National Society of Film Critics Name Michael B. Jordan "Best Actor of 2015;" "Spotlight Named "Best Picture"

The National Society of Film Critics was founded in New York City in 1966 and its membership is currently comprise of 56 of the country’s most prominent movie critics.  Known for their highbrow tastes, these critics form one of the most prestigious film groups on the United States.  Current members include some of my favorite film critics, like David Edelstein and J. Hoberman, among others.  The late Roger Ebert, my favorite critic, was also a member.  The society has produced several anthologies about movies, including the must-have for film fans, Produced and Abandoned: The Best Films You’ve Never Seen (1990).

The National Society of Film Critics gathered on Sunday, January 3, 2016 to vote on their annual film awards.  The group chose Tom McCarthy’s film, Spotlight, as Best Picture of the Year 2015.

The group dedicated this meeting to the late Richard Corliss, longtime critic at TIME magazine, writing that Corliss was “not just a writer of extraordinary intelligence, wit, and energy, but also a generous friend and colleague.”

Here is a list of the National Society of Film Critics 2015 winners and runners-up, with vote counts from the final round.

BEST PICTURE:
*1. Spotlight (Tom McCarthy) 23
    Carol (Todd Haynes) 17
    Mad Max: Fury Road (George Miller) 13

BEST DIRECTOR:
*1.Todd Haynes (Carol) 21
    Tom McCarthy (Spotlight) 21 (because he was on fewer ballots; a winner must be on a majority of ballots, which are weighted)
    George Miller (Mad Max: Fury Road) 20

BEST ACTOR:
*1. Michael B. Jordan (Creed) 29 points
    Geza Rohrig (Son of Saul) 18
    Tom Courtenay (45 Years) 15

BEST ACTRESS:
*1. Charlotte Rampling (45 Years) 57
    Saoirse Ronan (Brooklyn) 30
    Nina Hoss (Phoenix) 22

BEST SUPPORTING ACTOR:
*1. Mark Rylance (Bridge of Spies) 56
    Michael Shannon (99 Homes) 16
    Sylvester Stallone (Creed) 14

BEST SUPPORTING ACTRESS:
*1. Kristen Stewart (Clouds of Sils Maria) 53
    Alicia Vikander (Ex Machina) 23
    Kate Winslet (Steve Jobs) 17 and Elizabeth Banks (Love & Mercy) 17

BEST SCREENPLAY:
*1. Spotlight (Josh Singer and Tom McCarthy) 21
    Anomalisa (Charlie Kaufman) 15  and The Big Short (Charles Randolph and Adam McKay) 15

BEST CINEMATOGRAPHY:
*1. Carol (Ed Lachman) 25
    The Assassin (Mark Lee Ping-bin) 22
    Mad Max: Fury Road (John Seale) 12

BEST FOREIGN-LANGUAGE FILM:
*1. Timbuktu (Abderrahmane Sissako) 22
    Phoenix (Christian Petzold) 20
    The Assassin (Hou Hsiao-hsien) 16

BEST NON-FICTION FILM:
*1. Amy (Asif Kapadia) 23
    In Jackson Heights (Frederick Wiseman) 18
    Seymour: An Introduction (Ethan Hawke) 15

FILM HERITAGE AWARDS:

Film Society of Lincoln Center and the programmers Jake Perlin and Michelle Materre, for the series Tell It Like It Is: Black Independents in New York, 1968-1986

The Criterion Collection and L’Immagine Ritrovata for the restoration and packaging of the reconstructed version of The Apu Trilogy by Satyajit Ray

Lobster Films and Fondazione Cineteca di Bologna/L’Immagine Ritrovata for the restoration of Charlie Chaplin’s Essanay Films

SPECIAL CITATION for a film awaiting American distribution:   One Floor Below, a Romanian film directed by Radu Muntean.

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Florida Film Critics Name "Mad Max: Fury Road" Best Picture of 2015

The Florida Film Critics Circle (FFCC) was founded in 1996 is comprised of writers from various state-based publications.

The Florida Film Critics Circle Award winners were announced on December 23, 2015.

2015 Florida Film Critics Circle winners:

BEST PICTURE:  MAD MAX: FURY ROAD
Runner-Up: Spotlight

BEST DIRECTOR:  GEORGE MILLER – MAD MAX: FURY ROAD
Runner-Up: Todd Haynes – Carol

BEST ACTOR:  PAUL DANO – LOVE & MERCY
Runner-Up: Leonardo DiCaprio – The Revenant

BEST ACTRESS: BRIE LARSON – ROOM
Runner-Up: Charlotte Rampling – 45 Years

BEST SUPPORTING ACTOR:  OSCAR ISAAC – EX MACHINA
Runner-Up: Michael Shannon – 99 Homes

BEST SUPPORTING ACTRESS: KRISTEN STEWART – CLOUDS OF SILS MARIA
Runner-Up: Jennifer Jason Leigh – The Hateful Eight

BEST ENSEMBLE: SPOTLIGHT
Runner Up: Tangerine

BEST ORIGINAL SCREENPLAY:  SPOTLIGHT (Tom McCarthy and Josh Singer)
Runner Up: Mistress America (Noah Baumbach, Greta Gerwig)

BEST ADAPTED SCREENPLAY:  THE BIG SHORT (Charles Randolph and Adam McKay)
Runner Up: Carol (Phyllis Nagy)

BEST CINEMATOGRAPHY:  MAD MAX: FURY ROAD (John Seale)
Runner Up: Carol (Edward Lachman)

BEST VISUAL EFFECTS:  MAD MAX: FURY ROAD
Runner Up: Star Wars: The Force Awakens

BEST ART DIRECTION/PRODUCTION DESIGN:  CAROL
Runner Up: Mad Max: Fury Road

BEST SCORE:  LOVE & MERCY
Runner Up: Carol

BEST DOCUMENTARY:  AMY
Runner Up: Heart of a Dog

BEST FOREIGN LANGUAGE FILM:  THE ASSASSIN
Runner Up: Mommy

BEST ANIMATED FILM: INSIDE OUT
Runner Up: Anomalisa

PAULINE KAEL BREAKOUT AWARD:  DAISY RIDLEY – STAR WARS: THE FORCE AWAKENS
Runner Up: Alicia Vikander: Ex Machina and The Danish Girl

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Boston Online Film Critics Name "Mad Max: Fury Road" Best Picture of 2015

The Boston Online Film Critics Association (BOFCA) was founded in May 2012.  According to the group, BOFCA fosters a community of web-based film critics and provides them with a supportive group of colleagues and a professional platform for their voices to be heard. They collect and link to their reviews every week at a website that also features original content by members, including filmmaker interviews and spotlights on Boston’s vital repertory film scene.

By widening professional membership to writers working in new media, BOFCA aims to encourage more diverse opinions in the field. The Boston Online Film Critics Association has gathered together critics writing for publications that collectively receive over 15 million impressions/page views per month. BOFCA is present on social media year-round with members’ film articles and essays.

The 2015 Boston Online Film Critics Association Awards:

BEST PICTURE: MAD MAX: FURY ROAD

BEST DIRECTOR: George Miller, MAD MAX: FURY ROAD

BEST ACTOR: Michael B. Jordan, CREED

BEST ACTRESS: Saoirse Ronan, BROOKLYN

BEST SUPPORTING ACTOR: Sylvester Stallone, CREED

BEST SUPPORTING ACTRESS: Kristen Stewart, CLOUDS OF SILS MARIA

BEST SCREENPLAY: Tom McCarthy & Josh Singer, SPOTLIGHT

BEST FOREIGN LANGUAGE FILM: SON OF SAUL (Hungary)

BEST DOCUMENTARY: AMY

BEST ANIMATED FILM: INSIDE OUT

BEST CINEMATOGRAPHY: John Seale, MAD MAX: FURY ROAD

BEST EDITING: Margaret Sixel, MAD MAX: FURY ROAD

BEST ORIGINAL SCORE: Junkie XL, MAD MAX: FURY ROAD

BEST ENSEMBLE: SPOTLIGHT

THE TEN BEST FILMS OF THE YEAR:
1. MAD MAX: FURY ROAD
2. CREED
3. BROOKLYN
4. CAROL
5. SPOTLIGHT
6. CLOUDS OF SILS MARIA
7. BRIDGE OF SPIES
8. THE MARTIAN
9. ANOMALISA
10. TANGERINE

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Boston Film Critics Name "Spotlight" Best Picture of 2015

The Boston Society of Film Critics (BSFC) was formed in 1981.  The group claims that its mission is to make “Boston's unique critical perspective heard on a national and international level by awarding commendations to the best of the year's films and filmmakers and local film theaters and film societies that offer outstanding film programming.”  One of the society’s members, Wesley Morris, won 2012 Pulitzer Prize for Criticism.

2015 Boston Society of Film Critics Awards Winners:

Best Picture  -  Spotlight

Best Actor – (tie)
Paul Dano for Love & Mercy
Leonardo DiCaprio for The Revenant

Best Actress -  Charlotte Rampling for 45 Years

Best Supporting Actor - Mark Rylance for Bridge of Spies

Best Supporting Actress - Kristen Stewart for Clouds of Sils Maria

Best Director - Todd Haynes for Carol

Best Screenplay - Tom McCarthy and Josh Singer for Spotlight

Best Cinematography - Edward Lachman for Carol

Best Documentary - Amy

Best Foreign-Language Film  (awarded in memory of Jay Carr) -  The Look of Silence (Denmark)

Best Animated Film -  (tie) Anomalisa and Inside Out

Best Film Editing (awarded in memory of Karen Schmeer) -  Margaret Sixel for Mad Max: Fury Road

Best New Filmmaker (awarded in memory of David Brudnoy) -  Marielle Heller for The Diary of a Teenage Girl

Best Ensemble Cast -  Spotlight

Best Use of Music in a Film -  Love & Mercy

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New York Film Critics Circle Names "Carol" Best Picture of 2015

This film critics group was founded in 1935.  The New York Film Critics Circle is, according to their website, “an organization of film reviewers from New York-based publications that exists to honor excellence in U.S. and world cinema.”  Members are critics from daily newspapers, weekly newspapers, magazines, and online general-interest publications (that meet certain qualifications). Every year in December, Circle members meet in New York to vote on awards for the year's films.  The Circle also puts on an awards presentation, which will be held in January 2015 to honor 2014 winners.

The Circle was the first film critics organization that I encountered as a budding, young movie lover.  The Circle's awards have been predictors of the Oscar nominations. However, The Circle sees it awards “as a principled alternative to the Oscars, honoring esthetic merit in a forum that is immune to commercial and political pressures,” according to their website.

2015 NYFCC Awards:

Best Picture
Carol

Best Director
Todd Haynes - Carol

Best Screenplay
Phyllis Nagy - Carol

Best Actress
Saoirse Ronan - Brooklyn

Best Actor
Michael Keaton - Spotlight

Best Supporting Actress
Kristen Stewart - Clouds of Sils Maria

Best Supporting Actor
Mark Rylance - Bridge of Spies

Best Cinematographer
Edward Lachman - Carol

Best Animated Film
Inside Out

Best Non-Fiction Film (Documentary)
In Jackson Heights

Best Foreign Language Film
Timbuktu (Mauritania)

Best First Film
László Nemes - Son of Saul

Special Award
William Becker and Janus Films

Special Award
Ennio Morricone

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Cesar Awards Name "Timbuktu" as Best Picture of 2014 - Complete List of Winners

First given out in 1975, the César Award is the national film award of France.  Some even think of the César Award as the French equivalent of the American Academy Awards (Oscars). The nominations are selected by the members of the Académie des Arts et Techniques du Cinéma, and the award ceremony is held in Paris each February.  The name of the award comes from the late sculptor César Baldaccini, and the trophies are actual sculptures of the artist.

The winners for the 40th Cesar Awards were announced on Friday, February 20, 2015 in Paris.  Director Abderrahmane Sissako's Timbuktu won 7 Césars, including “Best Film” and “Best Director.”  Timbuktu is also one of the five films nominated for the foreign language film Oscar at the 87th Oscars.  Kristen Stewart won for “Best Supporting Actress” for Sils Maria, becoming the first American to win an acting award from the French Academy.  Sean Penn won an Honory César.

The 2015 / 40th Cesar Award winners (for the year in 2014) – complete list:

Best Film
Timbuktu, dir: Abderrahmane Sissako

Best Director
Abderrahmane Sissako, Timbuktu

Best Actress
Adèle Haenel, Les Combattants

Best Actor
Pierre Niney, Yves Saint Laurent

Best Supporting Actress
Kristen Stewart, Sils Maria

Best Supporting Actor
Reda Kateb, Hippocrate

Best Newcomer (Female)
Louane Emera, La Famille Bélier

Best Newcomer (Male)
Kevin Azaïs, Les Combattants

Best Original Screenplay
Timbuktu

Best Adapted Screenplay
Diplomatie

Best Foreign Film
Mommy, dir Xavier Dolan

Best Debut Feature
Les Combattants

Best Score
Timbuktu

Best Editing
Timbuktu

Best Cinematography
Timbuktu

Best Set Design
La Belle Et La Bête

Best Costumes
Saint-Laurent

Best Documentary
Salt Of The Earth

Best Sound
Timbuktu

Best Animated Film
Minuscule – La Vallée Des Fourmis Perdues, dirs: Thomas Szabo and Hélène Giraud

Best Short Film
La Femme De Rio

Best Animated Short
Les Petits Cailloux

Honorary César: Sean Penn

Prix Daniel Toscan du Plantier: Sylvie Pialat

Académie des Arts et Techniques du Cinéma – Médaille d’Or: Luc Besson

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2015 Cesar Award Nominations - Complete List

First given out in 1975, the César Award is the national film award of France.  Some even think of the César Award as the French equivalent of the American Academy Awards (Oscars). The nominations are selected by the members of the Académie des Arts et Techniques du Cinéma, and the award ceremony is held in Paris each February.  The name of the award comes from the late sculptor César Baldaccini, and the trophies are actual sculptures of the artist.

The nominations for the 40th Cesar Awards were announced Friday, January 28, 2015.  The 40th Cesar Awards will be presented on Friday, February 20, 2015 in Paris.

The 2015 / 40th Cesar Award nominees (for the year in 2014) – complete list:

Best Film
Les Combattants, dir: Thomas Cailley
Eastern Boys, dir: Robin Campillo
La Famille Bélier, dir: Eric Lartigau
Saint Laurent, dir: Bertrand Bonello
Hippocrate, dir: Thomas Lilti
Sils Maria, dir: Olivier Assayas
Timbuktu, dir: Abderrahmane Sissako

Best Director
Céline Sciamma, Bande De Filles
Thomas Cailley, Les Combattants
Robin Campillo, Eastern Boys
Thomas Lilti, Hippocrate
Bertrand Bonello, Saint Laurent
Olivier Assayas, Sils Maria
Abderrahmane Sissako, Timbuktu

Best Actress
Juliette Binoche, Sils Maria
Catherine Deneuve, Dans La Cour
Marion Cotillard, Deux Jours, Une Nuit
Emilie Dequenne, Pas Son Genre
Adèle Haenel, Les Combattants
Sandrine Kiberlain, Elle L’Adore
Karin Viard, La Famille Bélier

Best Actor
Pierre Niney, Yves Saint Laurent
Romain Duris, Une Nouvelle Amie
Gaspard Ulliel, Saint Laurent
Guillaume Canet, La Prochaine Fois Je Viserai Le Coeur
Niels Arestrup, Diplomatie
François Damiens, La Famille Bélier
Vincent Lacoste, Hippocrate

Best Supporting Actress
Marianne Denicourt, Hippocrate
Claude Gensac, Lulu Femme Nue
Izïa Higelin, Samba
Charlotte Le Bon, Yves Saint Laurent
Kristen Stewart, Sils Maria

Best Supporting Actor
Eric Elmosnino, La Famille Bélier
Jérémie Renier, Saint Laurent
Guillaume Gallienne, Yves Saint LAurent
Louis Garrel, Saint Laurent
Reda Kateb, Hippocrate

Best Newcomer (Female)
Lou de Laâge, Respire
Joséphine Japy, Respire
Louane Emera, La Famille Bélier
Ariane Labed, Fidelio, L’Odyssée D’Alice
Karidja Touré, Bande De Filles

Best Newcomer (Male)
Kevin Azaïs, Les Combattants
Ahmed Dramé, Les Héritiers
Kirill Emelyanov, Eastern Boys
Pierre Rochefort, Un Beau Dimanche
Marc Zinga, Qu’Allah Bénisse La France

Best Original Screenplay
Les Combattants
La Famille Bélier
Hippocrate
Sils Maria
Timbuktu

Best Adapted Screenplay
La Chambre Bleue
Diplomatie
Pas Son Genre
Lulu Femme Nue
La Prochaine Fois Je Viserai Le Coeur

Best Foreign Film
Winter Sleep, dir: Nuri Bilge Ceylan
Boyhood, dir: Richard Linklater
12 Years A Slave, dir: Steve McQueen
Deux Jours, Une Nuit, dirs: Jean-Pierre and Luc Dardenne
Mommy, dir Xavier Dolan
Ida, dir: Pawel Pawlikowski
The Grand Budapest Hotel, dir: Wes Anderson

Best Debut Feature
Les Combattants
Elle L’Adore
Fidelio, L’Odyssée D’Alice
Party Girl
Qu’Allah Bénisse La France

Best Score
Bande De Filles
Bird People
Les Combattants
Timbuktu
Yves Saint-Laurent

Best Editing
Les Combattants
Hippocrate
Party Girl
Saint-Laurent
Timbuktu

Best Cinematography
La Belle Et La Bête
Saint-Laurent
Sils Maria
Timbuktu
Yves Saint Laurent

Best Set Design
La Belle Et La Bête
La French
Saint-Laurent
Timbuktu
Yves Saint Laurent

Best Costumes
La Belle Et La Bête
La French
Saint-Laurent
Une Nouvelle Amie
Yves Saint Laurent

Best Documentary
Caricaturistes – Fantassins De La Démocratie
Les Chèvres De Ma Mère
La Cour De Babel
National Gallery
Salt Of The Earth

Best Sound
Bande De Filles
Bird People
Les Combattants
Saint Laurent
Timbuktu

Best Animated Film
Minuscule – La Vallée Des Fourmis Perdues, dirs: Thomas Szabo and Hélène Giraud
Jack Et La Mécanique Du Coeur, dir: Stéphane Berla
Le Chant De La Mer, dir: Tomm Moore

Best Short Film
Aïssa
La Femme De Rio
Inupiluk
Les Jours D’Avant
Où Je Mets Ma Pudeur
La Virée A Paname

Best Animated Short
Bang Bang!
La Bûche De Noël
La Petite Casserole D’Anatole
Les Petits Cailloux

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Sony Pictures Classics Acquires "Still Alice" with Julianne Moore and Kristen Stewart

SONY PICTURES CLASSICS ACQUIRES STILL ALICE FOR NORTH AMERICA

Sony Pictures Classics announced that they acquired North American rights to STILL ALICE, starring Julianne Moore, Kristen Stewart, Alec Baldwin, Kate Bosworth and Hunter Parrish. The film reunites Co-Directors and Co-Writers Richard Glatzer and Wash Westmoreland (THE LAST OF ROBIN HOOD) with Sony Pictures Classics, who worked together on QUINCEANERA. STILL ALICE, a BSM Studio Presentation, is produced by Lex Lutzus, James Brown and Pamela Koffler and executive produced by Marie Savare, Christine Vachon of Killer Films, Maria Shriver, Emilie Georges, Nicholas Shumaker, Celine Rattray and Trudie Styler. This also marks a homecoming for Julianne Moore, who worked with the company on VANYA ON 42ND STREET, SAFE and THE MYTH OF FINGERPRINTS.

The film has received much acclaim while debuting at the 2014 Toronto International Film Festival. It had its world premiere on Thursday.

Alice Howland, happily married with three grown children, is a renowned linguistics professor who starts to forget words. When she receives a devastating diagnosis, Alice and her family find their bonds tested in STILL ALICE.

"Richard Glatzer and Wash Westmoreland have made a seamless powerfully moving film. The cast is simply phenomenal. Julianne Moore, one of the world's truly great film actresses, gives here her finest performance to date. It is a privilege to welcome Wash and Richard, Julianne, Alec and the producers back into the Sony Pictures Classics family with a film about family that promises to pack an emotional punch on audiences throughout the country," said Sony Pictures Classics.

"To have unveiled the movie on Monday and have Sony Pictures Classics picking up it up by Friday is a filmmaker's dream. We know STILL ALICE is in the best possible hands with Michael Barker, Tom Bernard and the entire team at SPC and look forward to a great release," added Filmmakers Richard Glatzer and Wash Westmoreland.

The deal was negotiated with CAA.

ABOUT SONY PICTURES CLASSICS
Michael Barker and Tom Bernard serve as co-presidents of Sony Pictures Classics—an autonomous division of Sony Pictures Entertainment they founded with Marcie Bloom in January 1992, which distributes, produces, and acquires independent films from around the world.

Barker and Bernard have released prestigious films that have won 32 Academy Awards® (28 of those at Sony Pictures Classics) and have garnered 140 Academy Award® nominations (114 at Sony Pictures Classics) including Best Picture nominations for AMOUR, MIDNIGHT IN PARIS, AN EDUCATION, CAPOTE, HOWARDS END, AND CROUCHING TIGER, HIDDEN DRAGON.

ABOUT SONY PICTURES ENTERTAINMENT
Sony Pictures Entertainment (SPE) is a subsidiary of Sony Corporation of America, a subsidiary of Tokyo-based Sony Corporation. SPE's global operations encompass motion picture production and distribution; television production and distribution; home entertainment acquisition and distribution; a global channel network; digital content creation and distribution; operation of studio facilities; development of new entertainment products, services and technologies; and distribution of entertainment in more than 142 countries. For additional information, go to http://www.sonypictures.com.

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Review: "Catch that Kid" is a Kiddie Action Flick (Happy B'day, Kristen Stewart)

TRASH IN MY EYE No. 13 (of 2004) by Leroy Douresseaux

Catch that Kid (2004)
Running time: 91 minutes (l hour, 31 minutes)
MPAA – PG for some language, thematic elements and rude humor
DIRECTOR: Bart Freundlich
WRITERS: Michael Brandt and Derek Haas (based upon the Danish film Klatreøsen by Nikolaj Arcel, Hans Fabian Wullenweber, and Erlend Loe)
PRODUCERS: Andrew Lazar and Uwe Schott
CINEMATOGRAPHER: Julio Macat
EDITOR: Stuart Levy
COMPOSER: George S. Clinton

ADVENTURE/COMEDY/CRIME/FAMILY with elements of action and thriller

Starring: Kristen Stewart, Corbin Bleu, Max Thieriot, Jennifer Beals, Sam Robards, John Carroll Lynch, James Le Gros, Michael Des Barres, Stark Sands, and Grant Hayden Scott & Shane Avery Scott

The subject of this movie review is Catch that Kid, a 2004 adventure-comedy and crime film from Fox 2000 Pictures, a division of 20th Century Fox. The film is an early starring role for actress Kristen Stewart, who would go on to star in the Twilight films.

Fox’s Catch that Kid, a remake of the smash 2002 Danish film, Klatreøsen (Catch that Girl), is a kind low watt and low-tech version of Spy Kids (lacking the Spy Kids franchise’s imagination and fantastical aspects) and a juvenile version of Mission: Impossible, replete with car chases, computer hacking, and breaking and entering heavily secured structures.

Maddy (Kristen Stewart) is a budding climber, hoping to be like her father, Tom (Sam Robards), who climbed Mount Everest. Tom, however, sustained a severe injury while at Everest, that’s come back to haunt him. Without an expensive, experimental (but highly successful) surgery, he will likely remained mostly paralyzed. When a large multinational bank, for which her mother, Molly (Jennifer Beals, Flashdance), provides high tech security, refuses to loan her family the money, Maddy takes things into her own hands.

She convinces two boy friends to help her bypass the state of the art electronic security, and rob the bank of 250,000 dollars. A complication is that both boys are in love with Maddy and vie for her attention against each other. The computer whiz, Austin (Corbin Bleu), and the mechanically inclined, Gus (Max Thieriot), may, however, have just the talent that when combined with Maddy’s spunk and climbing skills could bring them success

The film is quite well directed by Bart Freundlich, a well-considered director of independent art films. Although the concept is farfetched, the action and jokes should sit well with most kids and even some teens, never mind the moral implications of robbing a bank to save your father’s life.

Catch that Kid is largely meant to be like “Kim Possible” or Totally Spies,” those animated shows where kids go on dangerous missions. Picture this as a high-octane action movie for kids, sans the pyrotechnics and violence. In that light, it’s entertaining (at times, even to more mature minds), and Freundlich keeps the level of suspense high. It may be difficult for adults to identify with kiddie action heroes, but these characters are doing the Tom Cruise or Bruce Willis things for the children.

5 of 10
B-

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Last "Twilight" Film Dominates 2013 Razzie Awards

by Leroy Douresseaux

The Golden Raspberry Award or, as it is best known, the Razzie Award, is basically the opposite of the Academy Awards (the Oscars). This award honors the worst achievements in film in a calendar year, as determined by the paid membership of the Golden Raspberry Award Foundation.

The nominations for 33rd Annual Razzie Awards were announced on January 8, 2013, and the 33rd Annual Razzie Awards were announced Saturday, February 23, 2013, one day before the Academy Awards ceremony. This is the tradition, although the previous awards ceremony (32nd) was held on April Fool’s Day.

Twilight Saga: Breaking Dawn - Part 2 won 7 of the 10 categories at the 33rd Annual Razzie Awards.  Adam Sandler continued his recent reign as a performer at the Razzie Awards, winning "Worst Actor" for That's My Boy.  I am a fan of the Twilight films (though I've only read the first two books in the series), and I think the Razzie voters are just haters when it comes Twilight.  In fact, I think they're haters in general.  The Razzies are the mirror image of the Oscars.  Why?  Both focus, for the most part, on the Hollywood industry - highlighting big names to serve their own self-interests.  Anyway, here are the winners/losers...

Here, are the nominees and winners of the 2013 Razzie Awards, with the winners in bold and with “WINNER” next to their name or title:

Worst Picture:
Battleship
Oogieloves in the Big Balloon Adventure
That’s My Boy!
A Thousand Words
Twilight Saga: Breaking Dawn Part 2 WINNER

Worst Actress:
Katherine Heigl, One For The Money
Milla Jovovich, Resident Evil #5: Retribution
Tyler Perry (In Drag), Madea’s Witless Protection
Kristen Stewart, Snow White and The Huntsman & Twilight Saga: Breaking Dawn Part 2 WINNER
Barbra Streisand, Guilt Trip

Worst Actor:
Nicolas Cage, Ghost Rider 2: Spirit of Vengeance & Seeking Justice
Eddie Murphy, A Thousand Words
Robert Pattinson, Twilight Saga: Breaking Dawn Part 2
Tyler Perry (Not in Drag), Alex Cross & Tyler Perry’s Good Deeds
Adam Sandler, That’s My Boy! WINNER

Worst Supporting Actress:
Jessica Biel, Playing For Keeps & Total Recall
Brooklyn Decker, Battleship &What To Expect When You’re Expecting
Ashley Green, Twilight Saga: Breaking Dawn Part 2
Jennifer Lopez, What to Expect When You’re Expecting
Rihanna, Battleship WINNER

Worst Supporting Actor:
David Hasselhoff (as “Himself”), Pirannha 3-DD
Taylor Lautner, Twilight Saga: Breaking Dawn Part 2 WINNER
Liam Neeson, Battleship & Wrath of the Titans
Nick Swardson, That’s My Boy!
Vanilla Ice (as “Himself”), That’s My Boy!

Worst Screen Couple:
Any Combination of Two Cast Members from Jersey Shore, The Three Stooges
Mackenzie Foy (as “Little Renesmee”) & Taylor Lautner, Twilight Saga: Breaking Dawn Part 2 WINNER
Robert Pattinson & Kristen Stewart, Twilight Saga: Breaking Dawn Part 2
Tyler Perry & His Drag Get-Up, Tyler Perry’s Madea’s Witless Protection
Adam Sandler and either Leighton Meester, Andy Samberg, or Susan Sarandon, That’s My Boy!

Worst Director:
Sean Anders, That’s My Boy!
Peter Berg, Battleship
Bill Condon, Twilight Saga: Breaking Dawn Part 2 WINNER
Tyler Perry, Good Deeds & Madea’s Witless Protection
John Putch, Atlas Shrugged: Part II

Worst Screen Ensemble:
The Entire Cast of Battleship
The Entire Cast of Oogieloves inThe Big Balloon Adventure
The Entire Cast of That’s My Boy!
The Entire Cast of Twilight Saga: Breaking Dawn Part 2 WINNER
The Entire Cast of Madea’s Witless Protection

Worst Screenplay:
Atlas Shrugged: Part II
Battleship
That’s My Boy! WINNER
A Thousand Words
Twilight Saga: Breaking Dawn Part 2

Worst Prequel, Remake, Rip-off or Sequel (selected by the general public via the Razzie Award website):
The Twilight Saga: Breaking Dawn – Part 2 WINNER
Ghost Rider: Spirit of Vengeance
Tyler Perry's Madea's Witness Protection
Piranha 3DD
Red Dawn

http://www.razzies.com/

Review: "Twilight: Breaking Dawn - Part 2" is a Wonderful Finale

TRASH IN MY EYE No. 89 (of 2012) by Leroy Douresseaux

The Twilight Saga: Breaking Dawn – Part 2 (2012)
Running time: 115 minutes (1 hour, 55 minutes)
MPAA – PG-13 for sequences of violence including disturbing images, some sensuality and partial nudity
DIRECTOR: Bill Condon
WRITER: Melissa Rosenberg (based upon the novel by Stephenie Meyer)
PRODUCERS: Wyck Godfrey, Karen Rosenfelt, and Stephenie Meyer
CINEMATOGRAPHER: Guillermo Navarro
EDITOR: Virginia Katz
COMPOSER: Carter Burwell

FANTASY/DRAMA/ROMANCE

Starring: Kristen Stewart, Robert Pattinson, Taylor Lautner, Billy Burke, Peter Facinelli, Elizabeth Reaser Ashley Greene, Jackson Rathbone, Nikki Reed, Kellan Lutz, Mackenzie Foy, Julia Jones, Chaske Spencer, Alex Rice, Cameron Bright, and Maggie Grace, with Michael Sheen and Dakota Fanning

The Twilight Saga: Breaking Dawn – Part 2 is the fifth film in The Twilight Saga film franchise. Like the previous films: Twilight, The Twilight Saga: New Moon, The Twilight Saga: Eclipse, and Breaking Dawn – Part 1, Breaking Dawn – Part 2 is based upon the wildly popular Twilight book series by author, Stephenie Meyer. Each of the first three films is based upon one of the first three books in the series; however, the fourth book, Breaking Dawn, has been adapted into two movies.

The Twilight Saga: Breaking Dawn – Part 2 continues the love story a young human woman, Bella Swan (Kristen Stewart), and her vampire boyfriend, Edward Cullen (Robert Pattinson), who were married in the previous film. The story begins as Bella opens her eyes to find her senses sharpened. The transformation is complete; she is now a vampire. Still, all is not perfect.

Bella is shocked to learn that her recently born infant daughter has imprinted on her friend and former love interest, Native American werewolf, Jacob Black (Taylor Lautner). Bella must also find a way to explain her new situation to her worried father, Police Chief Charlie Swan (Billy Burke). Meanwhile, Bella and Edward’s daughter does not stay an orphan for long. Renesmee Cullen (Mackenzie Foy) is undergoing a tremendous growth spurt, which leads to a bigger problem. When a false allegation puts their family in front of the Volturi to likely face a death sentence, the Cullens gather other vampire clans and old allies in order to protect Renesmee.

I enjoyed Breaking Dawn – Part 1, but I found the film to be mostly joyless, even dour and morbid. Breaking Dawn – Part 2 is quite the opposite. It is joyful and celebratory. Like Renesmee, Breaking Dawn – Part 2 is fresh and new and curious about the world. It almost seems like a brand new thing, unconnected to the other films, although it is.

I think this is the result of having a director like Bill Condon, who is not just good with character drama. He is also a standout, and he did not get enough credit for what he did with Dreamgirls, getting so much more out of the material than it offered. Here, in his second Twilight movie, he gives all the supernatural characters mortality, not just Edward and Bella (who have seemed forever on the edge of demise in this series). Mortality for the immortals means that not only do their actions have real consequences, but also that those consequences can mean the end of them. When everyone has “skin in the game,” conflict is rich and complicated.

However, the sense of death does not dampen this movie’s themes of hope and happiness. Who knows how many days lie ahead for each character? There may be many days (or not), but they will be happy days, with family and friends. There will also be dark days, as in any human’s life. In fact, The Twilight Saga: Breaking Dawn – Part 2 is about loving family, close friends, and new friends and allies made.

For Twilight as a whole, the franchise gets something that escapes even the best franchises, a superior ending. Compared to The Dark Knight Rises, the end of Christopher Nolan’s so-called “The Dark Knight trilogy,” Breaking Dawn – Part 2 is Oscar-worthy.

8 of 10
A

Sunday, November 25, 2012

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Review: "Snow White and the Huntsman" is a Fractured Fairy Tale

TRASH IN MY EYE No. 78 (of 2012) by Leroy Douresseaux

Snow White and the Huntsman (2012)
Running time: 127 minutes (2 hour, 7 minutes)
MPAA – PG-13 for intense sequences of violence and action, and brief sensuality
DIRECTOR: Rupert Sanders
WRITERS: Evan Daugherty, John Lee Hancock, and Hossein Amini; from a screen story by Evan Daugherty
PRODUCERS: Sam Mercer, Palak Patel, and Joe Roth
CINEMATOGRAPHER: Greig Fraser
EDITORS: Conrad Buff IV and Neil Smith
COMPOSER: James Newton Howard

FANTASY/DRAMA/ACTION

Starring: Kristen Stewart, Chris Hemsworth, Charlize Theron, Sam Claflin, Sam Spruell, Ian McShane, Bob Hoskins, Ray Winstone, Nick Frost, Eddie Marsan, Toby Jones, Johnny Harris, Brian Gleeson, Vincent Regan, and Noah Huntley

Snow White and the Huntsman is a 2012 action fantasy film starring Kristen Stewart, Chris Hemsworth, and Charlize Theron. The film re-imagines (a word I’m starting to hate) the German fairy tale “Snow White” as an epic fantasy.

The film opens in the Kingdom of Tabor, where King Magnus and Queen Eleanor welcome a baby daughter they name Snow White. Sometime after Eleanor dies, Magnus marries the mysterious Ravenna (Charlize Theron), who turns out to be a powerful sorceress. After usurping the throne, Ravenna imprisons Snow White (Raffey Cassidy) in the north tower of the castle. With her brother, Finn (Sam Spruell), at her side, Ravenna rules over the kingdom, while draining the youth from young maidens in order to maintain her own youthful appearance.

After coming of age, Snow White (Kristen Stewart) escapes into the Dark Forest. Ravenna orders Eric (Chris Hemsworth), a huntsman, to find Snow White, but Snow White’s destiny may prove to be bigger than any one person’s plans for her.

I discovered that Snow White and the Huntsman is the first feature film directed by Rupert Sanders, which may explain why the movie’s narrative develops in fits and starts. Sometimes, Snow White and the Huntsman is overly serious, and sometimes, it is painfully dull. It’s as if Sanders wants to treat some of the movie as if it were Lord of the Rings (which it is not). When he’s not trying to do his own version of director Peter Jackson, Sanders is trying to create some character drama and that’s mostly awkward.

First, let me say that I am a fan of Kristen Stewart. I think Stewart is perfect for Sanders, because, as an actress, she is overly serious. In practically any movie in which she appears, Stewart will spend part of that film kind of hunched over, like a dog waiting to be smacked across the head with a newspaper even when she does something good (like rescue Timmy from a well). I could be nice and say that her acting is decent, although she delivers dialogue with all the stiffness of a graduate of the Keanu Reeves School of Acting. Her big speech scenes in the last act of Snow White and the Huntsman are not inspiring and are, in fact, dry as dust.

Chris Hemsworth and Charlize Theron try, and Theron really tries, but the script seems unsure about what it should be – action movie or fantasy drama… or Evil Queen movie? The script isn’t even sure who the lead character is, and I’m not sure Sanders knew which characters should be the focus and when they should be. This movie should have been titled “Sometimes Snow White and sometimes the Huntsman and sometimes the Queen.”

I’m being critical because this movie and its story/concept have so much potential, and there are times when Snow White and the Huntsman seems like it is going to be an exceptional fantasy film. A clunky opening act and its occasional meandering are what keep Snow White and the Huntsman average rather than special.

5 of 10
B-

Sunday, October 14, 2012

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"The Twilight Saga: Breaking Dawn - Part 1" Actually Dark and Moody

TRASH IN MY EYE No. 99 (of 2011) by Leroy Douresseaux


The Twilight Saga: Breaking Dawn – Part 1 (2011)
Running time: 117 minutes (1 hour, 57 minutes)
MPAA – PG-13 for disturbing images, violence, sexuality/partial nudity and some thematic
DIRECTOR: Bill Condon
WRITER: Melissa Rosenberg (based upon the novel by Stephenie Meyer)
PRODUCERS: Wyck Godfrey, Karen Rosenfelt, and Stephenie Meyer
CINEMATOGRAPHER: Guillermo Navarro
EDITORS: Virginia Katz
COMPOSER: Carter Burwell

FANTASY/DRAMA/ROMANCE

Starring: Kristen Stewart, Robert Pattinson, Taylor Lautner, Billy Burke, Ashley Greene, Jackson Rathbone, Nikki Reed, Kellan Lutz, Peter Facinelli, Elizabeth Reaser, Julia Jones, Chaske Spencer, Gil Birmingham, Boo Boo Stewart, and Michael Sheen

The Twilight Saga: Breaking Dawn – Part 1 is the fourth film in the Twilight Saga film franchise. Like the previous films: Twilight, The Twilight Saga: New Moon, and The Twilight Saga: Eclipse, Breaking Dawn – Part 1 is based upon the wildly popular Twilight book series by Stephenie Meyer. Each of the first three films is based upon one of the first three books in the series; however, the fourth book, Breaking Dawn, is being adapted into two movies.

Breaking Dawn – Part 1 continues the love story a young human woman, Bella Swan (Kristen Stewart), and her vampire boyfriend, Edward Cullen (Robert Pattinson), as the two join hands in marriage. Not everyone is happy about the nuptials, especially Bella’s friend, the Native American werewolf, Jacob Black (Taylor Lautner). Jacob vehemently objects to Edward’s honeymoon plans for the couple, as he believes what Edward plans could kill Bella. The couple honeymoon on the private island of Isle Esme in Brazil, but Bella makes a shocking discovery that puts a strain on her relationship with Edward. That discovery also threatens the Cullens’ treaty with Jacob’s tribe and Bella’s very life.

Although I enjoyed it, I don’t have as much to say about The Twilight Saga: Breaking Dawn – Part 1 as I had about the previous movies. Most of this film is joyless, but it isn’t slow. The story deals with the darker side of romance and family; even the wedding is filled with omens and portents. This is a jarring difference from the rest of the series, which depicted young love growing stronger and more confident. I would be lying if I did not admit that I wanted more of that. There were times in this movie that I was begging for the unhappiness to hurry up and end.

For those hungry for more vampire vs. werewolf action, that dominates the second half of the Breaking Dawn – Part 1. This physical, tribal, racial conflict offers an energetic anecdote to the gloomy Gus that is most of this film. Also of note: I don’t know if it was because of the theatre in which I saw Breaking Dawn – Part 1, but there were times in the film that the musical score was so loud that I could not hear the dialogue.

Anyway, The Twilight Saga: Eclipse, Breaking Dawn – Part 1 is, thus far, the least of the series, but it is not at all a bad movie. It tells a good story, but it does come across as weird (even weirder than vampire stories normally are) and wonky.

6 of 10
B

Sunday, November 27, 2011

Twilight Eclipses 2011 MTV Movie Awards

The MTV Movie Awards began in 1992.  Hosted by Jason Sudeikis, the 20th annual MTV Movie Awards aired live on Sunday, June 5, at 9 p.m. ET, from the Gibson Amphitheatre in Universal City, California.

Twilight Saga: Eclipse, the third film in the Twilight movie franchise, dominated the ceremony by winning 5 of the 13 categories.  Rising star Chloë Grace Moretz won two categories.

20th Annual MTV Movie Award WINNERS:

Best Movie Winner
The Twilight Saga: Eclipse
Directed by David Slade

Best Female Performance Winner
Kristen Stewart
The Twilight Saga: Eclipse
Directed by David Slade

Best Male Performance Winner
Robert Pattinson
The Twilight Saga: Eclipse
Directed by David Slade

Best Comedic Performance Winner
Emma Stone
Easy A
Directed by Will Gluck

Best Scared-As-S**t Performance Winner
Ellen Page
Inception
Directed by Christopher Nolan

Best Line From A Movie Winner
"I want to get chocolate wasted!"
Alexys Nycole Sanchez
Grown Ups
Directed by Dennis Dugan

MTV Generation Award Winner
Reese Witherspoon

Best Kiss Winner
Kristen Stewart and Robert Pattinson
The Twilight Saga: Eclipse
Directed by David Slade

Best Fight Winner
Robert Pattinson vs. Bryce Dallas Howard and Xavier Samuel
The Twilight Saga: Eclipse
Directed by David Slade

Best Breakout Star Winner
Chloë Grace Moretz
Kick-Ass
Directed by Matthew Vaughn

Biggest Badass Star Winner
Chloë Grace Moretz

Best Jaw Dropping Moment Winner
Justin Bieber
Justin Bieber: Never Say Never
Directed by Jon M. Chu

Best Villain Winner
Tom Felton
Harry Potter and the Deathly Hallows: Part 1
Directed by David Yates

Review: "Panic Room" is a Sweet Thriller

TRASH IN MY EYE No. 25 (of 2002) by Leroy Douresseaux

Panic Room (2002)
Running time:  112 minutes (1 hour, 52 minutes)
MPAA - R for violence and language
DIRECTOR: David Fincher
WRITER: David Koepp
PRODUCERS: Ceán Chaffin, Judy Hofflund, David Koepp, and Gavin Polone
CINEMATOGRAPHER: Conrad W. Hall (D.o.P.) and Darius Khondji (D.o.P.)
EDITORS: James Haygood and Angus Wall
COMPOSER: Howard Shore

THRILLER

Starring: Jodie Foster, Kristen Stewart, Forest Whitaker, Dwight Yoakum, Jared Leto, and Patrick Bauchau

Meg Altman (Jodie Foster) has left a messy divorce and is looking for a new home for her and her daughter Sarah (Kristen Stewart). She finds a beautiful mansion style brownstone/townhouse with a panic room, a sort of safe room or medieval keep with cameras, monitors, and supplies in which one can hide from and hold up against intruders. When three men (Forest Whitaker, Jared Leto, and Dwight Yoakum) break in her home, Meg and Sarah barely escape into the panic room only to learn that what the three men want is inside room with them.

Directed by David Fincher (Seven, The Fight Club), Panic Room is the kind of adult thriller of a quality that is truly scarce. It is the kind of movie that relies on the skill of a capable and talented director, which Fincher continually proves himself to be with each film. He begins to build levels of intensity, layer upon layer, from the film’s opening shots (with a beautiful and evocative opening credit reel over the New York City skyline) to the closing shots that only barely lets up as the film fades.

Fincher puts the actors through the paces, but they are up to whatever the task at hand. Jodie Foster in insanely intense and intensely dramatic. Of all the cast, she has to not only sell this movie, but a successful execution of the premise relies on her. From fear to bravery, from delirium to determination, Ms. Foster is the face of Fincher’s dramatic exercise. The rest of the cast is also quite good. Ms. Stewart plays Sarah as definitely being her mother’s daughter, mirroring a range of emotions similar to her mother’s. Although Leto’s Junior is the criminal mastermind of the operation, Whitaker’s Burnham and Yoakum’s Raoul carry the show, both quietly mixing a sense of dread and fear that makes their characters more desperate and more dangerous.

Fincher also puts his camera through the paces. It weaves, dodges, and chases, making surprising discovers in a mad dash to create intensity. However, the film itself isn’t a reckless, mad dash. It is evenly paced, and though Fincher uses some of his pictorial and stylistic quirks needlessly, he creates a drama with a sense of terror in the tradition of Rear Window. That, in an era of hyped up SFX films, in refreshing. The genre elements of a thriller: terror and suspense are but beautiful window dressing to the drama.

In Panic Room, every character has a story that makes them more than stock characters. This is a testament to veteran screenwriter David Koepp’s skill in making three-dimensional characters. Whatever fate a thriller has in store for its characters holds more thrill if the characters are more than paper cutouts. If we care for them, we don’t want them in danger. If the villains have real motivation, there are more dangerous.

Kudos to Fincher above all else. Panic Room is that proverbial edge of your seat thriller, but he doesn’t eschew the meat of the story to serve his style. He remains visionary because he can turn the story into powerful visual images. He’s patient and allows the camera, our eyes to survey the scene of the brilliant cat and mouse game. Instead of choppy and quick editing, Panic Room is deliberate, almost sexy in the suspense that it unveils before us. This is the kind of special film that you know you want to see.

8 of 10
A

NOTES:
2003 Black Reel Awards: 1 nomination: “Theatrical - Best Supporting Actor” (Forest Whitaker)

 

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Review: Acting is "The Runaways'" Driving Beat

TRASH IN MY EYE No. 62 (of 2010) by Leroy Douresseaux

The Runaways (2010)
Running time: 107 minutes (1 hour, 47 minutes)
MPAA – R for language, drug use and sexual content - all involving teens
DIRECTOR: Floria Sigismondi
WRITER: Floria Sigismondi (based upon the book Neon Angel: The Cherie Currie Story by Cherie Currie)
PRODUCERS: Art Linson, John Linson, and William Pohlad
CINEMATOGRAPHER: Benoît Debie
EDITOR: Richard Chew

BIOGRAPHY/MUSIC/DRAMA

Starring: Kristen Stewart, Dakota Fanning, Michael Shannon, Stella Maeve, Scout Taylor-Compton, Alia Shawkat, Riley Keough, Johnny Lewis, Tatum O’Neal, Brett Cullen, and Hannah Marks

The Runaways was an all-girl, teenage rock band, active from 1975 to 1979. The band’s membership included, among others, musicians Joan Jett, Lita Ford, and Cherie Currie. The 2010 film, The Runaways is a fictionalized account of the band’s formation in 1975 with an emphasis on Currie and Jett’s relationship until Currie left The Runaways. The film is also part biopic as it is based upon Currie’s 1989 book about her teen years, Neon Angel: A Memoir of a Runaway (co-written with Tony O’Neill).

The movie opens by introducing two rebellious Southern California teens. First is Cherie Currie (Dakota Fanning), the product of a dysfunctional home; she spends a lot of time with her sister, Marie (Riley Keough), going to parties and getting wasted. The second is tomboyish Joan Jett (Kristen Stewart) who plays guitar and is trying to form an all-girl rock band when she meets rock producer and impresario, Kim Fowley (Michael Shannon). Impressed by Joan and interested in her idea, Kim begins to work with Joan to put a band together. During their search, they encounter Cherie, the hot blonde type that Kim believes the band needs

Under Kim’s Svengali-like influence the group, known as The Runaways, quickly becomes a success. The band’s raw musical talent, tough-chick image, and edgy performances earn them a growing following that spreads beyond America’s shores. However, a tour to Japan only exacerbates both the growing tensions within the group and Cherie’s drug abuse.

The Runaways has plenty of the things that every rock biographical movie needs: sex, drugs, and rock ‘n’ roll. Writer/director Floria Sigismondi (known for directing music videos) depicts the power of sex, the danger of drugs, and the voltage of rock ‘n’ roll with the grit and decadence of the 1970s as the backdrop. Sigismondi even gives this movie one unforgettable rock ‘n’ roll moment – a music video-like sequence in which the movie version of The Runaways perform the real band’s signature hit, “Cherry Bomb.” Sigismondi captures her five young actresses conjuring the rowdy charm that made The Runaways a hit.

The film also has something that only the best biographical films have – wall-to-wall great acting. Dakota Fanning gives a layered, textured performance as the deeply troubled and pill-addicted Cherie, and one can only hope that if Fanning doesn’t flame out like the real Cherie Currie, the young actress will have a long career full of excellent performances.

Kristen Stewart’s performance as Joan Jett is about trading off moments of overacting with moments of high quality acting, but throughout this movie, she has the kind of screen presence for which many actors would sell their souls. Michael Shannon is blistering as Kim Fowley, mixing bullying tactics and charisma to create a character who could sell water to Aquaman. Scout Taylor-Compton makes the most of small part as lead guitarist Lita Ford in way that makes me wish the character had more screen time.

This movie is really a quick overview of the creation of The Runaways and their rise and fall, so the story always feels as if it has left out something big. The character development is anemic, but the actors’ excellent performances bring the characters to life anyway. All the actors, but especially Fanning, Stewart, and Shannon, have so bought into their characters that they make The Runaways electric and engrossing.

7 of 10
B+

Saturday, August 07, 2010

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Review: "Eclipse" is Best "Twilight" Film... So Far

TRASH IN MY EYE No. 50 (of 2010) by Leroy Douresseaux

The Twilight Saga: Eclipse (2010)
Running time: 124 minutes (2 hours, 4 minutes)
MPAA – PG-13 for intense sequences of action and violence, and some sensuality
DIRECTOR: David Slade
WRITER: Melissa Rosenberg (based upon the novel by Stephenie Meyer)
PRODUCERS: Wyck Godfrey and Karen Rosenfelt
CINEMATOGRAPHER: Javier Aguirresarobe
EDITORS: Art Jones and Nancy Richardson
COMPOSER: Howard Shore

FANTASY/DRAMA/ROMANCE with elements of action, horror, and thriller

Starring: Kristen Stewart, Robert Pattinson, Taylor Lautner, Billy Burke, Ashley Greene, Jackson Rathbone, Nikki Reed, Kellan Lutz, Peter Facinelli, Elizabeth Reaser, Bryce Dallas Howard, Xavier Samuel, Julia Jones, Chaske Spencer, Gil Birmingham, Boo Boo Stewart, and Dakota Fanning

The Twilight Saga: Eclipse, the third film in the Twilight film franchise, arrives with a bang. Like the previous films (Twilight and The Twilight Saga: New Moon), Eclipse is based upon a wildly popular and bestselling novel by Stephenie Meyer and continues the love story of high school student, Bella Swan, and her vampire boyfriend, Edward Cullen. Now, their romance is complicated by a love triangle that comes in the form Native American werewolf, Jacob Black.

As Eclipse begins, Seattle, WA is in an uproar over a string of mysterious killings, which the citizens believe is the work of one or more serial killers. However, the murders are part of diabolical plan hatched by Victoria (Bryce Dallas Howard), a malicious vampire set on destroying Bella Swan. With the help of her pet, Riley Biers (Xavier Samuel), Victoria is building an army of vampire newborns – that are unruly, hungry, and messy in their feeding habits.

In Forks, WA, Edward (Robert Pattinson) continues to broach the topic of marriage with Bella (Kristen Stewart), while she continues to demand that he turn her into a vampire. Bella also tries to repair her friendship with Jacob (Taylor Lautner), but Jacob wants more than friendship, which causes friction between Edward and Jacob who are already natural enemies as a vampire and a werewolf, respectively. As Victoria and her army heads to Forks, the vampire clan, the Cullens, and the werewolves of the La Push are forced to consider a truce in order to confront a common enemy. Meanwhile, Bella faces with the most important decisions of her young life.

The first proclamations regarding Eclipse that I came across said that this was the best Twilight film… thus far. Like the earlier films, this new one does what the series does best – brooding, oh-so-serious, teen melodrama. Bella and Edward’s love has reached an idealized fevered pitch with her willing to go all the way and he ever more determined to protect her. It seems as if Victoria is indeed dangerous to Bella, but not so much as Bella is to herself.

This time Eclipse also offers the audience action that is just as hot as the romance. The battle between Victoria’s wild pack and the Cullen-La Push coalition offer a more elegant version of the Underworld franchise’s vampire/werewolf battles, but are no less invigorating. The battle is so well shot and edited that the audience will lose itself in the reverie of fighting.

Much credit should go to Eclipse director David Slade (Hard Candy, 30 Days of Night), because it isn’t a coincidence that in this film, more than in the first two, the emotions are more potent and much more authentic. There is a scene in the film in which Bella’s father, Forks Police Chief Charlie Swan (Billy Burke), insists on discussing “being safe” and teen pregnancy with his daughter. The conversation is so awkward, but at the same time, it is good-natured with a sense of familiarity that would be expected between parent and child.

That entire sequence with Bella, Edward, and Jacob on a mountain and in a tent is a thing of power and passion, which is what David Slade brings to this movie. If The Twilight Saga: Eclipse is the best of the bunch, it is because of Slade, along with screenwriter Melissa Rosenberg. They took teen angst, horror, supernatural romance, love triangles, and vampires vs. werewolves and squeezed the best out of them and distilled it all into a damn good movie.

8 of 10
A

Sunday, July 04, 2010

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Review: "The Twilight Saga: New Moon" is Down with Love

TRASH IN MY EYE No. 12 (of 2009) by Leroy Douresseaux

The Twilight Saga: New Moon (2009)
Running time: 130 minutes (2 hours, 10 minutes)
MPAA – PG-13 for some violence and action
DIRECTOR: Chris Weitz
WRITER: Melissa Rosenberg (based upon Stephenie Meyer)
PRODUCERS: Wyck Godfrey and Mark Morgan
CINEMATOGRAHER: Javier Aquirrearobe
EDITOR: Peter Lambert

DRAMA/FANTASY/ROMANCE with elements of action and horror

Starring: Kristen Stewart, Robert Pattinson, Taylor Lautner, Billy Burke, Ashley Greene, Jackson Rathbone, Peter Facinelli, Elizabeth Reaser, Kellan Lutz, Nikki Reed, Sam Uley, Michael Sheen, Dakota Fanning, Anna Kendrick, Michael Welch, Rachelle Lefevre, Justin Chon, Christian Serratos, and Edi Gathegi

In the 2008 smash hit film, Twilight, movie audiences saw romance bloom between high school student Bella Swan and her vampire boyfriend, Edward Cullen. Now, in the follow-up, The Twilight Saga: New Moon, Bella and Edward’s star-crossed romance crashes to earth.

New Moon opens on Bella’s (Kristen Stewart) 18th birthday, a day about which she is not particularly crazy. That evening, Edward’s (Robert Pattinson) family, also vampires, throws a birthday party for Bella, which starts nicely, but takes a shocking turn. Following Bella’s ill-fated birthday party, the Cullens abandon the town of Forks, Washington, in an effort to protect Bella from the dangers inherent in their world. The most shocking blow: Edward breaks up with Bella.

Heartbroken and depressed, Bella sleepwalks through the first half of her senior year of high school, totally shutting out her other friends. When her father, Forks Police Chief Charlie Swan (Billy Burke) demands that his daughter make a change, Bella goes on a date night with a girlfriend. It is on that night that Bella discovers that Edward’s image comes to her whenever she puts herself in jeopardy. Determined to see this vision more often, Bella begins to concoct ways that will put her life at greater and greater risk.

Bella seeks out childhood friend, Jacob Black (Taylor Lautner), a member of the local Quileute Native American Indian tribe. A gifted mechanic, Jacob refurbishes an old motorbike that Bella will secretly use to put herself in danger. Something else surprising happens when Bella finds herself drawn to Jacob, a formerly scrawny boy. He is literally growing taller and more muscular (with killer washboard abs) every day and right before Bella’s very eyes. Jacob, however, also has a shocking supernatural secret of his own, which causes a rift to grow between him and Bella. Then, Edward’s sister, Alice (Ashley Greene), returns, seeking Bella’s help in saving Edward’s life, and the rift grows wider.

Like Twilight, New Moon is based upon a novel by Stephenie Meyer (The Host). Obviously, in the translation from novel to film, plot elements and scenes from the book are left out or changed in the film. However, screenwriter Melissa Rosenberg (who also adapted Twilight) retains the central themes, as well as the spirit, of the source material. The novel asks probing questions, such as: after the euphoria of new love, what is real about this relationship? What do Bella and Edward want of each other? What are their motivations, and how much are they willing to fight for their relationship? Just how deep and strong are Bella’s feelings for Jacob? The screenplay keeps those questions at the forefront of the narrative.

And speaking of fight, director Chris Weitz, an established Hollywood filmmaker (About a Boy, The Golden Compass), doesn’t fight the love story at the core of this franchise. New Moon may be filled with thrilling chases and riveting hunts in the forests around Forks. It may carry viewers breathlessly across the world, only to drop them in the mysterious world beneath a rustic Italian town. Weitz still manages to emphasize the ache and yearning of a young love blazing so brightly that it threatens to burn itself out.

The reported increase in the production budget for New Moon (as compared to Twilight), is evident in the flashy visual special effects. The werewolves are in a word – awesome. The spectacular cinematography is pitch-perfect in capturing the right mood and look for every setting in the film: from the forests surround Forks to the murky nights of Port Angeles. An improvement in the art direction also makes even the Swans’ humble home seem cosmopolitan.

New Moon is not perfect. Under Weitz’s direction and Peter Lambert’s editing, the film often moves too fast, sometimes hopping around like someone high on stimulants. Still, this film works. In the intimate moments when the actors, especially Stewart, Pattinson, and Lautner, convince us that they know these characters and that they are going to make the story real for us, New Moon seems less like a fantasy and more like a real love story.

7 of 10
B+

Monday, November 30, 2009

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Review: Kristen Stewart, Robert Pattinson Rock "Twilight"

TRASH IN MY EYE No. 11 (of 2010) by Leroy Douresseaux

Twilight (2008)
Running time: 122 minutes (2 hours, 2 minutes)
MPAA – PG-13 for some violence and a scene of sensuality
DIRECTOR: Catherine Hardwicke
WRITER: Melissa Rosenberg (based upon the novel by Stephenie Meyer)
PRODUCERS: Wyck Godfrey, Greg Mooradian, Mark Morgan, and Karen Rosenfelt
CINEMATOGRAPHER: Elliot Davis
EDITOR: Nancy Richardson

DRAMA/ROMANCE/HORROR

Starring: Kristen Stewart, Robert Pattinson, Billy Burke, Peter Facinelli, Elizabeth Reaser, Cam Gigandet, Ashley Greene, Christian Serratos, Anna Kendrick, Nikki Reed, Taylor Lautner, Kellan Lutz, Jack Rathbone, Michael Welch, Gil Birmingham, Justin Chon, José Zuniga, and Edi Gathegi

The 2008 box office smash, Twilight, is based on the 2005 novel of the same name written by author Stephenie Meyer. Twilight is the story of an outsider girl who falls for a chivalrous vampire.

Isabella (prefers “Bella”) Swan has always been a little bit different and has never cared about fitting in with the trendy girls. When her mother and her new husband move to sunny Florida, Bella returns to the rainy little town of Forks, Washington, to live with her father, Police Chief Charlie Swan (Billy Burke). Surprisingly, Bella does make a few friends at the local high school, but she finds life dull. Then, Bella spots the school’s strangest students, the Cullens, but she is most captivated by the mysterious and dazzlingly beautiful Edward Cullen (Robert Pattinson), a boy unlike any she’s ever met.

After he saves her life, Edward is forced to reveal to Bella that he is a vampire, but he doesn’t have fangs. His family is unique in that they choose not to drink human blood. The intelligent, sly, and witty, Edward sees straight into Bella’s soul. Her mere presence drives him crazy, and their passionate romance is as thrilling as it is unorthodox. They’re soul mates. However, the arrival of a small pack of vicious vampires threatens the peacefulness of Forks, the Cullens’ way of life, and Bella and Edward’s happiness.

I think the secret of Twilight’s success as a film adaptation of a (wildly) popular book is that it captures the essence of The Twilight Saga (which is composed of four books – for those not in the know). Twilight may have vampires, but it is unequivocally a romance. The birth of Bella and Edwards’ love and its continual growth is so powerful that it permeates Twilight and spills over into the readers’ imaginations. These are captivating characters. Bella is an independent girl, who keeps her own counsel. Edward is chivalrous and is something of a Byronic hero.

The success of Twilight as a movie, separate from the Twilight Saga, depended on how the film depicted the intense romance of Bella and Edward. First, screenwriter Melissa Rosenberg did a fantastic job adapting Twilight for the screen. Rosenberg is near-perfect at trimming the novel, creating new scenes that are true to the original text, and keeping pretty much everything from the novel that really encapsulates this story. Director Catherine Hardwicke has this deft touch at getting to the heart of what makes this story work, and she is especially good at capturing the magic of Bella and Edward as a couple. The best example of Rosenberg and Hardwicke’s storytelling is a magical sequence in which Edward puts Bella on his back and takes her on a journey through the lush forests surrounding Forks via the tree tops.

However, the biggest reasons for Twilight’s success are actors Kristen Stewart as Bella and Robert Pattinson as Edward. Stewart, who seems to have the makings of an exceptional actress, embodies the moodiness and independent streak of Bella that define the character. Kristen makes Bella seem like a real person even in the midst of Twilight’s fantastic scenario. Pattinson is simply a beautiful man, and he channels his acting through a passion for his craft; maybe, that’s why Edwards is so fierce and intense. Here, Pattinson is pitch perfect at playing the sly, tormented bad boy.

Stewart and Pattinson are so good that they are this movie. Simply put, Twilight is a winner.

8 of 10
A

Wednesday, March 10, 2010

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"The Hurt Locker" Puts a Hurt on BAFTAs

“The Hurt Locker” sweep British Academy of Film and Television Arts Awards

The ensemble drama about a bomb-disposal unit in Iraq, The Hurt Locker, dominated the British Academy of Film and Television Arts (BAFTA) awards. It won six of the eight categories for which it was nominated including the top prizes: best picture, director and original screenplay. It beat out the favorite, Avatar, in nearly all categories in which both movies went head to head. Avatar, which recently won the top prizes at the Golden Globes, only won two BAFTA awards, for visual effects and production design.

Fish Tank won the award for best British film.

The Hurt Locker’s director, Kathryn Bigelow became the first woman to win for the BAFTA Award for best director. Ms. Bigelow dedicated her award to "never abandoning the need to find a resolution for peace

Not all the major prizes went back to Hollywood. Colin Firth (A Single Man) beat out Jeff Bridges, the heavy Oscar favorite for Crazy Heart, as best actor. Carey Mulligan won best actress for her role as a young ingénue in the British film, An Education.

Two actors who were expected to win and who are Oscar favorites did indeed win. Mo'Nique won supporting actress for Precious: Based on the Novel “Push” by Sapphire, and Christoph Waltz for supporting actor in Inglourious Basterds.

Kristen Stewart of Twilight and New Moon won the “Orange Rising Star Award,” the only category to be decided by public vote.

Go to The Envelope for a full report.  Go here for a full list of winners.