Michael Crichton's "Dragon Teeth" to Become a Global Limited Series

National Geographic Channel Orders Drama Script for Global Limited Series Based on Michael Crichton’s Soon-to-Be-Published Manuscript, Dragon Teeth

From Amblin Television, Sony Pictures Television and CrichtonSun, Global Limited Series to Tell a Story Inspired by the Infamous Rivalry Between World Renowned Paleontologists Edward Drinker Cope and Othniel Charles Marsh, Written By Emmy®-Award Winning Bruce C. McKenna and Graham Yost

WASHINGTON & LOS ANGELES--(BUSINESS WIRE)--National Geographic Channel has closed a drama series script development deal with Amblin Television, Sony Pictures Television and CrichtonSun for a global limited series based on the soon-to-be-published Michael Crichton manuscript, Dragon Teeth. Crichton wrote the novel during his most prolific years as a writer and filmmaker. The book was discovered by his wife Sherri Crichton amongst his archives and immediately identified the book as “Pure Crichton.”

    “This epic tale of science, adventure and exploration from master storyteller Michael Crichton is the perfect scripted project for the network”

Adapted for television by Emmy®-award winning writers Graham Yost (“Justified,” “The Pacific,” “From the Earth to the Moon”) and Bruce C. McKenna (“The Pacific,” “Band of Brothers”), Crichton’s Dragon Teeth follows the notorious rivalry between real-life paleontologists Edward Drinker Cope and Othniel Charles Marsh during a time of intense fossil speculation and discovery. The story unfolds through the adventures of a young fictional character named William Johnson who is apprenticed first to one, then to the other, and not only makes discoveries of historical proportion, but transforms into an inspiring hero only Crichton could have imagined. Known for his meticulous research, Crichton uses Marsh and Copes’s heated competition during the “Bone Wars,” the golden age of American fossil hunting, as the basis for a thrilling story set in the wilds of the American West in 1878.

“This epic tale of science, adventure and exploration from master storyteller Michael Crichton is the perfect scripted project for the network,” said Carolyn Bernstein, Executive Vice President and Head of Global Scripted Development and Production, National Geographic Channel. “With Amblin, Sony Pictures Television, CrichtonSun and the distinctive creative voices of Graham and Bruce, we are going to tell the dramatic story of these two passionate mavericks, Edward Drinker Cope and Othniel Charles Marsh, and their relentless, passionate, and oftentimes unscrupulous drive in the name of scientific discovery, mixed with the very unique and brilliant Crichton touch and approach.”

Executive producing for Amblin Television are Darryl Frank and Justin Falvey, and Sherri Crichton and Laurent Bouzereau for CrichtonSun.

“Given Michael’s history with Amblin, and his love of science, I am delighted to have found the perfect home for Dragon Teeth at Nat Geo,” said Sherri Crichton. “Dragon Teeth was a very important book for Michael and is another example of his immense talent and versatility as a writer and his appreciation and understanding of a great page in the history of paleontology.”

“It's great fun to be working on a newly discovered novel from such a beloved author, whose work has been the basis of so many brilliant films and television shows,” said Helen Verno, Executive Vice President of Movies, Miniseries and Limited series for Sony Pictures Television. “Graham Yost and Bruce McKenna are uniquely suited to adapt this material given their interest in and knowledge of Cope and Marsh, and Sherri Crichton, Amblin Productions and National Geographic Channel are the greatest of partners.”

"We couldn't be more excited to bring Dragon Teeth to the screen given the successful commercial and creative collaboration Michael and Amblin shared with the ‘Jurassic’ franchise and ‘ER,’" said Darryl Frank, and Justin Falvey, Co-Presidents, Amblin Television. "When we heard there was a soon-to-be-published manuscript from Michael, we couldn't wait to dive into the material and it didn't disappoint. The characters practically jumped off the page, and he brought the Old West to life in a way that's never been portrayed before."

They added, "We are also incredibly excited to continue our long association with Graham and Bruce, who have proven to have the ‘Midas Touch’ with all the limited series projects they have done for Steven and our company including ‘Band of Brothers’ and ‘The Pacific.’”

“It’s an honor to be part of this team, and to be carrying the Michael Crichton torch with a project as powerful as Dragon Teeth,” said Laurent Bouzereau.

Currently Executive Producer of the upcoming History Channel series "Six," starring Walton Goggins and Barry Sloan, produced by A & E Studios, Bruce C. McKenna previously partnered with HBO, Tom Hanks, Steven Spielberg and Gary Goetzman as a Co-Executive Producer of “The Pacific,” for which he won a producer Emmy® and was nominated for a writing Emmy® and Humanitas Prize. He was also a writer for the Emmy® Award-winning miniseries "Band of Brothers,” for which he garnered a WGA Award, an Emmy® nomination and a nomination as a finalist for the Humanitas Prize.

McKenna is currently working on a biopic of Alexander Solzhenitsyn for Primeridian Entertainment, and a Limited Series about Kit Carson, based on Hampton Sides's epic tale of the American West, “Blood and Thunder,” for Scott Free and STX Studios. No stranger to the world of paleontology, Bruce C. McKenna spent his summers in field camps with his father, New York Museum of Natural History’s renowned paleontologist, Malcolm McKenna, collecting fossils at some of the same localities culled by Cope and Marsh during their epic competition.

Yost is currently the showrunner of the upcoming Sony-produced Amazon series “Sneaky Pete,” starring Giovanni Ribisi. He is also an Executive Producer on the critically-lauded FX series “The Americans” and until the spring of 2015, was the showrunner on “Justified,” the Sony-produced series on FX, starring Timothy Olyphant, based on a character created by one of America’s pre-eminent crime novelists, Elmore Leonard.

As a producer, Yost won Emmy® and Golden Globe® Awards for the HBO miniseries “From the Earth to the Moon.” In addition, he garnered an Emmy® nomination for writing the episode “Apollo One,” and he directed the fifth segment of the critically-acclaimed series. Yost later wrote/co-wrote two installments of the Golden Globe® and Emmy® Award-winning HBO miniseries “Band of Brothers.” He also won an Emmy® Award for “The Pacific,” HBO’s epic miniseries following three Marines through the Pacific theater of World War II. Yost directed and co-wrote an episode and served as Co-Executive Producer.

In 2002, Yost created the critically-lauded TV series “Boomtown” for NBC. Cancelled in the fall of 2003, the late-lamented “Boomtown” was honored with a Peabody Award and two Television Critics Association awards.

His feature film writing credits include “Speed,” “Broken Arrow,” “Hard Rain,” “Mission to Mars” and “The Last Castle.”

Dragon Teeth will be produced by Sony Pictures Television, Amblin Television and CrichtonSun. For Amblin Television, executive producers are Darryl Frank and Justin Falvey, for CrichtonSun, Sherri Crichton and Laurent Bouzereau.

ICM Partners and Michael S. Sherman of Reed Smith LLP represented CrichtonSun in the negotiating the deal.


About Amblin Television
Amblin Television, a long-time leader in quality programming, is a division of Amblin Partners, a content creation company formed by DreamWorks Studios, Participant Media, Reliance Entertainment and Entertainment One (eOne). The company has received 13 Emmy nominations for “All the Way” and ”The Americans.” Its drama series, “American Gothic,” is currently airing on CBS.

About CrichtonSun LLC
CrichtonSun is the home of the Michael Crichton Archives as well as the executive producing team of Sherri Crichton and Laurent Bouzereau. Michael Crichton re-defined science-fiction into science-fact and left behind a gigantic legacy of novels, non-fiction work, speeches, films and TV series. The vast works of Michael Crichton library will continue to be explored with many treasures that have yet to be seen.

About Michael Crichton:
Michael Crichton (1942-2008) was a writer and filmmaker, best known as the author and creator of Jurassic Park and ER. The Andromeda Strain (1969) was his first bestseller. Following the success of the book, Michael decided to quit medicine and to pursue writing full-time. In addition to his best-selling novels such as The Great Train Robbery, Congo, Sphere, Jurassic Park, Rising Sun, Disclosure, Airframe, Timeline, Prey, State of Fear and Next, Michael also wrote non-fiction books (Electronic Life, Jasper Johns), and directed several films (Westworld, The Great Train Robbery, Coma), and earned an Academy Award for Technical Achievement in 1995 for his pioneering use of computer programs for film.

Crichton’s groundbreaking, fast-paced narrative combined with meticulous scientific research made him one of the most popular writers in the world. His novels and non-fiction books have sold over 200 million copies worldwide, been translated into 38 languages and 13 have been made into films. Crichton remains the only person to have a number one book, film, and television series in the same year.

Sony Pictures Television
Sony Pictures Television (http://www.sonypicturestelevision.com) is one of the television industry’s leading content providers, producing and distributing programming worldwide in every genre and for every platform. In addition to managing one of the industry’s largest libraries of award-winning feature films, television shows and formats, SPT is home to a thriving US production business and operates 17 wholly-owned or joint venture production companies in 13 countries around the world. SPT’s worldwide networks portfolio includes 150 channel feeds, which are available in 178 countries reaching more than 1.3 billion cumulative households worldwide. Sony Pictures Television (SPT) is a Sony Pictures Entertainment Company.

National Geographic Channel
The National Geographic Channels (The Channels) form the television and production arm of National Geographic Partners, a joint venture between 21st Century Fox and the National Geographic Society. As a global leader in premium science, adventure and exploration programming, the Channels include: National Geographic Channel (NGC), Nat Geo WILD, Nat Geo People and Nat Geo MUNDO. Additionally, the Channels also run the in-house television production unit, National Geographic Studios. The Channels contribute to the National Geographic Society’s commitment to exploration, conservation and education with entertaining, innovative programming from A-level talent around the world, and with profits that help support the society’s mission. Globally, NGC is available in more than 440 million homes in 171 countries and 45 languages, and Nat Geo WILD is available in 131 countries and 38 languages. National Geographic Partners is also a leader in social media, with a fan base of 250 million people across all of its social pages. NGC contributes over 55 million social media fans globally on Facebook alone. For more information, visit www.natgeotv.com and www.natgeowild.com.

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Review: "Jurassic World" is a Vending Machine Treat

TRASH IN MY EYE No. 5 (of 2016) by Leroy Douresseaux

Jurassic World (2015)
Running time: 124 minutes (2 hours, 4 minutes)
MPAA – PG-13 for intense sequences of science-fiction violence and peril 
DIRECTOR:  Colin Trevorrow
WRITERS:  Rick Jaffa and Amanda Silver and Colin Trevorrow and Derek Connolly; from a story by Rick Jaffa and Amanda Silver (based on characters created by Michael Crichton)
PRODUCERS:  Patrick Crowley and Frank Marshall
CINEMATOGRAPHER:  John Schwartzman (D.o.P.)
EDITOR:  Kevin Stitt
COMPOSER:  Michael Giacchino

SCI-FI/ACTION/ADVENTURE/THRILLER

Starring:  Chris Pratt, Bryce Dallas Howard, Irrfan Khan, Vincent D'Onofrio, Ty Simpkins, Nick Robinson, Jake Johnson, Omar Sy, B.D. Wong, Judy Greer, Andy Buckley, Lauren Lapkus, Katie McGrath, Eric Edelstein, and Jimmy Fallon

Jurassic World is a 2015 science fiction-thriller and action-adventure film from director Colin Trevorrow.  The film is a restart of the Jurassic Park  film franchise.  Thomas Tull of Legendary Pictures and Steven Spielberg, who directed the original film, Jurassic Park (1993), are the executive producers of this movie.  Jurassic World returns to the setting of the first film, which is now a popular dinosaur theme park, but a new attraction turns the place into a nightmare.

Over two decades after the disaster that was the late John Hammond's Jurassic Park, the island of Isla Nublar now has a fully functioning dinosaur theme park, named Jurassic World.  That is where Gray Mitchell (Ty Simpkins) and his older brother, Zach (Nick Robinson), are headed, with VIP access thanks to their aunt, Claire (Bryce Dallas Howard), who is Jurassic World's operations manager.

This new park is run by the Masrani Global Corporation, which also owns InGen, Hammond's genetics company that invented the process of using DNA found in dinosaur fossils to make new dinosaurs.  However, after a decade in operation, Jurassic World has been experiencing a decline in visitor rates, because dinosaurs are no longer the “hot thing.”

Park owner Simon Masrani (Irrfan Khan) demanded that a new attraction be created to spark visitors' interest.  Behold Indominus‍ rex, a hybrid dinosaur made by combining the DNA of an unknown number of animals.  U.S. Navy veteran, Owen Grady (Chris Pratt), trains Jurassic World's four Velociraptors, which have imprinted on him as the pack alpha.  Masrani wants Owen to evaluate Indominus‍ rex before this new attraction is presented to the public. Owen discovers that this hybrid dinosaur is really dangerous.  Then, everything goes bad...

Jurassic World is quite an entertaining movie.  I watched it on DVD, and there were times that I could not stop watching it, even when the phone rang.  Like the Indominus rex, Jurassic World is itself a hybrid, as it blends the disaster film with the monster movie (much in the way a Godzilla film does).  This is pure escapist entertainment.  Pop some popcorn; sit on the sofa and turn out the lights.  Watch this movie and have a blast...

...because beyond that, you won't have much.  Jurassic World may be a restart of the franchise, but it lacks the newness and freshness, the sense of wonder and awe, that defined the original, 1993's Oscar-winning Jurassic Park.  So rather than being a restart, Jurassic World is in actuality nothing more than another Jurassic Park film.

The characters are not interesting, and their plight did not grab me, as the characters' troubles in the first film did.  When the most interesting female character in this film is a CGI dinosaur, as is the case with the raptor, Blue, then, the movie has fundamental problems.  Even the relationship troubles between the two brothers and its resolution feel forced and phony.  I can't remember the last time juvenile sibling characters had the kind of stiff dialogue that the Mitchell brothers had.

I like Chris Pratt, and he uses all his charm to make something out of Owen Grady, a character with potential, which the writers and director of this film did not seem to realize.  Bryce Dallas Howard uses her acting skills to make something of the mannequin that is Claire, but that character is beneath her.  And poor Omar Sy comes across as a pitiful token, playing Owen's stuck-in-the-corner assistant, Barry; yeah, Barry wasn't even worth a last name.

Yeah, Jurassic World is a blast as a scary monster movie, a dumb sci-fi thriller that actually delivers on the thrills.  But in the end, it is nothing more than film product – the equivalent of a fast food hamburger that you have already forgotten a few minutes after eating it.

6 of 10
B

Saturday, November 28, 2015


The text is copyright © 2015 Leroy Douresseaux. All Rights Reserved. Contact this site for reprint and syndication rights and fees.

DreamWorks Developing Michael Crichton's "Micro" for Film

DreamWorks Studios Acquires Michael Crichton Book “Micro”

LOS ANGELES--(BUSINESS WIRE)--DreamWorks Studios has acquired the film rights to the Michael Crichton novel, “Micro,” it was announced today by Michael Wright, CEO of DreamWorks Studios. Frank Marshall is on board to produce, with Sherri Crichton and Laurent Bouzereau set as executive producers for CrichtonSun LLC.

    “It was yet another opportunity for him to explore the clash between science and nature, as seen through the eyes of relatable characters. Michael also wrote in cinematic terms and would be so pleased to see ‘Micro’ come to life on the big screen at DreamWorks.”

The high-concept thriller follows a group of graduate students lured to Hawaii to work for a mysterious biotech company—only to find themselves miniaturized and cast out into the rain forest, with nothing but their scientific expertise and wits to protect them.

"Micro" was unfinished when Michael Crichton passed away in 2008, later completed by author Richard Preston and published by HarperCollins in 2011. It was a New York Times bestseller and spent over 20 weeks combined on the list in hardcover and paperback.

“We are so pleased to have this opportunity to develop ‘Micro,’” said Steven Spielberg. “For Michael, size did matter whether it was for ‘Jurassic’s’ huge dinosaurs or ‘Micro’s’ infinitely tiny humans.”

“Michael Crichton’s vast body of work has thrilled audiences around the world for decades, and it feels particularly poignant to be bringing his last published novel to DreamWorks,” said Michael Wright. “This is the perfect place to unite these two dynamic brands.”

“Michael was exhilarated, passionate and invested in ‘Micro,’ a story he spent years researching and developing,” said Sherri Crichton. “It was yet another opportunity for him to explore the clash between science and nature, as seen through the eyes of relatable characters. Michael also wrote in cinematic terms and would be so pleased to see ‘Micro’ come to life on the big screen at DreamWorks.”

In 2009, DreamWorks Studios acquired the rights to another posthumously published Crichton novel, “Pirate Latitudes.”


About Michael Crichton
The library of Michael Crichton is one of the most important sources of intellectual property in the world. One of the most popular writers of all time, Crichton’s books have sold more than 200 million copies worldwide. His works have been translated into 40 languages, and made into 15 feature films. Crichton’s novels include “Jurassic Park,” “The Andromeda Strain,” “The Great Train Robbery,” “Eaters of the Dead,” “Congo,” “Sphere,” “Rising Sun,” “Disclosure,” “The Lost World,” “Airframe,” “Timeline,” “Prey,” “Next,” “State of Fear,” and the posthumously published “Pirate Latitudes” and “Micro.”

Crichton was also prolific as a writer, director and producer of film and television. He was the creator and executive producer of the Emmy Award-winning television drama “ER,“ wrote and directed films including “Westworld,” “The Great Train Robbery,” and “Coma” and was the screenwriter of “Jurassic Park” and “Rising Sun,” among others.

The rich environment created by Crichton lives on in Universal’s blockbuster film, “Jurassic World,” starring Chris Pratt and Bryce Dallas Howard, the fourth installment in the “Jurassic Park” film series. Crichton’s 1973 sci-fi film, “Westworld,” also inspired the upcoming series of the same name starring Anthony Hopkins, Ed Harris, Evan Rachel Wood and Rodrigo Santoro, which is set to debut on HBO later this year.

Crichton is the only creative artist in history to have works simultaneously chart at No. 1 in U.S. television, film and books sales.

http://www.MichaelCrichton.com

https://www.facebook.com/officialcrichton

About DreamWorks Studios
DreamWorks Studios is a motion picture company formed in 2009 and led by Steven Spielberg in partnership with The Reliance Anil Dhirubhai Ambani Group. The company’s recent releases include Spielberg's “Lincoln,” starring Daniel Day-Lewis, Sally Field and Tommy Lee Jones. The film has grossed over $180 million at the U.S. box office and was nominated for twelve Academy Awards® with Daniel Day-Lewis winning for Best Actor. Other releases include “The Hundred-Foot Journey,” starring Helen Mirren, Steven Spielberg’s “War Horse,” based on Michael Morpurgo’s award-winning book and nominated for six Academy Awards® including Best Picture, and “The Help,” which resonated with audiences around the country and earned over $200 million at the box office and received four Academy Award® nominations with Octavia Spencer winning for Best Supporting Actress. Upcoming releases include the Spielberg directed projects “Bridge of Spies,” starring Tom Hanks, and “The BFG,” based on Roald Dahl’s classic children’s novel.

DreamWorks Studios can be found on Facebook at http://www.facebook.com/DreamWorksStudios and on Twitter at http://twitter.com/dw_studios.

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Review: "Jurassic Park III" is a Third of the Original Film

TRASH IN MY EYE No. 2 (of 2001) by Leroy Douresseaux

Jurassic Park III (2001)
Running time: 92 minutes (1 hour, 32 minutes)
MPAA – PG-13 for intense sci-fi terror and violence
DIRECTOR: Joe Johnston
WRITERS: Peter Buchman, Alexander Payne, and Jim Taylor (based on characters created by Michael Crichton)
PRODUCERS: Larry J. Franco and Kathleen Kennedy
CINEMATOGRAPHER: Shelly Johnson
EDITOR: Robert Dalva
COMPOSER: Don Davis
Razzie Award nominee

SCI-FI/ACTION/ADVENTURE/HORROR/THRILLER

Starring: Sam Neill, William H. Macy, Téa Leoni, Alessandro Nivola, Trevor Morgan, Michael Jeter, John Diehl, Bruce A. Young, and Laura Dern

The subject of this movie review is Jurassic Park III, a 2001 science fiction and dinosaur movie from director Joe Johnston. Steven Spielberg, who directed the first two films in the Jurassic Park franchise, executive produced this film. Although musical themes by John Williams, who composed the music for the first two films, are used, Don Davis provides the musical score for Jurassic Park III.

Jurassic Park III is purely and simply product; it is created and delivered to its consumers in the form of movies, toys, and interactive media. The movie is a quick, chaotic thrill, that attempts to waste nothing via tight, concise action and storytelling and wastes all its potential to be a really good movie in an attempt to make sure no one gets too long a glance and at this scared, awkward baby.

Based more on the Steven Spielberg directed 1993 original than the 1997 Spielberg follow up The Lost World: Jurassic Park 2, this movie stars Sam Neill who reprises his role from the original as Dr. Alan Grant. William H. Macy and Tea Leoni play a divorced couple that tricks Dr. Grant into finding their son (Trevor Morgan) who is presumed missing on an island used by InGen, the dinosaur creating frankencorp, to produce dino specimens for their dino theme parks.

The cast, led by, Neill is up to the task of making a really good film. Neill is earnest and believable as Grant, and the character fits him like old, familiar clothes. Macy is always a pleasure to watch. His Paul Kirby is a weak, flawed and disingenuous man who climbs out of the morass of wimp hood into manhood as the film progress. Leoni’s Amanda Kirby is equally up to the task of transformation, and that is shocking. She is a likeable actress, but she is usually one note only; it was refreshing to see her play a character that can actually grow as the movie progresses. Morgan as their son Eric and Alessandro Nivola as Grant’s assistant Billy Brennan are also both fully fleshed three-dimensional characters. The viewer cares about these characters, and we cringe when they are in danger as much as we cheer them on their quest for survival.

These wonderful characters are the mark of strong writing, but what does go wrong? Johnston is a capable director and has shown the ability to control the pace of an SFX film that could get out of control in less skilled hands, as he did in Jumanji (1995). It seems as if the movie is hung on a thin, thread. Its premise is a basic and quick “get in, snatch and grab, get out.” The creators are blessed with even more knowledge about dinosaurs than its two predecessors, as well as SFX (special effects) and CGI (computer generated imagery) capabilities that surpass the original's (a movie that is still as good today as it was back in 1993).

One gets the sense that the filmmakers were very concerned about making a short movie, one in which the audience would not get to restless. That’s understandable. No matter how good the computer and effects work get, or how much new technology dates the original, any follow up to Jurassic Park cannot have the impact that the original did. Every dino sighting in the first film was a thrill; it was like discovering a whole new world. Jurassic Park was and will always be a landmark of cinema, a testament to both Spielberg’s savvy and skill and a testament to Hollywood SFX men, the special ones who always introduce us to something that we never thought we’d see on the big screen. They show us the amazing and do it with such class, quality, and skill that they leave us breathless and speechless and wanting more.

So how can part three compete with that? The sequel deals with it by running away from trying to be something special. It scampers through the dino-infested jungle of its predecessors like a madman, as afraid of its own shadow as it is of the raptors.

Granted that the characters are fighting for their lives, they rarely take the time to stop and observe something that would and should leave them speechless. A hallmark of the first was how the characters could be both fascinated and horrified by the wonderful things before them. They’re seeing real living breathing dinosaurs, and they’re only mildly interested. Yes, they’re genetic replicants, but these dinos are as close to the real thing as they’ll probably ever see. Even Dr. Grant didn’t seem too awed by the appearance of this film’s giant predator villain, the Spinosaurus, which runs through the film like a clumsy, wrecking bawl, screeching and slobbering all over the proceedings. Even the new look raptors mostly seem to be stiff and nervous models on the runway of an annual Paris toy show.

Through all this, one can see the skill and talent of Johnston and his writers, which includes Alexander Payne, the auteur of the (sadly) ignored Election. Even in a quick 90 minutes, one can see the quality of the work of the cast and crew. It’s a shame we got a truncated Reader’s Digest version of a story that could have been so much more. Still, it was as nice a treat as one can expect from a summer movie.

6 of 10
B

NOTES:
2002 Razzie Awards: 1 nomination: “Worst Remake or Sequel”

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"Jurassic Park" Returns in 3D

Universal Pictures' Jurassic Park To Be Released In IMAX® 3D For The First Time Ever On April 5

Steven Spielberg's Classic Returns to the Big Screen in IMAX® Theatres

PRNewswire/ -- IMAX Corporation (NYSE:IMAX; TSX:IMX) and Universal Pictures announced that Steven Spielberg's epic Jurassic Park will return to the big screen with a one-week 3D engagement in IMAX® theatres worldwide simultaneous with the film's wide release beginning April 5, 2013.

With his remastering of this epic film into a state-of-the-art 3D format, Steven Spielberg introduces the three-time Academy Award®-winning blockbuster to a new generation of moviegoers and allows longtime fans to experience the world he envisioned in a way that was unimaginable during the film's original release. Starring Sam Neill, Laura Dern, Jeff Goldblum, Samuel L. Jackson and Richard Attenborough, the film based on the novel by Michael Crichton is produced by Kathleen Kennedy and Gerald R. Molen.

"Jurassic Park is the quintessential film for fans to experience in IMAX 3D," said Nikki Rocco, President of Distribution, Universal Pictures. "Jurassic Park was groundbreaking when it was originally released, and The IMAX 3D Experience® will allow today's audiences to become fully immersed in one of the most breathtaking epics Universal has ever released."

"Steven Spielberg's films resonate uniquely with audiences," said Greg Foster, Chairman and President of IMAX Filmed Entertainment. "We're thrilled to offer moviegoers an opportunity to see this fan favorite back on the big screen and transport them - for the first time through the power of The IMAX 3D Experience® - into the world of Jurassic Park."

The IMAX release of Jurassic Park has been digitally re-mastered into the image and sound quality of The IMAX 3D Experience® with proprietary IMAX DMR® (Digital Re-mastering) technology. The crystal-clear images, coupled with IMAX's customized theatre geometry and powerful digital audio, create a unique environment that will make audiences feel as if they are in the movie.

You can learn more about Jurassic Park in IMAX 3D by visiting the film's official site at http://www.jurassicpark.com/.


About IMAX Corporation
IMAX, an innovator in entertainment technology, combines proprietary software, architecture and equipment to create experiences that take you beyond the edge of your seat to a world you've never imagined. Top filmmakers and studios are utilizing IMAX theatres to connect with audiences in extraordinary ways, and, as such, IMAX's network is among the most important and successful theatrical distribution platforms for major event films around the globe.

IMAX is headquartered in New York, Toronto and Los Angeles, with offices in London, Tokyo, Shanghai and Beijing. As of Sept. 30, 2012, there were 689 IMAX theatres (556 commercial multiplex, 20 commercial destination and 113 institutional) in 52 countries.

IMAX®, IMAX® 3D, IMAX DMR®, Experience It In IMAX®, An IMAX 3D Experience®, The IMAX Experience® and IMAX Is Believing® are trademarks of IMAX Corporation. More information about the Company can be found at www.imax.com. You may also connect with IMAX on Facebook (www.facebook.com/imax), Twitter (www.twitter.com/imax) and YouTube (www.youtube.com/imaxmovies).

Review: "Jurassic Park" is Always Worth the Trip

TRASH IN MY EYE No. 117 (of 2004) by Leroy Douresseaux

Jurassic Park (1993)
Running time: 127 minutes (2 hours, 7 minutes)
MPAA – PG-13 for intense science fiction terror
DIRECTOR: Steven Spielberg
WRITERS: Michael Crichton and David Koepp (from a novel by Michael Crichton)
PRODUCERS: Kathleen Kennedy and Gerald R. Molen
CINEMATOGRAPHER: Dean Cundey
EDITOR: Michael Kahn
COMPOSER: John Williams
Academy Award winner

SCI-FI/ACTION/ADVENTURE/THRILLER

Starring: Sam Neill, Laura Dern, Jeff Goldblum, Richard Attenborough, Bob Peck, Martin Ferrero, Joseph Mazzello, Ariana Richards, Samuel L. Jackson, B.D. Wong, and Wayne Knight

Over a decade after I first saw it, I still get a thrill whenever I watch director Steven Spielberg’s Jurassic Park. The Academy Award-winning film (Best Effects – Sound Effects Editing, Best Effects – Visual Effects, and Best Sound) is, like Star Wars and Terminator 2: Judgment Day, a landmark film in the area of visual effects, in this instance, for its use of computer rendered characters or CGI, computer generated imagery. While the Terminator sequel introduced the moviegoers to the magic “morphing,” seamless changing a character into something or someone totally different, JP introduced a whole slew of characters that were not added to the film until principal photography was finished shooting. These were characters that only existed inside a computer and were digitally added onto the film.

In the movie, John Hammond (Richard Attenborough), a billionaire industrialist, convinces colleagues Drs. Alan Grant (Sam Neill) and Ellie Sattler (Laura Dern) to travel to his newly created theme park that he calls Jurassic Park. His company’s scientist have miraculously cloned dinosaurs to populate the theme park, and Hammond needs Grant and Ms. Sattler, two paleontologists, to examine the park and give their seal of approval to the venture which in turn will appease Hammond’s worried investors. But as with any test run, things go badly. The park suffers a major security breakdown and releases the dinosaurs, including a hungry T-Rex and pack of velociraptors who enjoy hunting humans. The computer malfunction has Grant, Sattler, and the rest of the park’s inhabitants and visitors (including Hammond’s grandson and granddaughter) struggling to survive the onslaught on vicious dinosaurs as they try to escape from the island.

Although Spielberg has made his share of “serious” films to impress film critics and Oscar® voters, his best work remains his films that have a sense of magic and wonder, and Jurassic Park has both. However, the film is also a razor sharp suspense thriller and amazing adventure filled with frightening pitfalls, daring escapades, and last minute reprieves – the kind that end just before the other shoe drops.

Spielberg is at his best when he manipulates his audience, but honestly by weaving a thrill-a-minute film that has heart. It’s more than just the things that stop your heart, and JP has lots of that. It’s also about the moments that warm the heart, and a Spielberg favorite theme – that of the father who earns redemption or the man who learns to become a father or father figure, is very strong here. A lot of the credit has to go to a script (by Hollywood screenwriting heavyweight David Koepp and the author of the novel upon which this film is based, Michael Crichton) that is friendly to the elements and themes Spielberg favors for his films.

Still, the master filmmaker takes it and not only does he make it work, he makes it work on a level that turns what could have been a novelty film into an movie that is both unforgettable and influential. On a purely entertaining level, JP is a great and a film that is a treat to watch. As a work of art, Jurassic Park’s subject matter may seem like B-movie material, but the entire work is both a brilliant piece of pop entertainment and masterstroke of film craftsmanship.

10 of 10

NOTES:
1994 Academy Awards: 3 wins: “Best Effects, Sound Effects Editing” (Gary Rydstrom and Richard Hymns), “Best Effects, Visual Effects” (Dennis Muren, Stan Winston, Phil Tippett, and Michael Lantieri), and “Best Sound” (Gary Summers, Gary Rydstrom, Shawn Murphy, and Ron Judkins)

1994 BAFTA Awards: 1 win: “Best Special Effects” (Dennis Muren, Stan Winston, Phil Tippett, and Michael Lantieri); 1 nomination: “Best Sound” (Richard Hymns, Ron Judkins, Gary Summers, Gary Rydstrom, and Shawn Murphy)

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Jurassic Park Ultimate Trilogy on Blu-ray October 2011

One of the Most Thrilling & Groundbreaking Motion-Picture Trilogies of All Time Roars onto Blu-ray™ with Breathtaking New High-Definition Picture & Perfect Sound

JURASSIC PARK

All Three Epic Adventures from Filmmaker Steven Spielberg Plus More Than Two Hours of All-New Bonus Features

Available on Blu-ray™ For the First Time Ever On October 25, 2011

“You won’t believe your eyes!”—Peter Travers, Rolling Stone

“A triumph of special effects artistry!”—Roger Ebert, Chicago Sun-Times

Universal City, California, June 27, 2011 – The wait is finally over to experience one of the most anticipated motion-picture trilogies of all time like never before when Jurassic Park, The Lost World: Jurassic Park and Jurassic Park III debut as a trilogy set on Blu-ray™ October 25, 2011 from Universal Studios Home Entertainment. Acclaimed filmmaker Steven Spielberg’s award-winning cinematic franchise, based on the best-selling book by Michael Crichton, generated nearly $2 billion combined at the worldwide box office and featured groundbreaking visual effects that changed the art of movie-making forever. Now, all three epic films have been digitally restored and remastered in flawless high definition for the ultimate viewing experience.

Additionally, the films’ visceral sound effects and the unforgettable music from legendary composer John Williams can now be heard in pristine 7.1 surround sound. Arriving in stores just in time for holiday gift giving, this collectible three-movie set also features hours of bonus features, including an all-new, six-part documentary and digital copies of all three films that can be viewed on an array of electronic and portable devices anytime, anywhere. The Jurassic Park Ultimate Trilogy is also available on DVD, as well as in a spectacular Limited Edition Blu-ray Trilogy Gift Set which includes a custom T-rex dinosaur statue.

“From the moment T-Rex first towered over worldwide movie audiences, the Jurassic Park Trilogy has electrified fans with its heart-pounding action and awe-inspiring technological innovations,” says Craig Kornblau, President of Universal Studios Home Entertainment. “With this newly remastered and digitally restored edition, we continue the franchise’s legacy by delivering to home viewers spectacular picture and sound that keeps the films as fresh and visceral now as they were when audiences first experienced them.”

The Jurassic Park Ultimate Trilogy features an all-star cast including Sam Neill, Laura Dern, Jeff Goldblum, Samuel L. Jackson, Richard Attenborough, Ariana Richards, Joseph Mozzello, Julianne Moore, Vince Vaughn, William H. Macy and Tea Leoni. In addition to the talented cast of actors, the Trilogy features stars of a different magnitude—from the huge Tyrannosaurus rex to the vicious Velociraptor, the Jurassic Park films showcase an extraordinary level of realism and technical innovation brought to life by a talented design team which include: Stan Winston, Live Action Dinosaurs; ILM's Dennis Muren, Full Motion Dinosaurs; Phil Tippett, Dinosaur Supervisor; Michael Lantieri, Special Dinosaur Effects and Special Visual Effects by Industrial Light & Magic.

ALL-NEW BONUS FEATURES ON BLU-RAY™ & DVD
“Return to Jurassic Park” – this six-part documentary features all-new interviews with the many of the cast members from all three films, the filmmakers and Steven Spielberg.
o Dawn of a New Era
o Making Pre-history
o The Next Step in Evolution
o Finding The Lost World
o Something Survived
o The Third Adventure

ADDITIONAL FEATURES EXCLUSIVE TO BLU-RAY™
· BD-LIVE™ - Access the BD-Live™ Center through your Internet-connected player to watch exclusive content, the latest trailers, and more!

MY SCENES: Bookmark your favorite scenes from the film.

pocket BLU™: The groundbreaking pocket BLU™ app uses iPad®, iPhone®, iPod® touch, Android™, PC and Mac® to work seamlessly with a network-connected Blu-ray™ player. Plus iPad® owners can enjoy a new, enhanced edition of pocket BLU™ made especially to take advantage of the tablet's larger screen and high resolution display. Consumers will be able to browse through a library of Blu-ray™ content and watch entertaining extras on-the-go in a way that’s bigger and better than ever before. pocket BLU™ offers advanced features such as:
o ADVANCED REMOTE CONTROL: A sleek, elegant new way to operate your Blu-ray™ player. Users can navigate through menus, playback and BD-Live™ functions with ease.
o VIDEO TIMELINE: Users can easily bring up the video timeline, allowing them to instantly access any point in the film.
o MOBILE-TO-GO: Users can unlock a selection of bonus content with their Blu-ray™ discs to save to their device or to stream from anywhere there is a Wi-Fi network, enabling them to enjoy content on the go, anytime, anywhere.
o BROWSE TITLES: Users will have access to a complete list of pocket BLU™-enabled titles available and coming to Blu-ray™. They can view free previews and see what additional content is available to unlock on their device.
o KEYBOARD: Entering data is fast and easy with your device’s intuitive keyboard.

The following bonus features also appear on the both the Blu-ray™ and DVD:
The Making of Jurassic Park
The Making of The Lost World: Jurassic Park
The Making of Jurassic Park III
Steven Spielberg Directs Jurassic Park
Early Pre-Production Meetings
The World of Jurassic Park
The Magic of Industrial Light & Magic
Location Scouting
Phil Tippett Animatics: Raptors In The Kitchen
The Jurassic Park Phenomenon: A Discussion with Author Michael Crichton
Industrial Light & Magic and Jurassic Park: Before and After The Visual Effects
Industrial Light & Magic and The Lost World: Jurassic Park Before & After
The Industrial Light & Magic Press Reel
A Visit to Industrial Light & Magic
Hurricane in Kauai Featurette
Dinosaur Turntables
The Dinosaurs of Jurassic Park III
Montana: Finding New Dinosaurs
Animatics: T-Rex Attack
The Special Effects of Jurassic Park III
The Sounds of Jurassic Park III
The Art of Jurassic Park III
Tour of Stan Winston Studio
Feature Commentary with Special Effects Team
Production Archives: Storyboards, Models, Photographs, Design Sketches and Conceptual Drawings
Deleted Scenes
Theatrical Trailers
And MORE!

SYNOPSIS
From Academy Award-winning filmmaker Steven Spielberg, the Jurassic Park Ultimate Trilogy is one of the most successful film franchises in worldwide box-office history. On a remote tropical island, an amazing living theme park becomes a game of survival for humans foolhardy enough to set foot on it. Meticulously recreated dinosaurs spring to astonishing life as the film’s breathtaking special effects and thrilling action sequences keep audiences on the edge of their seats. Each chapter of the history-making saga delivers even more action and spectacular visual effects than its predecessor, as nature’s ultimate killing machines once again rule the earth. Almost 20 years after its inception, the Jurassic Park Trilogy remains an unmatched cinematic experience.

Jurassic Park
A multimillionaire (Richard Attenborough) unveils a new theme park where visitors can observe dinosaurs cloned using advanced DNA technology. But when an employee tampers with the security system, the dinosaurs escape, forcing the visitors to fight for their survival. Sam Neill, Jeff Goldblum and Laura Dern star in this thrilling, action-packed blockbuster from acclaimed director Steven Spielberg and based on the novel by Michael Crichton.

The Lost World: Jurassic Park
Four years after Jurassic Park's genetically bred dinosaurs ran amok, multimillionaire John Hammond (Richard Attenborough) shocks chaos theorist Ian Malcolm (Jeff Goldblum) by revealing that Hammond has been breeding more beasties at a secret location. Malcolm, his paleontologist ladylove (Julianne Moore) and a wildlife videographer (Vince Vaughn) join an expedition to document the lethal lizards' natural behavior in this action-packed thriller.

Jurassic Park III
In need of funds for research, Dr. Alan Grant (Sam Neill) accepts a large sum of money to accompany Paul and Amanda Kirby (William H. Macy and Tea Leoni) on an aerial tour of the infamous Isla Sorna. It isn't long before all hell breaks loose and the stranded wayfarers must fight for survival as a host of new -- and even more deadly -- dinosaurs try to make snacks of them. Laura Dern, Michael Jeter, Alessandro Nivola and Trevor Morgan co-star.

http://www.jurassicpark.com/

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TECHNICAL INFORMATION BLU-RAY™:
Street Date: October 25, 2011
Copyright: 2011 Universal Studios Home Entertainment

Selection Number: Layers: BD-50
Aspect Ratio: Widescreen, 1.85:1
Rating: PG-13
Languages/Subtitles: English SDH, Spanish and French Subtitles
Sound: English DTS-HD Master Audio 5.1, French 2.0, English SDH, Spanish Subtitles
Run Time: Jurassic Park – 2 hours, 7 minutes
The Lost World: Jurassic Park – 2 hours, 9 minutes
Jurassic Park III – 1 hour, 33 minutes

TECHNICAL INFORMATION DVD
Street Date: October 25, 2011
Copyright: 2011 Universal Studios Home Entertainment
Selection Number: 61114696
Layers: Dual
Aspect Ratio: Anamorphic Widescreen 1.85:1
Rating: PG-13
Languages/Subtitles: English SDH, French & Spanish
Sound: English, French & Spanish Dolby Digital 5.1
Run Time: Jurassic Park – 2 hours, 7 minutes
The Lost World: Jurassic Park – 2 hours, 9 minutes
Jurassic Park III – 1 hour, 33 minutes

Jurassic Park
Directed By: Steven Spielberg
Produced By: Kathleen Kennedy and Gerald R. Molen
Screenplay By: Michael Crichton and David Koepp
Based on the Novel By: Michael Crichton
Director of Photography: Dean Cundey
Production Designer: Rick Carter
Film Edited By: Michael Kahn, ACE
Music By: John Williams
Live Action Dinosaurs: Stan Winston
Full Motion Dinosaurs By: Dennis Muren, ASC
Special Dinosaur Effects: Michael Lantieri
Dinosaur Supervisor: Phil Tippett
Special Visual Effects: Industrial Light & Magic
Cast: Sam Neill, Laura Dern, Jeff Goldblum, Richard Attenborough, Bob Peck, Martin Ferrero, B.D. Wong, Samuel L. Jackson, Wayne Knight, Joseph Mazzello, Ariana Richards

The Lost World: Jurassic Park
Directed By: Steven Spielberg
Produced By: Gerald R. Molen and Colin Wilson
Screenplay By: David Koepp
Based on the Novel “The Lost World” By: Michael Crichton
Executive Producer: Kathleen Kennedy
Director of Photography: Janusz Kaminski, ASC
Production Designer: Rick Carter
Film Editor: Michael Kahn, ACE
Music By: John Williams
Live Action Dinosaurs: Stan Winston
Full Motion Dinosaurs By: Dennis Muren, ASC
Special Dinosaur Effects: Michael Lantieri
Special Visual Effects: Industrial Light & Magic
Cast: Jeff Goldblum, Julianne Moore, Pete Postlethwaite, Arliss Howard

Jurassic Park III
Directed By: Joe Johnston
Produced By: Kathleen Kennedy, Larry Franco
Written By: Peter Buchman and Alexander Payne & Jim Taylor
Based on Characters Created By: Michael Crichton
Executive Producer: Steven Spielberg
Director of Photography: Shelly Johnson, ASC
Production Designer: Ed Verreaux
Editor: Robert Dalva
New Music By: Don Davis
Original Themes By: John Williams
Live Action Dinosaurs: Stan Winston Studio
Animation and Special Visual Effects By: Industrial Light & Magic
Cast: Sam Neill, William H. Macy, Tea Leoni, Alessandro Nivola, Trevor Morgan, Michael Jeter


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