Amazon Announces Three Kids Holiday Specials for November 25th

Amazon Studios Launches Original Kids Holiday Specials on November 25, 2016 on Prime Video in the US and UK

Brand-new specials include If You Give a Mouse a Christmas Cookie, The Snowy Day, and An American Girl Story—Maryellen 1955: Extraordinary Christmas and feature notable talent, including Laurence Fishburne, Regina King, Jamie-Lynn Sigler, Angela Bassett, Boyz II Men, Lisa Loeb, and Bethany Cosentino

SEATTLE--(BUSINESS WIRE)--(NASDAQ: AMZN)—Amazon Studios today announced its original kids holiday programming is scheduled to premiere on Friday, November 25, 2016 on Prime Video in the US and UK. Brand-new Amazon Original Specials include If You Give a Mouse a Christmas Cookie, Ezra Jack Keats’ The Snowy Day, and An American Girl Story—Maryellen 1955: Extraordinary Christmas as well as existing holiday episodes from Creative Galaxy and Tumble Leaf.

    “We are so excited to bring our customers our first-ever holiday line-up of specials this season, with If You Give a Mouse a Christmas Cookie and The Snowy Day based on beloved children’s books that highlight strong bonds between friends and families. It’s what the holidays are all about”

“We are so excited to bring our customers our first-ever holiday line-up of specials this season, with If You Give a Mouse a Christmas Cookie and The Snowy Day based on beloved children’s books that highlight strong bonds between friends and families. It’s what the holidays are all about,” said Tara Sorensen, Head of Kids Programming at Amazon Studios. “The American Girl Maryellen special is an inspiring feel-good story that will surely become a holiday family favorite for our customers.”

If You Give a Mouse a Christmas Cookie

If You Give a Mouse a Christmas Cookie is an animated holiday special based on the classic If You Give a Mouse a Cookie book series written by Laura Numeroff and illustrated by Felicia Bond. In this special, it’s holiday time and in Mouse’s house that means Christmas cookies (including a special one for Santa, of course), caroling with friends…and one nearly-destroyed holiday pageant. Can Mouse and his animal friends save the show, without getting utterly distracted along the way? It’s a wild ride as Mouse and his friends work together to solve a problem in a fun and creative way. The special is written and produced by Ken Scarborough (Doug, Curious George, Martha Speaks, Arthur, and Saturday Night Live); stars Mason Mahay (voice of Oliver), Roger Craig Smith (Avengers Assemble and Wreck-It Ralph), Jessica DiCiccio (Over the Hedge), Jeff Bennett (Futurama), and Lara Jill Miller (The Loud House, Henry Hugglemonster, and Doc McStuffins). The special also features an original song “Christmas Cookie Song” by Lisa Loeb, available exclusively on Amazon Music to download and stream November 25. If You Give a Mouse a Cookie was part of Amazon’s 2015 fall pilot season rated 4.7 stars by customers with 82% 5-star reviews; season one will premiere on Amazon Prime Video next year.

Ezra Jack Keats’ The Snowy Day

The Snowy Day is an animated holiday special based on the award-winning book by Ezra Jack Keats. The book is well-known as one of the first picture books to feature an African-American protagonist, has won many awards, including the Caldecott medal—one of the highest honors in children’s literature, and was included in the Library of Congress’ list of “Books that Shaped America.” The special follows Peter, a young boy in a red snowsuit, as his mother sends him on an adventure to Nana’s house to retrieve their traditional Christmas mac and cheese dinner. Enjoying the snowy day along the way, Peter encounters friends from the neighborhood, including storekeepers and bakers to the older boys he admires—and a group of a capella singers voiced by Boyz II Men. After arriving at Nana’s and retrieving the mac and cheese—and his most coveted gift, a brand-new red sled—Nana helps Peter team up with the older boys for an epic snowball fight, resulting in the destruction of the special holiday dinner and his sled. When the neighborhood comes together to celebrate new traditions with Peter and his family, Peter realizes that the true meaning of the holiday is who you spend it with. Narrated by Laurence Fishburne (Black-ish, Batman v Superman: Dawn of Justice, and The Matrix) and featuring voice talent by Regina King (American Crime and The Leftovers), Jamie-Lynn Sigler (The Sopranos), and Angela Bassett (American Horror Story and BoJack Horseman), The Snowy Day features an original song “Snowy Day” by Boyz II Men, available exclusively on Amazon Music to download and stream November 25. Executive produced by Laurence Fishburne and Helen Sugland (Akeelah and the Bee) as well as Ann Austen, Irene Sherman, and Deborah Pope (Ezra Jack Keats Foundation).

An American Girl Story—Maryellen 1955: Extraordinary Christmas

An American Girl Story—Maryellen 1955: Extraordinary Christmas is the second collaboration between American Girl and Amazon and is based on American Girl’s previously launched BeForever character Maryellen Larkin. The special is set during Christmas in 1955 in Daytona Beach, Florida, where middle child Maryellen (Alyvia Alyn Lind) longs to stand out amidst the hustle and bustle of her big, busy family. A boisterous and artistic girl, Maryellen’s adventurous spirit is sometimes at odds with the era she’s living in: when conformity was valued above individuality. When Benji (Samuel Faraci), a family friend afflicted with polio comes to stay with them and visit Daytona Beach’s hospital for care, Maryellen is inspired to help the polio patients have the best Christmas ever. But her first attempts fall flat, followed by a fight with her best friend Davy (Maxwell Acee Donovan). With guidance and advice from Maryellen’s wise and sympathetic mother (Mary McCormack), Maryellen learns the key to helping others is through listening. Through her gift of drawing, Maryellen helps give the children an extraordinary Christmas they’ll never forget. Executive produced by Jane Startz (Ella Enchanted). An American Girl Story—Maryellen 1955: Extraordinary Christmas features an original song “Christmas and Everyday” by Best Coast, available exclusively on Amazon Music to download and stream November 25.

These specials are part of Prime Video’s growing line-up of award-winning and critically acclaimed Originals for kids and families—to see more originals available exclusively for Prime members visit www.amazon.com/originals.


About Amazon Video
Amazon Video is a premium on-demand entertainment service that offers customers the greatest choice in what to watch, and how to watch it. Amazon Video is the only service that provides all of the following:

•     Prime Video: Thousands of movies and TV shows, including popular licensed content plus critically acclaimed and award-winning Amazon Original Series and Movies from Amazon Studios like Transparent, The Man in the High Castle, Love & Friendship and kids series Tumble Leaf, available for unlimited streaming as part of an Amazon Prime membership
•     Add-on Subscriptions: Dozens of subscriptions to networks like SHOWTIME, STARZ and more, available to Amazon Prime members as add-ons to their membership
•     Rent or Own: Hundreds of thousands of titles, including new-release movies and current TV shows available for on-demand rental or purchase for all Amazon customers
•     Instant Access: Instantly watch anytime, anywhere through the Amazon Video app on TVs, mobile devices, Amazon Fire TV, Fire TV Stick, and Fire tablets, or online. For a list of all compatible devices visit www.amazon.com/howtostream
•     Premium Features: Top features like 4K Ultra HD, High Dynamic Range (HDR) and mobile downloads for offline viewing of select content

In addition to Prime Video, the Prime membership includes unlimited Free Two-Day Shipping on millions of items across all categories, more than one million songs and thousands of playlists and stations with Prime Music, early access to select Lightning Deals all year long, free secure, unlimited photo storage in Amazon Cloud Drive with Prime Photos, access to borrow books with the Kindle Owners’ Lending Library, and more. To sign-up for Prime or to find out more visit: www.amazon.com/prime.

About Amazon
Amazon is guided by four principles: customer obsession rather than competitor focus, passion for invention, commitment to operational excellence, and long-term thinking. Customer reviews, 1-Click shopping, personalized recommendations, Prime, Fulfillment by Amazon, AWS, Kindle Direct Publishing, Kindle, Fire tablets, Fire TV, Amazon Echo, and Alexa are some of the products and services pioneered by Amazon. For more information, visit www.amazon.com/about.

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Academy of Motion Picture Arts and Sciences Invites New Members - Actors

ACADEMY INVITES 683 TO MEMBERSHIP

The Academy of Motion Picture Arts and Sciences is extending invitations to join the organization to 683 artists and executives who have distinguished themselves by their contributions to theatrical motion pictures.  Those who accept the invitations will be the only additions to the Academy’s membership in 2016.

18 individuals (noted by an asterisk) have been invited to join the Academy by multiple branches.  These individuals must select one branch upon accepting membership.

New members will be welcomed into the Academy at an invitation-only reception in the fall.

Learn more: http://www.oscars.org/2016class

The 2016 invitees are:

Actors
Mahershala Ali – “The Hunger Games: Mockingjay (Parts 1 and 2),” “The Curious Case of Benjamin Button”
Anthony Anderson – “The Departed,” “Hustle & Flow”
Adam Beach – “Suicide Squad,” “Flags of Our Fathers”
Kate Beckinsale – “Love & Friendship,” “The Aviator”
Chadwick Boseman – “Captain America: Civil War,” “Get on Up”
John Boyega – “Star Wars: The Force Awakens,” “Attack the Block”
Betty Buckley – “Wyatt Earp,” “Carrie”
Rose Byrne – “X-Men: First Class,” “Bridesmaids”
Julie Carmen – “The Milagro Beanfield War,” “Gloria”
Enrique Castillo – “Déjà Vu,” “Bound by Honor”
Morris Chestnut – “G.I. Jane,” “Boyz N the Hood”
Cliff Curtis – “Live Free or Die Hard,” “Training Day”
Loretta Devine – “Crash,” “I Am Sam”
Carmen Ejogo – “Selma,” “Sparkle”
Idris Elba – “Beasts of No Nation,” “Pacific Rim”
America Ferrera – “Cesar Chavez,” “End of Watch”
Vivica A. Fox – “Kill Bill,” “Independence Day”
Andrew Garfield – “99 Homes,” “The Amazing Spider-Man”
Greta Gerwig – “Frances Ha,” “To Rome with Love”
Jesse D. Goins – “The Ugly Truth,” “Patriot Games”
Bruce Greenwood – “Flight,” “Star Trek”
Carla Gugino – “Watchmen,” “Night at the Museum”
Luis Guzmán – “Punch-Drunk Love,” “Carlito’s Way”
Dennis Haysbert – “Dear White People,” “Wreck-It Ralph”
Tom Hiddleston – “Crimson Peak,” “Marvel’s The Avengers”
James Hong – “Safe,” “Mulan”
Oscar Isaac – “Ex Machina,” “A Most Violent Year”
O’Shea “Ice Cube” Jackson* – “Ride Along,” “Friday”
Dakota Johnson – “Black Mass,” “Fifty Shades of Grey”
Cherry Jones – “Whiskey Tango Foxtrot,” “Signs”
Michael B. Jordan – “Creed,” “Fruitvale Station”
Daniel Dae Kim – “The Divergent Series: Insurgent,” “Crash”
Regina King – “Ray,” “Jerry Maguire”
Brie Larson – “Room,” “Trainwreck”
Byung-Hun Lee – “Terminator Genisys,” “G.I. Joe: The Rise of Cobra”
Nia Long – “Keanu,” “Boyz N the Hood”
Sal Lopez – “The Astronaut Farmer,” “Full Metal Jacket”
Ignacio López Tarso – “Under the Volcano,” “Nazarin”
Patti LuPone – “Parker,” “Driving Miss Daisy”
Peter Mackenzie – “Trumbo,” “42”
Rachel McAdams – “Spotlight,” “Midnight in Paris”
Eva Mendes – “The Place beyond the Pines,” “Hitch”
Tatsuya Nakadai – “Ran,” “Kagemusha”
Adepero Oduye – “The Big Short,” “12 Years a Slave”
Marisa Paredes – “The Skin I Live In,” “All about My Mother”
Nate Parker – “Beyond the Lights,” “Red Tails”
Harold Perrineau – “Zero Dark Thirty,” “28 Weeks Later”
Jorge Perugorría – “Che,” “Strawberry and Chocolate”
Silvia Pinal – “Vintage Model,” “The Exterminating Angel”
Freida Pinto – “Immortals,” “Slumdog Millionaire”
Michelle Rodriguez – “Avatar,” “Girlfight”
Anika Noni Rose – “For Colored Girls,” “Dreamgirls”
Cecilia Roth – “Lucia Lucia,” “All about My Mother”
Mark Rylance – “Bridge of Spies,” “The Other Boleyn Girl”
Pepe Serna – “The Black Dahlia,” “The Ballad of Gregorio Cortez”
Martin Starr – “I’ll See You in My Dreams,” “Adventureland”
Elizabeth Sung – “Memoirs of a Geisha,” “The Joy Luck Club”
Sharmila Tagore – “Dhadkan,” “The World of Apu”
Tessa Thompson – “Creed,” “Dear White People”
Lorraine Toussaint – “Selma,” “Middle of Nowhere”
Glynn Turman – “Super 8,” “Men of Honor”
Gabrielle Union – “Top Five,” “Bad Boys II”
Jacob Vargas – “The 33,” “Jarhead”
Alicia Vikander – “The Danish Girl,” “Ex Machina”
Emma Watson – “The Bling Ring,” “The Perks of Being a Wallflower”
Damon Wayans, Jr. – “Big Hero 6,” “Let’s Be Cops”
Marlon Wayans – “The Heat,” “Requiem for a Dream”
Rita Wilson – “It’s Complicated,” “Runaway Bride”
Daphne Zuniga – “Staying Together,” “Spaceballs”

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"12 Years a Slave" Makes Its Basic Cable Premiere on BET Networks

BET Honors Black History Month with 2 New Specials

JAMIE FOXX, ROBERT DOWNEY JR., KERRY WASHINGTON, OCTAVIA SPENCER AND MORE ATTEND “ABFF AWARDS: A CELEBRATION OF HOLLYWOOD” AIRING ON BET AND CENTRIC, TUESDAY, FEBRUARY 23RD AT 8P/7C

LOS ANGELES--(BUSINESS WIRE)--Tune in Tuesday, February 23, 2016 as BET partners with American Black Film Festival (ABFF) to air “ABFF Awards: A Celebration of Hollywood” at 8P/7C. This first-ever televised award shows tributes film legends and TV’s hottest stars. Hosted by Mike Epps, the two-hour event honors Don Cheadle, Regina King, Ryan Coogler, Diahann Carroll and Will Packer for their achievements in entertainment. Don’t miss special appearances by Jamie Foxx, Robert Downey Jr., Kerry Washington, Octavia Spencer, Loretta Devine, KeKe Palmer, Anthony Anderson and more!

2014 Best Picture Oscar Winner, “12 Years A Slave,” makes its basic cable premiere on BET Networks to wrap up Black History Month. The movie premieres Saturday, February 27, 2016 at 8:00 p.m. ET/PT. The film is based on an incredible true story of one man's fight for survival and freedom. In the pre-Civil War United States, Solomon Northup (Chiwetel Ejiofor), a free black man from upstate New York, is abducted and sold into slavery. Facing cruelty as well as unexpected kindnesses, Solomon struggles not only to stay alive, but to retain his dignity. In the twelfth year of his unforgettable odyssey, Solomon's chance meeting with a Canadian abolitionist forever alters his life.

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BET to Produce the 2016 American Black Film Festival Awards

BET Networks Partners with the American Black Film Festival to Produce the 2016 ABFF Awards: A Celebration of Hollywood Premiering Tuesday, February 23rd at 8pm ET/PT

Don Cheadle, Regina King and Ryan Coogler Join Diahann Carroll and Will Packer as Honorees for an Evening Celebrating Excellence in Entertainment

LOS ANGELES--(BUSINESS WIRE)--Today, ABFF Ventures and BET Networks announced their partnership to produce the “ABFF Awards: A Celebration of Hollywood,” hosted by actor and comedian Mike Epps and premiering on BET and Centric Tuesday, February 23rd, 2016 at 8 p.m. ET/PT. The Awards celebrates Black culture and recognizes individuals, movies and television shows of the past year that have had a significant impact on American entertainment, as well as the people who have been proponents in championing diversity and inclusion in Hollywood. This year’s event will be taped on Sunday, February 21st, 2016 at the Beverly Hilton in Los Angeles.

In addition to recognizing the top television shows and films of the year, the “ABFF Awards: Celebration of Hollywood” will pay tribute to film legends along with today's creative forces, who together inspire the filmmakers and entrepreneurs of tomorrow. Iconic actress, Diahann Carroll, will be presented with the Hollywood Legacy Award, and television and film producer Will Packer will receive the Distinguished ABFF Alumni Award at the 2016 ABFF Awards: A Celebration of Hollywood.

Joining our illustrious list of honorees, we are excited to reveal the Excellence in the Arts Award (male and female), to Actors/Directors Don Cheadle and Regina King. Our Rising Star Award honoree is Director Ryan Coogler.

“Twenty years ago, I created the American Black Film Festival to spotlight the rich diversity of talent and achievement. It was born out of my love for film and desire to ensure that Black people gained opportunity and equity in every arena of Hollywood. I am truly honored to partner with BET to showcase the work of our most talented artists.” - Jeff Friday, ABFF Founder and CEO

“It’s clear that there’s a need for this show. BET is very excited to partner with Jeff and ABFF to present A Celebration of Hollywood. We will unabashedly acknowledge performances and achievements of African-Americans on screen from this past year and give special honor and recognition to artists that have thrilled us during their highly-acclaimed careers. 2015 was ripe with tremendous and inspiring performances by African-Americans and we are beyond thrilled to be the ones to recognize them with class and admiration.” - Stephen Hill, President of Programming, BET Networks

With a resume that’s as varied and expansive as it is rich in depth of the characters he brings to life, Academy Award nominee Don Cheadle is, without question, one of the most highly sought after and premier actors of his generation. Turning in consistently powerful performances, Don has not only taken on challenging roles, but put his talents into producing projects he believes in as well.

Don currently stars as ‘Marty Kaan’ on the critically acclaimed Showtime series House of Lies. House of Lies has earned multiple nominations for the series and Don himself, including four Emmy Nominations, a Golden Globe® Award and two additional Golden Globe® nominations and a SAG Award nomination. Recently Don directed his first feature film, Miles Ahead, which he also co-wrote and produced. Don also stars in the film, based on the life of legendary jazz artist, Miles Davis, along with Ewan McGregor.

Don is well known for his passionate performances on stage and screen, stemming from his breakout performance opposite Denzel Washington in Devil in A Blue Dress, where he was named Best Supporting Actor by the Los Angeles Film Critics. In 2012, Cheadle garnered critical acclaim for his role in Robert Zemeckis’ Flight. Additional film credits include Talk To Me; the 2006 Oscar® winning Best Picture, Crash, which Cheadle also produced; Hotel Rwanda, for which his performance garnered Academy Award®, Golden Globe®, Broadcast Film Critics Award and Screen Actors Guild® Award nominations for Best Actor; Ocean’s Eleven, Ocean’s Twelve and Ocean’s Thirteen, Boogie Nights, Bulworth, Swordfish, Mission To Mars and Rosewood, for which Cheadle earned an NAACP Image Award nomination.

Regina King’s distinguished talents have not gone unnoticed by Hollywood. She has recently been seen in recurring roles on CBS’s hit show The Big Bang Theory, Showtime’s critically acclaimed series Shameless and FX’s thriller The Strain. The skilled actress wrapped the fifth and final season of TNT’s drama Southland in 2013. In addition to directing episodic television for ABC’s Scandal and BET’s Being Mary Jane, King also helmed the teleplay adaptation of the best-selling book, Let the Church Say Amen, for BET Networks. Regina is currently a series regular on two critically-hailed television dramas including HBO’s “The Leftovers,” as well as the John Ridley ABC anthology American Crime, which has garnered her very first Emmy Award Nomination, as well as her first Golden Globe Nomination for “Best Performance by an Actress in a Supporting Role in a Series, Mini-Series or Motion Picture Made for Television.” Regina also starred opposite Sandra Bullock in the comedy Miss Congeniality 2: Armed and Fabulous, as well as voiceovers for the animated film, Ant Bully and the hit television show, The Boondocks. Her appearance in the Oscar-nominated film Ray, opposite Jamie Foxx, garnered King critically-acclaimed praise, as well as her role as Cuba Gooding Jr.’s wife Marci, in the blockbuster film, Jerry Maguire.

Regina made her television debut on the hit sitcom “227.” After five seasons, King made the leap to the silver screen with a role in John Singleton’s powerful directorial debut, Boys N the Hood. She would soon collaborate with Singleton again in Poetic Justice and Higher Learning. This committed actress has always been consistent in showing her dynamic range, bouncing effortlessly from dramatic material to comedic performances, like in the hit film Friday with Ice Cube and in A Thin Line Between Love and Hate, opposite Martin Lawrence.

American Black Film Festival alum, Ryan Coogler, was born in Oakland, CA and always harbored a talent for storytelling. Ryan discovered his own passion for filmmaking as a college freshman, and began shooting shorts with his teammates and friends. After being admitted into the USC School of Cinematic Arts, he went on to create his award winning shorts Locks, Fig and Gap. After receiving his M.F.A., he began to work as a juvenile hall counselor before creating a short film, which won the HBO Short Film Competition at the American Black Film Festival in 2011 and then directed his first feature film, Fruitvale Station, which debuted at the 2013 Sundance Film Festival. Ryan has received much success with his recent feature, Creed, and has recently been tapped to direct Marvel Comics’ Black Panther.

“The ABFF Awards: A Celebration of Hollywood,” presented by the American Black Film Festival and BET Networks, will be one of the highlights of the Hollywood Awards season and Black History Month. The event is an ABFF Ventures production and is executive produced by show creator Jeff Friday, Debra Lee, Stephen Hill, Jesse Collins, Suzanne de Passe and Connie Orlando. Sponsors are Cadillac (Presenting Sponsor), Hilton Worldwide, Moet Hennessy, and Prudential Inc. (Gold Sponsors), and Morgan Stanley and Verizon (Silver Sponsors).

For more information on the American Black Film Festival and the ABFF Awards: A Celebration of Hollywood, go to www.ABFF.com, www.ABFF.com/ABFFAwards, www.BET.com and BET.com/ACelebrationOfHollywood.

Join the conversation on social media by logging on to ABFF and BET’s multiple social media platforms:

• On Twitter by using hashtag: #BETCelebratesHollywood; follow us @BET and @ABFF

• On Facebook by liking the fan page at facebook.com/BET and at facebook.com/American-Black-Film-Festival

•On Instagram by liking the fan page at Instagram.com/BET and Instagram.com/AmericanBlackFilmFestival


ABOUT ABFF:
The American Black Film Festival (ABFF), founded in 1997, is an annual event dedicated to showcasing quality film and television content by and about people of African descent. The festival is committed to the belief that Black artists and content creators deserve the same opportunities as their mainstream counterparts. ABFF founder Jeff Friday, conceived the festival in 1997 as a vehicle to promote diversity in the motion picture industry, and strengthen the Black filmmaking community through resource sharing, education, artistic collaboration and career development. Today, the ABFF is recognized as the preeminent pipeline to new Black talent, both in front of and behind the camera, and is regarded as one of the leading film festivals in the world. The ABFF is a property of ABFF Ventures LLC., which is a partnership between Film Life, Inc. and Black Enterprise. Celebrating its 20th year, the 2016 ABFF will take place June 15-19, 2016 in Miami, Florida.

ABOUT BET NETWORKS:
BET Networks, a subsidiary of Viacom Inc. (NASDAQ: VIA, VIAB), is the nation's leading provider of quality entertainment, music, news and public affairs television programming for the African-American audience. The primary BET channel reaches more than 90 million households and can be seen in the United States, Canada, the Caribbean, the United Kingdom and sub-Saharan Africa. BET is the dominant African-American consumer brand with a diverse group of business extensions: BET.com, a leading Internet destination for Black entertainment, music, culture, and news; Centric, the first network dedicated to Black women; BET Digital Networks - BET Soul, BET Jams and BET Gospel, attractive alternatives for cutting-edge entertainment tastes; BET Home Entertainment, a collection of BET-branded offerings for the home environment including DVDs and video-on-demand; BET Event Productions, a full-scale event management and production company with festivals and live events spanning the globe; BET Mobile, which provides ringtones, games and video content for wireless devices; and BET International, which operates BET in the United Kingdom and oversees the extension of BET network programming for global distribution.

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2015 Primetime Emmy Award Winners; "Game of Thrones" Rules

The Emmy Award (or simply “Emmy”) recognizes excellence in the television industry.  It corresponds to the Academy Award (for film), the Grammy Award (for music), and the Tony Award (for theatre).  The best known Emmy Awards are the Primetime Emmys and Daytime Emmys.  However, Emmys are awarded for sports programming, for national news and documentaries, and for regional and international television, among others.

The 2015 Primetime Emmy Award winners were announced on Sunday, September 20, 2015.  Andy Samberg hosted the 2015 Primetime Emmy Awards ceremony that was broadcast FOX, live from the Microsoft Theater in downtown Los Angeles.

2015 / 67th Emmy Award winners:

OUTSTANDING DRAMA SERIES
“Game of Thrones”

OUTSTANDING COMEDY SERIES
“Veep”

LEAD ACTOR, DRAMA
Jon Hamm, “Mad Men”

LEAD ACTRESS, DRAMA
Viola Davis, “How to Get Away with Murder”

LEAD ACTOR, LIMITED SERIES OR MOVIE
Richard Jenkins, “Olive Kitteridge”

LEAD ACTRESS, LIMITED SERIES OR MOVIE
Frances McDormand, “Olive Kitteridge”

LEAD ACTOR, COMEDY
Jeffrey Tambor, “Transparent”

LEAD ACTRESS, COMEDY
Julia Louis-Dreyfus, “Veep”

REALITY-COMPETITION SERIES
“The Voice”

VARIETY SERIES
“The Daily Show With Jon Stewart”

LIMITED SERIES
“Olive Kitteridge”

VARIETY SKETCH SERIES
“Inside Amy Schumer”

TELEVISION MOVIE
“Bessie”

SUPPORTING ACTOR, DRAMA
Peter Dinklage, “Game Of Thrones”

SUPPORTING ACTRESS, DRAMA
Uzo Aduba, “Orange Is The New Black”

GUEST ACTOR, DRAMA
Reg E. Cathey, “House of Cards”

GUEST ACTRESS, DRAMA
Margo Martindale, “The Americans”

SUPPORTING ACTOR, COMEDY
Tony Hale, “Veep”

SUPPORTING ACTRESS, COMEDY
Allison Janney, “Mom”

GUEST ACTOR, COMEDY
Bradley Whitford, “Transparent”

GUEST ACTRESS, COMEDY
Joan Cusack, “Shameless”

SUPPORTING ACTOR, LIMITED SERIES OR MOVIE
Bill Murray, “Olive Kitteridge”

SUPPORTING ACTRESS, LIMITED SERIES OR MOVIE
Regina King, “American Crime”

WRITING FOR A DRAMA SERIES
David Benioff and D.B. Weiss for Game Of Thrones, “Mother’s Mercy” from HBO, HBO Entertainment in association with Bighead, Littlehead, Television 360, Startling Television and Generator Productions

DIRECTING FOR A DRAMA SERIES
David Nutter for Game Of Thrones, “Mother’s Mercy” from HBO, HBO Entertainment in association with Bighead, Littlehead, Television 360, Startling Television and Generator Productions

WRITING FOR A COMEDY SERIES
Simon Blackwell, Armando Iannucci and Tony Roche for Veep, “Election Night” from HBO, HBO Entertainment in association with Dundee Productions

DIRECTING FOR A COMEDY SERIES
Jill Soloway for Transparent, “Best New Girl” from Amazon Instant Video and Amazon Studios

WRITING FOR A LIMITED SERIES, MOVIE OR DRAMATIC SPECIAL
Jane Anderson or “Olive Kitteridge” from HBO, HBO Miniseries in association with Playtone

DIRECTING FOR A LIMITED SERIES, MOVIE OR DRAMATIC SPECIAL
Lisa Cholodenko for “Olive Kitteridge” from HBO, HBO Miniseries in association with Playtone

HOST, REALITY OR REALITY-COMPETITION PROGRAM
Jane Lynch, “Hollywood Game Night”

STRUCTURED REALITY PROGRAM
“Shark Tank”

UNSTRUCTURED REALITY PROGRAM
“Deadliest Catch”

WRITING FOR A VARIETY SERIES
“The Daily Show With Jon Stewart”

DIRECTING FOR A VARIETY SERIES
Chuck O’Neil for The Daily Show With Jon Stewart, “Show 20103″ from Comedy Central, Central Productions

SPECIAL CLASS PROGRAM
“Sweeney Todd: The Demon Barber Of Fleet Street”

DOCUMENTARY OR NONFICTION SPECIAL
“Going Clear: Scientology And The Prison Of Belief”

DOCUMENTARY OR NONFICTION SERIES
“The Jinx: The Life And Deaths Of Robert Durst”

INFORMATIONAL SERIES OR SPECIAL
“Anthony Bourdain Parts Unknown”

EXCEPTIONAL MERIT IN DOCUMENTARY FILMMAKING
“Citizenfour”

A 2015 Creative Arts Emmy Award winners list is here.

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BET Announces #BLACKGIRLSROCK Celebrants

Ava DuVernay, Jada Pinkett Smith, Cicely Tyson, Erykah Badu, Dr. Helene D. Gayle and Nadia Lopez Honored as This Year’s “Black Girls Rock!™” Celebrants

Ciara, Erykah Badu, Jill Scott, Faith Evans, Fantasia, Sheila E. and Lalah Hathaway Confirmed to Rock the Stage During “Black Girls Rock!™” 2015

Hosted by Tracee Ellis Ross and Regina King, “Black Girls Rock!™” Will Tape March 28, 2015 at the New Jersey Performing Arts Center

#BLACKGIRLSROCK

NEW YORK--(BUSINESS WIRE)--BET Networks is excited to reveal this year’s “BLACK GIRLS ROCK!™” 2015 celebrants:

Cicely Tyson, Living Legend Award

Ava DuVernay, Shot Caller Award

Dr. Helene D. Gayle, Social Humanitarian Award

Erykah Badu, Rock Star Award

Nadia Lopez, Change Agent Award

Jada Pinkett Smith, Star Power Award

Additionally, Ciara, Erykah Badu, Jill Scott, Faith Evans, Fantasia, Sheila E. and Lalah Hathaway will be hitting the stage as performers for “BLACK GIRLS ROCK!™” 2015 along with surprise musical performances. The televised special celebrates its fifth year honoring the triumphs of inspirational African-American women who are trailblazers in the areas of art, philanthropy, sports, and community service. As previously announced, Tracee Ellis Ross and Regina King will co-host the event at the New Jersey Performing Arts Center located in downtown Newark, New Jersey. Tune in to watch “BLACK GIRLS ROCK!™” on Easter Sunday, April 5, 2015 at 7 pm/ET.

“BLACK GIRLS ROCK!™” nationally broadcast its televised debut on BET Networks in 2010. Going into its fifth year on TV, the dynamic award show continues to represent a revolutionary landmark in media, diverging from traditional award shows by honoring powerful women through didactic, entertaining, and inspiring content. “BLACK GIRLS ROCK!™” will air on BET Networks this year for the first time since 2013 and will premiere on BET Networks in the UK on Thursday, April 9, 2015 at 9pm BST (check local listings).

For updates or more information about “BLACK GIRLS ROCK! ™” visit http://www.BET.com/blackgirlsrock and www.blackgirlsrock.org

Join the conversation on social media by logging on to BET’s multiple social media platforms:

• On Twitter by using hashtag: #BlackGirlsRock; follow us @BET and @BLACKGIRLSROCK

• On Facebook by liking the fan pages at facebook.com/BET and facebook.com/BLACKGIRLSROCK

• On Instagram @betnetworks and @BLACKGIRLSROCK

ABOUT BLACK GIRLS ROCK!™:
Founded by celebrity DJ and philanthropist, Beverly Bond, BLACK GIRLS ROCK!™ is a multifaceted movement dedicated to shifting the culture of media images and empowering women and girls. BLACK GIRLS ROCK!™ Inc., is a 501(c)(3) nonprofit organization, that has been committed to enriching girls through leadership, education, and positive identity development programs since 2006. BLACK GIRLS ROCK!™ Inc. builds the self-esteem and self-worth of young women of color by changing their outlook on life, broadening their horizons and providing tools for self-empowerment and efficacy. For additional information on BLACK GIRLS ROCK!™, visit http://www.blackgirlsrock.org

ABOUT BET NETWORKS:
BET Networks, a subsidiary of Viacom Inc. (NASDAQ: VIA, VIA.B), is the nation’s leading provider of quality entertainment, music, news and public affairs television programming for the African-American audience. The primary BET channel reaches more than 90 million households and can be seen in the United States, Canada, the Caribbean, the United Kingdom and sub-Saharan Africa. BET is the dominant African-American consumer brand with a diverse group of business extensions: BET.com, a leading Internet destination for Black entertainment, music, culture, and news; CENTRIC, a 24-hour entertainment network targeting the 25- to 54-year-old African-American audience; BET Digital Networks - BET Gospel and BET Hip Hop, attractive alternatives for cutting-edge entertainment tastes; BET Home Entertainment, a collection of BET-branded offerings for the home environment including DVDs and video-on-demand; BET Event Productions, a full-scale event management and production company with festivals and live events spanning the globe; BET Mobile, which provides ringtones, games and video content for wireless devices; and BET International, which operates BET in the United Kingdom and oversees the extension of BET network programming for global distribution.

ABOUT NEW JERSEY PERFORMING ARTS CENTER:
New Jersey Performing Arts Center (NJPAC), located in downtown Newark, New Jersey, is among the largest performing arts centers in the United States. It is the artistic, cultural, educational and civic center of New Jersey -- where great performances and events enhance and transform lives every day. As New Jersey’s Town Square, NJPAC brings diverse communities together, providing access to all and showcasing the State’s and the world’s best artists, while acting as a leading catalyst in the revitalization of its home city. Through its extensive Arts Education programs, NJPAC is shaping the next generation of artists and arts enthusiasts. NJPAC has attracted over seven million visitors (including more than one million children) since opening its doors in 1997, and nurtures meaningful and lasting relationships with each of its constituents. Visit http://www.njpac.org or call 1-888-GO-NJPAC for more information.

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Review: "Planes: Fire and Rescue" Flies Past Original

TRASH IN MY EYE No. 50 (of 2014) by Leroy Douresseaux

Planes: Fire & Rescue (2014)
Running time:  84 minutes (1 hour, 24 minutes)
Rating: MPAA – PG for action and some peril
DIRECTOR:  Bob Gannaway
WRITERS:  Jeffrey M. Howard; from a story by Jeffrey M. Howard and Bob Gannaway (based on characters created by John Lasseter, Klay Hall, and Jeffrey M. Howard)
PRODUCER:  Ferrell Barron
EDITOR:  Dan Molina
COMPOSER:  Mark Mancina

ANIMATION/ACTION/DRAMA/FAMILY with elements of comedy

Starring:  Dane Cook, Ed Harris, Julie Bowen, Curtis Armstrong, John Michael Higgins, Hal Holbrook, Wes Studi, Barry Corbin, Regina King, Fred Willard, Kevin Michael Richardson, Rene Auberjonois, Jerry Stiller, Stacy Keach, Brad Garrett, Teri Hatcher, Cedric the Entertainer, Danny Mann, John Ratzenberger, and Brent Musburger

Planes: Fire & Rescue is a 2014 computer-animated fantasy action film and drama that was produced by DisneyToon Studios.  It is a direct sequel to the 2013 film, Planes.  The Planes film series is a spinoff of Pixar's Cars film franchise.  Planes focuses on Dusty, a cropduster plane who dreams of competing in a world-famous aerial race.  In Planes: Fire & Rescue, Dusty learns that he may never race again and begins training as a firefighter to help his hometown.

As Planes: Fire & Rescue opens, Dusty Crophopper (Dane Cook) continues his successful aerial racing career that took off after he won the Wings Around the Globe Rally.  However, the high rates of speed at which Dusty flies leads to some internal damage that may end his racing career.  After an accidental fire closes the airport in his hometown of Propwash Junction, Dusty offers to undergo training to be certified as a firefighter.

He travels to Piston Peak National Park to train under Blade Ranger (Ed Harris), a veteran fire-and-rescue helicopter, and the crew he commands, the Piston Peak Air Attack.  Dusty, however, is over-anxious and his training proves to be a difficult challenge, even as a major fire strengthens and threatens the entire park.

There is no way that I expected Planes: Fire & Rescue to be a better film than Planes, which I really liked, but the sequel surpasses the original.  Why is that?   Fire & Rescue has heart; it's that simple.  Dusty Crophopper's problems:  the dilemmas he faces, his conflicts with his new colleagues, his self-doubts, his grief over a possibly lost career, and his desperation to prove himself all over again make for surprisingly gripping drama.

Yes, I said drama.  Pixar's films are strongly dramatic, even when there is a lot humor or at least a strong undercurrent of humor.  The Planes films are a spinoff of a Pixar series, but are not produced by Pixar.  They are produced by another Disney unit (DisneyToon Studios).  Still, Fire & Rescue feels kind of Pixar-ish, and that is, of course, a good thing.  This film is more of a heartwarming drama than it is a comedy for children.

Fire & Rescue is also a topnotch aerial action film.  It is still hard for me to believe that computer-animated air planes and helicopters in action could be as exciting to watch as live-action airplanes and jets, but it is true.  My interest in the story soared with each new flight scene.

Once again, the voice acting cast supporting Dane Cook is good, and that means a good film for family viewing and a good film in general.  In fact, I think that if more adults gave Planes: Fire & Rescue a chance, they would like it.

7 of 10
A-

Tuesday, November 4, 2014


The text is copyright © 2014 Leroy Douresseaux. All Rights Reserved. Contact this site for syndication rights and fees.

Review: "Legally Blonde 2" is Officially Bad

TRASH IN MY EYE No. 116 (of 2003) by Leroy Douresseaux

Legally Blonde 2: Red, White & Blonde (2003)
Running time:  95 minutes (1 hour, 35 minutes)
MPAA – PG-13 for some sex-related humor
DIRECTOR:  Charles Herman-Wurmfeld
WRITERS:  Kate Kondell; from a story by Eve Ahlert, Dennis Drake, and Kate Kondell (based upon characters created by Amanda Brown)
PRODUCERS:  David Nicksay and Marc Platt
CINEMATOGRAPHER:  Elliot Davis (D.o.P.)
EDITOR:  Peter Teschner
COMPOSER:  Rolfe Kent

COMEDY

Starring:  Reese Witherspoon, Sally Field, Regina King, Jennifer Coolidge, Bruce McGill, Dana Ivey, Bob Newhart, Luke Wilson, J Barton, and Alanna Ubach

The subject of this movie review is Legally Blonde 2: Red, White & Blonde, a 2003 comedy starring Reese Witherspoon.  The film is a sequel to the 2001 film, Legally Blonde, which also starred Witherspoon.  In the sequel, Elle Woods heads to Washington D.C. in order to join a congresswoman’s staff and to try and get a bill that bans animal testing passed into law.

If the summer of 2003 tells Hollywood film studios anything it is that sequels don’t always succeed commercially or artistically.  Of course, studio bosses have known that for a while, but to them making sequels seems like a safe bet.  A sequel is a known property with brand awareness, and with the ridiculous cost of making and marketing a movie rising to absurd heights monthly, they go for the safe bet.

Legally Blonde 2: Red, White & Blonde will more than likely make a profit for MGM, even with the kind of tricky accounting the film studios usually invoke to claim that their films are flops so they don’t have to honor profit sharing agreements with actors and producers.  Artistically, it’s not even worth talking about, as an examination of subject matter, theme, and characters is an utter waste of time.

As for it’s entertainment value (you know, the simple judgment of whether you like it), Legally Blonde 2 has none.  I’m quite sure that somewhere there are people who really like this, and I did laugh a sort of painful, dry, desperate-to-find-something-to-justify-the-cost-of-my-ticket laugh a few times.  However, I left the theatre ashamed, praying that no one would ask me what movie I’d just left.  I don’t know what would have been worse, having some nappy-headed homeboy call me a faggot for seeing it or having one of the theatre’s employees laugh at me behind my back because they knew.  Lord, they knew how bad it was.  And they never told me.

There’s a plot, or something like a plot, but right now I only feeling like telling you that this film is just plain awful.  Elle Woods (Reese Witherspoon) goes to Washington D.C. to work for her friend Rep. Victoria Rudd (Sally Field) so that Elle can fight for a law that outlaws cosmetic companies from testing their products on animals.  Apparently, it’s okay for Reese and her studio compatriots to test poisonous cinema products on us.  Regina King plays the most pathetic traitorous Negro since Billy Dee played Lando in The Empire Strikes Back, but at least she was better than the rest of the supporting cast, whom the film reduced to playing naked paper dolls.  Sally Field, her face shockingly showing such age and wear, looked as if she wanted to cry every time she had to be in front of the camera.  I feel you, sista girl.

1 of 10
D-

Updated:  Saturday, March 22, 2014

The text is copyright © 2014 Leroy Douresseaux. All Rights Reserved. Contact this site for syndication rights and fees.

Review: "The Ant Bully" is Impressive (Happy B'day, Nicolas Cage)

TRASH IN MY EYE No. 8 (of 2007) by Leroy Douresseaux

The Ant Bully (2006) – computer animation
Running time:  89 minutes (1 hour, 29 minutes)
MPAA – PG for some mild rude humor and action
DIRECTOR:  John A. Davis
WRITER:  John A. Davis (based upon the John Nickle)
PRODUCERS:  Tom Hanks, Gary Goetzman, and John A. Davis
CINEMATOGRAPHER:  Ken Mitchroney (D.o.P.)
EDITOR:  Jon Price
COMPOSER:  John Debney

ANIMATION/FANTASY/ADVENTURE/COMEDY/FAMILY

Starring:  (voices) Zach Tyler Eisen, Julia Roberts, Nicolas Cage, Meryl Streep, Paul Giamatti, Regina King, Bruce Campbell, Lily Tomlin, Cheri Oteri, Larry Miller, Allison Mack, Ricardo Montalban, and Myles Jeffrey

The subject of this movie review is The Ant Bully, a 2006 computer-animated fantasy film  from director John A Davis.  The movie is a joint venture from Warner Bros. Animation, Legendary Pictures, DNA Productions and Playtone, which is the production company owned by partners, Tom Hanks and Gary Goetzman.  The movie is based on The Ant Bully, a 1999 children’s picture book written and drawn by John Nickle.  The Ant Bully the film focuses on a boy who terrifies an ant colony and then finds himself magically shrunken down to insect size and sentenced to hard labor.

Ten-year old Lucas Nickle (Zach Tyler Eisen) doesn’t have any friends, and he’s always the target of the neighborhood bully, Steve (Myles Jeffrey), and his gang.  His sister, Tiffany (Allison Mack) mostly ignores him.  His father, Fred (Larry Miller), is too busy planning his wedding anniversary trip to Puerto Vallarta, and his grandmother, Mommo (Lily Tomlin), is just plain weird.  However, Lucas finds his mother, Doreen (Cheri Oteri), to be a bit overbearing, and he hates that she calls him “Peanut.”

Lucas takes his frustrations out on the anthill in his front yard – tormenting the ants by frequently flooding their territory.  Lucas thinks of them as “just a bunch of stupid ants,” but he doesn’t know that the anthill is a complex society, in which the members of that colony have names, relationships, emotions, and responsibilities.  They decide to fight back against Lucas – the one they know as the “Destroyer,” so Zoc (Nicolas Cage), a wizard ant, concocts a potion to take care of the Destroyer.  After the ants pour the magic elixir down his ear, Lucas shrinks down to their size, and the ants promptly take him to stand trial for “crimes against the colony.”

The wise Ant Queen (Meryl Streep) sentences Lucas to live amongst the ants and learn their ways so that he can become an ant.  Zoc’s girlfriend, Hova (Julia Roberts), a nurse ant, volunteers to mentor the miniaturized Lucas, much to Zoc’s chagrin.  With the help of Kreela (Regina King), a forager ant, and Fugax (Bruce Campbell), a scout ant, Hova helps the reluctant Lucas fit into the colony.  Lucas’ skills and new friendships are tested when he and the ants must have to take on Stan Beals (Paul Giamatti), a local exterminator, in an epic air battle over the Nickles’ front lawn.

There were so many computer-animated movies that received a wide theatrical release in 2006 that some were bound to get lost in the shuffle.  One of the lost was The Ant Bully, an excellent talking animal fable produced by actor Tom Hanks’ production company (Playtone) and the computer animation studio behind Jimmy Neutron: Boy Genius, DNA Productions.  Written for the screen and directed by the creator of Jimmy Neutron, John A. Davis, The Ant Bully is several times better than Jimmy Neutron, in terms of story, voice acting, and animation.

Adapting John Nickle’s book, Davis wrote a traditional animal fable that teaches a lesson or makes a moral point, but is not didactic or overbearing.  Davis simply uses comedy, adventure, action, dramatic conflict, and obstacles to make a point that a group of individuals with different skills can work together and make the whole better.  However, to take Davis’ film as saying that the group is good and the individual is bad would be a poor misreading.

The voice performances are quite good.  For all the star power the voice cast has, what stars like Julia Roberts and Nicolas Cage do is bring color and character to the parts the play.  Zach Tyler Eisen simply brings Lucas Nickle to life.  Lucas’ troubles fitting in, his stubbornness, and his struggle to break away from mommy all seem genuine.  Even Regina King, Bruce Campbell, Lily Tomlin manage to add much comic flavor to the film via their supporting roles.

At first, The Ant Bully’s animation seems to make every thing look plastic and fake, but perhaps, the eyes need time to adjust.  The film is imaginative in concept and design – especially in building a world of outsized and giant sets for tiny beings.  Everything has texture and surface quality to it.  The exoskeletons of the ants and wasps actually look solid; it’s as if the eyes are actually touching the surfaces to verify what is genuine.  The character movement is good, and jumps up to wonderful and superb during all the big action set pieces – especially during the air battle at the end.

Fans of computer animation and also families that want to share a movie with a good message absolutely won’t go wrong with The Ant Bully.  We follow Lucas down into the anthill where awaits a world of wonder and magical animal creatures that dazzle the eyes and sometimes blow the mind.  And the movie’s pretty funny, too.

8 of 10
A

Thursday, January 11, 2007

Updated:  Tuesday, January 07, 2014

The text is copyright © 2014 Leroy Douresseaux. All Rights Reserved. Contact this site for syndication rights and fees.

Review: "Daddy Day Care" is Eddie Murphy Empty Calories

TRASH IN MY EYE No. 91 (of 2003) by Leroy Douresseaux


Daddy Day Care (2003)
Running time: 92 minutes (1 hour, 32 minutes)
MPAA – PG for language
DIRECTOR: Steve Carr
WRITER: Geoff Rodkey
PRODUCERS: Matt Berenson, John Davis, and Wyck Godfrey
CINEMATOGRAPHER: Steven Poster
EDITOR: Christopher Greenbury
COMPOSER: David Newman

COMEDY/FAMILY with elements of fantasy

Starring: Eddie Murphy, Jeff Garlin, Steve Zahn, Regina King, Kevin Nealon, Anjelica Huston, Jonathan Katz, Leila Arcieri, Khamani Griffin, and Max Burkholder

Once upon a time Eddie Murphy starred in movies people couldn’t get enough of like Trading Places and Beverly Hills Cop. Then, according to bigoted critics, Murphy turned his back on his “white audience” with films like Harlem Nights and Boomerang, which were not blockbusters but were nevertheless both excellent films featuring mostly African-American casts. Since the mid-90’s Murphy has starred in a number of “family-oriented” films that have been huge hits: The Nutty Professor, Mulan, Dr. Doolittle, and Shrek, etc. Frankly, I wouldn’t mind a combination of the star that appeared in Trading Places and Boomerang, but I can deal with the family friendly fare like Murphy’s recent hit, Daddy Day Care.

Charlie Hinton (Eddie Murphy) and Phil (Jeff Garlin) are laid off (fired) from their well paying jobs. As the weeks of being unemployed blow by they are spending more time with their sons, not that that’s a bad thing; they’re just not used to being employed. Like a light bulb exploding in his head, Charlie gets the idea of opening a daycare center, partly because he can no longer afford the posh Chapman Academy his son was attending when he was working. After initial skepticism, a growing number of mothers begin to rely on the affordable care that Charlie and Phil provide. However, the Chapman dowager, Mrs. Haridan (Anjelica Huston), doesn’t like the competition and schemes to have Charlie and Phil’s increasingly popular Daddy Day Care closed.

There’s no point in beating around the bush. Daddy Day Care is an entertainment delivery vehicle meant to give the “family audience” a few chuckles while affirming the bushy middle-class, suburban lifestyle. If that’s sounds like a criticism, it isn’t, not quiet. It’s simply that this film doesn’t have to be so vapid. Even the menace of Mrs. Haridan’s attempt to close the school is at best a lukewarm threat. If not for Ms. Huston’s ability to chew into even the most cardboard cutout characters, there would have been no dramatic tension in this film. The two male leads have lost their well-paying jobs, for chrissakes. That resonates with much of the audience in these shaky-as-ever economic times. Hell yeah, there are lots of laughs; I certainly found many, but this film could have been about something – about two dads struggling with new roles, roles men are not used to playing.

Oh well, I don’t regret seeing Daddy Day Care, and there are lots of warm and fuzzy feelings. It’s a safe trip to the movies for the entire family. Steve Zahn as Marvin, Daddy Day Care’s first new employee is an absolute show stealing delight. Impossible as it might seem, I like him more each time I see him in a movie. His inspired performance and off-kilter character were more than worth my time.

P.S. Two characters speak Klingon (a language from the Star Trek television and film franchise, for those who don’t know) in this movie; that alone is worth $1 of your admission price.

6 of 10
B

The 43rd NAACP Image Awards Winners: Television Categories

The 2012 NAACP Image Awards winners:

Television:

Comedy series: "Tyler Perry's House of Payne"

Actor in a comedy series: Malcolm-Jamal Warner, "Reed Between the Lines"

Actress in a comedy series: Tracee Ellis Ross, "Reed Between the Lines"

Supporting actor in a comedy series: Nick Cannon, "Up All Night"

Supporting actress in a comedy series: Keshia Knight Pulliam, "Tyler Perry's House of Payne"

Drama series: "Law & Order: Special Victims Unit"

Actor in a drama series: LL Cool J, "NCIS: Los Angeles"

Actress in a drama series: Regina King, "SouthLAnd"

Supporting actor in a drama series: James Pickens, Jr., "Grey's Anatomy"

Supporting actress in a drama series: Archie Panjabi, "The Good Wife"

TV movie, mini-series or dramatic special: "Thurgood"

Actor in a TV movie, mini-series or dramatic special: Laurence Fishburne, "Thurgood"

Actress in a TV movie, mini-series or dramatic special: Taraji P. Henson, "Taken From Me: The Tiffany Rubin Story"

Actor in a daytime drama series: Emerson Brooks, "All My Children"

Actress in a daytime drama series: Tatyana Ali, "The Young and the Restless"

News/information, series or special: "Unsung"

Talk series: "Oprah's Lifeclass"

Reality series: "Dancing With the Stars"

Variety series or special: "Oprah Presents: Master Class"

Children's program: "I Can Be President: A Kid's-Eye View"

Performance in a children's program, series or special: Keke Palmer, "True Jackson, VP"

Writing:
Comedy series: Salim Akil, Mara Brock Akil, "The Game"
Dramatic series: Lolis Eric Elie, "Treme"

Directing:
Comedy series: Leonard R. Garner, Jr., "Rules of Engagement"
Dramatic series: Ernest Dickerson, "Treme"

2011 NAACP Image Award Winners in Television Categories

42ND NAACP Image Awards Television Winners List:

Outstanding Comedy Series: “Tyler Perry’s House of Payne”
Outstanding Actor in a Comedy Series: David Mann – “Meet the Browns”
Outstanding Actress in a Comedy Series: Vanessa Williams – “Desperate Housewives”
Outstanding Supporting Actor in a Comedy Series: Ice Cube – “Are We There Yet?”
Outstanding Supporting Actress in a Comedy Series: Sofia Vergara – “Modern Family”
Outstanding Directing in a Comedy Series: Kevin Rodney Sullivan – “Modern Family” (Game Changer)
Outstanding Writing in a Comedy Series: Aaron McGruder – “The Boondocks”

Outstanding Drama Series: “Grey’s Anatomy”
Outstanding Actor in a Drama Series: LL Cool J – “NCIS: Los Angeles”
Outstanding Actress in a Drama Series: Regina King – “Southland”
Outstanding Supporting Actor in a Drama Series: Terrence Howard – “Law & Order: Los Angeles”
Outstanding Supporting Actress in a Drama Series: S. Epatha Merkerson – “Law & Order”
Outstanding Writing in a Dramatic Series: Shonda Rhimes – “Private Practice” – (Did You Hear What Happened to Charlotte King?)
Outstanding Directing in a Dramatic Series: Millicent Shelton – “Men of a Certain Age” (Go with the Flow)

Outstanding TV Movie, Mini-Series or Dramatic Special: “Sins of the Mother”
Outstanding Actor in a TV Movie, Mini-Series or Dramatic Special: Idris Elba – “Luther”
Outstanding Actress in a TV Movie, Mini-Series or Dramatic Special: Jill Scott – “Sins of the Mother”

Outstanding Actor in a Daytime Drama Series: Rodney Saulsberry – “The Bold and the Beautiful”
Outstanding Actress in a Daytime Drama Series: Tatyana Ali – “The Young and the Restless”
Outstanding News/Information (Series or Special): “Unsung”
Outstanding Talk Series: “The View”
Outstanding Reality Series: “Sunday Best”
Outstanding Variety (Series or Special): “UNCF An Evening of Stars Tribute to Lionel Richie”
Outstanding Children’s Program: “True Jackson, VP”
Outstanding Performance in a Youth/Children’s Program (Series or Special): Keke Palmer – “True Jackson, VP”
Outstanding Documentary (Theatrical or Television): “For Love of Liberty: The Story of America’s Black Patriots”

Review: "Ray" is Still an Incredible Bio Film (Happy B'day, Jamie Foxx)

TRASH IN MY EYE No. 222 (of 2004) by Leroy Douresseaux

Ray (2004)
Running time: 152 minutes (2 hours, 32 minutes)
MPAA – PG-13 for depiction of drug addiction, sexuality, and some thematic elements
DIRECTOR: Taylor Hackford
WRITERS: James L. White; from a story by Taylor Hackford and James L. White
PRODUCERS: Howard Baldwin, Karen Elise Baldwin, Stuart Benjamin, and Taylor Hackford
CINEMATOGRAPHER: Pawel Edelman
EDITOR: Paul Hirsch
Academy Award winner

DRAMA/MUSIC/BIOPIC

Starring: Jamie Foxx, Kerry Washington, Regina King, Clifton Powell, Harry J. Lennix, Bokeem Woodbine, Aunjanue Ellis, Sharon Warren, C.J. Sanders, Curtis Armstrong, Richard Schiff, Larenz Tate, Kurt Fuller, and Chris Thomas King

Biographical films, or biopics, as they are often called, often disappoint, not because they are so often historically inaccurate to varying degrees, but because they generally desperately try to fit a long life into about two hours and change of movie running time. Ray, director Taylor Hackford’s film about the life of the seminal blues, jazz, rock, and country recording artist, the late Ray Charles, doesn’t suffer from that malady.

Hackford and his co-writer, James L. White, smartly tackle the first two decades or so of Ray Charles’ (Jamie Foxx) career. They treat the story of his tragic childhood, his relationship with his mother Aretha Robinson (Sharon Warren), and the onset of his blindness in childhood as a short fable. In it, a mother teaches her son who is losing his sight to stand on his own feet because the world won’t pity him, and she also teaches him to learn to use his remaining senses after his sight is gone. When the time comes, the mother sends the son on his way to a special school where he can grow his immense musical talents and his gift of superb hearing. The rest of the movie focuses on Ray’s public career, which saw him crossing musical genres and styles with shocking ease to tremendous acclaim and success, and his tumultuous personal life that included infidelity and drug addiction.

Hackford and White understood that Ray Charles was a great man, and their film shows it. Hackford makes excellent use of Charles’ music and gives much time to his creative process and to his explosive live shows, be they in small clubs or large public auditoriums. The writers smartly distill Charles’ life into a few subplots (with his music being the main plot) that they extend throughout the film narrative.

Whereas many biopics seem to hop around a famous person’s life, Ray, with it’s focus on subplots that run the length of the film seems like one stable narrative with a definite beginning, middle, and end. The fact that his infidelity, drug use, creative process, and financial acumen are the focus for the length of the film gives the film the sense of being about one coherent and intact story. Ray’s music is the film, and the subplots follow his musical career giving it character, color, and drama.

As much as Hackford and White deserve all the credit for making a great biopic (one of the few great films about a famous black person), they needed an actor to play Ray Charles without the performance seeming like an imitation or something from a comic skit. Surprisingly, it’s a comedian and comic actor, Jamie Foxx, who takes the role and delivers a work of art. One of the great screen performances of the last two decades, Foxx could have easily and simply done a Ray Charles impersonation (which he may have done before for “In Living Colour,” the early 90’s Fox Network comedy sketch show). Instead, Foxx seems to channel the spirit of the classic Ray Charles and creates a separate, idealized, and fully realized character from whole cloth. Foxx’s performance is so credible that you may never once think that you’re watching an actor play Ray Charles.

For from being downbeat or arty, Ray is indeed a work of art, but most of all, it is an inspiring film that celebrates the life of a great musician by being a celebration of his great music and how he created it all. Awash, in the vibrant life of a performer and filled to the brim with great songs, Ray is a special movie meant for you to enjoy.

9 of 10
A+

NOTES:
2005 Academy Awards: 2 wins: “Best Performance by an Actor in a Leading Role” (Jamie Foxx) and “Best Achievement in Sound Mixing” (Scott Millan, Greg Orloff, Bob Beemer, and Steve Cantamessa); 4 nominations: “Best Achievement in Costume Design” (Sharen Davis), “Best Achievement in Directing” (Taylor Hackford), “Best Achievement in Editing” (Paul Hirsch), and “Best Motion Picture of the Year” (Taylor Hackford, Stuart Benjamin, and Howard Baldwin)

2005 BAFTA Awards: 2 wins: “Best Performance by an Actor in a Leading Role” (Jamie Foxx) and “Best Sound” (Karen M. Baker, Per Hallberg, Steve Cantamessa, Scott Millan, Greg Orloff, and Bob Beemer); 2 nominations: “Anthony Asquith Award for Film Music” (Craig Armstrong) and “Best Screenplay – Original” (James L. White)

2005 Golden Globes: 1 win: “Best Performance by an Actor in a Motion Picture - Musical or Comedy” (Jamie Foxx); 1 nomination: “Best Motion Picture - Musical or Comedy”

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"Our Family Wedding" Unites Black and Brown

TRASH IN MY EYE No. 67 (of 2010) by Leroy Douresseaux


Our Family Wedding (2010)
Running time: 106 minutes (1 hour, 43 minutes)
MPAA – PG-13 for some sexual content and brief strong language
DIRECTOR: Rick Famuyiwa
WRITERS: Wayne Conley, Malcolm Spellman, and Rick Famuyiwa; from a story by Wayne Conley
PRODUCERS: Edward Saxon and Steven J. Wolfe
CINEMATOGRAPHER: Julio Macat
EDITOR: Dirk Westervelt

COMEDY/DRAMA/FAMILY

Starring: Forest Whitaker, America Ferrera, Carlos Mencia, Regina King, Lance Gross, Diana Maria Riva, Lipa Ontiverso, Anjelah Johnson, Charlie Murphy, Shannyn Sossamon, Anna Maria Horsford, and Warren Sapp

Our Family Wedding is a family drama and ethnic comedy about an African-American family and a large Mexican-American clan forced to unite when two of their brood decide to unite in holy matrimony. The families’ respective patriarchs, two overbearing dads, must put aside their differences in order to plan the wedding of a son and a daughter in less than two weeks.

Marcus Boyd (Lance Gross), a young African-American doctor, and his Mexican-American girlfriend, Lucia Ramirez (America Ferrera), a former law school student, have arrived in Los Angeles to tell their families that there are engaged to be married in two weeks. Lucia suspects that her father, Miguel Ramirez (Carlos Mencia), may not be crazy about her being engaged to a Black man. Marcus also suspects that his father, Bradford “Brad” Boyd (Forest Whitaker), a popular L.A. radio personality, won’t be crazy about him being engaged to a Latino woman. Neither has any idea just how much havoc their fathers’ over-the-top egos will wreak their special day.

Meanwhile, Lucia’s mother, Sonia (Diana Maria Riva), is busy planning the wedding of her own dreams – a huge, traditional Mexican-American affair. As insults fly and tempers flare, Marcus and Lucia will find their relationship tested, unless they can convince themselves that it may be their marriage, but it is their family’s wedding.

The best thing about Our Family Wedding is how awkward it seems, but this is not because the narrative is awkward. The film deals honestly with the animosity, prejudice, dislike, etc that actually exists (to some extent) between the African-American and Latino communities. In this movie, it is fun to watch the elders and older adults of both families squirm as they are forced to deal with each other because of their children’s impending nuptials.

Director Rick Famuyiwa does a fine job of channeling the actors’ performances to capture prejudice and bigotry in a way that is appalling, but also appealing in the context of a comic film. Forest Whitaker as Brad and Carlos Mencia as Miguel, the battling dads, deliver performances that feel quite real as self-centered, comically bigoted jerks who are not at all harmless. Their antics are really endangering their children’s marriage.

One glaring fault of the movie is that the screenplay really never decides if the movie is about Marcus and Lucia or Brad and Miguel. Brad and Miguel’s antics are funny, but they should have been the supporting act. This film’s largely untapped wellspring is in Marcus and Lucia, and the internal workings of their relationship are largely hidden. The script even fails to take advantage of the best supporting character, Lucia’s smart-mouthed sister, Isabel, sharply played by Anjelah Johnson.

Still, Our Family Wedding has a large cast of characters, and there is always someone who will do or say something stupid at which we can laugh. We laugh because we recognize the narrow-mindedness, the bias, the stereotypes, and the intolerance. I can give Our Family Wedding credit for being funny, but also credit for being real about the discrimination that lurks in our hearts and minds.

7 of 10
B+

Tuesday, August 17, 2010

Regina King is Frustrated with Sony Pictures over "The Boondocks"

I found this article over at AOL Black Voices:  Regina King, the voice of brothers Huey and Riley Freeman, on Cartoon Network's, "The Boondocks," expresses frustration with the series' producer, Sony Pictures, over the gap between the second season of the hit animated series and the third season.  Although there hasn't been an official announcement, Aaron McGruder has posted statements on the Web saying that the third season of "The Boondocks" will happen, perhaps as early as the end of March.

My favorite quote:

"'Boondocks could be so bigger than what it is," the former '227' actress furthered. "If I had the money to buy 'The Boondocks' off Sony, I would because all of you would be wearing 'Boondocks' T-shirts and there would be Huey and Riley dolls. I would capitalize off of that, and I would be a very rich woman."

I'm also curious as to why the series has been delayed for so long.