Friday, February 15, 2013

Review: "Live Free or Die Hard" - I Really Liked It, Didn't I?

TRASH IN MY EYE No. 102 (of 2007) by Leroy Douresseaux


Live Free or Die Hard (2007)
Running time: 130 minutes (2 hours, 10 minutes)
MPAA – PG-13 for intense sequences of violence and action, language, and a brief sexual situation
DIRECTOR: Len Wiseman
WRITERS: Mark Bomback; from a story by Bomback and David Marconi (based upon the article “A Farewell to Arms” by John Carlin and certain original characters by Roderick Thorp)
PRODUCERS: Michael Fottrell, John McTiernan, Arnold Rifkin, and Bruce Willis
CINEMATOGRAPHER: Simon Duggan (D.o.P.)
EDITOR: Nicolas de Toth
COMPOSER: Marco Beltrami

ACTION/THRILLER/SCI-FI

Starring: Bruce Willis, Timothy Olyphant, Justin Long, Mary Elizabeth Winstead, Maggie Q, Cliff Curtis, Jonathan Sadowski, Andrew Friedman, Tim Russ, and Kevin Smith

The subject of this movie review is Live Free or Die Hard, the fourth film in the Die Hard movie franchise. Bruce Willis returns as John McClane, a character created by the late novelist, Roderick Thorp, for his 1979 novel, Nothing Lasts Forever.

According to pop culture magazine Entertainment Weekly, after watching Underworld: Evolution with his daughters, Bruce Willis knew that’d he found in Underworld franchise director, Len Wiseman, the man to helm the long in gestation fourth Die Hard film. Willis’ Die Hard character John McClane is perhaps the actor’s signature role, and in the new film, Live Free or Die Hard, Willis proves that he and McClane are great in these movies. Meanwhile, Wiseman doesn’t just make a good movie. He makes damn great movie.

On the July 4th holiday, a mysterious figure attacks the United States digital infrastructure, and he’s figured out every angle, except old school, tough guy cop, John McClane (Bruce Willis). When’s he’s asked to escort Matt Farrell (Justin Long), a talented young hacker, into FBI custody, New York Police Detective McClane thinks of it as just another pain-in-the-butt favor keeping him enjoying his time off. When heavily armed and highly-trained killers come gunning for Matt and literally obliterate the young man’s apartment with gunfire, McClane knows Matt is part of something really big. Soon, McClane is dragging Matt across Washington DC, simultaneously trying to save his life and hunt down the cyber-terrorist who has brought America to a standstill.

Live Free or Die Hard practically hits the ground running, giving the viewer very little time to take a deep breath before diving into this smorgasbord of chase scenes, gun fights, and hand-to-hand combat that is a buffet of international fighting techniques. Of course, this is pretty much the way Underworld: Evolution opened – throw gasoline on the fire and then, throw that in the viewer’s face. Wiseman, however, does stay true to Die Hard’s roots. This is the kind of macho, big budget, special effects laden action filmmaking that thrived from the late 1980’s and into the 90’s. The 1988 Die Hard helped to give birth not only to sequels but to films that relied on gargantuan sound and complicated stunts like Bad Boys, Con Air, Face/Off, The Long Kiss Goodnight, and The Rock among others.

Willis is so good here that I hope he not only gives us more Die Hard flicks, but I also hope that he makes more action films just like this. Here, he certainly satisfied even the die-hardest Die Hard fan, but he does this with a good supporting cast. Justin Long is the perfect tag-along as Matt Farrell, who is basically a hand-held device – giving macho, blue collar McClane the lay of the geek-techie land, and Long seems perfectly happy to play that part. Timothy Olyphant’s brilliant smart bad guy, Thomas Gabriel, is the perfect foil for Willis’ comin’-to-kick-your-ass hero. Mary Elizabeth Winstead hits the right note as Lucy McClane, the fruit of John McClane’s loins.

Live Free or Die Hard may not seem like a great work of film art, but when McClane uses a car to “kill” a helicopter, you know that this is more than just another action movie. When a fighter jet takes on an 18-wheeler with McClane behind the wheel, you know Live Free or Die Hard is extra-special, and that’s not even the climax.

9 of 10
A+

Sunday, July 08, 2007

Berry, Bullock, Kidman, and Witherspoon to Present at 2013 Oscars

Best Actress Oscar® Winners – Halle Berry, Sandra Bullock, Nicole Kidman And Reese Witherspoon – To Present

BEVERLY HILLS, CA – Academy Award® winners Halle Berry, Sandra Bullock, Nicole Kidman and Reese Witherspoon will present on the Oscar telecast, show producers Craig Zadan and Neil Meron announced today. All four have previously won the award for Best Actress.

Berry won the award for her performance in "Monster's Ball" (2001), Bullock for "The Blind Side" (2009), Kidman for "The Hours" (2002) and Witherspoon for "Walk the Line" (2005).

Berry, Bullock, Kidman and Witherspoon join a stellar list of previously announced Oscar presenters including Mark Wahlberg, Ted and "Marvel's The Avengers" cast members Robert Downey Jr., Samuel L. Jackson, Chris Evans, Jeremy Renner and Mark Ruffalo; returning 2011 Oscar winners Jean Dujardin, Christopher Plummer, Octavia Spencer and Meryl Streep; "Chicago" cast members Richard Gere, Queen Latifah, Renée Zellweger and Catherine Zeta-Jones; special guests Joseph Gordon-Levitt, Daniel Radcliffe, Channing Tatum and Charlize Theron; and performers Adele, Dame Shirley Bassey, Norah Jones and Barbra Streisand.

Oscars® for outstanding film achievements of 2012 will be presented on Oscar Sunday, February 24 at the Dolby Theatre™ at Hollywood & Highland Center®, and will be hosted by Seth MacFarlane live on the ABC Television Network. The Oscar presentation also will be televised live in more than 225 countries worldwide. For more information go to Oscar.com or download the official Oscars app.


ABOUT CRAIG ZADAN AND NEIL MERON
Craig Zadan and Neil Meron are producers of critically acclaimed and award-winning feature films, television movies, series, and Broadway productions. Their feature films include The Bucket List, Footloose, Hairspray, and Chicago, which won six Academy Awards including one for “Best Picture.” For television, they’ve produced films of “Steel Magnolias,” ”Life with Judy Garland,” and “A Raisin in the Sun,” among many others and the series “Smash” and “Drop Dead Diva.” They recently returned to their roots in live theater by producing Broadway revivals of the Tony-winning ”Promises, Promises” and the Tony-winning 50th Anniversary revival of “How to Succeed in Business Without Really Trying.”

Florida Film Critics Fly "Argo"

by Leroy Douresseaux

The Florida Film Critics Circle named Argo the "Best Picture of 2012," and its director, Ben Affleck, as the "Best Director."  Daniel Day-Lewis also received one of his many, many "Best Actor" awards.

The FFCC was founded in 1996 is comprised of writers from various state-based publications 

Complete list of 2012 winners:

Best Picture
"Argo"

Best Director
Ben Affleck, "Argo"

Best Actor
Daniel Day-Lewis, "Lincoln"

Best Actress
Jessica Chastain, "Zero Dark Thirty"

Best Supporting Actor
Philip Seymour Hoffman, "The Master"

Best Supporting Actress
Anne Hathaway, "Les Misérables"

Best Adapted Screenplay
"Argo"

Best Original Screenplay
"Looper"

Best Art Direction/Production Design
"Anna Karenina"

Best Cinematography
"Skyfall"

Best Visual Effects
"Life of Pi"

Best Animated Film
"Frankenweenie"

Best Foreign Language Film
"The Intouchables" (from France)

Best Documentary
"The Queen of Versailles"

Pauline Kael Breakout Award
Quvenzhané Wallis, "Beasts of the Southern Wild"

Thursday, February 14, 2013

Cast of "Marvel's The Avengers" Presents at 2013 Oscar Ceremony

"The Avengers Cast" – Robert Downey Jr., Chris Evans, Samuel L. Jackson, Jeremy Renner and Mark Ruffalo – to Present on Oscar® Show

BEVERLY HILLS, CA – “Marvel’s The Avengers” cast mates Robert Downey Jr., Chris Evans, Samuel L. Jackson, Jeremy Renner and Mark Ruffalo will present together on the Oscar stage, show producers Craig Zadan and Neil Meron announced today.

"We are happy to re-unite the ‘Avengers’ cast to present on our show," said Craig Zadan and Neil Meron. "Audiences who enjoyed the year's biggest box office hit will be excited to see these terrific actors back together again."

Downey has twice been nominated for an Oscar, for his leading role in “Chaplin” (1992) and for his supporting role in “Tropic Thunder” (2008).

Evans, who will be making his first Oscar show appearance, will be seen in the upcoming “The Iceman.”

Jackson was nominated in 1994 for his supporting role in “Pulp Fiction.” He can also be seen in this year’s Best Picture nominee “Django Unchained.”

Renner was nominated for his leading role in 2009 Best Picture winner “The Hurt Locker” and for his supporting role in “The Town” (2010). Renner had roles in this year’s “The Bourne Legacy” and “Mission: Impossible – Ghost Protocol” (2011).

Ruffalo received his first nomination for his supporting role in 2010 Best Picture nominee “The Kids Are All Right.”

Oscars® for outstanding film achievements of 2012 will be presented on Oscar Sunday, February 24, at the Dolby Theatre™ at Hollywood & Highland Center®, and will be hosted by Seth MacFarlane live on the ABC Television Network. The Oscar presentation also will be televised live in more than 225 countries worldwide.


ABOUT CRAIG ZADAN AND NEIL MERON
Craig Zadan and Neil Meron are producers of critically acclaimed and award-winning feature films, television movies, series, and Broadway productions. Their feature films include The Bucket List, Footloose, Hairspray, and Chicago, which won six Academy Awards including one for “Best Picture.” For television, they’ve produced films of “Steel Magnolias,” "Life with Judy Garland," and "A Raisin in the Sun," among many others and the series “Smash” and “Drop Dead Diva.” They recently returned to their roots in live theater by producing Broadway revivals of the Tony-winning “Promises, Promises” and the Tony-winning 50th Anniversary revival of “How to Succeed in Business Without Really Trying.”

Cast of Oscar-Winning "Chicago" Reunite at 2013 Oscars

Reunion Of "Chicago" Stars – Richard Gere, Queen Latifah, Renée Zellweger, And Catherine Zeta-Jones – To Present On 10th Anniversary Of The Film's Oscar® Win

Academy Award® winners Renée Zellweger and Catherine Zeta-Jones will join their "Chicago" cast mates Richard Gere and Queen Latifah to present together on-stage at the Oscars®, show producers Craig Zadan and Neil Meron announced today.

"We are very excited to reunite the stars of 'Chicago' to present on the Oscars, on the 10th anniversary of the movie's win for Best Picture," said Craig Zadan and Neil Meron.

Zellweger, Zeta-Jones and Queen Latifah received nominations for their performances in the film. Jones and Queen Latifah were nominated for their supporting roles, Jones took home the Oscar that year. Zellweger, who was nominated for her lead performance in the film, has been nominated three times, and won in 2003 for her supporting role in "Cold Mountain."

Gere, Queen Latifah, Zellweger and Zeta-Jones join a stellar list of previously announced Oscar presenters including Mark Wahlberg, Ted, and "The Avengers" cast members Robert Downey Jr., Samuel L. Jackson, Chris Evans, Jeremy Renner and Mark Ruffalo; returning 2011 Oscar winners Jean Dujardin, Christopher Plummer, Octavia Spencer and Meryl Streep; special guests Joseph Gordon-Levitt, Daniel Radcliffe, Channing Tatum and Charlize Theron; and performers Adele, Dame Shirley Bassey, Norah Jones and Barbra Streisand.

Oscars for outstanding film achievements of 2012 will be presented on Oscar Sunday, February 24, at the Dolby Theatre™ at Hollywood & Highland Center®, and will be hosted by Seth MacFarlane live on the ABC Television Network. The Oscar presentation also will be televised live in more than 225 countries worldwide.


ABOUT CRAIG ZADAN AND NEIL MERON
Craig Zadan and Neil Meron are producers of critically acclaimed and award-winning feature films, television movies, series, and Broadway productions. Their feature films include The Bucket List, Footloose, Hairspray, and Chicago, which won six Academy Awards including one for “Best Picture.” For television, they’ve produced films of “Steel Magnolias,” "Life with Judy Garland," and "A Raisin in the Sun," among many others and the series “Smash” and “Drop Dead Diva.” They recently returned to their roots in live theater by producing Broadway revivals of the Tony-winning “Promises, Promises” and the Tony-winning 50th Anniversary revival of “How to Succeed in Business Without Really Trying.”

Happy Valentine's Day 2013

Cause you readers are Negromancer's Valentines.

Wednesday, February 13, 2013

Review: "Vertigo" Gets Better With Each Viewing (Happy B'day, Kim Novak)



TRASH IN MY EYE No. 20 (of 2006) by Leroy Douresseaux

Vertigo (1958)
Running time: 129 minutes (2 hours, 9 minutes - 1996 restored version); MPAA – PG-13
DIRECTOR: Alfred Hitchcock
WRITERS: Alec Coppel and Samuel Taylor (based upon the novel, …d’Entre les Morts by Pierre Boileau and Thomas Narcejac)
CINEMATOGRAPHER: Robert Burks
EDITOR: George Tomasini
COMPOSER: Bernard Herrmann
Academy Award nominee

MYSTERY/DRAMA/ROMANCE/THRILLER

Starring: James Stewart, Kim Novak, Barbara Bel Geddes, Tom Helmore, Henry Jones, Raymond Bailey, Ellen Corby, and Konstantin Shayne

The subject of this movie review is Vertigo, a 1958 mystery and psychological thriller directed and produced by Alfred Hitchcock (who did not receive a screen credit as producer). The film underwent a major restoration in 1996, which was produced by James C. Katz. The film is based upon the 1954 crime novel …d’Entre les Morts by Boileau-Narcejac, the penname of French crime fiction writers, Pierre Boileau and Thomas Narcejac.

Alfred Hitchcock’s Vertigo was a box office failure at the time of its initial release, and it even received mixed critical reaction. Today, many consider the film to be Hitchcock’s masterpiece, with some going so far as to call it one of the greatest films of all time. It’s not just that the film is an unusual mixture of mystery, drama, and romance with an occasional light-hearted touch of the comic; it is also that the film is a taut suspense thriller and a doomed romance with a surprising twist.

Police Detective John “Scottie” Ferguson (James Stewart) has a crippling fear of heights (acrophobia) and it inadvertently costs a fellow officer his life during a police foot chase across the rooftops of San Francisco. His fear causes Scottie to retire, but an old friend, Gavin Elster (Tom Helmore), comes to Scottie with a unique problem that requires his skills. Elster believes that his pretty young wife, Madeleine (Kim Novak), is possessed by the tormented ghost of her grandmother. He convinces Scottie to tail Madeleine and make sure she doesn’t come to harm in her mentally shaky state, but Scottie slowly falls in love with Madeleine while tracking her daily movements. However, a tragic accident draws Scottie into a complex vortex of deceit, murder, and obsession, and Scottie’s mind can’t handle the strain of figuring out what’s really happened.

So much about this film amazes me. Bernard Herrmann’s mesmerizing score is one of the most beautiful examples of film music; it’s so haunting and so easily alters the mood when Hitchcock requires it. The handsome cinematography is almost too lavish for a noir-ish, mystery thriller like Vertigo, but it ably serves the long, lingering shots. Edith Head’s fabulous costumes, in particularly Kim Novak’s gowns, are both stylish and evocative – creating the dreamlike and ethereal qualities that add to Vertigo’s ambiance. The performances are good with James Stewart appearing unusually limp and impotent as a besieged detective/hero. Kim Novak swoons from coquette to working girl/devil girl with chameleonic ease.

As usual, however, the star is Hitchcock the director. Despair has rarely been so beautiful and love so rarely a gorgeously concocted labyrinth of tricks. He lays it all before us, a pulsating rhythm of surreal moments, fever dreams, and brilliant switches. Reality really isn’t what it seems, or maybe it is. Reality is more than just what passes in front of the eye. If you can’t figure that out, your mind will go falling through a vortex. Vertigo is Hitchcock’s supremely clever spin on the mystery film – all the way to the haunting final shot.

9 of 10
A+

NOTES:
1959 Academy Awards: 2 nominations: “Best Art Direction-Set Decoration, Black-and-White or Color” (Hal Pereira, Henry Bumstead, Sam Comer, and Frank R. McKelvy) and “Best Sound” (George Dutton-Paramount SSD)

1989 National Film Preservation Board: National Film Registry

Friday, January 27, 2006