Review: "KINGSMAN: The Golden Circle" Improves on the First Film

TRASH IN MY EYE No. 22 of 2022 (No. 1834) by Leroy Douresseaux

Kingsman: The Golden Circle (2017)
Running time: 141 minutes (2 hours, 21 minutes)
MPAA – R for sequences of strong violence, drug content, language throughout and some sexual content
DIRECTOR:  Matthew Vaughn
WRITERS:  Jane Goldman and Matthew Vaughn (based on on the comic book, The Secret Service, by Mark Millar and Dave Gibbons)
PRODUCERS:  Adam Bohling, David Reid, and Matthew Vaughn
CINEMATOGRAPHER:  George Richmond (D.o.P.)
EDITOR:  Eddie Hamilton
COMPOSERS:  Henry Jackman and Matthew Margeson

COMEDY/ACTION/SPY/SCI-FI

Starring:  Taron Egerton, Colin Firth, Julianne Moore, Mark Strong, Halle Berry, Pedro Pascal, Channing Tatum, Jeff Bridges, Edward Holcroft, Hanna Alström, Calvin Demba, Thomas Turgoose, Tobi Bakare, Bruce Greenwood, Emily Watson, Elton John, Sophie Cookson, and Michael Gambon

Kingsman: The Golden Circle is a 2017 spy movie and action-comedy from director Matthew Vaughn.  It is a direct sequel to the 2015 film, Kingsman: The Secret Service.  Both films are based on characters and elements from the 2012 comic book, The Secret Service, by Mark Millar and Dave Gibbons.  The Golden Circle focuses on two elite secret organizations that must band together to defeat a common enemy that is holding the world hostage.

Kingsman: The Golden Circle opens a year after Gary “Eggsy” Unwin (Taron Egerton) defeated and killed the diabolical Internet billionaire, Richmond Valentine.  Eggsy has officially joined the independent intelligence agency, Kingsman, and has taken his late mentor. Harry Hart's (Colin Firth) position as agent “Galahad.”  Eggsy is also dating Tilde (Hanna Alström), Crown Princess of Sweden, whom he saved from Valentine.

One night in London, Eggsy is ambushed by Charlie Hesketh (Edward Holcroft), a rejected Kingsman applicant.  Eggsy defeats Charlie, who escapes.  However, Charlie has a new employer, a mysterious organization known as “The Golden Circle.”  Its leader, Poppy Adams (Julianne Moore), the world's largest manufacturer and distributor of illegal drugs and narcotics, launches an attack against the Kingsman that leaves the agency devastated.  The survivors, Eggsy and Merlin (Mark Strong), make contact with “Statesman,” the American counterpart of Kingsman, which uses a Kentucky-based bourbon whiskey business as a front.  [The Kingsman's front is as a Savile Row tailor.]

With the help of the Statesman, Agent Whiskey (Pedro Pascal) and Ginger Ale (Halle Berry), Eggsy tries to stop Poppy Adams' plot to use a toxin in the drugs and narcotics she sells to hold the world for ransom.  She wants her demands met or she will withhold an antidote to the toxin, which means hundreds of millions of people will die.  In order to stop her, Eggsy will have to face many challenges … and a number of surprising reveals.

I enjoyed Kingsman: The Secret Service quite a bit, but it was mostly a substance-free past-time.  As much as I enjoyed the film, I had mostly forgotten about it a few hours after seeing it.  Kingsman: The Golden Circle isn't quite as substance-free as its predecessor.  The bonds and obligations of friendship and love weigh on the characters, especially Eggsy.  He can no longer just live for the job, not when there is a serious relationship commitment in front of him.

I found some of the Statesman characters to be either superfluous or simply boring, with the exception of Halle Berry's Ginger Ale.  I am a longtime fan of Berry's, and she makes the casually smart and calm Ginger an endearing character.  Elton John also makes a surprising and shocking turn as something of a fun and offbeat action hero.

The film also has a wacky-ass and fun soundtrack.  It uses John Denver's 1971 hit, “Take Me Home, Country Roads,” including a poignant version sung by Mark Strong's Merlin.  There are a few Elton John hits, of course, some performed in the film by Elton.  The best song on the soundtrack may be a funky, country rock version of Cameo's “Word Up” by the German musical act “The BossHoss.”

Taron Egerton as Eggsy has star appeal and leading man quality, which is a surprise to me.  I wish the film had given some of the narrative time devoted to the Statesman characters back to Eggsy.  Egerton takes the Kingsman film franchise to the next level.  Kingsman: The Golden Circle is an improvement over the original film, enough of an improvement that I hope to see another sequel.

7 of 10
B+

Wednesday, February 16, 2022


The text is copyright © 2022 Leroy Douresseaux. All Rights Reserved. Contact this site for reprint and syndication rights and fees.

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Negromancer News Bits and Bites from October 16th to 22th, 2016 - Update #24

Support Leroy on Patreon.

MEDIA - From TheWrap:  AT&T has bought Time Warner for 85 billion dollars.

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OBIT - From BleedingCool:  The comic book artist, Steve Dillon, has died at the age of 54, Saturday, October 22, 2016.  A Brit, his best known work to American fans includes Preacher (co-created with Garth Ennis) and The Punisher.

From BleedingCool:  The comic book community remembers Steve Dillon, acclaimed comic book artist and creator.

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STAR WARS - From YahooMovies:  Donald Glover will be Lando Calrissian in "Young Han Solo" movie.

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COMICS-FILM - From Variety:  "Deadpool" director Tim Miller has left the "Deadpool 2" sequel over creative differences with star Ryan Reynolds.

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OBIT - From YahooTV:  The actor and comedian, Kevin Meaney, has died at the age of 60, Friday, October 21, 2016.

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ANIMATION - From THR:  Tom Hiddleston joins Aardman's animated film, "Early Man," which is to be directed by multiple Oscar winner, Nick Park.

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SPORTS - From YahooSports:  The Los Angeles Sparks win the 2016 WNBA (Women's National Basketball Association) championship title.

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MOVIES - From Variety:  Gugu Mbatha-Raw joins Avu DuVernay's "A Wrinkle in Time."

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COMICS-FILM - From CinemaBlend:  Early reviews for Marvel Studio's "Doctor Strange" are in.

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MOVIES - From Variety:   Colin Firth in talks to star in Disney's "Mary Poppins Returns."

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MOVIES - From TheGuardian:  Leonardo DiCaprio looking to star in real-life tale of Jim Crow and Black children used as circus freak.

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MUSIC - From YahooMusic:  Eminem releases an 8-minute diss track of Donald Trump.

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MOVIES - From YahooMovies:  Warner Bros. is working on a new Willy Wonka movie.  Even with all the praising of Gene Wilder following his recent passing, I knew someone was plotting to revive Wilder's signature role (according to some) in a new movie.

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MOVIES - From THR:  Michael Moore has apparently revealed a surprise Donald Trump film.

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MOVIES - From Deadline:  Disney is producing a live-action version of its 1998 animated film, Mulan.  Sony is producing a competing live-action version of the tale of Mulan, and they have hired, Alex Graves, who has directed episodes of "Games of Thrones."

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BOX OFFICE - From Variety:  Thanks to billion dollar hits like "Captain America: Civil War" and "Finding Dory," Disney sets a record for international box office, which they already held from 2015.

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BOX OFFICE - From BoxOfficeMojo:  The #1 movie at the 10/14 to 10/16/2016 weekend box office is "The Accountant" (starring Ben Affleck) with an estimated take of $24.7 million.

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OBIT - From ESPN:  The former NFL player, Dennis Byrd, has died at the age of 50, Saturday, October 15, 2016.  Byrd broke his neck in a 1992 game and despite odds learned to walk again.

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MOVIES - From BleedingCool:  "Jurassic World 2" will be "scarier and darker." Better would be good, too.

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COMICS-FILM - From Variety:  The new Peter Parker/Spider-Man, Tom Holland, dishes on "Spider-Man: Homecoming."

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MOVIES - From EW:  There will be a "Ride Along 3" with Kevin Hart and Ice Cube, says director.

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ECO - From RSN:  Actor Mark Ruffalo and rocker Neil Young were arrested  during protests to free a journalist.

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MOVIES - From TheGuardian:  Oliver Stone says the U.S. government lies all the time.

TRAILERS:

From YouTube:  The first official trailer for the third Wolverine movies, "Logan," which is due March 3rd.

From YouTube:  First trailer for "The Boss Baby," from DreamWorks Animation and 20th Century Fox.

Review: Villains Rule "Kingsman"

TRASH IN MY EYE No. 33 (of 2015) by Leroy Douresseaux

[This review first appeared on Patreon.]

Kingsman: The Secret Service (2015)
COUNTRY OF ORIGIN:  U.K.
Running time: 129 minutes (2 hours, 9 minutes)
MPAA – R for sequences of strong violence, language and some sexual content
DIRECTOR:  Matthew Vaughn
WRITERS:  Jane Goldman and Matthew Vaughn (based on on the comic book, The Secret Service, by Mark Millar and Dave Gibbons)
PRODUCERS:  Adam Bohling, David Reid, and Matthew Vaughn
CINEMATOGRAPHER:  George Richmond    
EDITORS:  Eddie Hamilton and Jon Harris
COMPOSERS:  Henry Jackman and Matthew Margeson

COMEDY/ACTION/SPY/SCI-FI

Starring:  Taron Egerton, Colin Firth, Mark Strong, Samuel L. Jackson, and Michael Caine, Sofia Boutella, Sophie Cookson, Hanna Alstrom, Samantha Womack, Geoff Bell, and Mark Hamill

Kingsman: The Secret Service is a 2015 British spy movie and action-comedy from director Matthew Vaughn.  It is based on the 2012 comic book, The Secret Service, by Mark Millar and Dave Gibbons, who are also both executive producers on the film.  Millar co-created the comic book, Kick-Ass, and Gibbons co-created the Watchmen comic book.  Kingsman: The Secret Service follows a street kid who is recruited into a secret spy organization.

Kingsman: The Secret Service opens in 1997 during a raid in the Middle East, in which an agent sacrifices himself to save his team.  Feeling guilt, agent Harry Hart (Colin Firth), code-named “Galahad,” visits the agent's wife and young son.  Seventeen years later, Galahad comes to the rescue of the son, Gary “Eggsy” Unwin (Taron Egerton), who is now an unemployed adult.

Galahad introduces Eggsy to the “Kingsman,” a secret intelligence agency comprised of the members of the British upper crust.  Galahad convinces Eggsy to join the Kingsman's ultra-competitive training program, but only one member of a recruiting class will become a member of the Kingsman.

Meanwhile, billionaire tech genius, Richmond Valentine (Samuel L. Jackson), has hatched a plan to save the world from environmental catastrophe.  His activities draw the attention of the Kingsman, especially Galahad.  Because Galahad is his benefactor, Eggsy gets a close-up look of the Kingsman in action, but does this unrefined “street kid” have what it takes to be in this “secret service?”

As a spy movie, Kingsman: The Secret Service is more like some of the early James Bond movies, especially the ones that featured weird sci-fi gadgets.  Or maybe Kingsman: The Secret Service is what would happen if Roger Moore's James Bond became the leader of the Impossible Missions Force (IMF) of the old television series, “Mission: Impossible.”

I must admit to enjoying Kingsman: The Secret Service quite a bit, but it is mostly a substance-free past-time.  As much as I enjoyed the film, I had mostly forgotten about it a few hours after seeing it.  If I watched it again, I would only watch certain scenes – mostly the fight scenes, especially the ones featuring the blade-legged Gazelle (Sofia Boutella).  There is not enough of her in this movie.

There are moments in Kingsman when it seems obvious to me that Colin Firth would make a good movie secret agent, not James Bond, but someone like Galahad.  [Or maybe that can be said about most quality British male actors.]  However, Samuel L. Jackson, as Valentine, seems to be the actor who most bought into the scenario.  He and Boutella make a great team and do a lot to make Kingsman a good movie; I wish their characters could return.

On the other hand, Taron Egerton may be an up-and-coming, young British actor, but as Eggsy, he lacks spark and charisma.  He is as flat as Sam Jackson is charismatic.  Kingsman's concept and story is ridiculous and contrived, but fun.  As the villain, Jackson is the one who most sells the movie, even more so than the actors playing the good guys.

A sequel to Kingsman: The Secret Service has already been announced.  As much as I enjoyed this movie, I can't imagine the sequel working without another great villainous pair like Jackson and Boutella.  I hope they find one.

6 of 10
B

Tuesday, July 14, 2015


The text is copyright © 2015 Leroy Douresseaux. All Rights Reserved. Contact this site for reprint and syndication rights and fees.

Review: "Magic in the Moonlight" Does Not Cast Much of a Spell

TRASH IN MY EYE No. 23 (of 2015) by Leroy Douresseaux (support on Patreon)

Magic in the Moonlight (2014)
Running time:  97 minutes (1 hour, 37 minutes)
MPAA –  PG-13 for a brief suggestive comment, and smoking throughout
WRITER/DIRECTOR:  Woody Allen
PRODUCERS:  Letty Aronson, Stephen Tenenbaum, and Edward Walson
CINEMATOGRAPHER:  Darius Khondji
EDITOR:  Alisa Lepselter

COMEDY/ROMANCE

Starring:  Colin Firth, Emma Stone, Simon McBurney, Eileen Atkins, Hamish Linklater, Marcia Gay Harden, Jacki Weaver, Jeremy Shamos, Erica Leerhsen, and Catherine McCormack

Magic in the Moonlight is a 2014 period romance and comedy from writer-director, Woody Allen.  The film focuses on an Englishman who travels to the south of France, where he becomes smitten with the young woman that he plans to reveal as a fraud.

Magic in the Moonlight opens in Berlin, 1928, where we meet the world famous illusionist, Wei Ling Soo (Colin Firth).  Soo is actually the Englishman, Stanley Crawford (Colin Firth), in disguise.  After a performance, Stanley receives a visit from his old friend, Howard Burkan (Simon McBurney), a fellow illusionist.  Burkan wants Stanley to accompany him to Côte d'Azur where Stanley can make use of the other talent that has made him famous.  Stanley can see past and also reveal the tricks of those who claim to have magical or supernatural powers.

In Côte d'Azur, a rich American family, the Catledges, are being taken in by a clairvoyant and mystic named Sophie Baker (Emma Stone).  In fact, the son of the family, Brice Catledge (Hamish Linklater), is so in love with Sophie that he wants to marry her.  Howard wants Stanley to debunk Sophie as a charlatan mystic.  Although he initially thinks that it will be easy to reveal Sophie as a fraud, Stanley soon finds himself smitten with her.

Magic in the Moonlight is not one of the better Woody Allen films.  It falls in the class of mediocre, hapless Allen films that have been prevalent since the turn of the century.  The casting is not particularly special, and the characters are mostly uninspired.  Emma Stone seems out of place as Sophie Baker, but there is not enough of Marcia Gay Harden as Sophie's mother, Mrs. Baker.

Magic in the Moonlight is not well-written, which is disappointing considering that Allen has won three Oscars for his screenwriting.  Allen's directing is mostly... well... uninspired.  However, the film does spring to life in its last half-hour, and it suddenly seems like a different film.  Why?  I think that Magic in the Moonlight lacks a true antagonistic relationship, although the film is ostensibly about one, being that Stanley Crawford is trying to prove that Sophie is a fraud.  Perhaps, Allen makes them fall in love with each other too soon.  Once betrayal is introduced into the narrative, the film has a real conflict and that brings it to life – too late, of course.

I will recommend Magic in the Moonlight to die hard Woody Allen fans who simply have to see each and every one of his films (like me).  Beyond that, there is no amount of magic in the moonlight that will make this movie of interest to people who are not fans of Allen.

5 of 10
C+

Thursday, May 28, 2015


The text is copyright © 2015 Leroy Douresseaux. All Rights Reserved. Contact this site for syndication rights and fees.

Sony Pictures Classics to Distribute Woody Allen's "Magic in the Moonlight"

SONY PICTURES CLASSICS ACQUIRES WOODY ALLEN’S NEXT FILM "MAGIC IN THE MOONLIGHT"

Film marks seventh collaboration with the filmmaker and Sony Classics

Sony Pictures Classics announced that they have acquired all North American rights to Woody Allen’s upcoming film, MAGIC IN THE MOONLIGHT from Gravier Productions. Like BLUE JASMINE, the film is produced by Letty Aronson, Stephen Tenenbaum and Edward Walson. The film was shot by Darius Khondji (MIDNIGHT IN PARIS) with Production Design by Anne Seibel (MIDNIGHT IN PARIS).

Once again, Woody Allen has put together a stellar cast including Eileen Atkins, Colin Firth, Marcia Gay Harden, Hamish Linklater, Simon McBurney, Emma Stone, and Jacki Weaver. MAGIC IN THE MOONLIGHT is a romantic comedy about an Englishman brought in to help unmask a possible swindle. Personal and professional complications ensue. The film is set in the south of France in the 1920s against a backdrop of wealthy mansions, the Côte d’Azur, jazz joints and fashionable spots for the wealthy of the Jazz Age.

ABOUT SONY PICTURES CLASSICS
Michael Barker and Tom Bernard serve as co-presidents of Sony Pictures Classics—an autonomous division of Sony Pictures Entertainment they founded with Marcie Bloom in January 1992, which distributes, produces, and acquires independent films from around the world.

Barker and Bernard have released prestigious films that have won 31 Academy Awards® (27 of those at Sony Pictures Classics) and have garnered 135 Academy Award® nominations (109 at Sony Pictures Classics) including Best Picture nominations for AMOUR, MIDNIGHT IN PARIS, AN EDUCATION, CAPOTE, HOWARDS END, and CROUCHING TIGER, HIDDEN DRAGON.

ABOUT SONY PICTURES ENTERTAINMENT
Sony Pictures Entertainment (SPE) is a subsidiary of Sony Corporation of America, a subsidiary of Tokyo-based Sony Corporation. SPE's global operations encompass motion picture production and distribution; television production and distribution; home entertainment acquisition and distribution; a global channel network; digital content creation and distribution; operation of studio facilities; development of new entertainment products, services and technologies; and distribution of entertainment in more than 142 countries. For additional information, go to http://www.sonypictures.com/.

Gary Oldman the Master of "Tinker Tailor Soldier Spy"

TRASH IN MY EYE No. 48 (of 2012) by Leroy Douresseaux


Tinker Tailor Soldier Spy (2011)
COUNTRY OF ORIGIN: U.K. with France
Running time: 127 minutes (2 hours, 7 minutes)
MPAA – R for violence, some sexuality/nudity and language
DIRECTOR: Tomas Alfredson
WRITERS: Bridget O'Connor and Peter Straughan (based on the novel by John le Carré)
PRODUCERS: Tim Bevan, Eric Fellner, and Robyn Slovo
CINEMATOGRAPHER: Hoyte Van Hoytema (D.o.P.)
EDITOR: Dino Jonsäter
COMPOSER: Alberto Iglesias
Academy Award nominee

DRAMA/SPY/THRILLER/HISTORICAL

Starring: Gary Oldman, Colin Firth, Tom Hardy, Benedict Cumberbatch, Mark Strong, Toby Jones, David Dencik, Ciarán Hinds, Simon McBurney, Roger Lloyd-Pack, Stephen Graham, Kathy Burke, Jamie Thomas King, Stuart Grahma, Svetlana Khodchenkova, William Haddock, and John Hurt

Tinker Tailor Soldier Spy is a 2011 British drama and espionage film. It is a co-production between British film production company, Working Title Films, and the French StudioCanal and is based upon John le Carré’s 1974 novel, Tinker Tailor Soldier Spy. The film is set in London in the early 1970s and focuses on an espionage veteran who returns from semi-retirement to uncover a Soviet agent working within British Intelligence. It is one of the best films of 2011.

In October 1973, Control (John Hurt), the head of the British Intelligence Service (known as “the Circus”), sends agent Jim Prideaux (Mark Strong) on a mission to Hungary, which goes badly wrong. Control and his right-hand man, George Smiley (Gary Oldman), are forced into retirement.

Later, Oliver Lacon (Simon McBurney), a civil servant in charge of intelligence, brings Smiley out of retirement. Lacon tells Smiley that Control, who is now dead, believed that the Soviet Union had managed to place a mole (or spy) in a senior role in British Intelligence and that the mole had been there for a long time. Control had assigned codenames to the senior intelligence officers that he suspected of being the Soviet mole. They are Percy Alleline, “Tinker” (Toby Jones); Bill Haydon, “Tailor” (Colin Firth); Roy Bland, “Soldier” (Ciarán Hinds); and Toby Esterhase, “Poorman” (David Dencik). Smiley takes the assignment only to learn that he is “Beggarman,” Control’s fifth suspect.

I could easily consider Tinker Tailor Soldier Spy a slowing moving spy movie, but I choose to view it as a delicious gumbo on simmer that slowly cooks to perfection. In this case, the perfection is the last half-hour of the movie, which is outstanding and begins with a brilliant scene featuring Smiley, Lacon, and a cabinet minister. Tinker Tailor Soldier Spy is the kind of dense and layered story an espionage film should be… at least when it’s not being a James Bond movie.

Of course, a film adaptation of John le Carré loses the depth, the morsels, and the back story of the novels. The film works because it is a character drama that takes the international intrigue that was the Cold War and transforms it into a conflict (a game, or even a war) between rivals, within and without British Intelligence. The story becomes one about personalities and indeed; the conflicts are more personal and more intimate than they are large-scale and extra-national or international. The movie is a story of lonely and desperate men who can never reveal their secrets to others, even to the point that they become a mystery to themselves.

Such a character drama relies on great performances, and there are many. Tom Hardy and Benedict Cumberbatch are excellent in strong supporting roles. David Dencik gives extra to Esterhase, enlarging a character that could have been not much more than a superficial little prick.

The most important performance is, of course, Gary Oldman’s. I’ve thought of him as a genius since I first started seeking out films in which he appeared some 20 years ago. He plays George Smiley as a tiger ready to pounce, as an intense man of action, and as the consummate spymaster who leads men and manipulates others to achieve his ends. What is amazing is that Oldman pulls this off by playing Smiley as a quiet, detached man, so that in the moments when he does strike, the viewer is both surprised at this sudden turn and also amazed at what Oldman is keeping under wraps as Smiley.

Tinker Tailor Soldier Spy is superbly directed by Tomas Alfredson and expertly written by the husband and wife team of Peter Straughan and the late Bridget O'Connor (to whom this film is dedicated). It is simply a great film. However, the strength of Tinker Tailor Soldier Spy is Gary Oldman, the master of this spy game and the winner of this chess match of espionage.

9 of 10
A+

NOTES:
2012 Academy Awards: 3 nominations: “Best Performance by an Actor in a Leading Role” (Gary Oldman), “Best Achievement in Music Written for Motion Pictures, Original Score” (Alberto Iglesias), and “Best Writing, Adapted Screenplay” (Bridget O'Connor and Peter Straughan)

2012 BAFTA Awards: 2 wins: “Best Adapted Screenplay” (Bridget O'Connor and Peter Straughan) and “Outstanding British Film” (Peter Straughan, Robyn Slovo, Tomas Alfredson, Bridget O'Connor, Eric Fellner, and Tim Bevan); 9 nominations: “Best Film” (Tim Bevan, Robyn Slovo, Eric Fellner), “Best Leading Actor” (Gary Oldman), “Best Cinematography” (Hoyte Van Hoytema), “Best Costume Design” (Jacqueline Durran), “Best Director” (Tomas Alfredson), “Best Editing” (Dino Jonsäter), “Best Original Music” (Alberto Iglesias), “Best Production Design” (Tatiana Macdonald and Maria Djurkovic), “Best Sound” (Doug Cooper, Andy Shelley, Howard Bargroff, John Casali, and Stephen Griffiths)

Sunday, June 10, 2012

Review: "Shakespeare in Love" is Always a Delight (Happy B'day, Gwyneth Paltrow)

TRASH IN MY EYE No. 215 (of 2004) by Leroy Douresseaux

Shakespeare in Love (1998)
Running time: 122 minutes (2 hours, 2 minutes)
MPAA – R for sexuality
DIRECTOR: John Madden
WRITERS: Marc Norman and Tom Stoppard
PRODUCERS: Donna Gigliotti, Marc Norman, David Parfitt, Harvey Weinstein, and Edward Zwick
CINEMATOGRAPHER: Richard Greatrex
EDITOR: David Gamble
Academy Award winner

ROMANCE/COMEDY/DRAMA

Starring: Gwyneth Paltrow, Joseph Fiennes, Geoffrey Rush, Colin Firth, Tom Wilkinson, Ben Affleck, Judi Dench, Martin Clunes, Simon Callow, Imelda Staunton, Nicholas Le Prevost, and Joe Roberts with Rupert Everett

When Gwyneth Paltrow won the Oscar for “Best Actress in a Leading role” at the 1999 Oscar ceremonies, few were surprised. When the picture in which she starred, Shakespeare in Love, won the “Best Picture” Oscar, jaws around the world dropped; after all, the film to beat was Steven Spielberg’s oh-so-important, Saving Private Ryan. Well, Shakespeare in Love did beat it. Years later, I still would pick Ryan over Shakespeare, but Shakespeare in Love is a much better movie going experience. The film also won Oscars for “Best Actress in a Supporting Role (Judi Dench), “Best Art Direction-Set Decoration,” “Best Costume Design,” “Best Music, Original Musical or Comedy Score,” and “Best Writing, Screenplay Written Directly for the Screen.”

What’s the story that captured the hearts and imaginations of moviegoers, film critics, and award givers? It’s 1593, and young playwright William Shakespeare (Joseph Fiennes) is a mess. He’s out of ideas, suffering writer’s block, entangled in too many romantic or lustful intrigues, living far way from his wife and children, and he’s out of money. As he struggles to finish his new play, a comedy with the awkward title, Romeo and Ethel the Sea Pirate’s Daughter, he accidentally discovers his muse in a new actor, Thomas Kent (Gwyneth Paltrow). When Kent runs away from his admiring stare, Will Shakespeare chases after him and discovers that Kent is a she, Viola de Lesseps (Ms. Paltrow), the daughter of a wealthy commoner. It’s love at first sight for the both of them, but Viola’s father (Nicholas Le Prevost) has promised his daughter’s hand in marriage to a penniless nobleman, Lord Wessex (Colin Firth).

However, the engagement doesn’t temper their love and they carry on a clandestine affair that leads to the stage. Will gives the part of Romeo to Viola, but her gender remains a secret to him, while the other actors and the backers of the newly renamed Romeo and Juliet believe their Romeo is played by Thomas Kent. (In Elizabethan England, women are not allowed on stage, boys and young men with high voices play the parts of women.) Soon Will and Viola’s affair and secret will be painfully revealed to the world and to her angry husband-to-be.

Shakespeare in Love is light and frothy, but quite entertaining; it is very likely a delight to those familiar with William Shakespeare and his plays. However, the film gives Will such a contemporary spin that even the least informed about Shakespeare may very well like this. Now, for those without a clue, they will have to rely on the filmmaking and storytelling. As a romance, the film often works like a romance novel, or at best, historical fiction: lots of heat, lots of hot lovemaking, and a bit too much overwrought dialogue that too many times comes close to being pure purple prose.

The acting by the leads Ms. Paltrow and Joseph Fiennes is good, but not great. Fiennes’s performance ranges from overdone and pretentious to flamboyant and yearning. Seriously, Ms. Paltrow’s performance is hardly award-winning material, but that’s never stopped Oscar. Still, there’s something about the two of them that makes this work. It’s that intangible element or chemistry that takes everything shoddy or overdone about this film and makes it such a tasty confection, that you’ll come back again and again, even if you keep thinking that there seems to be an awful lot of air packed into this movie ice cream.

There are some very good performances: Judi Dench, Tom Wilkinson, Geoffrey Rush, and Simon Firth. The music is quite good, sweet and pleasant to the ear. The production values give the viewer the sense that they have been transported to somewhere else, another world if not another time. Then again, that intangible something may be director John Madden who brought the ingredients together and made a dessert that deserves encore performances.

7 of 10
A-

NOTES:
1999 Academy Awards: 7 wins: “Best Picture” (David Parfitt, Donna Gigliotti, Harvey Weinstein, Edward Zwick, and Marc Norman), “Best Actress in a Leading Role” (Gwyneth Paltrow), “Best Actress in a Supporting Role” (Judi Dench), “Best Art Direction-Set Decoration” (Martin Childs and Jill Quertier), “Best Costume Design” (Sandy Powell), “Best Music, Original Musical or Comedy Score” (Stephen Warbeck) and “Best Writing, Screenplay Written Directly for the Screen” (Marc Norman and Tom Stoppard); 6 nominations: “Best Actor in a Supporting Role” (Geoffrey Rush), “Best Cinematography” (Richard Greatrex), “Best Director” (John Madden), “Best Film Editing” (David Gamble), “Best Makeup” (Lisa Westcott and Veronica McAleer), and “Best Sound” (Robin O'Donoghue, Dominic Lester, and Peter Glossop)

1999 BAFTA Awards: 3 wins: “Best Film” (David Parfitt, Donna Gigliotti, Harvey Weinstein, Edward Zwick, and Marc Norman), “Best Editing” (David Gamble), and “Best Performance by an Actress in a Supporting Role” (Judi Dench); 12 nominations: “Asquith Award for Film Music” (Stephen Warbeck), “Best Cinematography” (Richard Greatrex), “Best Costume Design” (Sandy Powell), “Best Make Up/Hair” (Lisa Westcott), “Best Performance by an Actor in a Leading Role” (Joseph Fiennes), “Best Performance by an Actor in a Supporting Role” (Geoffrey Rush), “Best Performance by an Actor in a Supporting Role” (Tom Wilkinson), “Best Performance by an Actress in a Leading Role” (Gwyneth Paltrow), “Best Production Design” (Martin Childs), “Best Screenplay – Original” (Marc Norman and Tom Stoppard), “Best Sound” (Peter Glossop, John Downer, Robin O'Donoghue, and Dominic Lester), and “David Lean Award for Direction” (John Madden)

1999 Golden Globes: 3 wins: “Best Motion Picture - Comedy/Musical,” “Best Performance by an Actress in a Motion Picture - Comedy/Musical” (Gwyneth Paltrow), and “Best Screenplay - Motion Picture” (Marc Norman and Tom Stoppard); 3 nominations: “Best Director - Motion Picture” (John Madden), “Best Performance by an Actor in a Supporting Role in a Motion Picture” (Geoffrey Rush), and “Best Performance by an Actress in a Supporting Role in a Motion Picture” (Judi Dench)

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Review: Great Performances Help Deliver "The King's Speech"

TRASH IN MY EYE No. 35 (of 2011) by Leroy Douresseaux

The King’s Speech (2010)
COUNTRY OF ORIGIN: United Kingdom
Running time: 118 minutes (1 hour, 58 minutes)
MPAA – R for some language
DIRECTOR: Tom Hooper
WRITER: David Seidler
PRODUCERS: Iain Canning, Emile Sherman, and Gareth Unwin
CINEMATOGRAPHER: Danny Cohen (D.o.P.)
EDITOR: Tariq Anwar
COMPOSER: Alexandre Desplat
Academy Award winner

DRAMA/HISTORICAL

Starring: Colin Firth, Geoffrey Rush, Helena Bonham Carter, Guy Pearce, Jennifer Ehle, Michael Gambon, Derek Jacobi, Timothy Spall, Eve Best, Freya Wilson, Ramona Marquez, Dominic Applewhite, Calum Gittins, Ben Wimsett, and Claire Bloom

The King’s Speech isn’t just any British historical drama. After all, it won the Academy Award as “Best Picture” of 2010. I don’t think it is as good as some of the British costume or period dramas from Merchant Ivory Productions (like Howard’s End and Remains of the Day) or even Shakespeare in Love (another best picture Oscar winner). However, this film about a king with a stammer and the man who helps him overcome it is a really good movie that I heartily recommend to fans of historical dramas.

The film begins in 1925. Prince Albert, Duke of York (Colin Firth) addresses a crowd, and his stammering speech clearly unsettles thousands of listeners. Known as “Bertie” to his wife, Elizabeth, Duchess of York (Helena Bonham Carter), and to his family, Prince Albert tries several unsuccessful treatments for his stammer and eventually gives finding a cure. The Duchess convinces Prince Albert to see Lionel Logue (Geoffrey Rush), an unorthodox Australian speech therapist living in London.

Logue’s pioneering treatment helps Albert, and the two men form an unlikely friendship. After Albert’s older brother, David, the Prince of Wales (Guy Pearce), steps down as King, Albert becomes King George VI and relies on Lionel even more. As war with Germany looms, George VI will need Logue’s help to deliver the King’s speech to Great Britain and the British Empire, a radio address that will assure the people’s confidence in their still-new king.

Tom Hooper, the director of The King’s Speech, was primarily known for his work directing for television (including the Emmy-winning, HBO miniseries, John Adams). However, the visual style he uses for The King’s Speech gives the film the grand feel of a historical epic, while simultaneously capturing the intimacy necessary for a character drama. Hooper is aided and abetted by art direction that brings the royal existence of the 1920s and 1930s to vivid life.

As well directed as The King’s Speech is, the core of the movie rests on the performances of Colin Firth and Geoffrey Rush. This movie is essentially the tale of a troubled prince/king who is shown the way to victory by a curmudgeonly wizard, and, in that sense, Firth as the distressed royal and Rush as the stern but doting old mage are triumphant. I have been watching Firth for years, so I know that he is an excellent actor. Still, I almost totally believed that he was the sorely troubled King George VI, fighting a real stammer. What can I say about Rush other than that he is always good, but, as Logue, this is one of those performances that will be marked in his career as a peak in a great body of work.

Helena Bonham Carter is also quite good, making the most of her time on screen and even stealing a few scenes. Firth won an Oscar for his performance here, and Rush and Carter should have also won Oscars, although they did receive nominations. There is much to like about The King’s Speech, but this trio makes the film a classic among British historical dramas.

8 of 10
A

NOTES:
2011 Academy Awards: 4 wins: “Best Motion Picture of the Year” (Iain Canning, Emile Sherman, and Gareth Unwin), “Best Achievement in Directing” (Tom Hooper), “Best Performance by an Actor in a Leading Role” (Colin Firth), and “Best Writing, Screenplay Written Directly for the Screen” (David Seidler); 8 nominations: “Best Achievement in Art Direction” (Eve Stewart and Judy Farr), “Best Achievement in Cinematography” (Danny Cohen), “Best Achievement in Costume Design” (Jenny Beavan), “Best Achievement in Editing” (Tariq Anwar), “Best Achievement in Music Written for Motion Pictures, Original Score” (Alexandre Desplat), “Best Achievement in Sound Mixing” (Paul Hamblin, Martin Jensen, and John Midgley), “Best Performance by an Actor in a Supporting Role” (Geoffrey Rush), and “Best Performance by an Actress in a Supporting Role” (Helena Bonham Carter)

2011 BAFTA Awards: 7 wins: “Alexander Korda Award for Best British Film” (Emile Sherman, Iain Canning, and Gareth Unwin), “Anthony Asquith Award for Film Music” (Alexandre Desplat), “Best Actor” (Colin Firth), “Best Film” (Emile Sherman, Gareth Unwin, and Iain Canning), “Best Screenplay-Original” (David Seidler), “Best Supporting Actor” (Geoffrey Rush), and “Best Supporting Actress” (Helena Bonham Carter); 7 nominations: “Best Cinematography” (Danny Cohen), “Best Costume Design” (Jenny Beavan), “Best Editing” (Tariq Anwar), “Best Make Up/Hair,” “Best Production Design” (Eve Stewart and Judy Farr), “Best Sound” (John Midgley-production mixer, Paul Hamblin-re-recording mixer, Martin Jensen-re-recording mixer, and Lee Walpole-supervising sound editor), and “David Lean Award for Achievement in Direction” (Tom Hooper)

2011 Golden Globes: 1 win: “Best Performance by an Actor in a Motion Picture – Drama” (Colin Firth); 6 nominations: “Best Director - Motion Picture” (Tom Hooper), “Best Motion Picture – Drama,” “Best Original Score - Motion Picture” (Alexandre Desplat), “Best Performance by an Actor in a Supporting Role in a Motion Picture” (Geoffrey Rush), “Best Performance by an Actress in a Supporting Role in a Motion Picture” (Helena Bonham Carter), and “Best Screenplay - Motion Picture” (David Seidler)

Thursday, April 28, 2011

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Review: "Bridget Jones: The Edge of Reason" is Better Than the Original (Happy B'day, Renee Zellweger)

TRASH IN MY EYE No. 237 (of 2004) by Leroy Douresseaux

Bridget Jones: The Edge of Reason (2004)
Running time: 108 minutes (1 hour, 48 minutes)
MPAA – R for some language and some sexual content
DIRECTOR: Beeban Kidron
WRITERS: Andrew Davies, Richard Curtis, Adam Brooks, and Helen Fielding (based upon the novel of the same title by Helen Fielding)
PRODUCERS: Tim Bevan, Jonathan Cavendish, and Eric Fellner
CINEMATOGRAPHER: Adrian Biddle and Doug Propp
EDITOR: Greg Hayden
Golden Globe nominee

COMEDY/ROMANCE with elements of drama

Starring: Renée Zellweger, Hugh Grant, Colin Firth, Gemma Jones, Jim Broadbent, and Jacinda Barrett

Bridget Jones’s Diary was a comic romance – a romantic film with a huge helping of humor. The 2004 sequel, Bridget Jones: The Edge of Reason, is a romantic comedy – a thoroughly comic film that deals with romance. Taking place several weeks after the end of the original film, The Edge of Reason should find Bridget Jones (Renée Zellweger) happy, right?

She found her Mr. Right in Mark Darcy (Colin Firth) by the end of Diary, but as Edge begins Bridget discovers that the couple has huge cultural, social, and personality conflicts. Mark is a conservative who has poor people-hating, rich Tory friends. Bridget is full of insecurities, although Mark is supportive and (almost) tolerant of Bridget’s tiny jealousies. However, the trouble comes to a head when Bridget meets Mark’s leggy new intern, Rebecca (Jacinda Barrett). Rebecca is thin, oh-so-young, drop-dead gorgeous, and she always says the right thing at the right time. Fed up with what she perceives as Mark’s cold lack of concern about their future together she dumps him. Just in time, her old flame, old boss, and eternal cad, Daniel Cleaver (Hugh Grant), sweeps in and to become Bridget’s new co-worker. Their television partnership eventually takes them to Thailand in what becomes the worst vacation Bridget ever had. Will Mark come to her rescue… and rescue of their relationship?

Bridget Jones: The Edge of Reason is one of the funniest movies of the year, the funniest movie Ms. Zellweger has done to date, and funnier (though not as romantic) than the original. Ms. Zellweger gives one of the finest comic performances in recent years; it’s part slapstick and part physical comedy (lots of pratfalls). Not only did she have to give near perfect timing on the delivery of her dialogue, but also her facial ticks and mannerisms had to perfectly fit the moment, which they always do in this film.

Colin Firth didn’t bring anything new to the second film, but he didn’t need to change what he did in the original film. His film persona is endearing (even when he plays the bad guy, as he did in Shakespeare in Love); Firth makes Mark Darcy as he must be – perfectly so to explain Bridget’s craziness about their relationship. Hugh Grant is cut from the classic mold of old Hollywood. He’s a star known for “playing himself.” He is however, vastly underrated, because of his skill in slightly modifying the same character (he plays every time) to flawlessly fit each new film in which the character appears. Virtually every classic Hollywood film star from Humphrey Bogart to James Stewart did this, and Grant’s spin on his film persona is another reason Bridget Jones: The Edge of Reason is not only better than the original, but also a standout comedy.

8 of 10
A

NOTES:
2005 Golden Globes: 1 nomination: “Best Performance by an Actress in a Motion Picture - Musical or Comedy” (Renée Zellweger)

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"Bridget Jones's Diary" Has Fun with Words

TRASH IN MY EYE No. 236 (of 2004) by Leroy Douresseaux


Bridget Jones’s Diary (2001)
COUNTRY OF ORIGIN: UK/France
Running time: 97 minutes (1 hour, 37 minutes)
MPAA – R for language and some strong sexuality
DIRECTOR: Sharon Maguire
WRITERS: Helen Fielding, Andrew Davies, and Richard Curtis (based upon the novel by Helen Fielding)
PRODUCERS: Tim Bevan, Jonathan Cavendish, and Eric Fellner
CINEMATOGRAPHER: Stuart Dryburgh
EDITOR: Martin Walsh
Academy Award nominee

COMEDY/ROMANCE with elements of drama

Starring: Renée Zellweger, Colin Firth, Hugh Grant, Gemma Jones, Celia Imrie, James Faulkner, Jim Broadbent, Felicity Montagu, Shirley Henderson, Sally Phillips, and James Callis, Salman Rushdie, Embeth Davidtz, and Honor Blackman with Julian Barnes

Renée Zellweger earned an Oscar® nomination in the category of “Best Actress in a Leading Role” for her performance in Bridget Jones’s Diary. Bridget Jones (Ms. Zellweger) is a 30-something, single British girl who decides to improve herself (i.e. lose weight) while seeking to find Mr. Right before she becomes an old maid (if she isn’t already that in her own estimation), so Bridget decides to keep a diary of her progress and her trials and travails. Her romantic endeavors eventually focuses on two men

There’s her boss, Daniel Cleaver (Hugh Grant), at a publishing firm, and Mark Darcy (Colin Firth), who was childhood neighbor. Cleaver is a cad who lays ‘em and leaves ‘em, and Darcy is a sharp-tongue, embittered divorcee, who claims to have bad memories of Bridget as a child. Who will finish the film as Bridget’s beau, and will she make an ass of herself before she finds her man?

Although the film story doesn’t amount to much, Bridget Jones’s Diary’s script is witty and bawdy enough to cause blushing. Ms. Zellweger expertly plays the fumbling Bridget Jones, who has a penchant for running off at the mouth and saying the worst things at the worst times. Like her co-stars (especially Grant and Firth), she makes the most of the film’s dialogue; ultimately, it’s what the actors say that defines their characters. If they’d delivered their lines badly, they would have ruined the film; luckily the cast verbally dances around each other like Olympic fencers.

7 of 10
B+

NOTES:
2002 Academy Awards: 1 nomination: “Best Actress in a Leading Role” (Renée Zellweger)

2002 BAFTA Awards: 4 nominations: “Alexander Korda Award for Best British Film” (Tim Bevan, Eric Fellner, and Jonathan Cavendish), “Best Performance by an Actor in a Supporting Role” (Colin Firth), “Best Performance by an Actress in a Leading Role” (Renée Zellweger), “Best Screenplay – Adapted” (Helen Fielding, Andrew Davies, and Richard Curtis)

2002 Golden Globes: 2 nominations: “Best Motion Picture - Musical or Comedy” and “Best Performance by an Actress in a Motion Picture - Musical or Comedy” (Renée Zellweger)

The Empire Awards Name "Inception" Best Film

The Empire Awards are named for Empire, Britain's best-selling film magazine. The Empire Awards are voted for entirely by the British film-going public.  The 2011 Jameson Empire Awards were presented at a ceremony in London, on Sunday, March 27.

2011 Jameson Empire Awards winner:

Best Film presented by Kirin Ichiban – Inception

Best Director presented by Sony – Edgar Wright

Jameson Best Actor – Colin Firth (The King’s Speech)

Best Actress presented by Citroën – Noomi Rapace (The Girl with the Dragon Tattoo)

Best Newcomer – Chloe Moretz (Kick-Ass)

Best Comedy – Four Lions

Best Horror – The Last Exorcism

Best Sci-Fi/Fantasy – Harry Potter and the Deathly Hallows Part 1

Best Thriller – The Girl With The Dragon Tattoo

Best British Film presented by The Industry Trust – Kick-Ass

Empire Inspiration presented by HMV – Edgar Wright

Empire Hero presented by Jameson Irish Whiskey – Keira Knightley

Empire Icon – Gary Oldman

Done in 60 Seconds – 127 Hours by Maeve Stam

Colin Firth Wins Best Actor for "The King's Speech"

Actor in a Leading Role

Colin Firth in “The King's Speech” WINNER

Javier Bardem in “Biutiful”

Jeff Bridges in “True Grit”

Jesse Eisenberg in “The Social Network”

James Franco in “127 Hours”

Oscars, "Black Swan" Buzz Yahoo! Search Engine

83rd Annual Academy Awards Projections from Yahoo!: According to Yahoo! Search, Black Swan Reigns Supreme and the Web is Buzzing About Co-Host Anne Hathaway

--(BUSINESS WIRE)--The 83rd Annual Academy Awards are set to air on Sunday February 27th. As the world prepares for Hollywood’s biggest night, Yahoo! looked at which films and actors are getting the most buzz online.

According to Yahoo! the web is excited about Hollywood’s big show:

Searches for “when are the Oscars” are spiking on Yahoo!

Searches on Yahoo! for “Oscars 2011” are up 1403%

Oscar ballots are spiking on Yahoo! up 38%

Searches for the award show are split between males and females

States searching for “Oscars” the most: California, Illinois, Texas, Washington and New Jersey

Older viewers: those under 24 only make up 16% of searches for “Oscars”

Black Swan Reigns Supreme: According to Yahoo! the top searched nominated films are:

1. Black Swan
2. True Grit
3. 127 hours
4. The Kids Are Alright
5. Inception
6. The Fighter
7. Toy Story 3

According to Yahoo! the top searched nominated actresses are:

1. Natalie Portman
2. Nicole Kidman
3. Jennifer Lawrence
4. Annette Bening

According to Yahoo! the top searched nominated actors are:

1. Javier Bardem
2. James Franco
3. Colin Firth
4. Jeff Bridges

According to Yahoo! the top searched Oscar hosts are:

1. Anne Hathaway
2. Ellen DeGeneres
3. James Franco
4. Alec Baldwin
5. Hugh Jackman
6. Whoopi Goldberg
7. Jon Stewart
8. Chris Rock
9. Steve Martin

Hostess with the Most:
Yahoo! users searched for Oscar co-host Anne Hathaway more than all of the “Best Actress” nominees.

Can’t get enough of the Oscars? Check out Yahoo! Movies’ exclusive coverage complete with predictions, nominees, polls, photos and more: http://oscars.movies.yahoo.com/

Kansas City Film Critics Choose "The Social Network" and Christopher Nolan

As we move closer to the Academy Awards (Sun., Feb. 27th), I'm catching up on my critics awards.  Today, it's the Kansas City Film Critics Circle, which announced its movie awards in January.
Founded in 1967, The Kansas City Film Critics Circle (KCFCC) says that it is the "second oldest professional film critics" association in the United States" (behind the New York Film Critics Circle). The organization is composed of media film critics in the Kansas City metropolitan area. The KCFCC’s awards are named for the group’s founder, James Loutzenhiser, who died in November 2001.

2010 Loutzenhiser Awards (Announced January 2, 2011):

Best Film: The Social Network

Robert Altman Award for Best Director: Christopher Nolan - Inception

Best Actress: Natalie Portman - Black Swan

Best Actor: Colin Firth - The King's Speech

Best Supporting Actress: Hailee Steinfeld - True Grit

Best Supporting Actor: Christian Bale - The Fighter

Best Original Screenplay: Christopher Nolan - Inception

Best Adapted Screenplay: Aaron Sorkin - The Social Network

Best Animated Film: Toy Story 3

Best Foreign Language Film: Mother (South Korea)

Best Documentary: Exit Through the Gift Shop

Vince Koehler Award for Best Science Fiction, Fantasy or Horror Film: Inception

http://www.kcfcc.org/

Colin Firth Wins Best Actor BAFTA for "The King's Speech"

LEADING ACTOR

COLIN FIRTH The King’s Speech WINNER

JAVIER BARDEM Biutiful

JEFF BRIDGES True Grit

JESSE EISENBERG The Social Network

JAMES FRANCO 127 Hours
 

London Film Critics Join "The Social Network"

If I understand correctly, the London Film Critics’ Circle is part of a larger organization, The Critics’ Circle, which makes an annual award for Services to the Arts. This circle is comprised of the five sections: dance, drama, film, music, and visual arts.

On its website, The Circle says that its aims are “to promote the art of criticism, to uphold its integrity in practice, to foster and safeguard members’ professional interests, to provide opportunities to meet, and to support the advancement of the arts.” Currently there are 430 members of the Circle, mostly from the UK, and the majority of them write regularly for national and regional newspapers and magazines. Membership is by invitation.

Thursday night, the film critics announced their 2010 film award winners.

Winners list of 31st London Critics’ Circle Film Awards:

* FILM OF THE YEAR: ‘The Social Network’

* DIRECTOR OF THE YEAR: David Fincher – ‘The Social Network’

* SCREENWRITER OF THE YEAR: Aaron Sorkin – ‘The Social Network’

* ACTOR OF THE YEAR: Colin Firth – ‘The King’s Speech’

* ACTRESS OF THE YEAR: Annette Bening – ‘The Kids Are All Right’

* THE ATTENBOROUGH AWARD: BRITISH FILM OF THE YEAR: ‘The King’s Speech’

* BRITISH DIRECTOR OF THE YEAR: Tom Hooper – ‘The King’s Speech’

* BRITISH ACTOR OF THE YEAR: Christian Bale – “The Fighter”

* BRITISH ACTRESS OF THE YEAR: Lesley Manville – ‘Another Year’

* BRITISH ACTOR IN A SUPPORTING ROLE: Andrew Garfield – ‘The Social Network’

* BRITISH ACTRESS IN A SUPPORTING ROLE: Olivia Williams – ‘The Ghost’

* YOUNG BRITISH PERFORMER OF THE YEAR: Conor McCarron – ‘NEDs’

* BREAKTHROUGH BRITISH FILM-MAKER: Gareth Edwards – ‘Monsters’

* DILYS POWELL AWARD FOR EXCELLENCE IN FILM: Kristin Scott Thomas

* FOREIGN LANGUAGE FILM OF THE YEAR: 'Of Gods and Men'

17th Screen Actors Guild Award Winners Movie Categories - Complete List

Screen Actors Guild presented its Actor® statuette for the outstanding motion picture and primetime television performances of 2010 at the “17th Annual Screen Actors Guild Awards” in ceremonies held Sunday, Jan. 30, at the Los Angeles Shrine Exposition Center.

Morgan Freeman also presented Ernest Borgnine with Screen Actors Guild’s highest honor, the 47th Annual Life Achievement Award. Just before Freeman presented the award, Tim Conway introduced a filmed tribute to Borgnine.

17th Annual Screen Actors Guild Awards Winners Movie Categories:

THEATRICAL MOTION PICTURES

Outstanding Performance by a Male Actor in a Leading Role
COLIN FIRTH / King George VI - "THE KING’S SPEECH" (The Weinstein Company)

Outstanding Performance by a Female Actor in a Leading Role
NATALIE PORTMAN / Nina Sayers – “BLACK SWAN” (Fox Searchlight Pictures)

Outstanding Performance by a Male Actor in a Supporting Role
CHRISTIAN BALE / Dicky Eklund – “THE FIGHTER” (Paramount Pictures and Relativity Media)

Outstanding Performance by a Female Actor in a Supporting Role
MELISSA LEO / Alice Ward – “THE FIGHTER” (Paramount Pictures and Relativity Media)

Outstanding Performance by a Cast in a Motion Picture (Primary cast members each get Actor trophy)
THE KING’S SPEECH (The Weinstein Company)

ANTHONY ANDREWS / Stanley Baldwin
HELENA BONHAM CARTER / Queen Elizabeth
JENNIFER EHLE / Myrtle Logue
COLIN FIRTH / King George VI
MICHAEL GAMBON / King George V
DEREK JACOBI / Archbishop Cosmo Lang
GUY PEARCE / King Edward VIII
GEOFFREY RUSH / Lionel Logue
TIMOTHY SPALL / Winston Churchill

SAG HONORS FOR STUNT ENSEMBLES

Outstanding Performance by a Stunt Ensemble in a Motion Picture
INCEPTION (Warner Bros. Pictures)

LIFE ACHIEVEMENT AWARD

Screen Actors Guild Awards 47th Annual Life Achievement Award
Ernest Borgnine

2011 Oscar Nominations: Lead Actor

Actor in a Leading Role

Javier Bardem in “Biutiful”

Jeff Bridges in “True Grit”

Jesse Eisenberg in “The Social Network”

Colin Firth in “The King's Speech”

James Franco in “127 Hours”

Complete List of 68th Golden Globe Winners

The Golden Globe Awards, presented by the Hollywood Foreign Press Association, were handed out last night.  On the film side of things, things were fairly boring as the expected winners won.  If you are starting to see a pattern, you are not paranoid.  Once again, The Social Network triumphs.  So here is a list of the winners in both the film and television categories:

2011 Golden Globe Awards Winners (For the year ended December 31, 2010)

FILM AWARDS
Picture, Drama: "The Social Network."

Picture, Musical or Comedy: "The Kids Are All Right."

Actor, Drama: Colin Firth, "The King's Speech."

Actress, Drama: Natalie Portman, "Black Swan."

Director: David Fincher, "The Social Network."

Actress, Musical or Comedy: Annette Bening, "The Kids Are All Right."

Actor, Musical or Comedy: Paul Giamatti, "Barney's Version."

Supporting Actor: Christian Bale, "The Fighter."

Supporting Actress: Melissa Leo, "The Fighter."

Foreign Language: "In a Better World."

Animated Film: "Toy Story 3."

Screenplay: Aaron Sorkin, "The Social Network."

Original Score: "The Social Network."

Original Song: "You Haven't Seen the Last of Me," (written by Diane Warren), "Burlesque."

TELEVISION AWARDS
Series, Drama: "Boardwalk Empire," HBO.

Actor, Drama: Steve Buscemi, "Boardwalk Empire."

Actress, Drama: Katey Sagal, "Sons of Anarchy."

Series, Musical or Comedy: "Glee," Fox.

Actor, Musical or Comedy: Jim Parsons, "The Big Bang Theory."

Actress, Musical or Comedy: Laura Linney, "The Big C."

Miniseries or Movie: "Carlos," Sundance Channel.

Actress, Miniseries or Movie: Claire Danes, "Temple Grandin."

Actor, Miniseries or Movie: Al Pacino, "You Don't Know Jack."

Supporting Actress, Series, Miniseries or Movie: Jane Lynch, "Glee."

Supporting Actor, Series, Miniseries or Movie: Chris Colfer, "Glee."

PREVIOUSLY ANNOUNCED
Cecil B. DeMille Lifetime Achievement Award: Robert De Niro.

"The Social Network" the Big Winner at Critics' Choice Awards

With the announcement of the winners of the 16th annual Critics' Choice Movie Awards last night (Friday, Jan. 14th), the movie awards season has kicked into high gear. The awards are put on by the Broadcast Film Critics Association, the largest film critics organization in the United States and Canada, representing about 250 television, radio and online critics.

The Social Network won the best picture, director, adapted screenplay, and composer awards, but Inception was the night’s biggest winner with six awards, all of them in “technical categories,” except for “Best Action Movie.”

Last year, the Critics' Choice Movie Awards essentially predicted the winners in the four major acting category, although the Critics’ Choice featured a tie at best actress between Meryl Streep and eventual Oscar winner Sandra Bullock. The Critics also chose The Hurt Locker for Best Picture and its director, Kathryn Bigelow, as Best Director, and both won those awards at the Oscars. So is The Social Network on its way to Oscar gold?

16th Critics’ Choice Movie Award winner:

Best Picture: 'The Social Network'

Best Actor: Colin Firth, 'The King's Speech'

Best Actress: Natalie Portman, 'Black Swan'

Best Supporting Actor: Christian Bale, 'The Fighter'

Best Supporting Actress: Melissa Leo, 'The Fighter'

Best Young Actor/Actress: Hailee Steinfeld, 'True Grit'

Best Acting Ensemble: 'The Fighter'

Best Director: David Fincher, 'The Social Network'

Best Original Screenplay: 'The King's Speech,' David Seidler

Best Adapted Screenplay: 'The Social Network,' Aaron Sorkin

Best Cinematography: 'Inception,' Wally Pfister

Best Art Direction: 'Inception,' Guy Hendrix Dyas and Larry Dias & Doug Mowat

Best Editing: 'Inception,' Lee Smith

Best Costume Design: 'Alice in Wonderland,' Colleen Atwood

Best Makeup: 'Alice in Wonderland'

Best Visual Effects: 'Inception'

Best Sound: 'Inception'

Best Animated Feature: 'Toy Story 3'

Best Action Movie: 'Inception'

Best Comedy: 'Easy A'

Best Picture Made For Television: 'The Pacific'

Best Foreign Language Film: 'The Girl With the Dragon Tattoo'

Best Documentary Feature: 'Waiting for 'Superman" '

Best Song: 'If I Rise,' performed by Dido and A.R. Rahman/music by A.R. Rahman/lyrics by Dido Armstrong and Rollo Armstrong; '127 Hours'

Best Score: 'The Social Network,' Trent Reznor and Atticus Ross

http://www.bfca.org/