Showing posts with label 2013. Show all posts
Showing posts with label 2013. Show all posts

Thursday, March 20, 2014

Review: "Escape Plan" Almost Old-Timey

TRASH IN MY EYE No. 13 (of 2014) by Leroy Douresseaux

Escape Plan (2013)
Running time:  115 minutes (1 hour, 55 minutes)
MPAA – R for violence and language throughout
DIRECTOR:  Mikael Håfström
WRITERS:  Miles Chapman and Jason Keller; from a story by Miles Chapman
PRODUCERS:  Robbie Brenner, Mark Canton, Remington Chase, Randall Emmett, and Kevin King-Templeton
CINEMATOGRAPHER:  Brendan Galvin (D.o.P.)
EDITOR:  Elliot Greenberg
COMPOSER:  Alex Heffes

ACTION

Starring:  Sylvester Stallone, Arnold Schwarzenegger, Jim Caviezel, Faran Tahir, Amy Ryan, Sam Neill, Vincent D’Onofrio, Vinnie Jones, Matt Gerald, Caitriona Balfe, Alec Rayme, and Curtis “50 Cent” Jackson

Escape Plan is a 2013 action movie from director Mikael Håfström.  The film stars Sylvester Stallone and Arnold Schwarzenegger in a tale about a structural-security engineer incarcerated in the world’s most secret and secure prison and the escape plan he concocts with a fellow inmate.

Escape Plan opens in Bendwater Federal Penitentiary and introduces Ray Breslin (Sylvester Stallone).  Breslin seems to be prisoner, but actually, he specializes in breaking out of maximum security prisons in order to test their reliability.  With his partner, Lester Clark (Vincent D’Onofrio), Breslin owns the Los Angeles-based, independent security company, B&C Security, where Breslin studies, researches, and writes about prisons.

Breslin and Clark’s latest client is CIA Agent Jessica Mayer (Caitriona Balfe).  Mayer offers Breslin double his free to break out of the International Detainee Unit, a top-secret prison where the world’s most dangerous criminals and terrorists are held, in order to see if it is really escape-proof.  Breslin takes the identity of a Spanish terrorist named “Anthony Portos,” and prepares to be taken into custody.

The plan goes awry, and Breslin awakens in a glass cell located in a complex full of glass cells.  Warden Willard Hobbes (Jim Caviezel) seems delighted to have “Portos” in his prison.  Fellow inmate, Emil Rottmayer (Arnold Schwarzenegger), seems too eager to get to know him.  Now, Breslin must use all his skills to escape, but this prison seems designed to foil his every move.

If you have to see an action movie, Escape Plan will do.  The first half of the film is a nearly unwatchable bore, but the second half of the film is entertaining.  The plot is stretched past the point of credulity in order for the resolution to make sense.

Escape Plan is a pale imitation of Sylvester Stallone and Arnold Schwarzenegger’s 1980s mindless flicks.  From the mid-1980s to the early 1990s, Escape Plan would have been considered a cutting edge techno-thriller; now it’s a shame to see two such venerable stars in such a movie.  Actually, it would make sense for this to be a modern Steven Seagal or even a Jean-Claude Van Damme straight-to-DVD movie.  I must note that Schwarzenegger still looks good, but Stallone’s face is a post-op, plastic surgery wreck.

On the other hand, these two old action movie dogs can still deliver some of what we expect of them.  Escape Plan gives plenty of Stallone brawling, and, in the movie’s last act, we get Schwarzenegger in a classic pose as he fires an automatic weapon, in a way that references him in The Terminator franchise.  I did not ask much of this movie, and thanks to a clunky, listless first half, I almost did get what little I expected.  I will say this:  Escape Plan actually could have been better, so I would like to see Stallone and Schwarzenegger team-up again.

4 of 10
C

Thursday, March 20, 2014


The text is copyright © 2014 Leroy Douresseaux. All Rights Reserved. Contact this site for syndication rights and fees.



Friday, March 14, 2014

Review: "Superman: Unbound" is Quite Unsound

TRASH IN MY EYE No. 12 (of 2014) by Leroy Douresseaux

Superman: Unbound (2013) – straight-to-video
Running minutes: 75 minutes (1 hour, 15 minutes)
MPAA – PG-13 for sequences of violence and action, and a rude gesture
DIRECTOR:  James Tucker
WRITER:  Bob Goodman (based on the story “Superman: Brainiac” by Geoff Johns and Gary Frank; and characters created by Jerry Siegel and Joe Shuster; and Jerry Ordway and Tom Grummet)
EDITOR:  Christopher D. Lozinski
COMPOSER:  Kevin Kliesch
ANIMATION STUDIO:  MOI Animation Studios

ANIMATION/SUPERHERO/ACTION

Starring:  (voices) Matt Bomer, Stana Katic, John Noble, Molly Quinn, Diedrich Bader, Frances Conroy, Melissa Disney, Alexander Gould, Sirena Irwin, Stephen Root, Wade Williams, and Michael Leon Wooley

Superman: Unbound is a 2013 direct-to-video superhero animated film from Warner Bros. Animation.  Starring DC Comics’ most famous superhero, Superman, this is also the 16th feature in the DC Universe Animated Original Movies line.

Superman: Unbound is an adaptation of the comic book story arc, “Superman: Braniac,” which was published in Action Comics #866-870 (cover date: August 2008 to December 2008).  The story was written by Geoff Johns and drawn by artist Gary Frank.  In Superman: Unbound, Superman and Supergirl take on a powerful cyborg that collects cities and destroys worlds

Superman: Unbound finds Kara Zor-El AKA Supergirl (Molly Quinn) trying to find her place on Earth.  Like her cousin, Clark Kent AKA Superman (Matt Bomer), she is from the planet Krypton, but she has more traumatic memories involving the destroyed world than her cousin does.  She remembers how a space-faring cyborg, called Brainiac (John Noble), attacked Krypton and stole the city of Kandor.  Now, Brainiac has set his sights on Earth.  Superman is ready to battle the monster, but can Supergirl overcome her trauma in order to fight a villain she very much fears?

Superman: Unbound is not a tie-in to The Man of Steel, the 2013 live-action reboot of the Superman film franchise.  However, both films depict Superman’s home world of Krypton in distress.  Both are also mediocre action movies that feature overly long sequences of destruction and battles.  The Man of Steel was a tedious excursion into the Superman mythos.  Superman: Unbound uses the Superman mythos as window-dressing for a story that is just an excuse for super-powered beings to bash and thrash.

It is pointless to even go into detail about the subplot concerning Clark Kent and Lois Lane’s (Stana Katic) relationship dysfunction.  It’s lame.  I hate that I wasted time watching this.  I can’t even explain why I thought that I should watch it.  Well, I am a longtime comic book fan, and I have watched the other DC Universe Animated Original Movies released prior to this one.  Superman: Unbound:  it’s hard to find moments in it that I liked.

3 of 10
D+

Thursday, March 13, 2014


The text is copyright © 2014 Leroy Douresseaux. All Rights Reserved. Contact this site for syndication rights and fees.



Tuesday, March 11, 2014

Review: Father and Daughter Hold Down the "Homefront"

TRASH IN MY EYE No. 11 (of 2014) by Leroy Douresseaux

Homefront (2013)
Running time:  101 minutes (1 hour, 41 minutes)
MPAA – R for strong violence, pervasive language, drug content and brief sexuality
DIRECTOR:  Gary Fleder
WRITER:  Sylvester Stallone (based upon the novel by Chuck Logan)
PRODUCERS:  Sylvester Stallone, Kevin King Templeton, John Thompson, and Les Weldon
CINEMATOGRAPHER:  Theo van de Sande
EDITOR:  Padraic McKinley
COMPOSER:  Mark Isham

CRIME/ACTION/DRAMA/THRILLER

Starring:  Jason Statham, James Franco, Izabela Vidovic, Kate Bosworth, Marcus Hester, Winona Ryder, Clancy Brown, Omar Benson Miller, Rachelle Lefevre, Frank Grillo, Chuck Zito, Pruitt Taylor Vince, Linds Edward, and Austin Craig

Homefront is a 2013 crime thriller and action movie from director Gary Fleder.  The film is loosely based on the 2005 novel, Homefront, by author Chuck Logan.  Homefront the movie focuses on a former DEA agent who moves to a small town, where he soon catches the attention of a local drug lord.

Homefront is a mean, gritty little bastard of a film.  It is a true southern gothic in the tradition of such movies as White Lighting (a Burt Reynolds classic), Deliverance, and Walking Tall.

Widowed ex-solider Phil Broker (Jason Statham) works undercover for the Drug Enforcement Agency (DEA).  After an operation goes bad, Broker retires, and he and his 10-year-old daughter, Maddy (Izabela Vidovic), move to the quiet Southern town of Rayville.  However, the small town is riddled with drugs and violence, and, after Maddy gets into a fight at her new school, Broker discovers that Rayville is not as idyllic as it seems on the surface.  Broker catches the attention of Gator Bodine (James Franco), a local drug lord with big ambitions.  Those ambitions cause Gator to go into Broker’s past, which brings trouble for everyone.

It is too easy to mock a screenplay written by Sylvester Stallone; after all, he has been writing movie scripts for four decades.  His Homefront screenplay is tightly written, perhaps a bit too tightly.  The movie runs at about an hour-and-a-half of actual story time, which is too short for the plot and characters.  Stallone introduces several characters and establishes them as potentially having a major impact on the story.  Many of them, however, end up being used sparingly, especially the teacher Susan Hetch (Rachelle Lefevre), who might have romantic feelings for Broker.  Cassie Bodine Klum (Kate Bosworth), as a character connected to both Broker and Bodine, has the most potential to improve the drama in Homefront, but, except for a few scenes, Cassie is underutilized.

What Stallone’s script gets right is the relationship between Broker and his daughter, Maddy.  The film takes the time to establish how important both characters are to each other.  The movie emphasizes two things:   as a family that recently underwent loss, Broker and Maddy are in a fragile state and also that external threats are not the only things that can damage the family.  Maddy is every bit as stubborn and determined as her father, and her love for him won’t deter her from confronting him.  So when the bad guys start attacking, the audience will buy into the threat to the family because the film made the bond and relationship between Broker and Maddy seem genuine and honest.

Fear not, Jason Statham fans; our guy gets to kick ass and pop caps.  Director Gary Fleder and film editor Padraic McKinley largely eschew CGI god-tech and instead, offer old-fashioned, no-gloss gunfights that will glue your attention to the screen.  The bone-crunching, ball-rupturing, face-smashing fights are short and to the point, and I found myself re-watching them.

Homefront is one of the better Jason Statham vehicles because his character seems more grounded in realism.  Phil Broker is both susceptible to being hurt and has something to lose.  And because this movie was not a box office success, we likely won’t get to see Statham as Broker in another film – a pity.

6 of 10
B

Sunday, March 09, 2014


The text is copyright © 2014 Leroy Douresseaux. All Rights Reserved. Contact this site for syndication rights and fees.



Monday, March 10, 2014

Denis Villeneuve's "Enemy" Wins Canada's "Best Picture" Award

The Canadian Screen Awards honor achievements in Canadian film and television production, as well as achievements in digital media.  In 2012, the formerly separate Genie Awards (for film) and Gemini Awards (for television) merged into a single ceremony, the Canadian Screen Awards.

The Canadian Screen Awards are presented by the Academy of Canadian Cinema & Television.  This is a national, no-profit, professional association dedicated to the promotion, recognition and celebration of exceptional achievements in Canadian film, television and digital media.  The Academy describes itself as a “Unifying industry professionals across Canada, the Academy is a vital force representing all screen – based industries.”

The Academy’s Canadian Screen Awards is the annual awards show to celebrate the best in film, television and digital media.  They are part of Canadian Screen Week (March 3‐9, 2014).

The 2014 Canadian Screen Awards were presented at an awards gala on Sunday, March 9, 2014.  This two-hour live broadcast was presented on the CBC.  Actor Martin Short was the host.

The following list of winners is only a partial list, which excludes the television and new media categories, as well as most of the 2014 Special Award winners.  For a full list of winners and nominees, go here:
http://www.academy.ca/Canadian-Screen-Awards/2014-Nominees-Winners/Film

2nd / 2014 CANADIAN SCREEN AWARDS Winners (for the year in film 2013):

Feature Film Winners:

Best Motion Picture / MEILLEUR FILM (Sponsor / Commanditaire | William F. White International and Comweb Group):

ENEMY – Kim McCraw, Luc Déry, Miguel A. Faura, Niv Fichman, Sari Friedland

Best Director: ACHIEVEMENT IN DIRECTION / MEILLEURE RÉALISATION (Sponsor / Commanditaire | Pinewood Toronto Studios):

DENIS VILLENEUVE – Enemy

Best Actor: PERFORMANCE BY AN ACTOR IN A LEADING ROLE / INTERPRÉTATION MASCULINE DANS UN PREMIER RÔLE

GABRIEL ARCAND – Le Démantèlement / The Dismantlement

Best Supporting Actor: PERFORMANCE BY AN ACTOR IN A SUPPORTING ROLE / INTERPRÉTATION MASCULINE DANS UN RÔLE DE SOUTIEN

GORDON PINSENT – The Grand Seduction

Best Actress: PERFORMANCE BY AN ACTRESS IN A LEADING ROLE / INTERPRÉTATION FÉMININE DANS UN PREMIER RÔLE

GABRIELLE MARION‐RIVARD – Gabrielle

Best Supporting Actress: PERFORMANCE BY AN ACTRESS IN A SUPPORTING ROLE /INTERPRÉTATION FÉMININE DANS UN RÔLE DE SOUTIEN

SARAH GADON – Enemy

ORIGINAL SCREENPLAY / MEILLEUR SCÉNARIO (Sponsor / Commanditaire | Harold Greenberg Fund):

SHANNON MASTERS – Empire of Dirt

ADAPTED SCREENPLAY / MEILLEURE ADAPTATION

ELAN MASTAI – The F‐Word

ACHIEVEMENT IN ART DIRECTION/PRODUCTION DESIGN / MEILLEURE
DIRECTION ARTISTIQUE

MICHEL PROULX – Louis Cyr, l’homme le plus fort du monde / Louis Cyr: The Strongest Man in the World

ACHIEVEMENT IN COSTUME DESIGN / MEILLEURS COSTUMES

CARMEN ALIE – Louis Cyr, l’homme le plus fort du monde / Louis Cyr: The Strongest Man in the World

ACHIEVEMENT IN CINEMATOGRAPHY / MEILLEURES IMAGES:

NICOLAS BOLDUC CSC – Enemy

ACHIEVEMENT IN EDITING / MEILLEUR MONTAGE (Sponsor / Commanditaire | The PostMan):

MATTHEW HANNAM ‐ Enemy

ACHIEVEMENT IN MAKE‐UP / MEILLEURS MAQUILLAGES (Sponsor / Commanditaire | M•A•C Cosmetics)

JO‐ANN MACNEIL, KAROLA DIRNBERGER, PAUL JONES – The Mortal Instruments: City of Bones

ACHIEVEMENT IN MUSIC ‐ ORIGINAL SCORE / MEILLEURE MUSIQUE ORIGINALE

DANNY BENSI, SAUNDER JURRIAANS – Enemy

ACHIEVEMENT IN MUSIC ‐ ORIGINAL SONG / MEILLEURE CHANSON ORIGINALE (Sponsor / Commanditaire | Slaight Music)

JIMMY HARRY, SERENA RYDER – The Right Kind of Wrong – “It’s No Mistake”

ACHIEVEMENT IN OVERALL SOUND / MEILLEUR SON D'ENSEMBLE (Sponsor / Commanditaire | Deluxe Toronto):

ANDREW TAY, DAVID DRAGE, DAVID GIAMMARCO, GREG CHAPMAN, MATT MCKENZIE, PETER PERSAUD – The Mortal Instruments: City of Bones

ACHIEVEMENT IN SOUND EDITING / MEILLEUR MONTAGE SONORE (Sponsor / Commanditaire | IMAX):

ALEX BULLICK, CHRISTIAN SCHAANING, J.R. FOUNTAIN, JILL PURDY, KEVIN BANKS, NATHAN ROBITAILLE, NELSON FERREIRA, STEPHEN BARDEN, STEVE BAINE – The Mortal Instruments: City of Bones

ACHIEVEMENT IN VISUAL EFFECTS / MEILLEURS EFFETS VISUELS:

ANDY ROBINSON, DENNIS BERARDI, EDWARD J. TAYLOR IV, JAMES COOPER, JASON EDWARDH, JO HUGHES, LEANN HARVEY, SEAN MILLS, STEPHEN WAGNER, TREY HARRELL – The Mortal Instruments: City of Bones

Docs & Short Film Winners:

Best Documentary: TED ROGERS BEST FEATURE LENGTH DOCUMENTARY / MEILLEUR LONG MÉTRAGE DOCUMENTAIRE TED ROGERS

WATERMARK – Edward Burtynsky, Jennifer Baichwal, Nicholas de Pencier, Daniel Iron

BEST SHORT DOCUMENTARY / MEILLEUR COURT MÉTRAGE DOCUMENTAIRE (Sponsor / Commanditaire | Hot Docs)

CHI – Anne Wheeler, Yves J. Ma, Tracey Friesen

BEST LIVE ACTION SHORT DRAMA / MEILLEUR COURT MÉTRAGE DRAMATIQUE

NOAH – Patrick Cederberg, Walter Woodman

BEST ANIMATED SHORT / MEILLEUR COURT MÉTRAGE D'ANIMATION

SUBCONSCIOUS PASSWORD – Chris Landreth, Marcy Page, Mark Smith

Lifetime Achievement Award - For Exceptional Contribution to the Canadian Film & Television Industry: DAVID CRONENBERG

Earle Grey Award – For Acting: COLM FEORE

Claude Jutra Award: Emanuel Hoss-Desmarais, Whitewash

Golden Reel Award:  The Mortal Instruments: City of Bones


http://www.academy.ca/awards/


Sunday, March 9, 2014

"12 Years a Slave," "The Dirties" Lead Vancouver Critics Awards

The Vancouver Film Critics Association or Vancouver Film Critics Circle (VFCC) was apparently founded to represent Vancouver’s print, on-line, and broadcast media.  The group honors the best in Canadian and international filmmaking with the annual VFCC Awards.

In anticipation of the 2014 Canadian Screen Awards, here, is a look at the 2014 VFCC Award winners.

2014 Canadian Screen Awards (for the year in film 2013) – a complete list of winners follows:

INTERNATIONAL AWARDS:

BEST FILM
12 Years a Slave

BEST ACTOR
Oscar Isaac, Inside Llewyn Davis

BEST ACTRESS
Cate Blanchett, Blue Jasmine

BEST SUPPORTING ACTOR
Jared Leto, Dallas Buyers Club

BEST SUPPORTING ACTRESS
Jennifer Lawrence, American Hustle

BEST DIRECTOR
Alfonso Cuarón, Gravity

BEST SCREENPLAY
Joel and Ethan Coen, Inside Llewyn Davis

BEST FOREIGN FILM
The Hunt

BEST DOCUMENTARY
The Act of Killing

CANADIAN AWARDS:

BEST CANADIAN FILM
The Dirties

BEST ACTOR IN A CANADIAN FILM
Matt Johnson, The Dirties

BEST ACTRESS IN A CANADIAN FILM
Sophie Desmarais, Sarah Prefers to Run

BEST SUPPORTING ACTOR IN A CANADIAN FILM
Alexandre Landry, Gabrielle

BEST SUPPORTING ACTRESS IN A CANADIAN FILM
Lise Roy, Tom at the Farm

BEST DIRECTOR OF A CANADIAN FILM
Jeff Barnaby, Rhymes for Young Ghouls

BEST CANADIAN DOCUMENTARY
My Prairie Home

BEST FIRST FILM BY A CANADIAN DIRECTOR
The Dirties

BEST BRITISH COLUMBIA FILM
Down River

IAN CADDELL AWARD FOR ACHIEVEMENT
Al Sens

AWARD FOR ACHIEVEMENT
Corinne Lea

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2014 VFCC Award Nominations - Complete List

The Vancouver Film Critics Association or Vancouver Film Critics Circle (VFCC) was apparently founded to represent Vancouver’s print, on-line, and broadcast media.  The group honors the best in Canadian and international filmmaking with the annual VFCC Awards.

In anticipation of the 2014 Canadian Screen Awards, here, is a look at the 2014 VFCC Award nominations.  Steve McQueen’s 12 Years a Slave led all films in the 2014 VFCC Awards with six nominations in the Vancouver Film Critics Circle’s International category.

The Dirties, the story of two film geeks planning a high school shooting, received five VFCC nominations in the Canadian category, including “Best Canadian Film” and “Best First Film by a Canadian Director.”  Director-star Matt Johnson was also nominated for “Best Director of a Canadian Film” and “Best Actor in a Canadian Film.”

The Vancouver Film Critics Circle introduced a new award, “Best First Film by a Canadian Director.”

2014 VFCC Awards – International category (for the year in film 2013) – full list of nominees:

BEST FILM
12 Years a Slave
Gravity
Inside Llewyn Davis

BEST ACTOR
Chiwetel Ejiofor, 12 Years a Slave
Oscar Isaac, Inside Llewyn Davis
Matthew McConaughey, Dallas Buyers Club

BEST ACTRESS
Cate Blanchett, Blue Jasmine
Sandra Bullock, Gravity
Greta Gerwig, Frances Ha

BEST SUPPORTING ACTOR
Bradley Cooper, American Hustle
Michael Fassbender, 12 Years a Slave
Jared Leto, Dallas Buyers Club

BEST SUPPORTING ACTRESS
Jennifer Lawrence, American Hustle
Lupita Nyong’o, 12 Years a Slave
June Squibb, Nebraska

BEST DIRECTOR
Joel and Ethan Coen, Inside Llewyn Davis
Alfonso Cuaron, Gravity
Steve McQueen, 12 Years a Slave

BEST SCREENPLAY
Joel and Ethan Coen, Inside Llewyn Davis
Spike Jonze, Her
John Ridley, 12 Years a Slave

BEST FOREIGN LANGUAGE FILM
Blancanieves
Blue is the Warmest Colour
The Hunt

BEST DOCUMENTARY
The Act of Killing
Blackfish
West of Memphis

---------------------------------

2014 VFCC Awards – Canadian categories (for the year in film 2013) – full list of nominees:

BEST CANADIAN FILM
The Dirties
Gabrielle
Watermark

BEST ACTOR IN A CANADIAN FILM
Thomas Haden Church, Whitewash
Matt Johnson, The Dirties
Tom Scholte, The Dick Knost Show

BEST ACTRESS IN A CANADIAN FILM
Michelle Giroux, Blood Pressure
Tatiana Maslany, Picture Day
Sophie Desmarais, Sarah Prefers to Run

BEST SUPPORTING ACTOR IN A CANADIAN FILM
Marc Labreche, Whitewash
Alexandre Landry, Gabrielle
Owen Williams, The Dirties

BEST SUPPORTING ACTRESS IN A CANADIAN FILM
Romane Bohringer, Vic + Flo Saw a Bear
Lise Roy, Tom at the Farm
Gabrielle Rose, The Dick Knost Show

BEST DIRECTOR OF A CANADIAN FILM
Louise Archambault, Gabrielle
Jeff Barnaby, Rhymes for Young Ghouls
Matt Johnson, The Dirties

BEST CANADIAN DOCUMENTARY
My Prairie Home
Oil Sands Karaoke
Watermark

BEST BRITISH COLUMBIA FILM
Down River
Oil Sands Karaoke
When I Walk

BEST FIRST FILM BY A CANADIAN DIRECTOR
The Dirties
Rhymes for Young Ghouls
Sarah Prefers to Run

The Vancouver Film Critics Circle also announced that Canadian animation pioneer Al Sens is the winner of the 2014 Ian Caddell Award for Achievement.  Presented to a British Columbian who has made a significant contribution to the province’s film industry, this award is named in honour of the VFCC’s cofounder, Ian Caddel, who passed away in 2012.

A Vancouver native, the self-taught animator founded Al Sens Animation, the city’s first animation studio, in 1958. Since then, he has amassed an impressive body of inventive work (including 1965’s The See Hear Talk Think Dream and Act Film and 1978’s Canadian Vignettes: Logger), developed his trademark “spit technique,” and served as a mentor to generations of animators.

Sens, who had recently turned 80, was to presented with his award at the VFCC’s 14th annual awards ceremony on Tuesday, January 7, 2014.


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Thursday, March 6, 2014

Review: Asa Butterfield the Best Player in "Ender's Game"

TRASH IN MY EYE No. 10 (of 2014) by Leroy Douresseaux

Ender’s Game (2013)
Running time:  114 minutes (1 hour, 54 minutes)
MPAA – PG-13 for some violence, sci-fi action and thematic material
DIRECTOR:  Gavin Hood
WRITER:  Gavin Hood (based on the novel by Orson Scott Card)
PRODUCERS:  Orson Scott Card, Robert Chartoff, Lynn Hendee, Alex Kurtzman, Linda McDonough, Roberto Orci, Gigi Pritzker, and Ed Ulbrich
CINEMATOGRAHER: Donald A. McAlpine
EDITORS:  Lee Smith and Zach Staenberg
COMPOSER:  Steve Jablonsky

SCI-FI/DRAMA

Starring:  Asa Butterfield, Harrison Ford, Hailee Steinfeld, Abigail Breslin, Ben Kingsley, Viola Davis, Aramis Knight, Suraj Partha, Moises Arias, Khylin Rhambo, Jimmy “Jax” Pinchak, Nonso Anozie, and Conor Carroll

Ender’s Game is a 2013 science fiction and drama film from director Gavin Hood.  It is based on the 1985 award-winning novel, Ender’s Game, by Orson Scott Card.  Ender’s Game the film focuses on a boy who is recruited to lead the new fight against an alien race that nearly annihilated the human race in a previous invasion.

Ender’s Game opens in the year 2086.  An alien species called the Formics (or “Buggers”) have invaded Earth and only a legendary commander, Mazer Rackham, manages to stop the invasion, by great sacrifice.  The story jumps ahead 50 years.  Young cadet, Andrew “Ender” Wiggin (Asa Butterfield), has attracted the attention of Colonel Hyrum Graff (Harrison Ford) and Major Gwen Anderson (Viola Davis) from International Fleet, the organization that leads the fight against the Formics.

Graff and Anderson offer Ender a spot in Battle School, the place where he would be trained to lead the battle against the Formics.  Graff has the highest hopes for the boy.  However, the very things that makes him attractive:  his intelligence, ruthlessness, and empathy, may also cause him to fail.

Although I have been planning to do so for a long time, I have yet to read Ender’s Game the novel.  I think I even once had a two-volume edition of the novel and its sequel (Speaker for the Dead) that I bought from the Science Fiction Book Club.  From what I’ve read, much about the novel is left out of Gavin Hood’s film adaptation.

That may explain why Ender’s Game the film seems shallow and superficial.  It is an entertaining movie.  It even raises some issues that have real-world relevance:  child soldiers, war-mongering military institutions, lying governments, etc.  When it comes to military training and science fiction, the narrative simply offers the familiar.  It is as if the filmmakers did not want to offer the audience anything new for fear of making them avoid Ender’s Game.  As I watched this movie, I often thought, “There’s something missing here that I want to see.”

Another problem is that the film never really delves into the characters beyond Ender Wiggin.  The female characters fare the worst.  Ender’s female academy mate, Petra Arkanian (Hailee Steinfeld), and Ender’s sister, Valentine (Abigail Breslin), are wasted.  Because of her immense talent and skill, Viola Davis makes every moment that she is on screen as Major Anderson powerful.  The latter half of the movie sorely misses what Davis brings to the film.  By the way, Harrison Ford is not good here, or, to be put it nicely, is perhaps miscast as Graff.

Asa Butterfield is the champion here, creating Ender’s Game’s most powerful moments by making the rest of the cast rise to the level of his game.  I found that he glued my attention to this story.  There are several scenes in which he gives this movie an emotional charge when it really needs it.  There is depth and layers to his performance as Ender Wiggin.  Butterfield is the reason to see Ender’s Game.  He makes me want to see a sequel to this movie and to also follow his career.

6 of 10
B

Thursday, March 06, 2014


The text is copyright © 2014 Leroy Douresseaux. All Rights Reserved. Contact this site for syndication rights and fees.

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Tuesday, March 4, 2014

Review: "The Lone Ranger" is a Little Bit Stranger

TRASH IN MY EYE No. 9 (of 2014) by Leroy Douresseaux

The Lone Ranger (2013)
Running time:  149 minutes (2 hours, 29 minutes)
MPAA – PG-13 for sequences of intense action and violence, and some suggestive material
DIRECTOR:  Gore Verbinski
WRITERS:  Justine Haythe and Ted Elliot & Terry Rossio; from Justine Haythe and Ted Elliot and Terry Rossio
PRODUCERS:  Jerry Bruckheimer and Gore Verbinski
CINEMATOGRAPHER:  Bojan Bazelli
EDITORS:  James Haygood and Craig Wood
COMPOSER:  Hans Zimmer
Academy Award nominee

WESTERN/ACTION with elements of fantasy

Starring:  Johnny Depp, Armie Hammer, William Fichtner, Tom Wilkinson, Ruth Wilson, Helena Bonham Carter, James Badge Dale, Bryant Prince, Barry Pepper, Leon Rippy, Stephen Root, Terry Treadaway, Saginaw Grant, Joaquin Cosio, James Frain, Leonard Earl Howze, Grover Coulson, and Mason Cook.

For those who don’t know:  The Lone Ranger is a fictional character that first debuted in a radio show in late January 1933.  The Lone Ranger is a Texas Ranger who fights injustice in the American Old West with the assistance of Tonto, his Native American friend.

The radio show ran from 1933 to the mid-1950s for almost 3,000 episodes.  The character is probably best-remembered for the television series, The Lone Ranger, which aired for eight seasons (1949 to 1957) for over 200 episodes on the ABC television network.  Clayton Moore starred as the Lone Ranger, and Jay Silverheels played Tonto.  The character also made several appearance in film, the last being an infamous and unsuccessful 1981 movie.  Early in the Summer of 2013, the Lone Ranger and Tonto returned to the big screen.

The Lone Ranger is a 2013 action and Western film from producer-director Gore Verbinski and producer Jerry Bruckheimer.  Starring Johnny Depp and Armie Hammer, The Lone Ranger 2013 focuses on the earliest efforts of The Lone Ranger and Tonto to end corruption in and to bring justice to the American Old West.

[A NOTE:  Since the following review is a longish one, I’ll summarize it here.  I thoroughly enjoyed The Lone Ranger 2013, and had a blast watching it.  However, it is not a traditional Western movie, just as the Pirate of the Caribbean movies are not typical pirate movies.  The Lone Ranger is funny, but quirky.  If you look past its oddness and focus on the action, you might find it to be quite entertaining.]

The Lone Ranger opens in 1933 at a fair in San Francisco.  In a sideshow, a boy named Will (Mason Cook) just happens to meet an elderly Native American who claims to be Tonto (Johnny Depp).  Learning that Will idolizes the Lone Ranger, Tonto tells the boy the story of how he first met the legendary hero.

The story moves back to 1869.  Lawyer John Reid (Armie Hammer) returns to his hometown of Colby, Texas.  He finds the Transcontinental Railroad to be the focus of attention, but railroad tycoon, Latham Cole (Tom Wilkinson), is focused on the capture of outlaw, Butch Cavendish (William Fichtner).  John joins his brother, Texas Ranger Dan Reid (James Badge Dale), who leads the search for Cavendish and his gang.

John discovers that Native American Comanche warrior, Tonto (Johnny Depp), is also searching for Cavendish, whom the Indian believes is a creature he calls “windigo.”  Events leave John a “lone Ranger,” and he is forced join Tonto in an often-contentious but effective partnership.  But can the two new partners stop a conspiracy that is bigger and older than they may realize?

I think that the movie reviews which accompanied The Lone Ranger upon its initial theatrical release back in late June 2013 can be described as mostly negative to mixed.  I unequivocally like this movie, although I will admit that it has some flaws.  For instance, I have a question that has already been asked by other critics.  What is the target audience for The Lone Ranger?

The Lone Ranger 2013 is a Western.  It has several elements that can be found throughout the history of American Western films:  brothels, construction of a railroad, cowboys and Indians, lone lawman, outlaws, quests for redemption, revenge, and the shoot ‘em up.  However, this new Lone Ranger is nothing like The Lone Ranger television series, which was a traditional Hollywood Western aimed at a general audience and relied on stock elements that were familiar to viewers of all ages.

This movie is also a comedy and action flick as much as it is a Western, but it is not reverent about the things found in many Western movies and television programs from the 1930s to the 1950s.  The film has those big, reality-bending action scenes we have come to expect of Jerry Bruckheimer movies like the Pirates of the Caribbean franchise (which also stars Johnny Depp).  As a comedy, the film sometimes mocks elements and aspects associated with The Lone Ranger franchise.  Some of the dialogue and scenes in this movie have a single purpose – be funny.

The Lone Ranger 2013 is also surprisingly quirky.  It is kind of a “weird Western,” like the films, Jonah Hex and Wild Wild West (1999).  The movie has a strange mixture of imitation Native American mysticism and quasi-occultism, with a funky supernatural twist.  Much of that is tied to violence, cannibalism in particular.

I think that in order to enjoy this film, the viewer has to focus more on the basic plot, the characters, and the big action scenes and sequences and less on the setting (the post-Civil War “Old West”) and genre (the Western).  I didn’t mind that The Lone Ranger is an unusual Western film, and I certainly like the plot, characters, and action set pieces.

Also, Armie Hammer turned out to fit in this movie better than I thought he would.  Still, to me, it seems as if he can never make his character, John Reid/The Lone Ranger, escape the tremendous shadow cast by Johnny Depp’s Tonto.  Depp owns this movie, and that is a bigger problem for this movie than anything else.  It is more about Tonto than it is about The Lone Ranger.  In fact, whenever the story switched to other characters, I could feel myself chomping-at-the-bits for the movie to go back to Depp/Tonto.

I have to admit that I wish that we get a sequel to The Lone Ranger.  That is unlikely, as this movie is considered a box office disappointment and, to some, a flop.

7 of 10
B+

NOTES:
2014 Academy Awards, USA:  2 nominations:  ‘Best Achievement in Makeup and Hairstyling” (Joel Harlow and Gloria Pasqua Casny) and “Best Achievement in Visual Effects” (Tim Alexander, Gary Brozenich, Edson Williams, and John Frazier)

2014 Razzie Awards:  1 win: “Worst Remake, Rip-Off or Sequel;” 4 nominations: “Worst Picture,” “Worst Actor” (Johnny Depp), “Worst Director” (Gore Verbinski), and “Worst Screenplay” (Ted Elliott-screen story and screenplay, Justin Haythe-screen story and screenplay, and Terry Rossio-screen story and screenplay)

Tuesday, March 04, 2014


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2014 Razzie Awards - Complete Winners aka Losers List

by Amos Semien

The Golden Raspberry Award or, as it is best known, the Razzie Award, is basically the opposite of the Academy Awards (the Oscars).  This award honors the worst achievements in film in a calendar year, as determined by the paid membership of the Golden Raspberry Award Foundation.

And now… the haters.  The winners (or losers, if you will) of the 2014 Razzie Awards were announced Saturday, March 1, 2014, one day before the Academy Awards ceremony (or “Oscar eve”) – the traditional date for the Razzies.

After Earth and Movie 43 each won three awards.  Movie 43, an anthology comedy film, was named “Worst Picture” of 2013.  Grown Up 2, the Adam Sandler and pals film that was a sequel to an earlier Adam Sandler and pals film, had received nine nominations, but did not win any – apparently the biggest shutout in Razzie Award history.

2014 / 34th Annual Razzie Awards winners (for the year in film, 2013):

WORST PICTURE:
Movie 43 – Relativity Media

WORST ACTOR
Jaden Smith: After Earth

WORST ACTRESS
Tyler Perry: A Madea Christmas

WORST SUPPORTING ACTRESS
Kim Kardashian: Tyler Perry’s Temptation

WORST SUPPORTING ACTOR
Will Smith: After Earth

WORST DIRECTOR:
The 13 People Who Directed Movie 43 (Elizabeth Banks, Steven Brill, Steve Carr, Rusty Cundieff, James Duffy, Griffin Dunne, Peter Farrelly, Patrik Forsberg, Will Graham, James Gunn, Bob Odenkirk, Brett Ratner, and Jonathan van Tulleken)

WORST SCREEN COMBO
Jaden Smith & Will Smith on Planet Nepotism: After Earth

WORST SCREENPLAY
Movie 43: Written by 19 “Screenwriters” (Steve Baker, Ricky Blitt, Will Carlough, Tobias Carlson, Jacob Fleisher, Patrik Forsberg, Will Graham, James Gunn, Claes Kjellstrom, Jack Kukoda, Bob Odenkirk, Bill O'Malley, Matthew Alec Portenoy, Greg Pritikin, Rocky Russo, Olle Sarri, Elizabeth Wright Shapiro, Jeremy Sosenko, Jonathan van Tulleken and Jonas Wittenmark)

WORST REMAKE, RIP-OFF or SEQUEL
The Lone Ranger – Walt Disney Pictures

http://www.razzies.com/

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Monday, March 3, 2014

2014 - 86th Academy Awards - Complete Winners List

by Leroy Douresseaux

The 86th Academy Awards for outstanding film achievements of 2013 were presented on Sunday, March 2, 2014, at the Dolby Theatre™ at Hollywood & Highland Center®, and televised live on the ABC Television Network.  The Oscar presentation, produced by Craig Zadan and Neil Meron, and hosted by Ellen DeGeneres.

So I was wrong.  12 Years a Slave won the Oscar for “Best Motion Picture of the Year” (2013), one of three awards the film received, including a best supporting actress Oscar for Lupita Nyong’o.  Gravity won the most Oscars, winning in seven of the 10 categories in which it was nominated, including a best director Oscar for Alfonso Cuarón (who also shared the film editing Oscar).

2014 / 86th OSCAR winners (for the year in film 2013):

Best motion picture of the year:
“12 Years a Slave”
Brad Pitt, Dede Gardner, Jeremy Kleiner, Steve McQueen and Anthony Katagas, Producers

Achievement in directing:
“Gravity” Alfonso Cuarón

Performance by an actor in a leading role
Matthew McConaughey in “Dallas Buyers Club”

Performance by an actor in a supporting role
Jared Leto in “Dallas Buyers Club”

Performance by an actress in a leading role
Cate Blanchett in “Blue Jasmine”

Performance by an actress in a supporting role
Lupita Nyong’o in “12 Years a Slave”

Adapted screenplay
“12 Years a Slave” Screenplay by John Ridley

Original screenplay
“Her” Written by Spike Jonze

Best animated feature film of the year
“Frozen” Chris Buck, Jennifer Lee and Peter Del Vecho

Achievement in cinematography
“Gravity” Emmanuel Lubezki

Achievement in costume design
“The Great Gatsby” Catherine Martin

Best documentary feature
“20 Feet from Stardom” Morgan Neville, Gil Friesen and Caitrin Rogers

Best documentary short subject
“The Lady in Number 6: Music Saved My Life” Malcolm Clarke and Nicholas Reed

Achievement in film editing
“Gravity” Alfonso Cuarón and Mark Sanger

Best foreign language film of the year
“The Great Beauty” Italy

Achievement in makeup and hairstyling
“Dallas Buyers Club” Adruitha Lee and Robin Mathews

Achievement in music written for motion pictures (Original score)
“Gravity” Steven Price

Achievement in music written for motion pictures (Original song):
“Let It Go” from “Frozen”
Music and Lyric by Kristen Anderson-Lopez and Robert Lopez

Achievement in production design
“The Great Gatsby” Production Design: Catherine Martin; Set Decoration: Beverley Dunn

Best animated short film
“Mr. Hublot” Laurent Witz and Alexandre Espigares

Best live action short film
“Helium” Anders Walter and Kim Magnusson

Achievement in sound editing
“Gravity” Glenn Freemantle

Achievement in sound mixing
“Gravity” Skip Lievsay, Niv Adiri, Christopher Benstead and Chris Munro

Achievement in visual effects
“Gravity” Tim Webber, Chris Lawrence, Dave Shirk and Neil Corbould

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Sunday, March 2, 2014

"12 Years a Slave" Wins 2014 Oscar as "Best Picture of 2013"

Best motion picture of the year:

 “12 Years a Slave”
Brad Pitt, Dede Gardner, Jeremy Kleiner, Steve McQueen and Anthony Katagas, Producers WINNER

Nominees:

“American Hustle”
Charles Roven, Richard Suckle, Megan Ellison and Jonathan Gordon, Producers

“Captain Phillips”
Scott Rudin, Dana Brunetti and Michael De Luca, Producers

“Dallas Buyers Club”
Robbie Brenner and Rachel Winter, Producers

“Gravity”
Alfonso Cuarón and David Heyman, Producers

“Her”
Megan Ellison, Spike Jonze and Vincent Landay, Producers

“Nebraska”
Albert Berger and Ron Yerxa, Producers

“Philomena”
Gabrielle Tana, Steve Coogan and Tracey Seaward, Producers

“The Wolf of Wall Street”
Martin Scorsese, Leonardo DiCaprio, Joey McFarland and Emma Tillinger Koskoff, Producers


Matthew McConaughey Wins 2014 "Best Actor" Oscar

Performance by an actor in a leading role:

Matthew McConaughey in “Dallas Buyers Club” WINNER

Nominees:
Christian Bale in “American Hustle”
Bruce Dern in “Nebraska”
Leonardo DiCaprio in “The Wolf of Wall Street”
Chiwetel Ejiofor in “12 Years a Slave”



Cate Blanchett Wins 2014 "Best Actress" Oscar

Performance by an actress in a leading role:

 Cate Blanchett in “Blue Jasmine” WINNER

Nominees:
Amy Adams in “American Hustle”
Sandra Bullock in “Gravity”
Judi Dench in “Philomena”
Meryl Streep in “August: Osage County”

Alfonso Cuarón Wins 2014 "Best Directing" Oscar

Achievement in directing:

 “Gravity” Alfonso Cuarón WINNER

Nominees:
“American Hustle” David O. Russell
“Nebraska” Alexander Payne
“12 Years a Slave” Steve McQueen
“The Wolf of Wall Street” Martin Scorsese

"Her" Wins 2014 "Best Original Screenplay" Oscar

Original screenplay:

 “Her” Written by Spike Jonze WINNER

Nominees:
“American Hustle” Written by Eric Warren Singer and David O. Russell
“Blue Jasmine” Written by Woody Allen
“Dallas Buyers Club” Written by Craig Borten & Melisa Wallack
“Nebraska” Written by Bob Nelson

"12 Years a Slave" Wins 2014 "Best Adapted Screenplay" Oscar

Adapted screenplay:

 “12 Years a Slave” Screenplay by John Ridley WINNER

Nominees:
“Before Midnight” Written by Richard Linklater, Julie Delpy, Ethan Hawke
“Captain Phillips” Screenplay by Billy Ray
“Philomena” Screenplay by Steve Coogan and Jeff Pope
“The Wolf of Wall Street” Screenplay by Terence Winter

"Let It Go" from "Frozen" Wins 2014 "Best Song" Oscar

Achievement in music written for motion pictures (Original song):

 “Let It Go” from “Frozen”
Music and Lyric by Kristen Anderson-Lopez and Robert Lopez WINNER

Nominees:
“Happy” from “Despicable Me 2”
Music and Lyric by Pharrell Williams

“The Moon Song” from “Her”
Music by Karen O; Lyric by Karen O and Spike Jonze

“Ordinary Love” from “Mandela: Long Walk to Freedom”
Music by Paul Hewson, Dave Evans, Adam Clayton and Larry Mullen (also known as the rock band U2); Lyric by Paul Hewson (also known as Bono)

"Gravity" Wins 2014 "Best Score" Oscar

Achievement in music written for motion pictures (Original score):

“Gravity” Steven Price WINNER

Nominees:
“The Book Thief” John Williams
“Her” William Butler and Owen Pallett
“Philomena” Alexandre Desplat
“Saving Mr. Banks” Thomas Newman


"The Great Gatsby" Wins 2014 "Best Production Design" Oscar

Achievement in production design:

 “The Great Gatsby” Production Design: Catherine Martin; Set Decoration: Beverley Dunn WINNER

Nominees:
“American Hustle” Production Design: Judy Becker; Set Decoration: Heather Loeffler
“Gravity” Production Design: Andy Nicholson; Set Decoration: Rosie Goodwin and Joanne Woollard
“Her” Production Design: K.K. Barrett; Set Decoration: Gene Serdena
“12 Years a Slave” Production Design: Adam Stockhausen; Set Decoration: Alice Baker

"Gravity" Wins 2014 "Best Editing" Oscar

Achievement in film editing

“Gravity” Alfonso Cuarón and Mark Sanger WINNER

Nominees:
“American Hustle” Jay Cassidy, Crispin Struthers and Alan Baumgarten
“Captain Phillips” Christopher Rouse
“Dallas Buyers Club” John Mac McMurphy and Martin Pensa
“12 Years a Slave” Joe Walker