Jurassic Park Ultimate Trilogy on Blu-ray October 2011

One of the Most Thrilling & Groundbreaking Motion-Picture Trilogies of All Time Roars onto Blu-ray™ with Breathtaking New High-Definition Picture & Perfect Sound

JURASSIC PARK

All Three Epic Adventures from Filmmaker Steven Spielberg Plus More Than Two Hours of All-New Bonus Features

Available on Blu-ray™ For the First Time Ever On October 25, 2011

“You won’t believe your eyes!”—Peter Travers, Rolling Stone

“A triumph of special effects artistry!”—Roger Ebert, Chicago Sun-Times

Universal City, California, June 27, 2011 – The wait is finally over to experience one of the most anticipated motion-picture trilogies of all time like never before when Jurassic Park, The Lost World: Jurassic Park and Jurassic Park III debut as a trilogy set on Blu-ray™ October 25, 2011 from Universal Studios Home Entertainment. Acclaimed filmmaker Steven Spielberg’s award-winning cinematic franchise, based on the best-selling book by Michael Crichton, generated nearly $2 billion combined at the worldwide box office and featured groundbreaking visual effects that changed the art of movie-making forever. Now, all three epic films have been digitally restored and remastered in flawless high definition for the ultimate viewing experience.

Additionally, the films’ visceral sound effects and the unforgettable music from legendary composer John Williams can now be heard in pristine 7.1 surround sound. Arriving in stores just in time for holiday gift giving, this collectible three-movie set also features hours of bonus features, including an all-new, six-part documentary and digital copies of all three films that can be viewed on an array of electronic and portable devices anytime, anywhere. The Jurassic Park Ultimate Trilogy is also available on DVD, as well as in a spectacular Limited Edition Blu-ray Trilogy Gift Set which includes a custom T-rex dinosaur statue.

“From the moment T-Rex first towered over worldwide movie audiences, the Jurassic Park Trilogy has electrified fans with its heart-pounding action and awe-inspiring technological innovations,” says Craig Kornblau, President of Universal Studios Home Entertainment. “With this newly remastered and digitally restored edition, we continue the franchise’s legacy by delivering to home viewers spectacular picture and sound that keeps the films as fresh and visceral now as they were when audiences first experienced them.”

The Jurassic Park Ultimate Trilogy features an all-star cast including Sam Neill, Laura Dern, Jeff Goldblum, Samuel L. Jackson, Richard Attenborough, Ariana Richards, Joseph Mozzello, Julianne Moore, Vince Vaughn, William H. Macy and Tea Leoni. In addition to the talented cast of actors, the Trilogy features stars of a different magnitude—from the huge Tyrannosaurus rex to the vicious Velociraptor, the Jurassic Park films showcase an extraordinary level of realism and technical innovation brought to life by a talented design team which include: Stan Winston, Live Action Dinosaurs; ILM's Dennis Muren, Full Motion Dinosaurs; Phil Tippett, Dinosaur Supervisor; Michael Lantieri, Special Dinosaur Effects and Special Visual Effects by Industrial Light & Magic.

ALL-NEW BONUS FEATURES ON BLU-RAY™ & DVD
“Return to Jurassic Park” – this six-part documentary features all-new interviews with the many of the cast members from all three films, the filmmakers and Steven Spielberg.
o Dawn of a New Era
o Making Pre-history
o The Next Step in Evolution
o Finding The Lost World
o Something Survived
o The Third Adventure

ADDITIONAL FEATURES EXCLUSIVE TO BLU-RAY™
· BD-LIVE™ - Access the BD-Live™ Center through your Internet-connected player to watch exclusive content, the latest trailers, and more!

MY SCENES: Bookmark your favorite scenes from the film.

pocket BLU™: The groundbreaking pocket BLU™ app uses iPad®, iPhone®, iPod® touch, Android™, PC and Mac® to work seamlessly with a network-connected Blu-ray™ player. Plus iPad® owners can enjoy a new, enhanced edition of pocket BLU™ made especially to take advantage of the tablet's larger screen and high resolution display. Consumers will be able to browse through a library of Blu-ray™ content and watch entertaining extras on-the-go in a way that’s bigger and better than ever before. pocket BLU™ offers advanced features such as:
o ADVANCED REMOTE CONTROL: A sleek, elegant new way to operate your Blu-ray™ player. Users can navigate through menus, playback and BD-Live™ functions with ease.
o VIDEO TIMELINE: Users can easily bring up the video timeline, allowing them to instantly access any point in the film.
o MOBILE-TO-GO: Users can unlock a selection of bonus content with their Blu-ray™ discs to save to their device or to stream from anywhere there is a Wi-Fi network, enabling them to enjoy content on the go, anytime, anywhere.
o BROWSE TITLES: Users will have access to a complete list of pocket BLU™-enabled titles available and coming to Blu-ray™. They can view free previews and see what additional content is available to unlock on their device.
o KEYBOARD: Entering data is fast and easy with your device’s intuitive keyboard.

The following bonus features also appear on the both the Blu-ray™ and DVD:
The Making of Jurassic Park
The Making of The Lost World: Jurassic Park
The Making of Jurassic Park III
Steven Spielberg Directs Jurassic Park
Early Pre-Production Meetings
The World of Jurassic Park
The Magic of Industrial Light & Magic
Location Scouting
Phil Tippett Animatics: Raptors In The Kitchen
The Jurassic Park Phenomenon: A Discussion with Author Michael Crichton
Industrial Light & Magic and Jurassic Park: Before and After The Visual Effects
Industrial Light & Magic and The Lost World: Jurassic Park Before & After
The Industrial Light & Magic Press Reel
A Visit to Industrial Light & Magic
Hurricane in Kauai Featurette
Dinosaur Turntables
The Dinosaurs of Jurassic Park III
Montana: Finding New Dinosaurs
Animatics: T-Rex Attack
The Special Effects of Jurassic Park III
The Sounds of Jurassic Park III
The Art of Jurassic Park III
Tour of Stan Winston Studio
Feature Commentary with Special Effects Team
Production Archives: Storyboards, Models, Photographs, Design Sketches and Conceptual Drawings
Deleted Scenes
Theatrical Trailers
And MORE!

SYNOPSIS
From Academy Award-winning filmmaker Steven Spielberg, the Jurassic Park Ultimate Trilogy is one of the most successful film franchises in worldwide box-office history. On a remote tropical island, an amazing living theme park becomes a game of survival for humans foolhardy enough to set foot on it. Meticulously recreated dinosaurs spring to astonishing life as the film’s breathtaking special effects and thrilling action sequences keep audiences on the edge of their seats. Each chapter of the history-making saga delivers even more action and spectacular visual effects than its predecessor, as nature’s ultimate killing machines once again rule the earth. Almost 20 years after its inception, the Jurassic Park Trilogy remains an unmatched cinematic experience.

Jurassic Park
A multimillionaire (Richard Attenborough) unveils a new theme park where visitors can observe dinosaurs cloned using advanced DNA technology. But when an employee tampers with the security system, the dinosaurs escape, forcing the visitors to fight for their survival. Sam Neill, Jeff Goldblum and Laura Dern star in this thrilling, action-packed blockbuster from acclaimed director Steven Spielberg and based on the novel by Michael Crichton.

The Lost World: Jurassic Park
Four years after Jurassic Park's genetically bred dinosaurs ran amok, multimillionaire John Hammond (Richard Attenborough) shocks chaos theorist Ian Malcolm (Jeff Goldblum) by revealing that Hammond has been breeding more beasties at a secret location. Malcolm, his paleontologist ladylove (Julianne Moore) and a wildlife videographer (Vince Vaughn) join an expedition to document the lethal lizards' natural behavior in this action-packed thriller.

Jurassic Park III
In need of funds for research, Dr. Alan Grant (Sam Neill) accepts a large sum of money to accompany Paul and Amanda Kirby (William H. Macy and Tea Leoni) on an aerial tour of the infamous Isla Sorna. It isn't long before all hell breaks loose and the stranded wayfarers must fight for survival as a host of new -- and even more deadly -- dinosaurs try to make snacks of them. Laura Dern, Michael Jeter, Alessandro Nivola and Trevor Morgan co-star.

http://www.jurassicpark.com/

Join the conversation on Facebook: www.facebook.com/jurassicpark

TECHNICAL INFORMATION BLU-RAY™:
Street Date: October 25, 2011
Copyright: 2011 Universal Studios Home Entertainment

Selection Number: Layers: BD-50
Aspect Ratio: Widescreen, 1.85:1
Rating: PG-13
Languages/Subtitles: English SDH, Spanish and French Subtitles
Sound: English DTS-HD Master Audio 5.1, French 2.0, English SDH, Spanish Subtitles
Run Time: Jurassic Park – 2 hours, 7 minutes
The Lost World: Jurassic Park – 2 hours, 9 minutes
Jurassic Park III – 1 hour, 33 minutes

TECHNICAL INFORMATION DVD
Street Date: October 25, 2011
Copyright: 2011 Universal Studios Home Entertainment
Selection Number: 61114696
Layers: Dual
Aspect Ratio: Anamorphic Widescreen 1.85:1
Rating: PG-13
Languages/Subtitles: English SDH, French & Spanish
Sound: English, French & Spanish Dolby Digital 5.1
Run Time: Jurassic Park – 2 hours, 7 minutes
The Lost World: Jurassic Park – 2 hours, 9 minutes
Jurassic Park III – 1 hour, 33 minutes

Jurassic Park
Directed By: Steven Spielberg
Produced By: Kathleen Kennedy and Gerald R. Molen
Screenplay By: Michael Crichton and David Koepp
Based on the Novel By: Michael Crichton
Director of Photography: Dean Cundey
Production Designer: Rick Carter
Film Edited By: Michael Kahn, ACE
Music By: John Williams
Live Action Dinosaurs: Stan Winston
Full Motion Dinosaurs By: Dennis Muren, ASC
Special Dinosaur Effects: Michael Lantieri
Dinosaur Supervisor: Phil Tippett
Special Visual Effects: Industrial Light & Magic
Cast: Sam Neill, Laura Dern, Jeff Goldblum, Richard Attenborough, Bob Peck, Martin Ferrero, B.D. Wong, Samuel L. Jackson, Wayne Knight, Joseph Mazzello, Ariana Richards

The Lost World: Jurassic Park
Directed By: Steven Spielberg
Produced By: Gerald R. Molen and Colin Wilson
Screenplay By: David Koepp
Based on the Novel “The Lost World” By: Michael Crichton
Executive Producer: Kathleen Kennedy
Director of Photography: Janusz Kaminski, ASC
Production Designer: Rick Carter
Film Editor: Michael Kahn, ACE
Music By: John Williams
Live Action Dinosaurs: Stan Winston
Full Motion Dinosaurs By: Dennis Muren, ASC
Special Dinosaur Effects: Michael Lantieri
Special Visual Effects: Industrial Light & Magic
Cast: Jeff Goldblum, Julianne Moore, Pete Postlethwaite, Arliss Howard

Jurassic Park III
Directed By: Joe Johnston
Produced By: Kathleen Kennedy, Larry Franco
Written By: Peter Buchman and Alexander Payne & Jim Taylor
Based on Characters Created By: Michael Crichton
Executive Producer: Steven Spielberg
Director of Photography: Shelly Johnson, ASC
Production Designer: Ed Verreaux
Editor: Robert Dalva
New Music By: Don Davis
Original Themes By: John Williams
Live Action Dinosaurs: Stan Winston Studio
Animation and Special Visual Effects By: Industrial Light & Magic
Cast: Sam Neill, William H. Macy, Tea Leoni, Alessandro Nivola, Trevor Morgan, Michael Jeter


NBCUniversal is one of the world’s leading media and entertainment companies in the development, production and marketing of entertainment, news and information to a global audience. NBCUniversal owns and operates a valuable portfolio of news and entertainment television networks, a premier motion picture company, significant television production operations, a leading television stations group and world-renowned theme parks. Comcast Corporation owns a controlling 51% interest in NBCUniversal, with GE holding a 49% stake.

Review: "Panic Room" is a Sweet Thriller

TRASH IN MY EYE No. 25 (of 2002) by Leroy Douresseaux

Panic Room (2002)
Running time:  112 minutes (1 hour, 52 minutes)
MPAA - R for violence and language
DIRECTOR: David Fincher
WRITER: David Koepp
PRODUCERS: Ceán Chaffin, Judy Hofflund, David Koepp, and Gavin Polone
CINEMATOGRAPHER: Conrad W. Hall (D.o.P.) and Darius Khondji (D.o.P.)
EDITORS: James Haygood and Angus Wall
COMPOSER: Howard Shore

THRILLER

Starring: Jodie Foster, Kristen Stewart, Forest Whitaker, Dwight Yoakum, Jared Leto, and Patrick Bauchau

Meg Altman (Jodie Foster) has left a messy divorce and is looking for a new home for her and her daughter Sarah (Kristen Stewart). She finds a beautiful mansion style brownstone/townhouse with a panic room, a sort of safe room or medieval keep with cameras, monitors, and supplies in which one can hide from and hold up against intruders. When three men (Forest Whitaker, Jared Leto, and Dwight Yoakum) break in her home, Meg and Sarah barely escape into the panic room only to learn that what the three men want is inside room with them.

Directed by David Fincher (Seven, The Fight Club), Panic Room is the kind of adult thriller of a quality that is truly scarce. It is the kind of movie that relies on the skill of a capable and talented director, which Fincher continually proves himself to be with each film. He begins to build levels of intensity, layer upon layer, from the film’s opening shots (with a beautiful and evocative opening credit reel over the New York City skyline) to the closing shots that only barely lets up as the film fades.

Fincher puts the actors through the paces, but they are up to whatever the task at hand. Jodie Foster in insanely intense and intensely dramatic. Of all the cast, she has to not only sell this movie, but a successful execution of the premise relies on her. From fear to bravery, from delirium to determination, Ms. Foster is the face of Fincher’s dramatic exercise. The rest of the cast is also quite good. Ms. Stewart plays Sarah as definitely being her mother’s daughter, mirroring a range of emotions similar to her mother’s. Although Leto’s Junior is the criminal mastermind of the operation, Whitaker’s Burnham and Yoakum’s Raoul carry the show, both quietly mixing a sense of dread and fear that makes their characters more desperate and more dangerous.

Fincher also puts his camera through the paces. It weaves, dodges, and chases, making surprising discovers in a mad dash to create intensity. However, the film itself isn’t a reckless, mad dash. It is evenly paced, and though Fincher uses some of his pictorial and stylistic quirks needlessly, he creates a drama with a sense of terror in the tradition of Rear Window. That, in an era of hyped up SFX films, in refreshing. The genre elements of a thriller: terror and suspense are but beautiful window dressing to the drama.

In Panic Room, every character has a story that makes them more than stock characters. This is a testament to veteran screenwriter David Koepp’s skill in making three-dimensional characters. Whatever fate a thriller has in store for its characters holds more thrill if the characters are more than paper cutouts. If we care for them, we don’t want them in danger. If the villains have real motivation, there are more dangerous.

Kudos to Fincher above all else. Panic Room is that proverbial edge of your seat thriller, but he doesn’t eschew the meat of the story to serve his style. He remains visionary because he can turn the story into powerful visual images. He’s patient and allows the camera, our eyes to survey the scene of the brilliant cat and mouse game. Instead of choppy and quick editing, Panic Room is deliberate, almost sexy in the suspense that it unveils before us. This is the kind of special film that you know you want to see.

8 of 10
A

NOTES:
2003 Black Reel Awards: 1 nomination: “Theatrical - Best Supporting Actor” (Forest Whitaker)

 

----------------------------

Review: Spielberg's "War of the Worlds" Remake is a Powerful SFX Bonanza

TRASH IN MY EYE No. 102 (of 2005) by Leroy Douresseaux

War of the Worlds (2005)
OPENING DATE: Wednesday, June 29, 2005
Running time: 117 minutes (1 hours, 57 minutes)
MPAA – PG-13 for frightening sequences of sci-fi violence and disturbing images
DIRECTOR: Steven Spielberg
WRITERS: Josh Friedman and David Koepp (based upon the novel by H.G. Wells)
PRODUCERS: Kathleen Kennedy and Colin Wilson
CINEMATOGRAPHER: Janusz Kaminski, ASC
EDITOR: Michael Kahn, A.C.E.
Academy Awards nominee

SCI-FI/ACTION/THRILLER/ADVENTURE with elements of drama

Starring: Tom Cruise, Dakota Fanning, Miranda Otto, Tim Robbins, Justin Chatwin, David Alan Basche, Rick Gonzalez, and Morgan Freeman

Steven Spielberg’s War of the Worlds is a big, giant, summer action movie that worth’s every dime paid to see it, and if you’re going to see it, you must see it on the big screen to appreciate the affect the action sequences can have on you. War of the Worlds may end up being dismissed by the Spielberg haters, but years from not, it’ll be seen as one of the great disaster movies and exceptional sci-fi films.

Ray Ferrier (Tom Cruise) is a bad father, but he’s about to find out just how much his children, teenager-with-attitude Robbie (Justin Chatwin) and his young daughter Rachel (Dakota Fanning), mean to him. Not long after his ex-wife, MaryAnn (Miranda Otto), and her husband, Tim (David Alan Basche), drop the children off for a rare weekend visit, a strange and powerful lightning storm touches down. Not long after the drop off, Ray witnesses something that will change his life and the world forever – a towering three-legged war machine emerges from deep beneath the earth, and almost immediately begins to incinerate everything in sight. Thus, a cataclysmic alien attack on earth begins, and no matter where Ray and his children run on their long journey across a ravaged countryside, they cannot find safety or refuge from the extraterrestrial army of Tripods.

War of the Worlds is certainly a Steven Spielberg film, and like all Spielberg directed action/adventure/thrillers this one delivers the goods. It’s a monumentally breathtaking, heart-pumping, heart-racing, and fear-inducing, gargantuan thrill machine. The film looks good thanks in large part to the usual Spielberg cohorts, such as cinematographer Janusz Kaminski and editor Michael Kahn. Technically brilliant, War of the Worlds is full of the Spielberg magic that can keep you on the edge of your set for about two hours or so. The effects for the alien craft and the destruction they wreak are bloody brilliant and eye-popping, even as mind-bending as something like The Matrix; the destruction is enough to make you run from your seat in the theatre because it seems as if these alien behemoths will walk right off the screen and into your lap.

Tom Cruise gives a fine performance, enough to not only give this effects-heavy (over 500 SFX shots) film some humanity, but to sell the idea that this version of War of the Worlds is about a family surviving disaster that is on an apocalyptic level. This is one time the fine young actress Dakota Fanning does not steal the show because Cruise’s performance reveals that at the core of this fabulous summer, atomic fury, joy bomb is the story of man trying to save the family he neglected. Spielberg’s combination of earthly family values and extraterrestrial fury and the heart stopping and the heartwarming is a winning combination.

8 of 10
A

NOTES:
2006 Academy Awards: 3 nominations: “Achievement in Sound Editing” (Richard King), “Best Achievement in Sound Mixing” (Andy Nelson, Anna Behlmer, and Ron Judkins), and “Best Achievement in Visual Effects” (Dennis Muren, Pablo Helman, Randy Dutra, and Daniel Sudick)

----------------------

Review: First "Spider-Man" Flick Entertaining, but Average

TRASH IN MY EYE No. 28 (of 2002) by Leroy Douresseaux

Spider-Man (2002)
Running time: 121 minutes (2 hours, 1 minute)
MPAA – PG-13 for stylized violence and action
DIRECTOR: Sam Raimi
WRITER: David Koepp (based upon the comic book by Stan Lee and Steve Ditko)
PRODUCERS: Ian Bryce and Laura Ziskin
CINEMATOGRAPHER: Don Burgess (D.o.P.)
EDITOR: Arthur Coburn and Bob Murawski
COMPOSER: Danny Elfman
Academy Award nominee

DRAMA/FANTASY/ACTION/SCI-FI

Starring: Tobey Maguire, Willem Dafoe, Kirsten Dunst, James Franco, Cliff Robertson, Rosemary Harris, J.K. Simmons, Joe Manganiello, and Bill Nunn

When a genetically modified spider bites high school outcast Peter Parker (Tobey Maguire), Parker gains powers and abilities based upon the natural characteristics of spiders. After a robber Parker failed to stop when he had a chance kills his Uncle Ben, Parker becomes Spider-Man (again, Maguire), a costumed superhero to use his super powers for the greater good. Spider-Man soon encounters a destructive costumed super villain named Green Goblin (Willem Dafoe, The Last Temptation of Christ), who is the alter ego of a wealthy industrialist Norman Osborn. In addition to dealing with super crooks, Parker has domestic troubles. He is in love with Mary Jane Watson (Kirsten Dunst, Interview with a Vampire), who is also the love interest of his roommate, Harry Osborn (James Franco), the son of Norman.

Directed by the diverse Sam Raimi (The Evil Dead, A Simple Plan) and based upon the Marvel comic book of the same name, Spider-Man revels in the excellent execution of the fight scenes of its two antagonists. A combination of computer animation, close-ups, and stunt doubles, the confrontations between hero and villain burst with energy. Raimi, no stranger to SFX, knows how to compose a movie that takes advantage of effects and how to shape the effects around the movie or to shape the movie around the effects.

The script David Koepp (Jurassic Park, Panic Room) is another thing entirely. The plot is simple: Spider-Man is in the Green Goblin’s way, and Goblin wants to remove him. The story is fairly straightforward, and it’s nothing special. Whether the fault of the director or of the writer, the character drama between the action is boring and dry, and you could find your mind wandering while waiting for the next get together between Spidey and the Goblin. While the drama is clunky, the fights are so exciting; getting them is like getting a Christmas gift.

The acting is on the whole professional work. Both Maguire and Dafoe play the roles with class and are quite believable as Parker/Spider-Man and Osborn/Goblin respectively. Maguire totally sells us as the nerdy Parker, and when he becomes super powered, Maguire shifts into a whole other gear. Dafoe is funny, wacky, and intense as both Norman Osborn and as the Goblin. His prowess as an actor bleeds through the Goblin’s mask and gives the villain depth and dimension.

Spider-Man is a summer blockbuster: light on drama but heavy on the eye candy of the effects. Luckily the effects really work, because the drama is weak. Fans of comic books and action movies will likely get a jolt out of this movie. However, if you’re looking for something really special, or at least, very good, this is not it. Spider-Man is, at best, an average product with a big ad campaign behind it.

5 of 10
B-

NOTES:
2003 Academy Awards: 2 nominations: “Best Sound” (Kevin O'Connell, Greg P. Russell, and Ed Novick) and “Best Visual Effects” (John Dykstra, Scott Stokdyk, Anthony LaMolinara, and John Frazier)

2003 BAFTA Awards: 1 nomination: “Best Achievement in Special Visual Effects” (John Dykstra, Scott Stokdyk, Anthony LaMolinara, and John Frazier)

-------------------------------

Review: "Zathura" is an Excellent Sci-Fi Adventure

TRASH IN MY EYE No. 73 (of 2006) by Leroy Douresseaux

Zathura: A Space Adventure (2005)
Opening date: November 11, 2005
Running time: 101 minutes; MPAA – PG for fantasy action and peril, and some language
DIRECTOR: Jon Favreau
WRITERS: David Koepp & John Kamps (based upon the book by Chris Van Allsburg)
PRODUCERS: Michael De Luca, Scott Kroopf, and William Teitler
CINEMATOGRAPHER: Guillermo Navarro
EDITOR: Dan Lebental

SCI-FI/FANTASY/ACTION/ADVENTURE/FAMILY with elements of comedy and drama

Starring: Josh Hutcherson, Jonah Bobo, Dax Sheppard, Kristen Stewart, Tim Robbins, and (voice) Frank Oz

After discovering a mysterious game called “Zathura” in the basement of their father’s (Tim Robbins) house, two brothers, 6-year old Danny (Jonah Bobo) and 10-year old Walter (Josh Hutcherson) find their home flying in space, after Danny begins to play the game. The brothers realize that they must finish the game by reaching the planet Zathura, or they’ll be trapped in space forever. If that weren’t enough, their doubting sister, Lisa (Kristen Stewart), is trapped with them. The bossy Astronaut (Dax Sheppard) is eating all the food they have in the refrigerator, and a vicious alien race of flesh-eating lizards, the Zorgons, is trying to destroy everyone and the house.

Zathura: A Space Adventure is the third film based upon a book by children’s storybook author, Chris Van Allsburg, following Jumanji and The Polar Express. In fact, Zathura was a kind of follow up to Jumanji, as both books dealt with children finding enchanted board games that send them on perilous adventures. Director Jon Favreau (Elf) also made a point of using practical effects as much as possible over computer generated images (CGI). In a way, Zathura is Favreau’s nod to the sci-fi and fantasy films of the late 1970 and the 1980’s that used miniatures, puppets, on-set pyrotechnics, superbly crafted props, makeup, and creature effects (suits and prosthetics) because there was no CGI to create fantastic worlds, creatures, and situations. Favreau’s film especially seems to reference Steven Spielberg’s early work (Close Encounters of the Third Kind and E.T. the Extra-Terrestrial), in particular the Spielberg’s use of light and sound to create the presence of otherworldly creatures.

In fact, the film has an old-timey charm to it. It’s not the grand, testosterone, CGI extravaganza’s like the Harry Potter and The Lord of the Rings franchises or The Chronicles of Narnia that have come to define big, family-oriented, event fantasy films. Favreau relies on a savvy crew of craftsman, engineers, technicians, artists, etc. that use its collective hands and wits to build on-set special effects. There is some CGI, and it is almost never as impressive as the non-computer stuff. Everything seems so real and earthy. The perils are dangerous, but not so dangerous that two resourceful boys couldn’t survive it. Favreau’s real effects have a way of making the viewer feel that he’s in that house with Walter and Danny, racing to find a way home.

In telling this story of sibling rivalry, children of divorce, and brotherly love and bonding, Favreau leans heavily on his leads, Josh Hutcherson and Jonah Bobo. They are wonderful and have superb screen chemistry. They create a big brother/little brother dynamic that is uncannily genuine. Hutcherson’s performance as a pre-teen boy is excellent and, ironically, beyond his years. He’s definitely a pro, and he acts more than he pretends (still a problem with some child actors). Bobo as Danny is surprisingly emotive. His performance comes alive in his facial expressions and in his wide, expressive eyes. He buys into Zathura’s scenario and has fun. Kristen Stewart is also fun in a woefully small and underutilized part as the sister, Lisa. I found Dax Sheppard’s performance as The Astronaut to be a mixed bag; sometimes he was good, and other times he wore his performance on his sleeve by overacting.

A flop when it was released in early fall of 2005, Zathura: A Space Adventure is a throwback film aimed at an audience (particularly young boys) that is more familiar with wide open CGI films than it is with old-fashioned sci-fi yarns that recall the golden age of juvenile sci-fi: rockets, boy astronauts, and reptilian aliens. They weren’t even born when miniature props and puppetry made hits of films like Gremlins and The Last Starfighter. Zathura’s tale of brother’s working together and of discovery has a sense of fun that is as wide-eyed as Jonah Bobo’s Danny. It’s a simple adventure film that may find a long, deserved life on TV.

7 of 10
A-

Saturday, April 15, 2006

-------------