Review: "Rise of the Guardians" Rises with Jack Frost

TRASH IN MY EYE No. 20 (of 2013) by Leroy Douresseaux


Rise of the Guardians (2012)
Running time: 97 minutes (1 hour, 37 minutes)
MPAA – PG for thematic elements and some mildly scary action
DIRECTOR: Peter Ramsey
WRITER: David Lindsay-Abaire (based on the book The Guardians of Childhood by William Joyce)
PRODUCERS: Nancy Bernstein and Christina Steinberg
EDITOR: Joyce Arrastia
COMPOSER: Alexandre Desplat
Golden Globe nominee

ANIMATION/FANTASY/ACTION/COMEDY/FAMILY

Starring: (voice) Chris Pine, Alec Baldwin, Jude Law, Isla Fisher, Hugh Jackman, Dakota Goyo, Khamani Griffin, Kamil McFadden, and Georgie Grieve

Rise of the Guardians is a 2012 3D computer-animated, fantasy film from DreamWorks Animation. The film is based on The Guardians of Childhood books series by William Joyce and is also inspired by Joyce’s animated short film, The Man in the Moon. Joyce and Guillermo del Toro are among the film’s executive producers. Rise of the Guardians is also the first big-budget, computer-animated (CG-animated) film to be directed by an African-American, Peter Ramsey.

Rise of the Guardians is apparently set 300 years after the book series. The movie focuses on a newcomer caught in a battle between immortals that protect the innocence of children and an evil spirit that launches an assault on Earth.

Tooth Fairy or Tooth (Isla Fisher) is the mythical tooth collector and Guardian of Memories. E. Aster Bunnymund or Easter Bunny (Hugh Jackman) is the fabled keeper of Easter eggs and Guardian of Hope. Sandy or Sandman (who does not speak) is the Guardian of Dreams and the oldest of the Guardians. Nicholas St. North or Santa Claus (Alec Baldwin) is the Guardian of Wonder and the leader of the Guardians. The Guardians watch over the children of the world and keep them safe; the Guardians also bring wonder, hope, and dreams.

Pitch Black (Jude Law) is The Boogeyman, the essence of fear known as the Nightmare King. Pitch announces to the Guardians that he is going to destroy children’s faith in them as an act of revenge because children no longer believe in him. The Man in the Moon tells the Guardians to induct a new member, Jack Frost (Chris Pine), in time for their struggle with Pitch Black. Jack declines the offer, as he has spent centuries in isolation because children do not believe in him. However, as Pitch’s threat looms, Jack finds himself dragged into the conflict and forced to find himself and his place.

Rise of the Guardians reminds me of DreamWorks Animation’s 2010 surprise CG-animated hit, How to Train Your Dragon. Dragon had two great characters, the Viking teenager, Hiccup, and his partner, the Night Fury dragon, “Toothless.” When Dragon focuses on Hiccup and Toothless, the film soars, but everything else about the movie, from characters to plot, is inconsistent in quality.

Rise of the Guardians is similar in that aspect. Jack Frost is a truly spectacular animated character. The rest of the film, from characters to action, ranges from good to mediocre to tolerable. Pitch Black, the villain, is merely a jumped-up stage villain full of typical grudges and complaints, and Jude Law’s voice performance does little to lift the character. And what the hell was Alec Baldwin doing as Santa Claus? This film’s concept, plot, and screenplay are an exercise in ups-and-downs and hits and misses. Attempts to give the story heart and meaning sometimes seem contrived, and when the story does have depth, it occasionally comes across as sugary or even fake.

On the other hand, Jack Frost is a treasure. This is his movie and his story – the journey of a hero, and Jack’s internal dilemmas and outward struggles ring with authenticity. He is the star, and the other Guardians are his supporting cast. Chris Pine delivers his finest performance as actor… in a voiceover role, but he brings Jack Frost to life with verve and depth. Pine left me wanting more.

Director Peter Ramsey does a good job of making the action in Rise of the Guardians rise above the defects in plot and narrative. Rise of the Guardians moves like an action movie, but it is imbued with something classic Walt Disney animated films, like Cinderella and Snow White, have. That is the sense of a fantasy movie that is really like a fairy tale, filled with magic and enchantment. CG-animated films don’t really have that sense of the supernatural because, as art created largely by computers, they feel more like technological marvels, but Rise of the Guardians has that old animation magic.

It is both this sense of magic and the magical Jack Frost that help Rise of the Guardians rise high above its shortcomings.

8 of 10
A

NOTES:
2013 Golden Globes, USA: 1 nomination: “Best Animated Film”

2013 Black Reel Awards: 1 nomination: “Best Director” (Peter Ramsey)

2013 Image Awards: 1 nomination: “Outstanding Directing in a Motion Picture-Theatrical or Television” (Peter Ramsey)

Sunday, March 17, 2013

Kansas City Film Critics Obeyed "The Master" in 2012

by Leroy Douresseaux

I complete today's 2012 film awards season catch-up with the Kansas City Film Critics Circle. The group named The Master as the "Best Film of 2012," and they matched Ang Lee's best director Oscar for Life of Pi by also honoring him.

Founded in 1967, The Kansas City Film Critics Circle (KCFCC) says that it is the "second oldest professional film critics" association in the United States" (behind the New York Film Critics Circle). The organization is composed of media film critics in the Kansas City metropolitan area. The KCFCC’s awards are named for the group’s founder, James Loutzenhiser, who died in November 2001.

2012 Loutzenhiser Awards:
(Announced December 16, 2012)

Best Film: The Master

Robert Altman Award for Best Director:
Ang Lee - Life of Pi

Best Actress:
Jennifer Lawrence - Silver Linings Playbook

Best Actor:
Daniel Day-Lewis - Lincoln

Best Supporting Actress:
Anne Hathaway - Les Miserables

Best Supporting Actor:
Philip Seymour Hoffman - The Master

Best Adapted Screenplay:
Chris Terrio - Argo

Best Original Screenplay:
Paul Thomas Anderson - The Master

Best Foreign Language Film:
Amour - (Austria/France)

Vince Koehler Award for Best Science Fiction, Fantasy or Horror Film: The Cabin in the Woods

Best Animated Film: Frankenweenie

Best Documentary: The Imposter

Review: "Celeste and Jesse Forever" for Reals

TRASH IN MY EYE No. 19 (of 2013) by Leroy Douresseaux


Celeste & Jesse Forever (2012)
Running time: 92 minutes (1 hour, 32 minutes)
MPAA – R for language, sexual content and drug use
DIRECTOR: Lee Toland Krieger
WRITERS: Rashida Jones and Will McCormack
PRODUCERS: Lee Nelson, Jennifer Todd, and Suzanne Todd
CINEMATOGRAPHER: David Lanzenberg
EDITOR: Yana Gorskaya
COMPOSERS: Zach Cowie and Sunny Levine (for Biggest Crush)
Black Reel Award nominee

ROMANCE/COMEDY/DRAMA

Starring: Rashida Jones, Andy Samberg, Ari Graynor, Eric Christian Olsen, Emma Roberts, Chris Messina, Rich Sommer, Rebecca Dayan, Will McCormack, Rafi Gavron, Chris Pine, and Elijah Wood

Celeste & Jesse Forever is a 2012 comedy-drama and romance film, starring Rashida Jones and Andy Samberg. Jones co-wrote the screenplay with Will McCormack, who also has a small acting role in the film. Jones and Samberg play a divorcing couple trying to maintain friendship while both pursuing relationships with other people.

Celeste Martin (Rashida Jones) and Jesse Abrams (Andy Samberg) were best friends and high school sweethearts. Now, they are a married couple, separated and headed for divorce. They remain best friends, but their new status irritates their friends, especially Tucker (Eric Christian Olsen) and Beth (Ari Graynor), who think that Celeste and Jesse are being weird. When Jesse gets some shocking news from a former acquaintance, Celeste starts having serious doubts about what her relationship with Jesse should be.

Celeste & Jesse Forever is more a romantic drama than it is a romantic comedy. It is also a straight character drama, as introspective as it is surprisingly funny. Celeste & Jesse Forever is one of the best (if not the best) romance films of 2012, and it has a number of high qualities. The performances are good, and the directing is lively and captures the film’s off-beat sensibilities. The cinematography seems vaguely futuristic, and the soundtrack is filled with songs that are either perfect for the moment or are delightful in the way that they are inappropriate for a scene.

The film’s strength is its screenplay. Rashida Jones and Will McCormack earned a 2013 Independent Spirit Award nomination for “Best First Screenplay” and a best screenplay nomination from the 2013 Black Reel Awards. Jones and McCormack tread on familiar ground with this story, but twist and contort it in interesting ways. Every time I thought that this movie was looking too much like a cookie-cutter romance, the story struck an odd note or peculiar pose.

And Rashida Jones flows through this film with her lovely performance. If you write an interesting part for yourself, the smart thing to do is turn in a performance that captures what is different and exciting about your screenplay, and Jones does just that. Andy Samberg is good, but this story does not require him to be adventurous as an actor. There are also a number of good supporting performances. Will McCormack is funny as the odd weed dealer, Skillz, and Emma Roberts is a delightful scene-stealer as pop music princess, Riley Banks.

Celeste & Jesse Forever is always turning on the charm, but this movie works because it manages both to feel real and to be uncommon and distinctive. It’s sweet and melancholy and pungent and joyous.

8 of 10
A

NOTES:
2013 Black Reel Awards: 2 nominations: “Best Actress” (Rashida Jones) and “Best Screenplay, Original or Adapted” (Rashida Jones and Will McCormack)

Friday, March 08, 2013

Review: "The Master" Piece

TRASH IN MY EYE No. 17 (of 2013) by Leroy Douresseaux

The Master (2012)
Running time: 144 minutes (2 hours, 24 minutes)
MPAA – R for sexual content, graphic nudity and language
WRITER/DIRECTOR: Paul Thomas Anderson
PRODUCERS: Paul Thomas Anderson, Megan Ellison, Daniel Lupi, and JoAnne Sellar
CINEMATOGRAPHER: Mihai Malaimare Jr.
EDITORS: Leslie Jones and Peter McNulty
COMPOSER: Jonny Greenwood

DRAMA

Starring: Joaquin Phoenix, Philip Seymour Hoffman, Amy Adams, Jesse Plemons, Ambyr Childers, Rami Malek, Laura Dern, and Kevin J. O’Connor

The Master is a 2012 film drama from writer/director Paul Thomas Anderson (There Will Be Blood). The film follows a World War II Naval veteran who returns to America unsettled and uncertain of his future – until he is tantalized by a new religion and its charismatic leader. The Master is also noted for its similarities to the life of L. Ron Hubbard, the founder of Scientology.

The Master opens with a brief look at Freddie Quell (Joaquin Phoenix) and his service during World War II. After the war, Freddie is sex-obsessed and an alcoholic, and he struggles to adjust to post-war life. Early in 1950, Freddie is jobless and drifting, when he stows away on the yacht of Lancaster Dodd (Philip Seymour Hoffman), the founder and leader of a philosophical movement called “The Cause.”

Seeing something in Freddie, Dodd takes him into the movement, and Freddie travels with Dodd along the East Coast, spreading the teachings of The Cause. Freddie’s erratic and violent behavior, however, makes Dodd’s followers, especially Dodd’s wife, Peggy (Amy Adams), suspicious of him.

First, let me say, The Master is a film overflowing with quality. The cinematography by Mihai Malaimare Jr. is some of the best that I’ve ever seen. The colors practically pulse with enchantment. Every so often, I come across a film score that affects me in ways that just seem to inspire me to better things. Jonny Greenwood, the lead guitarist and keyboardist of the rock band, Radiohead, delivers such a score for The Master.

Yada, yada, yada: do I have to say that Joaquin Phoenix, Philip Seymour Hoffman, and Amy Adams deliver stellar performances? Of course, they do; it’s some of the best work these three actors have ever done.

Anderson takes what he gets from his collaborators and delivers a vibrant, uncompromising film in The Master. It is a trip down the piss-gold, yellow brick road into the American heart of darkness, delving into themes of master-disciple relationships, the yearning for success, and our urge to uncover each other’s secrets. The Master is challenging and frustrating, but for serious movie audiences, it is simply a gift.

Greenwood’s score, which Anderson uses to maximum effect, makes me think that, in some ways, The Master is a science fiction film. As much as the film delves into the past, it is about where the characters are going – their futures. At times, The Master looks like a weird science fiction film made in the late 1940s or early 1950s. The Master seems out of time, a movie that belongs to a time over a half-century ago, and it was trying to predict what the psychological state of affairs would be like after “The Cause” took over the world.

Anderson refuses to settle the matters of the characters by the end of this film –sorry for that semi-spoiler. However, The Master is the kind of movie that proves that film is indeed an art form and not merely a commercial endeavor for people and corporations that want fame and money.

9 of 10
A+

NOTES:
2013 Academy Awards: 3 nominations: “Best Performance by an Actor in a Leading Role” (Joaquin Phoenix), “Best Performance by an Actor in a Supporting Role” (Philip Seymour Hoffman), and “Best Performance by an Actress in a Supporting Role” (Amy Adams)

2013 BAFTA Awards: 4 nominations: “Leading Actor” (Joaquin Phoenix), “Original Screenplay” (Paul Thomas Anderson), “Supporting Actor” (Philip Seymour Hoffman), and “Supporting Actress” (Amy Adams)

2013 Golden Globes, USA: 3 nominations: “Best Performance by an Actor in a Motion Picture – Drama” (Joaquin Phoenix), “Best Performance by an Actor in a Supporting Role in a Motion Picture” (Philip Seymour Hoffman) and “Best Performance by an Actress in a Supporting Role in a Motion Picture” (Amy Adams)

Tuesday, March 05, 2013

"War Witch" Tops 2013 Canadian Screen Awards

by Leroy Douresseaux

War Witch was named the “Best Motion Picture” of 2012 at the 2013 Canadian Screen Awards. Kim Nguyen, director of War Witch, won “Achievement in Direction.”

This was the inaugural Canadian Screen Awards, which honor achievements in Canadian film and television production, as well as achievements in digital media. In 2012, the formerly separate Genie Awards (for film) and Gemini Awards (for television) merged into a single ceremony, the Canadian Screen Awards.

War Witch, which is also known by its French-language name, Rebelle, swept away nearly all competition at the inaugural Canadian Screen Awards broadcast gala Sunday night (March 3, 2013). The Congo-set drama about child soldiers won in 10 of the 12 categories for which it was nominated.

War Witch’s teen star, Rachel Mwanza, won “Actress in a Leading Role.” Mwanza once lived on the streets of Kinshasa (the capital of the Democratic Republic of the Congo). Now, she is earning accolades internationally for her performance as Komona, a child forced to kill her parents and join a local warlord’s band of soldiers

The 2013 Canadian Screen Award winners:

Film categories:

Best Motion Picture: War Witch

Achievement in Direction: Kim Nguyen, War Witch

Actor in a Leading Role: James Cromwell, Still Mine.

Actress in a Leading Role: Rachel Mwanza, War Witch.

Actor in a Supporting Role: Serge Kanyinda, War Witch.

Actress in a Supporting Role: Seema Biswas, Midnight’s Children

Original Screenplay: Kim Nguyen, War Witch

Adapted Screenplay: Salman Rushdie, Midnight’s Children

Art Direction/Production Design: Emmanuel Frechette and Josée Arsenault, War Witch.

Make-Up: Colleen Quinton, Kathy Kelson, Michelle Cote, and Martin LaPointe, Laurence Anyways.

Costume Design: Xavier Dolan and François Barbeau, Laurence Anyways.

Cinematography: Nicolas Bolduc, War Witch.

Editing: Richard Comeau, War Witch.

Music - Original Score: Howard Shore, Cosmopolis.

Music - Original Song: Howard Shore, Emily Haines, James Shaw, “Long to Live” (from Cosmopolis)

Overall Sound: Claude La Haye, Daniel Bisson, Bernard Gariepy Stroble, War Witch.

Sound Editing: Martin Pinsonnault, Jean-Francois, B. Sauve, Simon Meilleur, and Claire Pochon, War Witch.

Feature Length Documentary Award: Sarah Polley and Anita Lee, Stories We Tell.

Short Documentary: Ariel Nasr and Annette Clarke, The Boxing Girls of Kabul.

Live Action Short Drama: Miranda de Pencier and Stacey Aglok MacDonald, Throat Song.

Animated Short: Dominic Étienne Simard and Julie Roy, Paula.

Visual Effects: Dennis Beradi, Jason Edwardh, Matt Glover, Trey Harrell, Leann Harvey, Jo Hughes, Ethan Lee, Scott Riopelle, Eric Robinson, and Kyle Yoneda, Resident Evil: Retribution.

Television categories:

Dramatic Series: Flashpoint.

Comedy Program/Series: Less Than Kind.

International Drama: The Borgias.

Lead Actor in a Dramatic Role: Enrico Colantoni, Flashpoint.

Lead Actress in a Dramatic Role: Meg Tilly, Bomb Girls.

Lead Actor in a Comedic Role: Gerry Dee, Mr. D.

Lead Actress in a Comedic Role: Wendel Meldrum, Less Than Kind.

Reality/Competition Program: Dragon’s Den.

News Anchor: Peter Mansbridge, CBC News The National.

Sports Host or Analyst: Brian Williams, London 2012 Olympic Games.

Host in a Variety, Lifestyle, Reality/Competition, Performing Arts or Talk Program: George Stroumboulopoulos, George Stroumboulopoulos Tonight.

Previously announced awards:

Claude Jutra Award for Best First Feature Film: Jason Buxton, Blackbird.

Cineplex Golden Reel Award: Resident Evil: Retribution

Academy Special Film Award: Victor Loewy, former head of Alliance and Vivafilm.

Review: "Sinister" is Indeed Sinister

TRASH IN MY EYE No. 16 (of 2013) by Leroy Douresseaux


Sinister (2012)
Running time: 110 minutes (1 hour, 50 minutes)
MPAA – R for disturbing violent images and some terror
DIRECTOR: Scott Derrickson
WRITERS: Scott Derrickson and C. Robert Cargill
PRODUCERS: Jason Blum and Brian Kavanaugh-Jones
CINEMATOGRAPHER: Christopher Norr (D.o.P.)
EDITOR: Frédéric Thoraval
COMPOSER: Christopher Young

HORROR/MYSTERY/THRILLER

Starring: Ethan Hawke, Juliet Rylance, Fred Dalton Thompson, James Ransone, Michael Hall D’Addario, Clare Foley, and Nick King with Vincent D’Onofrio (no screen credit)

Sinister is a 2012 supernatural horror film and mystery thriller from director Scott Derrickson. Starring Ethan Hawke, the film focuses on a true-crime writer who finds a cache of 8mm "snuff" films in his new home and then begins an investigation of what seems like the work of a serial killer.

Ellison Oswalt (Ethan Hawke) is a washed up true-crime novelist whose last hit was a decade ago, a controversial book called Kentucky Blood. He is desperate to find a murder case that he can turn into another hit true-crime novel. Ellison moves his family into a Pennsylvania house where the previous family was found murdered. Four of the family members were hanging from a tree, while a fifth member, a daughter, was missing.

Oddly, Ellison does not tell his wife, Tracy (Juliet Rylance), about the house’s terrible history, and the family never really settles into their new home. Their son, Trevor (Michael Hall D’Addario), starts having the worst night terrors he’s ever had, and their daughter, Ashley (Clare Foley), is painting bizarre pictures on the walls.

Ellison finds a box containing some reels of Super 8 film and a projector. This discovery leads him to begin researching a serial killer whose career dates back to the 1960s. As Ellison tries to solve this mystery, a sinister force threatens him and his family.

Watching Sinister, I was reminded of how important sound effects and music are to horror films, thrillers, and other scary movies. There are indeed some creepy visuals and ideas in Sinister, but sound is what makes this movie really work the scares. Creaking noises in the house, footsteps in the night, gusts of wind, and everything that seems determined to go bump in the night, especially when someone is alone. The excellent sound effects in this movie had me watching the film in what was almost like a fetal position. And the music: it won’t make you shake your ass, but it’ll have you quaking in your boots.

I don’t want to spoil too much for potential viewers, but I must complain about the villain. He was less supernatural disturbing and more low-rent death metal scary. Sinister’s ending is a bit of a letdown, compared to the sheer frightener that the rest of this flick is.

Ethan Hawke carries this movie because the story is largely centered on Ellison Oswalt (a moniker that apparently blends the names of writer Harlan Ellison and actor/comedian Patton Oswalt). It’s a good performance with depth. Horror movie require that the viewer suspend disbelief, but this film explains why someone would do stupid things when faced with the supernatural. Ellison Oswalt is obsessed with writing a book, and his obsession makes his already self-centered nature even worse, to the point that he makes nothing but bad decisions. Hawke’s performance conveys this.

I did also like James Ransone as the sadly under-utilized character, Detective So-and-So. Once again, I want to do something I generally avoid. I want to heartily recommend Sinister. Even with its ending, it’s one of the best horror movies of the year 2012.

7 of 10
A-

Sunday, March 03, 2013

2013 Canadian Screen Awards - Film Nominees

by Leroy Douresseaux

The Canadian Screen Awards honor achievements in Canadian film and television production, as well as achievements in digital media. In 2012, the formerly separate Genie Awards (for film) and Gemini Awards (for television) merged into a single ceremony, the Canadian Screen Awards.

The 2013 Canadian Screen Awards are scheduled to be held on March 3, 2013, to honor achievements in Canadian film and television production in 2012. This will be the first-ever Canadian Screen Awards ceremony. In addition, the new Canadian Screen Awards will include awards for achievements in digital media.

The 2013 Canadian Screen Award nominations were announced on January 15, 2013. The awards ceremony will be hosted by Martin Short.

I am posting the nominations in the feature film, documentary film, and short film categories. Visit the Canadian Screen Awards website for a complete list of nominees.


FEATURE FILMS: NOMINATIONS BY CATEGORY
BEST MOTION PICTURE / MEILLEUR FILM (Sponsor / Commanditaire : Comweb Group / William F. White International Inc.)
L'AFFAIRE DUMONT - Nicole Robert
INCH'ALLAH - Luc Déry, Kim McCraw
LAURENCE ANYWAYS - Lyse Lafontaine
MIDNIGHT'S CHILDREN - David Hamilton
REBELLE / WAR WITCH - Pierre Even, Marie-Claude Poulin
STILL MINE - Tamara Deverell, Jody Colero, Avi Federgreen, Michael McGowan

ACHIEVEMENT IN DIRECTION / MEILLEURE RÉALISATION (Sponsor / Commanditaire : Pinewood Toronto Studios)
MICHAEL DOWSE - Goon
XAVIER DOLAN - Laurence Anyways
DEEPA MEHTA - Midnight's Children
KIM NGUYEN - Rebelle / War Witch
BERNARD ÉMOND - Tout ce que tu possèdes / All That You Possess

PERFORMANCE BY AN ACTOR IN A LEADING ROLE / INTERPRÉTATION MASCULINE DANS UN PREMIER RÔLE
JAMES CROMWELL – Still Mine
PATRICK DROLET - Tout ce que tu possèdes / All That You Possess
MARC-ANDRÉ GRONDIN - L'affaire Dumont
DAVID MORSE - Collaborator
MELVIL POUPAUD - Laurence Anyways

PERFORMANCE BY AN ACTRESS IN A LEADING ROLE / INTERPRÉTATION FÉMININE DANS UN PREMIER RÔLE
EVELYNE BROCHU - Inch'Allah
GENEVIÈVE BUJOLD – Still Mine
MARILYN CASTONGUAY - L'affaire Dumont
SUZANNE CLÉMENT - Laurence Anyways
RACHEL MWANZA - Rebelle / War Witch

PERFORMANCE BY AN ACTOR IN A SUPPORTING ROLE / INTERPRÉTATION MASCULINE DANS UN RÔLE DE SOUTIEN
JAY BARUCHEL - Goon
KIM COATES - Goon
STEPHAN JAMES - Home Again
SERGE KANYINDA - Rebelle
ELIAS KOTEAS - Winnie

PERFORMANCE BY AN ACTRESS IN A SUPPORTING ROLE / INTERPRÉTATION FÉMININE DANS UN RÔLE DE SOUTIEN
SEEMA BISWAS - Midnight's Children
FEFE DOBSON - Home Again
ALICE MOREL MICHAUD – Les Pee Wee 3D
GABRIELLE MILLER - Moving Day
SABRINA OUAZANI - Inch'Allah

ORIGINAL SCREENPLAY / MEILLEUR SCÉNARIO (Sponsor / Commanditaire : Astral’s Harold Greenberg Fund)
JASON BUXTON - Blackbird
XAVIER DOLAN - Laurence Anyways
KIM NGUYEN - Rebelle / War Witch
MICHAEL MCGOWAN - Still Mine
BERNARD ÉMOND - Tout ce que tu possèdes / All That You Possess

ADAPTED SCREENPLAY / MEILLEURE ADAPTATION
DAVID CRONENBERG - Cosmopolis
JAY BARUCHEL, EVAN GOLDBERG - Goon
ANITA DORON - The Lesser Blessed
MARTIN VILLENEUVE - Mars et Avril
SALMAN RUSHDIE - Midnight's Children

ACHIEVEMENT IN ART DIRECTION/PRODUCTION DESIGN / MEILLEURE DIRECTION ARTISTIQUE
EMMANUEL FRECHETTE, JOSÉE ARSENAULT - Rebelle / War Witch
ARVINDER GREWAL - Antiviral
ANDRÉ GUIMOND - L'affaire Dumont
DILIP MEHTA - Midnight's Children
ANNE PRITCHARD - Laurence Anyways

ACHIEVEMENT IN CINEMATOGRAPHY / MEILLEURES IMAGES (Sponsor / Commanditaire : Christie Digital)
NICOLAS BOLDUC - Rebelle / War Witch
PHILIPPE LAVALETTE - Inch'Allah
GILES NUTTGENS - Midnight's Children
BOBBY SHORE - Goon
BRENDAN STEACY – Still Mine

ACHIEVEMENT IN COSTUME DESIGN / MEILLEURS COSTUMES
XAVIER DOLAN, FRANÇOIS BARBEAU - Laurence Anyways
PATRICIA HENDERSON - Mad Ship
WENDY PARTRIDGE - Resident Evil: Retribution
WENDY PARTRIDGE - Silent Hill: Revelation 3D
ÉRIC POIRIER - Rebelle / War Witch

ACHIEVEMENT IN EDITING / MEILLEUR MONTAGE
RICHARD COMEAU - Rebelle / War Witch
RODERICK DEOGRADES – Still Mine
VALÉRIE HÉROUX - L'affaire Dumont
SOPHIE LEBLOND - Inch'Allah
KIMBERLEE MCTAGGART – Blackbird

ACHIEVEMENT IN MAKE-UP / MEILLEURS MAQUILLAGES (Sponsor / Commanditaire : Lancôme)
KATIE BRENNAN, KAROLA DIRNBERGER, PAUL JONES - Silent Hill: Revelation 3D
BRENDA MAGALAS, LORI CAPUTI - Goon
CATHERINE DAVIES-IRVINE, TRASON FERNANDES - Antiviral
MARLÈNE ROULEAU, ANDRÉ DUVAL - L'affaire Dumont
COLLEEN QUINTON, KATHY KELSO, MICHELLE CÔTÉ, MARTIN LAPOINTE - Laurence Anyways

ACHIEVEMENT IN MUSIC - ORIGINAL SCORE / MEILLEURE MUSIQUE ORIGINALE
NOIA - Laurence Anyways
BENOIT CHAREST - Mars et Avril
DON ROOKE, HUGH MARSH, MICHELLE WILLIS – Still Mine
HOWARD SHORE - Cosmopolis
E.C. WOODLEY - Antiviral

ACHIEVEMENT IN MUSIC - ORIGINAL SONG / MEILLEURE CHANSON ORIGINALE (Sponsor / Commanditaire : Slaight Music)
EMILY HAINES, JAMES SHAW, HOWARD SHORE - Cosmopolis - Long to Live
ERLAND & THE CARNIVAL - Rufus - Wanting
ERLAND & THE CARNIVAL - Rufus - Out of Sight

ACHIEVEMENT IN OVERALL SOUND / MEILLEUR SON D'ENSEMBLE (Sponsor / Commanditaire : Deluxe Toronto Ltd.)
SYLVAIN ARSENEAULT, STEPH CARRIER, LOU SOLAKOFSKI, DON WHITE - Midnight's Children
OLIVIER CALVERT, PASCAL BEAUDIN, LUC BOUDRIAS, DANIEL BISSON - Mars et Avril
CLAUDE LA HAYE, DANIEL BISSON, BERNARD GARIÉPY STROBL - Rebelle / War Witch
PHILIP STALL, IAN RANKIN, LOU SOLAKOFSKI, JACK HEEREN - Antiviral
ZANDER ROSBOROUGH, ALLAN SCARTH - The Disappeared

ACHIEVEMENT IN SOUND EDITING / MEILLEUR MONTAGE SONORE
• PIERRE-JULES AUDET, MICHELLE CLOUTIER, THIERRY BOURGAULT D'AMICO, NATHALIE FLEURANT, CÉDRICK MARIN, NICOLAS GAGNON - L'affaire Dumont

• MARTIN PINSONNAULT, JEAN-FRANCOIS B. SAUVÉ, SIMON MEILLEUR, CLAIRE POCHON - Rebelle / War Witch

• STEPHEN BARDEN, STEVE BAINE, KEVIN BANKS, ALEX BULLICK, JILL PURDY - Resident Evil: Retribution

• SYLVAIN BRASSARD, STÉPHANE CADOTTE, ISABELLE FAVREAU, PHILIPPE RACINE - Laurence Anyways

• ALLAN SCARTH, BOB MELANSON, ZANDER ROSBOROUGH, CORY TETFORD - The Disappeared

ACHIEVEMENT IN VISUAL EFFECTS / MEILLEURS EFFETS VISUELS
• DENNIS BERARDI, KEITH ACHESON, MICHAEL BORRETT, WILSON CAMERON, MICHAEL DICARLO, TOM NAGY, BRITTON PLEWES, SCOTT RIOPELLE, MATT WHELAN, WOJCIECH ZIELINSKI - Silent Hill: Revelation 3D

• CARLOS MONZON, MARTIN BELLEAU, DOMINIC DAIGLE, NATHALIE DUPONT, GAËL HOLLARD, BENOÎT LADOUCEUR, VIVIANE LEVESQUE BOUCHARD, JÉRÉMIE LODOMEZ, ANNIE NORMANDIN, ALEXANDRA VAILLANCOURT - Mars et Avril

• DENNIS BERARDI, JASON EDWARDH, MATT GLOVER, TREY HARRELL, LEANN HARVEY, JO HUGHES, ETHAN LEE, SCOTT RIOPELLE, ERIC ROBINSON, KYLE YONEDA - Resident Evil: Retribution

• ÈVE BRUNET, MARC MORISSETTE, ALEXANDRA VAILLANCOURT - Rebelle / War Witch

• RALPH MAIERS, DEBORA DUNPHY, JOHN FUKUSHIMA, PATRICK KAVANAUGH, BILL MARTIN, CHRIS PHILIPS, JEREMY PRICE, KENTON RANNIE, LAUREN WEIDEL - Midnight's Children

THEATRICAL DOCUMENTARIES & SHORT FILMS: NOMINATIONS BY CATEGORY

TED ROGERS BEST FEATURE LENGTH DOCUMENTARY AWARD / PRIX TED ROGERS POUR LE MEILLEUR LONG MÉTRAGE DOCUMENTAIRE (Sponsor / Commanditaire : Rogers Group of Funds)
ALPHÉE DES ÉTOILES - Hugo Latulippe, Eric De Gheldere, Colette Loumède
INDIE GAME: THE MOVIE - Lisanne Pajot, James Swirsky
OVER MY DEAD BODY - Brigitte Poupart, Virginie Dubois, Stéphanie Morissette
STORIES WE TELL - Sarah Polley, Anita Lee
THE WORLD BEFORE HER - Nisha Pahuja, Ed Barreveld, Cornelia Principe

BEST SHORT DOCUMENTARY / MEILLEUR COURT MÉTRAGE DOCUMENTAIRE (Sponsor / Commanditaire : Hot Docs)
THE BOXING GIRLS OF KABUL - Ariel Nasr, Annette Clarke
THE FUSE: OR HOW I BURNED SIMON BOLIVAR - Igor Drljaca
KEEP A MODEST HEAD / NE CRÂNE PAS SOIS MODESTE - Deco Dawson, Catherine Chagnon, Craig Trudeau
LET THE DAYLIGHT INTO THE SWAMP - Jeffrey St. Jules, Anita Lee
THREE WALLS - Zaheed Mawani, Andrea Bussmann

BEST LIVE ACTION SHORT DRAMA / MEILLEUR COURT MÉTRAGE DRAMATIQUE
CHEF DE MEUTE - Chloé Robichaud, Fanny-Laure Malo, Sarah Pellerin
FROST - Jeremy Ball, Lauren Grant, Robert Munroe
LE FUTUR PROCHE / THE NEAR FUTURE - Sophie Goyette
PREMIÈRE NEIGE / FIRST SNOW - Michaël Lalancette
THROAT SONG - Miranda de Pencier, Stacey Aglok MacDonald

BEST ANIMATED SHORT / MEILLEUR COURT MÉTRAGE D'ANIMATION
BYDLO - Patrick Bouchard, Julie Roy
DEMONI - Theodore Ushev
EDMOND WAS A DONKEY - Franck Dion, Richard Van Den Boom, Julie Roy
PAULA - Dominic Étienne Simard, Julie Roy

2013 Claude Jutra Award (best feature film by a first-time film director):
Jason Buxton, Blackbird

2013 Golden Reel Award (presented to the Canadian film with the biggest box office gross of the year):
Resident Evil: Retribution

http://www.academy.ca/awards/

Last "Twilight" Film Dominates 2013 Razzie Awards

by Leroy Douresseaux

The Golden Raspberry Award or, as it is best known, the Razzie Award, is basically the opposite of the Academy Awards (the Oscars). This award honors the worst achievements in film in a calendar year, as determined by the paid membership of the Golden Raspberry Award Foundation.

The nominations for 33rd Annual Razzie Awards were announced on January 8, 2013, and the 33rd Annual Razzie Awards were announced Saturday, February 23, 2013, one day before the Academy Awards ceremony. This is the tradition, although the previous awards ceremony (32nd) was held on April Fool’s Day.

Twilight Saga: Breaking Dawn - Part 2 won 7 of the 10 categories at the 33rd Annual Razzie Awards.  Adam Sandler continued his recent reign as a performer at the Razzie Awards, winning "Worst Actor" for That's My Boy.  I am a fan of the Twilight films (though I've only read the first two books in the series), and I think the Razzie voters are just haters when it comes Twilight.  In fact, I think they're haters in general.  The Razzies are the mirror image of the Oscars.  Why?  Both focus, for the most part, on the Hollywood industry - highlighting big names to serve their own self-interests.  Anyway, here are the winners/losers...

Here, are the nominees and winners of the 2013 Razzie Awards, with the winners in bold and with “WINNER” next to their name or title:

Worst Picture:
Battleship
Oogieloves in the Big Balloon Adventure
That’s My Boy!
A Thousand Words
Twilight Saga: Breaking Dawn Part 2 WINNER

Worst Actress:
Katherine Heigl, One For The Money
Milla Jovovich, Resident Evil #5: Retribution
Tyler Perry (In Drag), Madea’s Witless Protection
Kristen Stewart, Snow White and The Huntsman & Twilight Saga: Breaking Dawn Part 2 WINNER
Barbra Streisand, Guilt Trip

Worst Actor:
Nicolas Cage, Ghost Rider 2: Spirit of Vengeance & Seeking Justice
Eddie Murphy, A Thousand Words
Robert Pattinson, Twilight Saga: Breaking Dawn Part 2
Tyler Perry (Not in Drag), Alex Cross & Tyler Perry’s Good Deeds
Adam Sandler, That’s My Boy! WINNER

Worst Supporting Actress:
Jessica Biel, Playing For Keeps & Total Recall
Brooklyn Decker, Battleship &What To Expect When You’re Expecting
Ashley Green, Twilight Saga: Breaking Dawn Part 2
Jennifer Lopez, What to Expect When You’re Expecting
Rihanna, Battleship WINNER

Worst Supporting Actor:
David Hasselhoff (as “Himself”), Pirannha 3-DD
Taylor Lautner, Twilight Saga: Breaking Dawn Part 2 WINNER
Liam Neeson, Battleship & Wrath of the Titans
Nick Swardson, That’s My Boy!
Vanilla Ice (as “Himself”), That’s My Boy!

Worst Screen Couple:
Any Combination of Two Cast Members from Jersey Shore, The Three Stooges
Mackenzie Foy (as “Little Renesmee”) & Taylor Lautner, Twilight Saga: Breaking Dawn Part 2 WINNER
Robert Pattinson & Kristen Stewart, Twilight Saga: Breaking Dawn Part 2
Tyler Perry & His Drag Get-Up, Tyler Perry’s Madea’s Witless Protection
Adam Sandler and either Leighton Meester, Andy Samberg, or Susan Sarandon, That’s My Boy!

Worst Director:
Sean Anders, That’s My Boy!
Peter Berg, Battleship
Bill Condon, Twilight Saga: Breaking Dawn Part 2 WINNER
Tyler Perry, Good Deeds & Madea’s Witless Protection
John Putch, Atlas Shrugged: Part II

Worst Screen Ensemble:
The Entire Cast of Battleship
The Entire Cast of Oogieloves inThe Big Balloon Adventure
The Entire Cast of That’s My Boy!
The Entire Cast of Twilight Saga: Breaking Dawn Part 2 WINNER
The Entire Cast of Madea’s Witless Protection

Worst Screenplay:
Atlas Shrugged: Part II
Battleship
That’s My Boy! WINNER
A Thousand Words
Twilight Saga: Breaking Dawn Part 2

Worst Prequel, Remake, Rip-off or Sequel (selected by the general public via the Razzie Award website):
The Twilight Saga: Breaking Dawn – Part 2 WINNER
Ghost Rider: Spirit of Vengeance
Tyler Perry's Madea's Witness Protection
Piranha 3DD
Red Dawn

http://www.razzies.com/

National Society of Film Critics Names "Amour" Top Film of 2012

by Leroy Douresseaux

More 2012 awards clean up.  I covered The National Society of Film Critics last year, so I feel that I need to do so this year.  They went with the hot Austrian film, Amour, and named its star, Emmanuelle Riva, "Best Actress" and its writer/director, Michael Haneke, "Best Director."

The National Society of Film Critics was founded in New York City in 1966 and is currently made of 60 of the country’s most prominent movie critics. Known for their highbrow tastes, these critics form one of the most prestigious film groups on the United States. Current members include some of my favorite film critics: Roger Ebert, David Edelstein, and J. Hoberman, among others. The society has produced several anthologies about movies, including the must-have for film fans, Produced and Abandoned: The Best Films You’ve Never Seen (1990).

The National Society of Film Critics voted Michael Haneke’s “Amour” as the “Best Picture” of 2012. Below is the full list of the awards, with the winner designated by an asterisk and the first and second runners-up listed with the number of votes each received.

47th Annual (2012) National Society of Film Critics Awards (* denotes winner):

BEST PICTURE
*1. Amour – 28
2. The Master – 25
3. Zero Dark Thirty – 18

BEST ACTOR
*1. Daniel Day-Lewis (Lincoln) – 59
2. Denis Lavant – 49
2. Joaquin Phoenix – 49

BEST ACTRESS
*1. Emmanuelle Riva (Amour) – 50
2. Jennifer Lawrence – 42
3. Jessica Chastain– 32

BEST SUPPORTING ACTOR
*1. Matthew McConaughey (Magic Mike, Bernie) – 27
2. Tommy Lee Jones – 22
3. Philip Seymour Hoffman – 19

BEST SUPPORTING ACTRESS
*1. Amy Adams (The Master) – 34
2. Sally Field – 23
3. Anne Hathaway – 13

BEST DIRECTOR
*1. Michael Haneke (Amour) – 27
2. Kathryn Bigelow – 24
2. Paul Thomas Anderson – 24

BEST NONFICTION
*1. The Gatekeepers – 53
2. This Is Not a Film – 45
3. Searching for Sugar Man – 23

BEST SCREENPLAY
*1. Lincoln (Tony Kushner) – 59
2. The Master (P.T. Anderson)– 27
3. Silver Linings Playbook (David O. Russell) – 19

BEST CINEMATOGRAPHY
*1. The Master (Mihai Malaimare, Jr.) – 60
2. Skyfall– 30
3. Zero Dark Thirty – 21

EXPERIMENTAL: This Is Not a Film (Jafar Panahi)

FILM HERITAGE
• To Laurence Kardish, Senior Film Curator at MoMA, for his extraordinary 44 years of service, including this year’s Weimar Cinema retrospective.

• To Milestone Film & Video for their ongoing Shirley Clarke project.

DEDICATION: This year’s awards are dedicated to the late Andrew Sarris, one of the most original and influential American film critics as well as a founding member of the Society

http://www.nationalsocietyoffilmcritics.com/

London Film Critics Choose "Amour"

by Leroy Douresseaux

I'm still tying up some loose ends from the 2012 movie award season.  I just remembered that I did not post the result of a critics organization awards ceremony, although I did post its nominations earlier.  So...

The acclaimed Austrian film, Amour, won the "Film of the Year" award for 2012 at the 33rd annual edition of the London Critics' Circle Film Awards.  Amour also earned an "Actress of the Year" award for Emmanuelle Riva and a "Screenwriter of the Year" award for its writer/director, Michael Haneke.  "Director of the Year" went to Ang Lee for Life of Pi.  Lee surprised quite a few people at the Oscars this past Sunday night by winning the best director Oscar for Life of Pi.

The 33rd annual edition London Critics' Circle Film Awards took place on Sunday, January 20, 2013, in a ceremony held at the May Fair Hotel.

33rd London Film Critics’ Circle Awards Winners:

The Sky Movies Award: FILM OF THE YEAR
Amour (Artificial Eye)

FOREIGN LANGUAGE FILM OF THE YEAR
Rust and Bone (StudioCanal)

DOCUMENTARY OF THE YEAR
The Imposter (Picturehouse/Revolver)

The Attenborough Award: BRITISH FILM OF THE YEAR - presented by The May Fair Hotel
Berberian Sound Studio (Artificial Eye)

Top 10 Films
1. Amour (Artificial Eye)
2. The Master (Entertainment)
3. Life of Pi (Fox)
4. Argo (Warners)
5. Beasts of the Southern Wild (StudioCanal)
6. Zero Dark Thirty (Universal)
7. Once Upon a Time in Anatolia (New Wave)
8. Django Unchained (Sony)
9. Tabu (New Wave)
10. Rust and Bone (StudioCanal)

The American Airlines Award: DIRECTOR OF THE YEAR
Ang Lee – Life of Pi (Fox)

ACTOR OF THE YEAR - Sponsored by Spotlight
Joaquin Phoenix – The Master (Entertainment)

ACTRESS OF THE YEAR - Sponsored by Spotlight
Emmanuelle Riva – Amour (Artificial Eye)

SUPPORTING ACTOR OF THE YEAR
Philip Seymour Hoffman – The Master (Entertainment)

SUPPORTING ACTRESS OF THE YEAR
Anne Hathaway – Les Miserables (Universal)

BRITISH ACTOR OF THE YEAR - In association with Cameo Productions
Toby Jones – Berberian Sound Studio (Artificial Eye)

BRITISH ACTRESS OF THE YEAR
Andrea Riseborough – Shadow Dancer (Paramount)

YOUNG BRITISH PERFORMER OF THE YEAR
Tom Holland – The Impossible (eOne)

SCREENWRITER OF THE YEAR - Sponsored by Distrupol
Michael Haneke – Amour (Artificial Eye)

BREAKTHROUGH BRITISH FILM-MAKER
Alice Lowe and Steve Oram, writers – Sightseers (StudioCanal)

The Sky 3D Award: TECHNICAL ACHIEVEMENT
Life of Pi – Bill Westenhofer, visual effects (Fox)

DILYS POWELL AWARD FOR EXCELLENCE IN FILM - sponsored by Premier
Helena Bonham Carter

http://www.criticscircle.org.uk/

85th Academy Award Winners - Complete List

by Leroy Douresseaux

Argo was named the "Best Motion Picture of the Year" of 2012 at the 85th Annual Academy Awards.  Director Ben Affleck gave an emotional speech while receiving his Oscar with fellow Argo producers, Grant Heslov (who also spoke) and George Clooney (who did not speak).  Jack Nicholson and, in a big surprise, First Lady Michelle Obama were the presenters of the best picture Oscar.

Life of Pi won the most awards, four.  That included Ang Lee's surprise win for "Best Director" which seemed destined to Steven Spielberg for Lincoln.  Daniel Day-Lewis set a record for "Best Actor" Oscar wins, 3, by winning for his performance in Lincoln.  Jennifer Lawrence won "Best Actress" for her role in Silver Linings Playbook.

For the first time since 1994 (and only the sixth time overall), there was a tie, as both Skyfall and Zero Dark Thirty won the "Best Sound Editing" Oscar.  Django Unchained won 2 trophies - "Best Original Screenplay" for writer/director Quentin Tarantino and "Best Supporting Actor" for Christoph Waltz, who won the same award three years ago for appearing in another Tarantino film, Inglourious Basterds.

The 85th Annual Academy Awards’ ceremony was held on Sunday, February 24, 2013.

2013 Academy Award Winners:

Best Motion Picture of the Year:
Argo: Grant Heslov, Ben Affleck, George Clooney

Best Achievement in Directing:
Ang Lee for Life of Pi

Best Performance by an Actor in a Leading Role:
Daniel Day-Lewis for Lincoln

Best Performance by an Actress in a Leading Role:
Jennifer Lawrence for Silver Linings Playbook

Best Performance by an Actor in a Supporting Role
Christoph Waltz for Django Unchained

Best Performance by an Actress in a Supporting Role:
Anne Hathaway for Les Misérables

Best Writing, Screenplay Written Directly for the Screen:
Django Unchained: Quentin Tarantino

Best Writing, Screenplay Based on Material Previously Produced or Published:
Argo: Chris Terrio

Best Animated Feature Film of the Year:
Brave: Mark Andrews, Brenda Chapman

Best Foreign Language Film of the Year
Amour (Austria)

Best Achievement in Cinematography
Life of Pi: Claudio Miranda

Best Achievement in Editing:
Argo: William Goldenberg

Best Achievement in Production Design
Lincoln: Rick Carter, Jim Erickson

Best Achievement in Costume Design
Anna Karenina: Jacqueline Durran

Best Achievement in Makeup and Hairstyling
Les Misérables: Lisa Westcott, Julie Dartnell

Best Achievement in Music Written for Motion Pictures, Original Score:
Life of Pi: Mychael Danna

Best Achievement in Music Written for Motion Pictures, Original Song:
Skyfall: Adele, Paul Epworth ("Skyfall")

Best Achievement in Sound Mixing
Les Misérables: Andy Nelson, Mark Paterson, Simon Hayes

Best Achievement in Sound Editing: TIE
Skyfall: Per Hallberg, Karen M. Baker
Zero Dark Thirty: Paul N.J. Ottosson

Best Achievement in Visual Effects:
Life of Pi: Bill Westenhofer, Guillaume Rocheron, Erik De Boer, Donald Elliott

Best Documentary, Features
Searching for Sugar Man: Malik Bendjelloul, Simon Chinn

Best Documentary, Short Subjects
Inocente: Sean Fine, Andrea Nix

Best Short Film, Animated
Paperman: John Kahrs

Best Short Film, Live Action
Curfew): Shawn Christensen

"Argo" Wins Best Picture Oscar

Best Motion Picture of the Year:

Argo: Grant Heslov, Ben Affleck, George Clooney WINNER

Amour: Margaret Ménégoz
Beasts of the Southern Wild: Dan Janvey, Josh Penn, Michael Gottwald
Django Unchained: Stacey Sher, Reginald Hudlin, Pilar Savone
Les Misérables: Tim Bevan, Eric Fellner, Debra Hayward, Cameron Mackintosh
Life of Pi: Gil Netter, Ang Lee, David Womark
Lincoln: Steven Spielberg, Kathleen Kennedy
Silver Linings Playbook: Donna Gigliotti, Bruce Cohen, Jonathan Gordon
Zero Dark Thirty: Mark Boal, Kathryn Bigelow, Megan Ellison

Note:  Winner announced by First Lady of the United States, Michelle Obama.

Daniel Day-Lewis Wins "Best Actor Oscar" for "Lincoln"

Best Performance by an Actor in a Leading Role:

Daniel Day-Lewis for Lincoln WINNER

Bradley Cooper for Silver Linings Playbook
Hugh Jackman for Les Misérables
Joaquin Phoenix for The Master
Denzel Washington for Flight

Note:  Daniel Day-Lewis becomes the first actor to win three times in this category.

Jennifer Lawrence Wins Best Actress Oscar for "Silver Linings Playbook"

Best Performance by an Actress in a Leading Role:

Jennifer Lawrence for Silver Linings Playbook WINNER

Jessica Chastain for Zero Dark Thirty
Emmanuelle Riva for Amour
Quvenzhané Wallis for Beasts of the Southern Wild
Naomi Watts for The Impossible

Ang Lee Wins "Best Director Oscar" for "Life of Pi"

Best Achievement in Directing:

Ang Lee for Life of Pi WINNER

Michael Haneke for Amour
David O. Russell for Silver Linings Playbook
Steven Spielberg for Lincoln
Benh Zeitlin for Beasts of the Southern Wild

"Django Unchained" Wins Best Original Screenplay Oscar

Best Writing, Screenplay Written Directly for the Screen:

Django Unchained: Quentin Tarantino WINNER

Amour: Michael Haneke
Flight: John Gatins
Moonrise Kingdom: Wes Anderson, Roman Coppola
Zero Dark Thirty: Mark Boal

"Argo" Wins Best Adapted Screenplay Oscar

Best Writing, Screenplay Based on Material Previously Produced or Published:

Argo: Chris Terrio WINNER

Beasts of the Southern Wild: Lucy Alibar, Benh Zeitlin
Life of Pi: David Magee
Lincoln: Tony Kushner
Silver Linings Playbook: David O. Russell

"Skyfall" Wins Best Original Song Oscar

Best Achievement in Music Written for Motion Pictures, Original Song:

Skyfall: Adele, Paul Epworth ("Skyfall") WINNERS

Chasing Ice: J. Ralph ("Before My Time")
Les Misérables: Alain Boublil, Claude-Michel Schönberg, Herbert Kretzmer ("Suddenly")
Life of Pi: Mychael Danna, Bombay Jayshree ("Pi's Lullaby")
Ted: Walter Murphy, Seth MacFarlane ("Everybody Needs a Best Friend")

"Life of Pi" Wins Best Original Score Oscar

Best Achievement in Music Written for Motion Pictures, Original Score:

Life of Pi: Mychael Danna WINNER

Anna Karenina: Dario Marianelli
Argo: Alexandre Desplat
Lincoln: John Williams
Skyfall: Thomas Newman

"Lincoln" Wins Best Production Design Oscar

Best Achievement in Production Design:

Lincoln: Rick Carter, Jim Erickson WINNER

Anna Karenina: Sarah Greenwood, Katie Spencer
The Hobbit: An Unexpected Journey: Dan Hennah, Ra Vincent, Simon Bright
Les Misérables: Eve Stewart, Anna Lynch-Robinson
Life of Pi: David Gropman, Anna Pinnock