Showing posts with label Daniel Craig. Show all posts
Showing posts with label Daniel Craig. Show all posts

Saturday, January 21, 2017

Review: "Spectre" Tackles the Ghosts of Daniel Craig's James Bond

TRASH IN MY EYE No. 1 (of 2017) by Leroy Douresseaux

Spectre (2015)
Running time:  148 minutes; (2 hours, 28 minutes)
MPAA – PG-13 for intense sequences of action and violence, some disturbing images, sensuality and language
DIRECTOR:  Sam Mendes
WRITERS:  John Logan, Neal Purvis, Robert Wade, and Jez Butterworth; from a story by John Logan, Neal Purvis, and Robert Wade (based on the character created by Ian Fleming)
PRODUCERS:  Barbara Broccoli and Michael G. Wilson
CINEMATOGRAPHER:  Hoyte Van Hoytema
EDITOR:  Lee Smith
COMPOSER:  Thomas Newman
SONG:  “Writing's on the Wall” performed by Sam Smith and written by Sam Smith and James Napier
Academy Award winner

SPY/ACTION/ADVENTURE

Starring:  Daniel Craig, Christoph Waltz, Lea Seydoux, Ralph Fiennes, Ben Whishaw, Naomie Harris, Rory Kinnear, Dave Bautista, Monica Bellucci, Andrew Scott, Jesper Christensen, Marc Zinga, Tam Williams, and Alessandro Cremona

Spectre is a 2015 spy and adventure film from director Sam Mendes.  It is the 24th entry in EON Productions' James Bond film franchise, and it is also the fourth film in which actor Daniel Craig portrays Bond.  Spectre reintroduces the global criminal syndicate and terrorist organization, Spectre (formerly SPECTRE), which first appeared in the 1961 Bond novel, Thunderball, written by Bond's creator, Sir Ian Fleming.

Spectre opens with M16 agent James Bond-007 (Daniel Craig) on a mission in Mexico City where he confronts and kills terrorist leader, Marco Sciarra (Alessandro Cremona).  It turns out that Bond's mission was unauthorized.  That puts Gareth Mallory (Ralph Fiennes), the new “M” and the head of MI6, in a difficult position with one of his own superiors, Max Denbigh (Andrew Scott).  Denbigh wants to combine MI6 with MI5 and also to shutdown the “00” (or “Double-0”) program, and he sees Bond's activities in Mexico City as proof that the Double-0 program is outdated.

Bond disobeys an order that he not leave the U.K. and flies to Rome where he attends Sciarra's funeral.  He meets Sciarra's widow, Lucia (Monica Bellucci), who tells him that her late husband was part of a mysterious criminal organization known as “Spectre.”  Bond learns the location of a secret Spectre meeting and infiltrates it, where he identifies the leader, Franz Oberhauser (Christoph Waltz).  However, Oberhauser has been expecting Bond, and much to Bond's surprise, this shadowy leader is apparently and shockingly connected to Bond himself.

This is sort of spoiler warning:  Spectre is intimately connected to the previous Daniel Craig Bond films, Casino Royale (2006), Quantum of Solace (2008), and Skyfall (2012).  It completes the origin story of James Bond (at least the Craig iteration) and, at the end of the film, seems to send Bond off into retirement with a new love interest, Dr. Madeleine Swann (Léa Seydoux), who may finally be the real and true love interest for Bond.

Spectre received mixed reviews, but I have to say that I like it a lot and have few complaints.  It is reportedly the most expensive James Bond film ever made, with a production budget of about $245 million.  The Mexico City set piece alone must have cost millions of dollars to produce.  Still, Spectre does not come across as a giant, CGI-laden, blockbuster, event movie.

In different ways and at different moments, Spectre recalls the James Bond movies starring Sean Connery and Roger Moore.  When he needs to be, Craig is like Connery's masculine, gentlemanly killer, who was a chauvinist.  At other times, Craig is Moore's Bond, a suave secret agent who can cross multiple lines of social class in a single day and who always seems to be thinking at least a few steps ahead of his adversaries.  I think that I have always considered Connery and Moore to be the real movie James Bonds, with Moore being my favorite.  For me, Spectre solidified Daniel Craig as a real Bond.

Beside Craig, I cannot think of another performance that really captures my attention, maybe Dave Bautista as Mr. Hinx.  I found the two-time Academy Award winner, Christoph Waltz, somewhat unimpressive as the villain.  I do think that the Bond film series is onto something in giving Fiennes' M, Naomie Harris' Eve Moneypenny, Ben Whishaw's Q, and Rory Kinnear's Bill Tanner something to do other than simply to be at Bond's beck-and-call.

So... being honest with you, dear reader, I have to admit that Spectre hit something primal in me as a fan of James Bond films.  My enjoyment of it is so personal that perhaps you should take my rating of Spectre with a grain of salt – in a glass, shaken, not stirred.

7 of 10
A-

Monday, May 2, 2016


NOTES:
2016 Academy Awards, USA:  1 win: “Best Achievement in Music Written for Motion Pictures, Original Song” (Sam Smith and James Napier-as Jimmy Napes for the song “Writing's On The Wall”)

2016 Golden Globes, USA:  1 win: “Best Original Song - Motion Picture” (Sam Smith and James Napier as Jimmy Napes for the song: “Writing's on the Wall”)

The text is copyright © 2016 Leroy Douresseaux. All Rights Reserved. Contact this site for reprint and syndication rights and fees.

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Saturday, September 10, 2016

Negromancer News Bits and Bites from September 1st to 10th, 2016 - Update #39

Support Leroy on Patreon.

MOVIES - From Variety:  At the Toronto International Film Festival, "Birth of a Nation" debuts with a standing ovation, in spite of the ongoing controversy about its director.  Cause it's time to move on.

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MOVIES - From Variety:  Natalie Portman as First Lady Jackie Kennedy is all the buzz at Toronto.

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GREED - From Money:  5300 Wells Fargo employees fired in massive fake account scam against customers.

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TELEVISION - From Variety:  Vin Diesel developing a "first responders" drama for NBC.

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MOVIES - From TheVillageVoice:  Charles Burnett's "To Sleep with Anger" reawakens.

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MOVIES - From Deadline:  Meryl Streep and J.J. Abrams come together for the TV project, "The Nix."

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MOVIES - From Deadline:  Universal and Focus Features wins the rights to Paul Thomas Anderson's next film, which will reunite him with Daniel Day-Lewis.

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ECO - From EcoWatch:  Leonardo DiCaprio and three stars from the "Justice League" movie, Jason Momoa, Ezra Miller and Ray Fisher, join the protest against the "Dakota Access" pipeline.

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OBIT - From Variety:  The drag icon, "The Lady Chablis" has died Thursday, September 8, 2016.  She appeared in John Berendt's bestselling novel, "Midnight in the Garden of Good and Evil" and also in Clint Eastwood's 1997 film adaptation of the novel.  Her age is unknown.

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MOVIES - From HitFix:  Apparently, "The Crow" reboot is moving forward, maybe with Jason Momoa in the lead.  I think the whole thing is a bad idea.

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MOVIES - From THR:  Johnny Depp to headline a thriller about the murders of rappers Tupac Shakur and Notorious B.I.G.

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MOVIES - From TheWrap:  Reese Witherspoon and Mindy Kaling in talks to join "A Wrinkle in Time," to be directed by Ava DuVernay.

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TELEVISION - From RSN:  Fox News has settled with Gretchen Carlson in her sexual harassment suit against super-predator Roger Ailes.

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OBIT - From Variety:  The prolific TV director, Leslie H. Martinson, has died at the age of 101, Saturday, September 3, 2016.  He directed over 100 episodes of various TV series, but he is best known for directing the 1966 film, "Batman: The Movie."

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COMICS-FILM - From BleedingCool:  Set photos from "Spider-Man: Homecoming" may reveal the villain, "The Shocker."

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COMICS-FILM - From ETCanada:  Chadwick Boseman says "Black Panther" to be grittier than other Marvel movies.

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OBIT - From Variety:  The actor Hugh O'Brian has died at the age of 91, Monday, September 5, 2016.  He was best known for playing the lead in the popular ABC Western television series, "The Life and Legend of Wyatt Earp" (1955-61).

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CULTURE - From TheDailyBeast:  Nativists/racists attack Chobani for hiring Muslim refugees.

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DA LORD - From NPR:  Mother Teresa is now a saint.

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TELEVISION - From HitFix:  A look at the Ava DuVernay-created, Oprah Winfrey produced family drama, "Queen Sugar."

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JAMES BOND - From Indiewire:  Sony reportedly throws big money at Daniel Craig to return as James Bond for two more films, while the studio and Bond bosses prepare a transition for a younger, longer term successor.

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TELEVISION -  From EW:  Get a first look at "Ghost Rider" from "Marvel's Agents of S.H.I.E.L.D."

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OBIT - From YahooMusic:  Jerry Heller once managed seminal rap group, N.W.A.  He died at the age of 75 on Friday, September 2, 2016.  Heller's attorney says the N.W.A. biopic, "Straight Outta Compton," caused Heller's death.

From Uproxx:  Jerry Heller, of Ruthless Records and N.W.A., has died.

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BOX OFFICE - From BoxOfficeMojo:  The winner of the three-day Labor Day 2016 weekend (9/2 to 9/4/2016) is "Don't Breathe" with an estimated take of $15.7 million.  The four-day weekend result will be released tomorrow.

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MOVIES - From Deadline:  Clint Eastwood's biopic, "Sully," gets a standing ovation at the Telluride Film Festival.  Eastwood had a relatively tough time getting it made.

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MOVIES - From TheWrap:  Dwayne "The Rock" Johnson gives first look at his "Jumanji" character, "The Smoldering Dr. Bravestone."

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MOVIES - From YahooCelebrity:  Gabby Sidibe's has lot a LOT of weight.

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MOVIES - From SlashFilm:  Why didn't the "Saints Row" film happen?

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CULTURE - From TheGuardian:  Comedian and actor Leslie Jones continues to face intense racism.

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OBIT - From TheAVClub:  The actor Jon Polito has died at the age of 65, Thursday, September 1, 2016.  He had a long and prolific career.  He played cops and was a favorite of the Coen Brothers, appearing in "Miller's Crossing" and "The Big Lebowski" to name a few.

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SPORTS - From RSN:  Kareem Abdul-Jabbar on those who insult Colin Kaepernick.

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SPORTS - From YahooNews:  When college football player, Travis Rudolph, sat at a lunchroom table with a lonely autistic boy named Bo Paske, it started a sensation.

From YahooSports:  Bo said it was like sitting on rainbows.

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MOVIES - From YahooNews:  For its DVD release, Paul Feig's all-female Ghostbusters reboot gets a new title, "Ghostbusters: Answer the Call."

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MEDIA - From YahooFinance:  Disney is a diversified media empire and is more than just Mickey Mouse, of course.

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COMICS - From BleedingCool:  DC Comics is currently producing four comic books that re-imagine various characters from classic Hanna-Barbera animated television series.  "The Jetsons" will be getting the re-imagination treatment.

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MOVIES - From TheWrap:  Fox Searchlight and Nate Parker will hold a press conference at the upcoming Toronto International Film Festival for "The Birth of a Nation." Parker continues to deal with the controversy concerning a rape allegation from 17 (!) years ago.

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SPORTS - From YahooTV:  NFL executives and front office people boldly proclaim how much the hate Colin Kaepernick, quarterback of the San Francisco 49ers, for not standing for the National Anthem.  But they do so by keeping their names off the record.  Both the NFL officials and the reporter and his media outlet are cowards.

TRAILERS:

From YouTube:  First trailer for "Underworld: Blood Wars." 'Bout time.

From YouTube:  "Morgan" opens today.  See her go from beautiful child to killer.

From YouTube:  "Kubo and the Two Strings" offers a time-lapse clip from the making of the film.


Sunday, December 28, 2014

James Bond "SPECTRE" Has Begun Production

SPECTRE THE 24TH JAMES BOND ADVENTURE SET TO BEGIN PRODUCTION

Directed by Sam Mendes Produced by Michael G. Wilson and Barbara Broccoli Starring Daniel Craig as James Bond 007

LONDON, UK, - 007 Soundstage, Pinewood Studios, London. James Bond Producers, Michael G. Wilson and Barbara Broccoli, released the title of the 24th James Bond adventure, SPECTRE. The film, from Albert R. Broccoli’s EON Productions, Metro-Goldwyn-Mayer Studios, and Sony Pictures Entertainment, is directed by Sam Mendes and stars Daniel Craig, who returns for his fourth film as Ian Fleming’s James Bond 007. SPECTRE began principal photography on Monday, December 8, 2014 and is set for global release on November 6, 2015.

Along with Daniel Craig, Mendes presented the returning cast, Ralph Fiennes, Naomie Harris, Ben Whishaw and Rory Kinnear as well as introducing Christoph Waltz, Léa Seydoux, Dave Bautista, Monica Bellucci and Andrew Scott. Mendes also revealed Bond’s sleek new Aston Martin, the DB10, created exclusively for SPECTRE.

A cryptic message from Bond’s past sends him on a trail to uncover a sinister organisation. While M battles political forces to keep the secret service alive, Bond peels back the layers of deceit to reveal the terrible truth behind SPECTRE.

The 007 production will be based at Pinewood Studios, and on location in London, Mexico City, Rome and Tangier and Erfoud, in Morocco. Bond will return to the snow once again, this time in Sölden, along with other Austrian locations, Obertilliach, and Lake Altaussee.

Commenting on the announcement, Wilson and Broccoli said, "We’re excited to announce Daniel’s fourth installment in the series and thrilled that Sam has taken on the challenge of following on the success of SKYFALL with SPECTRE."

Written by John Logan and Neal Purvis & Robert Wade, Director of Photography is Hoyte van Hoytema and Editor is Lee Smith. Production Designer, Dennis Gassner returns along with Costume Designer, Jany Temime and Composer, Thomas Newman. Action Specialist, Alexander Witt is the 2nd Unit Director. Stunt Coordinator is Gary Powell, SFX Supervisor is Chris Corbould, and Visual Effects Supervisor is Steve Begg.

Skyfall, the 23rd James Bond film, was a worldwide box office phenomenon, opening #1 in 70 territories around the world, taking over $1.1 billion worldwide and setting a new all-time box office record in the UK by becoming the first film to take over £100 million.

The launch of SPECTRE was streamed live on 007.com and Facebook.com/JamesBond007, and the video is now available on demand at both sites.

About Albert R. Broccoli’s EON Productions
EON Productions Limited and Danjaq LLC are wholly owned and controlled by the Broccoli/Wilson family. Danjaq is the US based company that co-owns, with Metro-Goldwyn-Mayer Studios, the copyright in the existing James Bond films and controls the right to produce future James Bond films as well as all worldwide merchandising. EON Productions, an affiliate of Danjaq, is the UK based production company which makes the James Bond films. The 007 franchise is the longest running in film history with twenty-three films produced since 1962. Michael G Wilson and Barbara Broccoli succeeded Albert R ‘Cubby’ Broccoli and have produced some of the most successful Bond films ever including CASINO ROYALE, QUANTUM OF SOLACE and SKYFALL.

About Metro-Goldwyn-Mayer
Metro-Goldwyn-Mayer is celebrating 90 years as a leader in the entertainment business and as an innovator in the industry. Today, MGM is an entertainment company focused on the production and distribution of film and television content globally. The company owns one of the world’s deepest libraries of premium film and television content. In addition, MGM has investments in domestic and international television channels and is the majority owner of and distributor for United Artists Media Group (UAMG). For more information, visit www.mgm.com.

About Sony Pictures Entertainment
Sony Pictures Entertainment (SPE) is a subsidiary of Sony Entertainment Inc., a subsidiary of Tokyo-based Sony Corporation. SPE's global operations encompass motion picture production, acquisition and distribution; television production, acquisition and distribution; television networks; digital content creation and distribution; operation of studio facilities; and development of new entertainment products, services and technologies. For additional information, go to http://www.sonypictures.com.

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Sunday, January 13, 2013

"Argo" Wins Critics' Choice "Best Picture" Award

The Broadcast Film Critics Association (BFCA) honored Argo with its "Best Picture" and "Best Director" awards.  In fact, Ben Affleck picked up his best director trophy for Argo the same day he did not receive an expected best director Oscar nomination for Argo.  Silver Linings Playbook received four awards and Skyfall received three.

The BFCA announced the winners of the 18th annual Critics' Choice Movie Awards. The winners were announced at the Critics' Choice Movie Awards ceremony on Thursday, January 10, 2013, which was broadcast live on the CW Network.

18th Annual Critics' Choice Awards: Complete List of Winners for the Year in Film – 2012:

BEST PICTURE
Winner: Argo

BEST DIRECTOR
Winner: Ben Affleck – Argo

BEST ACTOR
Winner: Daniel Day-Lewis – Lincoln

BEST ACTRESS
Winner: Jessica Chastain – Zero Dark Thirty

BEST SUPPORTING ACTOR
Winner: Philip Seymour Hoffman – The Master

BEST SUPPORTING ACTRESS
Winner: Anne Hathaway – Les Miserables

BEST YOUNG ACTOR/ACTRESS
Winner: Quvenzhane Wallis – Beasts of the Southern Wild

BEST ACTING ENSEMBLE
Winner: Silver Linings Playbook

BEST ORIGINAL SCREENPLAY
Winner: Quentin Tarantino – Django Unchained

BEST ADAPTED SCREENPLAY
Winner: Tony Kushner – Lincoln

BEST CINEMATOGRAPHY
Winner: Life of Pi – Claudio Miranda

BEST ART DIRECTION
Winner: Anna Karenina – Sarah Greenwood/Production Designer, Katie Spencer/Set Decorator

BEST EDITING
Winner: Zero Dark Thirty – William Goldenberg, Dylan Tichenor

BEST COSTUME DESIGN
Winner: Anna Karenina – Jacqueline Durran

BEST MAKEUP
Winner: Cloud Atlas

BEST VISUAL EFFECTS
Winner: Life of Pi

BEST ANIMATED FEATURE
Winner: Wreck-It Ralph

BEST ACTION MOVIE
Winner: Skyfall

BEST ACTOR IN AN ACTION MOVIE
Winner: Daniel Craig – Skyfall

BEST ACTRESS IN AN ACTION MOVIE
Winner: Jennifer Lawrence – The Hunger Games

BEST COMEDY
Winner: Silver Linings Playbook

BEST ACTOR IN A COMEDY
Winner: Bradley Cooper – Silver Linings Playbook

BEST ACTRESS IN A COMEDY
Winner: Jennifer Lawrence – Silver Linings Playbook

BEST SCI-FI/HORROR MOVIE
Winner: Looper

BEST FOREIGN LANGUAGE FILM
Winner: Amour (Austria)

BEST DOCUMENTARY FEATURE
Winner: Searching for Sugar Man

BEST SONG
Winner: “Skyfall” – performed by Adele/written by Adele Adkins & Paul Epworth – Skyfall

BEST SCORE
Winner: Lincoln – John Williams

Sunday, November 11, 2012

Review: "Skyfall" is Among the Best Daniel Craig James Bond Films... so far

TRASH IN MY EYE No. 84 (of 2012) by Leroy Douresseaux

Skyfall (2012)
Running time: 143 minutes (2 hours, 23 minutes)
MPAA – PG-13 for intense violent sequences throughout, some sexuality, language and smoking
DIRECTOR: Sam Mendes
WRITERS: Neal Purvis, Robert Wade, and John Logan
PRODUCERS: Barbara Broccoli and Michael G. Wilson
CINEMATOGRAPHER: Roger Deakins
EDITORS: Stuart Baird with Kate Baird
COMPOSER: Thomas Newman
MAIN THEME: “Skyfall” performed by Adele and composed by Adele and Paul Epworth

ACTION/DRAMA/THRILLER

Starring: Daniel Craig, Judi Dench, Javier Bardem, Ralph Fiennes, Naomie Harris, Berenice Marlohe, Albert Finney, Ben Wishaw, Rory Kinnear, and Ola Rapace

Skyfall is a 2012 action movie and spy thriller. Directed by Sam Mendes (American Beauty), Skyfall is the 23rd film in the James Bond series. Actor Daniel Craig returns for his third outing as James Bond, agent 007. Skyfall finds Bond’s loyalty tested as the British Secret Intelligence Service comes under attack.

As the film opens, MI6 agents James Bond (Daniel Craig) and Eve Moneypenny (Naomie Harris) are in Turkey where they are tracking a killer named Patrice (Ola Rapace). This mercenary has in his possession a computer hard drive containing highly-sensitive information that belongs to the British, but the mission goes badly.

Later, Bond’s superior, M (Judi Dench), comes under political pressure to retire, even as MI6 comes under attack. With his credibility and ability to perform under question, Bond sets out to discover the identity of the attacker. What he finds is that M’s past has come back to haunt her in the form of a mysterious figure known as Raoul Silva (Javier Bardem). As 007 tracks down the threat, he finds himself facing his own past, but he must destroy that threat no matter how personal the cost.

I don’t think that there is much to say. Skyfall is good, and it is the best James Bond movie in recent memory, and certainly one of the best Bond films ever. It is well-directed with bracing action set pieces and thrilling scenes that, quite frankly, enthralled me. The performances are good, especially Javier Bardem as Raoul Silva; surely, he should at least be considered for an Oscar nomination.

The film is well-written, but I wouldn’t say that it is much better written than any of the other Daniel Craig Bond films. Most of the first hour of Skyfall is testament to brilliant spy thriller screenwriting. Once the film moves to London (because the story is resolved in Great Britain), it loses some of its mojo. It is not that Skyfall turns bad. It simply slows from a genius pop confection and transitions into a highly-skillful, espionage, shoot-‘em-up, action flick.

That’s not much of a fall, but it is still a step down from the near-perfection that opened Skyfall. Anyway, no one who has every enjoyed a James Bond film should miss this. Plus, I saw Skyfall in digital, and the picture sure was pretty.

8 of 10
A

Sunday, November 11, 2012

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Sunday, October 7, 2012

Adele's James Bond Theme Song Now Available

Adele's "Skyfall", Official Theme Song To Latest James Bond 007 Feature SKYFALL(TM), Globally Available On iTunes Now

"SKYFALL" RELEASE TO COINCIDE WITH 50TH ANNIVERSARY OF JAMES BOND 007

NEW YORK, Oct. 4, 2012 /PRNewswire/ -- Columbia Records -- Following Adele's premiere of her latest recording "Skyfall," the official theme song to the upcoming 007 adventure of the same name, globally via her official site (http://adele.tv) at 0:07 BST/London time October 5th, the track is now available to purchase as a download at iTunes (http://smarturl.it/AdeleSkyfall). October 5(th) marks the 50th anniversary of the release of Dr. No, and thus the James Bond film franchise, and will be celebrated as Global James Bond Day.

After a 90 second clip of the track leaked earlier this week, fans and critics have lined up to praise the "Skyfall" theme, with the Evening Standard calling Adele the "Best Bond singer since Shirley Bassey," The Daily Telegraph describing it as "A Bond song that stirs the heart", and the LA Times saying, "Though only about 90 seconds, what's available of Adele's 'Skyfall' seems to hint at the classic Bond themes of yore," whilst The Guardian called it "A deliciously languid ballad."

The lyric video to "Skyfall" can also be seen at http://adele.tv.

After reading the script for the film, Adele enlisted Paul Epworth to co-write and produce the theme song to "Skyfall(TM)." Adele admits, "I was a little hesitant at first to be involved with the theme song for Skyfall. There's a lot of instant spotlight and pressure when it comes to a Bond song. But I fell in love with the script and Paul had some great ideas for the track and it ended up being a bit of a no brainer to do it in the end. It was also a lot of fun writing to a brief, something I've never done, which made it exciting. When we recorded the strings it was one of the proudest moments of my life. I'll be back combing my hair when I'm 60 telling people I was a Bond girl back in the day I'm sure!" Recorded at Abbey Road Studios in London, "Skyfall" features the lush accompaniment of a 77-piece orchestra.

"Skyfall" is the first recording by Adele since releasing her massively successful album 21 in early 2011. To date 21 has sold over 24 million albums worldwide and garnered Adele 6 Grammy Awards, 2 BRIT Awards and 2 Ivor Novello Awards.


"Skyfall(TM)" the movie will be released on October 26, 2012 in the UK and on November 9, 2012 in the U.S.


About SKYFALL(TM)
Daniel Craig is back as Ian Fleming's James Bond 007 in SKYFALL(TM), the 23rd adventure in the longest-running film franchise of all time. In SKYFALL, Bond's loyalty to M is tested as her past comes back to haunt her. As MI6 comes under attack, 007 must track down and destroy the threat, no matter how personal the cost. The film is from Albert R. Broccoli's EON Productions, Metro-Goldwyn-Mayer Studios, and Sony Pictures Entertainment. Directed by Sam Mendes. Produced by Michael G. Wilson and Barbara Broccoli. Written by Neal Purvis & Robert Wade and John Logan.

Web Site: http://www.columbiarecords.com

Thursday, August 16, 2012

Review: Rooney Mara is All Woman in "The Girl with the Dragon Tattoo"

TRASH IN MY EYE No. 68 (of 2012) by Leroy Douresseaux

The Girl with the Dragon Tattoo (2011)
Running time: 158 minutes (2 hours, 38 minutes)
MPAA - R for brutal violent content including rape and torture, strong sexuality, graphic nudity, and language
DIRECTOR: David Fincher
WRITER: Steven Zaillian (based upon the novel, Man som hatar kvinnor, by Stieg Larsson)
PRODUCERS: Cean Chaffin, Scott Rudin, Soren Staermose, and Ole Sondberg
CINEMATOGRAPHER: Jeff Cronenweth
EDITORS: Kirk Baxter and Angus Wall
COMPOSERS: Trent Reznor and Atticus Ross
Academy Award winner

DRAMA/MYSTERY/THRILLER

Starring: Daniel Craig, Rooney Mara, Christopher Plummer, Stellan Skarsgard, Steven Berkoff, Robin Wright, Yorick van Wageningen, Joely Richardson, Geraldine James, Goran Visnjic, Donald Sumpter, Ulf Friberg, Julian Sands, and David Dencik

The subject of this movie review is The Girl with the Dragon Tattoo, a 2011 American thriller and murder mystery from director David Fincher. The film is based upon the late author Stieg Larsson's 2005 novel, Man som hatar kvinnor (translates to "Men who hate women"). The novel is best known by the title used for its English-language release, The Girl with the Dragon Tattoo, which was previously adapted into a 2009 Swedish film.

The film opens with Mikael Blomkvist (Daniel Craig), the co-owner of Millennium magazine, losing a libel case. He doesn't know that a brilliant, but troubled computer hacker and researcher named Lisbeth Salander (Rooney Mara) has just compiled an extensive background check on him for Swedish business magnate Henrik Vanger (Christopher Plummer). Vanger wants Blomkvist to solve the apparent murder of his niece, Harriet Vanger, 40 years ago. There is a common thread that eventually brings Mikael and Lisbeth together, when she becomes his assistant. Are their talents enough to solve what seems to be a series of murders of young women over a 20-year period, including the time when Harriet disappeared?

I saw the American film version of The Girl with the Dragon Tattoo about two weeks after I saw the 2009 Swedish version, so I could not help but compare the two. I prefer the Swedish film, and I have to admit that there were things in the Swedish version that were not in the American version, and I missed them. I think the American film pales a little in comparison to it. Why?

The American film's casting is inferior. Daniel Craig is too rough and craggy-looking to play the introspective Mikael Blomkvist, and Christopher Plummer, fine actor that he is, seems out of place as Henrik Vanger. That the overrated, anorexic-like Ellen Page was once considered as the choice to play Lisbeth Salander makes me realize that I'm luck the filmmakers got one bit of casting dead right. That is casting Rooney Mara as Lisbeth.

The premise of The Girl with the Dragon Tattoo is simply great. The subplots are also exciting and appealing, and the words to describe how good the characters are fail me. Give David Fincher this kind of material and he'll give us an exceptional movie, which he does in spite of my complaints. Still, everything turns on Lisbeth Salander.

That is why I give a lot of the credit for this movie's quality to Rooney Mara's performance as Lisbeth. Following Noomi Rapace's mesmerizing turn in the Swedish version is not a job for the squeamish or the overrated. Mara's Lisbeth has a spry sense of humor and sparkling wit. She is both feral and vulnerable, and she seems chaste while also being capable of being quite the seductress. Her intelligence and willingness to get physical with opponents makes Lisbeth often seem like a superhero.

Fincher makes Mara the focus of the story, and sometimes his attention to details about Lisbeth seems lurid. However, the script has holes and some of the other actors aren't up to snuff, so Fincher rightly builds the success of this film on Rooney Mara1s solid foundation. In Mara, the American version of The Girl with the Dragon Tattoo has a dragon of an actress, indeed.

7 of 10
A-

NOTES:
2012 Academy Awards: 1 win: "Best Achievement in Film Editing" (Angus Wall and Kirk Baxter); 4 nominations: "Best Performance by an Actress in a Leading Role" (Rooney Mara), "Best Achievement in Cinematography" (Jeff Cronenweth), "Best Achievement in Sound Editing" (Ren Klyce), and "Best Achievement in Sound Mixing" (David Parker, Michael Semanick, Ren Klyce, and Bo Persson)

2012 BAFTA Awards: 2 nominations: "Best Cinematography" (Jeff Cronenweth) and "Best Original Music" (Atticus Ross and Trent Reznor)

2012 Golden Globes, USA: 2 nominations: "Best Original Score - Motion Picture" (Atticus Ross and Trent Reznor) and "Best Performance by an Actress in a Motion Picture-Drama" (Rooney Mara)

Thursday, August 16, 2012

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Friday, February 3, 2012

Review: Craig, Ford are Cool Cowboys in "Cowboys & Aliens"

TRASH IN MY EYE No. 10 (of 2012) by Leroy Douresseaux

Cowboy & Aliens (2011)
Running time: 118 minutes; MPAA – PG-13 for intense sequences of western and sci-fi action and violence, some partial nudity and a brief crude reference
DIRECTOR: Jon Favreau
WRITERS: Roberto Orci and Alex Kurtzman, Damon Lindelof, and Mark Fergus and Hawk Ostby; from a screen story by Mark Fergus and Hawk Ostby, and Steve Oedekerk (based upon the Platinum Studios graphic novel written by Scott Mitchell Rosenberg)
PRODUCERS: Johnny Dodge, Brian Grazer, Ron Howard, Alex Kurtzman, Damon Lindelof, Roberto Orci, and Scott Mitchell Rosenberg
CINEMATOGRAPHER: Matthew Libatique
EDITORS: Dan Lebental and Jim May
COMPOSER: Harry Gregson-Williams

SCI-FI/WESTERN/ACTION

Starring: Daniel Craig, Harrison Ford, Olivia Wilde, Sam Rockwell, Adam Beach, Paul Dano, Keith Carradine, Clancy Brown, Walton Goggins, Abigail Spencer, Noah Ringer, Buck Taylor, Ana de la Reguera, and Raoul Trujillo

Cowboys & Aliens is a 2011 Western and science fiction movie. This alien invasion film is based upon a concept created by former comic book publisher, Scott Mitchell Rosenberg, who also turned it into a graphic novel. Cowboys & Aliens is set in the Old West and pits a group of cowboys and Apaches against invading aliens. Steven Spielberg is also one of this film’s executive producers.

The story is set in the Arizona Territory, 1873. A man wakes up and discovers that he is injured and also cannot remember who he is. He stumbles into the hard desert town of Absolution, where he learns that he is Jake Lonergan (Daniel Craig), a wanted outlaw. He meets Ella Swenson (Olivia Wilde), a mysterious woman who acts as if she knows Lonergan. Also coming to town is Colonel Woodrow Dolarhyde (Harrison Ford). Apparently, Lonergan stole a large cachet of gold from Dolarhyde.

Lonergan’s punishment will have to wait, however; alien aircraft attack Absolution and abduct several citizens. Dolarhyde leads a posse into the desert to track the ships, and Lonergan only reluctantly goes along. He is somehow connected to the aliens; so says the strange metal band around Lonergan’s left wrist.

Movies that blend the Western genre with science fiction, fantasy, or horror are box office and/or critical disappointments. The two best examples are the science fiction/Western, adaptation of an old TV show, Wild Wild West (1999) and the horror/Western, comic book adaptation Jonah Hex (2010). Cowboys & Aliens is not so much a sci-fi Western as it is an alien invasion movie set in the Old West. The film never pretends to be a Western. Cowboys & Aliens is about a group of people who live in a time different from our own fighting invaders the way Attack the Block is about people in a place different from what many of us know who are fighting invaders.

Like many action movies, I found the first hour of Cowboys & Aliens to be mostly a misfire. By the second half, when the movie focuses on what it is about, the technologically disadvantaged humans versus the technologically very advanced aliens, the story slips into the comfort zone of fights, pursuits, and escapes. And the movie is very entertaining when you just sit back and let the sci-fi stuff thrill you. Yeah, this movie doesn’t require you to do a whole lot of thinking.

The performances are pretty good. Cowboys & Aliens affirms once again that Daniel Craig is a leading man; his interpretation of Jake Lonergan as the man-of-few-words and stoic cowboy makes the character more interesting than the screenplay does. Still, the biggest surprise may be Harrison Ford. Col. Dolarhyde is practically a villain, but there are moments in which Ford subtly uses emotion and Dolarhyde’s prejudices to create a complicated character that engages the imagination.

Cowboys & Aliens is not a classic Western or even a classic science fiction movie. It is an amusing film – at least half of it is.

5 of 10
B-

Wednesday, February 01, 2012

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Saturday, July 9, 2011

Review: "Road to Perdition" is Powerful (Happy B'day, Tom Hanks)

TRASH IN MY EYE No. 95 (of 2003) by Leroy Douresseaux

Road to Perdition (2002)
Running time: 117 minutes (1 hour, 57 minutes)
MPAA – R for violence and language
DIRECTOR: Sam Mendes
WRITER: David Self (from the graphic novel by Max Allan Collins and Richard Piers Rayner)
PRODUCERS: Sam Mendes, Dean Zanuck, and Richard D. Zanuck
CINEMATOGRAPHER: Conrad L. Hall (D.o.P.)
EDITOR: Jill Bilcock
COMPOSER: Thomas Newman
Academy Award winner

CRIME/DRAMA

Starring: Tom Hanks, Paul Newman, Jude Law, Jennifer Jason Leigh, Tyler Hoechlin, Daniel Craig, Liam Aiken, and Stanley Tucci

Almost everything about Road to Perdition is superfine, from the beautiful and evocative (to call it haunting seems trite) photography of Conrad L. Hall (for which he posthumously won an Academy Award) to the varied performances of the cast. In a broad sense, the film is about the relationships between men, specifically the father-son relationships that are made by birth or created by the bond of friendship. In a narrow sense, the film is about a boy coming to grips with loving his father despite his revulsion to his father’s profession.

The bonds of loyalty break when Michael Sullivan, Jr. (Tyler Hoechlin) witnesses a gangland killing perpetrated by his father Michael, Sr. (Tom Hanks) and Connor Rooney (Daniel Craig), the only son of his father’s boss. Daddy is a hitman/enforcer for John Rooney (Paul Newman), a mob boss. Connor initiated the brutal killings to cover his trail of deceit against his father. In a half-baked plan to cover himself, Connor kills Sullivan’s wife, Annie (Jennifer Jason Leigh), and younger son, Peter (Liam Aiken), and narrowly misses having Michael Sr. killed. Father and son Michaels take to the road while the elder Sullivan plots his revenge against Connor. That vendetta destroys the father-son relationship the Sr. had with John Rooney. To staunch the blood flow, the Chicago mob hires a talented hit man (Jude Law) to kill Sullivan and son.

Of the many quality elements that stood out in this film, the one that shined the most to me was Tom Hanks’ performance. No longer is he merely an actor, he is an artist: creating, communicating, and storytelling. In a way, his performance becomes symbolic of the character type for which he plays. Sullivan, Sr. isn’t a saint. He is, we must painfully admit, an evil man, who loves nevertheless loves his family and loyalty in that order. When his family is wrecked, his loyalty disintegrates, and all that he has left to love is his boy. Their time “on the run” is time best used to revealing that love to his son. This isn’t the script telling us that; it’s Hanks’ performance told through his facial expressions and in the tenor of his voice. Although the son is the film’s narrator, this is a story about his father and how the son comes to separate the man that is his father from the man who can be a cold, merciless killer.

This is a high quality Hollywood production that doesn’t break the rules. In fact, although Hanks is ostensibly a villain, the filmmakers quietly downplay his wickedness. The script is good, but relies on the audience’s familiarity with father-son relationships, stories about loyalty and betrayal, as well as viewers having an understanding how crime organizations work, at least from a Hollywood point of view. In Road to Perdition, we watch a talented director (Sam Mendes) work his actors (Paul Newman also turns in an excellent pathos-filled performance.) into making the familiar seem special, and that in itself is an accomplishment.

8 of 10
A

NOTES:
2003 Academy Awards: 1 win: “Best Cinematography” (Conrad L. Hall: Nomination and award were posthumous. His son Conrad W. Hall accepted the award on his behalf.); 5 nominations: “Best Actor in a Supporting Role” (Paul Newman), “Best Art Direction-Set Decoration” (Dennis Gassner-art director and Nancy Haigh-set decorator), “Best Music, Original Score” (Thomas Newman), “Best Sound” (Scott Millan, Bob Beemer, and John Pritchett) “Best Sound Editing” (Scott Hecker)

2003 BAFTA Awards: 2 wins: “Best Cinematography” (Conrad L. Hall: Posthumously) and “Best Production Design” (Dennis Gassner); 1 nomination: “Best Performance by an Actor in a Supporting Role” (Paul Newman)

2003 Golden Globes: 1 nomination: “Best Performance by an Actor in a Supporting Role in a Motion Picture” (Paul Newman)

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Thursday, June 2, 2011

Review: Matthew Vaughn, Daniel Craig Deliver in Tasty "Layer Cake"

TRASH OF MY EYE No. 74 (of 2007) by Leroy Douresseaux

Layer Cake (2004)
COUNTRY OF ORIGIN: UK
Running time: 104 minutes (1 hour, 44 minutes)
MPAA – R for strong brutal violence, sexuality, nudity, pervasive language and drug use
DIRECTOR: Matthew Vaughn
WRITER: J.J. Connolly (based upon his novel)
PRODUCERS: Adam Bohling, David Reid, and Matthew Vaughn
CINEMATOGRAPHER: Ben Davis (D.o.P.)
EDITOR: Jon Harris
2005 BAFTA Award nominee

CRIME/DRAMA/THRILLER

Starring: Daniel Craig, Colm Meaney, George Harris, Kenneth Cranham, Jamie Forman, Francis Magee, Sienna Miller, Tom Hardy, Sally Hawkins, and Michael Gambon

An unnamed British drug dealer (Daniel Craig) is looking to get out of the drug business, and he’s looking for one last big score to take him into retirement. Well dressed and polite, he is the consummate professional who has made a fortune trading in cocaine and ecstasy, while keeping his own hands clean, but the neat distance is about to come to an end.

Jimmy Price (Kenneth Cranham), the drug kingpin to whom he answers, has two last jobs for him – tie up the loose ends involving a stash of stolen ecstasy pills and also find the missing daughter of Eddie Temple (Michael Gambon), an old associate of Jimmy’s. However, Jimmy isn’t being entirely straight with our unnamed protagonist. The original owners of the gargantuan ecstasy cargo, ex-Serb paramilitary, are coming after Jimmy because he’s an associate of, Duke (Jamie Forman), the thief that stole the pills. Now, our suave drug dealer must rely on two associates, Morty (George Harris) and Gene (Colm Meaney), to help him out, but even they might not be able to help him when the Serbian hit man, Dragan (Dragan Micanovic), comes looking for him.

Matthew Vaughn’s Layer Cake is one of the more stylish British gangster films of the past decade. What sets it apart is Daniel Craig’s neat professional as drug dealer, which basically makes someone many consider a parasite, quite attractive. Vaughn (who received a 2005 BAFTA Award nomination for the "Carl Foreman Award for the Most Promising Newcomer") weaves a brilliant tapestry from J.J. Connolly’s screenplay, balancing intricate plotlines and a multitude of conflicting characters and motivations, at least until the end. Some viewers will need a scorecard to keep up with all the players and multiple loose ends that Vaughn ties up before delivering an ending that’s just got to go.

Other than that, Layer Cake is a brilliant crime film that blends style with gangster violence. On top of what seems like a simple story about a hood trying to exit the life of being a hood is a story about the cutthroat world of making money, where everybody is out to get his own. Those who demand the most – whether it is loyalty, respect, or money – are actually the least loyal, disdainful of others, and the greediest. It’s also nice that Vaughn smartly reminds the viewer that even the well to do can be scumbags.

8 of 10
A

Wednesday, May 09, 2007

NOTES:
2005 BAFTA Awards: 1 nomination: “Carl Foreman Award for the Most Promising Newcomer” (Matthew Vaughn-director)

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Tuesday, February 8, 2011

Review: Oscar-Nominee "Munich" Asks the Uncomfortable Questions (Happy B'day, John Williams)


TRASH IN MY EYE No. 4 (of 2006) by Leroy Douresseaux

Munich (2005)
Running time: 164 minutes (2 hours, 44 minutes)
MPAA – R for strong graphic violence, some sexual content, nudity, and language
DIRECTOR: Steven Spielberg
WRITERS: Tony Kushner and Eric Roth (based upon the book Vengeance by George Jonas)
PRODUCERS: Kathleen Kennedy, Barry Mendel, Colin Wilson, and Steven Spielberg
CINEMATOGRAPHER: Janusz Kaminski
EDITOR: Michael Kahn
COMPOSER: John Williams
Academy Award nominee

DRAMA

Starring: Eric Bana, Daniel Craig, Ciarán Hinds, Mathieu Kassovitz, Hanns Zischler, Ayelet Zorer, Geoffrey Rush, Gila Almagor, Michael Lonsdale, Mathieu Amalric, Gila Almagor, and Lynn Cohen

Steven Spielberg’s Munich is set in the aftermath of the real life massacre of 11 Israeli athletes at the 1972 Munich Olympics. The story follows a secret assassination squad, led by a former Mossad (Israeli version of the CIA) officer named Avner (Eric Bana), assigned to track down and kill the 11 Palestinian terrorists and operatives, whom the Israeli government suspects of having planned the Munich attack. The film focuses on the personal toll this mission of revenge and retribution takes upon the team, and in particular, Avner.

Many have argued that Munich has taken both sides in the conflict between Israel and the Palestinians, but I must have missed something because I didn’t see it that way. I viewed the film as a narrative that with medical precision shows how much it costs men to engage in one act of murder after another. This isn’t about a war where the fighters kill (mostly) faceless men. Avner and his associates (which includes the new James Bond, Daniel Craig, playing a gung-ho, American cowboy-type, Israeli named Steve) have to hunt these men down. In that way, they get to see them as more than targets. Yes, they may be murderers, and clearly they involve themselves in operations aimed at killing Israelis in terrorist attacks, but these aren’t dogs that Avner and his team are hunting. Eventually, killing people and endangering innocents (collateral damage) gets to be too much for them. The explosions, the gore, and most of all the finality of death – always watching, knowing, and talking to people they have to kill.

Avner misses his wife and child, and he begins to mistrust his Israeli bosses, in particular Ephraim (the truly astounding chameleonic actor Geoffrey Rush). Eventually, Avner and his team find themselves competing against American interests, the CIA, and Soviet interests, personified by the KGB, who protect and provide both material and financial support to some Palestinian terrorists. So many of the parties involved see Avner’s mission as some kind of game, a war game for sure, but still a game of capture and defend territory. There are platitudes galore about striking back and sending a message, but in this narrative, only Avner understands that this is dirty work, expensive dirty work. The costs will run into the millions, and will also cost many lives – lives that must often be violently snuffed out if one side is to win and/or survive. One has to wonder what the result of terrorism and the retributive answer to it will be. As one of the characters concludes, “There is no peace at the end of this.”

Still, through Munich, one can tell that Spielberg clearly believes that Israel had to answer the Munich murders with retribution (as do I). He also clearly loves Israel. At one point in the film, Avner’s mother (Gila Almagor) says of the founding of Israel that they (Jews) had to take the land because no one would give it to them, and that they needed a place on earth where Jews could live with other Jews. Spielberg may very likely believe this, but in Munich, he uses film to question Israel using swift retribution for every attack against it, although I don’t think that Israel has always answered every attack against it.

Perhaps, that is why the film meanders. It’s too long, and on just a few occasions it is too preachy – a few of those being embarrassingly preachy. Munich’s resolution is also soft – if there is one. I get the point that the director wants to say that there are no easy answers for this situation, but in saying that, the movie lumbers towards the end like an out of shape and slightly over weight athlete. Munich does indeed take a side (Israel), but the movie wonders about the other side (the Palestinians). Spielberg doesn’t really try to have it both ways, but he muddles the water enough with differing points of view. Still, what is one the screen is outstanding, powerful, and mesmerizing. I could have an adjective field day, but with its engaging performances – Eric Bana is rugged, handsome, and shows his soul with this performance – and taut action (the assassinations are as riveting as anything in the best war and action movies), Munich is must-see cinema for any Spielberg fan and any fan of cinema.

8 of 10
A

Saturday, January 07, 2006

NOTES:
2006 Academy Awards: 5 nominations: “Best Motion Picture of the Year” (Kathleen Kennedy, Steven Spielberg, and Barry Mendel), “Best Achievement in Directing” (Steven Spielberg), “Best Achievement in Editing” (Michael Kahn) and “Best Achievement in Music Written for Motion Pictures, Original Score” (John Williams), and “Best Writing, Adapted Screenplay” (Tony Kushner and Eric Roth)

2006 Golden Globes: 2 nominations: “Best Director - Motion Picture” (Steven Spielberg) and “Best Screenplay - Motion Picture” (Tony Kushner and Eric Roth)

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Thursday, June 24, 2010

Review: "Quantum of Solace" Finds James Bond with a Hard-On for Payback

TRASH IN MY EYE No. 46 (of 2010) by Leroy Douresseaux

Quantum of Solace (2008)
Running time: 106 minutes (1 hour, 46 minutes)
MPAA – PG-13 for intense sequences of violence and action, and some sexual content
DIRECTOR: Marc Forster
WRITERS: Paul Haggis, Neal Purvis, and Robert Wade
PRODUCERS: Barbara Broccoli and Michael G. Wilson
CINEMATOGRAPHER: Roberto Schaefer (director of photography)
EDITORS: Matt Chesse and Richard Pearson
MAIN THEME: “Another Way to Die” performed by Alicia Keys and Jack White and composed by Jack White
BAFTA Awards nominee

ACTION/DRAMA/THRILLER

Starring: Daniel Craig, Olga Kurylenko, Mathieu Amalric, Judi Dench, Giancarlo Giannini, Gemma Arterton, Jeffrey Wright, David Harbour, Jesper Christensen, Anatole Taubman, and Joaquín Cosio

The 2006 version of Casino Royale rebooted the James Bond film franchise. The follow up film, Quantum of Solace (the 22nd Bond film), is a rough and tumble, rip-roaring action movie that is probably more Jason Bourne than it is James Bond. Still, this is a very good action thriller.

Quantum of Solace continues immediately after the events of Casino Royale. James Bond (Daniel Craig) rushes the captured Mr. White (Jesper Christensen) to Siena, Italy, where Bond and M (Judi Dench), his M16 superior, will interrogate White. The interrogation is interrupted, however, by a double agent. Bond follows the trail of the double agent to Dominic Greene (Mathieu Amalric), the charismatic leader of an ecological organization called Greene Planet. Behind Greene Planet’s seemingly legitimate business interests and benevolent aims hides Quantum, a powerful terrorist organization plotting to overthrow the government of Bolivia.

For Bond, this mission is as much about vengeance as it is about duty. Quantum is also connected to the death of the woman Bond loved, Vesper Lynn, (who betrayed him and died in Casino Royale). In Bolivia, Bond is joined by Camille Montes (Olga Kurylenko), a young woman hunting the murderer of her family, Bolivian general, Medrano (Joaquín Cosio), and a co-conspirator of Greene’s. As he gets closer to finding the man responsible for the betrayal of Vesper, Bond leaves a pile of bodies in his wake, and soon the CIA and his own agency are hunting him.

By now, moviegoers are used to the fact that the Daniel Craig James Bond is not the “shaken, not stirred” Bond of the past. Bond is now as much an ass-kicking action hero, leaping and running all over the place, as he is a cool secret agent (if not more). And Quantum of Solace is certainly kick-ass. It isn’t more of the same; the film simply takes the cool action scenes of Casino Royale and multiplies them.

Craig is ultra-cool as the ruthless “blunt instrument,” and his performance here – balancing a broken heart with a barely concealed hard-on for revenge – is tasty. Mathieu Amalric is smashing as Dominic Greene; rarely has such a weasel of a villain been so attractive. Judi Dench and Jeffrey Wright deliver their usually good performances.

From the opening rollicking car chase (one of the best I’ve seen in a long time) to the desert hotel showdown, this Bond packs a wallop. Quantum of Solace lacks the smart elegance of the typical James Bond movie (which even Casino Royale had), but I’ll take solace in this quick, sweet, brutal gem of an action movie.

7 of 10
A-

NOTES:
2009 BAFTA Awards: 2 nominations: “Best Sound” (James Boyle, Eddy Joseph, Chris Munro, Mike Prestwood Smith, and Mark Taylor) and “Best Special Visual Effects” (Chris Corbould and Kevin Tod Haug)

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Wednesday, June 23, 2010

Review: James Bond is Refreshed and Thuggin' Out in "Casino Royale"

TRASH IN MY EYE No. 238 (of 2006) by Leroy Douresseaux

Casino Royale (2006)
Running time: 144 minutes (2 hours, 24 minutes)
MPAA – PG-13 for intense sequences of violent action, a scene of torture, sexual content, and nudity
DIRECTOR: Martin Campbell
WRITERS: Neal Purvis & Robert Wade and Paul Haggis (based upon the novel by Ian Fleming)
PRODUCERS: Michael G. Wilson and Barbara Broccoli
CINEMATOGRAPHER: Phil Méheux, BSC
EDITOR: Stuart Baird, A.C.E.
THEME SONG: “You Know My Name” performed by Chris Cornell (written by Chris Cornell and David Arnold)
BAFTA Award winner

ACTION/DRAMA/THRILLER

Starring: Daniel Craig, Eva Green, and Mads Mikkelsen with Jeffrey Wright and Judi Dench, and Giancarlo Giannini, Caterina Murino, Ivana Milicevic, Simon Abkarian, Sébastien Foucan, and Jesper Christensen

Back in 1995, director Martin Campbell launched the first Pierce Brosnan James Bond film, GoldenEye. Eleven years later, Campbell helms another re-launch of the James Bond franchise with Casino Royale, the 21st James Bond movie. This new film takes Bond back to early in his career, and we get a new actor playing Bond, Daniel Craig (Layer Cake, Munich), who brings a bit of the thug to the venerable secret agent.

In his first big mission as 007 (Double 0 means the agent has a license to kill… but you knew that), James Bond tackles terrorism. M (Judi Dench), the head of British Secret Service, M16, is unsure of her new agent, who tends to leave a pile of bodies in his wake. Still, Bond travels to Madagascar where he engages in a pulse pounding chase of the would-be bomber, Mollaka (Sébastien Foucan). This is the kind of hard work Bond must do to learn that the key figure in a terrorist money laundering scheme is Le Chiffre (Mads Mikkelsen), a banker to the world’s terrorists.

In order to stop Le Chiffre and bring down the terrorist network, Bond eventually has to face Le Chiffre in a high-stakes poker game (Texas Hold ‘em) at Casino Royale (located in an unnamed town in Montenegro). In his corner, Bond has a beautiful British Treasurer official named Vesper Lynd (Eva Green), and of course, their initial disinterest in each other becomes a mutual attraction that goes farther. Meanwhile, dark forces have gathered around Le Chiffre, and Bond is finding that some of his own allies may be on Le Chiffre’s side.

How is Daniel Craig as James Bond? Imagine Sean Connery, but darker, edgier, and much more dangerous. Personally, I like it, but having Bond as a cold, killing machine is a bit off-putting. Still, Craig has an absolutely magnetic screen presence, and it’s hard not to focus on him even in a crowd scene. And he has a rock hard body.

Meanwhile, the overall film is pretty good. Almost gone are the sci-fi elements that have been a staple of Bond films, to one extent or another, since the beginning. Casino Royale is like the Jason Bourne films (The Bourne Identity, The Bourne Supremacy), but darker still. The film has several dry spots, but the narrative makes up for that with several edge-of-the-seat action sequences – each one mesmerizing. Martin Campbell does an excellent job keeping up the heart-pounding thrills by taking us from Europe to Madagascar to the Bahamas to Miami and back to Europe again (to an eventual explosive finale in Venice). In fact, Campbell does an excellent job staging the thrills so quickly and pacing them so well that the bad moments in Casino Royale seem like a figment of the viewer’s imagination. Even the poker game, which makes up the middle act of Casino Royale, is great.

While Craig is quite good, the rest of the cast is mostly average. Eva Green’s Vesper Lynd hardly registers as a Bond girl, and Mads Mikkelsen is a half-menacing and half comic stock villain. Judi Dench, however, has a lot of bite in her as M, and Dench, a truly fine actress, hits the right note in each of her scenes – so much so that her M is missed whenever she leaves.

I’m reluctant to compare Casino Royale to other Bond films because it is so different, but judged on its own, this is a fine film. Whether this new direction will stand firm over the long run is a question for the future, but right now, Casino Royale is a good thing.

7 of 10
B+

Tuesday, November 21, 2006

NOTES:
2007 BAFTA Awards: 1 win: “Best Sound” (Chris Munro, Eddy Joseph, Mike Prestwood Smith, Martin Cantwell, and Mark Taylor); 8 nominations: “Alexander Korda Award for Best British Film” (Michael G. Wilson, Barbara Broccoli, Martin Campbell, Neal Purvis, Robert Wade, and Paul Haggis), “Anthony Asquith Award for Film Music” (David Arnold), “Best Achievement in Special Visual Effects” (Steven Begg, Chris Corbould, John Paul Docherty, and Ditch Doy), “Best Actor in a Leading Role” (Daniel Craig), “Best Cinematography” (Phil Meheux), “Best Editing” (Stuart Baird). “Best Production Design” (Peter Lamont and Simon Wakefield), and “Best Screenplay – Adapted” (Neal Purvis, Robert Wade, and Paul Haggis)

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