Wednesday, June 8, 2011

Paramount Pictures and Twitter Unite for "SUPER 8" Sneak Previews

PARAMOUNT AND TWITTER TEAM UP FOR FIRST-EVER ‘TWEET MOVIE SNEAK PREVIEW’ OF “SUPER 8” ON JUNE 9th

MOVIE FROM J.J. ABRAMS AND STEVEN SPIELBERG SET TO PLAY ON OVER 300 IMAX® AND OTHER SELECT PREMIUM SCREENS ACROSS THE COUNTRY ONE DAY AHEAD OF ITS NATIONWIDE RELEASE

HOLLYWOOD, CA (June 8, 2011) – Paramount Pictures and Twitter jointly announced today sneak preview showings of the movie SUPER 8 for 1-day only on Thursday, June 9th, in advance of the film’s scheduled nationwide release on Friday, June 10th. To promote the sneak previews, the companies have designated the hashtag #Super8Secret, which Paramount has also sponsored as a Promoted Trend, allowing Twitter’s global user base a direct link to buy tickets to the advanced previews. At select, participating theatres in the United States, Super 8 Sneak Preview moviegoers will be treated to a free popcorn (with a concession purchase) at each sneak preview show. Hosting movie sneak previews marks a first for Twitter. This promotion continues a key partnership between Paramount and Twitter on SUPER 8. The duo joined forces in March for the movie’s exclusive trailer premiere via Twitter, another exciting first for the site.

SUPER 8, from writer/director J.J. Abrams and producer Steven Spielberg, will open exclusively tomorrow, June 9th, on over 300 screens nationwide, featuring all 239 IMAX playdates in the U.S. and Canada. Fans can go to http://www.Twitter.com/Super8Movie and use #Super8Secret to share information about the movie with friends. To be among the first to see SUPER 8, visit http://www.Super8-Movie.com/Sneak for tickets and show times.

“With SUPER 8, J.J. and Steven have created a really fun and engaging movie for all ages,” said Rob Moore, Vice Chairman of Paramount Pictures. “We are excited to finally get it out into the marketplace and using this sneak preview promotion with Twitter to kick start the film’s release, is an unprecedented way to get people into theaters and talking about the movie.”

"Twitter is how we hear about new movies and share our tiny reviews before the credits finish rolling," said Biz Stone, Twitter cofounder. "There are already millions of people talking about SUPER 8 on Twitter and Paramount gets that. Creating more excitement about the film with sneak previews and free popcorn is a smart way to make this film a global conversation even before it’s released."

“Twitter has the incredible capability of spreading buzz in real-time, as well as fostering communal conversations that encapsulate large audiences in a matter of seconds. We believe these elements are key in promoting a movie like SUPER 8 that has such incredible playability and the potential for unlimited positive word of mouth,” said Amy Powell, Paramount’s Executive Vice President, Interactive Marketing Strategies & Film Production.

SUPER 8 is an Amblin Entertainment / Bad Robot production, directed by Abrams from his original script and produced by Steven Spielberg, Abrams and Bryan Burk. The film stars Kyle Chandler, Elle Fanning, Joel Courtney, Gabriel Basso, Noah Emmerich, Ron Eldard, Riley Griffiths, Ryan Lee and Zach Mills. The movie takes place in the summer of 1979, where a group of friends in a small Ohio town witness a catastrophic train crash while making a super 8 movie and soon suspect that it was not an accident. Shortly after, unusual disappearances and inexplicable events begin to take place in town, and the local Deputy tries to uncover the truth - something more terrifying than any of them could have imagined.

For more information, go to http://www.super8-movie.com/.

Follow Super 8 on Twitter at www.Twitter.com/Super8Movie. #Super8Secret

Like us on Facebook at www.Facebook.com/Super8Movie.


About Paramount Pictures Corporation
Paramount Pictures Corporation (PPC), a global producer and distributor of filmed entertainment, is a unit of Viacom (NYSE: VIA, VIA.B), a leading content company with prominent and respected film, television and digital entertainment brands. The company's labels include Paramount Pictures, Paramount Vantage, Paramount Classics, Insurge Pictures, MTV Films and Nickelodeon Movies. PPC operations also include Paramount Digital Entertainment, Paramount Famous Productions, Paramount Home Entertainment, Paramount Pictures International, Paramount Licensing Inc., Paramount Studio Group and Paramount Television & Digital Distribution.

"The Green Hornet" Stings Like a B-Movie

TRASH IN MY EYE No. 47 (of 2011) by Leroy Douresseaux


The Green Hornet (2011)
Running time: 119 minutes (1 hour, 59 minutes)
MPAA – PG-13 for sequences of violent action, language, sensuality and drug content
DIRECTOR: Michel Gondry
WRITERS: Seth Rogen and Evan Goldberg (based on the radio series “The Green Hornet” George W. Trendle)
PRODUCER: Neal H. Moritz
CINEMATOGRAPHER: John Schwartzman
EDITOR: Michael Tronick
COMPOSER: James Newton Howard

SUPERHERO/ACTION/CRIME

Starring: Seth Rogen, Jay Chou, Cameron Diaz, Tom Wilkinson, Christoph Waltz, David Harbour, Edward James Olmos, Jamie Harris, Chad Coleman, and Edward Furlong

A masked vigilante, crime-fighter, and superhero, the Green Hornet is a fictional character that first made his debut on radio in 1936. Created by radio station owner George W. Trendle and radio writer Fran Striker, the Green Hornet has also appeared over the years in comic books and movie serials. There was even a 1960s ABC television series probably best remembered for Bruce Lee playing the Green Hornet’s partner/sidekick, Kato.

Released in January 2011, The Green Hornet returned the character to the big screen in an over-the-top, superhero action-comedy movie. The movie is like a juvenile boy’s fantasy of what a superhero movie should have: plenty of explosions, numerous car-crushing car chases, and lots of gunfire, with a pretty girl thrown in for an occasional shot of eye candy. And sometimes, this movie is actually fun and entertaining.

The Green Hornet opens in present day Los Angeles and focuses on spoiled, rich, 20-something, Britt Reid (Seth Rogen). His father is James Reid (Tom Wilkinson), the wealthy and highly successful publisher of The Daily Sentinel newspaper. After James’ sudden death, Britt is trying to figure out what to do with his father’s business and his own life when he meets his father’s personal mechanic, Kato (Jay Chou). They hit it off, get drunk together, and pull a stupid stunt. It is that dangerous stunt that gives Britt the idea that he and Kato should become superheroes.

Britt believes that they should become crime-fighters who pose as criminals in order to infiltrate L.A.’s notoriously violent criminal underworld, so he becomes a masked man named the Green Hornet. Britt also decides to use the Sentinel to publish propaganda that will build up the Hornet’s reputation. Britt even hires Lenore “Casey” Case (Cameron Diaz), a sexy secretary to do criminal research that he can use as the Hornet. However, Britt’s activities as the Hornet bring him into direct conflict with Russian super bad-ass, Benjamin Chudnofsky (Christoph Waltz), a mobster who wants to control all crime in L.A. But Chudnofsky is willing to kill anyone and any hero who gets in his way.

One of the things that immediately stood out to me about The Green Hornet was that Seth Rogen was probably not the right actor to play the Green Hornet. I could believe in him as the spoiled, party boy, Britt Reid, but not as any kind of superhero or masked crime-fighter. I spent the rest of the movie going back and forth on my feelings about Rogen. That’s the problem with this movie. Some of it works, and some of it is lazy and sloppy; even some of the stuff that works sometimes falls flat.

Rogen co-wrote this film with his partner, Evan Goldberg; the two wrote an incredible script for the film Superbad, a film that flowed seamlessly. The Green Hornet isn’t seamless. You can practically see all the giant, noisy set pieces sewn together to create this Frankenstein of an action-comedy. The problem isn’t that some of this movie is over-the-top; it is that The Green Hornet is nothing but over-the-top. There is rarely a moment of this movie that isn’t about violence and vulgarity and assorted rudeness.

I have to give credit where credit is due. While the film wastes Cameron Diaz and her good character, Lenore, it makes the most of Christoph Waltz’s cold-bloodied turn as the really scary Chudnofsky. [It’s best that we not speak of how the filmmakers under-utilized Edward James Olmos]. The film also has a genuine star in Taiwanese pop idol Jay Chou as Kato.

For some reason, Chou actually has good screen chemistry with Rogen, or at least I think so. When they are together as the Green Hornet and Kato, Rogen and Chou take control of the hysteria and bombast. That is why, here and there, The Green Hornet is more action-comedy dynamite than it is film flatulence.

5 of 10
B-

Monday, June 06, 2011


Tuesday, June 7, 2011

Shooting Begins on "Rock of Ages"

Cameras Roll on New Line Cinema’s “Rock of Ages”

BURBANK, Calif.--(BUSINESS WIRE)--New Line Cinema’s film adaptation of the smash hit Broadway musical “Rock of Ages” has begun principal photography under the direction of Adam Shankman (“Hairspray”). The movie musical stars Julianne Hough (“Burlesque”), with actor/singer Diego Boneta in his feature film debut, Oscar® nominee Paul Giamatti (“Cinderella Man”), Russell Brand (“Arthur,” “Get Him to the Greek”), R&B queen Mary J. Blige, Malin Akerman (“The Proposal”), multiple Emmy® winner Bryan Cranston (TV’s “Breaking Bad,” “The Lincoln Lawyer”) and Academy Award® winner Catherine Zeta-Jones (“Chicago”), with Oscar® nominees Alec Baldwin (“The Cooler”) and Tom Cruise (“Born on the Fourth of July”).

“Rock of Ages” tells the story of small town girl Sherrie and city boy Drew, who meet on the Sunset Strip while pursuing their Hollywood dreams. Their rock ‘n’ roll romance is told through the heart-pounding hits of Def Leppard, Joan Jett, Journey, Foreigner, Bon Jovi, Night Ranger, REO Speedwagon, Pat Benatar, Twisted Sister, Poison, Whitesnake, and more.

Shankman directs “Rock of Ages” from a screenplay by Chris D’Arienzo, based on his musical. The film is being produced by Matt Weaver, Scott Prisand, Carl Levin, Tobey Maguire and Jen Gibgot, with Garrett Grant, Adam Shankman, Janet Billig Rich, Hillary Weaver, Toby Emmerich, Michael Disco and Samuel J. Brown serving as executive producers.

Rounding out the “Rock of Ages” creative team are cinematographer Bojan Bazelli (“Hairspray”), production designer Jon Hutman (“It’s Complicated”), Oscar®-nominated costume designer Rita Ryack (“How the Grinch Stole Christmas,” “Hairspray”), editor Emma E. Hickox (“A Walk To Remember”), Grammy-nominated music supervisor Matthew Rush Sullivan (“Dreamgirls,” “Nine”), executive music producer Adam Anders (TV’s “Glee”) and Emmy Award-winning choreographer Mia Michaels (“So You Think You Can Dance”).

The film is being shot entirely in the Miami and Fort Lauderdale, Florida, areas.

From New Line Cinema, “Rock of Ages” will be distributed worldwide by Warner Bros. Pictures, a Warner Bros. Entertainment Company.


ABOUT NEW LINE CINEMA:
New Line Cinema continues to be one of the most successful independent film companies. For more than 40 years, its mission has been to produce innovative, popular, profitable entertainment in the best creative environment. A pioneer in franchise filmmaking, New Line produced the Oscar®-winning “The Lord of the Rings” trilogy, which is a landmark in the history of film franchises. New Line Cinema is a division of Warner Bros.


Review: "Superbad" is a Top High School Comedy (Happy B'day, Michael Cera)

TRASH IN MY EYE No. 121 (of 2007) by Leroy Douresseaux

Superbad (2007)
Running time: 114 minutes (1 hour, 54 minutes)
MPAA – R for pervasive crude and sexual content, strong language, drinking, some drug use, and a fantasy/comic violent image – all involving teens
DIRECTOR: Greg Mottola
WRITERS: Seth Rogen and Evan Goldberg
PRODUCERS: Judd Apatow and Shauna Robertson
CINEMATOGRAPHER: Russ T. Alsobrook
EDITOR: William Kerr

COMEDY

Starring: Jonah Hill, Michael Cera, Christopher Mintz-Plasse, Bill Hader, Seth Rogen, Kevin Corrigan, Joe Lo Truglio, Martha MacIsaac, Emma Stone, Aviva, and Erica Vittina Phillips

Sex, drugs, and booze may not necessarily make you happy, but they can make for an incredibly funny movie… in the right hands.

When he isn’t writing and directing hit films like The 40-Year-Old Virgin and Knocked Up, Judd Apatow finds time to produce hits like Anchorman: The Legend of Ron Burgundy and Talladega Nights: The Ballad of Ricky Bobby or the new film, Superbad. It’s the uproarious cautionary tale/coming-of-age story about two socially inept childhood pals. They are about to graduate from high school and go their own way when one panic-driven night reaffirms their super-close friendship.

Seth (Jonah Hill) and Evan (Michael Cera) are two codependent high school seniors. No, Seth and Evan have a ridiculously dependent relationship, but now, they’ll be forced to separate because they’ve both been accepted to different colleges. It seems as if the quiet, sweet, and smart Evan managed to get into Dartmouth, while volatile, foul-mouthed Seth didn’t. Combine this duo with their friend, the arrogant nerd, Fogell (Christopher Mintz-Plasse), who also got into Dartmouth, and they form an unholy, horny trinity.

It’s three week before they graduate, and they want to hook up with girls before they go off to different colleges. Thanks to a fake I.D. card that Fogell has obtained, Seth promises Jules (Emma Stone), a girl he lusts after, that he can buy some alcohol for a party she is throwing. Evan makes the same promise to Becca (Martha MacIsaac), the girl he’s always secretly loved. However, after a calamitous night of trying to score booze for the party that involves a convenience store hold up, two crazy cops, and another thoroughly adult party, Seth and Evan find overcoming separation anxiety is a bigger obstacle than getting girls and alcohol.

Before Superbad reaches the ten-minute mark, it already has more coarse and crude language than most mainstream comedies or many R-rated comedies for that matter have in their entire runtime. In spite of the raunchy language and racy subject matter, Superbad rings with honesty. Many viewers will find that to some extent it resembles their own high school lives, especially if they were born after the 1950’s. Writers Seth Rogen (who also stars in the film) and Evan Goldberg are smart enough not to divide the school into jocks and losers. In real high school, even the nerds and geeks know the beautiful people, at least in passing. It’s not as if a “loser” can never get to say “Hi” to the popular people and athletes.

In Seth and Evan, Rogen and Goldberg have created genuine high school kids and genuine high school pals. From the moment the two first appear on screen together, there is a moment of recognition in the viewers who are really paying attention. Seth and Evan’s adventures may be over the top and even dangerous, but we can laugh. In their raunchy verbal jousting, we recognize that the two say what they do because they don’t know crap about sex. We’ve all been there. If we’ve never spoken the vileness that they do, we feel the truth in their friendship and the pain in their coming separation as they enter adulthood.

Now, the overall plot and the thin story don’t amount to much, but that isn’t important. The fine cast of comic actors hits the right notes, and that is what’s important. Superbad feels like the real thing – one the very best high school comedies ever. Superbad is supergood.

7 of 10
A-

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Monday, June 6, 2011

Twilight Eclipses 2011 MTV Movie Awards

The MTV Movie Awards began in 1992.  Hosted by Jason Sudeikis, the 20th annual MTV Movie Awards aired live on Sunday, June 5, at 9 p.m. ET, from the Gibson Amphitheatre in Universal City, California.

Twilight Saga: Eclipse, the third film in the Twilight movie franchise, dominated the ceremony by winning 5 of the 13 categories.  Rising star Chloë Grace Moretz won two categories.

20th Annual MTV Movie Award WINNERS:

Best Movie Winner
The Twilight Saga: Eclipse
Directed by David Slade

Best Female Performance Winner
Kristen Stewart
The Twilight Saga: Eclipse
Directed by David Slade

Best Male Performance Winner
Robert Pattinson
The Twilight Saga: Eclipse
Directed by David Slade

Best Comedic Performance Winner
Emma Stone
Easy A
Directed by Will Gluck

Best Scared-As-S**t Performance Winner
Ellen Page
Inception
Directed by Christopher Nolan

Best Line From A Movie Winner
"I want to get chocolate wasted!"
Alexys Nycole Sanchez
Grown Ups
Directed by Dennis Dugan

MTV Generation Award Winner
Reese Witherspoon

Best Kiss Winner
Kristen Stewart and Robert Pattinson
The Twilight Saga: Eclipse
Directed by David Slade

Best Fight Winner
Robert Pattinson vs. Bryce Dallas Howard and Xavier Samuel
The Twilight Saga: Eclipse
Directed by David Slade

Best Breakout Star Winner
Chloë Grace Moretz
Kick-Ass
Directed by Matthew Vaughn

Biggest Badass Star Winner
Chloë Grace Moretz

Best Jaw Dropping Moment Winner
Justin Bieber
Justin Bieber: Never Say Never
Directed by Jon M. Chu

Best Villain Winner
Tom Felton
Harry Potter and the Deathly Hallows: Part 1
Directed by David Yates


Sunday, June 5, 2011

The Hobbit Films Get Names and Release Dates

There was big news on The Hobbit films last Monday.  The films have release dates and titles(!).  Here, is the official press release from Warner Bros. Pictures:

"THE HOBBIT: AN UNEXPECTED JOURNEY" AND "THE HOBBIT: THERE AND BACK AGAIN"

TITLES ANNOUNCED FOR PETER JACKSON'S EPIC TWO-FILM ADAPTATION OF J.R.R. TOLKIEN'S TIMELESS CLASSIC THE HOBBIT

FIRST FILM SLATED TO OPEN ON DECEMBER 14, 2012 AND SECOND FILM TO BE RELEASED ON DECEMBER 13, 2013

Burbank CA, May 30, 2011 — New Line Cinema, Warner Bros. Pictures and MGM have announced the titles and release dates for filmmaker Peter Jackson's two-film adaptation of J.R.R. Tolkien's enduringly popular masterpiece The Hobbit. The first film, titled "The Hobbit: An Unexpected Journey," will be released on December 14, 2012. The second film, titled "The Hobbit: There and Back Again," is slated for release the following year, on December 13, 2013.

Both films are set in Middle-earth 60 years before Tolkien's "The Lord of the Rings," which Jackson and his filmmaking team brought to the big screen in the blockbuster trilogy that culminated with the Oscar®-winning "The Lord of the Rings: The Return of the King." The adventure of "The Hobbit" follows the journey of title character Bilbo Baggins, who is swept into an epic quest to reclaim the lost Dwarf Kingdom of Erebor from the fearsome dragon Smaug.

Under Jackson's direction, both movies are being shot consecutively in digital 3D using the latest camera and stereo technology. Filming is taking place at Stone Street Studios, Wellington, and on location around New Zealand.

Ian McKellen returns as Gandalf the Grey, the character he played in "The Lord of the Rings" trilogy, and Martin Freeman, who just won a BAFTA TV Award for Best Supporting Actor for his role in the BBC series "Sherlock," takes on the central role of Bilbo Baggins. Also reprising their roles from "The Lord of the Rings" movies are: Cate Blanchett as Galadriel; Orlando Bloom as Legolas; Ian Holm as the elder Bilbo; Christopher Lee as Saruman; Hugo Weaving as Elrond; Elijah Wood as Frodo; and Andy Serkis as Gollum. The ensemble cast also includes (in alphabetical order) Richard Armitage, Jed Brophy, Adam Brown, John Callen, Stephen Fry, Ryan Gage, Mark Hadlow, Peter Hambleton, Stephen Hunter, William Kircher, Sylvester McCoy, Bret McKenzie, Graham McTavish, Mike Mizrahi, James Nesbitt, Dean O'Gorman, Lee Pace, Mikael Persbrandt, Conan Stevens, Ken Stott, Jeffrey Thomas, and Aidan Turner.

The screenplays for "The Hobbit" films are by Fran Walsh, Philippa Boyens, Guillermo del Toro and Peter Jackson. Jackson is also producing the films, together with Fran Walsh and Carolynne Cunningham. The executive producers are Ken Kamins and Zane Weiner, with Philippa Boyens serving as co-producer.

"The Hobbit" films are productions of New Line Cinema and MGM, with New Line managing production. Warner Bros Pictures is handling worldwide theatrical distribution, with select international territories as well as all international television licensing being handled by MGM.


ABOUT NEW LINE CINEMA:
New Line Cinema continues to be one of the most successful independent film companies. For more than 40 years, its mission has been to produce innovative, popular, profitable entertainment in the best creative environment. A pioneer in franchise filmmaking, New Line produced the Oscar®-winning "The Lord of the Rings" trilogy, which is a landmark in the history of film franchises. New Line Cinema is a division of Warner Bros.

ABOUT PETER JACKSON/WINGNUT FILMS:
Peter Jackson is one of the world's most successful filmmakers. His monumental achievement co-writing, co-producing and directing The Lord of the Rings trilogy (with fellow Academy Award winners and frequent collaborators Fran Walsh and Philippa Boyens) earned a total of 30 Academy Award nominations and 17 Academy Awards. Jackson and Walsh received their first Oscar nomination for Best Original Screenplay for their acclaimed film Heavenly Creatures. Jackson, through his New Zealand-based Wingnut Films banner, also was responsible for the globally successful 2005 remake of King Kong which earned over $500 million worldwide and 3 Academy Awards. Jackson most recently directed the Academy Award nominated The Lovely Bones; an adaptation of the acclaimed best-selling novel by Alice Sebold, which to date has earned nearly $100 million worldwide; and produced the global sensation, District 9, which received an Academy Award nomination for Best Picture. He is also developing a trilogy of films with Steven Spielberg based on Tintin, the world renowned comic book series by Herge. In 2010 he received a Knighthood for his services to film.


ABOUT METRO-GOLDWYN-MAYER STUDIOS INC.
Metro-Goldwyn-Mayer Studios Inc. is actively engaged in the worldwide production and distribution of motion pictures, television programming, home video, interactive media, music, and licensed merchandise. The company owns the world's largest library of modern films, comprising around 4,100 titles. Operating units include Metro-Goldwyn-Mayer Studios Inc., Metro-Goldwyn-Mayer Pictures Inc., United Artists Films Inc., MGM Television Entertainment Inc., MGM Networks Inc., MGM Distribution Co., MGM International Television Distribution Inc., Metro-Goldwyn-Mayer Home Entertainment LLC, MGM ON STAGE, MGM Music, MGM Consumer Products and MGM Interactive. In addition, MGM has ownership interests in domestic and international TV channels reaching over 130 countries. For more information, visit http://www.mgm.com/.


Saturday, June 4, 2011

Review: "X-Men: First Class" is at the Top of the Class

TRASH IN MY EYE No. 46 (of 2011) by Leroy Douresseaux

X-Men: First Class (2011)
Running time: 132 minutes (2 hours, 12 minutes)
MPAA – PG-13 for intense sequences of action and violence, some sexual content including brief partial nudity and language
DIRECTOR: Matthew Vaughn
WRITERS: Ashley Edward Miller and Zack Stentz and Jane Goldman and Matthew Vaughn; from a story by Sheldon Turner and Bryan Singer
PRODUCERS: Gregory Goodman, Simon Kinberg, and Lauren Shuler Donner, and Bryan Singer
CINEMATOGRAPHER: John Mathieson (D.o.P.)
EDITORS: Eddie Hamilton and Lee Smith
COMPOSER: Henry Jackman

SUPERHERO/SCI-FI/ACTION/DRAMA

Starring: James McAvoy, Michael Fassbender, Kevin Bacon, Rose Byrne, Jennifer Lawrence, January Jones, Nicholas Hoult, Caleb Landry Jones, Lucas Till, Zoe Kravitz, Edi Gathegi, Oliver Platt, Alex Gonzalez, and Jason Flemyng

X-Men: First Class is a superhero movie and the fifth movie in the X-Men film franchise, following X-Men (2000), X2: X-Men United (2003), X-Men: The Last Stand (2006), and X-Men Origins: Wolverine (2009). X-Men: First Class is a combination prequel to the first film and partial reboot of the franchise, but whatever is it, First Class currently stands as the best film in the X-Men series.

Most of First Class is set in 1962. Charles Xavier (James McAvoy) and Erik Lensherr (Michael Fassbender) are the men who would take the names Professor X and Magneto, respectively. Both are young men and also mutants discovering the extent of their powers, as they embark on their respective missions in life. A telepath with mind control powers, Xavier has recently received his doctorate from Oxford University, and he wants to find more mutants like himself who have special powers. He has lived with one of them, Raven (Jennifer Lawrence), since he was a child.

Meanwhile, Lensherr, who is a Holocaust survivor and mutant that can manipulate magnetism, hunts and kills Nazi and German war criminals. One of his targets is Sebastian Shaw (Kevin Bacon), a mutant with tremendous powers. Now, a scientist and leader of a mysterious group known as the Hellfire Club, Shaw has launched a plot to start a nuclear war between the United States and the Soviet Union.

After Lensherr makes a failed attempt on Shaw’s life, Xavier brings Lensherr into the CIA’s “Division X” facility. There, Xavier and Lensherr recruit young mutants they will train to stop Shaw, but both men see the world differently. As they race to stop the greatest threat the world has ever known, a rift grows between Xavier and Lensherr, one that threatens everything and maybe every human on the planet.

X-Men: First Class is everything good about the franchise: the mutant vs. mutant conflict, man vs. mutant conflict, the struggle against prejudice and bigotry, the action and intrigue, and the themes of family and brotherhood. But in this film, it is all presented in a more audacious and confident manner. There are a lot of things happening in this movie, and the story presents most of it awfully quickly. Director Matthew Vaughn guides it all with such brisk, efficient storytelling that makes most of it clear, clever, and engaging.

First Class is also a summer movie with something to say. With its Cold War setting, Cuban Missile Crisis sub-plot, and allusions to the Civil Rights movement, this movie places the plight of the mutants within a real world context. The film remains, however, cool and intense, even being sometimes playful about its dead serious elements. First Class’ last act does turn a little too much towards action movie mayhem and away from the emotional motivations, but in the end, this X-Men movie plays for keeps. These mutants want to do the right thing, but what is the right thing, the film asks? And what do you do when the people you are trying to protect and save want to kill you?

All the performances here have a youthful energy, and James McAvoy as Xavier and Michael Fassbender as Lensherr have great chemistry together. Fassbender is Oscar-nomination worthy as Lensherr/Magneto. X-Men: First Class is not just good; it is also one of the best superhero movies ever and, so far, the year’s best film.

9 of 10
A+

Saturday, June 04, 2011

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