Robin Williams Dead at 63 - Breaking... Update #10

Robin Williams, the stand-up comic, television actor, and acclaimed hit-making big screen actor, has died at the age of 63.  He was found in his home and apparently had been battling depression lately.

Williams was known for his comedic and dramatic turns in film - performing in films as diverse as Walt Disney's Aladdin and Mrs. Doubtfire to Awakenings and What Dreams My Come.  He received best actor Oscar nominations:  Good Morning, Vietnam, Dead Poets Society, and The Fisher King.  He won the best supporting actor Oscar for Good Will Hunting (1997).

Williams was a writer and performer on "The Richard Pryor Show" (1977).  His breakout role was as the alien "Mork" for four seasons on the ABC sitcom, "Mork & Mindy," for which he earned an Emmy nomination.

In addition to his Oscar, Williams won two Emmy Awards and several Golden Globe and Grammy Awards.

Williams is survived by a wife and three children.  Negromancer sends condolences to Mr. Williams' family and friends.  R.I.P. Robin Williams.

LINKS:

From YahooNews:  Matt Damon:  Ben and I owe everything to him (Robin Williams)...

From UPI:  PBS is broadcasting a Robin Williams tribute special.  Williams' "Mork & Mindy" costar, Pam Dawber, will guest star on that special.

From YahooNews:  Actress Mila Kunis shares advice Robin Williams gave her.

From The Washington Post via RSN:  Frenetic, Often Fearless

From YahooMovies:  Other "Genie" voice actor has a tribute to Williams.

From YahooGames:  Nintendo responds to petition to include Robin Williams tribute in Zelda game

From FOXNews:  "Mork and Mindy" star Pam Dawber, other celebs react to the news of Robin Williams' death

From Entertainment Weekly's InsideMovies:  Robin Williams: sober and battling Parkinson's, according to wife

From Today:  Michael J. Fox "stunned" to learn Robin Williams had Parkinson's

From Today:  Robin Williams was struggling with early Parkinson's, wife say.

From Variety:  Police: Robin Williams' Death Due to Hanging

From YahooFinance:  Robin Williams Set Up a 3-Part Trust Fund for His Kids Amid Money Troubles

From YahooSports:  Robin Williams was the first male Denver Broncos cheerleader

From YahooCelebrity:  The Children of Robin Williams Remember Dad

From InContention:  We might have Robin Williams to thank for Jessica Chastain.

From YahooTV:  Billy Crystal and Whoopi Goldberg give the most eloquent reaction to Robin Williams' death.

From Collider:  R.I.P. Robins Williams, Legendary Comic and Actor at 63

From Deadline:  Singular Talent Robin Williams Commits Suicide at Age 63

From EW InsideMovies:  Robin Williams Dead at 63

From The Hollywood Reporter via Yahoo: Robin Williams Died of Suspected Suicide

From Variety:  Robin Williams Found Dead in Possible Suicide

Robin Williams' Wikipedia page is here.
Robin Williams' IMDb page is here.

Full List of Stars Appearing at 2014 Oscar Ceremony Released

Stars Come Out to Celebrate On Oscar® Sunday

BEVERLY HILLS, CA – Oscar producers Craig Zadan and Neil Meron today announced the complete slate of stars who will present Oscars at the ceremony. The Oscars®, hosted by Ellen DeGeneres, will air on Oscar Sunday, March 2, live on ABC.

The presenters, including several past Oscar winners and nominees, will be:

Amy Adams
Kristen Bell
Jessica Biel
Jim Carrey
Glenn Close
Bradley Cooper
Penélope Cruz
Benedict Cumberbatch
Viola Davis
Daniel Day-Lewis
Robert De Niro
Zac Efron
Sally Field
Harrison Ford
Jamie Foxx
Andrew Garfield
Jennifer Garner
Whoopi Goldberg
Joseph Gordon-Levitt
Anne Hathaway
Goldie Hawn
Chris Hemsworth
Kate Hudson
Samuel L. Jackson
Angelina Jolie
Michael B. Jordan
Anna Kendrick
Jennifer Lawrence
Matthew McConaughey
Ewan McGregor
Bill Murray
Kim Novak
Tyler Perry
Brad Pitt
Sidney Poitier
Gabourey Sidibe
Will Smith
Kevin Spacey
Jason Sudeikis
Channing Tatum
Charlize Theron
John Travolta
Christoph Waltz
Kerry Washington
Emma Watson
Naomi Watts

“We are very excited that the Hollywood community will be turning out in force for Sunday’s Oscar ceremony,” said Zadan and Meron.  “We sought to include a tremendous diversity of stars to represent not only this year’s nominees, but the legacy of the motion picture business as well.”

For a full gallery of Oscar presenters, visit www.oscar.com.

"12 Years a Slave" Has Record Night at Black Reel Awards

by Leroy Douresseaux

The evening of Thursday, February 13, 2014 in the Nation’s Capital (Washington D.C., for some of you), the 14th Annual Black Reel Awards ceremony took place.  The Black Reel Awards handed out their prizes for the finest accomplishments and achievements of African-Americans and people of the African Diaspora in feature and independent films and television in 2013.

The runaway winner of the night was 12 Years a Slave.  Directed by Steve McQueen, the film is a harrowing story of a free black man who is kidnapped from his Northern home and family and forced into more than a decade of slavery.  The film won 8 awards, besting previous record-holder, Precious, which won 7 Black Reel Awards out of 10 nominations at the 2010 awards.

12 Years a Slave’s wins included “Outstanding Motion Picture,” “Outstanding Actor” for Chiwetel Ejiofor (who also won “Outstanding TV Movie Actor” for Dancing on the Edge), “Outstanding Supporting Actress” for newcomer Lupita Nyong’o (who also won “Outstanding Female Breakthrough Performance”), “Outstanding Director” for Steve McQueen, “Outstanding Screenplay” for John Ridley, “Outstanding Ensemble,” and “Outstanding Score,” an apparently unexpected win for maestro Hans Zimmer.

Outstanding TV Movie or Mini-Series was awarded to Mike Tyson: Undisputed Truth, which also an earned an “Outstanding Director, TV Movie” award for Spike Lee.

2014 / 14th BLACK REEL AWARDS WINNERS (for the year in film and television 2013):

Outstanding Motion Picture
12 Years a Slave

Outstanding Actor
Chiwetel Ejiofor | 12 Years a Slave

Outstanding Actress
Danai Gurira | Mother of George

Outstanding Supporting Actor
Barkhad Abdi | Captain Phillips

Outstanding Supporting Actress
Lupita Nyong’o | 12 Years a Slave

Outstanding Director
Steve McQueen | 12 Years a Slave

Outstanding Screenplay
John Ridley | 12 Years a Slave

Outstanding Documentary
20 Feet From Stardom | Morgan Neville

Outstanding Ensemble
12 Years a Slave | Francine Maiser

Outstanding Foreign Film
War Witch | Canada

Outstanding Score
Hans Zimmer | 12 Years a Slave

Outstanding Original Song
“Desperation” by Judith Hill | 20 Feet From Stardom

Outstanding Breakthrough Performance, Male
Barkhad Abdi | Captain Phillips

Outstanding Breakthrough Performance, Female
Lupita Nyong’o | 12 Years a Slave

Outstanding Voice Performance
Samuel L. Jackson | Turbo

Outstanding Independent Feature
Blue Caprice | Alexandre Moors

Outstanding Independent Documentary
The New Black | Yoruba Richen

Outstanding Independent Short
Black Girl in Paris | Kiandra Parks

Outstanding Television Documentary
Whoopi Goldberg Presents Moms Mabley | Whoopi Goldberg

Outstanding TV Movie or Mini-Series
Mike Tyson: Undisputed Truth

Outstanding TV Movie Actor
Chiwetel Ejiofor | Dancing on Edge

Outstanding TV Movie Actress
Anika Noni Rose | The Watsons Go to Birmingham

Outstanding Supporting Actor, TV Movie
Omari Hardwick | Being Mary Jane

Outstanding Supporting Actress, TV Movie
Octavia Spencer | Call Me Crazy: A Five Film

Outstanding Director, TV Movie
Spike Lee | Mike Tyson: Undisputed Truth

Outstanding Screenplay, TV Movie
Mara Brock Akil | Being Mary Jane

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http://blackreelawards.wordpress.com/

Review: "Star Trek: Nemesis" Something of a Misstep

TRASH IN MY EYE No. 221 (of 2006) by Leroy Douresseaux

Star Trek: Nemesis (2002)
Running time: 117 minutes (1 hours, 57 minutes)
MPAA – PG-13 for sci-fi action violence and peril and a scene of sexual content
DIRECTOR: Stuart Baird
WRITERS: John Logan; from a story by Rick Berman, Brent Spiner, and John Logan
PRODUCER: Rick Berman
CINEMATOGRAPHER: Jeffrey L. Kimball
EDITOR: Dallas Puett
COMPOSER: Jerry Goldsmith

SCI-FI/FANTASY/ACTION/DRAMA

Starring: Patrick Stewart, Jonathan Frakes, Brent Spiner, LeVar Burton, Michael Dorn, Gates McFadden, Marina Sirtis, Tom Hardy, Ron Perlman, Dina Meyer, Kate Mulgrew, and Wil Wheaton with Whoopi Goldberg

The subject of this movie review is Star Trek: Nemesis, a 2002 science fiction-action film from director Stuart Baird. Nemesis is the tenth entry in the Star Trek film franchise and was the last film in the franchise until the reboot, entitled Star Trek, in 2009.

The cast of the TV series, “Star Trek: The Next Generation” returns for its fourth (and final) feature film, Star Trek: Nemesis. Captain Jean-Luc Picard (Patrick Stewart) and the crew are celebrating the marriage of long-time lovers, Commander William T. Riker (Jonathan Frakes) and Counselor Deanna Troi (Marina Sirtis) when the Federation sends the Enterprise-E into the territory of the Federation’s old enemy, the Romulans. Picard is shocked to learn that the Romulan government is now run by a citizen of Remas, the sister of planet of Romulus.

The new Praetor Shinzon (Tom Hardy) requests that Picard beam down to the capitol city so that he may negotiate a truce with the Federation. Upon meeting Shinzon for the first time, Picard discovers that the Praetor has a shocking connection to him, and that Shinzon’s negotiations are merely a ruse for his planned attack on Earth.

The most dour and least successful Star Trek film at the box office, Star Trek: Nemesis will probably only find deep love from Trek devotees. The dramatic conflict between Picard and Shinzon is riveting, but at times this personal conflict drags on the rest of the film. Everyone and everything else is pushed far into the background, and when another character does come forward, it seems like an underdeveloped subplot. Entertaining, Star Trek: Nemesis is also clunky and listless, and it really seems like an episode of a TV show gussied up and also stretched past the point where it should have ended. It is, however, sad to see this part of the Star Trek franchise end, and this movie is not worthy of being that closing chapter.

5 of 10
C+

Thursday, October 26, 2006

2012 BronzeLens Film Festival Opens Nov. 8th in Atlanta

Entertainment Industry Leaders Reuben Cannon, S. Epatha Merkerson, Stephanie Allain, Kathie Fong Yoneda, Roger Bobb and Pearl Cleage Headline 3rd Annual BronzeLens Film Festival November 8-11, 2012

BronzeLens 2012 to Screen 50 Feature Films, Narrative Fiction, Documentaries and Shorts November 8th-11th at Georgia Pacific Center, Atlanta Marriott Marquis, World of Coca-Cola, Morehouse School of Medicine and Georgia Power Auditorium

ATLANTA--(BUSINESS WIRE)--Filmmakers representing the United States, Africa, Canada, the Caribbean and Europe comprise the more than 50 films to be screened for BronzeLens 2012. Now in its third year, the BronzeLens Film Festival (BronzeLens) continues to be one the nation’s most anticipated film festival events. The festival takes place November 8-11, 2012 and will offer content for filmmakers, industry professionals, students and the general public. Attendees may choose from a variety of BronzeLens expert signature panels, workshops, domestic and international film screenings and get a taste of unique southern hospitality.

BronzeLens Festival Highlights

Legendary casting director and producer Reuben Cannon will host “The Producers Roundtable” a groundbreaking session that brings together high-level entertainment executives to share their strategies for producing successful film and television projects. Award-winning author and playwright Pearl Cleage will discuss her newest project in “From Novel to Screen: The Pearl Cleage Film Project.” And, NAACP Image Award winning producer Roger Bobb will conduct a new workshop “Creating Comedy Shows with Roger Bobb.”

This year, the Women Superstars Luncheon, which has become a BronzeLens favorite for local corporations as a means of exposing employees and clients to the BronzeLens experience, will take place on Friday, November 9, 2012 at the Atlanta Marriott Marquis Hotel. Accomplished women of color in the film and television industry S. Epatha Merkerson, Stephanie Allain, Kathie Fong Yoneda, Deborah Riley Draper and Emayatzy Corinealdi will be honored at this signature event. This year at the BronzeLens Awards on Saturday, November 10, 2012, the best of the festival filmmakers in their perspective categories will be honored. Legendary film, television and theater director Kenny Leon will receive the BronzeLens Trailblazer Award and television producer/director Roger Bobb will receive the BronzeLens Film Advocate Award. Cinema and Social Justice Sunday, which takes place on Sunday, November 11, 2012, will be produced in conjunction with Center for Civil and Human Rights remains a unique and critical component of the festival.

A total of nine international films will be screened at the BronzeLens Film Festival (BronzeLens) November 8th and 10th. Film selections represent works from South Africa, Namibia, Trinidad, Honduras, Dominican Republic, Guadeloupe, The Gambia, Senegal and France/Martinique. Also, for the second year as a key international film component BronzeLens re-joins France Atlanta in collaboration to present films from the Francophone world at what is titled “France-Atlanta at the BronzeLens Film Festival.”

BronzeLens Panels and Films at a Glance

All BronzeLens onsite registration November 8-10, 2012 from 8:00 am until 5:00 pm will take place at the Festival’s headquarters hotel, the magnificent Atlanta Marriott Marquis. All juried screenings are shown at the Georgia Pacific Auditorium, Atlanta Marriott Marquis, Morehouse College Sale Hall, Morehouse School of Medicine and Georgia Power Auditorium.

Thursday, November 8, 2012

Panels at the Atlanta Marriott Marquis
•Opening Plenary: Production in Georgia : Status Report

•Real Time Opportunities in Financing Film Production featuring Wade Bradley, Founder/CEO of Media Society

•Distribution Options for the Indie Filmmaker

•Creating in the Digital Age

•Kathie Fong Yoneida: Getting your Script to The Screen

Films screened concurrently at Georgia Pacific Center:
Foot Soldiers: Class of 1964, directed by Alvelyn Sanders, Second Time Around, directed by Jessica M. Young, Color Outside the Lines, directed by Artemus Jenkins and Probable Cause

Opening Night Feature Film 8:00 pm at the World of Coca Cola

Otelo Burning, Directed by Sara Blecher http://youtu.be/gek4b3x0TTQ

Awards and highlights include, 13 nominations at the African Movie Academy Awards (more than any other film)- winner Best Cinematography and Best Child Actor, 16th Annual Busan International Film Festival (Korea), Drama Award-24th Annual One World Media Awards in London, 2011 Durban International Film Festival-Official Selection & Opening Night Film, BFI London International Film Festival, 2011 Dubai International Film Festival, Lille Film Festival France-Official Selection,

Cinenerma BC Brazil-Official Selection, US Debut, at Seattle International Film Festival- Official Selection & Nominated Golden Needle Award, Special Screening at American Black Film Festival and the Chicago International Film Festival

Friday, November 9, 2012

•How to Pitch Your Film to the Media sponsored by the African American Film Critics Association

•Think Global: International Opportunities For Entertainment Projects

•From Novel to Screen : The Pearl Cleage Film Project: Pearl Cleage and Ayoka Chenzira

All Shorts, All Day Films screened concurrently at Georgia Pacific Center

Feeding Freedom, Sweet Auburn, The Last/First Kiss, Their Eyes Were Watching Gummy Bears, What About Us?, 4-1-9, The Bluest Note, Aide de Camp, State of Mind, The Voice, The Christmas Tree, The Collegians, Bunny, Barbasol, In This Corner, and Keeper of the Flame

Friday Night Feature Film at Georgia Pacific Center

8:00 pm
The Contradictions of Fair Hope, directed by S. Epatha Merkerson and Rockell Metcalf

The Contradictions of Fair Hope is narrated by Whoopi Goldberg with music by Christian McBride. The film has received the following awards: Philadelphia Independent Film Festival- Best Documentary, Newark Black Film Festival-Paul Robeson Best Documentary, Festival International Du Film Panafricain-Dikalo Award Best Documentary, San Diego Black Film Festival-Best Documentary and Roxbury International Film Festival-Henry Hampton Award

Saturday, November 10, 2012 at the Atlanta Marriott Marquis

•Bus Tour of Movie Locations in the ATL / Limited Seating

•Reuben Cannon and The Producer’s Roundtable

•Producer’s Luncheon

•Commercial Production Workshop on Film and Advertising: The Madison and Vine Intersection, presented by Georgia Lottery Corp.

•Music for Film.TV, Gaming: From Scoring to Licensing

•Creating Comedy Shows with Roger Bobb

International Films Day Screenings at the Atlanta Marriott Marquis

My Beautiful Nightmare (Namibia), The Merikins (Trinidad), On Our land, Being Garifuna in Honduras (Honduras), Hibana (Dominican Republic), Kunta Kinteh: Coming Home without Shackles (The Gambia), Elza (Guadeloupe) and Inside Story (South Africa)

Morehouse College, Sale Hall

Tey, starring Saul Williams (Senegal)

Film Screenings at Georgia Pacific Center

Still Standing, Homecoming, An Oversimplification of Her Beauty and 30 Degree Couleur (Martinique)

Roundtable on African and Caribbean Cinema sponsored by France-Atlanta 2012 at Georgia Pacific Center

2012 BronzeLens Awards: Ray Charles Performing Arts Center on the campus of Morehouse College at 8:00 pm

This is the awards ceremony is for the BronzeLens films selected for the International, Shorts, Features and Documentary and Best of Festival categories.

Sunday, November 11, 2012

Studio 11 Films historic premiere of The 11Eleven11 Project™Films, Location Georgia Public Broadcasting at 11:00 am

BronzeLens will screen the films of this prestigious groundbreaking and revolutionary filmmaker's program for aspiring and emergent writers, directors and producers. The ambitious and aggressive training program ended its first season by successfully completing the 11 Short Films it promised in record time under at times adverse conditions. Celebrity mentors LisaRaye McCoy and Carl Payne will debut their directorial skill on films like The Promise and Rhythm at the festival. In addition to McCoy and Payne, other mentors included Miguel A. Nunez, Jr., Rockmond Dunbar, Terri J. Vaughn, Leon, Tatyana Ali, Christopher Pearman and Tommy Ford. Immediately after the screening, Studio 11 Films will host its’ “Premiere Party” where guests who will have an opportunity to meet and greet the filmmakers and their casts.

Cinema and Social Justice Sunday, co-sponsored by the National Center for Civil and Human Rights, Location Morehouse School of Medicine at 2:00 pm

The Savoy King: Chick Webb and the Music that Changed America and WITNESS: SOUTH SUDAN, presented by HBO Documentary Films

Closing Night Film, Location Georgia Power Auditorium at 7:00 pm

Echo at 11 Oak Drive, Directed/Written by Crystle Clear Roberson and Produced by Dianne Ashford of Symmetry Entertainment

Echo at 11 Oak Drive' was filmed on location in Atlanta GA. Trailer Music by Rico Wade of Organized Noize. Starring Rockmond Dunbar and Adam Fristoe, Quynh Thi Le, Eric Mendenhall, TJ Hassan, Shayla Love, Shannon Mayers, Danielle Patrick, Rico Ball. Edited by Deanna Nowell of The Edit Factor. Cinematography by Ross Sebek.


About the BronzeLens Film Festival
Founded in 2009, The BronzeLens Film Festival of Atlanta, Georgia is a non-profit organization dedicated to bringing national and worldwide attention to Atlanta as a center for film and film production for people of color. Its mission is twofold: to promote Atlanta as the new film Mecca for people of color; and to showcase films and provide networking opportunities that will develop the next generation of filmmakers. Since its inception the BronzeLens Film Festival has evolved as one of the most comprehensive film festivals for filmmakers of color in the United States. Visit www.bronzelensfilmfestival.com for more information regarding the BronzeLens Film Festival and for registration information.

Sponsors of the BronzeLens Film Festival are Coca-Cola Company, Georgia Lottery Corp., Atlanta Convention and Visitors Bureau, Turner, Atlanta Marriott Marquis, Panavision, Delta Air Lines, HBO Documentary Films, The Levy Group, Georgia Pacific, Macys, AT& T, Morehouse College, France Atlanta 2012, National Center for Civil and Human Rights, The Sai Sai Group, Inc., White Oak Restaurant, Organix Food Lounge Hartsfield-Jackson Atlanta International Airport, MHR International, Movie Magic and Fulton County Board of Commissioners under the guidance of the Fulton County Arts Council. Media Partners Include: 11Alive/WXIA-TV, Atlanta DAYBOOK, Modern Luxury and Oz Magazine

"The Muppets" is Muppet-ational

TRASH IN MY EYE No. 25 (of 2012) by Leroy Douresseaux


The Muppets (2011)
Running time: 103 minutes (l hour, 43 minutes)
MPAA – PG for some mild rude humor
DIRECTOR: James Bobin
WRITERS: Jason Segel and Nicholas Stoller
PRODUCERS: David Hoberman and Todd Lieberman
CINEMATOGRAPHER: Don Burgess
EDITOR: James Thomas
COMPOSER: Christophe Beck
Academy Award winner

FANTASY/COMEDY/FAMILY/MUSICAL

Starring: Jason Segel, Amy Adams, Chris Cooper, Rashida Jones, and Jack Black and The Muppets: (voices) Peter Linz, Steve Whitmire, Eric Jacobson, Dave Goelz, Bill Barretta, David Rudman, Matt Vogel, Tyler Bunch, and Alice Dinnean with Emily Blunt, Whoopi Goldberg, and Zach Galifianakis

The Muppets is a 2011 live-action, musical comedy and fantasy film from Walt Disney Pictures. This Oscar-winning film stars The Muppets, the puppet characters created by the late Jim Henson, specifically the characters that appeared on the television series, “The Muppets” (1976-81). This film finds The Muppets reuniting to save their old theatre from a crooked oil tycoon.

Walter (voice of Peter Linz) is a man born as a Muppet. He lives in Smalltown (presumably a small town in the American Midwest) with his brother, Gary (Jason Segel). Gary has planned a vacation to Los Angeles with his girlfriend, Mary (Amy Adams), for their tenth anniversary, and he invites Walter along, so that he can tour the Muppet Studios.

Once in L.A., the trio finds the studio lot abandoned and Muppet Theatre decrepit. Walter happens to overhear Tex Richman (Chris Cooper), a greedy oil tycoon, plotting to seize control of Muppet Theatre, which he also plans to destroy. Walter, Gary, and Mary travel to the mansion of Kermit the Frog (Steve Whitmore), and convince him to reunite The Muppets. Kermit wants to put on a telethon to raise the ten million dollars needed to save Muppet Theatre, but The Muppets have not performed together in years and are scattered around the country. Even if Kermit reunites his friends, no television network thinks that The Muppets are still popular or relevant enough to give them the television time they will need to raise so much money.

With the release of The Muppets last year, I got a chance to rediscover my love for these characters. I watched the first television series, The Muppet Show, during its original run and later, in syndication for several years. I must say that I’m pleased with this new movie, which was critically well-received and performed well at the box office. For the most part, these are still The Muppets that I knew and loved and still love.

The new songs are better than I thought they would be. The beguiling, Elton John-esque “Man or Muppet” (written by Bret McKenzie) won a best original song Oscar, but I prefer two other McKenzie-penned songs. “Life’s a Happy Song” and “Me Party” (co-written by Paul Roemen) are the kind of catchy tunes that can stand on their own as lively jingles outside The Muppets (or even be used in another movie).

Early in the film, I found the characters played by Jason Segel and Amy Adams intolerable and intrusive. I was only a little more tolerant of nouveau-faux Muppet, Walter. As Segel’s Gary and Adams’ Mary recede more into the background and take their place as supporting characters, they grew on me… a little. Besides, I find it hard not to like Amy Adams. Truthfully, Gary, Mary, and Walter seem like minor gateway characters that create the contrivances which in turn bring The Muppets back into the picture. By the end of the movie, I liked that the new characters were part of the film.

Of course, the best thing in The Muppets are The Muppets. Whenever they’re singing and dancing and squabbling and trying to keep their stuff together, The Muppets have their mojo, and their mojo is back. By the end of The Muppets, I was sad because I wanted the movie to be longer.

8 of 10
A

NOTES:
2012 Academy Awards: 1 win: “Best Achievement in Music Written for Motion Pictures, Original Song” (Bret McKenzie for the song "Man or Muppet")

Saturday, March 24, 2012

"The Lion King 1½" and "The Lion King" Now on Blu-ray

The Lion King 1½

Simba, Nala, Timon and Pumbaa are Back For a Limited Time, Includes a New Timon and Pumbaa Bonus Feature Available March 6, 2012 on Blu-ray™, DVD and Digital

Synopsis: Hilarity reigns in the motion picture comedy-adventure that takes you waaay back to the beginning before Simba’s tale began…now more fabulous than ever for the first time in a 2-disc Blu-ray Combo Pack!

From their uniquely hysterical perspective, Timon and his windy pal Pumbaa—the greatest unsung heroes of the savanna—reveal where they came from, how they helped Simba save the Serengeti and what really happened behind the scenes of The Lion King’s biggest events.

This essential chapter of The Lion King trilogy features your favorite characters voiced by the original cast (Nathan Lane, Matthew Broderick, Ernie Sabella plus Julie Kavner and Jerry Stiller) and music by Elton John and Tim Rice. You’ll feel the love for every outrageously funny moment.

Cast:
Nathan Lane (Broadway’s “The Producers”) as voice of Timon
Ernie Sabella (The Lion King) as voice of Pumbaa
Julie Kavner (TV’s “The Simpsons”) as voice of Mom
Jerry Stiller (TV’s “The King of Queens”) as voice of Uncle Max
Matthew Broderick (Ferris Bueller’s Day Off) as voice of Simba
Robert Guillaume (TV’s “Benson”) as voice of Rafiki
Moira Kelly (The Lion King) as voice ofNala
Whoopi Goldberg (voice in Snow Buddies) as voice of Shenzi
Cheech Marin (Cars) as voice of Banzai
Jim Cummings (Winnie The Pooh) as voice of Ed
Director: Bradley Raymond (Tinker Bell and Tinker Bell and the Great Fairy Rescue)

Bonus Features: Timon & Pumbaa’s Vacation Safari
This new animated bonus feature shows Timon & Pumbaa watching home movies of their animal friends at Disney’s Animal Kingdom theme park.

Deleted Scenes
Director Bradley Raymond and Producer George Mendoza explain why these segments did not make the final film.

1. Opening Concept #1
2. Opening Concept #2
3. Old Fearless Buzz
4. Timon talks to Dad
5. Timon, Dad & Mom
6. Intro to “Scurry, Flinch, Sniff”
7. Timon & Pumbaa look for Oasis

Timon: Behind the Legend
Hosted by Peter Graves, this mock-umentary traces Timon’s childhood. There are interviews with Timon’s mom, Uncle Max & Pumbaa, plus snapshots show him growing up.

Before the Beginning: The Making of Lion King 1 1?2
Director Bradley Raymond and Producer George Mendoza walk viewers through the film… from before the beginning. Brad and George are silhouetted against their own film with a remote, just like Timon and Pumbaa.

“Grazing in the Grass”
Music video performed by Raven.

Digital Bonus Features: Timon & Pumbaa’s Vacation Safari
Timon: Behind The Legend

Rating: G in U.S. and G in Canada
Bonus materials not rated.
Feature Run Time: Approximately 76 minutes
Suggested Retail Prices: 2-Disc Blu-ray (Blu-ray + DVD) = $39.99 U.S./$46.99 Canada
1-Disc DVD = $29.99 U.S./$35.99 Canada
High Definition Digital = $39.99 U.S./$46.99 Canada
Standard Definition Digital = $29.99 U.S./$35.99
Aspect Ratio: Blu-ray: 1.66: 1/1080p High Definition
DVD: 1.66:1/Widescreen
Sound: Blu-ray: English 5.1 DTS-HD Master Audio, French and Spanish, 5.1 Dolby Digital
DVD: 5.1 Dolby Digital English, French andSpanish
Languages: English
Subtitles: English SDH, French and Spanish
Special Edition Available March 6, 2012 on Blu-ray™, DVD and Digital
Includes a New Timon and Pumbaa Animated Short




The Lion King 2

Synopsis: The king of animated films reigns in this final chapter of The Lion King trilogy, now breathtakingly beautiful for the first time in a 2-Disc Blu-ray Combo Pack! Experience the power of “Upendi”—which means “love”—as Kiara, Simba’s strong-willed daughter, seeks adventure away from her father’s watchful gaze. Timon and Pumbaa can do only so much to protect her, especially when she encounters an intriguing rival, Kovu, a cub who is being groomed to lead Scar’s pride.

As Kiara and Kovu search for their proper places in the great “Circle Of Life,” they discover that it may be their destiny to reunite their prides andbring peace to the Pride Lands.

Featuring the original all-star voice cast, breathtaking animation and enchanting songs, Kiara and Kovu’s adventure thrills audiences of all ages as the glorious “Circle Of Life” continues for a new generation.

Cast: Matthew Broderick (Ferris Bueller’s Day Off) as voice of Simba
Nathan Lane (Broadway’s “The Producers”) as voice of Timon
Ernie Sabella (The Lion King) as voice of Pumbaa
Neve Campbell (Scream) as voice of Kiara
Jason Marsden (TV’s “G.I. Joe: Renegades”) as voice of Kova
Andy Dick (TV’s “Community”) as voice of Nuka
Robert Guillaume (TV’s “Benson”) as voice of Rafiki
James Earl Jones (The Lion King) as voice of Mufasa
Moira Kelly (The Lion King) as voice ofNala

Directors: Darrell Rooney (Mulan II) and Rob LaDuca (Mickey’s Adventures in Wonderland)

Bonus Features: Timon & Pumbaa’s Insectapedia
In this new animated bonus feature, Timon & Pumbaa gaze at the night sky as the star constellations resemble their favorite meal, insects!

“One By One”
An original animated short with vocals by The Lion King vocalist Lebo Morake.

Timon & Pumbaa: Find Out Why
In this series of animated shorts, Timon and Pumbaa provide answers to some of life’s most puzzling questions including:

1. Why is there lightning and thunder?
2. Why do we sneeze?
3. Why don’t Pandas live in the desert?
4. Why is there wind?
5. Why does an airplane fly?

Proud of Simba’s Pride
A featurette that traces the making of the movie.

“Love Will Find a Way” Music Video
Performed by Kenny Lattimore and Heather Headley.

Digital Bonus Features: Timon & Pumbaa’s Insectapedia
“One By One”

Street Date: March 6, 2012
Rating: G in U.S. and G in Canada
Bonus materials not rated.
Feature Run Time: Approximately 81 minutes
Suggested Retail Prices: 2-Disc Blu-ray (Blu-ray + DVD) = $39.99 U.S./$46.99 Canada
1-Disc DVD = $29.99 U.S./$35.99 Canada
High Definition Digital = $39.99 U.S./$46.99 Canada
Standard Definition Digital = $29.99 U.S./$35.99
Aspect Ratio: Blu-ray: 1.78: 1/1080p High Definition
DVD: 1.78:1/Widescreen
Sound: Blu-ray: English 5.1 DTS-HD Master Audio, French and Spanish 5.1 Dolby Digital
DVD: 5.1 Dolby Digital English, French and Spanish
Languages: English
Subtitles: English SDH, French and Spanish

Review: "The Lion King" Still Reigns

TRASH IN MY EYE No. 94 (of 2011) by Leroy Douresseaux

The Lion King (1994)
Running time: 89 minutes (1 hour, 29 minutes)
MPAA – G
DIRECTORS: Roger Allers and Rob Minkoff
WRITERS: Irene Mecchi, Jonathan Roberts, and Linda Woolverton; from a story by multiple writers
PRODUCER: Don Hahn
EDITOR: Ivan Bilancio
COMPOSER: Hans Zimmer
SONGS: Elton John and Tim Rice
Academy Award winner

ANIMATION/FANTASY/DRAMA/FAMILY with elements of adventure and comedy

Starring: (voices) Matthew Broderick, James Earl Jones, Madge Sinclair, Jeremy Irons, Nathan Lane, Ernie Sabella, Moira Kelly, Rowan Atkinson, Whoopi Goldberg, Cheech Marin, Jim Cummings, Jonathan Taylor Thomas, Niketa Calame, and Robert Guillaume

The Lion King is a 1994 Oscar-winning, animated film from Walt Disney Pictures. It is the story of a young lion who must take the place of his late father, the king, and save his land from his scheming uncle, his father’s brother. If The Little Mermaid (1989) was the beginning of the “Disney Renaissance,” then, The Lion King was the apex of Disney’s hand-drawn animated films during that renaissance.

The Lion King is set in Africa. King Mufasa (James Earl Jones) rules over the Pride Lands from Pride Rock. As the story begins, Queen Sarabi (Madge Sinclair) has just given birth to a cub, Simba, who will one day be king. Simba (Jonathan Taylor Thomas) is a playful and willful cub, but Mufasa guides and prepares him for the day when he will rule. Meanwhile, Mufasa’s brother, Scar (Jeremy Irons), lurks in the shadows, bitter that he is not king, and he plots with the hyenas to murder Mufasa. After tragedy strikes, Simba leaves the Pride Lands, intending never to return.

Years later, an adult Simba (Matthew Broderick) lives in exile. His constant companions are a meerkat, Timon (Nathan Lane), and a warthog, Pumbaa (Ernie Sabella). However, Simba’s past returns in the form of an old friend looking for food. It is then that Simba is forced to make important decisions about both his future and that of the Pride Lands.

The Lion King was Walt Disney Animation Studios 32nd full-length animated feature film. Some of Disney’s hand-drawn animated (or 2D animated) films produced in the last four decades are exceptional, even superb. None are as good as The Lion King. One could argue that The Lion King embodied everything up to that time that was great about Disney animated films. The Lion King is an engrossing animal fable or Disney anthropomorphic story like Bambi. It has a superb musical score and the kind of songs that are soaring, inspirational, heartfelt, toe-tapping, and/or romantic, in the tradition of The Little Mermaid, Beauty and the Beast, and Aladdin. Its animation brings together the “art of Disney” animation, which is the illusion of life, and also the early introduction of computer animation – from the coloring to the computer generated wildebeest stampede.

The story, which borrows from Shakespeare’s Hamlet and the Holy Bible, is a universal story of a young hero’s journey from carefree childhood and youthful tragedy to reluctant man-child and adult responsibility. The obstacles that Simba faces, his conflicts and struggles, and his confusion all feel honest and true – not contrived and overly sentimental. The audience can buy into Simba because so much about his him seems genuine.

Each Disney animated film always has good voice performances and at least one great performance. The Lion King has more than a few great voice performances. James Earl Jones is regal personified as King Mufasa, while Jeremy Iron is his evil, velvety opposite. Whoopi Goldberg, Cheech Marin, and Jim Cummings are superb as the hyena trio. However, Nathan Lane and Ernie Sabella are scene-stealing showstoppers as Timon and Pumbaa, respectively, by creating signature, unforgettable Disney characters.

The classic Disney animated films always get me, and The Lion King charms me now just as it charmed me 17 years ago. This superbly animated feature is simply magic.

10 of 10

NOTES:
1995 Academy Awards: 2 wins: “Best Music, Original Score” (Hans Zimmer) and “Best Music, Original Song” (Elton John-music and Tim Rice-lyrics for the song "Can You Feel the Love Tonight"); 2 nominations “Best Music, Original Song” (Elton John-music and Tim Rice-lyrics for the song "Circle of Life") and “Best Music, Original Song” (Elton John-music and Tim Rice-lyrics for the song "Hakuna Matata")

1995 BAFTA Awards: 2 nominations: “Anthony Asquith Award for Film Music” (Hans Zimmer) and “Best Sound” (Terry Porter, Mel Metcalfe, David Hudson, and Doc Kane)

1995 Golden Globes: 3 wins: “Best Motion Picture - Comedy/Musical” (Don Hahn), “Best Original Score - Motion Picture” (Hans Zimmer), and “Best Original Song - Motion Picture” (Elton John-music and Tim Rice-lyrics for the song "Can You Feel the Love Tonight"); 1 nomination: “Best Original Song - Motion Picture” (Elton John-music and Tim Rice-lyrics for the song “The Circle of Life”)

Sunday, November 20, 2011

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"The Lion King" Back on Top

Disney’s The Lion King Reigns Once Again

3D Release Takes Top Spot With $30 Million Domestic Gross; Beloved Tale Continues to Captivate Global Audiences on Screen and Stage

BURBANK, Calif.--(BUSINESS WIRE)--The Circle of Life continues as The Walt Disney Studios’ The Lion King 3D opened at #1 in theaters this weekend with an estimated gross of $30 million. The Lion King is now the third highest-grossing animated film of all time at the domestic box office. This release of The Lion King marks the fifth biggest September opening in industry history, the second biggest September opening in Walt Disney Studios Motion Pictures history, and the first reissue to open #1 in 14 years. The film will remain in theaters for a limited engagement ahead of its Blu-ray™ and Blu-ray 3D™ premiere on October 4.

Meanwhile, the London production of the hugely popular stage show recently celebrated its 5000th performance on September 13. The award-winning musical is also preparing to launch its Spanish premiere in Madrid, the largest stage musical ever presented in Spain. Opening October 21 at Lope de Vega Theatre, it is the first time the musical has been performed in the Spanish language. Since opening in 1997, The Lion King has been performing to sold-out crowds on Broadway with a remarkable 5,757 shows thus far.

“The Lion King has proven again and again the transcendent power of great stories and characters,” said Rich Ross, Chairman, The Walt Disney Studios. “From the screen to the stage, this timeless classic continues to touch the hearts of audiences of all ages around the world.”

Notable Facts:

First released in 1994, The Lion King is the third highest-grossing animated film of all time with $358.6 at the domestic box office (includes all releases), the highest-grossing traditional hand-drawn animated film of all time, and the highest-grossing film from Walt Disney Animation Studios.

The Lion King is the top-performing home entertainment release ever. The Blu-ray™ debut marks the first time it has been available in any form since 2004.

The Lion King is Disney’s best-selling soundtrack. It received Diamond certification from the Recording Industry Association of America (10x platinum). Only four other soundtracks in history have been certified Diamond.

Best of The Lion King, a collection of songs from and inspired by the films and the show, is currently the #3 soundtrack on iTunes.

The Lion King has won 2 Academy Awards®, 3 Golden Globes®, 6 Tony Awards® and 3 Grammys®, among other accolades, including over 70 major theatrical honors worldwide.

The stage show has been seen by more than 60 million people worldwide, grossing over $4.6 billion in 18 productions across 14 countries, spanning 5 continents and 8 languages.

Current productions include Broadway, North American Tour, Las Vegas, London, Hamburg, Tokyo and Singapore.

The Lion King opened on Broadway in 1997 and in January 2011 became its seventh longest-running show ever; it continues to be one of the highest-grossing on a weekly basis.

The North American tour recently completed a record-breaking, sold-out, 32-show premiere engagement at the Salle Wilfrid-Pelletier in Montreal, grossing more than $7 million – the highest-grossing theatrical production in the venue’s history.


ABOUT “THE LION KING”
An unforgettable story, breathtaking animation, beloved characters and award-winning music sets the stage for The Lion King, a Disney classic that follows the adventures of Simba, the feisty lion cub who “just can't wait to be king.” But his envious Uncle Scar has plans for his own ascent to the throne, and he forces Simba’s exile from the kingdom. Alone and adrift, Simba soon joins the escapades of a hilarious meerkat named Timon and his warmhearted warthog pal, Pumbaa. Adopting their carefree lifestyle of “Hakuna Matata,” Simba ignores his real responsibilities until he realizes his destiny and returns to the Pride Lands to claim his place in the “Circle of Life.”

The all-star vocal talents—including Matthew Broderick, Nathan Lane, Whoopi Goldberg, James Earl Jones, Jeremy Irons, Ernie Sabella, Jonathan Taylor Thomas, Robert Guillaume, Cheech Marin and Moira Kelly—rip-roaring comedy and uplifting messages of courage, loyalty and hope make this a timeless tale for all ages. Produced by Don Hahn and directed by Roger Allers and Rob Minkoff from a script by Irene Mecchi, Jonathan Roberts and Linda Woolverton, The Lion King is rated G by the MPAA.

ABOUT THE WALT DISNEY STUDIOS
For more than 85 years, The Walt Disney Studios has been the foundation on which The Walt Disney Company (NYSE: DIS) was built. Today, the Studio brings quality movies, music and stage plays to consumers throughout the world. Feature films are released under four banners: Walt Disney Pictures, which includes Walt Disney Animation Studios and Pixar Animation Studios; Disneynature; Marvel; and Touchstone Pictures, which includes the distribution of live-action films from DreamWorks Studios. Original music and motion picture soundtracks are produced under Walt Disney Records and Hollywood Records, while Disney Theatrical Group produces and licenses live events, including Broadway theatrical productions, Disney on Ice and Disney LIVE!. For more information, visit http://www.waltdisneystudios.com/.

"The Lion King" Returns to Theatres with Special 3D Glasses

“The Lion King” Roars into Theatres in 3D with Limited-Edition, Simba-Themed Kids’ RealD 3D Glasses

Kids Receive Collectible 3D Glasses When They See the Film on Friday, September 16th, Exclusively at RealD 3D-Equipped Theatres in North America

LOS ANGELES--(BUSINESS WIRE)--RealD Inc. (NYSE: RLD) and Walt Disney Pictures are celebrating the release of the animated classic “The Lion King” for the first time in 3D with limited-edition, Simba-themed RealD 3D kids’ glasses. Featuring movie-themed colors and a picture of the cheerful and feisty lion cub Simba, the collectible RealD 3D glasses will be distributed at theatres free of charge with the purchase of a child’s ticket to see “The Lion King” in 3D. Simba-themed RealD 3D glasses are available exclusively at RealD 3D-equipped theatres in North America beginning September 16th while supplies last.

“‘The Lion King’ is an animated classic that a new generation will be able to experience like never before when it’s shown in theatres for the first time in fully immersive RealD 3D,” said Joseph Peixoto, President, Worldwide Cinema at RealD. “I can’t think of a better way for kids to get in on the fun than with their own pair of Simba-themed RealD 3D glasses that they can take home as a reminder of Disney’s epic story about the cub that would be king.”

Sealed in individual packaging to ensure they are sanitary and of high quality, limited-edition, Simba-themed RealD 3D glasses are designed to fit children 8 years of age and younger. Standard kids’ RealD 3D glasses are also available at theatres throughout North America. Visit www.RealD.com/theatrelocator to find a RealD 3D-equipped theatre playing “The Lion King” in 3D.


About “The Lion King”
An unforgettable story, breathtaking animation, beloved characters and award-winning music sets the stage for “The Lion King,” a Disney classic that follows the adventures of Simba, the feisty lion cub who “just can't wait to be king.” But his envious Uncle Scar has plans for his own ascent to the throne, and he forces Simba's exile from the kingdom. Alone and adrift, Simba soon joins the escapades of a hilarious meerkat named Timon and his warmhearted warthog pal, Pumbaa. Adopting their carefree lifestyle of “Hakuna Matata,” Simba ignores his real responsibilities until he realizes his destiny and returns to the Pride Lands to claim his place in the Circle of Life.

The all-star vocal talents—including Matthew Broderick, Nathan Lane, Whoopi Goldberg, James Earl Jones, Jeremy Irons, Ernie Sabella, Jonathan Taylor Thomas, Robert Guillaume, Cheech Marin and Moira Kelly—rip-roaring comedy and uplifting messages of courage, loyalty and hope make this a timeless tale for all ages. Produced by Don Hahn and directed by Roger Allers and Rob Minkoff from a script by Irene Mecchi, Jonathan Roberts and Linda Woolverton, “The Lion King” is rated G by the MPAA.

About RealD Inc.
RealD is a leading global licensor of 3D technologies. RealD's extensive intellectual property portfolio is used in applications that enable a premium 3D viewing experience in the theater, the home and elsewhere. RealD licenses its RealD Cinema Systems to motion picture exhibitors that show 3D motion pictures and alternative 3D content. RealD also provides its RealD Display, active and passive eyewear, and RealD Format technologies to consumer electronics manufacturers and content producers and distributors to enable the delivery and viewing of 3D content. RealD's cutting-edge 3D technologies have been used for applications such as piloting the Mars Rover.

RealD was founded in 2003 and has offices in Beverly Hills, California; Boulder, Colorado; London, United Kingdom; Shanghai, China; Hong Kong; and Tokyo, Japan. For more information, please visit our website at http://www.reald.com/.

Review: "Star Trek: Generations" Does Not Stray Far from the TV Series

TRASH IN MY EYE No. 211 (of 2006) by Leroy Douresseaux

Star Trek: Generations (1994)
Running time: 118 minutes (1 hour, 58 minutes)
MPAA – PG
DIRECTOR: David Carson
WRITERS: Ronald D. Moore and Brannon Braga; from a story by Ronald D. Moore, Brannon Braga, and Rick Berman (based on the TV series “Star Trek” created by Gene Roddenberry)
PRODUCER: Rick Berman
CINEMATOGRAPHER: John A. Alonzo
EDITOR: Peter E. Berger, A.C.E.

SCI-FI/ACTION/ADVENTURE/DRAMA

Starring: Patrick Stewart, Jonathan Frakes, Brent Spiner, LeVar Burton, Michael Dorn, Gates McFadden, Marina Sirtis, Malcolm McDowell, James Doohan, Walter Koening, William Shatner, Alan Ruck, Tim Russ, and Whoppi Goldberg

In 1994, the seventh film in the Star Trek movie franchise debuted in theatres, but unlike the previous six films, this one featured a new incarnation of the U.S.S. Enterprise (Enterprise-D) and a new crew, led by Captain Jean-Luc Picard (Patrick Stewart). Star Trek: Generations starred the cast of the second Trek series, “Star Trek: The Next Generation,” which ran for seven seasons from 1987-1994 in syndication.

While investigating a disaster at an outlying observation station, the crew of the Enterprise finds that the catastrophe’s sole survivor is Dr. Tolian Soran (Malcolm McDowell), an intense man insistent that he be allowed to complete his work on the station. Soran turns out to be of the same race as the Enterprise’s bartender, Guinan (Whoopi Goldberg, who did not receive a screen credit in the film), the El Aurian. Soran has malevolent plans for a roaming energy field called The Nexus, which involves the destruction of the Veridian solar system. When Picard tries to intervene, he becomes caught in the Nexus and meets a man presumed-dead the last time a U.S.S. Enterprise (Enterprise-B) tangled with The Nexus, the retired Captain James T. Kirk (William Shatner).

Star Trek: Generations is a good, but not great film, which is the same way one can categorize it as part of the Trek pantheon – good, but not great. Perhaps, it needs to grow on the audience; in fact, I certainly liked it much more the second time I saw it than I did the first. Generations is simply an extended version of the TV show, “Star Trek: The Next Generation” put in the context of a feature film, meaning a longer story, better special effects, and improved production values (even a few scenes of exceptional cinematography).

The acting is more or less the same as in the TV show with a moment here and there of more thoughtful performances. Malcolm McDowell brings a welcome jolt of viciousness as the single-minded Soran. The actors playing the Klingons also bring the same kind of intensity to their performances, as did the actors who played the aliens in the earlier installments of the franchise. Even director David Caruso seems to spring to life when the Klingons are involved.

The best parts of the film are those that take place in the past and involve the only three cast members from the original “Star Trek” television series and films to appear in Star Trek: Generations. Seeing Shatner, Koening, and Doohan made me sad because for all intents and purposes, their Trek can only exist as artifacts from a long time ago.

6 of 10
B

Wednesday, October 11, 2006

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Review: "For Colored Girls" is Sho Enuf Good

TRASH IN MY EYE No. 15 (of 2011) by Leroy Douresseaux

For Colored Girls (2010)
Running time: 134 minutes (2 hours, 14 minutes)
MPAA – R for some disturbing violence including a rape, sexual content and language
DIRECTOR: Tyler Perry
WRITER: Tyler Perry (based upon the play For Colored Girls Who Have Considered Suicide When the Rainbow Is Enuf by Ntozake Shange)
PRODUCERS: Roger M. Bobb, Paul Hall, and Tyler Perry
CINEMATOGRAPHER: Alexander Gruszynski
EDITOR: Maysie Hoy

DRAMA

Starring: Kimberly Elise, Janet Jackson, Loretta Devine, Thandie Newton, Anika Noni Rose, Kerry Washington, Tessa Thompson, Phylicia Rashad, Whoopi Goldberg, Macy Gray, Michael Ealy, Omari Hardwick, Richard Lawson, Hill Harper, and Khalil Kain

For Colored Girls Who Have Considered Suicide When the Rainbow Is Enuf is a 1975 stage play written by American playwright and poet, Ntozake Shange. It is my understanding that the Obie Award-winning play is a series of 20 poems or poetic monologues that express the struggles and obstacles that African-American women face throughout their lives.

Tyler Perry, the playwright turned prolific film director, adapted Shange’s play into the 2010 film, For Colored Girls. The film explores the lives of nine modern African American women, interconnected by one way or another, and uses poetic vignettes to illuminate their struggles, suffering, and conflicts (abuse, rape, and abortion, among others).

Among the characters is Joanne “Jo” Bradmore (Janet Jackson), a magazine publisher whose husband, Carl Bradmore (Omari Hardwick), is unfaithful. Promiscuous Tangie Adrose (Thandie Newton) and troubled teenager, Nyla (Tessa Thompson), are estranged sisters who find their mother, Alice Adrose (Whoopi Goldberg), to be the thing between them. Crystal Wallace (Kimberly Elise), who works for Jo, fails to see the true danger her abusive boyfriend, war veteran Beau Willie Brown (Michael Ealy), poses to her and her children. Meanwhile, watching everything and hoping to bring everyone together is apartment manager, Gilda (Phylicia Rashad).

I’ve always thought that Tyler Perry is as capable of directing moving film dramas as he is at staging broad comedies, and For Colored Girls affirms that, although 2009’s I Can Do Bad All By Myself already proved Perry could do drama. I’m surprised that this film has gotten such negative reviews, especially because Perry has taken the black social pathologies this story depicts and has transformed them into riveting tales of human pathology with a universal appeal.

Perry’s nuanced staging and graceful directing of the camera transform what could have been downbeat into a mesmerizing panorama of compelling character dramas. Seriously, if For Colored Girls looked exactly the same and a white filmmaker like Stephen Daldry, David Fincher, or Christopher Nolan was credited as the director, film critics would be turning verbal cartwheels to praise this film. Perry’s work here as a director can be described as, at least, occasionally virtuoso, and while his screenwriting here is weaker than his directing, Perry, as both writer and director, has done a superb job turning these poetic vignettes into a powerful film.

Perry gets some fantastic performances from his cast, especially the actresses, who all hit strong emotional notes. I hate to single out any, but if I had to pick favorites, I would go with Kimberly Elise, Thandie Newton, and Phylicia Rashad. Every moment she is onscreen, Elise delivers magic; her every move and glance makes you believe that Crystal Wallace is real. Thandie Newton is effortless in her brilliance (as usual), and Rashad shows colors, shades, and textures in a performance that certainly surprised me. I never knew she was that good.

However, all the women in this film shine, giving stirring performances that help For Colored Girls to ring true. Even if Tyler Perry doesn’t get his due from critics and haters, he has given us our due – a great African-American drama about Black women.

9 of 10
A+

Friday, February 18, 2011

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Review: "Toy Story 3" is Really Good; So What Else is New?

TRASH IN MY EYE No. 3 (of 2011) by Leroy Douresseaux

Toy Story 3 (2010)
Running time: 103 minutes (1 hour, 43 minutes)
MPAA - G
DIRECTOR: Lee Unkrich
WRITERS: Michael Arndt; from a story by John Lasseter, Andrew Stanton, and Lee Unkrich
PRODUCER: Darla K. Anderson
CINEMATOGRAPHERS: Jeremy Lasky (D.o.P.) and Kim White (D.o.P.)
EDITOR: Ken Schretzmann
COMPOSER: Randy Newman

ANIMATION/FANTASY/COMEDY/
ADVENTURE/FAMILY

Starring: (voices) Tom Hanks, Tim Allen, Joan Cusack, Ned Beatty, Don Rickles, Michael Keaton, Wallace Shawn, John Ratzenberger, Estelle Harris, John Morris, Jodi Benson, Emily Hahn, Laurie Metcalf, Blake Clark, and Whoopi Goldberg

It was an 11-year wait for a sequel to Toy Story 2. The beloved, computer-animated Toy Story film franchise closes with Toy Story 3. The creation of Pixar Animation Studios (Monsters, Inc., Up), Toy Story 3 opened to near universal acclaim and record-setting box office, so I don’t know what more I can say. I was spellbound by the previous films. If I’d had a vote, I would have voted the first two Toy Story movies the best picture Oscar winners for 1995 and 1999, respectively.

Toy Story 3 begins with 17-year-old Andy Davis (John Morris) packing as he prepares to head off to college. Andy has not played with his toys in years, but he decides to take Woody (Tom Hanks) to college with him and store the other toys in the attic. Of course, Buzz Lightyear (Tim Allen), Jessie (Joan Cusack), and the rest of the toys are disappointed. However, when Andy’s mom, Mrs. Davis (Laurie Metcalf), mistakenly throws them out, they’re furious. They climb into a box of stuff to be donated to Sunnyside Daycare. They also refuse to listen to Woody when he tries to explain that Mrs. Davis’ action was a mistake.

Andy’s toys are enthusiastically welcomed by the numerous toys at Sunnyside. The leader of the Sunnyside toys, Lots O’-Huggin Bear a.k.a. “Lotso” (Ned Beatty), gives the newcomers a tour. Andy’s toys quickly become enamored with their new home, and Woody is forced to leave without them in his attempt to return home to Andy. However, all is not sunny at Sunnyside, and so, a thrilling rescue mission and breathless adventure ensue before they return home, again.

Lots O’-animated movies blend adventure, comedy, and emotion, some more deftly than others, but the difference is that in every Pixar film, the emotions are always honest and genuine. Even with expectations so high for Toy Story 3, Pixar still managed to produce a movie that charmed, captivated, and moved audiences so deeply, even making grown men cry at the end.

Starting with the first film, I was not surprised that a 3D digitally animated film about plastic toys could charm us. I’ve been watching the work of animators and filmmakers of animated movies entertain, impress, and dazzle for decades. The more talented the animators, the more they are able to match the power of live-action film, and sometimes even surpass the work of the best live-action filmmakers. Toy Story 3 is clever and exhilarating, poignant and stirring, and amusing and sometimes just plain funny.

Still, I can say the above about a lot of Pixar productions, but this time there is something a bit darker and perhaps, more special about this movie. The story echoes themes of death and endings, betrayal and bitterness, and change and new beginnings – with children’s playthings as the characters. It is like classic juvenile literature that speaks to all of us. That’s it. Toy Story 3 is great.

10 of 10

Sunday, January 09, 2011

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"Kingdom Come" is Tyler Perry-Like

TRASH IN MY EYE No. 14 (of 2001) by Leroy Douresseaux


Kingdom Come (2001)
Running time: 91 minutes (1 hour, 31 minutes)
MPAA – PG for thematic elements, language and sensuality
DIRECTOR: Doug McHenry
WRITERS: David Dean Bottrell and Jessie Jones (based upon their play Dearly Departed)
PRODUCERS: Edward Bates and John Morrissey
CINEMATOGRAPHER: Francis Kenny
EDITOR: Richard Halsey
(NAACP) Image Awards nominee

COMEDY/DRAMA

Starring: LL Cool J, Jada Pinkett Smith, Vivica A. Fox, Loretta Devine, Anthony Anderson, Toni Braxton, Cedric the Entertainer, Darius McCrary, and Whoopi Goldberg

When the despicable head of a black family dies, family and close friends band together for a few tumultuous days to bury the old turd.

His long-suffering wife, Raynelle Slocum (Whoppi Goldberg), must bear the presence of her fractious clan. Her oldest and most reliable son, Ray Bud (LL Cool J) deals with burying a father he wasn’t particularly fond of, while he and his wife Lucille (Vivica A. Fox) struggle over their difficulty to conceive a child. Ray Bud’s brother Junior (Anthony Anderson) arrives broke and unemployed with his shrewish wife Charisse (Jada Pinkett Smith) and their brood of noisy boys. And there are many more mini-dramas in this huge cast of characters.

Kingdom Come is wholly and unabashedly a black movie. The cast is all black, and the writers created a cast of characters who are black rural and black Southern archetypes and stereotypes. If movies can revolve around story, setting, and/or characters, this one complete hangs upon its large cast. The plot is sparse: bury the old bastard as fast as we can so we don’t have to stay around each other too long.

Based upon a stage play, the movie, adapted by the playwrights, is very talky. Many of the actors spend much of their screen time screaming at their screen partners or just plain talking and explaining. The movie obviously has a message about families sticking together that it repeatedly pounds into our heads. Like many stage plays aimed at African-Americans, this one aims to both entertain and to teach. Its message is both obvious and familiar and geared towards black folks. African-Americans can nod their heads in agreement at the play’s message and vicariously gobble down huge servings of soul food with the cast.

Director Doug McHenry, a prolific producer and director (House Party 2 and Jason’s Lyric) chooses bluntness over subtlety, but he wisely follows each cast member’s every move, as this film could not hang upon its story. To understand Kingdom Come, one must come to understand the characters’ motivations. The film is average goods that does have some very funny and touching moments.

Kingdom Come’s importance is that it exists at all, and it is much needed in a Hollywood landscape that mostly ignores the audience that wants films like Kingdom Come. The cast also includes R&B vocalist Toni Braxton, Loretta Devine (Waiting to Exhale and What Women Want), and Cedric the Entertainer. The quality of the acting ranges from surprising to really good, and the actors overcome the average script and directing in making their characters fun to watch.

In the end, anyone with an extended family, regardless of ethnic background, will recognize the family template upon which this family is based. It’s a universal story with universal themes set in one particular group. Its family dynamics are as similar as “Everybody Loves Raymond,” or Parenthood. While it is not great, or even very good, for that matter, it is a good choice on home video and for family viewing.

5 of 10
B-