Showing posts with label Gavin Hood. Show all posts
Showing posts with label Gavin Hood. Show all posts

Saturday, March 8, 2014

Review: "Tsotsi" a Familiar Tale from Another Place

TRASH IN MY EYE No. 168 (of 2006) by Leroy Douresseaux

Tsotsi (2005)
COUNTRY OF ORIGIN:  South Africa and the U.K.; Languages:  Zulu, Afrikaans, and others
Running time:  95 minutes (1 hour, 35 minutes)
MPAA – R for language and some violent content
DIRECTOR:  Gavin Hood
WRITER:  Gavin Hood (based upon the novel by Athol Fugard)
PRODUCER:  Peter Fudakowski
CINEMATOGRAPHER:  Lance Gewer
EDITOR:  Megan Gill
COMPOSERS:  Paul Hepker and Mark Kilian
Academy Award winner

DRAMA

Starring:  Presley Chweneyagae, Terry Pheto, Kenneth Nkosi, Mothusi Magano, Zenzo Ngqobe, Zola, Rapulana Seiphemo, Nambitha Mpumlwana, Jerry Mofokeng, Ian Roberts, Percy Matsemela, and Thembi Nyandeni

The subject of this movie review is Tsotsi, a 2005 South African drama adapted for the screen and directed by Gavin Hood.  The film is based on the 1980 novel, Tsotsi, from author Athol Fugard.  “Tsotsi” is apparently a slang word in Johannesburg, South Africa that can be translated to mean “thug.”  Tsotsi the film follows six days in the violent life of a young Johannesburg gang leader.

Tsotsi (Presley Chweneyagae) is a ruthless hood living in an impoverished township in Johannesburg, South Africa, where he leads the trio of miscreants that make up his gang.  One night he shoots a woman (Nambitha Mpumlwana) in a well-to-do suburban neighborhood and drives off in her car, but he discovers that he isn’t alone.  The woman’s infant son is in the backseat, so he grudgingly takes the infant to his humble abode.  Through his efforts to care for the baby, Tsotsi (his nickname is urban slang that loosely translates to “thug”) rediscovers compassion, self-respect, and the capacity to love, but he still struggles with his old ways.

Tsotsi won the 2006 Oscar for “Best Foreign Language Film of the Year” as a representative of South Africa. The film is sturdy and earnest, and maybe a little too melodramatic in its too obvious determination to spend a yarn of moral redemption.  Still, the film is powerful and the emotions run deep and are raw, primarily because of the lead character’s hardened criminal life.  It’s kind of hard to be sympathetic towards Tsotsi because his decisions lead to the murder of an innocent man and the wounding of several others.

What makes Tsotsi rise above preachy, well-meaning social drama is that this is basically a familiar tale, but set in an unfamiliar place with strange and exotic characters.  In that way, Tsotsi engages the viewer to discover a new way of looking at a familiar premise.  The performances are good, though not great.  Presley Chweneyagae, however, is a solid actor and carries the film like a veteran movie star.

7 of 10
B+

NOTES:
2006 Academy Awards, USA:  1 win: “Best Foreign Language Film of the Year” (South Africa)

2006 BAFTA Awards:  2 nominations:  “Best Film not in the English Language” (Gavin Hood and Peter Fudakowski) and the “Carl Foreman Award for Most Promising Newcomer” (Peter Fudakowski-producer)

2006 Golden Globes:  1 nomination for “Best Foreign Language Film” (South Africa)

2007 Image Awards:  1 nomination: “Outstanding Independent or Foreign Film”

Monday, August 07, 2006

Updated:  Thursday, March 06, 2014

The text is copyright © 2014 Leroy Douresseaux. All Rights Reserved. Contact this site for syndication rights and fees.

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Thursday, March 6, 2014

Review: Asa Butterfield the Best Player in "Ender's Game"

TRASH IN MY EYE No. 10 (of 2014) by Leroy Douresseaux

Ender’s Game (2013)
Running time:  114 minutes (1 hour, 54 minutes)
MPAA – PG-13 for some violence, sci-fi action and thematic material
DIRECTOR:  Gavin Hood
WRITER:  Gavin Hood (based on the novel by Orson Scott Card)
PRODUCERS:  Orson Scott Card, Robert Chartoff, Lynn Hendee, Alex Kurtzman, Linda McDonough, Roberto Orci, Gigi Pritzker, and Ed Ulbrich
CINEMATOGRAHER: Donald A. McAlpine
EDITORS:  Lee Smith and Zach Staenberg
COMPOSER:  Steve Jablonsky

SCI-FI/DRAMA

Starring:  Asa Butterfield, Harrison Ford, Hailee Steinfeld, Abigail Breslin, Ben Kingsley, Viola Davis, Aramis Knight, Suraj Partha, Moises Arias, Khylin Rhambo, Jimmy “Jax” Pinchak, Nonso Anozie, and Conor Carroll

Ender’s Game is a 2013 science fiction and drama film from director Gavin Hood.  It is based on the 1985 award-winning novel, Ender’s Game, by Orson Scott Card.  Ender’s Game the film focuses on a boy who is recruited to lead the new fight against an alien race that nearly annihilated the human race in a previous invasion.

Ender’s Game opens in the year 2086.  An alien species called the Formics (or “Buggers”) have invaded Earth and only a legendary commander, Mazer Rackham, manages to stop the invasion, by great sacrifice.  The story jumps ahead 50 years.  Young cadet, Andrew “Ender” Wiggin (Asa Butterfield), has attracted the attention of Colonel Hyrum Graff (Harrison Ford) and Major Gwen Anderson (Viola Davis) from International Fleet, the organization that leads the fight against the Formics.

Graff and Anderson offer Ender a spot in Battle School, the place where he would be trained to lead the battle against the Formics.  Graff has the highest hopes for the boy.  However, the very things that makes him attractive:  his intelligence, ruthlessness, and empathy, may also cause him to fail.

Although I have been planning to do so for a long time, I have yet to read Ender’s Game the novel.  I think I even once had a two-volume edition of the novel and its sequel (Speaker for the Dead) that I bought from the Science Fiction Book Club.  From what I’ve read, much about the novel is left out of Gavin Hood’s film adaptation.

That may explain why Ender’s Game the film seems shallow and superficial.  It is an entertaining movie.  It even raises some issues that have real-world relevance:  child soldiers, war-mongering military institutions, lying governments, etc.  When it comes to military training and science fiction, the narrative simply offers the familiar.  It is as if the filmmakers did not want to offer the audience anything new for fear of making them avoid Ender’s Game.  As I watched this movie, I often thought, “There’s something missing here that I want to see.”

Another problem is that the film never really delves into the characters beyond Ender Wiggin.  The female characters fare the worst.  Ender’s female academy mate, Petra Arkanian (Hailee Steinfeld), and Ender’s sister, Valentine (Abigail Breslin), are wasted.  Because of her immense talent and skill, Viola Davis makes every moment that she is on screen as Major Anderson powerful.  The latter half of the movie sorely misses what Davis brings to the film.  By the way, Harrison Ford is not good here, or, to be put it nicely, is perhaps miscast as Graff.

Asa Butterfield is the champion here, creating Ender’s Game’s most powerful moments by making the rest of the cast rise to the level of his game.  I found that he glued my attention to this story.  There are several scenes in which he gives this movie an emotional charge when it really needs it.  There is depth and layers to his performance as Ender Wiggin.  Butterfield is the reason to see Ender’s Game.  He makes me want to see a sequel to this movie and to also follow his career.

6 of 10
B

Thursday, March 06, 2014


The text is copyright © 2014 Leroy Douresseaux. All Rights Reserved. Contact this site for syndication rights and fees.

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Friday, March 12, 2010

X-Men Origins: Wolverine a Solid Superhero Flick


TRASH IN MY EYE No. 12 (of 2010) by Leroy Douresseaux


X-Men Origins: Wolverine (2009)
Running time: 107 minutes (1 hour, 47 minutes)
MPAA – PG-13 for intense sequences of action and violence, and some partial nudity
DIRECTOR: Gavin Hood
WRITERS: David Benioff and Skip Woods
PRODUCERS: Hugh Jackman, John Palermo, Lauren Shuler Donner, and Ralph Winter
CINEMATOGRAHER: Donald A. McAlpine (D.o.P.)
EDITOR: Nicolas De Toth and Megan Gill

SUPERHERO

Starring: Hugh Jackman, Liev Schreiber, Danny Huston, will.i.am, Lynn Collins, Kevin Durand, Dominic Monaghan, Taylor Kitsch, Daniel Henney, and Ryan Reynolds

The fourth film in the X-Men franchise is X-Men Origins: Wolverine, a film that delves into the history of Wolverine, the Canadian-born mutant with the super healing factor and those awesome metal (adamantium) claws. As he did in the X-Men trilogy, Hugh Jackman portrays Logan a.k.a. Wolverine.

Telling the story of Wolverine’s violent and romantic past, X-Men Origins: Wolverine opens in 1845 in the wilds of Canada. A boy named James experiences the activation of his mutant powers and ends up on the run with his older half-brother. James (Hugh Jackman) and his brother, Victor Creed (Live Schreiber), spend the next century as soldiers in the American army, fighting in the Civil War, both World Wars, and the Vietnam War.

Eventually imprisoned, the brothers enter the custody of Major William Stryker (Danny Huston), who offers them a membership in Team X. This is a military black operations unit comprised of mutants, including the mercenary Wade Wilson (Ryan Reynolds) and a teleporter named John Wraith (will.i.am). James eventually leaves Team X and moves back to Canada, where he assumes the identity, Logan. He and his girlfriend, Kayla Silverfox (Lynn Collins), live in peace until Stryker and Victor, separately, find them. Two things happen. Logan is suddenly plunged into a diabolical conspiracy to create the ultimate mutant weapon, and Wolverine is born.

In terms of quality, X-Men Origins: Wolverine is almost, but not quite as good as the original X-Men film (2000), and it is better than X-Men: The Last Stand. X-Men Origins: Wolverine’s character drama – relationships, personal history, conflicts – is not as good as in the first X-Men film, and some of it, such as the origin story at the beginning of this movie, is awkward and poorly done. Some of it, like Wolverine’s brief time with an elderly couple is very good and should have had more screen time or at least replaced some of this film’s other “quiet,” character moments.

The actions scenes are… well, let me just come out and say that I thought they were kick ass. They are by no means perfect, and some of the CGI is a little too obvious. However, the action scenes and fights were so good that they made everything about this film which seemed mediocre leave my mind. The action made me ready for a sequel.

One thing that did surprise me about this film was the acting. It’s good across the board – from the top line stars (Jackman, Schreiber) to the smaller players (Dominic Monaghan as Chris Bradley). Jackman is a good actor, and his performances going back to the original X-Men film are what turned a wildly popular comic book character named Wolverine into a bankable action movie character.

It seems as if it is easy to forget how good an actor Liev Schreiber is, but he reminds us with his Victor Creed. In Schreiber’s hands, Creed is deliciously evil, a rare superb performance as a villain in a superhero movie, and Schreiber will make you miss him every time Creed leaves the story.

X-Men Origins: Wolverine takes the generic explosions, motorcycle stunts, and screaming blood feuds of the action movie and makes them cool and compelling the way a summer popcorn movie should make them. It may have its problems, but what X-Men Origins: Wolverine does, it does well enough to earn our attention.

6 of 10
B

Friday, March 12, 2010