"Hustle" and "Wolf" Lead 2014 MTV Movie Award Nominations - Complete List

by Amos Semien

The MTV Movie Awards began in 1992.  I cared as much then as I do now, and that’s very little.  I have probably watched less than half an hour combined of all the award telecasts, although I might watch more this year.

The nominations for the 2014 MTV Movie Awards were revealed on Thursday, March 6, 2014.  The nominations feature a mix of the year’s biggest blockbusters (The Hunger Games: Catching Fire, The Hobbit: The Desolation of Smaug, and We’re the Millers) and the movie award season favorites (12 Years a Slave and Dallas Buyers Club).  American Hustle and The Wolf of Wall Street lead the nomination with eight apiece.

Fans can vote by going to the website: http://www.mtv.com/ontv/movieawards/

The 2014 MTV Movie Awards will be held on Sunday, April 13, 2014 at 9:00 p.m. ET/PT.  The ceremony will be hosted by Conan O'Brien.

The 2013 MTV Movie Awards complete list of nominees:

MOVIE OF THE YEAR
• "12 Years a Slave"
• "American Hustle"
• "The Hobbit: The Desolation of Smaug"
• "The Hunger Games: Catching Fire"
• "The Wolf of Wall Street"

BEST FEMALE PERFORMANCE
• Amy Adams — "American Hustle"
• Jennifer Aniston — "We're the Millers"
• Sandra Bullock — "Gravity"
• Jennifer Lawrence — "The Hunger Games: Catching Fire"
• Lupita Nyong'o — "12 Years a Slave"

BEST MALE PERFORMANCE
• Bradley Cooper — "American Hustle"
• Leonardo DiCaprio — "The Wolf of Wall Street"
• Chiwetel Ejiofor — "12 Years a Slave"
• Josh Hutcherson — "The Hunger Games: Catching Fire"
• Matthew McConaughey — "Dallas Buyers Club"

BREAKTHROUGH PERFORMANCE
• Liam James — "The Way Way Back"
• Michael B. Jordan — "Fruitvale Station"
• Will Poulter— "We're the Millers"
• Margot Robbie — "The Wolf of Wall Street"
• Miles Teller — "The Spectacular Now"

BEST KISS
• Jennifer Lawrence and Amy Adams — "American Hustle"
• Joseph Gordon-Levitt and Scarlett Johansson — "Don Jon"
• James Franco, Ashley Benson and Vanessa Hudgens — "Spring Breakers"
• Shailene Woodley and Miles Teller — "The Spectacular Now"
• Emma Roberts, Jennifer Aniston and Will Poulter — "We're the Millers"

BEST FIGHT
• "Anchorman 2: The Legend Continues" — Will Ferrell, Paul Rudd, David Koechner and Steve Carell vs. James Marsden vs. Sacha Baron Cohen vs. Kanye West vs. Tina Fey and Amy Poehler vs. Jim Carrey and Marion Cotillard vs. Will Smith vs. Liam Neeson and John C. Reilly vs. Greg Kinnear
• "Identity Thief" — Jason Bateman vs. Melissa McCarthy
• "The Hobbit: The Desolation of Smaug" — Orlando Bloom and Evangeline Lilly vs. Orcs
• "The Hunger Games: Catching Fire" — Jennifer Lawrence, Josh Hutcherson and Sam Claflin vs. Mutant Monkeys
• "This is the End" — Jonah Hill vs. James Franco and Seth Rogen

BEST COMEDIC PERFORMANCE
• Kevin Hart — "Ride Along"
• Jonah Hill — "The Wolf of Wall Street"
• Johnny Knoxville — "Jackass Presents: Bad Grandpa"
• Melissa McCarthy — "The Heat"
• Jason Sudeikis — "We're the Millers"

BEST SCARED-AS-S**T PERFORMANCE
• Rose Byrne — "Insidious: Chapter 2"
• Jessica Chastain — "Mama"
• Vera Farmiga — "The Conjuring"
• Ethan Hawke — "The Purge"
• Brad Pitt — "World War Z"

BEST ON-SCREEN DUO
• Amy Adams and Christian Bale — "American Hustle"
• Matthew McConaughey and Jared Leto — "Dallas Buyers Club"
• Vin Diesel and Paul Walker — "Fast & Furious 6"
• Ice Cube and Kevin Hart — "Ride Along"
• Jonah Hill and Leonardo DiCaprio — "The Wolf of Wall Street"

BEST SHIRTLESS PERFORMANCE
• Jennifer Aniston — "We're the Millers"
• Sam Claflin — "The Hunger Games: Catching Fire"
• Leonardo DiCaprio — "The Wolf of Wall Street"
• Zac Efron — "That Awkward Moment"
• Chris Hemsworth — "Thor: The Dark World"

#WTF MOMENT
• The RV Crash — "Anchorman 2: The Legend Continues"
• The Beauty Pageant — "Jackass Presents: Bad Grandpa"
• Car Sex — "The Counselor"
• The Lude Scene — "The Wolf of Wall Street"
• Danny's New Pet — "This is the End"

BEST VILLAIN
• Barkhad Abdi — "Captain Phillips"
• Benedict Cumberbatch — "Star Trek into Darkness"
• Michael Fassbender — "12 Years a Slave"
• Mila Kunis — "Oz The Great and Powerful"
• Donald Sutherland — "The Hunger Games: Catching Fire"

BEST ON-SCREEN TRANSFORMATION
• Christian Bale — "American Hustle"
• Elizabeth Banks — "The Hunger Games: Catching Fire"
• Orlando Bloom — "The Hobbit: The Desolation of Smaug"
• Jared Leto — "Dallas Buyers Club"
• Matthew McConaughey — "Dallas Buyers Club"

BEST MUSICAL MOMENT
• Backstreet Boys, Jay Baruchel, Seth Rogen and Craig Robinson Peform in Heaven — "This is the End"
• Jennifer Lawrence Sings "Live & Let Die' — "American Hustle"
• Leonardo DiCaprio Pops and Locks — "The Wolf of Wall Street"
• Melissa McCarthy Sings "Barracuda" — "Identity Thief"
• Will Poulter Sing "Waterfalls" — "We're the Millers"

BEST CAMEO PERFORMANCE
• Robert De Niro — "American Hustle"
• Amy Poehler and Tina Fey — "Anchorman 2: The Legend Continues"
• Kanye West — "Anchorman 2: The Legend Continues"
• Joan Rivers — "Iron Man 3"
• Rihanna — "This is the End"

BEST HERO
• Henry Cavill as Clark Kent — "Man of Steel"
• Robert Downey Jr. as Iron Man — "Iron Man 3"
• Martin Freeman as Bilbo Baggins — "The Hobbit: The Desolation of Smaug"
• Chris Hemsworth as Thor — "Thor: The Dark World"
• Channing Tatum as John Cale — "White House Down"


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Review: "Seven Samurai" is One of the Best Films Ever (Happy B'day, Akira Kurosawa)

TRASH IN MY EYE No. 81 (of 2006) by Leroy Douresseaux

Shichinin no samurai (1954) – B&W
Seven Samurai (1954) – USA title
COUNTRY OF ORIGIN:  Japan
Running time:  206 minutes (3 hours, 26 minutes) - USA restored version
DIRECTOR/EDITOR:  Akira Kurosawa
WRITERS:  Shinobu Hashimoto, Hideo Oguni, and Akira Kurosawa
PRODUCER:  Sojiro Motoki
CINEMATOGRAPHER:  Asakasu Nakai
COMPOSER:  Fumio Hayasaka
Academy Award nominee

DRAMA/HISTORICAL/MARTIAL ARTS/ACTION

Starring:  Takashi Shimura, Toshirô Mifune, Yoshio Inaba, Seiji  Miyaguchi, Minoru Chiaki, Daisuke Katô, Isao Kimura, Keiko Tsushima, Kamatari Fujiwara, Yoshio Kosugi, Bokuzen Hidari, Yoshio Tsuchiya, Yukiko Shimazaki, and Kokuten Kodo

The subject of this movie review is Seven Samurai (original Japanese title: Shichinin no samurai), a 1954 samurai drama and period adventure film from director Akira Kurosawa.  Set during Japan’s Sengoku period (warring states period), the film focuses on a poor village, the bandits that attack the village, and the seven unemployed samurai that the villagers recruit to help defend themselves.

Not only do I consider Seven Samurai to be one of the ten best films every made, but I also love it as one of my all-time favorite movies.  I was surprised to learn that the film is believed to have contributed structural narrative innovations to film storytelling or was among the first to use those innovations.  That’s great, but I don’t need that information on innovations to know that Kurosawa’s film overwhelms me.

Late 16th century, Japan:  a small farming village finds itself annually besieged by bandits, who usually arrive just after harvest so that they can steal the villagers’ crops.  Tired of being beaten into starvation, a small group of farmers leaves the village and heads for a town in hopes of convincing a large number of samurai to defend their village from the encroaching bandits.  The farmers happen upon a scene wherein a master samurai, Kambei (Takashi Shimura), disguises himself as a monk in order to save a child kidnapped by a madman.

Impressed by his bravery, the villagers convince Kambei to help their village, although the only payment that the farmers can offer the samurai is enough rice to eat.  Kambei and the farmers make the same offer to a number of samurai, many of whom are greatly insulted by the offer.  However, six others eventually accept, including a scruffy ronin (Toshirô Mifune) and a novice samurai.  The seven samurai and the farmers return to the village, where together they build the rest of the villagers into a militia, while the bandits lurk in the nearby forest.  Eventually, the bandits’ raids on the village begin, and it culminates in an epic, bloody battle pitting the samurai and villagers against the bandits.

Akira Kurosawa’s Seven Samurai is one of the ultimate auteur films, coming from a director, who like Stanley Kubrick, is an ultimate auteur.  It’s hard to believe that there is anything on the screen that Kurosawa didn’t want, and everything is so carefully considered:  the composition of scenes, the cinematographer, the execution of the action, the editing, the lighting, etc.  The film filled my senses, controlled my emotions, and had my mind on overdrive as I tried to figure out the next move, the next scene, or the narrative flow.  I have found very few films to so move me with such power, exhilaration, fear, anticipation, and Seven Samurai even has a few laughs.

If you’re looking for flying, super powered samurai, this isn’t it.  If you want an epic film about honor, sacrifice, and duty set in a romantic past, Seven Samurai is it.  This is easily one of the ten best motion pictures ever made.

10 of 10

NOTES:
1957 Academy Awards:  2 nominations:  “Best Art Direction-Set Decoration, Black-and-White (Takashi Matsuyama) and “Best Costume Design, Black-and-White” (Kôhei Ezaki)

1956 BAFTA Awards:  3 nominations:  “Best Film from any Source (Japan), “Best Foreign Actor” (Toshirô Mifune of Japan), and “Best Foreign Actor” (Takashi Shimura from Japan)

Friday, April 21, 2006

Updated:  Sunday, March 23, 2014


The text is copyright © 2014 Leroy Douresseaux. All Rights Reserved. Contact this site for syndication rights and fees.

Review: Reese Witherspoon is the Heart of "Legally Blonde" (Happy B'day, Reese Witherspoon)

TRASH IN MY EYE No. 115 (of 2003) by Leroy Douresseaux

Legally Blonde (2001)
Running time:  96 minutes (1 hour, 36 minutes)
MPAA – PG-13 for language and sexual references
DIRECTOR:  Robert Luketic
WRITERS:  Karen McCullah and Kirsten Smith (based upon the novel by Amanda Brown)
PRODUCERS:  Ric Kidney and Marc Platt
CINEMATOGRAPHER:  Anthony B. Richmond (D.o.P.)
EDITORS:  Anita Brandt Burgoyne and Garth Craven
COMPOSER:  Rolfe Kent
Golden Globe nominee

COMEDY with elements of romance

Starring:  Reese Witherspoon, Luke Wilson, Selma Blair, Matthew Davis, Victor Garber, Jennifer Coolidge, Holland Taylor, Ali Larter, Bruce Thomas, and Raquel Welch

The subject of this movie review is Legally Blonde, a 2001 comedy starring Reese Witherspoon.  The film is based on the 2001 novel, Legally Blonde, from author Amanda Brown.  The film focuses on a blonde sorority queen who follows her ex-boyfriend to law school after he dumps her and discovers that she has more legal savvy than she or anyone ever imagined.

Legally Blonde is trash.  Let’s get that straight, so we don’t fool ourselves.  Another fish out of water story with the stereotypical dumb blonde, sorority/fraternity cardboard cutouts, Ivy League elitists, lecherous bosses etc.  It does have one redeeming element – the incomparable and very talented Reese Witherspoon.

Ms. Witherspoon is Elle Wood, a blonde sorority queen, fully prepared to receive an engagement ring from her boyfriend Warner (Matthew Davis), when he suddenly dumps her, pleading that he needs someone smarter than her – someone who would better fit his law career and political ambitions.  Elle decides to follow Warner to Harvard Law School in order to win him back.  Of course, Harvard admits her so that we can even have a movie, although, in reality, they would have ignored her.  But one can understand that Reese/Elle’s charm and bubbly personality not mention her knockout body, would win over even the most conservative and pickiest college admissions officers.

Ms. Witherspoon is a talented actress, and, not only is she likeable, she is outright engaging and has an aura of pure friendliness.  Her movies are a win-win situation for the audience.  Legally Blonde is unadulterated B-movie material that she elevates to uproarious comedy.  Being funny isn’t enough.  The audience has to like her, and she has to sell them on her personality because the movie is all about her.  She does the job winningly.  Notice how I can’t stop gushing.

What else is there to say?  Sometimes, the star is the movie, and the star is so good that she can make a diamond out of a handful of coal dust.  Even when the movie stumbles, Ms. Witherspoon is still a delight to watch.

6 of 10
B

NOTES:
2002 Golden Globe (USA):  2 nominations: “Best Motion Picture - Comedy or Musical” and “Best Performance by an Actress in a Motion Picture - Comedy or Musical” (Reese Witherspoon)

Updated:  Saturday, March 22, 2014


The text is copyright © 2014 Leroy Douresseaux. All Rights Reserved. Contact this site for syndication rights and fees.

Review: "Legally Blonde 2" is Officially Bad

TRASH IN MY EYE No. 116 (of 2003) by Leroy Douresseaux

Legally Blonde 2: Red, White & Blonde (2003)
Running time:  95 minutes (1 hour, 35 minutes)
MPAA – PG-13 for some sex-related humor
DIRECTOR:  Charles Herman-Wurmfeld
WRITERS:  Kate Kondell; from a story by Eve Ahlert, Dennis Drake, and Kate Kondell (based upon characters created by Amanda Brown)
PRODUCERS:  David Nicksay and Marc Platt
CINEMATOGRAPHER:  Elliot Davis (D.o.P.)
EDITOR:  Peter Teschner
COMPOSER:  Rolfe Kent

COMEDY

Starring:  Reese Witherspoon, Sally Field, Regina King, Jennifer Coolidge, Bruce McGill, Dana Ivey, Bob Newhart, Luke Wilson, J Barton, and Alanna Ubach

The subject of this movie review is Legally Blonde 2: Red, White & Blonde, a 2003 comedy starring Reese Witherspoon.  The film is a sequel to the 2001 film, Legally Blonde, which also starred Witherspoon.  In the sequel, Elle Woods heads to Washington D.C. in order to join a congresswoman’s staff and to try and get a bill that bans animal testing passed into law.

If the summer of 2003 tells Hollywood film studios anything it is that sequels don’t always succeed commercially or artistically.  Of course, studio bosses have known that for a while, but to them making sequels seems like a safe bet.  A sequel is a known property with brand awareness, and with the ridiculous cost of making and marketing a movie rising to absurd heights monthly, they go for the safe bet.

Legally Blonde 2: Red, White & Blonde will more than likely make a profit for MGM, even with the kind of tricky accounting the film studios usually invoke to claim that their films are flops so they don’t have to honor profit sharing agreements with actors and producers.  Artistically, it’s not even worth talking about, as an examination of subject matter, theme, and characters is an utter waste of time.

As for it’s entertainment value (you know, the simple judgment of whether you like it), Legally Blonde 2 has none.  I’m quite sure that somewhere there are people who really like this, and I did laugh a sort of painful, dry, desperate-to-find-something-to-justify-the-cost-of-my-ticket laugh a few times.  However, I left the theatre ashamed, praying that no one would ask me what movie I’d just left.  I don’t know what would have been worse, having some nappy-headed homeboy call me a faggot for seeing it or having one of the theatre’s employees laugh at me behind my back because they knew.  Lord, they knew how bad it was.  And they never told me.

There’s a plot, or something like a plot, but right now I only feeling like telling you that this film is just plain awful.  Elle Woods (Reese Witherspoon) goes to Washington D.C. to work for her friend Rep. Victoria Rudd (Sally Field) so that Elle can fight for a law that outlaws cosmetic companies from testing their products on animals.  Apparently, it’s okay for Reese and her studio compatriots to test poisonous cinema products on us.  Regina King plays the most pathetic traitorous Negro since Billy Dee played Lando in The Empire Strikes Back, but at least she was better than the rest of the supporting cast, whom the film reduced to playing naked paper dolls.  Sally Field, her face shockingly showing such age and wear, looked as if she wanted to cry every time she had to be in front of the camera.  I feel you, sista girl.

1 of 10
D-

Updated:  Saturday, March 22, 2014

The text is copyright © 2014 Leroy Douresseaux. All Rights Reserved. Contact this site for syndication rights and fees.

Review: "Labyrinth" Gets Better with Age

TRASH IN MY EYE No. 118 (of 2005) by Leroy Douresseaux

Labyrinth (1986)
Running time:  101 minutes (1 hour, 41 minutes)
MPAA – PG
DIRECTOR:  Jim Henson
WRITERS:  Terry Jones; from a story by Dennis Lee and Jim Henson
PRODUCERS:  Eric Rattray
CINEMATOGRAPHER:  Alex Thompson, B.S.C.
EDITOR:  John Grover
COMPOSER:  Trevor Jones
SONGS:  David Bowie
BAFTA Awards nominee

FANTASY/FAMILY with elements of adventure

Starring:  Jennifer Connelly, David Bowie, Toby Froud, Shari Weiser (Hoggle costume)/Brian Henson (Hoggle voice), Rob Mills (Ludo costume)/Ron Mueck (Ludo voice), David Goelz (voice), David Shaughnessey, Frank Oz (voice), Danny John-Jules, Shelley Thompson, Christopher Malcolm, and Kevin Clash

The subject of this movie review is Labyrinth, a 1986 British-American fantasy film directed by the late Jim Henson.  The film was written by Terry Jones from a story by Henson and Dennis Lee, although various writers contributed without receiving screen credit, including George Lucas (who was also an executive producer of the film), Elaine May, and Laura Philips.  In the film, a teen girl wishes her baby brother away and is then forced to travel through the Goblin King’s Labyrinth in order to save the infant.

Four years after the groundbreaking film, The Dark Crystal, appeared in theatres, Labyrinth was released early in the summer of 1986.  It was the last film directed by famed puppeteer and creator of “The Muppets,” the late Jim Henson’s (1936-1990).  Met with a cool reception at the box office, Labyrinth has gone on to find a large audience on home video, where children who were born long after the film first played in theatres can watch and enjoy it.

Tired of babysitting on yet another weekend night, Sarah (Jennifer Connelly), a teenager with an active imagination who loves to envision herself in fantasy worlds, calls on the goblins from her favorite book, Labyrinth, to take her baby stepbrother, Toby (Toby Froud) away.  What she doesn’t know is that goblins do exist in another world, and they hear her plea.  They take Toby, and Sarah finds herself face to face with Jareth the Goblin King (David Bowie) in her home.  He tries to dissuade her from following him back to his world, but she realizes that she must rescue her brother.

Following Jareth, she discovers that the Labyrinth itself guards Goblin City, in the middle of which sits Jareth’s castle.  Sarah must navigate the twisted maze of deception, full of strange, kooky, and menacing characters if she is to save Toby before the end of 13 hours or he will become a permanent resident of Goblin City.  To save Toby and outwit Jareth, Sarah befriends some of the goblins to aid her on her quest.  Can Sarah and her friends save Toby in time?

Labyrinth doesn’t have The Dark Crystal’s production values, but the creature costumes, makeup, and effects are very good.  In fact, the Goblins (designed by Brian Froud, the father of Toby Froud) are some of the most vividly imaginative creatures to populate a fantasy film.  The performances are good, not great; David Bowie sings the songs he composed for the film, and the tunes have the feel of most music and songs composed for fantasy films of the 1980’s, which is to say they work well enough for the film, even if they’d sound funky on the radio.

The film seems to meander quite often; the filmmakers obviously have the kind of ideas that would fit an epic film, but not enough of them.  Thus, Labyrinth at times feels like a wandering film; the filmmakers are just biding time until the stage the final confrontation between Sarah and Jareth, but to get a full-length film, they had to stretch the middle.  In fact, Labyrinth, because of the quality of its filmmaking, would today be a TV movie.  Still, this is fun to watch just to see the Jim Henson Company’s fabulous puppetry in action – always a good enough reason to watch any Jim Henson production.

6 of 10
B

NOTES:
1987 BAFTA Awards:  1 nomination: “Best Special Visual Effects” (Roy Field, Brian Froud, George Gibbs, and Tony Dunsterville)

Updated:  Friday, March 21, 2014


The text is copyright © 2014 Leroy Douresseaux. All Rights Reserved. Contact this site for syndication rights and fees.

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You can buy LABYRINTH on Blu-ray at AMAZON.

Amazon wants me to inform you that the affiliate link below is a PAID AD, but I technically only get paid (eventually) if you click on the affiliate link below AND buy something(s).

Review: "Escape Plan" Almost Old-Timey

TRASH IN MY EYE No. 13 (of 2014) by Leroy Douresseaux

Escape Plan (2013)
Running time:  115 minutes (1 hour, 55 minutes)
MPAA – R for violence and language throughout
DIRECTOR:  Mikael Håfström
WRITERS:  Miles Chapman and Jason Keller; from a story by Miles Chapman
PRODUCERS:  Robbie Brenner, Mark Canton, Remington Chase, Randall Emmett, and Kevin King-Templeton
CINEMATOGRAPHER:  Brendan Galvin (D.o.P.)
EDITOR:  Elliot Greenberg
COMPOSER:  Alex Heffes

ACTION

Starring:  Sylvester Stallone, Arnold Schwarzenegger, Jim Caviezel, Faran Tahir, Amy Ryan, Sam Neill, Vincent D’Onofrio, Vinnie Jones, Matt Gerald, Caitriona Balfe, Alec Rayme, and Curtis “50 Cent” Jackson

Escape Plan is a 2013 action movie from director Mikael Håfström.  The film stars Sylvester Stallone and Arnold Schwarzenegger in a tale about a structural-security engineer incarcerated in the world’s most secret and secure prison and the escape plan he concocts with a fellow inmate.

Escape Plan opens in Bendwater Federal Penitentiary and introduces Ray Breslin (Sylvester Stallone).  Breslin seems to be prisoner, but actually, he specializes in breaking out of maximum security prisons in order to test their reliability.  With his partner, Lester Clark (Vincent D’Onofrio), Breslin owns the Los Angeles-based, independent security company, B&C Security, where Breslin studies, researches, and writes about prisons.

Breslin and Clark’s latest client is CIA Agent Jessica Mayer (Caitriona Balfe).  Mayer offers Breslin double his free to break out of the International Detainee Unit, a top-secret prison where the world’s most dangerous criminals and terrorists are held, in order to see if it is really escape-proof.  Breslin takes the identity of a Spanish terrorist named “Anthony Portos,” and prepares to be taken into custody.

The plan goes awry, and Breslin awakens in a glass cell located in a complex full of glass cells.  Warden Willard Hobbes (Jim Caviezel) seems delighted to have “Portos” in his prison.  Fellow inmate, Emil Rottmayer (Arnold Schwarzenegger), seems too eager to get to know him.  Now, Breslin must use all his skills to escape, but this prison seems designed to foil his every move.

If you have to see an action movie, Escape Plan will do.  The first half of the film is a nearly unwatchable bore, but the second half of the film is entertaining.  The plot is stretched past the point of credulity in order for the resolution to make sense.

Escape Plan is a pale imitation of Sylvester Stallone and Arnold Schwarzenegger’s 1980s mindless flicks.  From the mid-1980s to the early 1990s, Escape Plan would have been considered a cutting edge techno-thriller; now it’s a shame to see two such venerable stars in such a movie.  Actually, it would make sense for this to be a modern Steven Seagal or even a Jean-Claude Van Damme straight-to-DVD movie.  I must note that Schwarzenegger still looks good, but Stallone’s face is a post-op, plastic surgery wreck.

On the other hand, these two old action movie dogs can still deliver some of what we expect of them.  Escape Plan gives plenty of Stallone brawling, and, in the movie’s last act, we get Schwarzenegger in a classic pose as he fires an automatic weapon, in a way that references him in The Terminator franchise.  I did not ask much of this movie, and thanks to a clunky, listless first half, I almost did get what little I expected.  I will say this:  Escape Plan actually could have been better, so I would like to see Stallone and Schwarzenegger team-up again.

4 of 10
C

Thursday, March 20, 2014


The text is copyright © 2014 Leroy Douresseaux. All Rights Reserved. Contact this site for syndication rights and fees.

Will Ferrell and Kevin Hart "Get Hard"

Will Ferrell and Kevin Hart Headline New Comedy “Get Hard”

BURBANK, Calif.--(BUSINESS WIRE)--Will Ferrell and Kevin Hart join forces on the feature comedy “Get Hard,” which began filming on location in New Orleans Monday, March 17, for director Etan Cohen.

When millionaire hedge fund manager James King (Ferrell) is nailed for fraud and bound for a stretch in San Quentin, the judge gives him 30 days to get his affairs in order. Desperate, he turns to Darnell Lewis (Hart) to prep him for a life behind bars. But despite James’ one-percenter assumptions, Darnell is a hard-working small business owner who has never received a parking ticket, let alone been to prison. Together, the two men do whatever it takes for James to ‘get hard’ and, in the process, discover how wrong they were about a lot of things – including each other.

The film also stars Craig T. Nelson, Alison Brie, and rapper Tip “T.I.” Harris.

Cohen marks his feature directorial debut with “Get Hard,” following a successful writing career, with credits including “Tropic Thunder.”

“Get Hard” is written by Jay Martel & Ian Roberts and Etan Cohen, with a story by Adam McKay and Jay Martel & Ian Roberts. It will be produced by Adam McKay, Will Ferrell, and Chris Henchy, with Kevin Messick and Ravi Mehta serving as executive producers.

The creative filmmaking team includes director of photography Tim Suhrstedt (“Little Miss Sunshine”); production designer Maher Ahmad (“The Hangover Part III”); editor Michael Sale (“We’re the Millers”); and costume designer Shay Cunliffe (“The Bourne Legacy”).

“Get Hard” is scheduled to open nationwide on Friday, March 27, 2015.

A Warner Bros. Pictures presentation of a Gary Sanchez Production, the film will be distributed worldwide by Warner Bros. Pictures, a Warner Bros. Entertainment Company.