Review: "WEAPONS" is a Brilliant, Crazy-Ass Movie

TRASH IN MY EYE No. 39 of 2025 (No. 2045) by Leroy Douresseaux

Weapons (2025)

Running time:  128 minutes (2 hour, 8 minutes)

Rating: MPA – R for strong bloody violence and grisly images, language throughout, some sexual content and drug use

WRITER/DIRECTOR:  Zach Cregger

PRODUCERS:  Zach Cregger, Roy Lee, J.D. Lifshitz, Raphael Margules, and Miri Yoon

CINEMATOGRAPHER:  Larkin Seiple (D.o.P.)

EDITOR:  Joe Murphy

COMPOSERS:  Zach Cregger and Hays Holladay & Ray Holladay

HORROR/THRILLER/MYSTERY

Starring:  Julia Garner, Cary Christopher, Josh Brolin, Alden Ehrenreich, Benedict Wong, Austin Abrams, Amy Madigan, Whitmer Thomas, Callie Schuttera, June Diane Raphael, Toby Huss, Justin Long, and Scarlett Sher (narrator)

SUMMARY OF REVIEW:

Weapons is one of the best horror movies I have ever seen. Thrilling and chilling, it actually gets scarier and crazier the deeper we get into the story

It features a number of strong performances, led by Julia Garner, Cary Christopher, Josh Brolin, and Amy Madigan, which an unusual film story needs

Weapons has an exhilarating, cathartic ending for the ages. I get that some people did not like the ending, but I can't stop thinking about it or most of the rest of this film.

Weapons is a 2025 American horror thriller and mystery film from writer-director Zach Cregger.  The film focuses on a community mystery in which every child except one from the same elementary school class disappears on the same night at the same time.

Weapons is set in fictional McCarren County, which is the location of a terrible mystery centered at Maybrook Elementary School.  Seventeen of the 18 children in the fifth grade class of Justine Gandy (Julia Garner) all disappeared one Wednesday morning at 2:17 am.  All 17 children ran from their homes into the darkness of the early morning.

One month later, not one of the children has been found.  The community and the parents – led Archer Graff (Josh Brolin), one of the parents of the missing children – are blaming Justine for the disappearances.  Justine believes that Alex Lilly (Cary Christopher), the child from her class who did not disappear, may know something.  The key to unraveling the mystery of the disappearances is something people don't discover.  It's something they stumble onto... if they don't end up dead first.

Like writer-director Zach Cregger's second feature film and breakthrough movie, Barbarian (2022), Weapons is presented as a nonlinear narrative.  What Cregger's screenplays for Barbarian and Weapons do well is to give each major character his or her own chapter within the films.  Both films are like anthologies or short story collections that eventually reunite the surviving characters for a hellified final act, and Weapons' final act is a helluva thing.  For me, Weapons may the most cathartic ending since Quentin Tarantino's Once Upon a Time... in Hollywood (2019).

As much as I want to praise Cregger, I also have to throw it up to his film editor, Joe Murphy, for his contributions to the wicked flow of this film's narrative.  This review would be remiss if I did not shout out Cregger's cinematographer, Larkin Seiple, for this film's haunting atmosphere and for the way Seiple makes the night in Weapons seem like another character in the film.

Julia Garner, Cary Christopher, Josh Brolin, Alden Ehrenreich, Benedict Austin Abrams, and Amy Madigan give stellar performances.  Julia Garner brings steadiness to the craziness and weirdness of Weapons, continuing her stellar 2025 after performances in Wolf Man (2025) and in The Fantastic Four: First Steps (2025).

By now, many people know the secrets and lies of Weapons, but still, I am loathe to spoil things.  I think Weapons is one of the greatest horror films that I have ever seen, and it has given me Weapons-themed nightmares.  It is a crazy-ass work of film-storytelling brilliance.  I could not believe what I was seeing in this film's last act, but Weapons has me laughing and cheering, even as it is chilling me.

10 of 10

Saturday, November 8, 2025

The text is copyright © 2025 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for syndication rights and fees.

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Review: Shocking and Astonishing "BARBARIAN" Screams "Get Out!"

TRASH IN MY EYE No. 34 of 2025 (No. 2040) by Leroy Douresseaux

Barbarian (2022)

Running time:  102 minutes (1 hour, 42 minutes)

Rating: MPA – R for some strong violence and gore, disturbing material, language throughout and nudity

WRITER/DIRECTOR:  Zach Cregger

PRODUCERS:  Roy Lee, J.D. Lifshitz, Raphael Margules, and Arnon Milchan

CINEMATOGRAPHER:  Zach Kuperstein (D.o.P.)

EDITOR:  Joe Murphy

COMPOSER:  Anna Drubich

HORROR/THRILLER

Starring:  Georgina Campbell, Bill Skarsgard, Justin Long, Jaymes Butler, Matthew Patrick Davis, and Richard Brake

Barbarian is a 2022 American horror thriller film from writer-director Zach Cregger.  The film focuses on a woman who discovers that her Airbnb has not only been double-booked, but is also a house that has deep, dark secrets within it walls and foundation.

Barbarian introduces a young woman named Tess Marshall (Georgina Campbell).  She arrives at an Airbnb on 476 Barbary Street in a rough-looking neighborhood in Detroit.  It is the evening before a big job interview, and Tess is ready to relax in the home.  However, she finds the Airbnb has been double-booked and is already occupied by an odd young man named Keith M. Toshko (Bill Skarsgard).  Although, she is initially wary, Tess decides to take Keith up on his offer that they share the house, at least for the night while he sleeps on the couch.

Although she is unnerved by a peculiar incident during the night, Tess goes for her interview where her potential employer warns her about the neighborhood where she has the Airbnb.  Upon her return to 476 Barbary Street, a series of upsetting situations leads Tess deeper into the house where she discover the unbelievable – all the while not knowing that the house's supposed owner is heading her way.

I had planned on seeing Barbarian a long time ago, but had been putting it off.  Surprisingly, I pretty much ignored any articles about the film that I came across, and I don't really remember reading much about it on Twitter/X, which is where I often come across spoilers about films.  Thus, I am going to do you a similar favor, dear readers.  I will post a relatively short review about this film that will be scant on details.

Barbarian is the kind of film that benefits from a novel and unusual script, which is what writer-director Zach Cregger fashioned for this film.  However, what it really needs is strong directing, which it gets from Cregger, and also superb film editing, which the film definitely gets from editor Joe Murphy.  Barbarian also deals bluntly and cleverly with a familiar theme of horror films:  characters – especially female characters – not being more trusting of their intuition that something is wrong where they are and so they should “Get out!”

Barbarian also gets a number of fresh or unusual performances, especially from Georgina Campbell, who reminds me of recent Oscar-winner, Zoe Saldana (Emilia Perez).  Campbell is a star in the making, as far as I'm concerned, and I hope to see more of her.

I think Barbarian is a treat that moviegoers who are dedicated to films will certainly want to see.  It is pure shock cinema, one of those visionary horror films that arrive to ignore the status quo and to also wreck expectations of what a horror film should be.  This is just what Jordan Peele's Get Out (2017) did five years before Barbarian was released.  Barbarian actually holds onto a number of mysteries, things that don't quite add up or make sense in its story.  That's okay because Barbarian is meant to unsettle the viewer before, during, and after the experience of watching it.

9 of 10

A+

Tuesday, August 12, 2025

The text is copyright © 2025 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for syndication rights and fees.

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Review: "Live Free or Die Hard" - I Really Liked It, Didn't I?

TRASH IN MY EYE No. 102 (of 2007) by Leroy Douresseaux


Live Free or Die Hard (2007)
Running time: 130 minutes (2 hours, 10 minutes)
MPAA – PG-13 for intense sequences of violence and action, language, and a brief sexual situation
DIRECTOR: Len Wiseman
WRITERS: Mark Bomback; from a story by Bomback and David Marconi (based upon the article “A Farewell to Arms” by John Carlin and certain original characters by Roderick Thorp)
PRODUCERS: Michael Fottrell, John McTiernan, Arnold Rifkin, and Bruce Willis
CINEMATOGRAPHER: Simon Duggan (D.o.P.)
EDITOR: Nicolas de Toth
COMPOSER: Marco Beltrami

ACTION/THRILLER/SCI-FI

Starring: Bruce Willis, Timothy Olyphant, Justin Long, Mary Elizabeth Winstead, Maggie Q, Cliff Curtis, Jonathan Sadowski, Andrew Friedman, Tim Russ, and Kevin Smith

The subject of this movie review is Live Free or Die Hard, the fourth film in the Die Hard movie franchise. Bruce Willis returns as John McClane, a character created by the late novelist, Roderick Thorp, for his 1979 novel, Nothing Lasts Forever.

According to pop culture magazine Entertainment Weekly, after watching Underworld: Evolution with his daughters, Bruce Willis knew that’d he found in Underworld franchise director, Len Wiseman, the man to helm the long in gestation fourth Die Hard film. Willis’ Die Hard character John McClane is perhaps the actor’s signature role, and in the new film, Live Free or Die Hard, Willis proves that he and McClane are great in these movies. Meanwhile, Wiseman doesn’t just make a good movie. He makes damn great movie.

On the July 4th holiday, a mysterious figure attacks the United States digital infrastructure, and he’s figured out every angle, except old school, tough guy cop, John McClane (Bruce Willis). When’s he’s asked to escort Matt Farrell (Justin Long), a talented young hacker, into FBI custody, New York Police Detective McClane thinks of it as just another pain-in-the-butt favor keeping him enjoying his time off. When heavily armed and highly-trained killers come gunning for Matt and literally obliterate the young man’s apartment with gunfire, McClane knows Matt is part of something really big. Soon, McClane is dragging Matt across Washington DC, simultaneously trying to save his life and hunt down the cyber-terrorist who has brought America to a standstill.

Live Free or Die Hard practically hits the ground running, giving the viewer very little time to take a deep breath before diving into this smorgasbord of chase scenes, gun fights, and hand-to-hand combat that is a buffet of international fighting techniques. Of course, this is pretty much the way Underworld: Evolution opened – throw gasoline on the fire and then, throw that in the viewer’s face. Wiseman, however, does stay true to Die Hard’s roots. This is the kind of macho, big budget, special effects laden action filmmaking that thrived from the late 1980’s and into the 90’s. The 1988 Die Hard helped to give birth not only to sequels but to films that relied on gargantuan sound and complicated stunts like Bad Boys, Con Air, Face/Off, The Long Kiss Goodnight, and The Rock among others.

Willis is so good here that I hope he not only gives us more Die Hard flicks, but I also hope that he makes more action films just like this. Here, he certainly satisfied even the die-hardest Die Hard fan, but he does this with a good supporting cast. Justin Long is the perfect tag-along as Matt Farrell, who is basically a hand-held device – giving macho, blue collar McClane the lay of the geek-techie land, and Long seems perfectly happy to play that part. Timothy Olyphant’s brilliant smart bad guy, Thomas Gabriel, is the perfect foil for Willis’ comin’-to-kick-your-ass hero. Mary Elizabeth Winstead hits the right note as Lucy McClane, the fruit of John McClane’s loins.

Live Free or Die Hard may not seem like a great work of film art, but when McClane uses a car to “kill” a helicopter, you know that this is more than just another action movie. When a fighter jet takes on an 18-wheeler with McClane behind the wheel, you know Live Free or Die Hard is extra-special, and that’s not even the climax.

9 of 10
A+

Sunday, July 08, 2007

Review: "DodgeBall: A True Underdog Story" is Still Funny (Happy B'day, Ben Stiller)

TRASH IN MY EYE No. 100 (of 2004) by Leroy Douresseaux

DodgeBall: A True Underdog Story (2004)
Running time: 92 minutes (1 hour, 32 minutes)
MPAA – PG-13 for rude and sexual humor, and language
WRITER/DIRECTOR: Rawson Marshall Thurber
PRODUCERS: Stuart Cornfeld and Ben Stiller
CINEMATOGRAPHER: Jerzy Zielinski
EDITOR: Alan Baumgarten and Peter Teschner
COMPOSER: Theodore Shapiro

COMEDY/SPORTS with elements of romance

Starring: Vince Vaughn, Christine Taylor, Ben Stiller, Rip Torn, Justin Long, Stephen Root, Joel David Moore, Chris Williams, Alan Tudyk, Missi Pyle, Jamal E. Duff, Gary Cole, Jason Bateman, Al Kaplon, Curtis Armstrong, and Hank Azaria with (cameos) Lance Armstrong, Chuck Norris, and William Shatner

DodgeBall: A True Underdog Story is a 2004 sports comedy set in the world of competitive dodgeball. Ben Stiller is one of the film’s producers and is also one of the movie’s stars. DodgeBall follows an underdog dodgeball team and their rivalry with a powerhouse team from a big-budget gym.

A group of misfits band together and enter a dodgeball tournament in Las Vegas in order to save their cherished gym, Average Guy Gym. The gym owner, Peter La Fleur (Vince Vaughn), is not an ambitious guy, but he reluctantly joins his friends/customers to go after the $50,000 championship prize.

This prize money will save his gym from foreclosure, where upon it will end up in the hands of Global Gym and its owner, White Goodman (Ben Stiller). When Goodman learns that Peter’s friends will compete in the tournament and that Peter is also dating an attorney (Christine Taylor) he desires, Goodman assembles a killer team of hired muscle to compete in the Las Vegas tournament against Peter and his friends.

DodgeBall: A True Underdog Story is absolutely hilarious. It’s witty, sarcastic, lewd, crude, snarky, and unabashedly lowbrow, but ultimately it’s the kind of belly laugh comedy that doesn’t come around often enough. It’s not high art; it’s the love child of such films as Caddyshack and Revenge of the Nerds. Vince Vaughn, once destined to be a matinee idol, has turned out to be a funny comic actor who gets plenty of mileage out of dry wit and dead pan humor, and though he is warmer than he is hot in this film, he makes DodgeBall.

Anyone who can not take DodgeBall seriously and has the kind of sense of humor that finds a film like Dude, Where’s My Car? funny will like this.

6 of 10
B

NOTES:
2005 Razzie Awards: 1 nomination: “Worst Actor” (Ben Stiller)

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Review: "Drag Me to Hell" is Gross-Out Fun

TRASH IN MY EYE No. 5 (of 2009) by Leroy Douresseaux

Drag Me to Hell (2009)
Running time: 99 minutes (1 hour, 39 minutes)
MPAA – PG-13 for sequences of horror violence, terror, disturbing images, and language
DIRECTOR: Sam Raimi
WRITERS: Ivan Raimi and Sam Raimi
PRODUCERS: Grant Curtis and Sam Raimi
CINEMATOGRAPHER: Peter Deming
EDITOR: Bill Murawski

HORROR with elements of comedy and thriller

Starring: Alison Lohman, Justin Long, Lorna Raver, Dileep Rao, David Paymer, Adriana Barraza, Chelci Ross, Molly Cheek, and Reggie Lee

The Sam Raimi who directed The Evil Dead films has returned to his demonic spirits-gone-wild roots with the new film, Drag Me to Hell. Before he directed the Spider-Man films, Raimi unleashed ghoulish, comic horror movies that featured, among other things, preposterous scenes of mutilation and slapstick dismemberment, in flicks like Evil Dead II (1987) and Army of Darkness (1992). Drag Me to Hell is essentially from the same family as those scary movies. It’s like EC Comics on crack with a steroid chaser – and rated PG-13!

This film focuses on the soft-hearted Christine Brown (Alison Lohman), an ambitious L.A. loan officer for WilshirePacific Bank. Christine also has a charming boyfriend, Clay Dalton (Justin Long), who has recently become a philosophy professor, but all is not well. The winsome girl with a dazed look in her eyes is tired of being life’s punching bag. She knows that Clay’s mother doesn’t like her (although they’ve never met), and at work, a cheesy co-worker, Stu Rubin (Reggie Lee), is scheming to snatch a promotion from her. When the mysterious, one-eyed Mrs. Ganush (Lorna Raver) shows up at the bank and begs Christine for an extension on her home loan, Christine decides not to follow her instincts and give the old woman a break. Instead, Christine denies the extension in order to impress her boss, Mr. Jacks (David Paymer), and, in turn, get an edge in the battle for the promotion.

Christine’s fateful choice shames Mrs. Ganush and essentially dispossesses Ganush of her home. In retaliation, Ganush, a rotten-toothed old gypsy woman, places the powerful curse of the Black Lamia on Christine, which transforms the young woman’s life into a living hell. Almost immediately, the evil spirit starts to haunt and torment Christine, and her plight is misunderstood by her skeptical boyfriend. Christine seeks the aid of a seer, Rham Jas (Dileep Rao), in hopes that he can tell her what’s happening. What Christine learns is that after three days of tormenting her, the Lamia will drag her soul to hell to burn for eternity.

Perhaps, it is Allison Lohman loveable, huggable, girl-next-door quality that makes it easier for the viewer to sympathize with her and even want to take on her troubles. Maybe it’s Raimi’s ability to scare the hell out of his audience with cartoonish, ghoulish nightmares – or maybe both. Whatever the reasons are, Drag Me to Hell gets in your head. Raimi does that by creating a hellish carnival atmosphere: the kind where the ticket salesman is a hideous, curse-spewing crone; where the fun house is a level of hell; and where the cotton candy maker is a jack-in-the-box full of wormy devils. The film is also very old school; Raimi often creates the sense of creeping dread by using atmospherics like shifty shadows and sound effects. This film even features a favorite Raimi trademark – a demonic possession

Drag Me to Hell is also filled with wonderfully deranged sequences. The first physical altercation between Christine and Mrs. Ganush is film’s best confrontation, and it involves nothing but hands, feet, and teeth – nothing supernatural until the end of it. In fact, Mrs. Ganush is a great character, conceived to be a physically aggressive granny who is as delightfully vindictive as she is demonic and ghoulish.

You’ll laugh. You’ll scream. You may even laugh at your own gullibility, but Sam Raimi has returned to the wretched roots of his filmmaking – bugf*ck crazy horror movies. Drag Me to Hell isn’t perfect; there’s too much of a focus on Alison Lohman’s Christine to the detriment of the other quality characters (like Justin Long’s Clay and Dileep Rao’s Rham Jas, for instance). Still, its mixture of blood-curdling terror, gross-out horror, and inspired lunacy make Drag Me to Hell one of the most entertaining horror flicks in years.

7 of 10
A-

Sunday, June 21, 2009

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Review: High Quality Ensemble Leads "Galaxy Quest" (Happy B'day, Tim Allen)

TRASH IN MY EYE No. 118 (of 2006) by Leroy Douresseaux

Galaxy Quest (1999)
Running time: 102 minutes (1 hour, 42 minutes)
MPAA – PG for some action violence, mild language, and sensuality
DIRECTOR: Dean Parisot
WRITERS: David Howard and Robert Gordon; from a story by David Howard
PRODUCERS: Mark Johnson and Charles Newirth
CINEMATOGRAPHER: Jerzy Zielinski
EDITOR: Don Zimmerman

SCI-FI/COMEDY/ADVENTURE

Starring: Tim Allen, Sigourney Weaver, Alan Rickman, Tony Shalhoub, Sam Rockwell, Daryl Mitchell, Enrico Colantino, Robin Sachs, Patrick Breen, Missi Pyle, Jed Rees, and Justin Long

For a period of 4 years from the late 70’s to the early 80’s, on a sci-fi television series called “Galaxy Quest,” the starship, NSEA Protector, and its crew set off on thrilling and dangerous missions in outer space, until the show was cancelled. Twenty years after the series began, the five stars of the classic show: Jason Nesmith as Commander Peter Quincy Taggart (Tim Allen); Gwen DeMarco as Lt. Tawny Madison (Sigourney Weaver); Alexander Dane as Dr. Lazarus (Alan Rickman); Fred Kwan as Tech Sgt. Chen (Tony Shaloub); and Tommy Webber as Lt. Laredo (Daryl Mitchell) are still in costume, making appearances at various Galaxy Quest shows and sci-fi conventions, making speeches and signing autographs for their rabid and die-hard fans.

However, a new group of fans that are a bit too “far out,” appear at one of the conventions, but it turns out they really are aliens – the Thermians from the planet Thermia located in the Klatuu Nebula. The Thermians, who saw Galaxy Quest when the TV transmissions of the show traveled through space and reached their planet, believe that Galaxy Quest was a series of “historical documents,” of the real events. They shockingly believe that Galaxy Quest was about a real commander and his crew. They’ve built an exact replica of the Protector, but it is fully functional and operational. The Thermians whisk the crew off into space on an adventure to help them in their all-too-real war against the vile and deadly General Roth’h’ar Sarris (Robin Sachs). Now, the original crew plus Galaxy Quest TV show extra Guy Fleegman (Sam Rockwell) have to use their wits and their acting talents to save the Thermians and their own lives.

Galaxy Quest is simply an ode to the ultimate cult TV series, the original 1960’s “Star Trek.” This movie plays on the notion of the original Trek cast trying to escape the fame (or infamy) that came with being on the show, although the series’ enduring popularity made them famous and kept earning them money. Galaxy Quest’s hook is to ask the question, “What if the cast of such a show really had to be interstellar space adventurers taking on deadly galactic threats?” Ultimately, the film takes this novel idea and turns it into a superb, comic sci-fi film – one of the best sci-fi comedies ever to hit the screen. Anyone who has ever seen Star Trek will get the jokes and in-jokes because this film is so obviously a riff on everything that has to do with Star Trek, from the series itself to the Trek actors and the rabid Star Trek fan base, known as “Trekkies.”

I don’t know if someone who has never seen Star Trek will get this flick (“Galaxy Quest” was the title of an actual short lived Canadian TV series), but those who know Trek will love the gentle reminder of what made the series good and what makes it fun to be a fan. When Galaxy Quest seems to ask, “What if this were real?” we can feel that and can dream of how much fun it would be, and this winning and charming film captures that sense of fun.

8 of 10
A

Saturday, May 27, 2006

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