Warner Bros Announces "Something Borrowed"

Warner Bros. Pictures Press Release:

ALCON ENTERTAINMENT'S "SOMETHING BORROWED" BEGINS PRODUCTION IN NEW YORK

ROMANTIC COMEDY, BASED ON BEST-SELLING NOVEL, STARS GINNIFER GOODWIN, KATE HUDSON AND JOHN KRASINSKI

BURBANK, CA - May 26, 2010 - Production has begun in New York on Alcon Entertainment's romantic comedy "Something Borrowed," starring Ginnifer Goodwin ("He's Just Not That Into You," HBO's "Big Love"), Academy Award(R) nominee Kate Hudson ("Almost Famous," "Nine"), Colin Egglesfield (TV's "Melrose Place"), Steve Howey ("Bride Wars") and John Krasinski (TV's "The Office," "It's Complicated").

Rachel (Ginnifer Goodwin) is a talented attorney at a top New York law firm, a generous and loyal friend, and, unhappily, still single...as her engaged best friend Darcy (Kate Hudson) is constantly reminding her. But after one drink too many at her 30th birthday party, perpetual good girl Rachel unexpectedly ends up in bed with the guy she's had a crush on since law school, Dex (Colin Egglesfield)...who just happens to be Darcy's fiance. When Rachel and Darcy's lifelong friendship collides with true love, it leads to unexpected complications and potentially explosive romantic revelations.

Krasinski plays Ethan, who has been Rachel's constant confidante and sometimes conscience, and who has been harboring a secret of his own. Howey plays Marcus, an irrepressible womanizer, who can't keep his mind out of the gutter or his hands off any girl within reach.

"Something Borrowed" is being directed by Luke Greenfield ("The Girl Next Door"), from a screenplay written by Jennie Urman, Jennie Snyder and Jordan Roberts, adapted from the best-selling novel of the same name by Emily Giffin.

The film is being produced by Alcon Entertainment principals Broderick Johnson and Andrew Kosove, who just earned a Best Picture Oscar® nomination for "The Blind Side"; Molly Smith ("The Blind Side," "P.S. I Love You"); two-time Oscar®-winning actress Hilary Swank ("Million Dollar Baby," "Boys Don't Cry"); Pamela Schein Murphy ("Purple Violets"); and Aaron Lubin ("The Groomsmen"). Ellen H. Schwartz ("The Princess Diaries 2: Royal Engagement") is serving as executive producer.

Collaborating with Greenfield behind the scenes are director of photography Charles Minsky ("Valentine's Day"), production designer Jane Musky ("The Bounty Hunter"), editor John Axelrad ("Crazy Heart"), and costume designer Gary Jones ("Valentine's Day").

"Something Borrowed" is shooting entirely in New York, with locations in New York City, the Hamptons and on Long Island.

Slated for release in Summer 2011, "Something Borrowed" will be distributed by Warner Bros. Pictures, a Warner Bros. Entertainment Company.

Review: Nicholson, Keaton Sparkle in Excellent "Something's Gotta Give"

TRASH IN MY EYE No. 176 (of 2003) by Leroy Douresseaux

Something’s Gotta Give (2003)
Running time: 128 minutes (2 hours, 8 minutes)
MPAA – PG-13 for sexual content, brief nudity and strong language
WRITER/DIRECTOR: Nancy Meyers
PRODUCERS: Bruce A. Block and Nancy Meyers (uncredited)
CINEMATOGRAPHER: Michael Ballhaus (director of photography)
EDITOR: Joe Hutshing
COMPOSER: Hans Zimmer
Academy Award nominee

COMEDY/ROMANCE with elements of drama

Starring: Jack Nicholson, Diane Keaton, Amanda Peet, Keanu Reeves, Frances McDormand, Jon Favreau, and Paul Michael Glaser

In his new film, Something’s Gotta Give, Jack Nicholson plays Harry Langer, a 63 year-old New York City music executive with a taste for younger (than 30) women. He follows his latest trophy, Marin (Amanda Peet), to her mother’s East Hampton beach house, where he meets her 50-something mother, Erica Barry (Diane Keaton), who takes an immediate disliking to him. However, Harry’s world is turned upside down when he suffers a mild heart attack. When Marin goes back to the city, she leaves Harry at the beach house in the care of her mother and his doctor, Julian (Keanu Reeves). Soon Harry and Julian are competing with each other for Erica’s affections. For Harry, it’s a new stress in his life, as he’s never dated a woman Erica’s age, and Erica hasn’t loved in the decade since her divorce. Awkwardness and hijinks ensue as Jack’s film becomes Jack and Diane’s film.

Simply put, this is a fantastic film, and I enjoyed nearly every minute in; in fact, there are very few missteps in this film. Nancy Meyers, who directed the smash hit What Women Want, has proved herself to have a deft touch with romantic comedies made for the adult sensibilities. Her script is confident and exudes the assurance of a writer who knows exactly where she’s going. You can see the ending coming, but the trip there is a hoot. When it all wraps up, SGG will still surprise you with how it closes the curtain on this very nice love story amongst the senior set.

Jack Nicholson gives yet another of his great performances as an actor. This isn’t one of those times when “Jack’s being Jack.” He really tries to bring a character to life and yet still color it with the charm of his film personality. The surprise is a surprise that she’s a surprise – Diane Keaton. When it comes down to it, this is her film, and the character and situation are very similar to Woody Allen’s Annie Hall, which earned Keaton a Best Actress Oscar. She grabs Erica by the hair and gives it her all – funny, charming, witty, self-deprecating, smart, strong, vulnerable, and human.

Amanda Peet and Frances McDormand are very funny. Peet’s character is more or less just a vehicle to get the leads together, but Ms. Peet makes herself a strong presence in every scene in which she appears. The biggest pity is that Ms. McDormand could have made this film great; not only is she a fine actress, but her character is strong enough to steal scenes no matter who else is around. Each time she’s in the film, she leaves you wanting more. As for Keanu, he is what he is – a pretty face that tries hard, but fails half the time. It’s a good thing that his part is small; there’s no way he could have kept up with Nicholson and Ms. Keaton.

Something’s Gotta Give is a fine romantic comedy filled with love, loss, confusion, passion, and redemption. It’s about the surprises life, both painful and pleasurable, that life has. It’s a fun film for people with grown up minds.

8 of 10
A

NOTES:
2004 Academy Awards: 1 nomination: “Best Actress in a Leading Role” (Diane Keaton)

2001 Golden Globes: 2 nominations: “Best Performance by an Actress in a Motion Picture - Musical or Comedy” (Diane Keaton) and “Best Performance by an Actor in a Motion Picture - Musical or Comedy” (Jack Nicholson)

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"Just Another Day" Features Stars from "The Wire"

I learned from AOL Black Voices blog, "BV on Movies" about a recent film reuniting stars from The Wire.

Jamie Hector (who played the drug kingpin Marlo Stanfield) and Wood Harris (who played the drug kingpin Avon Barksdale), two actors who appeared on HBO's critically acclaimed series, The Wire, are reunited in Just Another Day, a Hip-Hop film coming to home video on July 20.


Just Another Day, which is directed by Peter Spirer, focuses on two men – one struggling at the top and the other struggling at the bottom of the volatile hip-hop scene. Their paths cross over the course of 24 hours.

Hector plays Young Eastie, a rapper who is willing to do anything to get his first record deal. Young Eastie hopes to get a deal through his hero, the legendary A-Maze (Harris), who believes that he is losing his own place at the top of the Hip-Hop industry. A-Maze will use anyone to stay on top, to hold onto his notoriety – even Young Eastie.

Rappers Trick Daddy, Lil Scrappy, Ja Rule and Petey Pablo also appear in the film.

Review: Emily Blunt Powers Tasty "Young Victoria"

TRASH IN MY EYE No. 38 (of 2010) by Leroy Douresseaux

The Young Victoria (2009)
COUNTRY OF ORIGIN: UK/USA
Running time: 105 minutes (1 hour, 45 minutes)
MPAA – PG for some mild sensuality, a scene of violence, and brief incidental language and smoking
DIRECTOR: Jean-Marc Vallée
WRITER: Julian Fellowes
PRODUCER: Sarah Ferguson, Tim Headington, Graham King, and Martin Scorsese
CINEMATOGRAPHER: Hagen Bogdanski (director of photography)
EDITOR: Jill Bilcock and Matt Garner
Academy Award winner

DRAMA/HISTORICAL/ROMANCE

Starring: Emily Blunt, Rupert Friend, Paul Bettany, Miranda Richardson, Jim Broadbent, Thomas Kretschmann, Mark Strong, Jesper Christensen, Harriet Walter, Jeanette Hain, Julian Glover, Michael Maloney, and Michiel Huisman

Some period dramas are classy affairs. They are pretty to look at because of the lush production values, from sumptuous costumes to lavish sets. They can also be quite boring. Then, there are period dramas like the Oscar-winning Dangerous Liaisons and Shakespeare in Love, which are beautiful and lavish productions. They are also highly entertaining. Seeing them is to understand why some critics and reviewers sometimes describe movies as “delicious.”

The Young Victoria is one of those tasty period dramas. This film boasts an impressive list of producers, including Martin Scorsese, Graham King, and Sarah, Duchess of York (among others). It is a romantic dramatization and partly fictional account of the events preceding and following the coronation of Queen Victoria.

The 18-year old British royal, Victoria (Emily Blunt), is destined to ascend to the throne because her three uncles, the sons of King George III, do not have any surviving legitimate children. As her uncle, King William IV (Jim Broadbent), nears death, people plot to control Victoria. Victoria’s mother, Duchess of Kent (Miranda Richardson), and her private secretary, Sir John Conroy (Mark Strong), bully Victoria to allow them to form a regency government, which would put them in control, but she resists.

Meanwhile, her uncle, King Leopold I of Belgium (Thomas Kretschmann), plots to influence the future queen by marrying her to one of his nephews, Prince Albert (Rupert Friend), who is also Victoria’s cousin. Albert is willing to court Victoria solely for political motives, but he soon finds himself falling for her. However, Victoria is determined to rule as her own woman, but a constitutional crisis forces her to reconsider her feelings for Albert.

When Emily Blunt delivered her acclaimed performance as “Emily Charlton,” the snide assistant to Miranda Priestly in The Devil Wears Prada, many thought she was a star in the making. Blunt, certainly a fine actress, delivers on that promise in The Young Victoria, and she depicts all sides of the young Queen with aplomb and skill. Blunt’s performance is rich, and she gives Victoria such depth, presenting the young royal as playful, petulantly, brave, grim, and even romantic as Victoria finds her heart ensnared by Prince Albert.

Director Jean-Marc Vallée relies on Blunt because it is her performance that sells the political intrigue. Although the romance between Victoria and Albert is nice, The Young Victoria is really about palace intrigue, political machinations, and the lust for power. Vallée deftly uses all the scheming offered by Julian Fellowes’ screenplay to transform what could have been a staid period drama into a rollicking costume drama. Laugh at the scandal; gasp at the political scheming, and cry at the romance and reconciliation.

Marked by good performances throughout – especially Paul Bettany as Lord Melbourne and Miranda Richardson as Duchess of Kent, The Young Victoria relies less on subtlety and more on power – the power of the darker side of human nature – lust and wanting after power and control. The Young Victoria reveals that royalty is just like rabble. Both will stab you in the back; the royals are just better dressed. Yes, being bad looks so good on film.

8 of 10
A

NOTES:
2010 Academy Awards: 1 win: “Best Achievement in Costume Design” (Sandy Powell); 2 wins: “Best Achievement in Art Direction” (Patrice Vermette-art director and Maggie Gray-set decorator) and “Best Achievement in Makeup” (John Henry Gordon and Jenny Shircore)

2010 BAFTA Awards: 2 win: “Best Costume Design” (Sandy Powell) and “Best Make Up & Hair” (Jenny Shircore)

2010 Golden Globes: 1 nomination: “Best Performance by an Actress in a Motion Picture – Drama” (Emily Blunt)

Wednesday, May 26, 2010

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Khalil Kain in Typer Perry's "For Colored Girls"

AOL Black Voices' "BV on Movies" blog has the following exclusive:  Khalil Kain is to appear in Tyler Perry's upcoming "For Colored Girls Who Have Considered Suicide When the Rainbow is Enuf."

Kain played "Raheem Porter," the murder victim shot by Tupac's "Rolland Bishop", in the 1992 film, Juice.  Kain was also a series regular on the late sitcom, Girlfriends.  According to the blog, Kain's character will be paired with a character played by Anika Noni Rose of Dreamgirls and Walt Disney's The Princess and the Frog.

Sofia Coppola's "Marie Antoinette" Pretty, Empty

TRASH IN MY EYE No. 39 (of 2007) by Leroy Douresseaux


Marie Antoinette (2006)
Running time: 123 minutes (2 hours, 3 minutes)
MPAA – PG-13 for sexual content, partial nudity, and innuendo
DIRECTOR: Sofia Coppola
WRITER: Sofia Coppola (based upon the book Maria Antoinette: The Journey by Antonia Fraser)
PRODUCERS: Ross Katz and Sophia Coppola
CINEMATOGRAPHER: Lance Acord, A.S.C. (director of photography)
EDITOR: Sarah Flack
2007 Academy Award nominee

DRAMA/HISTORICAL

Starring: Kirsten Dunst, Jason Schwartzman, Judy Davis, Rip Torn, Rose Byrne, Asia Argento, Molly Shannon, Shirley Henderson, Danny Huston, Jamie Dornan, Marianne Faithful, and Steve Coogan

In her film, Marie Antoinette, Sofia Coppola directs a stylized portrait of a naïve princess, who became Queen of France when she was 19 years old.

Austria, 1768: Austrian princess Marie Antoinette (Kirsten Dunst) becomes betrothed to the dauphin (heir) of the French crown, Louis XVI (Jason Schwartzman). At the age of 14, Marie is stripped of all her possessions and thrown into the opulent French court at Versailles (near Paris) where vicious gossip defines everyone. Marie is alone and mostly without guidance, and Louis remains distant even after marriage – even refusing to consummate their union. By 19, Marie is Queen.

Adrift in Versailles’ dangerous world of conspiracy and scandal, Marie dives into the decadent life of French aristocracy, living the lavish life of a young royal. She buys extravagant clothing and jewelry for herself and has hugely expensive tastes when it comes to decorating the estate. She even has an affair with an alluring Swede, Count Fersen (Jamie Dornan). Many, however, view Marie as out of touch with her subjects, and the youthful indiscretions and frivolity that are her only releases from the confining life as Queen also become her undoing.

Coppola, who won a screenplay Oscar for her film, Lost in Translation, focuses Marie Antoinette on the life of the super wealthy and aimless. Coppola’s stated goal was to capture life in 18th century Versailles from the point of view of a lonely foreigner, so the narrative follows Marie through a whirlwind of extravagant costumes, opulent surroundings, and luxurious foodstuffs. In fact, one might consider this movie to be a lavish soufflé of kaleidoscopic operas, revelries, and even a costume ball that looks like a 21st century bash. Watching the film, you might get hungry for this pastel-colored world where cookies, candies, and cakes, and other sweets are so abundant, even a chamber pot might hold a multi-tiered cake.

Don’t think of Marie Antoinette even as historical fiction. It has little or no historical or political weight; this is all about the look. Visual anachronisms (as well as the modern rock, new wave, alternative soundtrack) mark this as more Coppola’s personal cinematic vision (a colorful art project) than it does cinema as history or even docu-drama. To that end, Marie Antoinette sure is a beautiful film. The costumes (Oscar-nominated), art direction/set decoration, cinematography, and makeup are some of the most stunningly beautiful that I’ve ever seen on film. So while the acting (Kirsten Dunst is wooden, except for a moment here and there) and the story are dry, stiff, and sometimes missing in action, the setting is splendid eye candy. Two hours of pretty style and no substance, however, is just too much to bear.

5 of 10
B-

NOTES:
2007 Academy Awards: 1 win: “Best Achievement in Costume Design” (Milena Canonero)

2007 BAFTA Awards: 3 nominations: “Best Costume Design” (Milena Canonero), “Best Make Up & Hair” (Jean-Luc Russier and Desiree Corridoni), and “Best Production Design” (K.K. Barrett and Véronique Melery)

Wednesday, February 21, 2007

Janeane Garofalo Has One-Hour Special on EPIX

Janeane Garofalo: If You Will Takes EPIX Stage

Premieres Saturday, June 26 at 10:00 pm EDT

NEW YORK--(BUSINESS WIRE)--Janeane Garofalo brings her comedic observations to a one-hour special premiering Saturday, June 26 at 10:00 pm EDT on the multiplatform premium entertainment service, EPIX. Featuring Garofalo’s unique insights and hilarious riffs on life, culture and politics, the performance was filmed live in front of a sold-out audience at Seattle’s legendary Moore Theatre.

The television and film actress, known as much for her roles on 24 and The Truth About Cats and Dogs, as for her liberal politics on Air America Radio, is at home in her return to the comedic stage. The audience follows her every leap from the sheer perfection of Natalie Portman to her fantasy of a dog park just for firemen. And as always, some of the biggest laughs come when the comedic lens is focused inward, in her trademark self-deprecating style, in which she admits, “I cringe myself to sleep every night.”

“We’re thrilled that Janeane has chosen to do her first comedy special in over a decade with EPIX,” said EPIX President and CEO Mark Greenberg. “Janeane is a rebel with her own set of rules and that’s wildly appealing to our audience. She is the perfect fit for our growing brand of edgy, smart comedy. ”

Garofalo joins fellow comedians Lewis Black, Eddie Izzard and David Cross on a list of major artists creating original programming on EPIX.


About EPIX
EPIX, a joint venture between Viacom Inc. (NYSE: VIA and VIA.B), its Paramount Pictures unit, Metro-Goldwyn-Mayer Studios Inc. (MGM) and Lionsgate (NYSE: LGF), is a next-generation premium entertainment channel, video-on-demand and online service launched on October 30, 2009. With access to more than 15,000 motion pictures spanning the vast libraries of its partners and other studios, EPIX provides a powerful entertainment experience with more feature films on demand and online and more HD movies than any other service. It is the only premium service providing its entire monthly line-up of new Hollywood titles, classic feature films, original series, music and comedy specials through the linear channel, video-on-demand and online at EpixHD.com, the leading online destination for movies. EPIX has made the commitment to deliver the industry’s most expansive online collection of movies, making more than 3,000 titles available online to subscribers via its enhanced service, EPIX Megaplex, on www.EpixHD.com. The service is available to over 30 million homes nationwide through carriage agreements with Verizon FiOS, DISH Network, Cox Communications, Mediacom Communications, Charter Communications and NCTC.

For more information about EPIX, go to www.EpixHD.com.