Negromancer News Bits and Bites from February 14th to 20th, 2016 - Update #50

Support Leroy on Patreon.

POLITICS - From TheWrap:  Jeb Bush suspends presidential campaign.

---------------
CRIME - From RSN:  The last of "The Angola Three" is ordered released from prison.

---------------
OBITS - From TheWrap:  The author Umberto Eco has died at the age 84.  He was the author of the international best-seller, "The Name of the Rose," which was adapted into a film released in 1986.

---------------
BLACK LIVES MATTER - From TheNation:  Why Hillary Clinton does not deserve the Black vote.

---------------
OBIT:  From Variety:  Haper Lee, the author of the novel, "To Kill a Mockingbird," has died at the age of 89 (Fri.., Feb. 19th, 2016).

---------------
MOVIES - From HitFix:  Why "dumping" Blade Runner 2 in January 2018 is a good idea.

---------------
CULTURE - From YahooCelebrity:  Shia LaBeouf in an elevator for 24 hours.

---------------
POLITICS - From RSN:  Michelle Alexander - We will be our revolution, not politicians.

---------------
MOVIES - From CinemaBlend:  New details on "John Wick 2."

POLITICS - From SeattleTimes:  Kentucky Senate approves two marriage licenses to - one for straight couples and one for gay.

---------------
MOVIES - From TheWrap:  Amazon has the North American distribution rights to Woody Allen's next film, which stars Kristen Stewart.

---------------
MOVIES - From TheWrap:  The Blade Runner sequel, which stars Ryan Gosling and Harrison Ford, will be released in January 2018.

---------------
POLITICS - From RSN:  Forest Whitaker on securing a future for child soldiers.

---------------
POLITICS - From Politico:  Cornell West on why Bernie Sanders is better for Black people than Hillary Clinton.

---------------
TECH - From WashPost:  Apple CEO Tim Cook releases a statement about opposing an FBI order.

---------------
MUSIC - From WashPost:  Yet, Beyonce does not care.

BLACK LIVES MATTER - From WashPost:  It's Beyonce's fault?

---------------
CULTURE - From WashPost:  San Francisco "tech bro" laments homeless people ruining his view.

---------------
BLACK LIVES MATTER - From VICE:  Chicago cop sues the people he victimized.

---------------
MOVIES - From Deadline:  "Guardians of the Galaxy 2" begins production with new cast members.

---------------
MOVIES - From THR:  "The Hurt Locker" wins a long-running "publicity rights" lawsuit in an appeals court.

---------------
MOVIES - From THR:  Oscar-winner Julianne Moore is in talks to play the villain in "The Kingsman 2."

---------------
POLITICS - From RSN:  Robert Reich - "The Death of the Republican Party."

---------------
OBITS - From Variety:  The actor George Gaynes died at the age of 98 on Monday, Feb. 15th, 2016.  He was best known for his roles on the TV show, "Punky Brewster," and in seven "Police Academy" movies.

---------------
MOVIES - From Variety:  Now, that Deadpool has made Ryan Reynolds a box office star again, he is trying to get into big sci-fi pic, "Life."

---------------
MOVIES - From ThePlaylist:  FOX wants the next Wolverine movie to be R-rated... so predictable in the wake of R-rated "Deadpool's" success.

---------------
MUSIC - From Mashable:  An anti-Beyonce protest rally turns to something good.

---------------
MOVIES - From Mashable:  A review of the creepy new film, "The Witch," with a trailer for the film.

---------------
OBITS - From TheWrap:  Vanity, the singer who was a protege of musical icon Prince, has died at the age of 57 on Monday, February 15, 2016.  She was the lead vocalist of Prince's girl group, Vanity 6, and had a hit with the song "Nasty Girl."

---------------
COMICS - From YahooTV:  James Gunn delivers smack down to fake Hollywood executives over the success of "Deadpool."

---------------
AWARDS - From YahooMusic:  Complete list of Grammy winners - updated.

---------------
TV - From Yahoo:  Recap of "No Way Out," the midseason debut of "The Walking Dead."


BLACK LIVES MATTER - From the New York DailyNews:  Yes, the New York City Police Department can throw you out of your apartment... if you are Black and Brown... even if you have not committed a crime.

---------------
CRIME - From WFMY:  Did you know that the FBI arrested, Cliven Bundy, the rancher who had the standoff with federal officials?

---------------
BLACK LIVES MATTER - From NPR:  Federal grand jury begins in Eric Garner case.

---------------
POLITICS - From RSN:  Oscar-winning director Oliver Stone says that the media continues to ignore the nation's most serious issues.

---------------
COMICS - From CBB:  New Johnny Bullet (Episode #61).

From CBB:  New Johnny Bullet (#61) in French.

From CBB: Chapter 2, page 4

---------------
POLITICS - From EcoWatch:  Mark Ruffalo - "There is no fracking that can be done safely."

---------------
POLITICS - From Fusion:  Latino celebrities line-up against Republican "Anti-immigrant fear mongering."

---------------
MUSIC - From YahooMusic:  Dave Grohl serenades Lionel Richie at MusiCares.

---------------
AWARDS - From TheWrap:  BAFTA Awards winners.

From Variety:  A BAFTA analysis.

---------------
STAR TREK - From the NYPost:  William Shatner and Leonard Nimoy had not spoken to one another for the last five years of his life.

---------------
SPORTS - From the New York DailyNews:  Apparently, back in the mid-1990s, Super Bowl hero Peyton Manning sexually assaulted a woman when he was a student at Tennessee.  It has been covered up for years.

From the DailyNews:  Meanwhile, Cam Newton is treated like the rapist.

---------------
BOX OFFICE - From BoxOfficeMojo:  The winner of the 2/12 to 2/14/2016 weekend box office is "Deadpool."  It's $135 million estimated take is a record for the opening of an R-rated movie.

From YahooTV:  An analysis on Deadpool's box office success.

---------------
MOVIES:  From DarkHorizons:  Steve Coogan and Paul Rudd will play a married couple in "An Ideal Home."

---------------
MOVIES - From YahooNews:  Sony releases a short video announcing that the first full trailer for the new "Ghostbusters" film will be released March 3rd, 2016.

---------------
COMICS - From CBR:  DC Comics releases cover art for its April event, "Super League."

---------------
AWARDS - From BAFTA:  Here are your 2016 BAFTA nominees.  Awards ceremony begins soon.

---------------
AWARDS - From Deadline:  2016 Writers Guild Award winners; "Spotlight" and "The Big Short" lead.

---------------
From WashPost:  The paper's announcement of the death of Supreme Justice Antonin Scalia on Sat., Feb. 13th, 2016.

---------------
VIDEO:

From YouTube:  Director Adam McKay talks about his film, "The Big Short," with Michael Lewis, who wrote the book upon which the film is based.

Universal's "Dope" Arrives on Digital HD Today (Sept. 29th)

"DOPE" AVAILABLE ON DIGITAL HD ON SEPTEMBER 29, 2015

AND ON BLU-RAY™ COMBO PACK AND DVD ON OCTOBER 13, 2015, FROM UNIVERSAL PICTURES HOME ENTERTAINMENT

Universal City, California – From Grammy® Award winner Pharrell Williams and Academy Award® winner Forest Whitaker comes a fresh and fun coming-of-age comedy Dope, debuting on Digital HD on September 29, 2015 and on Blu-ray™ Combo Pack and DVD on October 13, 2015, from Universal Pictures Home Entertainment. Nominated for the coveted Grand Jury Prize at the 2015 Sundance Film Festival, the film is a fresh and funny foray into contemporary urban life that Rolling Stone calls “Irresistible, freewheeling fun!” and Marlow Stern of The Daily Beast says is “Nothing short of intoxicating.”  Featuring an old-school soundtrack plus four new original songs by Pharrell Williams, the Dope Blu-ray™ and DVD are loaded with awesome bonus features for fans to enjoy.

Malcolm (Shameik Moore) is a straight-A high-school senior into old-school rap who finds himself in the middle of an adventure involving shady drug dealers, offbeat weirdos and a backpack that can make or break his chance of getting into Harvard. Also starring hip-hop talent A$AP Rocky, Blake Anderson (“Workaholics”), Zoë Kravitz (Divergent), Tony Revolori (The Grand Budapest Hotel), rapper Tyga and supermodel Chanel Iman, Dope  is “vibrant and entertaining” (Boyd van Hoeij, The Hollywood Reporter).

BONUS FEATURES ON BLU-RAY™ AND DVD

-    Dope Is Different – The cast and crew discuss the film’s central characters and themes of being unique and authentic.
-    Dope Music - Pharrell Williams, A$AP Rocky, Rick Fumuyiwa and others delve into the essential role old-school rap and punk rock tracks play in the film.
Blu-ray™ unleashes the power of your HDTV and is the best way to watch movies at home, featuring 6X the picture resolution of DVD and theater quality sound. Plus, both the Blu-ray Combo Pack and the DVD will include DIGITAL HD with UltraViolet™, a feature which lets fans instantly stream and download the movie anywhere to watch on their favorite devices.

FILMMAKERS
Cast: Shameik Moore, Tony Revolori, Kiersey Clemons, Kimberly Elise, Chanel Iman, Keith Stanfield, Blake Anderson, Zoë Kravitz, A$AP Rocky
Directed By: Rick Famuyiwa
Written By: Rick Famuyiwa
Produced By: Nina Yang Bongiovi, Forest Whitaker
Executive Produced By: Pharrell Williams, Michael Y. Chow, Rick Famuyiwa, David Lonner
Director of Photography: Rachel Morrison
Production Designer: Scott Falconer
Edited By: Lee Haugen
Costume Design By: Patrik Milani
Music By: Germaine Franco

TECHNICAL INFORMATION BLU-RAY™:
Street Date: October 13, 2015
Copyright: 2015 Universal Pictures Home Entertainment
Selection Number: 55171525
Layers: BD-50
Aspect Ratio: 2.40:1
Rating: R for language, drug content, sexuality/nudity, and some violence—all involving teens
Languages/Subtitles: English SDS, French and Spanish Subtitles
Sound: DTS-HD Master Audio 5.1, Dolby Digital 2.0
Run Time: 1 hour, 44 minutes

TECHNICAL INFORMATION DVD:
Street Date: October 13, 2015
Copyright: 2015 Universal Pictures Home Entertainment
Selection Number: 55171526
Layers: Dual
Aspect Ratio: 2.40:1
Rating: R for language, drug content, sexuality/nudity, and some violence—all involving teens
Languages/Subtitles: English SDS, French and Spanish Subtitles
Sound: Dolby Digital 5.1
Run Time: 1 hour, 44 minutes

---------------------

Star Wars "Rogue One" Begins Principal Photography

Rogue One—The Daring Mission Has Begun: Cast and Crew Announced

Lucasfilm announced that their first film in the new standalone Star Wars stories series, Rogue One, has begun principal photography. Gareth Edwards (Godzilla, Monsters) is directing Rogue One, which tells the story of resistance fighters who have united to steal plans to the dreaded Death Star. The film is produced by Kathleen Kennedy and is slated for a December 16, 2016 release.

The filmmakers have assembled a stellar cast, including Felicity Jones, nominated for an Academy Award for her leading role in The Theory of Everything; Diego Luna, who was featured in 2008’s Oscar-winning Milk and 2013’s Elysium; Ben Mendelsohn, recently nominated for an Emmy for his leading role in Bloodline and co-starring in the upcoming Mississippi Grind; Donnie Yen, Hong Kong action star and martial artist who starred in Ip Man and Blade II; Jiang Wen, who co-wrote, produced , directed and starred in the award-winning Let the Bullets Fly and Devils on the Doorstep; Forest Whitaker, recently featured in the critically-acclaimed Lee Daniels’ The Butler and winner of an Academy Award for his leading role in 2006’s The Last King of Scotland; Mads Mikkelsen, who starred in The Hunt and was the memorable villain from 2006’s Casino Royale; Alan Tudyk, who plays a performance-capture character in Rogue One, stars in the soon-to-be-released Con Man series and Trumbo, which releases this November; and Riz Ahmed, who was recently featured in Nightcrawler and starred in the BAFTA-winning film Four Lions.

“Rogue One takes place before the events of Star Wars: A New Hope and will be a departure from the saga films but have elements that are familiar to the Star Wars universe,” says Kathleen Kennedy. “It goes into new territory, exploring the galactic struggle from a ground-war perspective while maintaining that essential Star Wars feel that fans have come to know. Gareth is such an innovative director and I’m so excited to be working with him and the extraordinary ensemble cast he’s selected for ‘Rogue One.’”

Veteran ILM visual effects supervisor John Knoll, who shares a long history with the Star Wars movies, dating back to the mid-1990s, originated the idea for the movie. Allison Shearmur (The Hunger Games: Catching Fire, Cinderella), John Knoll, Simon Emanuel (The Dark Knight Rises, Fast & Furious 6) and Jason McGatlin (Tintin, War of the Worlds) are executive producers. Kiri Hart and John Swartz (Star Wars: The Force Awakens) are co-producers.

To create the lived-in, realistic feel of Rogue One, Edwards chose Greig Fraser (Zero Dark Thirty, Foxcatcher) to be his director of photography and Neil Corbould (Black Hawk Down, Gladiator, Saving Private Ryan) to be his special effects supervisor. Star Wars and Lucasfilm veteran Doug Chiang (Star Wars: Episodes I-II, Forrest Gump) and Neil Lamont (supervising art director for the Harry Potter series, Edge of Tomorrow) will be the production designers. Additional crew members will include stunt coordinator Rob Inch (World War Z, Marvel’s Captain America: The First Avenger), creature effects supervisor Neal Scanlan (Prometheus) and co-costume designers Dave Crossman (costume supervisor for the Harry Potter series, Saving Private Ryan) and Glyn Dillon (costume concept artist for Kingsman: The Secret Service, Jupiter Ascending).

----------------------

Review: "Fruitvale Station" Heartbreakingly Beautiful and Beautifully Heartbreaking

TRASH IN MY EYE No. 30 (of 2014) by Leroy Douresseaux

Fruitvale Station (2013)
Running time:  85 minutes (1 hour, 25 minutes)
MPAA – R for some violence, language throughout and some drug use
WRITER/DIRECTOR:  Ryan Coogler
PRODUCERS:  Nina Yang Bongiovi and Forest Whitaker
CINEMATOGRAPHER:  Rachel Morrison (D.o.P.)
EDITORS:  Claudia S. Castello and Michael P. Shawver
COMPOSER:  Ludwig Girabsson

DRAMA/HISTORICAL

Starring:  Michael B. Jordan, Melonie Diaz, Octavia Spencer, Ariana Neal, Kevin Durand, Chad Michael Murray, Anha O’Reilly, Kenan Coogler, and Trestin George

Fruitvale Station is a 2013 drama from writer-director Ryan Coogler.  A docu-drama and quasi-historical film, Fruitvale Station is a dramatization of the last day in the life of Oscar Louis Grant III, a real-life African-American man who was shot to death by a police officer.  Actor Forest Whitaker is one of the film’s producer (although he does not appear in the film), and Harvey Weinstein is one the film’s executive producers, although he does receive a screen credit in the film as such.

Oscar Grant, a 22-year-old San Francisco Bay Area resident, and his friends were traveling on a Bay Area Rapid Transit (BART) train during the early hours of New Year’s Day 2009.  After a fight on the train, Grant and his friends were detained by BART Police officers at Fruitvale Station in Oakland, California.  While being restrained Grant, who was lying face down and allegedly resisting arrest, was fatally shot by BART Police officer Johannes Mehserle.  Grant was pronounced dead around 9 a.m. that morning at Highland Hospital in Oakland.

The incident at the train station is the basis of Ryan Coogler’s Fruitvale Station.  The film follows Oscar Grant (Michael B. Jordan) from the early morning of New Year’s Eve 2008 to his death.  The film examines his relationship with his girlfriend, Sophina (Melonie Diaz), who is the mother of his child, Tatiana (Ariana Neal).  The film also pays particular attention to Grant’s close relationship with Tatiana and his relationship with his mother, Wanda (Octavia Spencer), which had improved since Oscar’s stint in jail.  By illustrating the energy he brought to life, the film celebrates how much Oscar meant to his family and friends.

I often dread watching films based on real-life events when I know that the lead character died or was killed.  It took me three days to watch Fruitvale Station because I knew the heartbreak that was coming, and this film is indeed poignant and heartbreaking.  It eulogizes Oscar Grant, while simultaneously mourning a unique soul lost through senseless death.  By portraying Oscar’s relationships, Coogler emphasizes what a tragic loss Oscar was for his friends and family.  However, Coogler makes that sense of loss feel genuine in ways that films about real life people often do not.  Some movies about the senseless killing of person can make the viewer feel outrage.  Fruitvale Station simply cause hurt deep in the soul.

Michael B. Jordan as Oscar and Octavia Spencer as his mother, Wanda, give tremendous performances.  Spencer (who is one of the co-executive producers of this film) shows that she can build characters that seem real right down to their souls.  I can see why many thought that she would get an Oscar nod for her work here, which she ultimately did not.

Jordan is so good; it is as if he disappeared and then, reappeared as the real Oscar Grant.  After such a performance, people will obviously think that the sky is the limit for this bright and talented young actor.  Because of his performance, I don’t think I could watch Fruitvale Station again.  I cannot let Jordan, Spencer, and Coogler break my heart and make me cry again.

9 of 10
A+

NOTES:
2014 Black Reel Awards:  9 nominations:  “Outstanding Motion Picture” (Forest Whitaker-producer and Nina Yang Bongiovi-producer – The Weinstein Company), “Outstanding Actor, Motion Picture,” (Michael B. Jordan), “Outstanding Supporting Actress, Motion Picture” (Melonie Diaz), “Outstanding Supporting Actress, Motion Picture” (Octavia Spencer), “Outstanding Director, Motion Picture” (Ryan Coogler), “Outstanding Screenplay-Adapted or Original, Motion Picture” (Ryan Coogler), “Outstanding Ensemble” (Nina Henninger-Casting Director), “Outstanding Score” (Ludwig Göransson), and “Outstanding Breakthrough Performance, Female” (Melonie Diaz)

2014 Image Awards:  1 win: “Outstanding Independent Motion Picture;” 4 nominations: “Outstanding Motion Picture,” “Outstanding Actor in a Motion Picture” (Michael B. Jordan), “Outstanding Supporting Actress in a Motion Picture” (Octavia Spencer), and “Outstanding Writing in a Motion Picture - Theatrical or Television” (Ryan Coogler)

Thursday, July 03, 2014


The text is copyright © 2014 Leroy Douresseaux. All Rights Reserved. Contact this site for syndication rights and fees.

------------------------------

Amazon wants me to inform/remind you that any affiliate links found on this page are PAID ADS, but I technically only get paid (eventually) if you click on affiliate links like this, MOVIES PAGE, and BUY something(s).

African-American Film Critics Crown "12 Years a Slave" Best of 2013

by Amos Semien

The African-American Film Critics Association named director Steve McQueen's 12 Years a Slave the "Best Film" of 2013, with McQueen also receiving the "Best Director" prize.  Many other critics organizations have named Chiwetel Ejiofor and Lupita Nyong'o of 12 Years a Slave best actor and best supporting actress, respectively.  However, the AAFCA went with two of the cast members of Lee Daniels: The Butler as "Best Actor" (Forest Whitaker) and "Best Supporting Actor" (Oprah Winfrey).  I've included the text of the press release with which the AAFCA announced its 2013 film awards at the bottom of this post.

The African-American Film Critics Association (AAFCA) is a group of African-American film critics that give various awards for excellence in film at the end of each year.  The association was founded in 2003 by Gil L. Robertson IV and Shawn Edwards.

2013 African-American Film Critics Association Awards winners:

Best Actor                               Forest Whitaker, Lee Daniels: The Butler (TWC)

Best Actress                            Sandra Bullock, Gravity (Warner Bros.)

Best Supporting Actress         Oprah Winfrey, Lee Daniels: The Butler (TWC)

Best Supporting Actor            Jared Leto, Dallas Buyers Club (Focus Features)

Best World Cinema                Mother of George (Oscilloscope Laboratories)

Breakout Performance            Lupita Nyong’o, 12 Years a Slave (Fox Searchlight)

Best Director                           Steve McQueen, 12 Years a Slave (Fox Searchlight)

Best Screenplay                      John Ridley, 12 Years a Slave (Fox Searchlight)

Best Music                              Raphael Sadiq, Black Nativity (RCA Inspirational)

Best Independent Film           Fruitvale Station (TWC)

Best Animation                       Frozen (Walt Disney Pictures)

Best Documentary                  American Promise (Rada Film Group)

The African-American Film Critics Association’s Top Ten Films of 2013 are as follows in order of distinction:

1. 12 Years a Slave

2. Lee Daniels: The Butler

3. Mandela: Long Walk to Freedom

4. American Hustle

5. Gravity

6. Fruitvale Station

7.  Dallas Buyers Club

8. Saving Mr. Banks

9. Out of the Furnace

10. 42


---------------------------------------------------

Press Release:

AFRICAN-AMERICAN FILM CRITICS ASSOCIATION NAMES 12 YEARS A SLAVE AS TOP FILM OF 2013

Forest Whitaker, Sandra Bullock, Oprah Winfrey and Jared Leto Also Receive Wins from the Nation’s Premiere African American Critics Group

Los Angeles, CA (December 13, 2013) – The African-American Film Critics Association (AAFCA) has named 12 Years a Slave as the Best Picture of 2013.  The Fox Searchlight film’s also earned Best Director, Best Screenplay and Best Newcomer honors for Steve McQueen, John Ridley and Lupita Nyong’o. The organization, which represents the leading African-American film critics nationwide, will formally present its awards during a private ceremony on Friday, January 31, 2014 hosted by Orlando Jones at the Taglyan Complex in Hollywood, CA.

In the acting categories, Forest Whitaker won Best Actor for his performance in Lee Daniels: The Butler and Sandra Bullock was named Best Actress for Gravity. Oprah Winfrey received Best Supporting Actress 2013 for her role in The Butler and Jared Leto earned Best Supporting Actor 2013 for his performance in Dallas Buyers Club.

Rounding out the 2013 AAFCA Award winners are Fruitvale Station, for Best Independent Film, Frozen Best Animated Feature; Mother of George, for Best World Cinema and American Promise, from Joe Brewster and Michèle Stephenson.  Producer Raphael Saadiq won in the Best Music category for Black Nativity.

As previously announced, AAFCA’s Special Achievement honors will be awarded to AMPAS President Cheryl Boone Isaacs, TWC’s Bob and Harvey Weinstein, FOX SEARCHLIGHT’s Zola Mashariki and DGA’s President Paris Barclay. AAFCA’s Inaugural Roger Ebert Award will be given to Justin Chang of Variety.  “The film industry reached an incredibly high benchmark in 2013 in terms of the level of performance and diversity on screen,” says AAFCA President and Founder, Gil Robertson. “From the dramatic and heartwarming performances given by Whitaker and Winfrey, to Jared Leto’s incredible transformation as a transgender, the performances this year represented some of the finest examples of the acting craft.”

The organization’s Top Ten list of films includes 12 Years a Slave, Lee Daniels: The Butler, Gravity, American Hustle and Mandela.  “Hollywood did an excellent job in providing filmgoers with excellent examples of cinema that examine the core of the humanity. We hope this trend continues,” says AAFCA’s East Coast V.P. Daryle Lockhart, owner of Black Box Office.com.

About AAFCA
The African-American Film Critics Association (AAFCA) is the premiere organization of African-American film media professionals. Founded in 2003, AAFCA’s members represent a geographically diverse cross-section of media covering the cinematic arts. The organization honors excellence in cinema by creating awareness for films with universal appeal to black communities, while emphasizing film about the black experience and those produced written, directed and starring performers of African descent. The association actively reviews the quality and standard of black talent, content and media coverage. AAFCA also supports the development of future black film critics and filmmakers. AAFCA is based in Los Angeles.

END of release

Producers Guild of America to Honor "Fruitvale Station"

Producers Guild To Honor 'Fruitvale Station' With 2014 Stanley Kramer Award

The Producers Guild of America (PGA), announced today that the critically acclaimed feature FRUITVALE STATION will be honored with the 2014 Stanley Kramer Award at the 25th Annual Producers Guild Awards ceremony.  The awards ceremony will be held on Sunday, January 19, 2014 at the Beverly Hilton Hotel in Los Angeles.

The Stanley Kramer Award was established in 2002 to honor a production, producer or other individual whose achievement or contribution illuminates and raises public awareness of important social issues.  Stanley Kramer created some of the most powerful work in the history of American motion pictures, including such classics as INHERIT THE WIND, ON THE BEACH, THE DEFIANT ONES, and GUESS WHO’S COMING TO DINNER.

"FRUITVALE STATION is an important film that raises awareness about an injustice that we encounter in the news with grim regularity.  First time writer/director Ryan Coogler has captured the hearts and minds of both audiences and critics with his poignant portrayal of the true story of Oscar Grant,” said PGA Awards Co-Chairs Lori McCreary (INVICTUS, "Through the Wormhole with Morgan Freeman”) and Michael De Luca (CAPTAIN PHILLIPS, MONEYBALL, THE SOCIAL NETWORK).  "FRUITVALE STATION has well earned the honor of the 2014 Stanley Kramer Award and we look forward to celebrating this extraordinary film.”

Forest Whitaker said, "We are very excited that FRUITVALE STATION is being honored with the Stanley Kramer Award. It is a testament to the director, the production team and the incredible efforts of the many talented people in our crew and cast who worked so hard because they believed in the message of this movie. Many thanks to the Producers Guild of America for this recognition. Our producing team is thrilled to have been able to tell a story that puts a human face on the issue of social injustice. We hope the film continues to have a positive impact on the ongoing dialogue that surrounds these issues.”

Previous recipients of the Stanley Kramer Award include: THE GREAT DEBATERS, AN INCONVENIENT TRUTH, HOTEL RWANDA, IN AMERICA, ANTWONE FISHER, PRECIOUS, IN THE LAND OF BLOOD AND HONEY, and the 2013 honoree, BULLY.

Winner of both the Grand Jury Prize for dramatic feature and the Audience Award for U.S. dramatic film at the 2013 Sundance Film Festival, FRUITVALE STATION follows the true story of Oscar Grant (Michael B. Jordan), a 22-year-old Bay Area resident who wakes up on the morning of December 31, 2008 and feels something in the air. Not sure what it is, he takes it as a sign to get a head start on his resolutions: being a better son to his mother (Octavia Spencer), whose birthday falls on New Year's Eve, being a better partner to his girlfriend Sophina (Melonie Diaz), with whom he hasn't been completely honest with as of late, and being a better father to Tatiana (Ariana Neal), their beautiful four year-old daughter. Crossing paths with friends, family and strangers, Oscar starts out well, as the day goes on, he realizes that changes are not going to come easily. His resolve takes a tragic turn, however, when BART officers shoot him in cold blood at the Fruitvale subway stop on New Year's Day. Oscar's life and tragic death would shake the Bay Area – and, ultimately, a worldwide audience - to its very core.

The Weinstein Company presents FRUITVALE STATION, written and directed by Ryan Coogler, produced by Nina Yang Bongiovi and Forest Whitaker.

Sponsors of the 2014 Producers Guild Awards include Cadillac, an official automotive sponsor of the PGA; Delta Air Lines, the sponsor of this year's Producers Guild Visionary Award; Panavision, the sponsor of the cocktail reception; PRG, Production Resource Group, an annual sponsor of the PGA; and Tiffany & Co.

2014 Screen Actors Guild Awards Nominations - Film Categories List

by Amos Semien

The Screen Actors Guild (SAG) is an American labor union that represents film and television performers worldwide.  Most people probably know SAG for the various actors’ strikes or for the Screen Actors Guild Award, which SAG uses to honor outstanding performances by its members.  The first SAG Awards ceremony was held in February 1995 (for films released in 1994).

In the theatrical motion picture categories, director Steve McQueen’s 12 Years a Slave led the 20th annual Screen Actors Guild Award nominations with 4 nominations, including a best ensemble nomination and three nominations in the acting categories:  Chiwetel Ejiofor (lead), Michael Fassbender (supporting), and Lupita Nyong'o (supporting).  Rita Moreno will receive this year's "Life Achievement Award."

Winners will be announced at the 20th Annual Screen Actors Guild Awards® ceremony.  The ceremony will be simulcast live nationally on TNT and TBS on Saturday, Jan. 18, 2014 at 8 p.m. (ET)/5 p.m. (PT) from the Los Angeles Shrine Exposition Center.

An encore presentation will air immediately following live telecast on TNT only at 10 p.m. (ET)/7 p.m. (PT).  A live stream of the SAG Awards can also be viewed online through the TBS and TNT websites, as well as through the “Watch TBS” and “Watch TNT” apps for iOS or Android.  Apparently, viewers who want to use these apps must sign in using their TV provider user name and password in order to view the live stream.

20th ANNUAL SCREEN ACTORS GUILD AWARDS NOMINATIONS – Full list of nominations:

THEATRICAL MOTION PICTURES Categories:

Outstanding Performance by a Male Actor in a Leading Role
BRUCE DERN / Woody Grant – “NEBRASKA” (Paramount Pictures)

CHIWETEL EJIOFOR / Solomon Northup – “12 YEARS A SLAVE” (Fox Searchlight Pictures)

TOM HANKS / Capt. Richard Phillips – “CAPTAIN PHILLIPS” (Columbia Pictures)

MATTHEW McCONAUGHEY / Ron Woodroof – “DALLAS BUYERS CLUB” (Focus Features)

FOREST WHITAKER / Cecil Gaines – “LEE DANIELS’ THE BUTLER” (The Weinstein Company)

Outstanding Performance by a Female Actor in a Leading Role
CATE BLANCHETT / Jasmine – “BLUE JASMINE” (Sony Pictures Classics)

SANDRA BULLOCK / Ryan Stone – “GRAVITY” (Warner Bros. Pictures)

JUDI DENCH / Philomena Lee – “PHILOMENA” (The Weinstein Company)

MERYL STREEP / Violet Weston – “AUGUST: OSAGE COUNTY” (The Weinstein Company)

EMMA THOMPSON / P.L. Travers – “SAVING MR. BANKS” (Walt Disney Pictures)

Outstanding Performance by a Male Actor in a Supporting Role
BARKHAD ABDI / Muse – “CAPTAIN PHILLIPS” (Columbia Pictures)

DANIEL BRÜHL / Niki Lauda – “RUSH” (Universal Pictures)

MICHAEL FASSBENDER / Edwin Epps – “12 YEARS A SLAVE” (Fox Searchlight Pictures)

JAMES GANDOLFINI / Albert – “ENOUGH SAID” (Fox Searchlight Pictures)

JARED LETO / Rayon – “DALLAS BUYERS CLUB” (Focus Features)

Outstanding Performance by a Female Actor in a Supporting Role:
JENNIFER LAWRENCE / Rosalyn Rosenfeld – “AMERICAN HUSTLE” (Columbia Pictures)

LUPITA NYONG’O / Patsey – “12 YEARS A SLAVE” (Fox Searchlight Pictures)

JULIA ROBERTS / Barbara Weston – “AUGUST: OSAGE COUNTY” (The Weinstein Company)

JUNE SQUIBB / Kate Grant – “NEBRASKA” (Paramount Pictures)

OPRAH WINFREY / Gloria Gaines – “LEE DANIELS’ THE BUTLER” (The Weinstein Company)

Outstanding Performance by a Cast in a Motion Picture:

12 YEARS A SLAVE (Fox Searchlight Pictures)
BENEDICT CUMBERBATCH / Ford
PAUL DANO / Tibeats
GARRET DILLAHUNT / Armsby
CHIWETEL EJIOFOR / Solomon Northup
MICHAEL FASSBENDER / Edwin Epps
PAUL GIAMATTI / Freeman
SCOOT McNAIRY / Brown
LUPITA NYONG’O / Patsey
ADEPERO ODUYE / Eliza
SARAH PAULSON / Mistress Epps
BRAD PITT / Bass
MICHAEL KENNETH WILLIAMS / Robert
ALFRE WOODARD / Mistress Shaw

AMERICAN HUSTLE (Columbia Pictures)
AMY ADAMS / Sydney Prosser
CHRISTIAN BALE / Irving Rosenfeld
LOUIS C.K. / Stoddard Thorsen
BRADLEY COOPER / Richie DiMaso
PAUL HERMAN / Alfonse Simone
JACK HUSTON / Pete Musane
JENNIFER LAWRENCE / Rosalyn Rosenfeld
ALESSANDRO NIVOLA / Federal Prosecutor
MICHAEL PEÑA / Sheik (Agent Hernandez)
JEREMY RENNER / Mayor Carmine Polito
ELISABETH RÖHM / Dolly Polito
SHEA WHIGHAM / Carl Elway

AUGUST: OSAGE COUNTY (The Weinstein Company)
ABIGAIL BRESLIN / Jean Fordham
CHRIS COOPER / Charles Aiken
BENEDICT CUMBERBATCH / “Little” Charles Aiken
JULIETTE LEWIS / Karen Weston
MARGO MARTINDALE / Mattie Fae Aiken
EWAN McGREGOR / Bill Fordham
DERMOT MULRONEY / Steve
JULIANNE NICHOLSON / Ivy Weston
JULIA ROBERTS / Barbara Weston
SAM SHEPARD / Beverly Weston
MERYL STREEP / Violet Weston
MISTY UPHAM / Johnna

DALLAS BUYERS CLUB (Focus Features)
JENNIFER GARNER / Dr. Eve Saks
MATTHEW McCONAUGHEY / Ron Woodroof
JARED LETO / Rayon
DENIS O’HARE / Dr. Sevard
DALLAS ROBERTS / David Wayne
STEVE ZAHN / Tucker

LEE DANIELS’ THE BUTLER (The Weinstein Company)
MARIAH CAREY / Hattie Pearl
JOHN CUSACK / Richard Nixon
JANE FONDA / Nancy Reagan
CUBA GOODING, JR. / Carter Wilson
TERRENCE HOWARD / Howard
LENNY KRAVITZ / James Holloway
JAMES MARSDEN / John F. Kennedy
DAVID OYELOWO / Louis Gaines
ALEX PETTYFER / Thomas Westfall
VANESSA REDGRAVE / Annabeth Westfall
ALAN RICKMAN / Ronald Reagan
LIEV SCHREIBER / Lyndon B. Johnson
FOREST WHITAKER / Cecil Gaines
ROBIN WILLIAMS / Dwight D. Eisenhower
OPRAH WINFREY / Gloria Gaines

SAG AWARDS® HONORS FOR STUNT ENSEMBLES

Outstanding Action Performance by a Stunt Ensemble in a Motion Picture:
ALL IS LOST (Lionsgate)
FAST & FURIOUS 6 (Universal Pictures)
LONE SURVIVOR (Universal Pictures)
RUSH (Universal Pictures)
THE WOLVERINE (20th Century Fox)

LIFE ACHIEVEMENT AWARD

Screen Actors Guild 50th Annual Life Achievement Award: RITA MORENO

http://www.sagawards.org/

END

Review: "Pawn" a Game of Changes

TRASH IN MY EYE No. 29 (of 2013) by Leroy Douresseaux


Pawn (2013)
Running time: 88 minutes (1 hour, 28 minutes)
MPAA – R for violence, language and brief drug content
DIRECTOR: David A. Armstrong
WRITER: Jay Anthony White
PRODUCERS: Michael Becker, Michael Chiklis, Brad Luff, and Jeff Most
CINEMATOGRAPHER: Keith Dunkerley (D.o.P.)
EDITORS: Jordan Goldman and Danny Saphire
COMPOSER: Jacob Yoffee

CRIME/DRAMA/THRILLER

Starring: Michael Chiklis, Common, Marton Csokas, Sean Faris, Stephen Lang, Ray Liotta, Nikki Reed, Max Beesley, Jonathan Bennett, Forest Whitaker, Jessica Szohr, Ronald Guttman, Jordan Belfi, and Cameron Denny

Pawn is a 2013 crime thriller and drama. The independent film focuses on a petty robbery that turns into a tense hostage situation after three gunmen hold up a diner.

Pawn is mostly set in Be Brite Diner, an all-night diner (apparently located somewhere in Connecticut). Will Tompkins (Forest Whitaker), a police officer, walks in on a robbery in progress at the diner. Derrick (Michael Chiklis) and his crew, Billy (Max Beesley) and Nigel (Cameron Denny), want the contents of the diner’s safe.

Police and SWAT surround Be Brite. Nicholas “Nick” Davenport (Sean Faris), a recently paroled felon, finds himself caught in the middle, while his pregnant wife, Amanda (Nikki Reed), finds herself facing the “Man in the Suit” (Ray Liotta). Jeff Porter (Common), the hostage negotiator, isn’t sure whom he can trust… on either side of the situation. The big question is not only what happens next, but also what happened just before the robbery began? One extremely intense hostage situation is about to start taking some shocking twists.

The director of Pawn, David A. Armstrong, was the cinematographer on the Saw horror films, from the original to Saw VI. Like the Saw franchise, Pawn is filled with twists and turns and with the kinds of characters that always make twists and turns against their fellow characters. The film also has a non-linear narrative intended to make the viewer chase plots and subplots from one revelation to another. I never got tired of it because these revelations were sometimes delightful clarifications or like amusing sleights-of-hand. Pawn is determined to make you admit that you don’t know what you don’t know, and what you might actually know comes with an exception.

Pawn’s glaring problem is its low-budget and relatively short runtime. Pawn really looks like a movie made on the cheap. While there is nothing that the viewer can do about that (and nor are the film’s finances my business), Pawn, as written by Jay Anthony White, is an ambitious crime film, told across a sprawling landscape of characters, conflicts, and motivations. As director, it seems as if Armstrong is forced to keep the characters, plot, and setting confined to what amounts to a film production box, while Pawn wants to be wide open and loud, with some big action scenes.

Still, Armstrong turns in an engaging crime thriller and character drama in Pawn, with the help of some good performances. Common, the rapper and actor, has big, expressive eyes, and I love the way he uses them to convey being surprised and confused and especially to suggest his mistrust of some of the other characters. Pawn is also a reunion, of sorts, of Michael Chiklis and Forest Whitaker, who shared the small screen on the acclaimed television series, “The Shield.” When Chiklis and Whitaker’s characters are in proximity to one another, there is indeed some edgy tension and suspense, but there isn’t really that much of them together.

Pawn may not be a great crime film, but it is certainly a surprisingly compelling movie and is really fun to watch. Every time a character makes a move in this film, he changes this chess game of crooks that is the heart of Pawn. And Pawn is certainly a game of crooks and crime worth watching.

6 of 10
B

Monday, April 22, 2013

Review: "Species" is Kooky and Entertaining (Happy B'day, Natasha Henstridge)

TRASH IN MY EYE No. 10 (of 2004) by Leroy Douresseaux


Species (1995)
Running time: 108 minutes (1 hour, 48 minutes)
MPAA – R for sci-fi violence, strong sexuality and some language
DIRECTOR: Roger Donaldson
WRITER: Dennis Feldman
PRODUCERS: Dennis Feldman and Frank Mancuso Jr.
CINEMATOGRAPHER: Andrzej Bartkowiak (D.o.P.)
EDITOR: Conrad Buff
COMPOSER: Christopher Young

DRAMA/SCI-FI/THRILLER with elements of action and horror

Starring: Ben Kingsley, Michael Madsen, Alfred Molina, Forest Whitaker, Marg Helgenberger, Natasha Henstridge, and Michelle Williams

The subject of this movie review is Species, a 1995 science fiction and horror film from director Roger Donaldson. The film follows a group of scientists who are trying to track down an alien killer that looks like a human female. The alien’s creature form (which is a bipedal being with tentacles on her shoulders and back) was created by Swiss artist, H.R. Giger, who also created the creature in the original, 1979 Alien film.

In 1979, the scientist at S.E.T.I., (the giant radio telescope that searches outer space for signals from intelligent extraterrestrial life) sends out a message that includes a map of human DNA. They get the message back with instructions on how to modify DNA. Human scientists use that information to create a genetically modified human child named Sil (Michelle Williams). Sil later escapes when the scientists decide to abort the project by killing her, and due to her incredible rate of growth, she morphs into a sexy, adult blonde bombshell. The head scientist, Xavier Finch (Ben Kingsley), leads a team of experts in their respective fields that tracks Sil to Los Angeles as she seeks a human male with whom she will mate.

When this film was first released, the film’s production company tried to sell Species as some kind of creature flick featuring a sexy monster who could arouse a man as easily as she could kill him. Species is actually a very entertaining movie that is as much a dramatic thriller as it is a sci-fi horror flick. The eroticism is mostly non-existent, other than the fact that the actress playing the “creature,” Natasha Henstridge is a very beautiful woman with the an athletic build and the kind of long legs that turn men on like a light switch.

The cast is made up of a group of fine character actors, including a personal favorite, the incomparable Ben Kingsley (Ghandi), who makes any role he plays something special. Although Marg Helgenberger seems slightly out of place with all these male players, she holds her own with the always-delightful Michael Madsen, the oddly charming Forest Whitaker, and the chameleonic Alfred Molina.

Director Roger Donaldson (Cocktail) does a fine job assembling his cast and getting them to make a passable sci-fi concept into a really good thriller that maintains its quality even through some bad CGI at the end.

6 of 10
B

--------------

Review: Forest Whitaker is Magnificent in "The Last King of Scotland" (Happy B'day, Forest Whitaker)

TRASH IN MY EYE No. 260 (of 2006) by Leroy Douresseaux

The Last King of Scotland (2006)
COUNTRY OF ORIGIN: UK
Running time: 121 minutes (2 hours, 1 minute)
MPAA – R for some strong violence and gruesome images, sexual content, and language
DIRECTOR: Kevin MacDonald
WRITERS: Peter Morgan and Jeremy Brock (based upon the novel by Giles Foden)
PRODUCERS: Andrea Calderwood, Lisa Bryer, and Charles Steel
CINEMATOGRAPHER: Anthony Dod Mantle, DFF, BSC
EDITOR: Justine Wright
Academy Award winner

DRAMA/HISTORICAL/THRILLER

Starring: Forest Whitaker, James McAvoy, Kerry Washington, Simon McBurney, and Gillian Anderson, Adam Kotz, David Oyelowo, and Abby Mukiibi

Instead of going into medical practice with his father, Nicholas Garrigan (James McAvoy) heads to Uganda to work at the mission clinic run by a Dr. Merrit (Adam Kotz) and his wife, Sarah (Gillian Anderson). Garrigan has a chance encounter with the newly self-appointed president of Uganda, Idi Amin (Forest Whitaker), who is impressed with Garrigan’s brazen attitude in a moment of crisis. Amin handpicks Garrigan to be his personal physician, and although Garrigan is at first reluctant to take the position, he eventually does and becomes fascinated with Amin. However, before long, Garrigan begins to see just how savage and unstable Amin is, and Garrigan realizes that he’s been complicit in some of Amin’s barbarity. Garrigan is knee deep in trouble, even having an affair with Kay Amin (Kerry Washington), one of Amin’s wives, and he may not be able to get out of the country alive.

Idi Amin, president, dictator, and tyrant of Uganda (1971-79) remains a reviled figure even after his 2003 death while in exile in Saudi Arabia. Director Kevin MacDonald’s The Last King of Scotland is a film dramatization of Amin as seen through the eyes of his personal physician, a young Scotsman.

Forest Whitaker, a thoroughly underrated and under-appreciated actor (at least to general movie audiences) gives the performance of a career in creating a film version of Amin. Think of Whitaker’s breathtaking performance as an actor creating a human monster. From the moment Whitaker’s Amin first appears on screen, as he climbs on an improvised stage to speak to a large crowd of fellow Ugandans, the fearsome power of the actor’s creation radiates from the screen, throbbing with the unpredictable power of a wild storm. Whitaker’s turn as Amin literally transforms The Last King of Scotland into a horror flick. Still for all Amin’s viciousness, Whitaker reveals a complex character, making this as much a study of human nature as it is an indictment of the real Amin.

MacDonald deserves credit on two fronts: for allowing Whitaker to show his up-to-now largely untapped talent and for keeping this movie from being strictly about Whitaker’s Amin. Just as director Ron Howard took Russell Crowe’s great performance and transformed A Beautiful Mind into a compelling and riveting film, so has MacDonald taken Whitaker’s generous performance and made The Last King of Scotland into the kind of thriller than crawls into your belly and then sits on your chest. Of course, a skilled creative staff ably abets MacDonald, especially his costume designer and production designer who both meld earthy, indigenous costumes and sets and ill-placed Western attire together. Cinematographer Anthony Dod Mantle also saturates both rural and urban Uganda in colors that complement the nation’s fertile land.

The usual forgotten person in all the praise for The Last King of Scotland is James McAvoy as Nicholas Garrigan (a fictional character). McAvoy, who played Mr. Tumnus the Faun in The Chronicles of Narnia in 2005, makes Garrigan Amin’s scratching post, and through McAvoy’s superb co-lead role (it’s not really a supporting part), Whitaker gets to strut his stuff. Garrigan mirrors Uganda’s initial excitement and then eventual dread of Amin. McAvoy holds The Last King of Scotland together so Whitaker can give his great performance and MacDonald can make a scary, political thriller about the disintegration of a country that leaves the viewer on edge. That’s worth something.

8 of 10
A

Friday, January 26, 2007

NOTES:
2007 Academy Awards: 1 win: “Best Performance by an Actor in a Leading Role” (Forest Whitaker)

2007 BAFTA Awards: 3 wins: “Alexander Korda Award for Best British Film” (Andrea Calderwood, Lisa Bryer, Charles Steel, Kevin Macdonald, Peter Morgan, and Jeremy Brock), and “Best Actor in a Leading Role” (Forest Whitaker), and “Best Screenplay – Adapted” (Peter Morgan and Jeremy Brock); 2 nominations: “Best Actor in a Supporting Role” (James McAvoy) and “Best Film” (Andrea Calderwood, Lisa Bryer, and Charles Steel)

2007 Golden Globes: 1 win: “Best Performance by an Actor in a Motion Picture – Drama” (Forest Whitaker)

2007 Black Reel Awards: 1 win “Best Actor” (Forest Whitaker); 1 nomination: “Best Supporting Actress” (Kerry Washington)

2007 Image Awards: 1 win: “Outstanding Actor in a Motion Picture” (Forest Whitaker); 1 nomination: “Outstanding Supporting Actress in a Motion Picture” (Kerry Washington)

-------------

Review: "Panic Room" is a Sweet Thriller

TRASH IN MY EYE No. 25 (of 2002) by Leroy Douresseaux

Panic Room (2002)
Running time:  112 minutes (1 hour, 52 minutes)
MPAA - R for violence and language
DIRECTOR: David Fincher
WRITER: David Koepp
PRODUCERS: Ceán Chaffin, Judy Hofflund, David Koepp, and Gavin Polone
CINEMATOGRAPHER: Conrad W. Hall (D.o.P.) and Darius Khondji (D.o.P.)
EDITORS: James Haygood and Angus Wall
COMPOSER: Howard Shore

THRILLER

Starring: Jodie Foster, Kristen Stewart, Forest Whitaker, Dwight Yoakum, Jared Leto, and Patrick Bauchau

Meg Altman (Jodie Foster) has left a messy divorce and is looking for a new home for her and her daughter Sarah (Kristen Stewart). She finds a beautiful mansion style brownstone/townhouse with a panic room, a sort of safe room or medieval keep with cameras, monitors, and supplies in which one can hide from and hold up against intruders. When three men (Forest Whitaker, Jared Leto, and Dwight Yoakum) break in her home, Meg and Sarah barely escape into the panic room only to learn that what the three men want is inside room with them.

Directed by David Fincher (Seven, The Fight Club), Panic Room is the kind of adult thriller of a quality that is truly scarce. It is the kind of movie that relies on the skill of a capable and talented director, which Fincher continually proves himself to be with each film. He begins to build levels of intensity, layer upon layer, from the film’s opening shots (with a beautiful and evocative opening credit reel over the New York City skyline) to the closing shots that only barely lets up as the film fades.

Fincher puts the actors through the paces, but they are up to whatever the task at hand. Jodie Foster in insanely intense and intensely dramatic. Of all the cast, she has to not only sell this movie, but a successful execution of the premise relies on her. From fear to bravery, from delirium to determination, Ms. Foster is the face of Fincher’s dramatic exercise. The rest of the cast is also quite good. Ms. Stewart plays Sarah as definitely being her mother’s daughter, mirroring a range of emotions similar to her mother’s. Although Leto’s Junior is the criminal mastermind of the operation, Whitaker’s Burnham and Yoakum’s Raoul carry the show, both quietly mixing a sense of dread and fear that makes their characters more desperate and more dangerous.

Fincher also puts his camera through the paces. It weaves, dodges, and chases, making surprising discovers in a mad dash to create intensity. However, the film itself isn’t a reckless, mad dash. It is evenly paced, and though Fincher uses some of his pictorial and stylistic quirks needlessly, he creates a drama with a sense of terror in the tradition of Rear Window. That, in an era of hyped up SFX films, in refreshing. The genre elements of a thriller: terror and suspense are but beautiful window dressing to the drama.

In Panic Room, every character has a story that makes them more than stock characters. This is a testament to veteran screenwriter David Koepp’s skill in making three-dimensional characters. Whatever fate a thriller has in store for its characters holds more thrill if the characters are more than paper cutouts. If we care for them, we don’t want them in danger. If the villains have real motivation, there are more dangerous.

Kudos to Fincher above all else. Panic Room is that proverbial edge of your seat thriller, but he doesn’t eschew the meat of the story to serve his style. He remains visionary because he can turn the story into powerful visual images. He’s patient and allows the camera, our eyes to survey the scene of the brilliant cat and mouse game. Instead of choppy and quick editing, Panic Room is deliberate, almost sexy in the suspense that it unveils before us. This is the kind of special film that you know you want to see.

8 of 10
A

NOTES:
2003 Black Reel Awards: 1 nomination: “Theatrical - Best Supporting Actor” (Forest Whitaker)

 

----------------------------

"Our Family Wedding" Unites Black and Brown

TRASH IN MY EYE No. 67 (of 2010) by Leroy Douresseaux


Our Family Wedding (2010)
Running time: 106 minutes (1 hour, 43 minutes)
MPAA – PG-13 for some sexual content and brief strong language
DIRECTOR: Rick Famuyiwa
WRITERS: Wayne Conley, Malcolm Spellman, and Rick Famuyiwa; from a story by Wayne Conley
PRODUCERS: Edward Saxon and Steven J. Wolfe
CINEMATOGRAPHER: Julio Macat
EDITOR: Dirk Westervelt

COMEDY/DRAMA/FAMILY

Starring: Forest Whitaker, America Ferrera, Carlos Mencia, Regina King, Lance Gross, Diana Maria Riva, Lipa Ontiverso, Anjelah Johnson, Charlie Murphy, Shannyn Sossamon, Anna Maria Horsford, and Warren Sapp

Our Family Wedding is a family drama and ethnic comedy about an African-American family and a large Mexican-American clan forced to unite when two of their brood decide to unite in holy matrimony. The families’ respective patriarchs, two overbearing dads, must put aside their differences in order to plan the wedding of a son and a daughter in less than two weeks.

Marcus Boyd (Lance Gross), a young African-American doctor, and his Mexican-American girlfriend, Lucia Ramirez (America Ferrera), a former law school student, have arrived in Los Angeles to tell their families that there are engaged to be married in two weeks. Lucia suspects that her father, Miguel Ramirez (Carlos Mencia), may not be crazy about her being engaged to a Black man. Marcus also suspects that his father, Bradford “Brad” Boyd (Forest Whitaker), a popular L.A. radio personality, won’t be crazy about him being engaged to a Latino woman. Neither has any idea just how much havoc their fathers’ over-the-top egos will wreak their special day.

Meanwhile, Lucia’s mother, Sonia (Diana Maria Riva), is busy planning the wedding of her own dreams – a huge, traditional Mexican-American affair. As insults fly and tempers flare, Marcus and Lucia will find their relationship tested, unless they can convince themselves that it may be their marriage, but it is their family’s wedding.

The best thing about Our Family Wedding is how awkward it seems, but this is not because the narrative is awkward. The film deals honestly with the animosity, prejudice, dislike, etc that actually exists (to some extent) between the African-American and Latino communities. In this movie, it is fun to watch the elders and older adults of both families squirm as they are forced to deal with each other because of their children’s impending nuptials.

Director Rick Famuyiwa does a fine job of channeling the actors’ performances to capture prejudice and bigotry in a way that is appalling, but also appealing in the context of a comic film. Forest Whitaker as Brad and Carlos Mencia as Miguel, the battling dads, deliver performances that feel quite real as self-centered, comically bigoted jerks who are not at all harmless. Their antics are really endangering their children’s marriage.

One glaring fault of the movie is that the screenplay really never decides if the movie is about Marcus and Lucia or Brad and Miguel. Brad and Miguel’s antics are funny, but they should have been the supporting act. This film’s largely untapped wellspring is in Marcus and Lucia, and the internal workings of their relationship are largely hidden. The script even fails to take advantage of the best supporting character, Lucia’s smart-mouthed sister, Isabel, sharply played by Anjelah Johnson.

Still, Our Family Wedding has a large cast of characters, and there is always someone who will do or say something stupid at which we can laugh. We laugh because we recognize the narrow-mindedness, the bias, the stereotypes, and the intolerance. I can give Our Family Wedding credit for being funny, but also credit for being real about the discrimination that lurks in our hearts and minds.

7 of 10
B+

Tuesday, August 17, 2010