Review: Ridley Scott Delivers Another Great Film in "Black Hawk Down"

TRASH IN MY EYE No. 18 (of 2002) by Leroy Douresseaux

Black Hawk Down (2001)
Running time: 144 minutes (2 hours, 24 minutes)
MPAA – R for intense, realistic, graphic war violence, and for language
DIRECTOR: Ridley Scott
WRITER: Ken Nolan (based upon the book by Mark Bowden)
PRODUCERS: Jerry Bruckheimer and Ridley Scott
CINEMATOGRAPHER: Slawomir Idziak (director of photography)
EDITOR: Pietro Scalia
COMPOSER: Hans Zimmer
Academy Award winner

WAR/ACTION/DRAMA/THRILLER

Starring: Josh Hartnett, Ewan McGregor, Jason Isaacs, Tom Sizemore, William Fichtner, Eric Bana, Sam Shepard, Ewen Bremner, Tom Hardy, Ron Eldard, Charlie Hofheimer, Hugh Dancy, and Tom Guiry

On October 3, 1993, just over 100 American Delta units and Ranger infantrymen were dropped by helicopter into the city of Mogadishu, Somalia to abduct two of Somali warlord Mohamed Farrah Aidid’s lieutenants. Aidid had been stealing food provided by relief agencies for the Somalis; Somalia was suffering through a devastating famine, and images of the dead and dying filled the American television screens. By stealing the food, Aidid was using starvation to make his rivals submit to him.

The mission to capture his aides was only supposed to last an hour. However, a firefight between American military and Aidid’s forces led to the downing of two UH-60 Black Hawk helicopters, and that was the start of a prolonged and bloody fight. When the last American finally reached safety, the mission had lasted 15 hours. Nineteen Americans were killed and 73 wounded, and hundreds of Somalis were dead.

Directed by Ridley Scott (Blade Runner, Gladiator, Hannibal), Black Hawk Down focuses on the efforts of the Rangers and Delta forces to rescue the men of the downed helicopters. The story follows different groups of American servicemen. In two of the stories Staff Sgt. Matt Eversmann (Josh Hartnett) and his Rangers engage Aidid’s forces in prolonged street fighting, and Lt. Colonel Danny McKnight (Tom Sizemore) leads a group of rescuers that gets lost in the maze of Mogadishu’s streets, where Somali gunmen and snipers rain gunfire upon the Americans.

Black Hawk Down is some of the best work Scott has ever done. While it shares the intensity of Saving Private Ryan, in particularly the hair-raising reenactment of D-Day landings on Normandy beach, much of Black Hawk’s impact comes from its dramatic structure, which emphasizes character and story. In addition to Sgt. Eversmann and Lt. Colonel McKnight’s group, the film also follows the plight of the only survivor of the second downed Black Hawk, Chief Warrant Officer Durant (Ron Eldard), who was a prisoner of Aidid’s forces for a few weeks after The Battle of Mogadishu. Staff Sgt. Ed Yurek (Tom Guiry) leads his decimated Ranger group through gunfire to safety. Scott follows the beleaguered Americans, moving deftly from one group of servicemen to the other, keeping the intensity of the drama very high.

Though very violent and occasionally quite gory, Black Hawk Down is the story of these brave men and their struggle to not only survive, but to also rescue and to save the lives of their fellow soldiers. Beyond issues of patriotism and bravery is the strength of dedication and skill of these men. Scott’s war movie is a movie about the camaraderie of soldiers.

While Scott is at the top of his craft in this film, the acting is also of the highest quality. The cast is quite convincing in their roles as soldiers, and the Somali extras aren’t bad either. Tom Sizemore delivers his usually quality work in a supporting role, but the surprise here is Josh Hartnett. A pretty boy in the Tom Cruise tradition, Hartnett hit his stride in this performance. His concentration and intensity in delivering on his role as Sgt. Eversmann is fascinating to watch. If the film’s ideas and intentions must, in the final analysis, hang upon the shoulders of one soldier, Hartnett ably supports the story.

Black Hawk Down will rise above many other war films because it is something more – a war story, a soldier’s story, and a combatant’s story. One cannot help but be impressed by how the storytellers and the cast convince us that in the face of the greatest of dangers, these men will not stick to their credo “Leave no man behind,” be they dead or alive. Black Hawk Down is special.

8 of 10
A

NOTES:
2002 Academy Awards: 2 wins: “Best Editing” (Pietro Scalia) and “Best Sound” (Michael Minkler, Myron Nettinga, and Chris Munro); 2 nominations: “Best Cinematography” (Slawomir Idziak) and “Best Director” (Ridley Scott)

2002 BAFTA Awards: 3 nomination: “Best Cinematography” (Slawomir Idziak), “Best Editing” (Pietro Scalia), and “Best Sound” (Chris Munro, Per Hallberg, Michael Minkler, Myron Nettinga, and Karen M. Baker)

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OMG! Del Toro Out as Director of "The Hobbit"

This is breaking news this morning:

“In light of ongoing delays in the setting of a start date for filming “The Hobbit,” I am faced with the hardest decision of my life”, says Guillermo. “After nearly two years of living, breathing and designing a world as rich as Tolkien’s Middle Earth, I must, with great regret, take leave from helming these wonderful pictures. I remain grateful to Peter, Fran and Philippa Boyens, New Line and Warner Brothers and to all my crew in New Zealand. I’ve been privileged to work in one of the greatest countries on earth with some of the best people ever in our craft and my life will be forever changed. The blessings have been plenty, but the mounting pressures of conflicting schedules have overwhelmed the time slot originally allocated for the project. Both as a co-writer and as a director, I wlsh the production nothing but the very best of luck and I will be first in line to see the finished product. I remain an ally to it and its makers, present and future, and fully support a smooth transition to a new director”.

With that statement, Guillermo Del Toro is out as director of the two movies that will adapt JRR Tolkein's book, The Hobbit, for the big screen.  I first learned this news at the excellent Empire Online, but the story originated at The One Ring.net.

This seems to have something to do with the financial uncertainly of MGM, which has the distribution rights to any films based upon The Hobbit.  The studio is currently in the midst of an ownership battle, and not only has this affected The Hobbit, but also the fate of the 23rd James Bond movie.

This is disappointing news, and as much as I'd wanted to see Del Toro's vision of Middle-Earth, I'd actually prefer another Hellboy movie.

Review: "A Soldier's Story" Still Fantastic

TRASH IN MY EYE No. 41 (of 2006) by Leroy Douresseaux

A Soldier’s Story (1984)
Running time: 101 minutes (1 hour, 41 minutes)
DIRECTOR: Norman Jewison
WRITER: Charles Fuller (based upon his play, A Soldier’s Play)
PRODUCERS: Patrick J. Palmer, Ronald L. Schwary, and Norman Jewison
CINEMATOGRAPHER: Russell Boyd
EDITORS: Caroline Biggerstaff and Mark Warner
Academy Award nominee

DRAMA/MYSTERY

Starring: Howard Rollins, Jr., Adolph Caesar, Art Evans, David Allen Grier, David Harris, Dennis Lipscomb, Larry Riley, Robert Townsend, Denzel Washington, William Allen Young, Trey Wilson, and Patti LaBelle

In this gripping film that takes place near the end of World War II (1944), Captain Davenport (Howard Rollins, Jr.), a proud black army attorney, is sent to Fort Neal near Tynin, Louisiana to investigate the shooting death of Sergeant Waters (Adolph Caesar), who was murdered by unknown assailants near the black army base. Davenport’s interviews with the men under Sgt. Waters’ command reveal that he was a vicious man who despised Negroes who didn’t meet his exacting standards of speech, appearance, and duty. Although two bigoted white officers seem to be the lead and likely suspects, Davenport is sure that there is something going on behind the scenes that either he isn’t seeing or is being hidden from him. But what is it and who is hiding it?

When it was released back in late 1984, A Soldier’s Story received a lot of attention not only because of its large and mostly black cast, but also because the leads were also black actors (unlike The Cotton Club). The film featured the star turn by up and coming actors including Robert Townsend (who would go on to direct Hollywood Shuffle), David Alan Grier, a character actor best known for being on the early 90’s TV sketch comedy, “In Living Colour,” and also a young but not-so-raw Denzel Washington – two years from the role that would earn him his first Oscar nomination.

The film’s best roles belong to Howard Rollins, Jr. and Adolph Caesar (who were never on screen together), both of whom are now deceased. Rollins plays Captain Davenport with such gripping strength that he instantly commands the attention of the audience whenever he is on screen, even when he’s in the background. Rollins clearly understood that for Davenport to be a believable character in his particular situation, he would have to play Davenport as having a magnetic personality, an indomitable will, and a large amount of arrogance – if Davenport were to do his job while suffering the slings and arrows...

Caesar’s Sgt. Waters is a relentless force embodying the conflicting ideas of what a black man should be and how he should live in those particular times, a black America in an America on the verge of the Civil Rights movement. He wants black men to be proud, but he understands that a black man most live in a white world as an intelligent black man, although not as one who threatens white men. It’s this dichotomy of pride and deference that festers in Waters’ mind.

Charles Fuller adapted A Soldier’s Story from his Pulitzer Prize-winning play, A Soldier’s Play. As good as the performances are, it’s this incredible script that is simultaneously a fine mystery, an amazing depiction of history, and precise social commentary. Although director Norman Jewison directs this at times as if it were a TV movie, he understands the complex issues brought forward by Fuller’s writing. Jewison allows the script’s flashbacks to define the elements of the murder mystery: the victim, the suspects, and the context. Through Rollins’ performance as Capt. Davenport, Jewison doesn’t intrude as Fuller’s script brings everything together into the present while dealing with the conflicting notions of what it means to be a black man. It’s spellbinding movie stuff. So what does it mean to be a real black man? Who knows? But A Soldier’s Story, a remarkable film ably performed by a fine cast, gives us something to think about.

9 of 10
A+

NOTES:
1985 Academy Awards: 3 nominations: “Best Actor in a Supporting Role” (Adolph Caesar), “Best Picture” (Norman Jewison, Ronald L. Schwary, and Patrick J. Palmer), and “Best Writing, Screenplay Based on Material from Another Medium” (Charles Fuller)

1985 Golden Globes: 3 nominations: “Best Motion Picture – Drama,” “Best Performance by an Actor in a Supporting Role in a Motion Picture” (Adolph Caesar), and “Best Screenplay - Motion Picture” (Charles Fuller)

Monday, February 20, 2006

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On Dennis Hopper

The actor and director, Dennis Hopper, died earlier today after a short battle with prostate cancer.  Hopper is probably best remembered for the film, Easy Rider.  He starred in that film, directed it, and co-wrote the screenplay with co-star Peter Fonda and writer Terry Southern.  The trio earned an Oscar nomination for writing the screenplay.  Hopper would later earn a "Best Supporting Actor" Oscar nomination for his performance in the film, Hoosiers.

I will always have fond memories of Hopper because of Easy Rider, which I first saw over 20 years ago.  I love that film and heartily recommend it.

Dennis Lee Hopper, who was born in 1936, was 74-years-old.  This AP article via Yahoo provides a broad account of his life.

"It's Complicated" is Complicated

TRASH IN MY EYE No. 39 (of 2010) by Leroy Douresseaux


It’s Complicated (2009)
Running time: 120 minutes (2 hours)
MPAA – R for some drug content and sexuality
WRITER/DIRECTOR: Nancy Meyers
PRODUCERS: Nancy Meyers and Scott Rudin
CINEMATOGRAPHER: John Toll
EDITORS: Joe Hutshing and David Moritz
COMPOSERS: Heitor Pereira and Hans Zimmer

COMEDY/DRAMA/ROMANCE

Starring: Meryl Streep, Steve Martin, Alec Baldwin, John Krasinski, Lake Bell, Mary Kay Place, Rita Wilson, Alexandra Wentworth, Hunter Parrish, Zoe Kazan, Caitlin Fitzgerald, and Emjay Anthony

Whatever it may have seemed like in the commercials and trailers, It’s Complicated, a film from writer/director Nancy Meyers (Something’s Gotta Give), is not simply a bubbly comedy about a divorced woman having sex on the side with her ex-husband, while her new boyfriend is caught in the middle. This movie is a family melodrama, romantic comedy, relationship drama, soap opera… well, it actually is complicated.

A divorced mother of three grown children, Jane (Meryl Streep) doesn’t date much. Self-reliant, she focuses her attention on her thriving Santa Barbara bakery and restaurant. After a decade of divorce, Jane has an amicable relationship with her ex-husband, attorney Jake (Alec Baldwin), although Jane still feels uncomfortable in the presence of Jake’s hot young wife, Agness (Lake Bell). For her son’s college graduation in New York City, Jane finds herself staying at the same hotel as Jake, and an innocent meal with him ends with the two having sex.

Thus, begins an unimaginable affair between ex-wife and ex-husband that features frequent sexual encounters. Jake is cheating on Agness, and Jane is sort of cheating on Adam (Steve Martin), an architect hired to remodel Jane’s home. Adam is also healing from a divorce, and he is starting to fall in love with Jane. Jane finds herself forced to confront a number of issues, including if she really is in love with Jake, again.

Early on in It’s Complicated, in particularly the scenes that detail the beginning of Jane and Jake’s “affair,” the movie tries to come across as a bubbly romantic/screwball comedy. I say try because everything seems forced. Early in the movie, Meryl Streep, who hasn’t starred in many comedies, makes a vain attempt at playing the flighty heroine. Streep’s attempts at playing someone caught in comically awkward situations look ridiculous – all that laughing makes her sound like a horse. It is as if the only thing she can think to do with her character is laugh.

Alec Baldwin is usually next to Streep, also forcing it just as hard, doing his schtick. In this film, he just looks like a fat, middle-aged guy desperately trying to pass a reluctant turd. At this point, I have probably made It’s Complicated seem like an awful movie, but it really isn’t.

When the story leaves New York and returns to Santa Barbara, It’s Complicated seems to mature, leaving the silliness behind. The comic tone turns lighter, and the story gets serious about the implications of Jane and Jake’s affair. That is when Streep and Baldwin seem more like themselves, and the better parts of their talents show themselves. Suddenly, the NYC sequence seems like a bad dream, and the real story begins.

Once she makes the other major characters aware of the affair, Nancy Meyers really begins to play with the complications and story angles and situations such an almost taboo romance as depicted here offers. At that point, the audience can do more than just “Ooh” and “Ah” at the scandalous and embarrassing moments. They will feel engaged, because when Meyers really gets to the heart of this complicated matter, she forces the viewer to do more than just be a voyeur looking for easy chuckles. Meyers makes the viewer think: How do Jane and Jake get out of this? Should they do this? How does this affect everyone else? Whom should Jane choose?

It’s Complicated isn’t anyone’s best work – not Meyers, Streep, Baldwin, or even the passive Steve Martin. Still, it is good to see a thoughtful romantic comedy and love story in which the love interests are all over 50.

6 of 10
B

NOTES:
2010 BAFTA Awards: 1 nomination: “Best Supporting Actor” (Alec Baldwin)

2010 Golden Globes: 3 nominations: “Best Motion Picture - Musical or Comedy,” “Best Performance by an Actress in a Motion Picture - Musical or Comedy” (Meryl Streep), and “Best Screenplay - Motion Picture” (Nancy Meyers)

Saturday, May 29, 2010

On Gary Coleman (1968-2010)

Gary Coleman, the former child star, best known for the late 1970s and 1980s television series, Diff'rent Strokes, died Friday, May, 28, 2010.  This AP article via Yahoo is a good place for readers to go.

I felt sorry for Coleman, mainly because Hollywood ignored him after "Diff'rent Strokes," which surprised me.  I always thought he had a persona tailored may to entertain us on TV and in film for decades, but that never happened.  I must say that I was shocked to learn that "Diff'rent Strokes" ran for 8 seasons (7 on NBC and the last on ABC), from 1978 to 1986.  I thought that it had only lasted a few seasons.

Anyway, Coleman was 42 years old.

Pefect for Memorial Day Weekend: The Best Years of Our Lives

TRASH IN MY EYE No. 25 (of 2004) by Leroy Douresseaux


The Best Years of Our Lives (1946)
Running time: 172 minutes (2 hours, 52 minutes)
DIRECTOR: William Wyler
WRITER: Robert E. Sherwood (from the novel by MacKinlay Kantor)
PRODUCER: Samuel Goldwyn
CINEMATOGRAPHER: Gregg Toland
EDITOR: Daniel Mandell
Academy Award winner

DRAMA/ROMANCE

Starring: Myrna Loy, Fredric March, Dana Andrews, Teresa Wright, Virginia Mayo, Cathy O’Donnell, Hoagy Carmichael, Harold Russell, Gladys George, Roman Bohnen, Ray Collins, Minna Gombell, Walter Baldwin, and Steve Cochran

The Best Years of Our Lives is a quasi-epic film about three veterans who return from World War II to small-town America and discover that the war irreparably changed their lives and their families. The three vets didn’t know each other before the war, but they meet and become associates then friends, bonded by the horrors they experienced in overseas.

Al Stephenson (Fredric March) is an alcoholic who returns to his bank job and finds that adjusting to civilian life only fuels his addiction. Fred Derry (Dana Andrews) has trouble obtaining gainful employment. Homer Parrish (Harold Russell) is a Navy man who lost both his arms in an on-ship explosion while he was below deck. Adding to the melodrama, Fred’s wife’s Marie (Virginia Mayo) is a good-time gal, and she refuses to give up the loose and carefree life she had while Fred was at war. Bruised by Marie’s surface-only interest in him, Fred begins a fling or light affair with Al’s daughter, much to Al and his wife’s chagrin. Homer’s old girlfriend Wilma Cameron (Cathy O’Donnell) is still in love with him, but he won’t marry her because he thinks that she feels sorry for him, as he thinks all his family does. Thus, in a fit of pride, he won’t marry Wilma and does whatever he can to discourage the young woman.

The Best Years of Our Lives won several “best film of the year awards” awards including the “Best Picture” Oscar®, one of its seven Academy Award wins. Other Oscars® wins included Best Actor for Fredric March and Best Director for William Wyler (his second of three wins and his sixth of 12 nominations). For his role as the handicapped vet, Homer Parrish, Harold Russell won for Best Actor in a Supporting Role, and he was awarded an Honorary Oscar® for bringing hope to other veterans through his role. See, Russell’s handicap was real; he’d lost both his hands and lower arms when TNT exploded in his hands when he was training paratroopers while stationed in the United States. Ironically, the accident occurred on D-Day.

The film is nearly perfect, from direction to acting (except for a little histrionics and melodrama from some of the actresses). Wyler makes the drama palatable without making it overwrought; it’s a masterful job of subtly. The actors easily convey the veterans’ sense of confusion and sadness, as well as the misunderstandings that come from their readjustment to civilian life. The film is hard-hitting; it doesn’t flinch from stating quite bluntly how much the veterans sacrificed only to return to America and find that most people show no special consideration for them. The country won’t adjust to them or their physical and psychological wounds; the veterans have to adjust and make their own way. It’s because of the help of people who care that they make it, if the vets are willing to reach out and meet their concerned loved ones half the way.

The Best Years of Our Lives is a great American film – timeless in its portrayal of postwar civilian life. I heartily recommend it.

10 of 10

NOTES:
1947 Academy Awards: 7 wins: “Best Picture,” “Best Actor in a Leading Role” (Fredric March), “Best Actor in a Supporting Role” (Harold Russell), “Best Director” (William Wyler), “Best Film Editing” (Daniel Mandell), “Best Music, Scoring of a Dramatic or Comedy Picture” (Hugo Friedhofer), and “Best Writing, Screenplay” (Robert E. Sherwood); 1 nomination: “Best Sound, Recording” (Gordon Sawyer-Samuel Goldwyn SSD); 1 Honorary Award (Harold Russell for bringing hope and courage to his fellow veterans through his appearance in The Best Years of Our Lives)

1948 BAFTA Awards: 1 win: “Best Film from any Source”

1947 Golden Globes: 1 win: “Best Motion Picture – Drama” and 1 Special Award (Harold Russell for Best Non-Professional Acting)

1989 National Film Preservation Board, USA: National Film Registry