Showing posts with label John Goodman. Show all posts
Showing posts with label John Goodman. Show all posts

Monday, January 28, 2013

"Argo" Express Makes Stop at 2013 SAG Awards

At the 19th Annual Screen Actors Guild Awards, Ben Affleck's film, Argo, won "Outstanding Performance by a Cast in a Motion Picture," which is essentially SAG's 'best picture" award.

The SAG Awards and the Oscars don't match up exactly, especially in the "Best Picture" race. It's anybody's guess on the acting categories, but the winners in the theatrical categories last night probably are the odds-on favorites to win the Oscars in their respecitve categories. I still think Jessica Chastain will win best actress instead of Jennifer Lawrence, though. I think Christoph Waltz could also win best supporting actor instead of Tommy Lee Jones.

The 19th Annual Screen Actors Guild Awards® were simulcast live nationally on TNT and TBS on Sunday, January 27, 2013 from the Los Angeles Shrine Exposition Center.

19th ANNUAL SCREEN ACTORS GUILD AWARDS® RECIPIENTS:

THEATRICAL MOTION PICTURES

Outstanding Performance by a Male Actor in a Leading Role
DANIEL DAY-LEWIS / Abraham Lincoln - "LINCOLN” (Touchstone Pictures)

Outstanding Performance by a Female Actor in a Leading Role
JENNIFER LAWRENCE / Tiffany - “SILVER LININGS PLAYBOOK” (The Weinstein Company)

Outstanding Performance by a Male Actor in a Supporting Role
TOMMY LEE JONES / Thaddeus Stevens - “LINCOLN” (Touchstone Pictures)

Outstanding Performance by a Female Actor in a Supporting Role
ANNE HATHAWAY / Fantine - “LES MISÉRABLES” (Universal Pictures)

Outstanding Performance by a Cast in a Motion Picture: ARGO (Warner Bros. Pictures)
Awarded Cast:
BEN AFFLECK / Tony Mendez
ALAN ARKIN / Lester Siegel
KERRY BISHÉ / Kathy Stafford
KYLE CHANDLER / Hamilton Jordan
RORY COCHRANE / Lee Schatz
BRYAN CRANSTON / Jack O’Donnell
CHRISTOPHER DENHAM / Mark Lijek
TATE DONOVAN / Bob Anders
CLEA DuVALL / Cora Lijek
VICTOR GARBER / Ken Taylor
JOHN GOODMAN / John Chambers
SCOOT McNAIRY / Joe Stafford
CHRIS MESSINA / Malinov

PRIMETIME TELEVISION

Outstanding Performance by a Male Actor in a Television Movie or Miniseries
KEVIN COSTNER / “Devil Anse” Hatfield - “HATFIELDS & McCOYS” (History)

Outstanding Performance by a Female Actor in a Television Movie or Miniseries
JULIANNE MOORE / Sarah Palin - “GAME CHANGE” (HBO)

Outstanding Performance by a Male Actor in a Drama Series
BRYAN CRANSTON / Walter White - “BREAKING BAD” (AMC)

Outstanding Performance by a Female Actor in a Drama Series
CLAIRE DANES / Carrie Mathison - “HOMELAND” (Showtime)

Outstanding Performance by a Male Actor in a Comedy Series
ALEC BALDWIN / Jack Donaghy - “30 ROCK” (NBC)

Outstanding Performance by a Female Actor in a Comedy Series
TINA FEY / Liz Lemon - “30 ROCK” (NBC)

Outstanding Performance by an Ensemble in a Drama Series: DOWNTON ABBEY (PBS)
Awarded Cast:
HUGH BONNEVILLE / Robert, Earl of Grantham
ZOE BOYLE / Lavinia Swire
LAURA CARMICHAEL / Lady Edith Crawley
JIM CARTER / Mr. Carson
BRENDAN COYLE / John Bates
MICHELLE DOCKERY / Lady Mary Crawley
JESSICA BROWN FINDLAY / Lady Sybil Crawley
SIOBHAN FINNERAN / O’Brien
JOANNE FROGGATT / Anna
IAIN GLEN / Sir Richard Carlisle
THOMAS HOWES / William
ROB JAMES-COLLIER / Thomas
ALLEN LEECH / Tom Branson
PHYLLIS LOGAN / Mrs. Hughes
ELIZABETH McGOVERN / Cora, Countess of Grantham
SOPHIE McSHERA / Daisy
LESLEY NICOL / Mrs. Patmore
AMY NUTTALL / Ethel
DAVID ROBB / Dr. Clarkson
MAGGIE SMITH / Violet, Dowager Countess of Grantham
DAN STEVENS / Matthew Crawley
PENELOPE WILTON / Isobel Crawley

Outstanding Performance by an Ensemble in a Comedy Series: MODERN FAMILY (ABC)
Awarded cast:
AUBREY ANDERSON-EMMONS / Lily Tucker-Pritchett
JULIE BOWEN / Claire Dunphy
TY BURRELL / Phil Dunphy
JESSE TYLER FERGUSON / Mitchell Pritchett
NOLAN GOULD / Luke Dunphy
SARAH HYLAND / Haley Dunphy
ED O’NEILL / Jay Pritchett
RICO RODRIGUEZ / Manny Delgado
ERIC STONESTREET / Cameron Tucker
SOFIA VERGARA / Gloria Delgado-Pritchett
ARIEL WINTER / Alex Dunphy

SAG AWARDS HONORS FOR STUNT ENSEMBLES

Outstanding Action Performance by a Stunt Ensemble in a Motion Picture:
SKYFALL (Columbia Pictures)

Outstanding Action Performance by a Stunt Ensemble in a Television Series:
GAME OF THRONES (HBO)

LIFE ACHIEVEMENT AWARD

Screen Actors Guild 49th Annual Life Achievement Award: DICK VAN DYKE

Sunday, January 6, 2013

Review: "ParaNorman" Thankfully Not Normal


TRASH IN MY EYE No. 2 (of 2013) by Leroy Douresseaux

ParaNorman (2012)
Running time: 92 minutes (1 hour, 32 minutes)
MPAA – PG for scary action and images, thematic elements, some rude humor and language
DIRECTORS: Chris Butler and Sam Fell
WRITER: Chris Butler
PRODUCERS: Travis Knight and Arianne Sutner
CINEMATOGRAPHER: Tristan Oliver
EDITORS: Christopher Murrie
COMPOSERS: Jon Brion

ANIMATION/FANTASY/COMEDY/HORROR/FAMILY

Starring: (voices) Kodi Smit-McPhee, Tucker Albrizzi, Anna Kendrick, Casey Affleck, Christopher Mintz-Plasse, Leslie Mann, Jeff Garlin, Elaine Stritch, Bernard Hill, Jodelle Ferland, Tempestt Bledsoe, Alex Borstein, and John Goodman

ParaNorman is a 2012 American, 3D, stop-motion animated, comic-horror film. The film is a production of Laika, the stop-motion animation studio behind the 2009 film, Coraline. ParaNorman focuses on a misunderstood boy, who talks to ghosts, and his quest to save his town from a centuries-old curse.

Not many people in the town of Blithe Hollow, Massachusetts seem to understand or even like 11-year-old Norman Babcock (Kodi Smit-McPhee), except his dear mother, Sandra (Leslie Mann), of course. Norman can talk to ghosts. This claim infuriates his father, Perry (Jeff Garlin), because he thinks his son is too weird, and it annoys his sister, Courtney (Anna Kendrick), who is embarrassed by her brother. Norman even has a classmate dedicated to bullying him, the break dancer wannabe, Alvin (Christopher Mintz-Plasse). Norman does have one friend, a chubby, eccentric kid named Neil Downe (Tucker Albrizzi).

Oh, there is one other person interested in Norman. That would be the town crazy, Mr. Prenderghast (John Goodman), who is also Norman’s uncle. He claims that Norman is the only person who can save the town from a centuries-old curse put upon it three hundred years ago by a vengeful witch. Pursued by zombies, Norman races to stop the curse with only Neil, a reluctant Courtney, and Mitch (Casey Affleck), Neil’s brother, by his side. But stopping the curse means having the right information/the real story, and Norman is having trouble getting that.

ParaNorman is not only one of the best animated films of the year, but it is also one of 2012’s best movies. This film looks like a Tim Burton movie, but is darker and less whimsical than most of Burton’s movies; ParaNorman is probably more in line and closer in tone with Burton’s Sleepy Hollow (1999).

One of my college professors said that books which contained controversial ideas often ended up in the children’s literature section, To Kill a Mockingbird and Lord of the Flies, being examples she used. ParaNorman is kind of like that; in fact, it is like one of those children’s classics (film or storybook) with something to say. It runs the gamut of themes and ideas: the destruction of revenge, bullying, parental acceptance, the cycle in which parents pass on their fears and prejudices to their children or even project those onto their children, the fear of being different, how easy it is for a person to isolate himself because he is persecuted for being different, the mob mentality, the quest for redemption, etc. ParaNorman has so many ideas and themes that I lost count. It does not aspire to be more than a kid’s movie; it just wants to be more than the average children’s movie.

The film is such a feast of dark colors and fantastic visual elements that it is easy to miss the substance. The stop-motion animation and production values in ParaNorman exceed Coraline; it’s not even close. The character design alone is way ahead in terms of imagination and diversity than many animated feature films. The characters are caricatures of real-life human body types, but in an amusing way that celebrates all the big hips, thunder thighs, scrawny necks, big butts, fat bodies, etc. without being cruel for the sake of cheap laughs.

There is a lot more to say, but I don’t want to run on (longer than I usually do). This hand-crafted movie is a miracle. It celebrates being different, but also enjoying being different from other people. There is a surprise reveal about one of the characters near the end of the film that makes ParaNorman extra, extra-special.

9 of 10
A+

Friday, January 04, 2013

Saturday, October 27, 2012

Robert Zemeckis Retrospective at Museum of the Moving Image

New York, NY – October 26, 2012 – Academy Award-winning® director Robert Zemeckis has been at the helm of some of the most entertaining, inventive, and critically acclaimed movies of the past three decades, including Romancing the Stone, the Back to the Future trilogy, Who Framed Roger Rabbit?, Forrest Gump, and Cast Away.


On the occasion of his latest film, Paramount Pictures’s Flight, which Peter Travers of Rolling Stone has said “Flight is Zemeckis at his most emotionally open and thematically provocative,” the prolific filmmaker will be joined by the film’s screenwriter John Gatins, and stars Denzel Washington and John Goodman for a special Q&A on Monday, October 29 as part of the Museum of the Moving Image’s four-film retrospective of Zemeckis’s work, taking place October 28 through November 4, 2012.

“As dazzling as his films can be, they are also marked by a mastery of cinematic language, and surprising emotional depth,” said Chief Curator David Schwartz. “His latest film, Flight, is both an action thriller and an intense and deeply moving character study with a bracing, audacious performance by Denzel Washington.”

The special screening of Flight, will take place at The Ziegfeld and is by invitation only. Museum members may reserve tickets by calling 718 777 6800. To learn about Museum membership and to join, go online to http://movingimage.us/support/membership or call 718 777 6877.

The other films in the retrospective—Forrest Gump, Back to the Future, and Cast Away—will screen at the Museum. Tickets for these screenings are included with Museum admission, which is free for Museum members.

Press Contact: Tomoko Kawamoto, tkawamoto@movingimage.us / 718 777 6830

SCHEDULE FOR ‘ROBERT ZEMECKIS,’ OCTOBER 28–NOVEMBER 4, 2012

Unless otherwise noted, film screenings take place in the Main Theater and in the Celeste and Armand Bartos Screening Room at Museum of the Moving Image, 36-01 35 Avenue (at 37 Street), Astoria, and are included with Museum admission.

All films directed by Robert Zemeckis.

Forrest Gump
SUNDAY, OCTOBER 28, 1:00 P.M.

1994, 142 mins. With Tom Hanks, Robin Wright, Gary Sinise, Sally Field. The slow-witted Forrest Gump floats through his life—and a tumultuous period in American history—somehow showing up as a bit player in one iconic moment after another. One of the most acclaimed and successful films of the past 20 years, and the focus of intense critical debate, Forrest Gump is both a technical marvel and a compelling blend of comedy and drama. Screenplay by Eric Roth. Based on the Novel by Winston Groom.

SPECIAL PREVIEW SCREENING FOR MUSEUM MEMBERS:

Flight

With a Q&A with Robert Zemeckis, Denzel Washington, John Goodman, and John Gatins At the Ziegfeld, 141 West 54 Street, Manhattan

MONDAY, OCTOBER 29, 6:30 P.M.
2012, 135 mins. With Denzel Washington, Don Cheadle, Kelly Reilly, John Goodman, Bruce Greenwood, Brian Geraghty, Tamara Tunie, Nadine Velazquez, Peter Gerety, Garcelle Beauvais, Melissa Leo. In Zemeckis’s action-packed and powerful mystery thriller, Academy Award®-winner Denzel Washington stars as Whip Whitaker, a seasoned airline pilot who miraculously crash-lands his plane after a mid-air catastrophe, saving nearly everyone on board. After the crash, Whip is hailed as a hero, but as more is learned, questions arise as to who or what was at fault and what really happened on that plane. A Q&A with Zemeckis, Washington, John Goodman, and screenwriter John Gatins follows the screening.

Back to the Future
FRIDAY, NOVEMBER 2, 6:30 P.M.

1985, 116 mins. With Michael J. Fox, Christopher Lloyd, Crispin Glover, Lea Thompson. In this rollicking time-travel story about a 1980s teenager who travels back to the 1950s, where he must arrange his parents’ meeting, director Robert Zemeckis perfectly balances science fiction, spectacle, comedy, action, and emotional depth.

Cast Away
SUNDAY, NOVEMBER 4, 4:00 P.M.

2000, 143 mins. With Tom Hanks, Helen Hunt. An executive for Federal Express survives a plane crash and winds up on a remote Pacific island, where he must learn how to survive. Hanks’s tour de force performance captures the grueling physical journey as well as the complex emotional transformation. As with Zemeckis’s best films, this is a cinematic triumph that is as deeply moving as it is entertaining. Written by William Broyles, Jr.


Museum of the Moving Image (movingimage.us) advances the understanding, enjoyment, and appreciation of the art, history, technique, and technology of film, television, and digital media. In January 2011, the Museum reopened after a major expansion and renovation that nearly doubled its size. Accessible, innovative, and forward-looking, the Museum presents exhibitions, education programs, significant moving-image works, and interpretive programs, and maintains a collection of moving-image related artifacts.

Hours: Tuesday-Thursday, 10:30 a.m. to 5:00 p.m. Friday, 10:30 to 8:00 p.m. Saturday-Sunday, 11:30 a.m. to 7:00 p.m. Closed Monday except for holiday openings

Film Screenings: Friday evenings, Saturdays and Sundays, and as scheduled. Unless otherwise noted, screenings are included with Museum admission.

Museum Admission: $12.00 for adults (18+); $9.00 for senior citizens and for students (13+) with ID; $6.00 for children ages 3-12. Children under 3 and Museum members are admitted free. Admission to the galleries is free on Fridays, 4:00 to 8:00 p.m. Tickets for special screenings and events may be purchased in advance by phone at 718 777 6800 or online.

Location: 36-01 35 Avenue (at 37 Street) in Astoria.
Subway: M (weekdays only) or R to Steinway Street. Q (weekdays only) or N to 36 Avenue.

Program Information: Telephone: 718 777 6888; Website: movingimage.us

Membership: 718 777 6877, members@movingimage.us

The Museum is housed in a building owned by the City of New York and its operations are made possible in part by public funds provided through the New York City Department of Cultural Affairs, the New York City Economic Development Corporation, the New York State Council on the Arts, the National Endowment for the Arts, the National Endowment for the Humanities, the Institute of Museum and Library Services, and the Natural Heritage Trust (administered by the New York State Office of Parks, Recreation, and Historic Preservation). The Museum also receives generous support from numerous corporations, foundations, and individuals. For more information, please visit movingimage.us.

Tuesday, October 9, 2012

"Argo" Soundtrack Now Available

Argo Soundtrack Coming October 9th

Preview the Album, Featuring Original Music by Alexandre Desplat, at the WaterTower Music Website

LOS ANGELES--(BUSINESS WIRE)--On October 9, 2012, WaterTower Music will release Argo: Original Motion Picture Soundtrack at all digital retailers. The original music was composed by four-time Academy-Award® nominee Alexandre Desplat.

The film’s director Ben Affleck said, “We needed to find a theme that we would use throughout—obviously different instrumentation and tempo, but still the same piece of music.” He turned to composer Alexandre Desplat. “Desplat was amazing at crafting an atypical score, incorporating uncommon instruments, many Middle Eastern in origin. It doesn’t feel too literal or cliché, but he created a sound that instantly puts you in that place.”

Desplat received his most recent Oscar® nod for his score for the Best Picture winner “The King’s Speech,” for which he also won a BAFTA Award and earned a Golden Globe nomination. He previously garnered Oscar® and BAFTA Award nominations for his score for the animated “Fantastic Mr. Fox”; Oscar®, Golden Globe and BAFTA Award nominations for David Fincher’s “The Curious Case of Benjamin Button”; and Oscar® and BAFTA Award nominations for Stephen Frears’ “The Queen.” In addition, Desplat won a Golden Globe Award for John Curran’s “The Painted Veil,” and also received Golden Globe nominations for his scores for Stephen Gaghan’s “Syriana” and Peter Webber’s “Girl with a Pearl Earring.”

Desplat more recently created the scores for “The Tree of Life,” directed by Terrence Malick; George Clooney’s “The Ides of March”; “Carnage,” for director Roman Polanski; Stephen Daldry’s “Extremely Loud & Incredibly Close”; and the two-film finale of the Harry Potter film franchise, “Harry Potter and the Deathly Hallows – Parts 1 and 2.”

Oscar® winner Ben Affleck (“The Town,” “Good Will Hunting”) directs and stars in “Argo,” opening nationwide on October 12, 2012. Based on real events, the dramatic thriller “Argo” chronicles the life-or-death covert operation to rescue six Americans, which unfolded behind the scenes of the Iran hostage crisis, focusing on the little-known role that the CIA and Hollywood played — information that was not declassified until many years after the event. On November 4, 1979, as the Iranian revolution reaches its boiling point, militants storm the U.S. Embassy in Tehran, taking 52 Americans hostage. But, in the midst of the chaos, six Americans manage to slip away and find refuge in the home of Canadian Ambassador Ken Taylor. Knowing it is only a matter of time before the six are found out and likely killed, the Canadian and American governments ask the CIA to intervene. The CIA turns to their top “exfiltration” specialist, Tony Mendez, to come up with a plan to get the six Americans safely out of the country. A plan so incredible, it could only happen in the movies.

Warner Bros. Pictures presents, in association with GK Films, a Smokehouse Pictures production, “Argo.” The film will be distributed worldwide by Warner Bros. Pictures, a Warner Bros. Entertainment Company. Affleck directed the film from a screenplay by Chris Terrio, based on a selection from The Master of Disguise by Antonio J. Mendez and the Wired Magazine article “The Great Escape,” by Joshuah Bearman. The film is produced by Grant Heslov and George Clooney. David Klawans, Nina Wolarsky, Chris Brigham, Chay Carter, Graham King and Tim Headington are the executive producers, with Amy Herman co-producing. “Argo” also stars Bryan Cranston, Alan Arkin and John Goodman.

The Argo - Original Motion Picture Soundtrack on WaterTower Music will be available digitally on October 9, 2012, and can be previewed at www.watertower-music.com.

www.argothemovie.com


Tuesday, September 11, 2012

"The Hangover Part III" Starts Shooting for May 2013 Release

Cameras Roll on “The Hangover Part III”

Director Todd Phillips takes stars Bradley Cooper, Ed Helms and Zach Galifianakis on one last wild ride

BURBANK, Calif.--(BUSINESS WIRE)--Principal photography is underway on Warner Bros. Pictures’ and Legendary Pictures’ “The Hangover Part III,” the third and final film in director Todd Phillips’ record-shattering comedy franchise.

This time, there’s no wedding. No bachelor party. What could go wrong, right? But when the Wolfpack hits the road, all bets are off.

“The Hangover Part III” reunites Bradley Cooper, Ed Helms, Zach Galifianakis and Justin Bartha as Phil, Stu, Alan and Doug. Returning to the ensemble are Ken Jeong, Heather Graham, Jeffrey Tambor and, as the guys’ long-suffering wives, Gillian Vigman, Sasha Barrese and Jamie Chung. John Goodman joins the cast as well.

Phillips directs from a screenplay he wrote with Craig Mazin, who also collaborated with him on the screenplay for “The Hangover Part II.” Phillips is producing the film under his Green Hat Films banner, together with Dan Goldberg. Thomas Tull, Scott Budnick, Chris Bender and J.C. Spink are the executive producers.

Also back for another round are Phillips’ behind-the-scenes creative team from the first two films: director of photography Lawrence Sher, editor Debra Neil-Fisher and costume designer Louise Mingenbach. They are joined by production designer Maher Ahmad (upcoming “Gangster Squad”) and editor Jeff Groth (“Project X”).

A presentation of Warner Bros. Pictures, in association with Legendary Pictures, “The Hangover Part III” is scheduled for release on May 24, 2013, and will be distributed worldwide by Warner Bros. Pictures, a Warner Bros. Entertainment Company.

Monday, August 13, 2012

Silence Makes "The Artist" Golden

TRASH IN MY EYE No. 66 (of 2012) by Leroy Douresseaux


The Artist (2011)
COUNTRY OF ORIGIN: France, Belgium; Language: English
Running time: 101 minutes (1 hour, 41 minutes)
MPAA – PG-13 for a disturbing image and a crude gesture
WRITER/DIRECTOR: Michel Hazanavicius
PRODUCERS: Thomas Langmann and Emmanuel Montamat
CINEMATOGRAPHER: Guillaume Schiffman
EDITORS: Anne-Sophie Bion and Michel Hazanavicius
COMPOSER: Ludovic Bource
Academy Award winner

COMEDY/DRAMA

Starring: Jean Dujardin, Bérénice Bejo, John Goodman, James Cromwell, Penelope Ann Miller, Missi Pyle, Beth Grant, Ed Lauter, Ken Davitian, Michael McDowell, and Uggy

The Artist is a 2011 French romantic comedy and drama done in the style of a black and white silent film. It should be noted that although the film is French, what dialogue it does have is in English. The Artist won the Academy Award for “Best Picture,” one of five it won at the 84th Academy Awards (February 2012). It was the first primarily silent film to win the best picture Oscar since 1927 and the first black and white film to win since Schindler’s List (1993).

The Artist was also one of the best reviewed films of the year (if not the best). I had my doubts, but after seeing it, I can say that it is indeed a fine and exceptional film. It is a true feel-good movie, and is also visually quite beautiful.

The Artist opens in 1927 and finds silent film star, George Valentin (Jean Dujardin), posing for pictures with his dog and frequent film sidekick, Jack the dog (Uggy). That is when he meets aspiring actress, Peppy Miller (Bérénice Bejo). George and Peppy strike up a friendship that creates newspaper headlines, and soon Peppy is getting small parts in some films.

George’s boss at Kinograph Motion Picture Company, Al Zimmer (John Goodman), informs his star that silent films are about to be replaced by “talkies,” motion pictures with a sound. As silent films fade away, Peppy’s career begins to rise. How will George survive in this new era in motion pictures and will his relationship with Peppy survive all the changes occurring in this new world?

Some of you, dear readers, may groan when I say that I found The Artist to be inimitably charming. Well, it’s true; this movie has a lot of charm, and I think its charm is what wins people over. There is a simplicity in the storytelling here that reminds viewers that movies don’t need a wall of surround sound noise and the tsunami of cinema technology to create something that wins hearts and captures imaginations.

For a little over two decades, beginning especially with Terminator 2: Judgment Day and personified by Jurassic Park (1993), movie making (in general) and the Hollywood filmmaking industry (in particular), have been on an inexorable march towards post human cinema. Movies seem to be mostly generated inside a computer, but The Artist harks back to what is still pure about movies. A group of people in front and behind the camera come together and ply their trade, show off their skills, and let their humanity show.

Taking advantage of the human body and face’s ability to express emotion, ideas, and even thought, actors Jean Dujardin and Bérénice Bejo embody Michel Hazanavicius’ delicate but spry love story. In The Artist, the people are the show, not science, although I imagine that it took cinema-tech to bring us back to early filmmaking and to remind us of people power in film. The Artist deserved its Oscars.

9 of 10
A+

NOTES:
2012 Academy Awards: 5 wins: “Best Motion Picture of the Year” (Thomas Langmann), “Best Achievement in Directing” (Michel Hazanavicius), “Best Performance by an Actor in a Leading Role” (Jean Dujardin), “Best Achievement in Costume Design” (Mark Bridges), and “Best Achievement in Music Written for Motion Pictures, Original Score” (Ludovic Bource); 5 nominations: “Best Achievement in Art Direction” (Laurence Bennett-production designer and Robert Gould-set decorator), “Best Achievement in Cinematography” (Guillaume Schiffman), “Best Achievement in Film Editing” (Anne-Sophie Bion and Michel Hazanavicius), “Best Performance by an Actress in a Supporting Role” (Bérénice Bejo), and “Best Writing, Original Screenplay” Michel Hazanavicius)

2012 BAFTA Awards: 7 wins: “Best Cinematography” (Guillaume Schiffman), “Best Costume Design” (Mark Bridges), “Best Director” (Michel Hazanavicius), “Best Film” (Thomas Langmann), “Best Leading Actor” (Jean Dujardin), “Best Original Music” (Ludovic Bource), and “Best Original Screenplay” (Michel Hazanavicius); 5 nominations: “Best Editing” (Anne-Sophie Bion and Michel Hazanavicius), “Best Leading Actress” (Bérénice Bejo), “Best Make Up & Hair” (Julie Hewett and Cydney Cornell), “Best Production Design” (Laurence Bennett and Robert Gould), and “Best Sound” (Michael Krikorian and Nadine Muse)

2012 Golden Globes, USA: 3 wins: “Best Motion Picture - Comedy or Musical,” “Best Original Score - Motion Picture” (Ludovic Bource), and “Best Performance by an Actor in a Motion Picture - Comedy or Musical” (Jean Dujardin); 3 nominations: “Best Director - Motion Picture” (Michel Hazanavicius), “Best Performance by an Actress in a Supporting Role in a Motion Picture” (Bérénice Bejo), and “Best Screenplay - Motion Picture” (Michel Hazanavicius)

2011 Cannes Film Festival: 1 win: “Best Actor” (Jean Dujardin) and 1 nomination: “Palme d'Or” (Michel Hazanavicius)

Sunday, August 12, 2012

Saturday, October 22, 2011

Review: "Red State" a Horror Movie That Does its Own Thing

TRASH IN MY EYE No. 85 (of 2011) by Leroy Douressaux

Red State (2011)
Running time: 88 minutes (1 hour, 28 minutes)
MPAA – R for strong violence/disturbing content, some sexual content including brief nudity, and pervasive language
EDITOR/WRITER/DIRECTOR: Kevin Smith
PRODUCER: Jonathan Gordon
CINEMATOGRAPHER: David Klein

HORROR with elements of action and crime

Starring: Michael Parks, Melissa Leo, John Goodman, Michael Angarano, Kyle Gallner, Nicholas Braun, Stephen Root, Matt Jones, Kerry Bishé, Kevin Alejandro, Ralph Gorman, James Parks, and Kevin Pollack

Red State is a 2011 horror film from director Kevin Smith (Clerks.) Smith chose not to distribute the film in the usual manner through theatres. Instead, he took Red State on tour showing it before small audiences. Perhaps, this unusual manner of exhibiting a film reflects that this is a highly unusual horror movie.

How unusual is it? Well, there are things that happen in this movie that will be familiar to audiences, but not familiar as something seen in the typical horror movie. This will leave you shocked, scratching your head, put-off, and/or entertained. Still, Red State is, for me, one of the most enjoyable film experiences I’ve had this year. I can’t get some of this movie out of my mind.

Three high school boys: Travis (Michael Angarano), Jared (Kyle Gallner), and Billy-Ray (Nicholas Braun) are horny enough to screw anything, so when they get an online offer for some nasty sex, they travel to woodsy Cooper’s Dell and into big trouble. Meanwhile, gay-, liberal-, Jew-, brown people-hating pastor, Abin Cooper (Michael Parks), and the parishioners of his Five Points Trinity Church get ready to rock with Special Agent Joseph Keenan (John Goodman) and the ATF.

Red State has heavy political overtones, heavier religious overtones, and heaviest of all, social and cultural overtones. The film seems to fold elements of the horror movie, Hostel, into the real life events of the Waco siege. This siege occurred in 1993 and was a standoff outside Waco, Texas between the Bureau of Alcohol, Tobacco and Firearms (ATF) and a religious sect, the Branch Davidian, which ended with the death of 76 people. In fact, Abin Cooper and his flock also bear a resemblance to controversial Pastor Fred Phelps and his Westboro Baptist Church. Ultimately, writer/director Kevin Smith seems to be saying “a pox on both your houses” to both the church and state entities in this movie.

Red State is a horror movie because of the suspense, the abduction sequence, and the torture, and also because of the general brutal violence and mayhem. I don’t want to give away too much, but the events of the film and the way the characters act – both onscreen and off – amount to a horror show and would be considered horrifying to most people. What I like most about this film is that it is simply different and is an audacious and bold effort by a filmmaker, Kevin Smith, who has largely underutilized his talents or been underutilized. Red State is an example of untapped potential. Perhaps because of budget restraints, Smith does not take a number of subplots and character relationships far past the point of introducing them. Fully developed, they could have transformed this already good film and made it even better.

Finally, I should mention that there are a number of strong performances in Red State, with Michael Parks, Melissa Leo, and John Goodman as the standouts. Parks and Leo at least deserve consideration for Oscar nominations for their performances here. Leo just won a best supporting actress Oscar (for The Fighter), but her turn here as the religious zealot/nut who is also a fiercely loving mom could wrestle your imagination to the floor and pin it. Parks is a revelation as Abin Cooper, a fanatic with rock-solid, unshakeable faith; Parks makes you believe that this guy is real and for real. There are a number of reasons to see this. Believe it or not, the acting may be the best reason to see Red State.

7 of 10
B+

Saturday, October 22, 2011

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Monday, September 12, 2011

Julie Taymor and Coen Bros. Films Debut on Blu-ray

THE TEMPEST: This modern retelling of William Shakespeare’s final masterpiece is an exciting, mystical and magical fantasy with Academy Award®-winner Helen Mirren (Best Actress, The Queen, 2006) leading a star-studded cast including Russell Brand (Get Him To The Greek) and Alfred Molina (The Sorcerer’s Apprentice). Exiled to a magical island, the sorceress Prospera (Mirren) conjures up a storm that shipwrecks her enemies, and then unleashes her powers for revenge. Directed by Julie Taymor (Frida) — and complete with exclusive bonus features — The Tempest, with its innovative twist, is a supernatural dramedy filled with Shakespearean villains, lovers and fools that will leave you spellbound. The Tempest will be released as a 1-Disc Blu-ray for the suggested Retail Price: $39.99 U.S.

GREY’S ANATOMY: THE COMPLETE SEVENTH SEASON: Includes all 22 episodes in the popular medical drama‘s seventh season which features an exclusive extended version of the one-of-a-kind 'Music Event' episode, plus “The Making of the Music Event” created especially for the DVD. This DVD gives fans exactly what they‘ve loved for seven seasons – watching the compelling ensemble deal with life-or-death consequences, while they find comfort, friendship and, at times, love in one another. Through it all everyone involved discovers that neither medicine nor relationships can be defined in black and white -- real life only comes in shades of “grey”. Grey’s Anatomy: The Complete Seventh Season will be releasing as a 5-Disc DVD set for the suggested retail price of $45.99 U.S./$54.99 Canada.

PRIVATE PRACTICE: THE COMPLETE FOURTH SEASON: From the creators of Grey’s Anatomy, comes the fourth season of ABC‘s sexy medical drama, Private Practice. Re-experience daily life for Dr. Addison Montgomery and her family of colleagues at the Oceanside Wellness Group as they rely on one another to deal with every complex romance, medical case and moral dilemma that comes their way. Offering fans the chance to own every season episode on DVD, including the critically-acclaimed, award-winning episode "Did You Hear What Happened To Charlotte King?," the release also includes exciting never before seen bonus features! Private Practice: The Complete Fourth Season will be releasing as a 3-Disc DVD set for the suggested retail price of $29.99 U.S./$35.99 Canada.

O BROTHER WHERE ARE THOU? BLU-RAY: George Clooney (The Perfect Storm) and John Turturro (Cars 2) embark on the adventure of a lifetime in this hilarious, offbeat road picture. And now, for the first time, this quirky gem shines more brightly than ever in Blu-ray High Definition!

Fed up with crushing rocks on a prison farm in Mississippi, the dapper, silver-tongued Ulysses Everett McGill (Clooney) busts loose…except that he’s still shackled to two misfits from his chain gang: bad tempered Pete (Turturro) and sweet, dimwitted Delmar (Tim Blake Nelsen) With nothing to lose and buried loot to regain, the three embark on a riotous odyssey filled with chases, close calls, near misses and betrayal. Experience every unpredictable moment as it plays out in the crystal-clear sound and breathtaking picture quality of Blu-ray. Populated with strange characters, including a blind prophet, sexy sirens and a one-eyed Bible salesman (John Goodman), O Brother, Where Art Thou will leave you laughing at every outrageous and surprising twist and turn! O Brother Where Art Thou? will be releasing as a 1-Disc Blu-ray for the suggested retail price of $26.50 US / $31.50 Canada.

COUNT OF MONTE CRISTO BLU-RAY: Jim Caviezel (Deja Vu) and Guy Pearce (Bedtime Stories) give sizzling performances in The Count Of Monte Cristo. And now, for the first time, the world’s greatest tale of betrayal, adventure and revenge is more riveting than ever in Blu-ray High Definition!

When the dashing and guileless Edmond Dantes (Caviezel) is betrayed by his best friend (Pearce) and wrongly imprisoned, he becomes consumed by thoughts of vengeance. After a miraculous escape, he transforms himself into the mysterious and wealthy Count of Monte Cristo, insinuates himself into the French nobility, and puts his cunning plan of reprisal in action. Experience the resounding clash of swords and the deadly glint off every razor-sharp blade. With the pristine sound and magnificent picture quality of Blu-ray, this swashbuckling thriller will have you perched on the edge of your seat until the very last drop of sweet revenge is exacted. The Count of Monte Cristo will be releasing as a 1-Disc Blu-ray for the suggested retail price of $26.50 U. S./ $31.50 Canada.


Thursday, September 1, 2011

Ben Affleck Tackles Iranian Hostage Crisis in New Film

Filming is Underway on Warner Bros. Pictures’ and GK Films’ “Argo”

Ben Affleck directs and stars in the fact-based thriller

BURBANK, Calif.--(BUSINESS WIRE)--Principal photography has begun on Warner Bros. Pictures’ and GK Films’ dramatic thriller “Argo,” directed by and starring Academy Award® winner Ben Affleck (“The Town,” “Good Will Hunting”). The film is being produced by Academy Award® winner George Clooney (“Syriana”), Oscar® nominee Grant Heslov (“Good Night, and Good Luck.”) and Affleck.

Based on true events, “Argo” chronicles the life-or-death covert operation to rescue six Americans, which unfolded behind the scenes of the Iran hostage crisis — the truth of which was unknown by the public for decades.

On November 4, 1979, as the Iranian revolution reaches its boiling point, militants storm the U.S. embassy in Tehran, taking 52 Americans hostage. But, in the midst of the chaos, six Americans manage to slip away and find refuge in the home of the Canadian ambassador. Knowing it is only a matter of time before the six are found out and likely killed, a CIA “exfiltration” specialist named Tony Mendez (Affleck) comes up with a risky plan to get them safely out of the country. A plan so incredible, it could only happen in the movies.

“Argo” also stars Oscar® winner Alan Arkin (“Little Miss Sunshine”), Bryan Cranston (TV’s “Breaking Bad”) and John Goodman (“You Don’t Know Jack”). The main cast also includes Kerry Bishé, Kyle Chandler, Rory Cochrane, Christopher Denham, Tate Donovan, Clea DuVall, Victor Garber, Zeljko Ivanek, Richard Kind, Scoot McNairy, Chris Messina, Michael Parks, and Taylor Schilling.

Affleck is directing the film from a screenplay by Chris Terrio, based on a selection from Master in Disguise by Antonio Mendez. David Klawans, Chris Brigham, Graham King, Tim Headington, Chay Carter and Nina Wolarsky are serving as executive producers.

The behind-the-scenes creative team includes Oscar®-nominated director of photography Rodrigo Prieto (“Brokeback Mountain”), production designer Sharon Seymour (“The Town”); Oscar®-nominated editor William Goldenberg (“Seabiscuit,” “The Insider”); and Oscar®-nominated costume designer Jacqueline West (“The Social Network,” “The Curious Case of Benjamin Button”).

Filming on “Argo” began in Los Angeles. Future locations include Washington D.C. and Istanbul.

Slated for release in 2012, “Argo” is a presentation of Warner Bros. Pictures, in association with GK Films, a Smoke House Pictures production, to be distributed worldwide by Warner Bros. Pictures, a Warner Bros. Entertainment Company.


Monday, August 15, 2011

Review: "The Big Lebowski" is Surreal, Screwy, Unforgettable

TRASH IN MY EYE No. 130 (of 2003) by Leroy Douresseaux

The Big Lebowski (1998)
Running time: 117 minutes (1 hour, 57 minutes)
MPAA – R for pervasive strong language, drug content, sexuality and brief violence
DIRECTOR: Joel Coen
WRITERS: Ethan Coen and Joel Coen
PRODUCER: Ethan Coen
CINEMATOGRAPHER: Roger Deakins
EDITORS: Tricia Cooke and Roderick Jaynes (Joel and Ethan Coen)
COMPOSER: Carter Burwell

COMEDY/MYSTERY/THRILLER

Starring: Jeff Bridges, John Goodman, Julianne Moore, Steve Buscemi, David Huddleston, Philip Seymour Hoffman, Tara Reid, Flea, John Turturro, Peter Stormare, Torsten Voges, David Thewlis, Marshall Manesh, Jon Polito, Ben Gazzara, Leon Russom, Ajgie Kirkland, Aimee Mann, and Sam Elliot

For their seventh film together, the Coen Brothers (co-writer/producer Ethan and co-writer/director Joel) tackle the screwball comedy in The Big Lebowski. Coming off their Oscar win for writing the brilliant Fargo, it was a daring project that could have turned off the audiences that were coming as a result of seeing Fargo. I don’t think the Coen’s gave a damn. They have a vision of how to tell a story using film as their medium, and they build a movie around their vision.

In the film, Jeffrey Lebowski (Jeff Bridges), known by everyone as The Dude (in fact, that is the name he prefers), receives a visit from a few thugs looking for money owed to their boss by the missus, Bunny (Tara Reid). Truth is they have the wrong Lebowski; there is another Jeffrey Lebowski (David Huddleston), a millionaire, and Bunny is his trophy wife. One of the intruders takes a whiz on The Dude’s rug, so naturally The Dude seeks recompense from Bunny’s hubby, the other Lebowski. This case of mistaken identity ensnares to The Dude in a web of abduction and competing interests with The Dude and his temperamental homeboy, Walter Sobchak (John Goodman), right in the middle.

The Coen’s are without a doubt two of the premiere creators of surreal films. They embrace classic Hollywood style with a post modern skewed view. The Big Lebowski is part Woody Allen and part David Lynch in the brothers’ approach to character and story. The abduction of Bunny uncoils into a delightful mixture of wacky comedy and film noir whodunit. As in all their films, there is always a sense of dread, however small, and as usual Joel can weave a thriller out of the most benign and ordinary events. It’s as if what seems really obvious and ordinary is also the unknown, and the unknown is so far “out there” and potentially dangerous.

Perhaps the thing that really makes a Coen film is the cast. Without good character actors, the brothers couldn’t sell us their strange brews. Amidst a stellar cast of players, Jeff Bridges and John Goodman, especially Bridges, carry this film. They have great chemistry together, and Bridges, one of the finest actors of the last two decades can carry two films at once on the broad back of his immense talent. This movie is almost totally from his point of view, and we have to buy into his character. If we don’t believe that he is who he says he is and that he believes what he believes, The Big Lebowski would be just a failed mainstream pic playing at being indie cool. The Big Lebowski is bravura work from two great American filmmakers, and they once again show their savvy by picking just the right guy to make this movie really soar.

8 of 10
A

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"The Big Lebowski" Arrives on Limited Edition Blu-ray Tomorrow

EXPERIENCE THE COEN BROTHERS’ CULTURAL PHENOMENON STARRING JEFF BRIDGES NOW ON BLU-RAY™ FOR THE FIRST TIME EVER!

THE BIG LEBOWSKI LIMITED EDITION BLU-RAY™

August 16, 2011

“The Most Worshipped Comedy of Its Generation” – Rolling Stone

Own the Limited Edition Blu-ray™ Featuring All-New Bonus Features, a Digital Copy of the Film and Collectible Hardcover Book Packaging

Universal City, May 24, 2011 – Bowling, nihilists, a stolen rug and the occasional acid flashback have never been funnier when one of the most popular cult classics in history, The Big Lebowski Limited Edition, debuts on Blu-ray™ August 16, 2011 from Universal Studios Home Entertainment. From the Oscar®-winning Coen Brothers (True Grit, Fargo) and starring Academy Award® winner Jeff Bridges (True Grit, Crazy Heart), this acclaimed comedy has been newly remastered in high definition to provide longtime fans and first-time viewers alike with the ultimate Lebowski experience.

Available for a limited time with an all-new 28-page companion book featuring an exclusive interview with Jeff Dowd – the real-life inspiration for The Dude – Jeff Bridges’ personal, on-set photography, a film timeline, trivia and much more, The Big Lebowski Limited Edition Blu-ray™ is a must-own addition to any collection. In addition to all-new features exclusive to the Blu-ray™ release, The Big Lebowski Limited Edition Blu-ray™ also offers a digital copy of the film that can be viewed anywhere at any time on the consumers’ choice of devices including laptops, tablets, smartphones as well as Internet-connected TVs and set-top boxes.

“Since its creation by Ethan and Joel Coen in 1998, The Big Lebowski has transformed from a fan favorite into one of Hollywood’s most celebrated cultural phenomenons,” said Craig Kornblau, President of Universal Studios Home Entertainment. “This spectacular new Limited Edition Blu-ray™ combines the most extensive behind-the-scenes materials to date with the latest Blu-ray™ technology, giving devoted fans and newcomers alike a chance to experience the brilliant all-star cast, outrageous storyline and unforgettable quotes like never before.”

Its now iconic characters and instantly recognizable dialogue have made The Big Lebowski “the number-one cult film of all time,” according to The Boston Globe. Since its release, the Coen Brothers’ affectionately addled riff on film noir has snowballed in popularity, becoming “an undeniable pop-cult force” and even, for many, “a way of life,” in the words of the Los Angeles Times. “A masterpiece of anti-storytelling” according to Entertainment Weekly, The Big Lebowski has become a cultural touchstone for fans around the world.

Starring Bridges as the film’s delightfully unlikely hero, “The Dude,” the hilariously twisted comedy thriller also features unforgettable performances by an all-star cast including Golden Globe® winner John Goodman (“Roseanne”), four-time Oscar® nominee Julianne Moore (The Kids are Alright), Golden Globe® winner Steve Buscemi (“Boardwalk Empire”), Oscar® winner Phillip Seymour Hoffman (Doubt) and Golden Globe® nominee John Turturro (O Brother, Where Art Thou?).

BLU-RAYTM EXCLUSIVE BONUS FEATURES:
· U-CONTROL: Universal’s exclusive feature that lets the viewer access bonus materials without leaving the movie!

o Scene Companion: Watch cast and crew interviews, behind the scenes footage and more during key scenes with this picture-in-picture companion.

o Mark it Dude: This onscreen counter really ties the film together. Keep track of all the “F-Bombs,” “Dudes,” and “Dude-isms” in the film with this ultimate fan guide.

o The Music of The Big Lebowski: Instantly identify the songs heard while watching the film, create a custom playlist of your favorites and even purchase them from iTunes®!
· WORTHY ADVERSARIES: WHAT’S MY LINE TRIVIA: Test your Lebowski knowledge by finishing lines of dialogue during the film. Play as Walter or The Dude or in two-player mode against friends.
· BD-LIVETM: Access the BD-Live™ Center through your Internet-connected player to watch the latest trailers and more.
· pocket BLU™: The groundbreaking pocket BLU™ app uses iPhone®, iPod® touch, Android™, PC and Macintosh to work seamlessly with a network-connected Blu-ray™ player. Also available on the iPad™, owners can enjoy a new, enhanced edition of pocket BLU™ made especially to take advantage of the tablet's larger screen and high resolution display. Consumers will be able to browse through a library of Blu-ray™ content and watch entertaining extras on-the-go in a way that's bigger and better than ever before. pocket BLU™ offers advanced features such as:

o Advanced Remote Control: A sleek, elegant new way to operate your Blu-ray™ player. Users can navigate through menus, playback and BD-Live™ functions with ease.

o Video Timeline: Users can easily bring up the video timeline, allowing them to instantly access any point in the film.

o Mobile-To-Go: Users can unlock a selection of bonus content with their Blu-ray™ discs to save to their device or to stream from anywhere there is a Wi-Fi network, enabling them to enjoy content on the go, anytime, anywhere.

o Browse Titles: Users will have access to a complete list of pocket BLU™-enabled titles available and coming to Blu-ray™ Hi-Def. They can view free previews and see what additional content is available to unlock on their device.

o Keyboard: Entering data is fast and easy with your device’s intuitive keyboard.
· uHEAR™: Never miss another line of dialogue with this innovative feature that instantly skips back a few seconds on your Blu-ray™ disc and turns on the subtitles to highlight what you missed.

ADDITIONAL BONUS FEATURES:
· JEFF BRIDGES PHOTO BOOK: For more than 30 years, Jeff Bridges has been snapping pictures on movie sets. The accomplished photographer presents exclusive shots taken on the set of The Big Lebowski providing personal commentary on each photo.
· THE DUDE’S LIFE: Jeff Bridges, John Goodman, Julianne Moore, Steve Buscemi and John Turturro take a look back at their performances and their delivery of the Coen Brothers’ dialogue that became classic movie lines.
· THE DUDE ABIDES: THE BIG LEBOWSKI TEN YEARS LATER: A freewheeling conversation with the cast about the film’s decade-long reign as a cult classic, including a discussion about what ever happened to the “little Lebowski” that the Dude and Maude made that fateful night!
· THE LEBOWSKI FEST: AN ACHIEVER’S STORY: An in-depth look at the popular Lebowski Festival, formed by the legion of fans in honor of the film.
· FLYING CARPETS & BOWLING PIN DREAMS: THE DREAM SEQUENCES OF THE DUDE: From aerial flights over Los Angeles with his bowling ball chasing Maude on a flying carpet, to the large scale “Busby Berkley” dance sequences as The Dude goes flying through the legs of all the bowling pin headed dancers, this piece examines how these “ahead of their time” scenes were constructed.
· THE MAKING OF THE BIG LEBOWSKI: A behind the scenes look featuring interviews with the Coen Brothers.
· PHOTO GALLERY: Slideshow of Jeff Bridges’ on-set photography.
· INTERACTIVE MAP: Take a tour of the locations of The Big Lebowski, then and now.
· AN INTRODUCTION: Featuring Mortimer Young, a practitioner of “non-uptight” film preservation. His restoration of the famous “toe scene” will blow your mind.

SYNOPSIS:
From the Academy Award®-winning Coen brothers, The Big Lebowski is a hilariously quirky comedy about bowling, a severed toe, White Russians and a guy named…The Dude. Jeff “The Dude” Lebowski doesn’t want any drama in his life…heck, he can’t even be bothered with a job. But, he must embark on a quest with his bowling buddies after his rug is destroyed in a twisted case of mistaken identity. Starring Jeff Bridges, John Goodman, Julianne Moore, Steve Buscemi, Philip Seymour Hoffman and John Turturro, experience the cultural phenomenon of The Dude in the “#1 cult film of all time!” (The Boston Globe)

CAST AND FILMMAKERS:
Cast: Jeff Bridges, John Goodman, Julianne Moore, Steve Buscemi, David Huddleston, Philip Seymour Hoffman, John Turturro

Directed By: Joel Coen
Written By: Ethan Coen, Joel Coen
Executive Producers: Tim Bevan, Eric Fellner
Producer: Ethan Coen
Co-Producer: John Cameron
Director of Photography: Roger Deakins
Production Designer: Rick Heinrichs
Edited By: Ethan Coen, Joel Coen, Tricia Cooke
Casting By: John S. Lyons
Costume Designer: Mary Zophres
Original Music By: Carter Burwell

TECHNICAL INFORMATION:
Street Date: August 16, 2011
Copyright: 2011 Universal Studios. All Rights Reserved.
Selection Number: 61115274
Running Time: 1 hour, 59 minutes
Layers: BD-50
Picture Format: Widescreen
Aspect Ratio: 1:85:1
Rating: R for pervasive strong language, drug content, sexuality and brief violence
Languages/Subtitles: English SDH, Spanish, French
Sound: English DTS-HD Master Audio 5.1, French (EU) DTS Surround 5.1, English Dolby Digital 2.0/2.0 DTS Express

Universal Studios Home Entertainment is a unit of Universal Pictures, a division of Universal Studios http://www.universalstudios.com/.  Universal Studios is a part of NBCUniversal , one of the world’s leading media and entertainment companies in the development, production and marketing of entertainment, news and information to a global audience. NBCUniversal owns and operates a valuable portfolio of news and entertainment television networks, a premier motion picture company, significant television production operations, a leading television stations group and world-renowned theme parks. Comcast Corporation owns a controlling 51% interest in NBCUniversal, with GE holding a 49% stake.

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Tuesday, August 9, 2011

2011 Lebowski Fest Has "The Big Lebowski" Cast Reunion

In celebration of The Big Lebowski Limited Edition Blu-ray™ debuting on Aug 16th, join Jeff Bridges, John Goodman, Steve Buscemi, Julianne Moore + T Bone Burnett for a very special evening celebrating all things Lebowski on August 16, 2011 at the Hammerstein Ballroom in New York. The date will also mark the launch of Jeff Bridges' self-titled album.

The evening will include a special Q & A with Jeff Bridges, John Goodman, Steve Buscemi, Julianne Moore and T Bone Burnett, as well as a screening of the film and other festivities.

2011 marks 10 years of beautiful tradition with Lebowski Fest and Universal Studios Home Entertainment has teamed up to bring the Achievers the pop-culture event of the century! This limited seating event at the historic Hammerstein Ballroom will be the ultimate celebration of all things Lebowski.

Tickets are now on sale on Ticketmaster at http://www.ticketmaster.com/The-Big-Lebowski-tickets/artist/14764

Mark it 10!

For more information, please visit http://www.lebowskifest.com/.


Saturday, January 29, 2011

2001 Oscar Nominee "The Emperor's New Groove" Plays a Looney Tune



TRASH IN MY EYE No. 24 (of 2006) by Leroy Douresseaux

The Emperor’s New Groove (2000)
Running time: 78 minutes; MPAA – G
DIRECTOR: Mark Dindal
WRITERS: David Reynolds; from a story by Chris Williams and Mark Dindal with Roger Allers and Matthew Jacobs
PRODUCER: Randy Fullmer
EDITORS: Tom Finan and Pamela Ziegenhagen-Shefland
Academy Award nominee

ANIMATION/COMEDY/ADVENTURE/FAMILY

Starring: (voices) David Spade, John Goodman, Eartha Kitt, Patrick Warburton, Wendie Malick, Kellyann Kelso, Eli Russell Linnetz, Stephen J. Anderson, Bob Bergen, Rodger Bumpass, and Tom Jones

In a once-upon-a-time, Disney storybook version of the Incan Empire, Emperor Kuzco (voice of David Spade) is a selfish and childish monarch who rules over his kingdom as if it were his personal play land. However, Yzma (Eartha Kitt), the vengeful priestess who was his advisor before he fired her, turns Kuzco into a llama, but Yzma’s co-conspirator, Kronk (Patrick Warburton), fails to properly dispose of llama Kuzco. Pacha (John Goodman), a gentle llama herder, inadvertently rescues Kuzco, who had actually planned on razing Pacha’s hillside home to build a summer palace. Pacha, while trying to teach him the value of friendship and selflessness, goes on a jungle adventure to help Kuzco regain both his humanity and his throne.

The Emperor’s New Groove certainly isn’t a Disney animated classic on the level of Bambi or Beauty and the Beast (but then what is), but it is something the company can do very well – produce delightful and funny family entertainment. Its wacky brand of comedy and self-knowingly sarcasm brings to life what is initially a painfully slow and clunky film. In spite of a shake start the film becomes a slapstick comedy about two buddies racing to reach a goal before their clownish, but relentless pursuers stop them. This is the kind of a funny animal fable Disney does well, one that emphasizes lots of life lessons for the young ‘uns (and many adults certainly could do to learn those lessons well).  In a way, this is also like a feature-length version of a Warner Bros. Looney Tune cartoon.

The film features wonderful background illustrations of a fanciful version of the Andes and the Incan Empire. Lush jungle backdrops, imaginative sets and art direction, colorful costumes, and appealing character designs are a winning combination. Two things, however, really sell this film. First, the character animation and film direction maintain and lively pace and engages the viewers with an ever changing situation. This is truly a jungle adventure as the scenery changes creating sort of an edge-of-your-seat comedy caper.

Secondly, the voice acting is quite good. David Spade can be a little grating, but it’s hard to imagine anyone else playing the self-absorbed Kuzco. John Goodman is fine as usual playing the wise and gentle older fellow with his deep and rich-sounding voice. Patrick Warburton’s rumbling tones are always welcome. The big surprise here is Earth Kitt’s voice performance as Yzma, as she deftly mixes comic menace and casual asides that make Yzma a grand villainness in the great Disney tradition of wicked witches and wily women of magic.

The Emperor’s New Groove will delight the kids and appeal to their parents, as well as adults who like hand-drawn animated feature films. While this isn’t a great Disney animated film, The Emperor’s New Groove, as a second tier Disney cartoon, is a better hand-drawn animated film than cartoons produced by other American studios.

7 of 10
B+

NOTES:
2001 Academy Awards: 1 nomination: “Best Music, Original Song” (Sting-composer/lyricist and David Hartley-composer for the song "My Funny Friend and Me")

2001 Black Reel Awards: 1 nomination: “Theatrical - Best Supporting Actress” (Eartha Kitt)

2001 Golden Globes: 1 nomination: “Best Original Song - Motion Picture” (Sting and David Hartley for the song "My Funny Friend and Me")

Monday, January 30, 2006

Saturday, June 19, 2010

"Monsters, Inc." a Fantastic Monster Movie

TRASH IN MY EYE No. 18 (of 2001) by Leroy Douresseaux


Monsters, Inc. (2001)
Running time: 92 minutes (1 hour, 32 minutes)
DIRECTORS: Peter Docter with David Silverman and Lee Unkrich
WRITERS: Andrew Stanton and Dan Gerson with additional screenplay material from Robert Baird, Rhett Reese and Jonathan Roberts, from a story by Peter Docter, Jill Culton, Ralph Eggleston, and Jeff Pidgeon
PRODUCER: Darla K. Anderson
EDITORS: Robert Grahamjones and Jim Stewart
COMPOSER: Randy Newman
Academy Award winner

ANIMATION/COMEDY/FANTASY/FAMILY

Starring: (voice) John Goodman, Billy Crystal, Mary Gibbs, Steve Buscemi, James Coburn, Jennifer Tilly, Bob Peterson, John Ratzenberger, Frank Oz, Dan Gerson, Steve Susskind, and Bonnie Hunt

Monsters, Inc. is the fourth collaboration between computer animation studio Pixar and Walt Disney, a match made in heaven that has already produced three brilliant films: Toy Story, A Bug’s Life, and Toy Story 2. Monsters was a safe bet to be a hit, which it is, and it was also a safe bet to be a darned good movie, which it certainly is.

Monsters, Inc. is a utility company that generates its power from the screams of children. James P. “Sulley” Sullivan (John Goodman) is the company’s top scream maker, but during an attempt to help his partner Michael “Mike” Wazowski (Billy Crystal), Sully accidentally lets a human child into the building and all heck breaks loose. Although they depend on children for the power to run their world, monsters are afraid of children. The child, whom Sulley names “Boo” (Mary Gibbs) touches Sulley’s heart, and he’s determined to return her to her bedroom before harm comes to her in the form of Sulley’s chief rival, Randall Boggs (Steve Buscemi).

Monsters employs the same formula that made the previous Disney/Pixar films huge successes. The personable voice talent comes in the form of Goodman and Crystal, who are capable, but are not as engaging as Tom Hands and Tim Allen in the Toy Story films; their performances are closer to the work of Dave Foley in A Bug’s Life. Buscemi, as Boggs, brings a venom filled performance that drips menace much in the manner Kevin Spacey did in A Bug’s Life.

The animation is nice, but the pastel-like tones are often dull in the film. The design of the citizens of Monstropolis, the home city of Monsters, Inc. is, at times, inventive, and at other times, rather ordinary. Most of the creatures seemed to have come straight out of cheap Saturday morning animation.

Where the film really scores is its script and direction. The film is a bit slow in its setup of the story, but the slowness does allow the story to indulge in the idiosyncrasies of its characters. The writers and directors build the tension with a slow burn, the film explodes into an old-fashioned barnburner with a rousing chases that rivals the best of cinema. The movie has the kind of action movie adrenaline hit that you’d get when Indiana Jones chased the trucks in Raiders of the Lost Ark or the pod race in Star Wars Episode One: the Phantom Menace. Pixar gave is previous films the same edge of the seat chase and rescue, which made the film a thrill ride for all ages.

With its sentimental and beautiful ending, Monsters, Inc. easily overcomes any reservations that anyone might have about it. Once again Disney/Pixar has produced a picture worthy of end of year best film lists. Awards usually ignore such films because they’re only animation, and, after all, cartoons are for kids. But the truth is in the result; don’t cheat yourself of this fine movie.

8 of 10
A

NOTES:
2002 Academy Awards: 1 win: “Best Music, Original Song” (Randy Newman for the song "If I Didn't Have You"); 3 nominations: “Best Animated Feature” (Pete Docter and John Lasseter), “Best Music, Original Score” (Randy Newman), and “Best Sound Editing” (Gary Rydstrom and Michael Silvers)
2002 BAFTA Awards: 1 win: “BAFTA Children's Award Best Feature Film” (Darla K. Anderson, Pete Docter, Andrew Stanton, and Daniel Gerson)