Comics Review: "Killadelphia #16" Gives Us a Sign

KILLADELPHIA #16
IMAGE COMICS

STORY: Rodney Barnes
ART: Jason Shawn Alexander
COLORS: Luis Nct
LETTERS: Marshall Dillon
EDITOR: Greg Tumbarello
COVER: Jason Shawn Alexander
VARIANT COVER ARTIST: James O'Barr
28pp, Colors, 3.99 U.S. (August 2021)

Rated “M/ Mature”

Killadelphia and Elysium Gardens created by Rodney Barnes and Jason Shawn Alexander

“Home is Where the Hatred Is” Part IV: “Have a Little Talk with God”

Killadelphia is an apocalyptic vampire and dark fantasy comic book series from writer Rodney Barnes and artist Jason Shawn Alexander and is published by Image Comics.  At the center of this series is a police officer caught in a lurid conspiracy in which vampires attempt to rule Philadelphia, “the City of Brotherly Love.”  Colorist Luis Nct and letterer Marshall Dillon complete Killadelphia's creative team.

Killadelphia focuses on James “Jim” Sangster, Jr. and his father, revered Philadelphia homicide detective, James Sangster, Sr., thought to be dead.  He is actually a vampire.  Now father and son lead a ragtag team comprised of a medical examiner, a dead president, and a rebellious, but special young vampire (Tevin Thompkins a.k.a. “See Saw”) in a bid to save Philly from an ambitious and murderous former First Lady.

As Killadelphia #16 (“Have a Little Talk with God”) opens, Jupiter and the now vampire former President Thomas Jefferson have a long-awaited confrontation.  But after the harsh words, can they (vampire) kiss and make up?  Meanwhile, Tevin chats up Anansi, and boy, does God have a mouth on him.  Can Anansi bring Jim, Jr. back from the world of the creatures of the night to the world of the living, and if He can, why should He?

THE LOWDOWN:  Killadelphia moves into the second half of its third story arc, “Home is Where the Hatred Is.”  Perhaps, this is the story arc that most reveals the complexities and multiple layers of Killadelphia, making it more dark fantasy than mere vampire comic book.

Twisting and turning the narrative with sharp-teethed glee, writer Rodney Barnes won't let anything lie.  Nothing is as it should be or as we would expect it to be.  So Killadelphia #16 is one of this series' best issues … if not the very best.  Barnes is also all sharp elbows with uncomfortable truths – like the Brad Pitt reference Anansi drops.

As with the previous issue, artist Jason Shawn Alexander and colorist Luis Nct dance through Barnes' script, bringing each scene or sequence into life with its own unique look.  The graphical storytelling seems to evolve with the story, the lurid and the surreal side by side and proudly delivering the unexpected.

Wow, the bitter and resentful would call Killadelphia #16 “woke,” but truth defends itself very well.  And sometimes, some of us should realize that history is your story and maybe it is a tale telling more than some of you wanted.  Yes, I have a vampiric thirst for Killadelphia, and you, dear readers, can have that, also.

I READS YOU RECOMMENDS:  Fans of vampire comic books and of exceptional dark fantasy will want Killadelphia.

[Killadelphia #16 has a backup feature: “Elysium Gardens” Part 9 “Hellfire” by Rodney Barnes, Chris Mitten, Sherard Jackson, and Marshall Dillon.]

A+

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


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Comics Review: "NOW: The New Comics Anthology #10" is a Series High Point

NOW: THE NEW COMICS ANTHOLOGY #10
FANTAGRAPHICS BOOKS

CARTOONISTS: Julia Gfrörer,; Tim Lane; Jacob Weinstein; Steven Weissman, M.S. Harkness; Walt Holcombe; Theo Ellsworth; Joakim Drescher; Silvia Rocchi; Alex Nall & Hartley Lin; Chris Wright; Noah Van Sciver; Celia Vårhed; Richard Sala; Karl Stevens
DESIGN: Jacob Covey
EDITOR: Eric Reynolds
COVER: Rebecca Morgan
BACKCOVER: Nick Thorburn
ISBN: 978-1-68396-399-8; paperback (July 2021)
108pp, Color, $12.99 U.S.

NOW: The New Comics Anthology is an alternative-comics anthology series launched in 2017 and edited by Eric Reynolds.  NOW is published by alt-comix and art comics publisher, Fantagraphics Books.  Over its four-plus decades of existence, Fantagraphics has published what is probably the most diverse collection of comic book anthologies in the history of North American comic books.  That line-up includes such titles as Anything Goes, Critters, Mome, Pictopia, and Zero Zero, to name a few.

NOW: The New Comics Anthology #10 offers a selection of sixteen cartoonists and comics creators, as well as a back cover “comics strip” from Nick Thorburn.  NOW #10 holds to editor Eric Reynolds' creed (from NOW #1) that NOW showcases “...as broad a range of quality comic art as possible...”  This latest edition also includes nine pages of never-before published comics from the late Richard Sala (1955-2020).

The contributors list also includes a Leroy favorite, Noah Van Sciver.  But let's take a look at each of NOW #10's cartoonists' contributions:

THE LOWDOWN:  The illustration that acts as NOW #10's cover art is entitled “Feminist Mountain Man,” and is produced by Rebecca Morgan.  The illustration is what it says it is, with some modern additions, such as a button bearing the logo of the NFL's Pittsburgh Steelers – a sight I always welcome.

“The Counterweight” by Julia Gfrörer:
This beautiful one-page comic is composed of 24 panels that depict the evolution of love and war and the impermanence of a union.  Gfrörer's lovely art also celebrates drawing the human figure in motion.

“The Mobbing Birds: by Tim Lane:
Tim Lane's story, “The Mobbing Birds,” has two things going for it.  The first is its textured, almost photo-realistic art.  The second is having the legendary Hollywood star and cultural icon, Steve McQueen (1930-1980).  The combination of the two create the sense of this story being select scenes from an actual Steve McQueen movie.  “The Mobbing Birds” is like a slice of Americana, probably the dominant theme of Lane's comics, and I find myself fascinated by it.  I wouldn't mind seeing it as a full-length graphic novel, but then, there's the McQueen estate...

“T.D. Ramanujan” by Jacob Weinstein:
This story focuses on T.D. Ramanujan, the administrator of a table tennis federation in the nation of India.  The art reminds me of mid-90s Chris Ware, and the lead character and the setting are quite interesting.  The story's most powerful moments are set during World War II, and the way Weinstein draws the characters makes each one look like a unique figure.  I would certainly like to see more comics set in this milieu.

“No More Or Less Alive” by Steven Weissman:
I have read so many alt-comics anthologies that I am sure I have previously come across Steven Weissman's amazing comics many times.  “No More Or Less Alive” is NOW #10's most explosive, in-your-face story.  A nature story and quasi-animal fable, it is set in “Black Feather Valley” and focuses on a mother gopher fighting a wheat snake for the lives of her seven nursing pups.  If I ever had the words to convey to you, dear readers, the power of this story, I can't find them as I write this.  There must be some literary comics award that will recognize this story as one of the year's best comics.

“Go Big, Then Stay Home” by M.S. Harkness:
Cartoonist M.S. Harkness is also a competitive weightlifter, and this autobiographical comics short story recounts a trip she took with her friend, Elis Bradshaw, a competitive female power lifter.  Early in 2020, Harkness and Bradshaw travel to Columbus, Ohio for a power-lifting event, the “Arnold Fitness Expo,” where Bradshaw will compete, with Harkness there to help.  “Go Big, Then Stay Home” provides an interesting look at the world of power-lifting, but what really amps up the drama is that COVID-19 looms over this story.  Interestingly, the story is set in the last days before the pandemic shutdown so much of public life.

“I'm Trying to Sleep!” by Walt Holcombe:
“I'm Trying to Sleep!” is comic relief, the short story equivalent of a gag strip.  I think I have read Walt Holcombe before, and I'd like more.

“You Wouldn't Think So but It Happens All the Time” by Theo Ellsworth:
This colorful story is about the interaction of humans and animal-hybrids, but such interaction requires traveling to the animal-hybrids' world.  But it ain't easy to go to the animal-hybrid world.  I wish there were more of this story, because it seems like there should be.

“Miserable Mildrid” by Joakim Drescher:
One might mistake this for a series of “funny animal” one-page comics, except “Miserable Mildrid” is not that, even if it has a passing resemblance to such.  However, the porcine-ish Mildrid offers humor as creator Joakim Drescher digs into such ailments of modern culture and popular culture as conspiracy theories, incels, fan culture, COVID-19, and the subsequent shutdown.  “Miserable Mildrid” is solidly alt-comics, and it is one of my favorite entries in NOW #10.

“I Hate Parties” by Silvia Rocchi:
“I Hate Parties” is an observation more than it is a story, and it is indicative of something that I have noticed in the four volumes of NOW that I have read.  Many of these stories could be longer … in my humble opinion.  It's as if these cartoonists don't realize either their own potential or the potential of what they create.  “I Hate Parties” is an example of this...

“Real Witches” by Alex Nall & Hartley Lin:
...On the other hand, “Real Witches” is a two-pager that feels complete.  Its 21 panels recall classic 1950s and 1960s newspaper comics concerning the lives and adventures of children, except that “Real Witches” has a strong angle of modern edginess.  If Charles Schulz's Peanuts debuted today, it might look and read like “Real Witches,” another of my favorites from this volume.

“Taffy” by Chris Wright:
“Taffy” is like a demented children's picture book that is entirely inappropriate for anyone to read.  I find it fascinating.  Strangely, “Taffy” reminds me of the work of another cartoonist featured in NOW #10, the late Richard Sala.

“Mellow Mutt” by Noah Van Sciver:
A boy and his toy triceratops and using the imagination to play action heroes:  that's “Mellow Mutt.”  It's silly, funny, crude, and ultimately sad.  What would NOW be like without an offering from the great Noah Van Sciver.

“Free Cone Day” by Celia Varhed:
“Free Cone Day” would be funny even if it weren't painfully true.  When you want something, like a job or a particular career, you can fool yourself to the point of foolish oblivion.  “Free Cone Day” is the kind of superb work of alternative comics that only NOW is original enough to publish.

“Five Shorts”
Richard Sala (1955-2020) was one of the great cartoonists and most unique comics creators of the last four decades.  I have reviewed many of his works and have compared his comics to Charles Addams, Gahan Wilson, and Edward Gorey.  Sala's “pop macabre” sensibilities placed him in the company of contemporaries and of such fellow purveyors of Gothic pop art and entertainment as Charles Burns, Tim Burton, Lemony Snicket, and Guillermo Del Toro, to name a few.

“Five Shorts” is a nine-page suite of never-before published comics from early in Sala's career.  He apparently never even showed them to his friends, according to NOW editor Eric Reynolds.  I thought the world of Sala as an artist and cartoonist, and I exchanged some emails with him back in the Aughts.  I am happy to get this early work in NOW #10.  In them, one can see the beginnings of the graphic style and sensibilities that made Sala an artist whose influence is probably wider than many suspect.

“In This Short Life” by Karl Stevens:
This one-page comic features beautiful, photo-realistic art, and some contemplation.

“Then... But... NOW” by Nick Thorburn:
This is another befuddling back cover strip from Nick Thorburn.  I like it.

So, in conclusion, NOW #10 is the best volume of the series that I have read since I read NOW #1.  It is full of excellent stories, inventive pieces, and beautiful art, but I must choose “No More Or Less Alive” by Steven Weissman as the best of NOW #10.  Like B. Krigstein, Weissman is innovative in the use of the space of a comic book page for “No More Or Less Alive.”

I READS YOU RECOMMENDS:  Fans of classic alternative-comics anthologies will want to discover NOW: The New Comics Anthology.

A

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


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Negromancer News Bits and Bites from August 15th to 21st, 2021 - Update #18

by Leroy Douresseaux a.k.a. "I Reads You"

You can support Leroy via Paypal or on Patreon:

ENTERTAINMENT AND CULTURE NEWS:

BOX OFFICE - From Deadline:  "Free Guy" looks to repeat as weekend box office champ, while "Paw Patrol" looks to make a strong debut. 

TELEVISION - From Variety:  HBO's series about the 1980s Los Angeles Lakers loses actor Bo Burnham, who was to play NBA great Larry Bird, but gains five more cast members, including Sean Patrick Small as Burnham's replacement to play Bird.

STAR TREK - From Deadline:   Roddenberry Entertainment is quietly working on a biographical film about the late Gene Roddenberry, the creator of "Star Trek" and a television writer-producer whose career spanned decades.

MARVEL STUDIOS - From Variety:  Actor Anthony Mackie has reportedly signed a deal to star in "Captain America 4."

TELEVISION - From Deadline:  The BBC and Miramax are developing a television series based on Michael Ondaatje's novel, "The English Patient."  The novel was previously adapted by the late Anthony Minghella into a 1996 film that won nine Oscars, including "Best Picture" and "Best Director."

MEDIA - From Deadline:  Jordan Peele's Monkeypaw Productions expands with multiple promotions across the company.

MOVIES - From Deadline:  "Spencer," the film starring Kristen Stewart as Princess Diana, will hit theaters November 5th.

TELEVISION - From Deadline:   AMC Networks has set fall premiere dates for new and returning series across its AMC, AMC+, Acorn TV, AllBlk, BBC America, Shudder, Sundance Now, SundanceTV and WeTV.  Newly revealed dates include the new seasons of "Doctor Who" and "Creepshow "and new series such as "Ragdoll," "Kin," and "Ultra City Smiths.

STAR TREK - From YahooLATimes:   There is a three-battle to be the conservator of Nichelle Nichols, legendary "Star Trek" actress, and it is ugly.

STREAMING - From THR:   In a brewing 100 million dollar deal, Sony Animation's "Hotel Transylvania: Transformania" could bypass its theatrical run and stream on Amazon Prime

BOX OFFICE - From Variety:  The winner of the 8/13 to 8/15/2021 weekend box office is "Free Guy" (starring Ryan Reynolds) with an estimated take of 28.4 million dollars.

From Deadline:  Sylvester Stallone has appeared in a movie that was #1 at the box office in six consecutive decades.  Stallone is a voice actor in last weekend's number one film, "The Suicide Squad."

POLITICS - From YahooTheWeek:   It turns out a minor actor participated in the January 6th attack on the U.S. Capitol building.  Michael Aaron Carico, 33, was arrested Wed., August 11th in Burbank, California.

CELEBRITY - From YahooEntertainment:   In his first interview since loosing his libel suit against his ex-wife, Amber Heard, Johnny Depp speaks out about the "Hollywood boycott" of him.

DISNEY - From GiantFreakingRobot:   The site is reporting that the Walt Disney Company has cut all ties and projects with actress Scarlet Johansson, who is suing Disney over profit sharing for the film, "Black Widow."

NETFLIX - From WeGotThisCovered:   Director Leigh Janiak wants her "Fear Street" three-piece to develop into the Marvel Cinematic Universe of horror.

STREAMING - From Deadline:   Apple is closing in on a mega-deal to obtain director Paolo Sorrentino's biopic about Sue Mengers, the legendary female Hollywood agent who broke barriers in what had largely been a boys' club.  Oscar-winner, Jennifer Lawrence, is slated to play Mengers.

OBITS:

From Variety:   The Japanese actor and martial artist, Sonny Chiba, has died at the age of 82, Thursday, August 19, 2021 from complications of COVID-19.  American audiences will remember him for his roles in "Kill Bill Volume 1" (2003) and "The Fast and the Furious: Tokyo Drift" (2006).

From MeTV:  The English actress and producer, Patricia "Pat" Hitchcock, has died at the age of 93, Monday, August 9, 2021.  Pat was the only child of famed director Alfred Hitchcock and his wife, Alma Reville, the English screenwriter and film editor.  Pat appeared in 10 episodes of the TV series, "Alfred Hitchcock Presents."  She also appeared in several of her father's films, including "Stage Fright" (1950) and "Psycho" (1960).  Her most substantial role in a Hitchcock film was playing "Barbara Morton" in "Strangers on a Train" (1951).

Comics Review: DIE!NAMITE Volume 2 #3

DIE!NAMITE LIVES VOLUME 2 #3
DYNAMITE ENTERTAINMENT

STORY: Fred Van Lente
ART: Vincenzo Carratù
COLORS: Kike J. Diaz
LETTERS: Hassan Otsmane-Elhaou
EDITOR: Nate Cosby
COVER: Lucio Parrillo
VARIANT COVER ARTISTS: Arthur Suydam; Joseph Michael Linsner; Dave Acosta; Kendrick Lim;
32pp, Color, $3.99 U.S. (August 2021)

Rated Teen+

DIE!namite is a series of zombie apocalypse comics from Dynamite Entertainment that utilizes some of the publisher's most popular characters and licensed properties.  The latest is DIE!namite Lives!  It is written by Fred Van Lente; drawn by Vincenzo Carratu; colored by Kike J. Diaz; and lettered by Hassan Otsmane-Elhaou.  In the new series, Vampirella and the remainder of Project Superheroes look for a new savior, and that could be Ash Williams (star of the 1992 film, Army of Darkness).

DIE!namite Lives! Volume 2 #3 opens in Hawaii where flesh-eating superheroes take on evil zombies.  Red Sonja, Peter Cannon, Black Terror, and Scarab battle a squad of Frankenstein lookalikes that Sonja should be able to control, except she can't.  Cannon reasons that they must be controlled from a satellite, but this deduction may be playing into Captain Future's hands.

Meanwhile, Vampirella, Pantha, Miss Fury, and Tabu have arrived at a local “S-Mart” warehouse.  Here, they hope to obtain that copy of Necronomincon Ex Mortis, the book that can stop this zombie plague, a book that Pantha bought online!  Standing in their way, however, is S-Mart's most famous employee, Ash Williams, and he is too loyal to allow looters inside!

THE LOWDOWN:  Dynamite Entertainment's marketing department recently began providing me with PDF review copies of some of their titles.  One of them is DIE!namite Lives! Volume 2 #3, which is the first issue of this series that I have read.  In fact, this is the first DIE!namite comic that I have read, although I've known of the series since it first began.

What can I say?  DIE!namite Lives! Volume 2 #3 is fun.  I didn't expect much from it, but I previously suspected that I could like a DIE!namite comic book because I enjoyed DC Comics DCeased #1 when I read it a few years ago.  DIE!namite seems similar to DCeased.  Here, writer Fred Van Lente offers a breezy read with just enough craziness to hold the reader's attention.  I bet this series will really read nicely as a trade paperback.

I READS YOU RECOMMENDS:  Fans of DIE!namite will want DIE!namite Lives! Volume 2.

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


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Fantagraphics Books Publishes French Graphic Novel, "The Butchery"

Award-Winning Cartoonist Bastian Vivès’ THE BUTCHERY is a Poetic Exploration of a Romance Gone Awry

Out This August from Fantagraphics

SEATTLE, WA - This August, Fantagraphics will publish THE BUTCHERY, a poetic graphic novel by award-winning French cartoonist Bastien Vivès which explores the emotional bloodbath of a romance gone awry.

A young man and woman fall for each other, and all is sweetness and light. But when their relationship crumbles, they each must endure the ensuing emotional fallout. Starting from this ostensibly simple premise, Bastien Vivès crafts an affecting narrative about the mercurial and tempestuous nature of romance and why we pursue it anyway.

THE BUTCHERY is composed of the little moments that make and break a relationship: lively dancing, silent strolls hand in hand, stilted phone calls, tearful pillow talk. Rendered with delicate colored pencils and an elegant use of white space, this story achieves an emotional clarity through its skillful brevity. At turns tender, agonizing, and darkly humorous, THE BUTCHERY is painfully relatable to anyone who has loved and lost.

Fantagraphics will publish the poetic and heart-rending graphic novel THE BUTCHERY on August 24, 2021.

THE BUTCHERY is available for pre-order now via Fantagraphics: https://www.fantagraphics.com/products/the-butchery

The Butchery by Bastien Vivès
$19.99 • August 2021 • ISBN: 9781683964476
92 pages • Full-Color • 7.8” x 11.3”

For more information, contact:

David Hyde: Superfan Promotions Founder
david.hyde@superfanpromotions.com

Hanna Bahedry: Superfan Promotions Publicity Coordinator
hanna.bahedry@superfanpromotions.com


About Bastien Vivès:
Bastien Vivès is a Parisian who has drawn or collaborated on more than a dozen graphic novels since his published debut in 2006. The Angouleme Comics Festival granted Vivès the "Revelation" Award in 2009 and the prize for best series in 2015.

About Fantagraphics:
For over 45 years, Fantagraphics has published the very best comics and graphic novels that the medium has to offer. Our mission is to celebrate great cartooning in all of its incarnations, from the form’s early luminaries to contemporary artists currently forging the future of visual storytelling. Not content to rest on our laurels and extensive roster of talented artists, we constantly seek out fresh voices from across the globe. Thus, we honor the rich history of comics while providing a platform for bold new stories, styles, and perspectives that push the boundaries of the medium. Fantagraphics remains peerless in our commitment to be the publisher of the world's greatest cartoonists.

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Review: "JUSTICE LEAGUE VS. THE FATAL FIVE" is Recalls a Classic Era

TRASH IN MY EYE No. 50 of 2021 (No. 1788) by Leroy Douresseaux

Justice League vs. the Fatal Five – video (2019)
Running time:  77 minutes (1 hour, 17 minutes)
MPAA – PG-13 for sequences of sci-fi violence, some bloody images, language and partial nudity
DIRECTOR:  Sam Liu
WRITERS:  Jim Krieg, Eric Carrasco, and Alan Burnett; from a story by Eric Carrasco (based on characters appearing in comic books published by DC Comics)
PRODUCERS:  Sam Liu and Amy McKenna
EXECUTIVE PRODUCERS: Sam Register and Bruce Timm
EDITOR:  Christopher D. Lozinski
COMPOSERS:  Kristopher Carter, Michael McCuistion, and Lolita Ritmanis
ANIMATION STUDIO:  DR Movie

ANIMATION/SUPERHERO/ACTION/FANTASY

Starring:  (voices) Elyes Gabel, Diane Guerro, Kevin Conroy, Susan Eisenberg, George Newbern, Daniela Bobadilla, Kevin Michael Richardson, Noel Fisher, Peter Jessop, Tom Kenny, Matthew Yang King, Sumalee Montano, Philip Anthony-Rodriguez, Tara Strong, and Bruce Timm

Justice League vs. the Fatal Five is a 2019 straight-to-video animated superhero film from Warner Bros. Animation and director Sam Lui.  It is the thirty-fourth film in the DC Universe Animated Original Movies series.  The film is based on the classic DC Comics superhero team, the Justice League.  The story pits the Justice League and an amnesiac hero against a powerful group of villains from the future.

Justice League vs. the Fatal Five opens in the 31st century.  There, three members of the villainous “Fatal Five”:  Mano (Philip Anthony-Rodriguez), Tharok (Peter Jessop), and The Persuader (Matthew Yang King) attack the Legion of Super-Heroes' headquarters in order to steal the Legion's time sphere.  Legionnaires Star Boy (Elyes Bagel), Saturn Girl (Tara Strong), and Brainiac 5 (Noel Fisher) try to stop them, but fail.  Just as the villains activate the sphere, Star Boy leaps at sphere and is taken back into the 21st century with it.

In the 21st century, the members of the Justice League:  Superman (George Newbern), Wonder Woman (Susan Eisenberg), Batman (Kevin Conroy), and Mr. Terrific (Kevin Michael Richardson) are working on getting new members.  Batman is a mentor of sorts to Miss Martian (Daniela Bobadilla), and Wonder Woman is trying to recruit the new Green Lantern of Sector of 2814, Jessica Cruz (Diane Guerro), who is reluctant as she is still suffering from the trauma of a near-death experience.

Soon, the League finds itself in a battle with the trio of Mano, Tharok, and The Persuader, who turn out to be formidable foes.  They have some kind of connection to Star Boy, who has been suffering from memory loss sense he arrived on Earth and is currently a patient in Arkham Asylum.  Whatever these three members of the Fatal Five want, it involves Jessica Cruz, and if she resists their demands, it could lead to mass casualties across the world.

The “DC Animated Universe” (DCAU) is a shared universe of superhero-based animated television series that were produced by Warner Bros. Animation and was based on characters that appeared in DC Comics publications.  The first DCAU TV series was “Batman: The Animated” series, which debuted in September 1992, and the last was “Justice League Unlimited,” which aired its last new episode in May 2006.  Four animated feature films that fit into the DCAU were produced during that original 14-year time period.  Bruce Timm, a writer, producer, character designer, and director of films and animated television series, can be described as the chief architect of the DCAU.  He considers two other animated feature films to be part of the DCAU.  One is 2017's Batman and Harley Quinn, a continuation of the TV series, “Batman: The Animated Series” and its follow up, "The New Batman Adventures" (1997-99).

The other is Justice League vs. the Fatal Five, which is a continuation of the animated TV series, “Justice League (2001-04), and its follow-up, “Justice League Unlimited” (2004-06).  Like “Justice League Unlimited,” Justice League vs. the Fatal Five features a wide array of characters from the universe of DC Comics.  Also, the membership role of the Justice League features characters that don't usually appear as members of the League alongside stalwarts Superman, Wonder Woman, and Batman.

Although I have not seen all of its films and TV series, I am a fan of the DCAU, so I was glad that both in the design of the animation and in the spirit of the narrative, Justice League vs. the Fatal Five seems like an extra-long episode of “Justice League Unlimited.”  Having DCAU voice cast regulars, Kevin Conroy (Batman), Susan Eisenberg (Wonder Woman), and George Newbern (Superman), reprise their roles is simply wonderful.  Having one of my favorite writers of animated films, Jim Krieg, work on this this film is a satisfying bonus.

I think Jessica Cruz's story arc and heroic journey make this film such a strong drama.  However, I think Star Boy's story arc is poorly developed; there are times in this film when the character is quite frankly extraneous, which makes his final sacrifice seem hollow in the narrative.  Strangely enough, I really like Elyes Gabel's voice performance as Star Boy.

I like all the voice performances in Justice League vs. the Fatal Five, and, for the most part, the actors make the characters' personalities, conflicts, and conniving seem genuine.  The action sequences are some of the best I've seen in a DC Universe Animated Original Movie.  I highly recommend Justice League vs. the Fatal Five to fans of these movies and especially to fans of the DCAU.  I could have watched another two hours of it.

8 of 10
A

Wednesday, June 16, 2021


The text is copyright © 2021 Leroy Douresseaux. All Rights Reserved.  Contact this blog or site for reprint and syndication rights and fees.

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Comics Review: NOCTERRA #6

NOCTERRA #6
IMAGE COMICS/Best Jacket Press

STORY: Scott Snyder
ART: Tony S. Daniels
COLORS: Tomeu Morey
LETTERS: Andworld Design
EDITOR: Will Dennis
COVER: Tony S. Daniels with Tomeu Morey
VARIANT COVER ARTISTS: Emanuela Lupacchino with Dave McCaig; Tony S. Daniel and Marcelo Maiolo
28pp, Colors, 3.99 U.S. (August 2021)

Rated “M/ Mature”

“Full Throttle Dark” Part Six

Nocterra is a horror and science fiction comic book series from writer Scott Snyder and artist Tony S. Daniels.  Published by Image Comics, Nocterra is set on an Earth that has been experiencing an everlasting night, the “Big PM,” since the sky went dark and the world was plunged into an everlasting night over a decade ago.  Colorist Tomeu Morey and letterer Andworld Design complete the series' creative team.

In Nocterra, any living organisms left unlit in the dark for more than 10 hours start undergoing a biological transformation.  Soon, the living turn into monstrous versions of themselves, becoming something called a “Shade.”

Valentina “Val” Riggs – call sign “Sundog,” – was in the fifth grade the day the “Big PM” occurred.  Thirteen years later (“13 PM”), Val drives a big rig hauler, a heavily-illuminated 18-wheeler known as the “Sundog Convoy.”  A skilled “ferryman” Val transports people and goods along deadly unlit roads between the few remaining human outposts, and now she has her most dangerous haul – Bailey, a girl with a dangerous secret and her brother, Emory “Em” Riggs, who is becoming a Shade.

As Nocterra #6 opens, Val is back in those early days of sanctuary, when she saw the true killing ability of the “Smudges,” the name for a human Shade.  Val has found safety in the mysterious Sanctuary, having brought Bailey to Tiberius McCray, the leader of Sanctuary and the brother of her grandfather, Augustus McCray.

Now, however, the calm has given way to the storm, and Val is surrounded by shocking revelations.  She must prepare for both battle and for survival afterwards for herself, Bailey, and Emory.  Can she see past the darkness into the light?

THE LOWDOWN:  As I have written in some of my earlier reviews of Nocterra, I enjoy writer Scott Snyder's creator-owned series.  I have also told you, dear readers, that I am usually happy to read a comic book drawn by Tony S. Daniels, going back to his early days writing and drawing creator-owned titles at Image, such as The Tenth.  Nocterra has justified my devotion, and this sixth issue ends the series' first story arc with a tremendous payoff for readers who stuck around after the first issue.

Like issue #5, Nocterra #6 gets all thematic, and like the fifth issue, the sixth is the best of the series.  This new issue expands the world of Nocterra in one fell swoop, and the potential for this narrative's long haul excites me with the possibility of new places and so many new dangers.

I don't want to spoil anything, but Snyder, Tony Daniel, Tomeu Morey, and Andworld Design are doing some of their best work as a killer creative team of this amazing title.  Science fiction, dark fantasy, horror, family drama, action:  Nocterra is terribly good, dear readers, equally exiting and mysterious, at all times.  The trade collection for the first arc arrives in October, so take that chance to start at the beginning and then, run on up to catch up with us, the regulars of Nocterra.

I READS YOU RECOMMENDS:  Fans of Scott Snyder and Tony S. Daniels will want to sample Nocterra.

A

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


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