also similar to the “Justice League” (2001-2004) animated television series and other animated series for which this film's writers, Bruce Timm and Alan Burnett, are known.  That's a good thing; that's a very good thing.

Justice League: Gods and Monsters is a welcomed return of a classic Justice League cool.  I hope that Bruce Timm and Alan Burnett reunite for more.

8 of 10
A

Friday, November 6, 2015


The text is copyright © 2015 Leroy Douresseaux. All Rights Reserved. Contact this site for reprint and syndication rights and fees.


Tuesday, October 27, 2015

Review: "Tom and Jerry: Spy Quest" is Good Jonny Quest

TRASH IN MY EYE No. 41 (of 2015) by Leroy Douresseaux

Tom and Jerry: Spy Quest (2014) – straight-to-video
Running time:  73 minutes (1 hour, 13 minutes)
PRODUCERS/DIRECTORS:  Spike Brandt and Tony Cervone
WRITERS:  James Krieg and Heath Corson; from a story by James Krieg
EDITOR:  Kyle Stafford
COMPOSER: Michael Tavera
ANIMATION STUDIO:  Yearim Productions Co., LTD

ANIMATION/FANTASY/ACTION/ADVENTURE and FAMILY

Starring:  (voices) Reese Hartwig, Arnie Pantoja, James Hong, Eric Bauza, Michael Hanks, Tia Carrere, and Tim Matheson, Joe Alaskey, Spike Brandt, Grey Griffin, Jess Harnell, Richard McGonagle, and Jonny Rees

Tom and Jerry: Spy Quest is a 2015 direct-to-video animated film starring the famous cartoon cat and mouse duo, Tom and Jerry.  Produced by Warner Bros. Animation, Spy Quest is a crossover film that teams Tom and Jerry with the characters from the mid-1960s animated series, “Jonny Quest.”

Produced by Hanna-Barbera Productions, “Jonny Quest” was an animated science fiction adventure television series that was originally broadcast on ABC in prime time.  Created and designed by Doug Wildey, the series lasted one season (1964-1965) for a total of 26 episodes.  “Jonny Quest” focused on Jonathan “Jonny” Quest, an 11-year-old boy who accompanies his genius scientist father on extraordinary adventures.

Tom and Jerry: Spy Quest opens on a beach in “sunny South Florida.”  Tom and Jerry are having a relaxing day at the beach, which means they are harassing each other.  Then, the duo encounters Jonny Quest (Reese Hartwig) and his best pal, Hadji (Arnie Pantoja), accompanied by their canine companion, Bandit, of course.  It seems that a trio of cyborg cats are trying to kidnap the trio, until Tom inadvertently saves them.

Jonny and Hadji take their new friends, Tom and Jerry, to Quest Key, the location of their home and also of Quest Labs.  Tom and Jerry are introduced to Jonny's father, Dr. Benton Quest (Eric Bauza), and Jonny's bodyguard, Race Bannon (Michael Hanks).  Why does Jonny need a bodyguard?  Dr. Quest is a world-renowned genius scientist and inventor, and bad people try to kidnap Jonny to use him as leverage to force Dr. Quest to give them his inventions.

In fact, longtime Quest family nemesis, Dr. Zin (James Hong), wants Dr. Quest's latest invention, the “Q Sphere,” a device that will solve the world's energy problems.  After Zin kidnaps Dr. Quest and Race, Tom and Jerry join Jonny, Hadji, and Bandit on a trip to “Zin Automated Battle Island,” on a rescue mission, where an evil cat army and powerful robots await them.

Tom and Jerry: Spy Quest can be described as “The Adventures of Jonny Quest” with Tom and Jerry as, at best, supporting characters, or, in actuality, guest stars.  That is not a bad thing.  James Krieg and Heath Corson have written a Jonny Quest story that recalls the classic, original 1960s series, while maintaining the general wackiness that is Tom and Jerry.

Yeah, the appearance of Jonny Quest recurring character, Jezebel Jade (Tia Carrere), seems obligatory, but the appearance of the bumbling Tom and Jerry adversaries, Tin, Pan, and Alley, balances that.  Corson and especially Krieg seem to know what made classic Hanna-Barbera animated series successful and also have a knack for reviving those elements that made them classics.

Kudos to the art direction.  Quest Key, the Quest Lab interiors, and the island location of Dr. Zin's base of operations, including its interiors, recall Hanna-Barbera's animated science fiction adventure television series of the 1960s and 1970s.

Spike Brandt and Tony Cervone, the producing and directing team behind the Tom and Jerry direct-to-DVD films, always seem to have a way to keep this series going.  Just when I think that it is time to stop, they produce an entry that leaves me awaiting the next.  And with Tom and Jerry: Spy Quest, they also made a good Jonny Quest direct-to-DVD film.

8 of 10
A

Friday, October 23, 2015


The text is copyright © 2015 Leroy Douresseaux. All Rights Reserved. Contact this site for reprint and syndication rights and fees.



Thursday, September 10, 2015

Review: "Scooby-Doo! And Kiss: Rock and Roll Mystery" Rocks

TRASH IN MY EYE No. 36 (of 2015) by Leroy Douresseaux

Scooby-Doo! And Kiss: Rock and Roll Mystery (2015) – Video
Running time:  79 minutes (1 hour, 19 minutes)
PRODUCERS/DIRECTORS:  Spike Brandt and Tony Cervone
WRITERS: Kevin Shinick; from a story by James Krieg and Kevin Shinick
EDITOR:  Bruce A. King
COMPOSERS:  Greg Collins and Jared Faber
ANIMATION STUDIO: Digital eMation, Inc.

ANIMATION/FANTASY/FAMILY and ACTION/COMEDY/MYSTERY

Starring:  (voices) Frank Welker, Matthew Lillard, Grey DeLisle, Mindy Cohn, Gene Simmons, Paul Stanley, Eric Singer, Tommy Thayer, Don McGhee, Darius Rucker, and Jason Mewes, and Kevin Smith

Scooby-Doo! And Kiss: Rock and Roll Mystery is a 2015 straight-to-video, animated, comic mystery film.  It is also the 24th animated movie in the Scooby-Doo straight-to-video series from Warner Bros. Animation, which began in 1998 with Scooby-Doo on Zombie Island.  In Rock and Roll Mystery, Mystery Inc. joins the legendary rock band, KISS, in an attempt to save an amusement park from a marauding witch.

Scooby-Doo! And Kiss: Rock and Roll Mystery introduces KISS World, an amusement park where fans can enjoy and celebrate all things related to the legendary rock band, Kiss (stylized as KISS).  The celebrated members of Kiss:  The Demon (Gene Simmons), The Starchild (Paul Stanley), The Catman (Eric Singer), and The Spaceman (Tommy Thayer) are preparing for a big Halloween concert.  However, the scary “Crimson Witch” is haunting KISS World, screaming “Give Me Rock!” and is scaring all the visitors away.

Meanwhile, Mystery Inc. (a.k.a. “the Scooby gang”): Fred Jones (Frank Welker), Daphne Blake (Grey DeLisle), Velma Dinkley (Mindy Cohn), Shaggy Rogers (Matthew Lillard), and Scooby-Doo (Frank Welker) have traveled to KISS World to see the band, mostly because Daphne has a crush on Starchild.  When the gang discovers that there is a mystery, they insist on helping.  However, the mystery of Crimson Witch spans worlds and dimensions, so how will Scooby and his friends handle their most mind-bending case yet?

As a child, I was a fan of Kiss, although I was not particularly enamored with the band's music.  I did like the stage personas of the band's members, and I liked to imagine the band as a different kind of superhero team.  That is how this most recent Scooby-Doo straight-to-video movie, Scooby-Doo! And Kiss: Rock and Roll Mystery, plays the band:  as a far-out, cosmic band of superheroes who use music and mystical powers to fight evil.

Scooby-Doo! And Kiss: Rock and Roll Mystery is one of the better recent Scooby-Doo movies, specifically because of the inclusion of Kiss.  I am surprised how well Scooby and friends mesh with Kiss.  In fact, Scooby-Doo! And Kiss: Rock and Roll Mystery reminds me of “The New Scooby-Doo Movies” (1972-1974), the Saturday morning animated series that featured Mystery Inc. teaming up with real-life celebrities and well-known animated characters to solve bigger-than-usual mysteries.  I loved that series as a child, which may be part of the appeal of this movie for me.

Still, nostalgia aside, Scooby-Doo! And Kiss: Rock and Roll Mystery is a well made animated film.  The mystery is compelling and the last act features a cosmic-inspired battle that is almost too big for the movie.  This movie is also genuinely funny, with lots of jokes about Kiss merchandising, and the film also gets a lot of mileage out of Daphne's crush on Starchild and Fred's jealousy over it.

Music plays a big part in this movie.  It includes six Kiss songs:  “Rock and Roll All Nite,” “Love Gun,” “Shout It Out Loud,” “I Was Made for Lovin' You,” “Detroit Rock City,” and “Modern Day Delilah.”  Plus, the members of Kiss take part in a joke song for the end credits, “Don't Touch My Ascot.”  The score by Greg Collins and Jared Faber takes its lead from 1970s and early 1980s hard rock, with some synthesizer-imbued music for the big cosmic battle in Kissteria (an alternate dimension).

I hope that Scooby-Doo and Kiss reunite.  The members of Kiss certainly seemed up for their voice-over performances.  If Scooby-Doo! And Kiss: Rock and Roll Mystery is a one-off treat, I can accept that, but this deserves an encore.

8 of 10
A

Monday, September 7, 2015


The text is copyright © 2015 Leroy Douresseaux. All Rights Reserved. Contact this site for reprint and syndication rights and fees.